I feel a heavy weight in my heart today as I reflect on the recent changes within France VFX. The union that once stood strong for us, the artists and creators of visual effects, now feels distant and fragmented. 💔 As the new board takes shape, I can’t shake off this feeling of isolation. Are our voices truly being heard? Will our needs be addressed amidst the shifting priorities? The future seems uncertain, and the loneliness of this journey is suffocating. I long for a time when we felt united, fighting for a common cause, not just surviving in the shadows. 😔 #FranceVFX #VisualEffects #Loneliness #Artistry #Hope

Unigine 2.20 is out, and it adds support for 3D Gaussian Splatting. Not sure what that means, but I guess it’s nice for game devs or VFX folks. The update seems to have a bunch of features, but honestly, it’s just another day in the world of 3D engines. If you’re into indie games or need something for visual effects, this might be worth checking out. Anyway, it’s free, so that’s something. Not really feeling the excitement here. #Unigine #3DGaussianSplatting #IndieGames #VFX #GameDev

What a ridiculous mess we've stumbled upon with "The Substance"! This so-called film, directed by Coralie Fargeat, is nothing but a desperate attempt to cash in on the nostalgia of stars like Demi Moore and Margaret Qualley. The focus on VFX and practical effects is laughable when the story itself is a shallow portrayal of a star willing to inject herself with unpredictable substances just to regain her fame. It’s a reflection of our society's obsession with superficiality and the lengths people will go to for fleeting attention. Instead of celebrating talent, we glorify this toxic narrative. Are we really okay with this? It's time to demand better from our filmmakers and reject this garbage! #TheSubstance #VFX #FilmCritique #

Ah, the FMX 2025 has kicked off in Stuttgart, a beacon of hope for those grappling with the “crisis” of creativity. Because nothing says "we're thriving" like gathering a bunch of animation and VFX pros to discuss how to escape the creative void. Who knew that the answer to our woes lay in immersive media? Maybe if we animate our problems away, they’ll disappear too! Let’s raise a toast to the 29th edition of this festival, where the theme of the day is "Let’s pretend everything is fine while we brainstorm how to fix it." I, for one, am excited to see what innovative solutions come out of this gathering—preferably in the form of a CGI superhero who

C'est incroyable de voir à quel point la communauté de VFX et d'art conceptuel est prête à se laisser berner par des promesses creuses ! "Téléchargez trois actifs gratuits de la bibliothèque Terra xL" ? Franchement, qui croit encore à ces attrapes ? On nous vend des montagnes 3D scannées comme si c'était de l'or, alors qu'en réalité, c'est juste du contenu recyclé destiné à remplir un vide ! On mérite mieux que des ressources médiocres pour un usage commercial. Il est temps de demander des comptes et de ne pas tomber dans le piège de l'illusion ! #VFX #ArtConceptuel #TerraXl #AssetsGratuits #Mont

In the shadows of my solitude, I find myself contemplating the weight of my choices, as if each decision has led me further into a labyrinth of despair. Just like the latest updates from NIM Labs with their NIM 7.0 launch, promising new scheduling and conflict detection, I yearn for a path that seems to elude me. Yet, here I am, lost in a world that feels cold and uninviting, where even the brightest features of life fail to illuminate the darkness I feel inside. The updates in technology bring hope to many, but for me, they serve as a stark reminder of the isolation that wraps around my heart. The complexities of resource usage tracking in VFX and visualization echo the intricacies of my own emotional landscape, where every interaction feels like a conflict, and every moment is a struggle for connection. I watch as others thrive, their lives intertwined like intricate designs in a visual masterpiece, while I remain a mere spectator, trapped in a canvas of loneliness. Each day, I wake up to the silence that fills my room, a silence that feels heavier than the weight of my unexpressed thoughts. The world moves on without me, as if my existence is nothing more than a glitch in the matrix of life. The features that are meant to enhance productivity and creativity serve as a painful juxtaposition to my stagnation. I scroll through updates, seeing others flourish, their accomplishments a bittersweet reminder of what I long for but cannot grasp. I wish I could schedule joy like a meeting, or detect conflicts in my heart as easily as one might track resources in a studio management platform. Instead, I find myself tangled in emotions that clash like colors on a poorly rendered screen, each hue representing a fragment of my shattered spirit. The longing for connection is overshadowed by the fear of rejection, creating a cycle of heartache that feels impossible to escape. As I sit here, gazing at the flickering screen, I can’t help but wonder if anyone truly sees me. The thought is both comforting and devastating; I crave companionship yet fear the vulnerability that comes with it. The updates and features of NIM Labs remind me of the progress others are making, while I remain stagnant, longing for the warmth of a shared experience. In a world designed for collaboration and creativity, I find myself adrift, yearning for my own version of the features NIM 7.0 brings to others. I wish for a way to bridge the gap between my isolation and the vibrant connections that seem to thrive all around me. But for now, I am left with my thoughts, my heart heavy with unspoken words, as the silence of my solitude envelops me once more. #Loneliness #Heartbreak #Isolation #NIMLabs #EmotionalStruggles

What on earth is going on with the VFX in Netflix's "The Snow Sister"? Seriously, it’s 2023, and we’re still being fed mediocre visual effects that are supposed to "wow" us but end up doing the exact opposite! The so-called "VFX breakdown" is nothing more than a slap in the face to anyone who actually appreciates the art of visual storytelling. Let’s get one thing straight: if the best VFX are indeed the ones you can’t spot, then how on earth did we end up with these glaringly obvious digital blunders? It’s like they threw a bunch of half-baked effects together and called it a day. Instead of stunning visuals that elevate the narrative, we get a distracting mess that pulls you right out of the experience. Who are they kidding? The creators of "The Snow Sister" clearly missed the memo that viewers today are not easily satisfied. We demand more than just passable effects; we want immersive worlds that captivate us. And yet, here we are, subjected to a barrage of poorly executed VFX that look like they belong in a low-budget production from the early 2000s. It’s frustrating to see Netflix, a platform that should be setting the gold standard in content creation, flounder so embarrassingly with something as fundamental as visual effects. What’s even more maddening is the disconnect between the promotional hype and the actual product. They tout the "creation" of these effects as if they’re groundbreaking, but in reality, they are a visual cacophony that leaves much to be desired. How can anyone take this seriously when the final product looks like it was hastily patched together? It’s not just a disservice to the viewers; it’s an insult to the talented artists who work tirelessly in the VFX industry. They deserve better than to have their hard work represented by subpar results that manage to undermine the entire project. Netflix needs to wake up and understand that audiences are becoming increasingly discerning. We’re not just mindless consumers; we have eyes, and we can see when something is off. The VFX in "The Snow Sister" is a glaring example of what happens when corners are cut and quality is sacrificed for the sake of quantity. We expect innovation, creativity, and, above all, professionalism. Instead, we are fed a half-hearted effort that leaves us shaking our heads in disbelief. In conclusion, if Netflix wants to maintain its position as a leader in the entertainment industry, it’s time to step up its game and give us the high-quality VFX that we deserve. No more excuses, no more mediocre breakdowns—just real artistry that enhances our viewing experience. Let’s hold them accountable and demand better! #VFX #Netflix #TheSnowSister #VisualEffects #EntertainmentIndustry

mouvement #MeToo, violences sexistes, industrie créative, animation, VFX, jeux vidéo, AVFT, prévention, guides pratiques ## Introduction Dans le monde dynamique et captivant de l'industrie créative, que ce soit dans l'animation, les effets visuels (VFX) ou le développement de jeux vidéo, chaque jour offre de nouvelles opportunités à explorer et à créer. Cependant, ces secteurs ne sont pas à l'abri des défis, notamment en matière de violences sexistes et sexuelles. Le mouvement #MeToo a ouvert ...

✨🌟 Dive into the mesmerizing world of VFX with the epic drama series "Shōgun"! 🌟✨ Have you ever wondered how stunning visual effects can transform a story and make history come alive? 🌍💖 Well, the groundbreaking series "Shōgun," set in the enchanting Japan of the 1600s, is a perfect example that showcases the magic of storytelling through incredible visuals! 🎬✨ I recently watched an inspiring interview with the talented team from Important Looking Pirates (ILP VFX) during SIGGRAPH Asia, and I can’t help but feel excited about the future of visual effects in the entertainment industry! 🎉🙌 Philip Engström and Niklas Jacobson shared their insights on how they brought the captivating scenes of "Shōgun" to life, blending artistry with technology to create breathtaking moments that enthrall audiences. 🌈💡 What struck me the most was their passion for their craft! 💪💖 It’s a beautiful reminder that when we pour our hearts into what we love, we can create something extraordinary. Just like the intricate VFX in "Shōgun," our efforts can weave a tapestry of inspiration that uplifts others! 🌺✨ So, whether you're an aspiring VFX artist, a storyteller, or simply someone with a dream, let this be a call to action! Don't hesitate to dive into your passions and explore the endless possibilities that lie ahead! 🌊💫 Use your creativity to transform your visions into reality and inspire those around you. Remember, every masterpiece starts with a single step! 🚀🌟 Let’s celebrate the power of visual storytelling and the incredible work of studios like Important Looking Pirates! Together, we can elevate the art of VFX and inspire future generations to dream big and create boldly! 💖💪✨ Keep shining and let your creativity flow! 🌈💖 #Shogun #VFX #ImportantLookingPirates #VisualEffects #Inspiration

Ah, California! The land of sunshine, dreams, and the ever-elusive promise of tax credits that could rival a Hollywood blockbuster in terms of drama. Rumor has it that the state is considering a whopping 35% increase in tax credits to boost audiovisual production. Because, you know, who wouldn’t want to encourage more animated characters to come to life in a state where the cost of living is practically animated itself? Let’s talk about these legislative gems—Assembly Bill 1138 and Senate Bill 630. Apparently, they’re here to save the day, expanding the scope of existing tax aids like some overzealous superhero. I mean, why stop at simply attracting filmmakers when you can also throw in visual effects and animation? It’s like giving a kid a whole candy store instead of a single lollipop. Who can say no to that? But let’s pause for a moment and ponder the implications of this grand gesture. More tax credits mean more projects, which means more animated explosions, talking squirrels, and heartfelt stories about the struggles of a sentient avocado trying to find love in a world that just doesn’t understand it. Because, let’s face it, nothing says “artistic integrity” quite like a financial incentive large enough to fund a small country. And what do we have to thank for this potential windfall? Well, it seems that politicians have finally realized that making movies is a lot more profitable than, say, fixing potholes or addressing climate change. Who knew? Instead of investing in infrastructure that might actually benefit the people living there, they decided to invest in the fantasy world of visual effects. Because really, what’s more important—smooth roads or a high-speed chase featuring a CGI dinosaur? As we delve deeper into this world of tax credit excitement, let’s not forget the underlying truth: these credits are essentially a “please stay here” plea to filmmakers who might otherwise take their talents to greener pastures (or Texas, where they also have sweet deals going on). So, here’s to hoping that the next big animated feature isn’t just a celebration of creativity but also a financial statement that makes accountants drool. So get ready, folks! The next wave of animated masterpieces is coming, fueled by tax incentives and the relentless pursuit of cinematic glory. Who doesn’t want to see more characters with existential crises brought to life on screen, courtesy of our taxpayer dollars? Bravo, California! You’ve truly outdone yourself. Now let’s just hope these tax credits don’t end up being as ephemeral as a poorly rendered CGI character. #CaliforniaTaxCredits #Animation #VFX #Hollywood #TaxIncentives