show some love for the losers Delightfully irreverent Underdogs isn’t your parents’ nature docuseries Ryan Reynolds narrates NatGeo's new series highlighting nature's much less cool and majestic creatures Jennifer Ouellette – Jun 15, 2025 3:11 pm | 5 The indestructible honey badger is just one of nature's "benchwarmers" featured in Underdogs Credit: National Geographic/Doug Parker The indestructible honey badger is just one of nature's "benchwarmers" featured in Underdogs Credit: National Geographic/Doug Parker Story text Size Small Standard Large Width * Standard Wide Links Standard Orange * Subscribers only   Learn more Narrator Ryan Reynolds celebrates nature's outcasts in the new NatGeo docuseries Underdogs. Most of us have seen a nature documentary or two (or three) at some point in our lives, so it's a familiar format: sweeping majestic footage of impressively regal animals accompanied by reverently high-toned narration (preferably with a tony British accent). Underdogs, a new docuseries from National Geographic, takes a decidedly different and unconventional approach. Narrated by with hilarious irreverence by Ryan Reynolds, the five-part series highlights nature's less cool and majestic creatures: the outcasts and benchwarmers, more noteworthy for their "unconventional hygiene choices" and "unsavory courtship rituals." It's like The Suicide Squad or Thunderbolts*, except these creatures actually exist. Per the official premise, "Underdogs features a range of never-before-filmed scenes, including the first time a film crew has ever entered a special cave in New Zealand—a huge cavern that glows brighter than a bachelor pad under a black light thanks to the glowing butts of millions of mucus-coated grubs. All over the world, overlooked superstars like this are out there 24/7, giving it maximum effort and keeping the natural world in working order for all those showboating polar bears, sharks and gorillas." It's rated PG-13 thanks to the odd bit of scatalogical humor and shots of Nature Sexy Time Each of the five episodes is built around a specific genre. "Superheroes" highlights the surprising superpowers of the honey badger, pistol shrimp, and the invisible glass frog, among others, augmented with comic book graphics; "Sexy Beasts" focuses on bizarre mating habits and follows the format of a romantic advice column; "Terrible Parents" highlights nature's worst practices, following the outline of a parenting guide; "Total Grossout" is exactly what it sounds like; and "The Unusual Suspects" is a heist tale, documenting the supposed efforts of a macaque to put together the ultimate team of masters of deception and disguise (an inside man, a decoy, a fall guy, etc.).  Green Day even wrote and recorded a special theme song for the opening credits. Co-creators Mark Linfield and Vanessa Berlowitz of Wildstar Films are longtime producers of award-winning wildlife films, most notably Frozen Planet, Planet Earth and David Attenborough's Life of Mammals—you know, the kind of prestige nature documentaries that have become a mainstay for National Geographic and the BBC, among others. They're justly proud of that work, but this time around the duo wanted to try something different. Madagascar's aye-aye: "as if fear and panic had a baby and rolled it in dog hair" National Geographic/Eleanor Paish Madagascar's aye-aye: "as if fear and panic had a baby and rolled it in dog hair" National Geographic/Eleanor Paish An emerald jewel wasp emerges from a cockroach. National Geographic/Simon De Glanville An emerald jewel wasp emerges from a cockroach. National Geographic/Simon De Glanville A pack of African hunting dogs is no match for the honey badger's thick hide. National Geographic/Tom Walker A pack of African hunting dogs is no match for the honey badger's thick hide. National Geographic/Tom Walker An emerald jewel wasp emerges from a cockroach. National Geographic/Simon De Glanville A pack of African hunting dogs is no match for the honey badger's thick hide. National Geographic/Tom Walker A fireworm is hit by a cavitation bubble shot from the claw of a pistol shrimp defending its home. National Geographic/Hugh Miller As it grows and molts, the mad hatterpillar stacks old head casings on top of its head. Scientists think it is used as a decoy against would-be predators and parasites, and when needed, it can also be used as a weapon. National Geographic/Katherine Hannaford Worst parents ever? A young barnacle goose chick prepares t make the 800-foot jump from its nest to the ground. National Geographic An adult pearlfish reverses into a sea cucumber's butt to hide. National Geographic A vulture sticks its head inside an elephant carcass to eat. National Geographic A manatee releases flatulence while swimming to lose the buoyancy build up of gas inside its stomach, and descend down the water column. National Geographic/Karl Davies "There is a sense after awhile that you're playing the same animals to the same people, and the shows are starting to look the same and so is your audience," Linfield told Ars. "We thought, okay, how can we do something absolutely the opposite? We've gone through our careers collecting stories of these weird and crazy creatures that don't end up in the script because they're not big or sexy and they live under a rock. But they often have the best life histories and the craziest superpowers." Case in point: the velvet worm featured in the "Superheroes" episode, which creeps up on unsuspecting prey before squirting disgusting slime all over their food. (It's a handy defense mechanism, too, against predators like the wolf spider.) Once Linfield and Berlowitz decided to focus on nature's underdogs and to take a more humorous approach, Ryan Reynolds became their top choice for a narrator—the anti-Richard Attenborough. As luck would have it, the pair shared an agent with the mega-star. So even though they thought there was no way Reynolds would agree to the project, they put together a sizzle reel, complete with a "fake Canadian Ryan Reynolds sound-alike" doing the narration. Reynolds was on set when he received the reel, and loved it so much he recoded his own narration for the footage and sent it back. "From that moment he was in," said Linfield, and Wildstar Films worked closely with Reynolds and his company to develop the final series. "We've never worked that way on a series before, a joint collaboration from day one," Berlowitz admitted. But it worked: the end result strikes the perfect balance between scientific revelation and accurate natural history, and an edgy comic tone. That tone is quintessential Reynolds, and while he did mostly follow the script (which his team helped write), Linfield and Berlowitz admit there was also a fair amount of improvisation—not all of it PG-13.  "What we hadn't appreciated is that he's an incredible improv performer," said Berlowitz. "He can't help himself. He gets into character and starts riffing off [the footage]. There are some takes that we definitely couldn't use, that potentially would fit a slightly more Hulu audience."  Some of the ad-libs made it into the final episodes, however—like Reynolds describing an Aye-Aye as "if fear and panic had a baby and rolled it in dog hair"—even though it meant going back and doing a bit of recutting to get the new lines to fit. Cinematographer Tom Beldam films a long-tailed macaque who stole his smart phone minutes later. National Geographic/Laura Pennafort Cinematographer Tom Beldam films a long-tailed macaque who stole his smart phone minutes later. National Geographic/Laura Pennafort The macaque agrees to trade ithe stolen phone for a piece of food. National Geographic The macaque agrees to trade ithe stolen phone for a piece of food. National Geographic A family of tortoise beetles defend themselves from a carnivorous ant by wafting baby poop in its direction. National Geographic A family of tortoise beetles defend themselves from a carnivorous ant by wafting baby poop in its direction. National Geographic The macaque agrees to trade ithe stolen phone for a piece of food. National Geographic A family of tortoise beetles defend themselves from a carnivorous ant by wafting baby poop in its direction. National Geographic A male hippo sprays his feces at another male who is threatening to take over his patch. National Geographic A male proboscis monkey flaunts his large nose. The noses of these males are used to amplify their calls in the vast forest. National Geographic Dream girl: A blood-soaked female hyena looks across the African savanna. National Geographic A male bowerbird presents one of the finest items in his collection to a female in his bower. National Geographic The male nursery web spider presents his nuptial gift to the female. National Geographic Cue the Barry White mood music: Two leopard slugs suspend themselves on a rope of mucus as they entwine their bodies to mate with one another. National Geographic Despite their years of collective experience, Linfield and Berlowitz were initially skeptical when the crew told them about the pearl fish, which hides from predators in a sea cucumber's butt (along with many other species). "It had never been filmed so we said, 'You're going to have to prove it to us,'" said Berlowitz. "They came back with this fantastic, hilarious sequence of a pearl fish reverse parking [in a sea cucumber's anus)." The film crew experienced a few heart-pounding moments, most notably while filming the cliffside nests of barnacle geese for the "Terrible Parents" episode. A melting glacier caused a watery avalanche while the crew was filming the geese, and they had to quickly grab a few shots and run to safety. Less dramatic: cinematographer Tom Beldam had his smartphone stolen by a long-tailed macaque mere minutes after he finished capturing the animal on film. If all goes well and Underdogs finds its target audience, we may even get a follow-up. "We are slightly plowing new territory but the science is as true as it's ever been and the stories are good. That aspect of the natural history is still there," said Linfield. "I think what we really hope for is that people who don't normally watch natural history will watch it. If people have as much fun watching it as we had making it, then the metrics should be good enough for another season." Verdict: Underdogs is positively addictive; I binged all five episodes in a single day. (For his part, Reynolds said in a statement that he was thrilled to "finally watch a project of ours with my children. Technically they saw Deadpool and Wolverine but I don't think they absorbed much while covering their eyes and ears and screaming for two hours.") Underdogs premieres June 15, 2025, at 9 PM/8 PM Central on National Geographic (simulcast on ABC) and will be available for streaming on Disney+ and Hulu the following day.  You should watch it, if only to get that second season. Jennifer Ouellette Senior Writer Jennifer Ouellette Senior Writer Jennifer is a senior writer at Ars Technica with a particular focus on where science meets culture, covering everything from physics and related interdisciplinary topics to her favorite films and TV series. Jennifer lives in Baltimore with her spouse, physicist Sean M. Carroll, and their two cats, Ariel and Caliban. 5 Comments

Geoff Keighley has promised a record-breaking number of publishers at Summer Game Fest this year, so we’ve rounded up what we think we’ll be playing in the coming monthsTech23:00, 05 Jun 2025We're so ready to step into Samus' boots againE3 might be long gone, but Summer Game Fest has replaced it. While Nintendo Switch 2 has just launched, and Sony has held its own State of Play event, tonight’s show is about as unpredictable as you can get. So, naturally, we’re trying to predict what we’ll be seeing.With everyone from PlayStation to SEGA, Xbox and even Nintendo making an appearance, we’re expecting big things from the showcase, which will be packed with titles for 2025 and beyond.‌While some are known quantities, like Borderlands 4, Little Nightmares 3, and the upcoming Bond game from Hitman developer IO Interactive, we’re still expecting plenty of surprises. Here’s everything we’re predicting for Summer Game Fest 2025.‌There are plenty of big namesWith Geoff Keighley’s events in both the Summer and December being key fixtures on the gaming events calendar, he’s able to pull off plenty of surprises. The Game Awards 2023 revealed Monster Hunter Wilds, while the following year showcased the first gameplay of Slay The Spire 2 and Split Fiction, as well as Elden Ring Nightreign and Intergalactic: The Heretic Prophet.As for Summer Game Fest itself, the show last year featured Dragon Ball: Sparking Zero, Kingdom Come: Deliverance II and Warhammer 40,000: Space Marine 2 - all games which were released since then.Article continues belowWe’ve heard rumblings that Capcom’s Pragmata, revealed alongside the PS5 in June 2020, could be shown at the event following an indefinite delay in 2023. It’s just as well, since we have no idea what the game really is yet.We’re also very curious about what Nintendo could show. The Switch 2 is out, but only as of yesterday, so we’d expect a sizzle reel to show what the console is capable of, as well as another look at Donkey Kong Bananza.‌PlayStation is probably easier to predict since the company is launching Hideo Kojima’s Death Stranding 2: On The Beach in just a few short weeks, and Geoff Keighley will likely find some way of getting the man himself on stage.SEGA has plenty to show, too. Sonic Racing CrossWorlds is still due this year, while the company has an ambitious plan to resurrect classic titles starting with Shinobi: Art of Vengeance and leading into Streets of Rage and Crazy Taxi.We tipped a Final Fantasy 7 Remake Part 3 announcement for Sony’s State of Play, but we’re still waiting for more news on Kingdom Hearts 4.‌Pearl Abyss is still aiming to launch Crimson Desert this year (supposedly), but we’re without a release date as yet, while the company is also working on its colourful DokeV which has been MIA for years at this point.While Microsoft is expected to appear, the company has its own showcase just two days later with a big focus on The Outer Worlds 2. As a result, we might just get a sneak peek at this year’s Call of Duty with more to come on Sunday.With Bungie’s Marathon hit by plagiarism accusations, Embark Studios has a great chance to get players onto Arc Raiders as an alternative. Speaking of Bungie, expect a gameplay trailer for Destiny 2: Edge of Fate.‌Elden Ring is coming to Switch 2(Image: FromSoftware, Inc.)Call us crazy, but we want a bunch of Switch 2 news. We want to see From Software’s Duskbloods, get a release date for Elden Ring: Tarnished Edition, and maybe even a Metroid Prime 4 release date from Nintendo itself.Given the history of Monster Hunter on portable consoles, we’ve got everything crossed for the series to come to Switch 2, but coming off of the excellent Wilds, it’s perhaps unlikely.‌Naturally, we’ve always got our fingers crossed that we’ll see Silksong, but rumours have suggested that Team Cherry’s long-awaited Hollow Knight follow-up would be announced at Microsoft’s event if at all.As we said in our State of Play predictions, we’re also expecting to hear more about Resident Evil 9 by the end of this week, in some way, shape, or form.With The Division 2 getting what’s likely its final DLC recently, here’s hoping for The Division 3, which has been rumoured for a while. Or, maybe Ubisoft will finally share something about the Splinter Cell title it has in development.Article continues belowDid we get any correct? Find out with us, with the show kicking off at 10PM BST on Friday night.For the latest breaking news and stories from across the globe from the Daily Star, sign up for our newsletters.‌‌‌

Macworld WWDC is less than two weeks away, and it’s shaping up to be a big show. Along with interface updates to all of its operating systems, Apple is also expected to formalize the version numbering across all of its OSes for the first time. According to a report by Mark Gurman, Apple will identify its operating systems by year instead of version number, bringing them all to 26. Even though the releases will begin 2025, Apple will name it after the following year, “not unlike how car companies market their vehicles,” Gurman says. That means several operating systems will jump to new numbers: iOS 18 > iOS 26 iPadOS 18 > iPadOS 26 macOS 15 > macOS 26 watchOS 11 > watchOS 26 tvOS 18 > tvOS 26 visionOS 2 > visionOS 26 Apple’s operating systems are currently named based on their version numbers, which is why some aren’t aligned. However, iPadOS and tvOS are on version 18 despite not having 18 versions, while macOS arbitrarily began at version 11 in 2020. This shift will make it much easier for users to know which version they’re using. As Gurman notes, Apple previously experimented with yearly numbering for its app suites, with iLife ‘04 and iWork ‘05. However, that nomenclature eventually sizzled out as Apple started updating apps individually. It’s not clear whether Apple will use an apostrophe to indicate that it’s a year and not a version number. Apple will unveil its full slate of OS updates at its WWDC keynote on June 9. Stay tuned to Macworld for updates before, during, and after the event.

With so many interesting and varied projects being shared with us at any given moment, whether via direct tags or the #MadeWithUnity and #UnityTips hashtags, it can be hard to keep up with all that’s happening within our community. Don’t worry, we’ve got you covered. Sit back, relax, and enjoy this roundup of highlights that showcase everything you need to know about what the community got up to last month.Each Monday, we celebrate a milestone hit by one of our creators. From new game launches to awards won, we are constantly in awe at your achievements!Throughout August we celebrated the launch of Lost in Play by Happy Juice Games, the launch of As Dusk Falls by INTERIOR/NIGHT, and Dot's Home by Rise-Home Stories Project for winning big at the Games for Change Awards!Tuesdays are dedicated to #UnityTips on Twitter, and last month Massive Monster, makers of Cult of the Lamb, took over @UnityGames to share tips on how to make your 2D Sprites work harder (1,2,3,4,5).Some other great tips that were shared include Ehsan Ehrari’s quick and easy way to neaten up your workflow if your layers end up getting messy and Sunny Valley Studio’s tip on how to fix holes in your shadows.We share tips on our Twitter channels every Tuesday, so keep tagging us and using the #UnityTips hashtag!We love seeing your works in progress, and each Friday we share the projects that have us searching for a playable demo.August was no exception! Rollerdrome by Roll 7 had us mesmerized with a peek under the hood at the prototype to final game transition, Grimm Tales made a pool of water look so refreshing that all we could think about was going for a swim, and François Martineau sent our imagination racing about what other great foes we’d encounter on our hero’s journey.Each time we browse through the #MadeWithUnity hashtag across social media, we’re always amazed at the creativity and love you bring to your projects. Keep sharing!Last month, the Unity YouTube saw a flurry of activity with two new entries into our Meet the Creator series and a sizzle reel for gamescom 2022.Want more? We have you covered with two amazing YouTube playlists you need to keep your eye on.We love #MadeWithUnityMade with Unity Game TrailersLast month on Twitch we:Sat down with INTERIOR/NIGHT, the team behind As Dusk Falls, to gain insights into their development: unique character pipelines that blend 2D and 3D, the use of Unity Timeline, their companion app, and more.Skated into the Rollerdrome with Roll_7 to look at level design, shaders, physics, and more.Spoke to Thomas Brush, creator of Father, who shared his approach to pitching to publishers, crowdfunding, and demoing.Don’t forget to follow us on Twitch and hit the notification bell so you never miss a stream. If you miss us live no sweat, we upload full streams to our YouTube playlist.We kicked off August with 40% off select Asset Store tools and packages to spark your imagination. Then, Daniel Zeller took over the @AssetStore Twitter to share tips on the Fluffy Grooming Tool, and so did Renaud Forestié from More Mountains, who offered insights on how you can use FEEL to level up your game.For even more on assets, see how the smaller teams behind popular game Sable and indie mobile business Tinytouchtales have used Asset Store resources to speed up game development and save time.Each Friday, we also feature beautiful assets made by our publisher community. Whether it’s something new, or a popular tool that has been around for a while, we love to see the assets in action. Check out some of what was shared in August below!InfiniGRASS by ArtnGameGPU Grass by Dan PhilipsScreen Ripple by Steven GerrardElemental Animations by Kevin IglesiasDo you want to show off your work? Make sure to use the #AssetStore hashtag!And finally, here’s a non-exhaustive list of Made with Unity games released in August. See any on the list that have already become new favorites?Big Ambitions, Hovgaard Games (August 1)The Mortuary Assistant, DarkStone Digital (August 2)Two Point Campus, Two Point Studios (August 9)Stereo Boy, Main Gauche Games (August 9)Farthest Frontier, Crate Entertainment (August 9)Lost in Play, Happy Juice Games (August 10)Arcade Paradise, Nosebleed Interactive (August 11)Cult of the Lamb, Massive Monster (August 11)Rollerdrome, Roll7 (August 16)Cursed to Golf, Chuhai Labs (August 18)Midnight Fight Express, Jacob Dzwinel (August 23)I Was a Teenage Exocolonist, Northway Games (August 25)ORX, johnbell (August 30)Immortality, Sam BarlowHalf Mermaid (August 30)Tinykin, Splashteam (August 30)That’s a wrap for August! Want more as it happens? Don’t forget to follow us on social media.

39 Summer Fonts That Really ‘Sizzle’ In this article:See more ▼Post may contain affiliate links which give us commissions at no cost to you.As a graphic designer who lives for those long, lazy summer days, I can’t help but get excited when it’s time to break out the summer fonts. There’s something absolutely magical about typography that captures the essence of sunshine, beach vibes, and endless possibilities. Summer fonts are more than just pretty letters on a screen – they’re visual vacation postcards that transport viewers straight to sandy beaches, backyard barbecues, and those perfect golden hour moments. I’ve spent countless hours (probably too many!) curating the perfect collection of typefaces that embody everything we love about the warmest season of the year. Whether you’re designing festival posters, ice cream shop branding, or social media graphics that scream “summer vibes,” the right font can make all the difference. It’s not just about looking good (though these fonts absolutely do); it’s about evoking that carefree, sun-kissed feeling that makes summer so special. In this comprehensive guide, we’ll dive deep into the most sizzling summer fonts of 2025, explore what makes a font feel summery, and discover how to use these typefaces to bring that vacation energy to any project. So grab your favorite cold drink, find a spot in the shade, and let’s embark on this typographic summer adventure together! 👋 Psst... Did you know you can get unlimited downloads of 59,000+ fonts and millions of other creative assets for just $16.95/mo? Learn more »The Hottest Summer Fonts of 2025 Not all fonts are created equal when it comes to capturing that perfect summer essence. I’ve handpicked the most vibrant, energetic typefaces that’ll make your designs feel like a breath of fresh ocean air. Here are my top picks: Summer Sunshine Summer Sunshine is a vibrant decorative font that exudes warmth and cheer. Its playful letterforms and sunny aesthetic make it perfect for summer-themed designs and joyful projects.Summer Days Summer Days is a lively script font that captures the essence of carefree summer vibes. Its fluid, handwritten style and energetic character make it ideal for creating designs with a fresh and vibrant feel.Get 300+ Fonts for FREEEnter your email to download our 100% free "Font Lover's Bundle". For commercial & personal use. No royalties. No fees. No attribution. 100% free to use anywhere. Summer Crab Summer Crab is a unique serif font with a handwritten twist, perfect for summer-themed typography. Its quirky design combines elegance with a touch of whimsy, making it suitable for both formal and casual summer projects.Sunrise Waves Sunrise Waves is a brushy sans-serif font that evokes the calm and beauty of a beach at dawn. Its smooth lines and balanced proportions make it versatile for various summer and coastal-themed designs.Summer Wednesday Summer Wednesday is a charming script font that captures the essence of lazy summer days. Its relaxed, handwritten style is perfect for creating designs with a casual, vacation-like atmosphere.Summers Typeface + BONUS vector Summers Typeface is a versatile script font that comes with bonus vector elements. Its flowing monoline letterforms and additional graphics make it an excellent choice for creating comprehensive summer-themed designs and branding materials.Sunroof & Summer Sunroof & Summer is a carefree handwritten font that embodies the spirit of summer road trips. Its natural, spontaneous style is perfect for creating designs with a laid-back and adventurous feel.Summerica Typeface Summerica Typeface is a playful serif font with a hint of nostalgia. Its unique blend of classic and whimsical elements makes it ideal for summer holiday designs and retro-inspired projects.Summer Heaven Summer Heaven is a delightful script font that radiates warmth and happiness. Its sunny disposition and fluid letterforms make it perfect for creating designs that evoke the joy of perfect summer days.Summer – Handwriting Font Summer is a versatile handwriting font that combines sans-serif elements with a script-like flow. Its natural, easy-going style makes it suitable for a wide range of summer-themed designs and personal projects.AL – Blue Season AL – Blue Season is a refreshing cursive font that captures the essence of cool summer breezes. Its flowing letterforms and subtle blue hues make it perfect for creating designs with a calm, seasonal atmosphere.Summer Fruits – Layered Font Summer Fruits is a playful layered font that adds depth and vibrancy to designs. Its fruity aesthetic and customizable layers make it ideal for creating eye-catching summer-themed typography and graphics.Sunburned Tropic – Summer Brush Font Sunburned Tropic is a bold brush font that exudes tropical summer vibes. Its rough, organic texture and energetic strokes make it perfect for creating designs with a beachy, sun-soaked feel.FLIES SUMMER FLIES SUMMER is a modern sans-serif display font with a unique twist. Its clean lines and subtle summer-inspired details make it versatile for various design projects, from branding to editorial layouts.Summer Festival Summer Festival is a lively decorative fun font that captures the excitement of outdoor events. Its playful letterforms and festive character make it ideal for creating designs for summer concerts, fairs, and celebrations.Summer Journey Summer Journey is a versatile font that combines decorative and sans-serif elements. Its unique design evokes a sense of adventure, making it perfect for travel-themed projects and summer vacation designs.Summer Times Summer Times is a chunky, fun script font that radiates positivity with its mid-century font style. Its bold letterforms and playful style make it excellent for creating eye-catching headlines and designs with a cheerful summer vibe.Summer Foliage Font Summer Foliage Font is a nature-inspired typeface that blends sans-serif and script elements. Its organic shapes and leafy details make it perfect for creating designs with a fresh, summery botanical theme.Summer Dust Font Summer Dust Font is a clean and airy typeface that combines sans-serif and handwritten styles. Its light, breezy character makes it ideal for creating designs with a soft, summery atmosphere.Summer Splash Summer Splash is a vibrant splashy water font with a decorative flair. Its energetic letterforms and splashy details make it perfect for creating designs that evoke the fun and excitement of summer water activities.Summer Vibes Summer Vibes is a relaxed sans-serif font with a handwritten feel. Its casual style and subtle imperfections make it ideal for creating designs with a laid-back, beachy atmosphere.Summer Dance Summer Dance is a lively script font with decorative elements. Its fluid, rhythmic letterforms make it perfect for creating designs that convey movement and joy, ideal for summer event promotions.Summer Show Summer Show is a bold display font that combines sans-serif and decorative features. Its striking design and summer-inspired details make it excellent for creating eye-catching headlines and promotional materials.Summer Tropics Summer Tropics is a fun and chunky script font that exudes tropical vibes. Its playful letterforms and bold character make it perfect for creating designs with a lively, vacation-like atmosphere.Summer Diary Summer Diary is a charming decorative font with a personal touch. Its handwritten-style letterforms and subtle embellishments make it ideal for creating designs that evoke memories of summer adventures.Salty Bash Handwriting Script Salty Bash is a carefree handwriting script with a beachy vibe. Its natural flow and slightly weathered appearance make it perfect for creating designs with a relaxed, coastal feel.Summer Flash Summer Flash is a dynamic decorative font with a sense of energy and movement. Its bold, eye-catching design makes it ideal for creating impactful summer-themed headlines and promotional materials.Summer Tropica – Playful Font Summer Tropica is a fun and vibrant font that combines script and sans-serif elements. Its playful character and tropical flair make it perfect for creating designs with a lively summer atmosphere.Ocean – Hand Writing Summer Font Ocean is a refreshing wavy font with a beachy feel. Its natural flow and subtle irregularities make it ideal for creating designs that evoke the relaxed atmosphere of seaside vacations.Summer Party Summer Party is an energetic script font that captures the excitement of summer festivities. Its lively letterforms and dynamic style make it perfect for creating designs for summer events and celebrations.Summer Funny – Summer Display Font Summer Funny is a quirky and playful display font with a chunky design. Its fun character and bold presence make it ideal for creating eye-catching headlines and designs with a lighthearted summer vibe.Summer Lemonade + Extras Summer Lemonade is a refreshing script font that comes with extra design elements. Its crisp, fluid letterforms and additional graphics make it perfect for creating comprehensive summer-themed branding and designs.Tropical Summer Font Tropical Summer Font is an exotic blend of script and decorative elements. Its lush, organic design and tropical motifs make it ideal for creating designs with a vibrant, paradise-like atmosphere.Fest Summer Font Fest Summer Font is a bold and chunky script that radiates fun and excitement. Its playful letterforms and energetic style make it perfect for creating designs for summer festivals and outdoor events.Fresh Kids – Fun Display Font Fresh Kids is a lively bubble font designed with children in mind. Its playful character and cheerful design make it ideal for creating kid-friendly summer designs and educational materials.Summer Blaze – Summer Brush Font Summer Blaze is an energetic brush font that captures the heat of summer. Its bold strokes and dynamic character make it perfect for creating designs with a sun-soaked, beachy vibe.Beach Vibe – Summer font Beach Vibe is a laid-back sans-serif font with a summer twist. Its relaxed style and subtle coastal elements make it ideal for creating designs with a cool, holiday atmosphere.SUMMER QUICK – Fun Font SUMMER QUICK is a lively sans-serif display font with a fun, casual feel. Its quirky letterforms and energetic style make it perfect for creating designs with a spontaneous summer vibe.Benji Holidas Summer Display Font Benji Holidas is a charming decorative font with a summery disposition. Its unique letterforms and playful design make it ideal for creating eye-catching headlines and designs for summer holidays and events.What Makes a Font Feel Like Summer? Ever wondered what gives certain fonts that unmistakable summer vibe? It’s not magic (though it might feel like it) – there are specific design elements that trigger those warm, sunny associations in our minds. Relaxed, Flowing Letterforms Summer fonts often feature loose, organic shapes that mirror the laid-back nature of the season. Think flowing scripts that feel like ocean waves or casual handwritten styles that look like they were penned on a beach towel. These relaxed letterforms create an instant sense of ease and vacation mode. The beauty lies in their imperfection – slightly uneven baselines, varying letter sizes, and that wonderful hand-drawn quality that says “life’s too short to stress about perfect alignment.” Bright, Energetic Personality Summer fonts radiate energy and optimism. They’re the typographic equivalent of a sunny day – bold when they need to be, playful in their character variations, and always ready to put a smile on your face. Many summer fonts incorporate fun details like decorative flourishes, tropical motifs, or beach-inspired elements that add personality and charm. These little touches transform ordinary letters into summer storytelling devices. Vintage Beach Resort Vibes There’s something irresistibly nostalgic about classic summer typography. Fonts that reference vintage surf culture, retro vacation postcards, or mid-century beach resort signage tap into our collective summer memories. These typefaces often feature bold, confident letterforms with a touch of that authentic vintage wear – like sun-faded signs that have weathered countless summers and still look absolutely perfect. Where to Use Summer Fonts Summer fonts are incredibly versatile, bringing that vacation energy to a wide range of design applications. Their cheerful, relaxed nature makes them perfect for projects that want to feel approachable and fun. Event and Festival Branding Summer fonts are absolute stars when it comes to music festivals, beach parties, food truck events, and outdoor celebrations. Their energetic personality helps capture the excitement and community spirit of summer gatherings. From concert posters that need to grab attention from across a crowded street to wristbands that become summer souvenirs, the right summer font sets the perfect tone for memorable experiences. Hospitality and Tourism Beach resorts, vacation rentals, travel agencies, and tropical restaurants all benefit from summer fonts that instantly communicate relaxation and escape. These typefaces help potential guests imagine themselves already on vacation. Whether it’s a boutique hotel’s website, a restaurant’s poolside menu, or a travel blog’s header, summer fonts create that crucial emotional connection with wanderlust. Food and Beverage Ice cream shops, juice bars, beachside cafes, and summer pop-up stands rely on fonts that feel as refreshing as their offerings. Summer fonts help communicate that products are fresh, fun, and perfect for hot weather. From smoothie shop logos to popsicle packaging, these fonts add flavor before customers even take their first taste. Social Media and Digital Design Summer fonts absolutely shine in digital spaces where catching attention is crucial. Instagram posts, Pinterest graphics, blog headers, and email newsletters all benefit from typography that stops the scroll and says “summer!” Where to Avoid Summer Fonts While summer fonts bring joy and energy to many projects, there are definitely situations where their casual, playful nature might not be the best fit. Corporate and Professional Contexts Financial institutions, law firms, medical practices, and other professional services typically need fonts that convey trust, reliability, and expertise. Summer fonts, with their relaxed and playful nature, might undermine the serious tone these industries require. Save the beach vibes for beach-related projects, and opt for more traditional, authoritative typefaces when professionalism is paramount. Technical Documentation User manuals, software interfaces, scientific reports, and instructional materials need maximum clarity and readability. Summer fonts, while beautiful, can sometimes sacrifice legibility for personality – not ideal when clear communication is critical. Formal Occasions Wedding invitations (unless it’s a beach wedding!), memorial services, graduation ceremonies, and other formal events typically call for more elegant, traditional typography that matches the occasion’s gravity and importance. How to Choose the Perfect Summer Font Selecting the ideal summer font involves balancing aesthetic appeal with practical considerations. Here’s how to nail that perfect summer typography choice: Consider Your Audience Think about who you’re designing for. A family beach resort might want fonts that feel welcoming to all ages, while a trendy rooftop bar could go for something more sophisticated and contemporary. Young festival-goers respond to different visual cues than luxury vacation travelers. Match the Summer Vibe Summer encompasses many different moods – from energetic beach parties to serene sunset dinners. Identify the specific summer feeling you want to evoke. Is it playful and energetic? Relaxed and tropical? Nostalgic and vintage? Let this guide your font selection. Test Readability Summer fonts often prioritize personality over perfection, but your message still needs to be clear. Test your chosen font at various sizes and in different contexts to ensure it maintains readability across all applications. Consider Seasonal Flexibility If you’re designing for a brand that operates year-round, consider how your summer font choice will work in off-season communications. Some fonts are specifically summery, while others have enough versatility to work across seasons with different color palettes or supporting elements. Alternatives to Traditional Summer Fonts While dedicated summer fonts are fantastic, there are other typographic approaches that can capture seasonal energy: Tropical Script Fonts Flowing scripts with exotic flair can evoke tropical paradise without being explicitly summer-themed. These work beautifully for destination weddings, luxury resorts, and high-end travel brands. Vintage Surf Typography Fonts inspired by classic surf culture bring authentic beach credibility to modern designs. These work especially well for brands that want to tap into surf and beach lifestyle culture. Hand-Lettered Styles Custom hand-lettered looks feel personal and authentic – perfect for small businesses, artisanal products, and brands that want to feel approachable and genuine. Common Summer Font Questions Let’s tackle some frequently asked questions about summer typography: What makes a font look summery? Summer fonts typically feature relaxed, flowing letterforms, bright energetic personalities, and often include decorative elements that reference beach, tropical, or vacation themes. They tend to feel casual, approachable, and optimistic. Can I use summer fonts year-round? While some summer fonts are specifically seasonal, many can work year-round with the right warm color palette and supporting design elements. The key is choosing fonts with enough versatility to adapt to different seasonal moods. Are summer fonts professional enough for business use? It depends on your business! Summer fonts are perfect for hospitality, food service, entertainment, and lifestyle brands. However, they might not be appropriate for more conservative industries like finance or healthcare. How do I pair summer fonts with other typefaces? Summer fonts often work well paired with clean, simple sans-serifs for body text. The contrast between a playful summer display font and a readable sans-serif creates visual hierarchy while maintaining that seasonal energy. Making Your Designs Sizzle Summer fonts are more than just typography – they’re instant mood boosters that transform ordinary designs into sunshine-filled experiences. Whether you’re creating a beach resort’s brand identity, designing the perfect festival poster, or crafting social media graphics that capture those golden hour vibes, the right summer font sets the stage for memorable design. Remember, the best summer font isn’t necessarily the most decorative or tropical-looking one. It’s the font that perfectly captures the specific summer mood you’re trying to create while still serving your project’s practical needs. So go ahead, embrace those warm-weather vibes in your next design project. Choose fonts that make people want to kick off their shoes, grab a cold drink, and soak up some vitamin D. After all, life’s too short for boring typography – especially in summer! What’s your favorite summer font? I’d love to hear about the typefaces that make you dream of beach days and endless sunshine! Riley Morgan Riley Morgan is a globe-trotting graphic designer with a sharp eye for color, typography, and intuitive design. They are a color lover and blend creativity with culture, drawing inspiration from cities, landscapes, and stories around the world. 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Imagine: China deploys hundreds of thousands of autonomous drones in the air, on the sea, and under the water—all armed with explosive warheads or small missiles. These machines descend in a swarm toward military installations on Taiwan and nearby US bases, and over the course of a few hours, a single robotic blitzkrieg overwhelms the US Pacific force before it can even begin to fight back.  Maybe it sounds like a new Michael Bay movie, but it’s the scenario that keeps the chief technology officer of the US Army up at night. “I’m hesitant to say it out loud so I don’t manifest it,” says Alex Miller, a longtime Army intelligence official who became the CTO to the Army’s chief of staff in 2023. Even if World War III doesn’t break out in the South China Sea, every US military installation around the world is vulnerable to the same tactics—as are the militaries of every other country around the world. The proliferation of cheap drones means just about any group with the wherewithal to assemble and launch a swarm could wreak havoc, no expensive jets or massive missile installations required.  While the US has precision missiles that can shoot these drones down, they don’t always succeed: A drone attack killed three US soldiers and injured dozens more at a base in the Jordanian desert last year. And each American missile costs orders of magnitude more than its targets, which limits their supply; countering thousand-dollar drones with missiles that cost hundreds of thousands, or even millions, of dollars per shot can only work for so long, even with a defense budget that could reach a trillion dollars next year. The US armed forces are now hunting for a solution—and they want it fast. Every branch of the service and a host of defense tech startups are testing out new weapons that promise to disable drones en masse. There are drones that slam into other drones like battering rams; drones that shoot out nets to ensnare quadcopter propellers; precision-guided Gatling guns that simply shoot drones out of the sky; electronic approaches, like GPS jammers and direct hacking tools; and lasers that melt holes clear through a target’s side. Then there are the microwaves: high-powered electronic devices that push out kilowatts of power to zap the circuits of a drone as if it were the tinfoil you forgot to take off your leftovers when you heated them up.  That’s where Epirus comes in.  When I went to visit the HQ of this 185-person startup in Torrance, California, earlier this year, I got a behind-the-scenes look at its massive microwave, called Leonidas, which the US Army is already betting on as a cutting-edge anti-drone weapon. The Army awarded Epirus a $66 million contract in early 2023, topped that up with another $17 million last fall, and is currently deploying a handful of the systems for testing with US troops in the Middle East and the Pacific. (The Army won’t get into specifics on the location of the weapons in the Middle East but published a report of a live-fire test in the Philippines in early May.)  Up close, the Leonidas that Epirus built for the Army looks like a two-foot-thick slab of metal the size of a garage door stuck on a swivel mount. Pop the back cover, and you can see that the slab is filled with dozens of individual microwave amplifier units in a grid. Each is about the size of a safe-deposit box and built around a chip made of gallium nitride, a semiconductor that can survive much higher voltages and temperatures than the typical silicon.  Leonidas sits on top of a trailer that a standard-issue Army truck can tow, and when it is powered on, the company’s software tells the grid of amps and antennas to shape the electromagnetic waves they’re blasting out with a phased array, precisely overlapping the microwave signals to mold the energy into a focused beam. Instead of needing to physically point a gun or parabolic dish at each of a thousand incoming drones, the Leonidas can flick between them at the speed of software. The Leonidas contains dozens of microwave amplifier units and can pivot to direct waves at incoming swarms of drones.EPIRUS Of course, this isn’t magic—there are practical limits on how much damage one array can do, and at what range—but the total effect could be described as an electromagnetic pulse emitter, a death ray for electronics, or a force field that could set up a protective barrier around military installations and drop drones the way a bug zapper fizzles a mob of mosquitoes. I walked through the nonclassified sections of the Leonidas factory floor, where a cluster of engineers working on weaponeering—the military term for figuring out exactly how much of a weapon, be it high explosive or microwave beam, is necessary to achieve a desired effect—ran tests in a warren of smaller anechoic rooms. Inside, they shot individual microwave units at a broad range of commercial and military drones, cycling through waveforms and power levels to try to find the signal that could fry each one with maximum efficiency.  On a live video feed from inside one of these foam-padded rooms, I watched a quadcopter drone spin its propellers and then, once the microwave emitter turned on, instantly stop short—first the propeller on the front left and then the rest. A drone hit with a Leonidas beam doesn’t explode—it just falls. Compared with the blast of a missile or the sizzle of a laser, it doesn’t look like much. But it could force enemies to come up with costlier ways of attacking that reduce the advantage of the drone swarm, and it could get around the inherent limitations of purely electronic or strictly physical defense systems. It could save lives. Epirus CEO Andy Lowery, a tall guy with sparkplug energy and a rapid-fire southern Illinois twang, doesn’t shy away from talking big about his product. As he told me during my visit, Leonidas is intended to lead a last stand, like the Spartan from whom the microwave takes its name—in this case, against hordes of unmanned aerial vehicles, or UAVs. While the actual range of the Leonidas system is kept secret, Lowery says the Army is looking for a solution that can reliably stop drones within a few kilometers. He told me, “They would like our system to be the owner of that final layer—to get any squeakers, any leakers, anything like that.” Now that they’ve told the world they “invented a force field,” Lowery added, the focus is on manufacturing at scale—before the drone swarms really start to descend or a nation with a major military decides to launch a new war. Before, in other words, Miller’s nightmare scenario becomes reality.  Why zap? Miller remembers well when the danger of small weaponized drones first appeared on his radar. Reports of Islamic State fighters strapping grenades to the bottom of commercial DJI Phantom quadcopters first emerged in late 2016 during the Battle of Mosul. “I went, ‘Oh, this is going to be bad,’ because basically it’s an airborne IED at that point,” he says. He’s tracked the danger as it’s built steadily since then, with advances in machine vision, AI coordination software, and suicide drone tactics only accelerating.  Then the war in Ukraine showed the world that cheap technology has fundamentally changed how warfare happens. We have watched in high-definition video how a cheap, off-the-shelf drone modified to carry a small bomb can be piloted directly into a faraway truck, tank, or group of troops to devastating effect. And larger suicide drones, also known as “loitering munitions,” can be produced for just tens of thousands of dollars and launched in massive salvos to hit soft targets or overwhelm more advanced military defenses through sheer numbers.  As a result, Miller, along with large swaths of the Pentagon and DC policy circles, believes that the current US arsenal for defending against these weapons is just too expensive and the tools in too short supply to truly match the threat. Just look at Yemen, a poor country where the Houthi military group has been under constant attack for the past decade. Armed with this new low-tech arsenal, in the past 18 months the rebel group has been able to bomb cargo ships and effectively disrupt global shipping in the Red Sea—part of an effort to apply pressure on Israel to stop its war in Gaza. The Houthis have also used missiles, suicide drones, and even drone boats to launch powerful attacks on US Navy ships sent to stop them. The most successful defense tech firm selling anti-drone weapons to the US military right now is Anduril, the company started by Palmer Luckey, the inventor of the Oculus VR headset, and a crew of cofounders from Oculus and defense data giant Palantir. In just the past few months, the Marines have chosen Anduril for counter-drone contracts that could be worth nearly $850 million over the next decade, and the company has been working with Special Operations Command since 2022 on a counter-drone contract that could be worth nearly a billion dollars over a similar time frame. It’s unclear from the contracts what, exactly, Anduril is selling to each organization, but its weapons include electronic warfare jammers, jet-powered drone bombs, and propeller-driven Anvil drones designed to simply smash into enemy drones. In this arsenal, the cheapest way to stop a swarm of drones is electronic warfare: jamming the GPS or radio signals used to pilot the machines. But the intense drone battles in Ukraine have advanced the art of jamming and counter-jamming close to the point of stalemate. As a result, a new state of the art is emerging: unjammable drones that operate autonomously by using onboard processors to navigate via internal maps and computer vision, or even drones connected with 20-kilometer-long filaments of fiber-optic cable for tethered control. But unjammable doesn’t mean unzappable. Instead of using the scrambling method of a jammer, which employs an antenna to block the drone’s connection to a pilot or remote guidance system, the Leonidas microwave beam hits a drone body broadside. The energy finds its way into something electrical, whether the central flight controller or a tiny wire controlling a flap on a wing, to short-circuit whatever’s available. (The company also says that this targeted hit of energy allows birds and other wildlife to continue to move safely.) Tyler Miller, a senior systems engineer on Epirus’s weaponeering team, told me that they never know exactly which part of the target drone is going to go down first, but they’ve reliably seen the microwave signal get in somewhere to overload a circuit. “Based on the geometry and the way the wires are laid out,” he said, one of those wires is going to be the best path in. “Sometimes if we rotate the drone 90 degrees, you have a different motor go down first,” he added. The team has even tried wrapping target drones in copper tape, which would theoretically provide shielding, only to find that the microwave still finds a way in through moving propeller shafts or antennas that need to remain exposed for the drone to fly.  EPIRUS Leonidas also has an edge when it comes to downing a mass of drones at once. Physically hitting a drone out of the sky or lighting it up with a laser can be effective in situations where electronic warfare fails, but anti-drone drones can only take out one at a time, and lasers need to precisely aim and shoot. Epirus’s microwaves can damage everything in a roughly 60-degree arc from the Leonidas emitter simultaneously and keep on zapping and zapping; directed energy systems like this one never run out of ammo. As for cost, each Army Leonidas unit currently runs in the “low eight figures,” Lowery told me. Defense contract pricing can be opaque, but Epirus delivered four units for its $66 million initial contract, giving a back-of-napkin price around $16.5 million each. For comparison, Stinger missiles from Raytheon, which soldiers shoot at enemy aircraft or drones from a shoulder-mounted launcher, cost hundreds of thousands of dollars a pop, meaning the Leonidas could start costing less (and keep shooting) after it downs the first wave of a swarm. Raytheon’s radar, reversed Epirus is part of a new wave of venture-capital-backed defense companies trying to change the way weapons are created—and the way the Pentagon buys them. The largest defense companies, firms like Raytheon, Boeing, Northrop Grumman, and Lockheed Martin, typically develop new weapons in response to research grants and cost-plus contracts, in which the US Department of Defense guarantees a certain profit margin to firms building products that match their laundry list of technical specifications. These programs have kept the military supplied with cutting-edge weapons for decades, but the results may be exquisite pieces of military machinery delivered years late and billions of dollars over budget. Rather than building to minutely detailed specs, the new crop of military contractors aim to produce products on a quick time frame to solve a problem and then fine-tune them as they pitch to the military. The model, pioneered by Palantir and SpaceX, has since propelled companies like Anduril, Shield AI, and dozens of other smaller startups into the business of war as venture capital piles tens of billions of dollars into defense. Like Anduril, Epirus has direct Palantir roots; it was cofounded by Joe Lonsdale, who also cofounded Palantir, and John Tenet, Lonsdale’s colleague at the time at his venture fund, 8VC. (Tenet, the son of former CIA director George Tenet, may have inspired the company’s name—the elder Tenet’s parents were born in the Epirus region in the northwest of Greece. But the company more often says it’s a reference to the pseudo-mythological Epirus Bow from the 2011 fantasy action movie Immortals, which never runs out of arrows.)  While Epirus is doing business in the new mode, its roots are in the old—specifically in Raytheon, a pioneer in the field of microwave technology. Cofounded by MIT professor Vannevar Bush in 1922, it manufactured vacuum tubes, like those found in old radios. But the company became synonymous with electronic defense during World War II, when Bush spun up a lab to develop early microwave radar technology invented by the British into a workable product, and Raytheon then began mass-producing microwave tubes—known as magnetrons—for the US war effort. By the end of the war in 1945, Raytheon was making 80% of the magnetrons powering Allied radar across the world. From padded foam chambers at the Epirus HQ, Leonidas devices can be safely tested on drones.EPIRUS Large tubes remained the best way to emit high-power microwaves for more than half a century, handily outperforming silicon-based solid-state amplifiers. They’re still around—the microwave on your kitchen counter runs on a vacuum tube magnetron. But tubes have downsides: They’re hot, they’re big, and they require upkeep. (In fact, the other microwave drone zapper currently in the Pentagon pipeline, the Tactical High-power Operational Responder, or THOR, still relies on a physical vacuum tube. It’s reported to be effective at downing drones in tests but takes up a whole shipping container and needs a dish antenna to zap its targets.) By the 2000s, new methods of building solid-state amplifiers out of materials like gallium nitride started to mature and were able to handle more power than silicon without melting or shorting out. The US Navy spent hundreds of millions of dollars on cutting-edge microwave contracts, one for a project at Raytheon called Next Generation Jammer—geared specifically toward designing a new way to make high-powered microwaves that work at extremely long distances. Lowery, the Epirus CEO, began his career working on nuclear reactors on Navy aircraft carriers before he became the chief engineer for Next Generation Jammer at Raytheon in 2010. There, he and his team worked on a system that relied on many of the same fundamentals that now power the Leonidas—using the same type of amplifier material and antenna setup to fry the electronics of a small target at much closer range rather than disrupting the radar of a target hundreds of miles away.  The similarity is not a coincidence: Two engineers from Next Generation Jammer helped launch Epirus in 2018. Lowery—who by then was working at the augmented-reality startup RealWear, which makes industrial smart glasses—joined Epirus in 2021 to run product development and was asked to take the top spot as CEO in 2023, as Leonidas became a fully formed machine. Much of the founding team has since departed for other projects, but Raytheon still runs through the company’s collective CV: ex-Raytheon radar engineer Matt Markel started in January as the new CTO, and Epirus’s chief engineer for defense, its VP of engineering, its VP of operations, and a number of employees all have Raytheon roots as well. Markel tells me that the Epirus way of working wouldn’t have flown at one of the big defense contractors: “They never would have tried spinning off the technology into a new application without a contract lined up.” The Epirus engineers saw the use case, raised money to start building Leonidas, and already had prototypes in the works before any military branch started awarding money to work on the project. Waiting for the starting gun On the wall of Lowery’s office are two mementos from testing days at an Army proving ground: a trophy wing from a larger drone, signed by the whole testing team, and a framed photo documenting the Leonidas’s carnage—a stack of dozens of inoperative drones piled up in a heap.  Despite what seems to have been an impressive test show, it’s still impossible from the outside to determine whether Epirus’s tech is ready to fully deliver if the swarms descend.  The Army would not comment specifically on the efficacy of any new weapons in testing or early deployment, including the Leonidas system. A spokesperson for the Army’s Rapid Capabilities and Critical Technologies Office, or RCCTO, which is the subsection responsible for contracting with Epirus to date, would only say in a statement that it is “committed to developing and fielding innovative Directed Energy solutions to address evolving threats.”  But various high-ranking officers appear to be giving Epirus a public vote of confidence. The three-star general who runs RCCTO and oversaw the Leonidas testing last summer told Breaking Defense that “the system actually worked very well,” even if there was work to be done on “how the weapon system fits into the larger kill chain.” And when former secretary of the Army Christine Wormuth, then the service’s highest-ranking civilian, gave a parting interview this past January, she mentioned Epirus in all but name, citing “one company” that is “using high-powered microwaves to basically be able to kill swarms of drones.” She called that kind of capability “critical for the Army.”  The Army isn’t the only branch interested in the microwave weapon. On Epirus’s factory floor when I visited, alongside the big beige Leonidases commissioned by the Army, engineers were building a smaller expeditionary version for the Marines, painted green, which it delivered in late April. Videos show that when it put some of its microwave emitters on a dock and tested them out for the Navy last summer, the microwaves left their targets dead in the water—successfully frying the circuits of outboard motors like the ones propelling Houthi drone boats.  Epirus is also currently working on an even smaller version of the Leonidas that can mount on top of the Army’s Stryker combat vehicles, and it’s testing out attaching a single microwave unit to a small airborne drone, which could work as a highly focused zapper to disable cars, data centers, or single enemy drones.  Epirus’s microwave technology is also being tested in devices smaller than the traditional Leonidas. EPIRUS While neither the Army nor the Navy has yet to announce a contract to start buying Epirus’s systems at scale, the company and its investors are actively preparing for the big orders to start rolling in. It raised $250 million in a funding round in early March to get ready to make as many Leonidases as possible in the coming years, adding to the more than $300 million it’s raised since opening its doors in 2018. “If you invent a force field that works,” Lowery boasts, “you really get a lot of attention.” The task for Epirus now, assuming that its main customers pull the trigger and start buying more Leonidases, is ramping up production while advancing the tech in its systems. Then there are the more prosaic problems of staffing, assembly, and testing at scale. For future generations, Lowery told me, the goal is refining the antenna design and integrating higher-powered microwave amplifiers to push the output into the tens of kilowatts, allowing for increased range and efficacy.  While this could be made harder by Trump’s global trade war, Lowery says he’s not worried about their supply chain; while China produces 98% of the world’s gallium, according to the US Geological Survey, and has choked off exports to the US, Epirus’s chip supplier uses recycled gallium from Japan.  The other outside challenge may be that Epirus isn’t the only company building a drone zapper. One of China’s state-owned defense companies has been working on its own anti-drone high-powered microwave weapon called the Hurricane, which it displayed at a major military show in late 2024.  It may be a sign that anti-electronics force fields will become common among the world’s militaries—and if so, the future of war is unlikely to go back to the status quo ante, and it might zag in a different direction yet again. But military planners believe it’s crucial for the US not to be left behind. So if it works as promised, Epirus could very well change the way that war will play out in the coming decade.  While Miller, the Army CTO, can’t speak directly to Epirus or any specific system, he will say that he believes anti-drone measures are going to have to become ubiquitous for US soldiers. “Counter-UAS [Unmanned Aircraft System] unfortunately is going to be like counter-IED,” he says. “It’s going to be every soldier’s job to think about UAS threats the same way it was to think about IEDs.”  And, he adds, it’s his job and his colleagues’ to make sure that tech so effective it works like “almost magic” is in the hands of the average rifleman. To that end, Lowery told me, Epirus is designing the Leonidas control system to work simply for troops, allowing them to identify a cluster of targets and start zapping with just a click of a button—but only extensive use in the field can prove that out. Epirus CEO Andy Lowery sees the Leonidas as providing a last line of defense against UAVs.EPIRUS In the not-too-distant future, Lowery says, this could mean setting up along the US-Mexico border. But the grandest vision for Epirus’s tech that he says he’s heard is for a city-scale Leonidas along the lines of a ballistic missile defense radar system called PAVE PAWS, which takes up an entire 105-foot-tall building and can detect distant nuclear missile launches. The US set up four in the 1980s, and Taiwan currently has one up on a mountain south of Taipei. Fill a similar-size building full of microwave emitters, and the beam could reach out “10 or 15 miles,” Lowery told me, with one sitting sentinel over Taipei in the north and another over Kaohsiung in the south of Taiwan. Riffing in Greek mythological mode, Lowery said of drones, “I call all these mischief makers. Whether they’re doing drugs or guns across the border or they’re flying over Langley [or] they’re spying on F-35s, they’re all like Icarus. You remember Icarus, with his wax wings? Flying all around—‘Nobody’s going to touch me, nobody’s going to ever hurt me.’” “We built one hell of a wax-wing melter.”  Sam Dean is a reporter focusing on business, tech, and defense. He is writing a book about the recent history of Silicon Valley returning to work with the Pentagon for Viking Press and covering the defense tech industry for a number of publications. Previously, he was a business reporter at the Los Angeles Times. This piece has been updated to clarify that Alex Miller is a civilian intelligence official. 

Every generation has a small group of young fiction writers who make it: They top bestseller lists, win prizes, and become household names. And for decades — well, nearly every decade — they have all been straight white men. Philip Roth. Norman Mailer. John Updike. Jonathan Franzen. Jonathan Safran Foer. You get the picture. But in the last decade or so, that’s changed: The up-and-coming writers capturing buzz and dominating critics’ lists have largely been women. Think Sally Rooney or Emma Cline or Ottessa Moshfegh. And when men do break through, they usually aren’t young, straight, or white. It’s worth pointing out that, while women now publish more books than men, men are still publishing more books now than they ever have before.But the (relative) decline of the men in letters has led to searching discussions, first murmured, but now increasingly debated in places like the New York Times and the Guardian: Why does the decline of the young, white, male writer matter? And what do we lose — if anything — with this shift?“We’ve seen a lot of great work being done to account for perspectives that were left out of literature for a long time,” Ross Barkan, a journalist and novelist, told Today, Explained co-host Noel King. “But I also think it’s important to know, for better and for worse, what the men of the 2020s are up to.”Barkan and King talked about how he feels young men have been shut out of literary fiction, what he thinks is lost, and his experience trying to get fiction published. His third novel, Glass Century, was released earlier this month.Below is a transcript of their conversation, edited for length and clarity. Make sure to listen to hear the whole thing wherever you get podcasts, including Apple Podcasts and Spotify. We are talking to you today because you wrote an essay not long ago called “From Misogyny to No Man’s Land: The Vanishing Male in Contemporary Literature.” What’s your argument in that essay, Ross?My argument in that essay is that among young literary writers today, there is a lack of men. This doesn’t mean there are no male novelists of prominence under the age of 40 — that’s the cutoff I use for young — but there are fewer of them than there were historically. And most of the prominent literary fiction writers today are women. I’m talking about a very specific type of fiction that is vying for awards or trying to vie for awards, trying to attain a certain level of prestige.You’re 35, and you’re a white man? Correct. I wonder about the kind of driving force for this essay and whether you are the vanishing male writer of which you wrote.I think so, yeah, I think there’s less of me for sure. I mean, there’d be an era where there were a lot of novelists like myself, Jewish or not Jewish, but certainly white men.I am inclined to find your argument very compelling. I was a teenager in the ’90s, a young adult in the 2000s. That’s when you read a lot of fiction, right? And I do remember David Foster Wallace, Jonathan Safran Foer…Yeah.…Jonathan Franzen. Jonathan Lethem! And so what you’re saying actually really does track to me. The question I wonder about is the why. And let me ask you first to answer the why from your personal perspective. You’re a novelist. You’re 35 years old. You’re a straight white guy — do you feel like those identities are holding you back in some way?Not in the real world. In the real world, I have enormous privilege. But in the 2010s, the literary world was less interested in straight men. I think you have a general lack of the heterosexual male perspective in newer fiction. There’s a long history of writers portraying toxic masculinity and rough male characters — and it feels like you see less of that today. I also think at the same time, young male writers, white and non-white, were taking less of an interest in fiction. It’s a chicken-and-egg challenge: Is it the publishing industry deciding this is no longer something we’re going to push or take a real interest in, or is it market forces as well?So some of it is internal — maybe there are fewer men who want to be great novelists, but maybe publishers are saying, “Hey, we’re just less interested in the perspectives of straight white men.” When you approached publishers with your novel Glass Century, did you hear that?I think you hear it behind the scenes. You’re never told to your face. I’m not complaining — I don’t consider myself a victim. I’ve had a successful career. I’m very happy with it. But what do you hear behind the scenes?To echo Joyce Carol Oates in a sort of notorious but not wrong tweet from several years ago — and I’m paraphrasing — agents and editors, at least in the 2010s and early 2020s, were just less interested in straight male fiction. I want to broaden it a little bit because you see even among Black, Hispanic, and Asian straight men — there are some, but [they’re] less common. And, certainly, the white male is now even less common, so I think publishers in general in that era were trying to diversify, which was fine. You had social justice politics, you had what they call “woke,” and in a way woke worked because it broadened things out and brought in new voices, but it is also zero sum. Some come up; some go out. And so for me, it’s observing that trend. What do you think we lose when we lose the perspective of those young white men?It’s a large part of the country. I think you have a lot going on with young men today. White and non-white alike, straight men — they are falling behind academically. They’re increasingly alienated. They’re increasingly angry. They are increasingly online. And fiction, in my view, is not grappling with all of that.I agree with you, but I did actually see that in one book in the last year, Rejection by Tony Tulathimutte. There were characters who were highly online. The most acclaimed story was about an incel. That book was incredibly powerful. And it got praise, right? What do you think about that?He’s a fantastic writer. I’ll start there. He’s a great prose stylist. There’s a short story I love about a young Asian man who is having these very lurid sexual fantasies about dominating other men. Fantastically written — he’s sort of the Roth of our era in terms of his ability to make a sentence really sizzle. But this is the caveat that people seem to be afraid to point out: It’s not a straight male fantasy. Could Tony have written a straight male fantasy of wanting to subdue a woman the way that character wants to subdue men? Tony himself is straight. It was an interesting choice there to inhabit a gay character. Nothing wrong with that. Writers should write about whatever sexuality. I don’t believe in limiting anyone in that way. But I thought it was a choice, right? Because straight male lust is very disconcerting. It’s not easy to write about. What do men think about? The modern novel is not addressing that enough. The nasty, nasty men. The men who are not — maybe they’re good at heart, but they have a lot of bad thoughts. And they take bad actions. You don’t see that much in fiction today, I would argue.Let me ask you about an argument that I think many people might have in response to what you’ve said, including many women. If you look at the stats going back to the year 1800, women made up about 5 percent of published authors. It’s 10 percent through about the 1900s, and then in 2015, women surpassed men — more women are publishing books than men. Although both genders are still publishing a lot of books, it should be said.Are you at all sympathetic to the argument that you guys had your turn for centuries, the attention, the prizes, the accolades, so we’re just leveling the playing field out?Yeah, I’m sympathetic, for sure. I think that it’s reasonable to believe that — that’s an honest argument. The problem is you’ll hear from people who say this isn’t happening, and I find that very tiring. I think the honest thing to say is that it’s time to rebalance the scales or turn the tables. But there are winners and losers, right? Women were losing; now men are losing. I will say, there’s no solace offered to the 26-year-old male who must pay for the sins of the past, right? The young male writer can’t sit at home and think, Well, golly, it was good Norman Mailer and John Updike had such a great run. So yes, I think one can rebalance, one can seek balance, one can ensure that groups of people who are discriminated against have their time as they should. My point merely is that you can’t then pretend there aren’t those who aren’t getting what they want.See More:

Shutterstock 2025-05-24T10:44:01Z Save Saved Read in app This story is available exclusively to Business Insider subscribers. Become an Insider and start reading now. Have an account? This post originally appeared in the BI Today newsletter. You can sign up for Business Insider's daily newsletter here. Welcome back to our Saturday edition! Are you headed to the movie theater this weekend to see Tom Cruise's next big flick, "Mission: Impossible — The Final Reckoning"? Find out why he's had such staying power. Hint: It rhymes with punts.On the agenda:Living in the forest for four years shaved a decade off a researcher's biological age.Rich Americans are booking fancy vacations. Everyone else is cutting back.Morgan Wallen is the man of the moment because of his controversies, not in spite of them.A week on Mexico's "Happy Coast," the hidden getaway of the wealthy.But first: It's cookout time.If this was forwarded to you, sign up here. Download Business Insider's app here.This week's dispatchIt's time to sizzle and serve gorodenkoff/Getty Images Summer, is that you? :squints:With Memorial Day on Monday serving as the unofficial kick-off for summer, it's my favorite time of the year — grilling season. Get out the burgers. Get out the hot dogs. And if you'd rather not eat meat, get out the vegetables.Luckily for you, BI's Lifestyle team has been speaking with various chefs for tips on how to ensure people will be coming back to your grill asking for more.Chef Alissa Fitzgerald tells BI that a good burger starts with the kind of beef you buy. Try to aim for beef with "80% meat and 20% fat," allow them to thaw completely, and don't season them too early."Right before placing it on the grill, take a large pinch of kosher salt and gently cover the outside of the patty with a thin layer," she suggests. "Add the burger salt-side down on the grill and sprinkle some on the other side."If you're putting other types of meat on the grill, however, like steaks, you'll want to season them "a few hours before you plan on cooking it and let it sit in the fridge," Chef Marcus Jacobs tells BI.Meanwhile, when grilling chicken, Jacobs suggests creating a "blend of salt, white and black pepper, paprika, coriander, and several different types of chilies."No matter how you season or what you're throwing on the grill, check out the chefs' other tips to make sure you're not the talk of the neighborhood for the wrong reason.Touching grass David Furman When David Furman discovered his body was prematurely aging because of stress, he and his family moved to a one-room cabin in the woods to reset. Furman changed what they ate and how he exercised, and scaled back use of electronics.To his delight, the experiment worked: It dramatically improved his longevity and energy. He continues to reap the benefits now, even after leaving the forest.Travel is for the rich now Slim Aarons/Getty Images Almost half of summer travelers this year make over $100,000, according to a Deloitte survey. The wealth gap is growing, and middle-income vacationers are either staying home or opting for more budget-friendly trips.Even as demand wavers, luxury travel is booming. New accommodations are under construction, and "luxury" short-term rentals are increasing in price faster than other listings.Morgan Wallen's country John Shearer/Getty Images There's nothing sonically special about Morgan Wallen's music, and he has a habit of attracting controversy. Still, in the wake of scandals involving slurs and disorderly conduct, Wallen is more popular than ever.That's because Wallen's messiness is a key part of his brand, writes BI's Callie Ahlgrim. Fans see his scandals as proof of his authenticity, and he embodies an idea of freedom.A Happy Coast hideaway Monica Humphries/Business Insider A 155-mile stretch of Mexico's Pacific coast is a quiet vacation hot spot for the ultrawealthy. Costalegre, Spanish for "Happy Coast," is practically impossible to reach — for those without a private jet, at least.BI's Monica Humphries spent a week resort-hopping in Costalegre. Each had a different appeal, from the neighborhood feel and star-studded history at Careyes to the ATVs and private beaches at Las Alamandas.What we're watching this weekend Netflix; Chelsea Jia Feng/BI "Sirens": Julianne Moore, "The White Lotus" actor Meghann Fahy, and "House of the Dragon" standout Milly Alcock all star in Netflix's new dark comedy set in a beachside town."The Last of Us": Season two of HBO's TV show adaptation of the popular video game series ends this weekend."Nine Perfect Strangers": Nicole Kidman returns as a wellness guru in season two of the Hulu series, this time set in the Austrian Alps.See the full list iStock; Rebecca Zisser/BI Deals we loveMemorial Day savings: Mattresses are almost always on sale, but our deal experts know that Memorial Day is when we see the steepest discounts. Here are the best mattress deals for the holiday weekend.Business (Insider) casual: Our men's style editors are here to help you look sharp at the office without feeling stiff. Check out our brand-new guide to the best men's business casual clothes for work.Le Creuset vs. Staub: Our kitchen experts hate to break it to you, but there's a reason the more expensive option is better. Here's why we recommend Le Creuset.More of this week's top reads:I stayed at a luxurious resort in Barbados with my young daughter. From the private pool to the stunning beach, our stay was nearly perfect.Keke Palmer said she didn't feel adequately paid in Hollywood until Jordan Peele's 'Nope' — two decades into her career.Four sandal trends that are in this summer and four that are out, according to stylists and designers.The patent behind a $182 cult-favorite skincare product recently expired. So where are all the dupes?I visited the most expensive city in Utah and spotted five signs of over-the-top wealth and luxury.Beyoncé and Sabrina Carpenter's choreographer shares how she gets her clients so fit they can sing and dance — in just 12 weeks.Five style mistakes a menswear designer wishes you would stop making.A 56-year-old personal trainer on how to build muscle after 40 — with rucking, body weight exercises, and short workouts.I visited Universal's new theme park, Epic Universe. I see why some people wouldn't like it, but I'd happily go back.The BI Today team: Dan DeFrancesco, deputy editor and anchor, in New York City. Grace Lett, editor, in New York. Lisa Ryan, executive editor, in New York. Amanda Yen, associate editor, in New York. Elizabeth Casolo, fellow, in Chicago.