In less than two weeks, on June 9, Apple will kick off its annual Worldwide Developers Conference (WWDC), in which it will showcase the next versions of the operating systems that power its myriad devices. The centerpiece of that event will be iOS 26, the soon-to-be renumbered operating system that powers the company’s flagship product, the iPhone. Yet, despite artificial intelligence being all the rage in the tech industry right now, reports say that with iOS 26 (formerly referred to as iOS 19—see below), Apple will promote something visual instead of artificial. While some new AI features may be baked into the newly renumbered OS, the key feature of iOS 26 will be its complete visual redesign. In other words, your iPhone’s software is about to look strikingly different. Here’s how. Welcome to the solarium—and iOS 26 Two big changes are coming to the next iOS. The first is a naming rebrand. Historically, iOS versions were numbered sequentially, starting with “iPhone OS 1” for the original iPhone in 2007. With the iPhone’s 2010 operating system—its fourth version—Apple shortened the name to “iOS 4.” However, Bloomberg reports that starting with the new iOS Apple will debut on June 9, the company will drop the sequential numbering of the operating system, and go with the year it will spill over into, just like carmakers do with vehicles. So, despite being the 19th version, the upcoming iOS will no longer be called “iOS 19” and will instead be called “iOS 26.” This change will be carried over to the numbering system on all of Apple’s other operating systems, too, and is reportedly being done to provide a more uniform numbering scheme for its various software products (currently numbered macOS 16, iPadOS 18, and visionOS 2, etc), and make it easier for consumers to identify if they are running the latest device software. However, the rebranded iOS naming scheme is a relatively minor change compared to what else Apple has in store for iOS 19—sorry, iOS 26. That change is a radical visual redesign of the operating system. Most of what is currently known about iOS 26’s visual overhaul comes from two sources: Bloomberg’s Mark Gurman and Jon Prosser, host of the Front Page Tech YouTube channel. Both have reported on iOS 26’s major redesign, and their reports largely align, suggesting that they are, at least in part, accurate. So what will iOS 26 look like? Its internal codename—something Apple assigns to every software product in development—gives us a big clue. That name is “solarium,” Bloomberg reported. If you’re wondering what a solarium is, know that you’ve probably stood in one if you’ve ever been to an interior garden. It’s a room fitted with glass walls and ceilings, designed to let as much sunlight as possible filter in. Apple presumably chose the “solarium” codename for iOS 26 because the entire operating system will have a glass-like appearance. By “glass-like,” think of an operating system with elements like menus and toolbars that are partially transparent—you can see through them, and the colors and shapes of content behind them will show through, just like light shows through a solarium’s glass walls. If this sounds vaguely familiar to you, it’s because Apple has actually used similar transparency in one of its operating systems before—visionOS, the software that powers the Apple Vision Pro. Indeed, reports suggest that iOS 19’s design is inspired by visionOS. But visionOS powers a spatial computing device—one that melds the physical world with the digital. That 3D interface relies heavily on digital drop shadows and other visual tricks to re-create the feeling of physical depth. However, an iPhone’s operating system runs on a 2D screen, so don’t expect iOS 26 to feature heavy digital dropshadows.  If you want to see how Apple will handle transparent elements on a 2D device, you don’t have to wait until June 9. Instead, simply check out Apple’s new Invites app, which it launched in February. You can see a screenshot of it above. See how different the UI looks in the app from the UI of iOS 18 currently? Those glassy panes in the app give the best visual hint of what to expect system-wide in iOS 26. Another reported feature of the redesign is reflective buttons and other elements that shimmer when you move your phone. This shimmering isn’t caused by real light hitting your iPhone’s screen. Rather, the software can tell, thanks to your iPhone’s gyroscope, when the device is moving and tilting in your hand, and will thus generate a reflective light effect across buttons to give the translucent objects more depth and form. It will probably be very similar to how the home screen icons in tvOS, the operating system that powers the Apple TV, appear to shimmer when you gently swipe them with your thumb using the Siri Remote’s touchpad. iOS 26 is also expected to gain other major visual changes, including floating pill-shaped toolbars (replacing the fixed toolbars used at the bottom of iPhone apps now), thinner buttons, a glass-like keyboard, and potentially even rounder app icons. What’s behind the iOS 26 visual shakeup? Those who have reportedly seen builds of iOS 26 say the redesign that Apple is set to unveil in less than two weeks represents the most significant visual overhaul to the iPhone’s operating system since iOS 7 in 2013—a design that has largely persisted through and to the current iOS 18. Indeed, Bloomberg’s Mark Gurman has called the redesign transformative, stating that it is “one of the most dramatic software overhauls in the company’s history” while noting that it “will fundamentally change” the look of iOS. But here’s one thing about change: most people hate it—or are at least apprehensive about it. And Apple has a lot of people to contend with. It has more than two billion active devices around the world, used by hundreds of millions of users, and the switch isn’t coming to just the iPhone’s operating system, but to the operating systems of all of Apple’s devices this fall, including the iPad’s iPadOS, the Mac’s macOS, the Apple Watch’s watchOS, the Apple TV’s tvOS, and the Vision Pro’s visionOS (all renumbered to “26,” too). But Apple reportedly feels it needs to deliver something this year with iOS and its other operating systems that is, quite literally, eye-catching. It needs something special to help reinvigorate device sales, particularly after the flagship feature of iOS 18, Apple Intelligence, has largely been met with indifference by the average consumer and disappointment by AI aficionados. In January, respected TF International Securities analyst Ming-Chi Kuo stated that there was no evidence to suggest that Apple Intelligence was driving hardware upgrade cycles among consumers. In Apple’s most recent financial report, from its second quarter, iPhone revenue rose about 2% from the same period a year earlier, to $46.8 billion, but that growth may have been driven by U.S. consumers snapping up the device before Trump’s tariffs make iPhones more costly, notes Sherwood. Putting a new digital coat of paint on iOS 26 and the company’s other new operating systems is an easy way to make its devices feel fresh again—and, if done right, it can go a long way to actually making the ever-increasingly complicated operating systems more straightforward to use and easier to navigate. By incorporating the same design language used in iOS 26 into its other products, the redesigned interface may make users feel more familiar with Apple’s other devices, which could help spur sales of Macs or Apple TVs to people who currently only own iPhones. The iOS 26 redesign may also help distract from the fact that Apple isn’t expected to make any significant announcements regarding its AI platform, Apple Intelligence, at WWDC. Despite the early reports about iOS 26’s visual changes, we won’t know anything for sure until Apple unveils a preview of the upcoming operating system at WWDC on June 9. Speaking of that event: Apple’s logo for WWDC25 may be teasing the iOS 26 redesign in plain sight. If you check out the animated logo here, you’ll notice that the ends of the transparent, glass-like rainbow seem to show colored light reflecting through its surface—just like you’d see at a solarium.

What’s a company to do when it faces a multitude of existential crises and seems unable to regain control of the media message? It throws a few dead cats on the table to distract everybody. This aeons-old approach to public relations has recently been rechristened as “flooding the zone” — and it is what I think Apple is doing as news surfaces that it plans to announce a change to the way it names its operating systems in June at its big developer event, WWDC. That means we won’t ever see iOS 19 but will see iOS 26 instead. It also means: A new Apple OS order iPadOS 26 macOS 26 tvOS 26 visionOS 26 watchOS 26 homeOS 26 You can see the pattern, I hope. The 26 refers to the main year in which an operating system exists, which is a little confusing, as it means we need to look forward to iOS 27 (et al.) in 2026.  I don’t think there’s anything particularly contentious about this change: it’s great for me, as it makes it far less likely I’ll use an incorrect OS version number in my work. But for Apple it’s led to a tidal wave of reports around the decision, and while not all of those are positively spun, the fact that the yarns are being worked at all restores some of Apple’s control over the narrative. Existential threats That’s a degree of media management the company needs, given that almost every other story being written about it at this time involves tariffs, regulation, or its problems with artificial intelligence. Even its bigger stories that should have been good news are delivering unexpected results — for example, what should be seen as huge success in pivoting its manufacturing to India is being seen through the lens of nativist US regulation and tariffs.  Also in politics, Europe’s regulators seem to want to turn Apple regulation into a weapon for use in negotiations over US trade. And in the background, the company’s former Chief Designer Jony Ive’s move to get to work on new devices with OpenAI raises all the ghosts of Expos past. What’s Apple to do? Well, right now it can’t ask Siri for comfort, but maybe that will change next year — and we don’t want people paying too much attention to AI, do we? Apple certainly doesn’t seem to want to discuss any of these challenges too much. The decision by Apple executives not to take part in John Gruber’s traditional WWDC ‘talk show’ represents a company whose leaders feel the need to manage the messaging. Apple has participated in these conversations for a decade, so the change is noteworthy. Waiting for the sun (in the Solarium) That Apple chooses these moments just before WWDC to use its official unofficial news and speculation reporters at Bloomberg to share news about the future of its operating system names represents something similar. First, it gets people talking about something else in the here and now. Second, it begins to set relatively low expectations for Apple’s big developer event. The operating systems will get a facelift (Solarium) designed to make them all work a little more similarly, the iPad will gain tools to make it more Mac-like, and Apple will adopt a new nomenclature culture for its operating system names. What is Solarium? This is a UI update that changes the look of icons, menus, windows, buttons, and more. The idea is to deliver a consistent visual interface across all the devices, intentionally a little translucent like sitting in a glass-walled room dappled by sunlight. Which sounds nice, and probably also means rounder icons, floating controls, spatial depth, and visual cues strongly reminiscent of visionOS 1.0.  Prepare for more shocks Will any of this be enough for Apple to regain control of the narrative? I don’t think so. There’s an outside possibility that Apple will introduce exciting digital health tools and maybe other services that provoke deep interest. But, assuming these do not transpire and Solarium is the hot spot for WWDC, then I strongly suspect Apple will play for time (and control of the media narrative) by throwing a few more dead cats into the ring — at least until Siri is at last capable of telling it when to stop.  You can follow me on social media! Join me on BlueSky,  LinkedIn, and Mastodon.

Apple's WWDC 25 may change not just the numbering but also absolutely everything about how macOS, iOS, and iPadOS feel, Nothing's CEO says Apple has lost all creativity, and yet more tariff drama, all on this' week's episode of the AppleInsider Podcast.Mockup of an iOS 26 logoWe're so close now to WWDC that more details appear to be leaking out, including the surprise news that Apple may renumber all of its operating systems so that they have the same, consistent branding. It turns out that it's 12 years since Apple started naming macOS with Californian placenames — and for about 11 years before that, it was using cat names. So maybe it's time.It definitely is not the time for Nothing CEO's vision of the future, but he insists that in less than a decade, all apps will be gone, replaced by a single AI on a (presumably) Nothing phone. And back somewhere closer to the real world, future iPhones are now rumored to feature 200 megapixel cameras, but we break down why that's not something to get excited about just yet. Continue Reading on AppleInsider | Discuss on our Forums

Apple is preparing to modernize the appearance of iOS 19, macOS 16, and its other operating systems, with a new "Solarium" interface set to be introduced at WWDC.iOS 19 could receive a massive UI overhaul at WWDC 2025Apple's keynote address at WWDC is a few short weeks away, and speculation about what it will launch is gathering pace. When it comes to how the operating systems appear, users could be greeted by an overhauled UI.According to Sunday's "Power On" newsletter from Bloomberg, Apple will be introducing a UI interface known internally as "Solarium." The name, which refers to rooms that let in lots of sunlight through glass windows, is reportedly going to be a slicker and modern reinvention of the interfaces in iOS, iPadOS, and macOS. Rumor Score: 🤔 Possible Continue Reading on AppleInsider | Discuss on our Forums

It seems that all of Apple's big software packages are going to get the same modern update this year.

Emma Stone and Dave McCary are offloading their Texas compound for $26.5 million. The La La Land star and her writer-producer husband bought the property in Tarrytown, one of the oldest enclaves in the Lone Star state. The suburb is located minutes away from downtown Austin. After quietly tying the knot in 2020 and welcoming their first child the following year, the family of three moved from California to the historic West Austin estate, which holds the title of most expensive real estate purchase in their portfolio. The pair has decided to part ways with the abode after investing years into restoring the property.The home was completely updated by the award-winning architecture firm Cuppett Kilpatrick. For the project, the Austin-based firm took inspiration from “the gracious nature of the surrounding community,” per the official listing. The four-bedroom, three-and-a-half bathroom pad is tucked away on an oak-shaded street. The main house, constructed with Georgia-style masonry, spans 10,000 square feet. A detached garage is outfitted with a screening room and an entertainment space above. Elsewhere on the 1.24-acre plot is a two-bedroom guesthouse, a screened-in breezeway looking out onto the pool, and a garden reminiscent of a countryside retreat.A landscaped garden area in the yard of the home. Photo: Travis Wayne Baker/Twist ToursStone and McCary tapped local architects Koch McIntyre Construction to reimagine the interiors of the traditional-style house. Quaint features like herringbone oak, brick floors, and creamy marble used for fireplace surrounds and counters are incorporated in every room. The estate boasts five spacious living areas and two dining rooms flooded with natural light. Other amenities include arched doorways, leaded-glass windows, a sunlit solarium, a wood-paneled library, and a playroom. Construction on the property is not yet finished, though it is slated for completion in the summer. The listing is currently the most expensive in the city.