Project Files: https://www.patreon.com/posts/130068273 . Today we are going to implement a rappel system in Unreal Engine 5. In this system, we can place objects in the level that represent rappel points and player can attach a rope/rappel onto these points and climb up or rappel down along vertical walls. When rappel up, once player reach the top of a wall and if up/forward movement input is pressed, the character will climb up the wall and stand up. If player reach the bottom of the wall, or any time at the middle, player can release the rope and fall on the ground. In the first part, we will work on the rappel point blueprint and how to attach a rope dynamically to the rappel point. And how to detach it later. ► 👇 𝐒𝐮𝐩𝐩𝐨𝐫𝐭 𝐓𝐡𝐞 𝐂𝐡𝐚𝐧𝐧𝐞𝐥 // 𝐁𝐞𝐜𝐨𝐦𝐞 𝐀 𝐏𝐚𝐭𝐫𝐨𝐧! https://www.patreon.com/codelikeme ►Patrons will have access to project files of all the stuff I do in the channel and other extra benefits Join this channel to get access to perks: https://www.youtube.com/channel/UClb6Jh9EBV7a_Nm52Ipll_Q/join Like my facebook page for more content : https://www.facebook.com/gamedevelopersclub/ Follow me on twitter : https://twitter.com/CodeLikeMe2 Follow me on reddit : https://www.reddit.com/user/codelikeme #CodeLikeMe #unrealengine #ue5 #ue4 #indiegamedev

Discover how to create stunning edge effects for your textures in Unreal Engine 5.4! In this quick tutorial, we explore the process of making materials unlit and adjusting colors for better visibility. Learn the secrets to achieving perfect edges using simple techniques like sine functions. Perfect for game developers and visual effects artists!#UnrealEngine #TextureEdges #GameDevelopment #VisualEffects #MaterialTutorial

Hell Is Us – not a Ubisoft adventure (Nacon) GameCentral goes hands-on with an original sci-fi action adventure where the emphasis is on unguided exploration, with some throwback Zelda inspirations. You might already have heard the name Hell Is Us, as the game was first announced way back in April 2022. We previewed the sci-fi tinged adventure title, developed by Rogue Factor, for the first time last year but now it’s now on the home-straight, with a launch slated for September 4, and it’s shaping up to be a peculiar but intriguing mix of influences and ideas. Our original preview covered the opening portion of the game, so we’ll avoid recycling the same beats here. But for the general gist, you play as a United Nations peacekeeper named Rémi who absconds to the war-torn country of Hadea to track down his parents. A stroll through the tutorial woods later, however, and you realise this isn’t your average civil war.  If you’re a fan of Alex Garland’s Annihilation, the strange, faceless alien from the film’s conclusion seems to have been a major influence here. The Hollow Walkers, as they’re called, are very creepy, as they lurch towards you unpredictably, with morphing limbs which give way to vivid, crystallised attacks or, in some cases, attached entities you have to kill first. Their glossy white exteriors act as a stark contrast to the muted eastern European landscapes and dungeons you explore.  As a game, Hell Is Us is somewhere between Bloodborne and The Elder Scrolls. Combat wise, it’s pulling from the former, as you manage a stamina bar, study enemy patterns for the best moment to strike, and rely on aggressive play to replenish a magic gauge for special skills. You also have access to a drone which has various uses tied to cooldown meters, between distracting enemies for crowd control andmaking a charging lunge to dash across the field.  Rogue Factor has stressed Hell Is Us isn’t a Soulslike though. You’re not scrambling for bonfires or any equivalent, but exploring and chatting with characters to piece together where you need to go next, discovering new places of interest, and encountering side objectives which bleed into the overall experience of navigating each semi-open world area. The ethos behind Hell Is Us is discovery and the organic feeling of finding your feet through clues in the world, rather than using obvious quest markers.  This might bring to mind acclaimed games like Elden Ring and The Legend Of Zelda: Breath Of The Wild, in their attempt to declutter open world exploration, but the game’s director, Jonathan Jacques-Belletête, believes the roots of what Hell Is Us is aiming for goes much further back. A cosmic horror vibe (Nacon) ‘Honestly, something like Zelda: A Link To The Past is much closer to what we’re doing now than a Breath Of The Wild,’ said Jacques-Belletête. ‘Sometimes people are like: ‘I really can’t put my finger on what kind of game it is, what is it?’ It’s just a bloody adventure game man. Look, you’ve got a combat system, you’ve got enemies, you’ve got a world to explore, there’s a mystery, you’re not exactly sure of this and that, there’s some secrets, there’s some dungeons, we did a game like that. It’s called an adventure game,’ he laughs. ‘There were even side-quests in A Link To The Past that didn’t tell you they were side-quests.’ Hell Is Us might have roots in classic adventure games but Jacques-Belletête, is keen to highlight the fatigue around Ubisoft style open world bloat, where checklists and quest markers are traditionally used in abundance. With the success of Elden Ring, there’s a sense many players are craving a return to the hands-off approach, where you discover and navigate without guidance – something which Hell Is Us is hoping to capitalise on after being in development for five years.  ‘It’s so much of the same thing,’ he says, when talking about Ubisoft style open worlds. ‘It loses all meaning. Things within these open worlds lose a lot of their taste because too much is like not enough. Do you know what I mean? You have to fill up these spaces with stuff and they just become a bit bland. Like once you’ve seen one, you’ve seen all of them.  ‘It’s not Assassin’s Creed, it’s not that, it’s all these things. We’ve all played them. I’ve got hundreds of hours in Elder Scrolls, all the Elder Scrolls, and that’s not the point. It’s not that I don’t like them. It’s just trends do their time and then you have other ideas. It’s a pendulum as well. Games used to be a lot more hardcore that way, we’re trying to go back to that.’ The crux of my time in Hell Is Us is spent in the Acasa Marshes, the second semi-open area where the game lets you off the leash. The swampy lands are crawling with Hollow Walkers in various forms, from hulking monstrosities to mage-like foes that hurl projectiles from clifftops. A swirling black vortex is a key focal point but it’s surrounded by enemies, while a settlement of villagers sits on a hill in the distance.  According to the developer, this area is one of the largest areas in the game, ‘if not the biggest one’, and it seems pretty expansive. We found ourselves heading towards the village, whose militaristic leader points you towards your main objective with only a vague mention of going ‘north east’. You have to dig out your compass to get a grasp on your position, as you try and navigate towards, and identify, the next location based on this information.  The lack of quest markers makes the experience more involving, as you have to pay more attention to your surroundings and what characters say, but I wasn’t entirely sold on the story or writing. It’s something which will hopefully become more engrossing as you get a better grasp of what’s going on, but I wish I was drawn to interact with the characters based on something beyond the need to progress.  When you are exploring aimlessly though, Hell Is Us offers some captivating chaos – even if some areas did appear to be gated off. We fought our way to the aforementioned swirling black vortex, encountering enemies beyond our skill level, only to find it was inaccessible due to not having a specific item. We later found an underground tunnel filled with enemies, where an individual connected to a side0quest was trapped at the other end.  Surprises lurk in the marshes (Nacon) Along with these open areas, Hell Is Us also offers dungeons built around puzzles and combat encounters. Aside from the opening introduction, we were shown a later example in the Lymbic Forge, which offered a nice dose of visual variety, with flowery gardens surrounding the boggy marshes. We didn’t get a whole lot of time to explore, but it did highlight the breadth of the combat upgrades and customisation with late-game weapons.  Hell Is Us is a melting pot of influences, and while we’re not sold on everything it’s trying to accomplish, it’s certainly another AA game with big, exciting ambitions – a trend amplified this year by the success of Clair Obscur: Expedition 33. For the game’s director, who has a long history in the AAA space working at Eidos Montreal, the jump to AA, with a smaller team and less financial pressure, means you have a better chance of striking gold.  More Trending ‘Look at what’s happened to the industry over the past few years,’ Jacques-Belletête said. ‘Everything is crumbling. The big ones are crumbling. It’s unsustainable. And the games are so bloody bland, man. Everything is starting to taste the same.  ‘I find there’s nothing worse than starting a game and right away, in the first two minutes, you know how everything’s going to work. You know how every single mechanic is going to work. They might have a little [extra] in how it’s going to feel, or this and that, the user interface will change a bit, but you’ve gone through the ropes a dozen times.  ‘A game has to occupy a space in your brain that your brain can’t really compute just yet. When you turn your console off and it stays there, that’s because something is going on. Your brain is processing. And I think that’s a lot easier to do in the AA space than the AAA.’ Formats: Xbox Series X/S, PlayStation 5, and PCPrice: £49.99Publisher: NaconDeveloper: Rogue FactorRelease Date: 4th September 2025Age Rating: 16 The combat it(Nacon) Email gamecentral@metro.co.uk, leave a comment below, follow us on Twitter, and sign-up to our newsletter. To submit Inbox letters and Reader’s Features more easily, without the need to send an email, just use our Submit Stuff page here. For more stories like this, check our Gaming page. GameCentral Sign up for exclusive analysis, latest releases, and bonus community content. This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. Your information will be used in line with our Privacy Policy

Project Files: https://www.patreon.com/posts/130238638 . This is the 3rd part of the rappel system in Unreal Engine 5 tutorial. In this system, we can place objects in the level that represent rappel points and player can attach a rope/rappel onto these points and climb up or rappel down along vertical walls. When rappel up, once player reach the top of a wall and if up/forward movement input is pressed, the character will climb up the wall and stand up. If player reach the bottom of the wall, or any time at the middle, player can release the rope and fall on the ground. In this episode, we will work on how the character climb up on rope and exit the rope from top side. ► 👇 𝐒𝐮𝐩𝐩𝐨𝐫𝐭 𝐓𝐡𝐞 𝐂𝐡𝐚𝐧𝐧𝐞𝐥 // 𝐁𝐞𝐜𝐨𝐦𝐞 𝐀 𝐏𝐚𝐭𝐫𝐨𝐧! https://www.patreon.com/codelikeme ►Patrons will have access to project files of all the stuff I do in the channel and other extra benefits Join this channel to get access to perks: https://www.youtube.com/channel/UClb6Jh9EBV7a_Nm52Ipll_Q/join Like my facebook page for more content : https://www.facebook.com/gamedevelopersclub/ Follow me on twitter : https://twitter.com/CodeLikeMe2 Follow me on reddit : https://www.reddit.com/user/codelikeme #CodeLikeMe #unrealengine #ue5 #ue4 #indiegamedev

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Home OpenAI Academy – A New Beginning in AI Learning News OpenAI Academy – A New Beginning in AI Learning 5 min read Published: May 29, 2025 Key Takeaways The OpenAI Academy is a collection of tutorials and live webinars that educate users about OpenAI products and LLMs. The main aim of the Academy is to enable users to understand the full capabilities of these AI tools in various sectors, such as education, business, and everyday work. With AI advancing rapidly, we might soon see artificial intelligence being offered as professional courses from recognized universities. OpenAI has launched the OpenAI Academy – a one-stop destination for you to learn everything about OpenAI LLM products, such as ChatGPT, Sora, Deep Research, and more. The portal provides extensive video demonstrations on using various features of these AI models and optimizing inputs to get the best results. Here’s a quick look at what you can learn at the OpenAI Academy: ChatGPT on Campus: Meant for students, specifically those in higher education courses. This includes tutorials on researching and writing, managing time effectively, designing resumes, and preparing for interviews. AI for K-12 Educators: Designed for educators, this module focuses on how teachers and support staff can leverage AI tools to streamline school operations and enhance communications. With detailed videos on lesson planning and student support, educators can improve education from the bottom up. It also includes detailed tutorials on using ChatGPT Edu – OpenAI’s specialized chatbot version for educators. ChatGPT at Work: This module will help you with prompt engineering, coding, introduction to ChatGPT projects, ChatGPT Search, data analytics, and Deep Research. Sora Tutorials: Sora is OpenAI’s very own video generator. It can render videos from text, images, and video prompts. Sora tutorials on OpenAI Academy teach you how to build a storyboard, recut, blend, and remix videos with the AI tool. OpenAI for Business: This module is all about personalizing ChatGPT to make it more relevant to your day-to-day work. You can learn more about ChatGPT’s Deep Research integration with GitHub, connecting ChatGPT to Google Drive to tap into internal knowledge, run multi-step workflows, and do extensive market research. In addition to these pre-recorded tutorials, videos, and ‘how-to’ articles, the OpenAI Academy hosts many live events and webinars. These sessions are quite exhaustive, from the introduction to ChatGPT to practical use cases for career development and education. There’s no debating that ChatGPT has endless real-world applications, whether in business or education. However, a vast majority of people are simply unaware. The OpenAI Academy looks to eliminate the lack of awareness around its products and show the world their capabilities. The Art of Prompts In a nutshell, the art of using AI is essentially your ability to feed these LLM models proper and effective prompts. For example, if there’s an image to be generated, an average person’s prompt might be as simple as ‘generate an image of a kid playing football.’ However, those who know what the AI is truly capable of will feed more specific prompts, such as ‘Generate a portrait image in HD showing a kid aged roughly six years old, wearing a Chelsea jersey and shorts with Nike boots playing football on a grassy ground. Keep the lighting in the image close to what we see during sunset in August.’ Here’s how the two results would vary: Interestingly, both these images have been generated using the same model, i.e., ChatGPT, with the only difference being the prompt. This goes to show that people who have fully wrapped their heads around what AI can do will be able to use it to its full potential. It’s worth noting that you can extrapolate this example to endless scenarios. For example, if you’re too lazy to read a book, you can simply ask ChatGPT to generate a mind map of the entire book. This will help you understand the text better and remember the book’s content for a long time. However, you must have professional AI training to do so. Alternatively, ChatGPT can serve up some work emails or sort numerical data. However, experienced users can also use it for tasks like strategic planning, breaking down trends and competitions, finding new strategic leads and opportunities, and generating an actionable market strategy using accurate prompts. AI Isn’t Just a Feature Anymore Gone are the days when AI was just a new, cool feature for us to try. Using ChatGPT or Gemini to write a work email, complete an assignment, or generate an AI image are just the tip of the iceberg. Using AI tools now requires real skills and comes with a learning curve and even a curriculum. If you give an average person a blank canvas and a paintbrush, he may draw a couple of houses, a river, the sun, and other basic elements. However, put the same canvas and paintbrush in the hands of a trained artist, and he’ll make you a masterpiece. Today’s AI tools are essentially the canvas and the paintbrush. In the hands of the average user, it’s hardly anything more than a text or image generator. However, those aware of their potential can design entire business plans, write and run complex codes, and learn new things almost every day. In its initial days, coding, too, was just a soft skill or an extracurricular activity. However, with time, coding has developed into a full-fledged education stream with postgraduate and PhD certifications. Something similar might happen with AI as well. As these tools become more sophisticated, the need for a structured AI education will also rise. The day isn’t far when we might see recognized universities offering professional degrees in artificial intelligence, focusing not only on designing the systems but also harnessing the most out of AI. Krishi is a seasoned tech journalist with over four years of experience writing about PC hardware, consumer technology, and artificial intelligence.  Clarity and accessibility are at the core of Krishi’s writing style. He believes technology writing should empower readers—not confuse them—and he’s committed to ensuring his content is always easy to understand without sacrificing accuracy or depth. Over the years, Krishi has contributed to some of the most reputable names in the industry, including Techopedia, TechRadar, and Tom’s Guide. A man of many talents, Krishi has also proven his mettle as a crypto writer, tackling complex topics with both ease and zeal. His work spans various formats—from in-depth explainers and news coverage to feature pieces and buying guides.  Behind the scenes, Krishi operates from a dual-monitor setup (including a 29-inch LG UltraWide) that’s always buzzing with news feeds, technical documentation, and research notes, as well as the occasional gaming sessions that keep him fresh.  Krishi thrives on staying current, always ready to dive into the latest announcements, industry shifts, and their far-reaching impacts.  When he's not deep into research on the latest PC hardware news, Krishi would love to chat with you about day trading and the financial markets—oh! And cricket, as well. View all articles by Krishi Chowdhary Our editorial process The Tech Report editorial policy is centered on providing helpful, accurate content that offers real value to our readers. We only work with experienced writers who have specific knowledge in the topics they cover, including latest developments in technology, online privacy, cryptocurrencies, software, and more. Our editorial policy ensures that each topic is researched and curated by our in-house editors. We maintain rigorous journalistic standards, and every article is 100% written by real authors. More from News View all View all

Project Files: https://www.patreon.com/posts/130156102 . This is the 2nd part of the rappel system in Unreal Engine 5 tutorial. In this system, we can place objects in the level that represent rappel points and player can attach a rope/rappel onto these points and climb up or rappel down along vertical walls. When rappel up, once player reach the top of a wall and if up/forward movement input is pressed, the character will climb up the wall and stand up. If player reach the bottom of the wall, or any time at the middle, player can release the rope and fall on the ground. In this episode, we will work on how the character move to the hanging position and hang on the rope after attaching the rope to the rappel point we created. ► 👇 𝐒𝐮𝐩𝐩𝐨𝐫𝐭 𝐓𝐡𝐞 𝐂𝐡𝐚𝐧𝐧𝐞𝐥 // 𝐁𝐞𝐜𝐨𝐦𝐞 𝐀 𝐏𝐚𝐭𝐫𝐨𝐧! https://www.patreon.com/codelikeme ►Patrons will have access to project files of all the stuff I do in the channel and other extra benefits Join this channel to get access to perks: https://www.youtube.com/channel/UClb6Jh9EBV7a_Nm52Ipll_Q/join Like my facebook page for more content : https://www.facebook.com/gamedevelopersclub/ Follow me on twitter : https://twitter.com/CodeLikeMe2 Follow me on reddit : https://www.reddit.com/user/codelikeme #CodeLikeMe #unrealengine #ue5 #ue4 #indiegamedev

🎭 Dive into the mystical world of VFX with our 'Cursed Mask FX' tutorial! Learn to craft a haunting skull, dynamic glowing rings, and ethereal red smoke using Unreal Engine 5 Niagara. Perfect for VFX artists looking to enhance their skills in UE5, this step-by-step guide will elevate your game effects to cinematic levels. Subscribe for more Unreal Engine tutorials and transform your creative vision into reality! 🔥✨ https://linktr.ee/cghow #UnrealEngine #RealtimeVFX