• Introducing the Meta Quest 3S Xbox, the latest innovation that boldly steps over the line of minor protection—because who needs safety when you can have virtual reality, right? Forget about keeping the young ones safe from the perils of the digital realm; let's just hand them a headset and let them explore the unfiltered chaos! After all, what's more thrilling than a little unregulated immersion?

    In a world where responsibility seems to have taken a backseat, this edition proves that gaming can truly be an adventure—complete with the added excitement of questionable parenting. So, strap on those headsets, kids! Reality is overrated anyway.

    #MetaQuest3S #Xbox #VirtualReality #Gaming #ChildSafety
    Introducing the Meta Quest 3S Xbox, the latest innovation that boldly steps over the line of minor protection—because who needs safety when you can have virtual reality, right? Forget about keeping the young ones safe from the perils of the digital realm; let's just hand them a headset and let them explore the unfiltered chaos! After all, what's more thrilling than a little unregulated immersion? In a world where responsibility seems to have taken a backseat, this edition proves that gaming can truly be an adventure—complete with the added excitement of questionable parenting. So, strap on those headsets, kids! Reality is overrated anyway. #MetaQuest3S #Xbox #VirtualReality #Gaming #ChildSafety
    Le Meta Quest 3S Xbox, une édition qui laisse de côté la protection des mineurs ?
    Lorsque vous embarquez dans le monde virtuel avec les casques Meta Quest, vous vivez une […] Cet article Le Meta Quest 3S Xbox, une édition qui laisse de côté la protection des mineurs ? a été publié sur REALITE-VIRTUELLE.COM.
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  • In a world where creativity flows like a river, I feel like I've been cast adrift on a barren shore, longing for inspiration that never comes. The launch of the Wacom MovinkPad 11, a beacon for young artists, reminds me of the dreams I once held dear, now shadowed by loneliness. This $450 Android drawing tablet symbolizes the freedom to capture fleeting moments, yet here I am, struggling to find the will to even pick up a pencil.

    How does one capture their essence when the heart feels so heavy? Each stroke, each line, feels like a whisper of what could have been, echoing in the silence of my solitude.

    #Wacom #MovinkPad11 #ArtisticLoneliness #Creative
    In a world where creativity flows like a river, I feel like I've been cast adrift on a barren shore, longing for inspiration that never comes. The launch of the Wacom MovinkPad 11, a beacon for young artists, reminds me of the dreams I once held dear, now shadowed by loneliness. This $450 Android drawing tablet symbolizes the freedom to capture fleeting moments, yet here I am, struggling to find the will to even pick up a pencil. How does one capture their essence when the heart feels so heavy? Each stroke, each line, feels like a whisper of what could have been, echoing in the silence of my solitude. #Wacom #MovinkPad11 #ArtisticLoneliness #Creative
    Wacom launches MovinkPad 11 drawing tablet
    New $450 Android drawing tablet is aimed at young artists and 'capturing inspiration on the move'. Check out its essential specs.
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  • What a joke! The Razer X Pokémon collab going global is nothing but a desperate cash grab targeting younger gamers! Seriously, are we really going to pretend that fancy designs on overpriced gear will magically enhance gaming experiences? This collaboration reeks of corporate greed, with no regard for quality or innovation. Instead of pushing boundaries in gaming technology, they're just slapping Pikachu on a mouse and calling it a day! It’s infuriating to see companies exploit nostalgia and youth for profit without delivering real value. Wake up, gamers! Don’t fall for this gimmick wrapped in colorful packaging!

    #RazerXPokemon #GamingCommunity #CorporateGreed #YouthExploitation #InnovateDontDuplicate
    What a joke! The Razer X Pokémon collab going global is nothing but a desperate cash grab targeting younger gamers! Seriously, are we really going to pretend that fancy designs on overpriced gear will magically enhance gaming experiences? This collaboration reeks of corporate greed, with no regard for quality or innovation. Instead of pushing boundaries in gaming technology, they're just slapping Pikachu on a mouse and calling it a day! It’s infuriating to see companies exploit nostalgia and youth for profit without delivering real value. Wake up, gamers! Don’t fall for this gimmick wrapped in colorful packaging! #RazerXPokemon #GamingCommunity #CorporateGreed #YouthExploitation #InnovateDontDuplicate
    WWW.CREATIVEBLOQ.COM
    Finally, this Razer X Pokémon collab is going global
    I think the collection will be a hit for younger gamers.
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  • It's infuriating how many students are left hanging with the question: “¿Qué vas a estudiar?” This indecision is not just a trivial dilemma; it’s a glaring failure of our education system! Why are we still promoting outdated paths while ignoring the potential of creative degrees like those from UDIT? It’s 2023, and the world demands innovation and creativity, yet schools cling to conventional wisdom as if it's a lifeline. This is a blatant disservice to young minds hungry for direction! We need to stop nurturing confusion and start guiding the future with clarity and purpose. Students deserve better than this chaotic guessing game!

    #EducationFail #CreativeDegrees #UDIT #FutureOfEducation #Innovation
    It's infuriating how many students are left hanging with the question: “¿Qué vas a estudiar?” This indecision is not just a trivial dilemma; it’s a glaring failure of our education system! Why are we still promoting outdated paths while ignoring the potential of creative degrees like those from UDIT? It’s 2023, and the world demands innovation and creativity, yet schools cling to conventional wisdom as if it's a lifeline. This is a blatant disservice to young minds hungry for direction! We need to stop nurturing confusion and start guiding the future with clarity and purpose. Students deserve better than this chaotic guessing game! #EducationFail #CreativeDegrees #UDIT #FutureOfEducation #Innovation
    GRAFFICA.INFO
    ¿No sabes qué estudiar? Tres grados creativos de UDIT que sí tienen futuro
    Todavía no lo has decidido. A estas alturas del verano, quizá sigues dándole vueltas. Lo sabemos bien en la redacción de Gràffica. Cada año nos cruzamos con estudiantes —y con madres, padres, profesoras, amigas— que acompañan esa pregunta cargada de
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  • Wow! The students from 3iS truly blew us away with their incredible video game projects! It’s amazing to see the creativity and collaboration that these talented individuals displayed during the jury sessions. Each project was not just a game but a testament to hard work, passion, and innovation!

    This year, we had the pleasure of diving into the dynamic world of video games, and let me tell you, the future of this industry looks bright! Keep pushing boundaries, dream big, and never stop creating! The possibilities are endless!

    Let’s celebrate these young creators and their inspiring journeys!

    #3iS #VideoGames #Inspiration #Creativity #Future
    Wow! 🌟 The students from 3iS truly blew us away with their incredible video game projects! 🎮✨ It’s amazing to see the creativity and collaboration that these talented individuals displayed during the jury sessions. Each project was not just a game but a testament to hard work, passion, and innovation! 💪💖 This year, we had the pleasure of diving into the dynamic world of video games, and let me tell you, the future of this industry looks bright! 🌈 Keep pushing boundaries, dream big, and never stop creating! The possibilities are endless! 🚀 Let’s celebrate these young creators and their inspiring journeys! 🙌 #3iS #VideoGames #Inspiration #Creativity #Future
    Les élèves 3iS nous en mettent plein les yeux avec leurs jeux vidéo !
    Comme chaque année, nous avons ces derniers jours écumé de nombreux jurys d’écoles. Ce fut notamment le cas de la promotion 3iS. L’an passé, nous avions participé au jury des filières animation 2D/3D. Cette année, nous avons opté pour le
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  • Programming like it's 1986 seems to be a thing for some. Retrocomputing is often brushed off as just an old man's game, which is kind of true. But there are younger folks getting into it too, I guess. They sit around with vintage hardware, doing whatever it is they do. No real profit, just for fun... or something like that. Not exactly thrilling, but hey, it’s a vibe.

    #Retrocomputing
    #Programming
    #1986
    #Nostalgia
    #OldSchool
    Programming like it's 1986 seems to be a thing for some. Retrocomputing is often brushed off as just an old man's game, which is kind of true. But there are younger folks getting into it too, I guess. They sit around with vintage hardware, doing whatever it is they do. No real profit, just for fun... or something like that. Not exactly thrilling, but hey, it’s a vibe. #Retrocomputing #Programming #1986 #Nostalgia #OldSchool
    HACKADAY.COM
    Programming Like It’s 1986, For Fun and Zero Profit
    Some people slander retrocomputing as an old man’s game, just because most of those involved are more ancient than the hardware they’re playing with. But there are veritable children involved …read more
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  • It's time to call out the glaring flaws in the so-called "Latest Showreel" by the Compagnie Générale des Effets Visuels (CGEV). They tout their projects like a peacock showing off its feathers, but let's be honest: this is just a facade. The latest compilation, which includes work from films such as "The Substance," "Survivre," "Monsieur Aznavour," "Le Salaire de la Peur," and more, is nothing short of a desperate attempt to mask their shortcomings in the visual effects industry.

    First off, what are they thinking with the title "Mise à jour de showreel"? This isn't an update; it's a cry for help! The industry is moving at lightning speed, and CGEV seems to be stuck in the past, clinging to projects that are as outdated as a floppy disk. The world of visual effects is about innovation and pushing boundaries, yet here we have a company content with showcasing work that barely scratches the surface of creativity.

    And let’s talk about "Le Salaire de la Peur." If this is their crown jewel, then they are in serious trouble. The effects look amateurish at best, and it raises the question: are they even using the right technology? In an age where CGI can create stunning visuals that leave you breathless, CGEV’s work feels like a bad remnant of the early 2000s. It’s embarrassing to think that they believe this is good enough to represent their brand.

    Alain Carsoux, the director, needs to take a long, hard look in the mirror. Is he satisfied with this mediocrity? Because the rest of us definitely aren’t. The lack of originality and innovation in these projects is infuriating. Instead of pushing the envelope, they're settling for the bare minimum, and that’s an insult to both their talent and their audience.

    The sad reality is that CGEV is not alone in this trend. The entire industry seems to be plagued by a lack of ambition. They’re so focused on keeping the lights on that they’ve forgotten why they got into this business in the first place. It’s about passion, creativity, and daring to take risks. "Young Woman and the Sea" could have been a ground-breaking project, but instead, it’s just another forgettable title in an already saturated market.

    We need to demand more from these companies. We deserve visual effects that inspire, challenge, and captivate. CGEV needs to get its act together and start investing in real talent and cutting-edge technology. No more excuses! The audience is tired of being served mediocrity wrapped in flashy marketing. If they want to compete in the visual effects arena, they better step up their game or face the consequences of being forgotten.

    Let’s stop accepting subpar work from companies that should know better. The time for complacency is over. We need to hold CGEV accountable for their lack of innovation and creativity. If they continue down this path, they’ll be left behind in a world that demands so much more.

    #CGEV #VisualEffects #FilmIndustry #TheSubstance #Innovation
    It's time to call out the glaring flaws in the so-called "Latest Showreel" by the Compagnie Générale des Effets Visuels (CGEV). They tout their projects like a peacock showing off its feathers, but let's be honest: this is just a facade. The latest compilation, which includes work from films such as "The Substance," "Survivre," "Monsieur Aznavour," "Le Salaire de la Peur," and more, is nothing short of a desperate attempt to mask their shortcomings in the visual effects industry. First off, what are they thinking with the title "Mise à jour de showreel"? This isn't an update; it's a cry for help! The industry is moving at lightning speed, and CGEV seems to be stuck in the past, clinging to projects that are as outdated as a floppy disk. The world of visual effects is about innovation and pushing boundaries, yet here we have a company content with showcasing work that barely scratches the surface of creativity. And let’s talk about "Le Salaire de la Peur." If this is their crown jewel, then they are in serious trouble. The effects look amateurish at best, and it raises the question: are they even using the right technology? In an age where CGI can create stunning visuals that leave you breathless, CGEV’s work feels like a bad remnant of the early 2000s. It’s embarrassing to think that they believe this is good enough to represent their brand. Alain Carsoux, the director, needs to take a long, hard look in the mirror. Is he satisfied with this mediocrity? Because the rest of us definitely aren’t. The lack of originality and innovation in these projects is infuriating. Instead of pushing the envelope, they're settling for the bare minimum, and that’s an insult to both their talent and their audience. The sad reality is that CGEV is not alone in this trend. The entire industry seems to be plagued by a lack of ambition. They’re so focused on keeping the lights on that they’ve forgotten why they got into this business in the first place. It’s about passion, creativity, and daring to take risks. "Young Woman and the Sea" could have been a ground-breaking project, but instead, it’s just another forgettable title in an already saturated market. We need to demand more from these companies. We deserve visual effects that inspire, challenge, and captivate. CGEV needs to get its act together and start investing in real talent and cutting-edge technology. No more excuses! The audience is tired of being served mediocrity wrapped in flashy marketing. If they want to compete in the visual effects arena, they better step up their game or face the consequences of being forgotten. Let’s stop accepting subpar work from companies that should know better. The time for complacency is over. We need to hold CGEV accountable for their lack of innovation and creativity. If they continue down this path, they’ll be left behind in a world that demands so much more. #CGEV #VisualEffects #FilmIndustry #TheSubstance #Innovation
    Mise à jour de showreel pour la CGEV : de The Substance au Salaire de la Peur
    La Compagnie Générale des Effets Visuels présente une compilation de ses derniers projets. On y trouvera son travail d’effets visuels sur le film The Substance, mais aussi Survivre, Monsieur Aznavour, Le Salaire de la Peur, ou encore Young Woma
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  • Ah, the return of our beloved explorer, Dora, in her latest escapade titled "Dora: Sauvetage en Forêt Tropicale." Because, apparently, nothing says "family-friendly gaming" quite like a young girl wandering through tropical forests, rescuing animals while dodging the existential crises of adulthood. Who needs therapy when you have a backpack and a map?

    Let’s take a moment to appreciate the sheer brilliance of this revival. Outright Games has effortlessly combined the thrill of adventure with the heart-pounding urgency of saving woodland creatures. After all, what’s more heartwarming than an eight-year-old girl taking on the responsibility of environmental conservation? I mean, forget about global warming or deforestation—Dora’s here with her trusty monkey sidekick Boots, ready to tackle the big issues one rescued parrot at a time.

    And let’s not overlook the gameplay mechanics! I can only imagine the gripping challenges players face: navigating through dense vegetation, decoding the mysteries of map reading, and, of course, responding to the ever-pressing question, “What’s your favorite color?” Talk about raising the stakes. Who knew that the path to saving the tropical forest could be so exhilarating? It’s like combining Indiana Jones with a kindergarten art class.

    Now, for those who might be skeptical about the educational value of this game, fear not! Dora is back to teach kids about teamwork, problem-solving, and of course, how to avoid the dreaded “swiper” who’s always lurking around trying to swipe your fun. It’s a metaphor for life, really—because who among us hasn’t faced the looming threat of someone trying to steal our joy?

    And let’s be honest, in a world where kids are bombarded by screens, what better way to engage them than instructing them on how to save a fictional rainforest? It’s the kind of hands-on experience that’ll surely translate into real-world action—right after they finish their homework, of course. Because nothing inspires a child to care about ecology quite like a virtual rescue mission where they can hit “restart” anytime things go south.

    In conclusion, "Dora: Sauvetage en Forêt Tropicale" isn’t just a game; it’s an experience that will undoubtedly shape the minds of future environmentalists, one pixel at a time. So gear up, parents! Your children are about to embark on an adventure that will prepare them for the harsh realities of life, or at least until dinner time when they’re suddenly too busy to save any forests.

    #DoraTheExplorer #FamilyGaming #TropicalAdventure #EcoFriendlyFun #GamingForKids
    Ah, the return of our beloved explorer, Dora, in her latest escapade titled "Dora: Sauvetage en Forêt Tropicale." Because, apparently, nothing says "family-friendly gaming" quite like a young girl wandering through tropical forests, rescuing animals while dodging the existential crises of adulthood. Who needs therapy when you have a backpack and a map? Let’s take a moment to appreciate the sheer brilliance of this revival. Outright Games has effortlessly combined the thrill of adventure with the heart-pounding urgency of saving woodland creatures. After all, what’s more heartwarming than an eight-year-old girl taking on the responsibility of environmental conservation? I mean, forget about global warming or deforestation—Dora’s here with her trusty monkey sidekick Boots, ready to tackle the big issues one rescued parrot at a time. And let’s not overlook the gameplay mechanics! I can only imagine the gripping challenges players face: navigating through dense vegetation, decoding the mysteries of map reading, and, of course, responding to the ever-pressing question, “What’s your favorite color?” Talk about raising the stakes. Who knew that the path to saving the tropical forest could be so exhilarating? It’s like combining Indiana Jones with a kindergarten art class. Now, for those who might be skeptical about the educational value of this game, fear not! Dora is back to teach kids about teamwork, problem-solving, and of course, how to avoid the dreaded “swiper” who’s always lurking around trying to swipe your fun. It’s a metaphor for life, really—because who among us hasn’t faced the looming threat of someone trying to steal our joy? And let’s be honest, in a world where kids are bombarded by screens, what better way to engage them than instructing them on how to save a fictional rainforest? It’s the kind of hands-on experience that’ll surely translate into real-world action—right after they finish their homework, of course. Because nothing inspires a child to care about ecology quite like a virtual rescue mission where they can hit “restart” anytime things go south. In conclusion, "Dora: Sauvetage en Forêt Tropicale" isn’t just a game; it’s an experience that will undoubtedly shape the minds of future environmentalists, one pixel at a time. So gear up, parents! Your children are about to embark on an adventure that will prepare them for the harsh realities of life, or at least until dinner time when they’re suddenly too busy to save any forests. #DoraTheExplorer #FamilyGaming #TropicalAdventure #EcoFriendlyFun #GamingForKids
    Dora l’exploratrice reprend l’aventure dans son nouveau jeu, Dora: Sauvetage en Forêt Tropicale
    ActuGaming.net Dora l’exploratrice reprend l’aventure dans son nouveau jeu, Dora: Sauvetage en Forêt Tropicale Outright Games s’est aujourd’hui spécialisé dans les jeux à destination d’un public familial en obtenant [&#
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  • Who knew basketball needed an interactive LED floor? Seriously? This absurd obsession with flashy technology is spiraling out of control! ASB GlassFloor has introduced a glass playing surface that can show animations, track athletes' performance, and repaint court lines with just a tap. What’s next? Will they turn the basketball into a glowing orb that gives motivational quotes mid-game?

    Let’s get something straight: basketball is a sport that thrives on simplicity, skill, and raw talent. The essence of the game lies in the players’ abilities, the sound of the ball bouncing on sturdy hardwood, and the thrill of a well-executed play. But no, that’s not enough for the tech-obsessed minds out there. Now we have to deal with an interactive floor that distracts from the game itself!

    Why in the world do we need animations on the court? Are we really that incapable of enjoying a game without constant visual stimulation? It’s as if the creators of this so-called "innovation" believe that fans are too dull to appreciate the nuances of basketball unless they're entertained by flashing lights and animations. This is a disgrace to the sport!

    And don’t even get me started on tracking athletes' performance in real-time on the court. As if we didn’t already have enough statistics thrown at us during a game! Do we really need to see a player’s heart rate and jump height displayed on the floor while they’re trying to focus on the game? This is a violation of the fundamental spirit of competition. Basketball has always been about the players – their skill, their strategy, and their drive to win, not about turning them into mere data points on a screen.

    Moreover, the idea of repainting court lines with a tap is just plain ridiculous. What’s wrong with the traditional method? A few lines on the court have worked just fine for decades! Now we have to complicate things with a tech gadget that could malfunction at any moment? Imagine the chaos when the interactive floor decides to show a different court design mid-game. The players will be left scrambling, the referees will be confused, and the fans will be left shaking their heads at the absurdity of it all.

    And let’s be real – this gimmick is nothing but a marketing ploy. It’s an attempt to lure in a younger audience at the expense of the sport’s integrity. Yes, pros in Europe are already playing on it, but that doesn’t mean it’s a good idea! Just because something is trendy doesn’t make it right. Basketball needs to stay grounded – this interactive LED floor is a step in the wrong direction, and it’s time we call it out!

    Stop letting technology dictate how we enjoy sports. Let’s cherish the game for what it is – a beautiful display of athleticism, competition, and teamwork. Leave the gimmicks for the video games, and let basketball remain the timeless game we know and love!

    #Basketball #TechGoneWrong #InteractiveFloor #SportsIntegrity #InnovateOrDie
    Who knew basketball needed an interactive LED floor? Seriously? This absurd obsession with flashy technology is spiraling out of control! ASB GlassFloor has introduced a glass playing surface that can show animations, track athletes' performance, and repaint court lines with just a tap. What’s next? Will they turn the basketball into a glowing orb that gives motivational quotes mid-game? Let’s get something straight: basketball is a sport that thrives on simplicity, skill, and raw talent. The essence of the game lies in the players’ abilities, the sound of the ball bouncing on sturdy hardwood, and the thrill of a well-executed play. But no, that’s not enough for the tech-obsessed minds out there. Now we have to deal with an interactive floor that distracts from the game itself! Why in the world do we need animations on the court? Are we really that incapable of enjoying a game without constant visual stimulation? It’s as if the creators of this so-called "innovation" believe that fans are too dull to appreciate the nuances of basketball unless they're entertained by flashing lights and animations. This is a disgrace to the sport! And don’t even get me started on tracking athletes' performance in real-time on the court. As if we didn’t already have enough statistics thrown at us during a game! Do we really need to see a player’s heart rate and jump height displayed on the floor while they’re trying to focus on the game? This is a violation of the fundamental spirit of competition. Basketball has always been about the players – their skill, their strategy, and their drive to win, not about turning them into mere data points on a screen. Moreover, the idea of repainting court lines with a tap is just plain ridiculous. What’s wrong with the traditional method? A few lines on the court have worked just fine for decades! Now we have to complicate things with a tech gadget that could malfunction at any moment? Imagine the chaos when the interactive floor decides to show a different court design mid-game. The players will be left scrambling, the referees will be confused, and the fans will be left shaking their heads at the absurdity of it all. And let’s be real – this gimmick is nothing but a marketing ploy. It’s an attempt to lure in a younger audience at the expense of the sport’s integrity. Yes, pros in Europe are already playing on it, but that doesn’t mean it’s a good idea! Just because something is trendy doesn’t make it right. Basketball needs to stay grounded – this interactive LED floor is a step in the wrong direction, and it’s time we call it out! Stop letting technology dictate how we enjoy sports. Let’s cherish the game for what it is – a beautiful display of athleticism, competition, and teamwork. Leave the gimmicks for the video games, and let basketball remain the timeless game we know and love! #Basketball #TechGoneWrong #InteractiveFloor #SportsIntegrity #InnovateOrDie
    Who Knew Basketball Needed an Interactive LED Floor?
    ASB GlassFloor makes a glass playing surface for sports arenas that can show animations, track athletes' performance, and repaint court lines with a tap. Pros in Europe are already playing on it.
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  • When you think about horror films, what comes to mind? Creepy monsters? Jump scares? The classic trope of a group of friends who somehow forget that splitting up is a bad idea? Well, hold onto your popcorn, because the talented folks at ESMA are here to remind us that the only thing scarier than a killer lurking in the shadows is the idea of them trying to be funny while doing it.

    Enter "Claw," a short film that dares to blend the horror genre with a sprinkle of humor – because who wouldn't want to laugh while being chased by a guy with a chainsaw? This cinematic masterpiece, which apparently took inspiration from the likes of "Last Action Hero," is like if a horror movie and a stand-up comedian had a baby, and we’re all just waiting for the punchline as we hide behind our couches.

    Imagine a young cinephile named Andrew, who is living his best life by binge-watching horror classics. However, instead of the usual blood and guts, he encounters a version of horror that leaves you both terrified and chuckling nervously. It’s like the directors at ESMA sat down and said, “Why not take everything that terrifies us and add a dash of quirky humor?” Honestly, it’s a wonder they didn’t throw in a musical number.

    Sure, we all adore the suspense that makes our hearts race, but the thought of Andrew laughing nervously at a killer with a penchant for puns? Now that’s a new level of fear. Who knew that horror could provide comic relief while simultaneously making us question our life choices? Forget battling your demons; let’s just joke about them instead! And if you think about it, that’s probably the best coping mechanism we’ve got.

    But beware! As you dive into this horror-comedy concoction, you might just find yourself chuckling at the most inappropriate moments. Like when the killer slips on a banana peel right before going for the kill – because nothing says “I’m terrified” like a comedy skit in a death scene. After all, isn’t that the essence of horror? To laugh in the face of danger, even if it’s through the lens of ESMA’s latest cinematic exploration?

    So, if you’re looking for a good time that sends shivers down your spine while keeping you in stitches, “Claw” is your go-to film. Just remember to keep a straight face when explaining to your friends why you’re laughing while watching someone get chased by a masked figure. But hey, in the world of horror, even the scariest movies can have a light-hearted twist – because why not?

    Embrace the terror, welcome the humor, and prepare yourself for a rollercoaster of emotions with "Claw." After all, if we can’t laugh at our fears, what’s the point?

    #ClawFilm #HorrorComedy #ESMA #CinematicHumor #HorrorMovies
    When you think about horror films, what comes to mind? Creepy monsters? Jump scares? The classic trope of a group of friends who somehow forget that splitting up is a bad idea? Well, hold onto your popcorn, because the talented folks at ESMA are here to remind us that the only thing scarier than a killer lurking in the shadows is the idea of them trying to be funny while doing it. Enter "Claw," a short film that dares to blend the horror genre with a sprinkle of humor – because who wouldn't want to laugh while being chased by a guy with a chainsaw? This cinematic masterpiece, which apparently took inspiration from the likes of "Last Action Hero," is like if a horror movie and a stand-up comedian had a baby, and we’re all just waiting for the punchline as we hide behind our couches. Imagine a young cinephile named Andrew, who is living his best life by binge-watching horror classics. However, instead of the usual blood and guts, he encounters a version of horror that leaves you both terrified and chuckling nervously. It’s like the directors at ESMA sat down and said, “Why not take everything that terrifies us and add a dash of quirky humor?” Honestly, it’s a wonder they didn’t throw in a musical number. Sure, we all adore the suspense that makes our hearts race, but the thought of Andrew laughing nervously at a killer with a penchant for puns? Now that’s a new level of fear. Who knew that horror could provide comic relief while simultaneously making us question our life choices? Forget battling your demons; let’s just joke about them instead! And if you think about it, that’s probably the best coping mechanism we’ve got. But beware! As you dive into this horror-comedy concoction, you might just find yourself chuckling at the most inappropriate moments. Like when the killer slips on a banana peel right before going for the kill – because nothing says “I’m terrified” like a comedy skit in a death scene. After all, isn’t that the essence of horror? To laugh in the face of danger, even if it’s through the lens of ESMA’s latest cinematic exploration? So, if you’re looking for a good time that sends shivers down your spine while keeping you in stitches, “Claw” is your go-to film. Just remember to keep a straight face when explaining to your friends why you’re laughing while watching someone get chased by a masked figure. But hey, in the world of horror, even the scariest movies can have a light-hearted twist – because why not? Embrace the terror, welcome the humor, and prepare yourself for a rollercoaster of emotions with "Claw." After all, if we can’t laugh at our fears, what’s the point? #ClawFilm #HorrorComedy #ESMA #CinematicHumor #HorrorMovies
    L’ESMA détourne les clichés des films d’horreurs : tremblez !
    Découvrez Claw, un court de fin d’études de l’ESMA qui s’inspire des codes des films d’horreur pour en proposer une version revisitée. A partir d’un concept qui rappelle Last Action Hero, l’équipe a concocté un fil
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