Spotify says its ability to direct its customers to external payment links in its iOS app has already had a positive impact on sales. In a newly filed amicus brief in support of Epic Games in its ongoing legal battle with Apple over external payments on the App Store, Spotify claims its internal data indicates that its recent update supporting web payments has resulted in “a significant increase in iOS users upgrading to a Premium subscription.” Shortly after the U.S. District Court in Northern California ruled in favor of Fortnite maker Epic Games on the matter of external payments, Apple was forced to finally allow U.S. app developers to direct their customers to other ways to pay from within their iOS apps without having to pay Apple’s commission. Now, iOS app developers in the U.S. can choose to tell their customers about web billing options and whether there’s a discount for paying directly. Spotify was one of the first to update its iOS app to take advantage of the new policy. The updated version explains to customers what subscriptions cost, points them to its website to purchase, and allows users to purchase audiobooks directly. The results have been largely positive, Spotify wrote in the new filing. “The 2025 Order has created substantial benefits for developers and — more importantly — consumers,” the filing states. “Spotify’s internal data show that its iOS app updates have already resulted in a significant increase in iOS users upgrading to a Premium subscription. Apple’s compliance has also enabled new product innovations that would not have been possible without the Injunction.” Spotify said that its revised “Premium Destination Page” in its iOS app tells free users how to upgrade to a paid subscription by offering information about prices and a link to a checkout page. Since adding the link and pricing information, Spotify says it’s seen the immediate impact of the changes. Techcrunch event Join us at TechCrunch Sessions: AI Secure your spot for our leading AI industry event with speakers from OpenAI, Anthropic, and Cohere. For a limited time, tickets are just $292 for an entire day of expert talks, workshops, and potent networking. Exhibit at TechCrunch Sessions: AI Secure your spot at TC Sessions: AI and show 1,200+ decision-makers what you’ve built — without the big spend. Available through May 9 or while tables last. Berkeley, CA | June 5 REGISTER NOW In the two weeks the new page has been live, Spotify says the rate of conversions from the free to Premium tier has remained “relatively constant” on Android, where Spotify has already been able to offer basic pricing information. Meanwhile, the conversion rate among iOS users has increased substantially, the company says. “This strongly suggests that the increase is due to Apple finally complying with the Injunction thanks to the 2025 Order,” Spotify wrote. Plus, the company adds that it’s beginning to see the effects on audiobook purchases just three days after the new product options were launched. Spotify declined to share specific numbers related to the increases when reached for comment. Its brief joins those from Microsoft and others in support of Epic Games, as Apple tries to fight the injunction that upended its U.S. App Store business. Apple doesn’t want to comply with the court’s decision, which it’s in the process of appealing, until all legal matters are fully settled. It also tried to keep Epic Games’ Fortnite out of the App Store for the same reason, but the judge pressured Apple to allow the game back in the App Store or return to court to explain why Apple was in non-compliance with the ruling. On Tuesday, Fortnite went live on the U.S. App Store after a five-year hiatus. The case between Apple and Epic now continues in the U.S. Court of Appeals for the Ninth Circuit. Apple filed an Emergency Motion so it could revert to its old policy while its appeal was underway. However, the court decided not to grant the motion, saying the panel of judges would follow the default briefing schedule and then rule on the motion in “due course.”

Spotify was one of the first companies to take advantage of recent changes to the App Store Guidelines. The company swiftly submitted a new version of its app with links that make it easier for users to subscribe to Spotify Premium using external payment methods. In an amicus brief filed in support of Epic Games this week, Spotify touts that it has already seen a measurable increase in Premium subscription conversions thanks to these changes. Spotify says: “Apple claims that only it is harmed by the 2025 Order without any corresponding benefit to the public. This is wrong. By forcing Apple’s long-overdue compliance with the Injunction, the 2025 Order has created substantial benefits for developers and—more importantly—consumers. Spotify’s internal data show that its iOS app updates have already resulted in a significant increase in iOS users upgrading to a Premium subscription. Apple’s compliance has also enabled new product innovations that would not have been possible without the Injunction.” The company adds that it is confident this increase is due to the changes to the iOS app: “In the two weeks since Spotify updated its iOS app in accordance with the 2025 Order, the rate of conversions from the Free- to Premium-tier service has remained relatively constant on Android, while conversion among iOS users has increased substantially. This strongly suggests that the increase is due to Apple finally complying with the Injunction thanks to the 2025 Order.” Apple was forced to change its App Store Guidelines after an injunction was handed down in its legal battle with Epic Games. Judge Yvonne Gonzalez Rogers barred Apple from charging commission or otherwise interfering with developers’ ability to direct customers to payment methods outside of the App Store. The latest version of the Spotify app for iOS shows pricing details and promotional information with a link that lets users subscribe via Safari. It’s also now easier to purchase audiobooks in the app. Apple has requested a pause of the initial injunction. It is also formally appealing that decision. My favorite iPhone accessories: Follow Chance: Threads, Bluesky, Instagram, and Mastodon.  Main Document Brief – 011926- 00004 – Ninth CircuitDownload Add 9to5Mac to your Google News feed.  FTC: We use income earning auto affiliate links. More.You’re reading 9to5Mac — experts who break news about Apple and its surrounding ecosystem, day after day. Be sure to check out our homepage for all the latest news, and follow 9to5Mac on Twitter, Facebook, and LinkedIn to stay in the loop. Don’t know where to start? Check out our exclusive stories, reviews, how-tos, and subscribe to our YouTube channel

The lifespan of a games console has extended a lot since I was a child. In the 1990s, this kind of technology would be out of date after just a couple of years. There would be some tantalising new machine out before you knew it, everybody competing to be on the cutting edge: the Game Boy and Sega Genesis/Mega Drive in 1989 were followed by the Game Gear in 1990 and the Super NES in 1991. Five years was a long life for a gaming machine.Now, it’s more like 10. The Nintendo Switch 2 will be released in a couple of weeks, more than eight years since I first picked an original Switch up off its dock and marvelled at the instant transition to portable play. Games consoles often feel like they mark off particular eras in my life: the Nintendo 64 was the defining console of my childhood, the PlayStation 2 of my adolescence, and the Xbox 360 of the first years of my career, the first console launch I ever covered as a (ridiculously young) journalist. The Nintendo Switch came along just a few months after my first child was born, and for me it has become the games machine of that era of harried early parenthood.When I reflect on my experiences with the Switch, I remember snatching moments in Breath of the Wild’s Hyrule while the baby napped beside me; hiding on the veranda of a French villa to play the odd Splatoon match on our first family holiday; and trying to make a mint on my Animal Crossing turnip trades while walking my second baby around the house in his sling, trying to get him to sleep (he never did). When they got old enough, the first games I played with my children were on the Switch. We all played Pokémon Sword and Shield together, and most recently my youngest made his way through the surprisingly entertaining Princess Peach Showtime with only minimal assistance from me.Hello to the moo … The Nintendo Switch created a unique gaming space all of its own. Photograph: Justin Lane/EPAOver the last eight years, my living room TV became dominated by things like Bluey and Moana and most recently (god help me), Alvin and the Chipmunks, and I no longer have the hours of uninterrupted gaming time in the evenings. The Switch gave me some of that that time back, though, letting me dip into games whenever I had a moment – which gave me vital stress relief, a route back to myself during some of the most challenging years of my life. Eight years is a long time, enough for anyone’s life to change beyond recognition. In that time I’ve lost people, moved cities, gained new friends, too. And, of course, we all went through the pandemic. Animal Crossing: New Horizons became perhaps the defining game of that time, and I am not the only person for whom the Switch was a blessed oasis, a way to connect when we were starved of in-person interaction.Things have changed for me since 2017, as they probably have for you. Consoles feel like companions, especially perhaps the portable ones like the Switch and the Game Boy, which we literally carry with us wherever we go. My kids are older now, enjoying all the Switch games that I enjoyed when they were very small – and it does seem as if the Switch 2 will neatly mark another new stage, for me and for them.I recently gathered together all the Switch consoles, games, controllers and accessories in my house and my office for an audit, from the battered day-one unit that serves as the family console to the untouched OLED Zelda special edition my partner got me and the variably functioning spare JoyCons accumulated over time. It’s not quite time for them to join the other old consoles under my bed, each in a clear plastic box with all of its cables, ready to be dusted off when the time comes; the Switch 2 will take its place in my rucksack and in my office, but I won’t be upgrading the family console for some time yet. I don’t really wantA little sentimentality is forgivable at the end of an era. In a couple of weeks all the talk will be about the new console, how it’s selling, whether it’s worth the money, what the best Mario Kart World strategies are, and how it compares to its record-breaking predecessor. For now, I’m not thinking much about what the Nintendo Switch meant for the gaming industry; instead I’m thinking about what it meant to me.What to playBe who you wanna be … there are many lives to choose from in the latest RPG, Fantasy Life i: The Girl Who Steals Time. Illustration: Level5/Have you ever heard of Fantasy Life? It was a bit of a cult hit on the Nintendo 3DS in 2014, a cosy-feeling role-playing game that let you switch between 12 different professions, so you would be blacksmithing one minute, fighting monsters another and cooking things up the next. The sequel – Fantasy Life i: The Girl Who Steals Time – is out today after years of delays.You can now be an artist or a farmer as well as a magician, carpenter, fisherman, alchemist or whatever else you fancy, and also it adds time travel into the mix. It’s an intriguing amalgamation of the Animal Crossing/Harvest Moon style of Japanese life simulator, and the Dragon Quest/Ni no Kuni flavour of unthreatening role-playing game, and I’m looking forward to exploring it. An especial shout-out to the members of one of my group chats who have been eagerly awaiting this for more than a decade.Available on: Switch/2, PS4/5, Xbox, PC Estimated playtime: skip past newsletter promotionSign up to Pushing ButtonsFree weekly newsletterKeza MacDonald's weekly look at the world of gamingPrivacy Notice: Newsletters may contain info about charities, online ads, and content funded by outside parties. For more information see our Privacy Policy. We use Google reCaptcha to protect our website and the Google Privacy Policy and Terms of Service apply.after newsletter promotionWhat to readBroom broom … the home delivery system in Crescent County. Illustration: Electric Saint A couple of interesting games hitting Kickstarter this week: Crescent County, a colourful witch-delivery game with broom-racing and plenty of small-town drama; and a ghost story set in Paisley just outside Glasgow, named after its Chinese takeaway Crystal Garden. If you have a few minutes, have a go at this satirical simulation text game You Are Generative AI, which casts you as an increasingly self-aware AI large language model answering random questions that people cannot be bothered to research or think through themselves. I got three different endings and one of them made me genuinely quite sad. Developers at Bungie, makers of Destiny and the forthcoming shooter Marathon, have been dealing with an alleged plagiarism scandal after unattributed designs from an artist called Antireal were found in promotional screenshots and art from Marathon. Bungie is blaming the mistake on a former employee. VG247 has a rundown. After half a decade, PlayStation 5 sales are neck and neck with PlayStation 4’s results at this point in its life cycle, at 78m – despite the fact that its price has actually increased, due to the wild times in which we live. Video Game Chronicle gets into the numbers. What to clickQuestion BlockWhat’s in a name? … playing a video game using Nintendo’s Wii U controller. Photograph: Jae C Hong/API’ve had several good suggestions for the name of reader Travis’s book-club style video game club: Select/Start (thanks Alex), Long Play (from Eva), and Doki Doki Videogame Club (niche reference there, Chris). Especial props to Kenny, however, who went hog wild and came up with several, including these three beauts: Go Forth and Multiplay, Concurrent Players and Let’s Console Each Other.Lucas also had a great suggestion for last week’s questioner: “Your bookclubber should look at itch.io for crazy little free games to play and discuss with their friends! The indie folks sharing their games there would probably love the attention/feedback of a games book club.” (You Are Generative AI, which I mentioned earlier, is on Itch, along with just hundreds of other shortform games worthy of discussion.)And we’ve just about got room for another (timely) question, this time from reader Ali:“I’ve always admired Nintendo for coming up with different names for each console, as opposed to Sony going for the sequential naming convention and Microsoft jumping from 360 to One to Series (?). My opinion has somewhat changed now that the successor to the Nintendo Switch is called Switch 2. Do you have any thoughts on console names?”It’s true that Nintendo usually goes for completely new names for each console, except arguably the series of Game Boys, the NES and Super NES, Wii and Wii U, and now Switch and Switch 2. And yes, this is the first time they’ve gone for a number. I’d say this is down to how badly the company did with the Wii U, whose confusing name surely contributed to how badly it flopped. But I think it reflects the more conservative and cautious mood of the games industry as a whole in 2025, as it comes to the end of decades’ worth of unsustainably rapid growth. Or maybe it’s because Nintendo’s president Shuntaro Furukawa used to be an accountant.If you’ve got a question for Question Block – or anything else to say about the newsletter – email us on pushingbuttons@theguardian.com

TL;DR: Windows 11 Pro is down to $14.97 through June 1, its lowest price to date (reg. $199). Most PC gamers obsess over graphics cards, RAM, and frame rates… but the operating system? It’s usually an afterthought, and that might be a mistake. Whether you’re on Windows 10 or Windows 11 Home, upgrading to Windows 11 Pro may be the difference between an ordinary and an extraordinary gaming experience. Windows 11 Pro introduces DirectX 12 Ultimate, delivering higher frame rates, improved ray tracing, and lower latency for a smoother gaming experience. If you want faster load times and better graphics, this is your chance to optimize your rig. Plus, with AutoHDR and DirectStorage, Windows 11 Pro ensures snappier gameplay and richer visuals. On the AI side, Windows Copilot, powered by OpenAI, acts as your built-in assistant, helping with everything from system settings to generating text and images on demand. Need help writing an email? Want to summarize a web page? Copilot has you covered. This upgrade also includes enterprise-level security features like BitLocker encryption, secure boot, and enhanced malware protection to keep your data safe. More Pro Features Snap Layouts & Virtual Desktops for better multitasking TPM 2.0 & Secure Boot for enhanced protection Remote Desktop Access to control your PC from anywhere Hyper-V & Windows Sandbox for virtual machine testing Seamless Microsoft Teams Integration for better collaboration Upgrade your PC gaming with a Windows 11 Pro key for $14.97 through June 1 at 11:59 p.m. PT. No coupon is needed to get this price. Microsoft Windows 11 ProSee Deal StackSocial prices subject to change.

Macworld Throughout its history, Apple has introduced many industry-changing technologies, some of which are still present in today’s devices, like MagSafe on MacBooks. However, some of the technologies introduced by Apple have been discontinued over time for different reasons. While most of these decisions are understandable, some technologies were ahead of their time, and I really miss them today. Let’s look back at some of Apple’s best ideas that were discontinued but ahead of their time and deserve to come back. 3D Touch Although 3D Touch was first introduced with the original Apple Watch as “Force Touch,” Apple later added it to the iPhone. I remember seeing the iPhone 6s introduction video in 2015 with Jony Ive explaining how 3D Touch worked, and it sounded impressive. Indeed, it was. Essentially, Apple put pressure sensors under the iPhone’s screen so that it could distinguish a soft press from a hard press with extreme precision. 3D Touch could be used in many ways, such as pressing harder on an icon to reveal more options or gently pressing a link on a webpage to see a preview of it. Game developers could also adopt 3D Touch for custom controls. You can still perform the 3D Touch action on today’s iPhones, but the result is different.Filipe Esposito The technology blew my mind, and I loved how precise it was. Not only that, but 3D Touch worked very well with the iPhone’s haptic feedback. It was so satisfying. But in practice, only a few apps added support for 3D Touch, and it was a very complex and expensive technology to build. Apple ended up discontinuing 3D Touch, starting with the iPhone XR, and replaced some of the actions with a simple long press on the screen. I still dream of future iPhones having 3D Touch back. Luckily, the trackpads on MacBooks still have Force Touch, so that’s something. AirPort AirPort was Apple’s lineup of wireless routers. First introduced in 1999, AirPort devices always had a futuristic design and made it easy for users to plug in an internet cable and have a Wi-Fi connection at home. While the first version looked like a spaceship, one of the most interesting versions of the AirPort was the model that looked like a giant MacBook charger that had an ethernet port on it. There was also the sleek and modern AirPort Extreme, which was essentially a mini-tower made of polished white plastic. That thing was beautiful. The AirPort line once had a tower form factor (left) and a design that was like a MacBook power adapter (left).Apple Apple’s AirPorts gained many cool features over time. For example, you could plug a USB stick, printer, or external hard drive into it, and all your Apple devices would have wireless access to it. It could also turn wired sound systems into AirPlay speakers. AirPort also resulted in another product called Time Capsule, which had an internal hard drive to wirelessly back up your Mac. Apple stopped selling AirPorts in 2018, and while rumors suggest that Apple has no plans to introduce another Wi-Fi router anytime soon, the company has reportedly been exploring the idea of making Apple TVs and HomePods work as Wi-Fi signal extenders. I really hope that’s true. iPod A lot has changed since Apple introduced the first iPod in 2001. iPod wasn’t just a good product, it also made anyone using it look cool. I remember upgrading from a Discman to an iPod, and I felt like I was in the future. “A thousand songs in your pocket,” as Apple’s slogan went. The third-generation iPod nano. Filipe Esposito There have been many different versions of the iPod over the years, including the iPod touch, but the most iconic ones will always be the iPods with a Click Wheel. There was a unique and satisfying feeling in turning your finger on that wheel to navigate the interface. It was unlike anything else at the time. And although the product was once a hit, it ended up losing the battle to smartphones. Apple knew this, which is why the company has always promoted the iPhone as “the best iPod ever.” Suddenly, our phones could also work as great iPods, so having a dedicated music player no longer made sense for most people. Apple stopped selling the iPod shuffle and iPod nano in 2017, while the iPod touch remained in the lineup until 2022. The company said at the time that the iPod still lives on in its other products, and that’s true. Thanks to the iPod, we now have the iPhone, AirPods, and the HomePod. While some people are nostalgic about the iPod and want it back, I really believe that it served its purpose and that there are better alternatives now, like using an Apple Watch with AirPods if you want to listen to music without having your phone nearby. Cover Flow How could I forget Cover Flow? The cool iPod interface that lets users explore their music library by its art covers? Interestingly, Cover Flow was created by a third-party developer, and the idea was so good that Apple acquired it to implement it in iTunes. The feature was eventually added to the iPod, iPhone, and even Finder on the Mac to browse files with large previews. I remember using the original iPod touch for the first time, rotating the screen with the Music app open, and seeing the Cover Flow interface. That was probably the moment I fell in love with that product. Cover Flow on an iPod touch.Filipe Esposito Cover Flow went away with iOS 7, when Apple completely redesigned the iPhone’s operating system in favor of a flat-design interface with less skeuomorphism. But Apple should bring Cover Flow back. It would be a good feature to reintroduce with iOS 19, as the company is rumored to be changing the user interface all over again. Front Row Similar to Cover Flow, Front Row was an interface that Apple created to use the Mac as a multimedia center. The app made it easier to navigate between the user’s music, videos, and photos. The experience of using Front Row was really cool, especially when the Mac was connected to a big monitor or TV. With Front Row, it was easy to imagine what a multimedia device (like a DVD player) from Apple would look like. Apple never launched a DVD player, but it did announce the first Apple TV in 2007–it had the same interface as Front Row, but now in a standalone device. Front Row was later removed from the Mac, probably because Apple wants you to buy an Apple TV instead. Still, I miss Front Row, especially now with Apple Music and Apple TV+. Front Row provided an easy-to-use interface for using your Mac as an entertainment center.Apple iSight camera Pretty much every Apple device today has a built-in front-facing camera, but there was a time when that wasn’t a thing, and Apple had to create its own webcam for the Mac. Called iSight, Apple’s webcam had a beautiful design for its time (which still looks modern). It was definitely something you’d look at and think, “that’s an Apple product.” The iSight had decent specs for a 2003 webcam, with a three-element lens with autofocus and 480p resolution at 30fps. It also had built-in microphones with noise cancellation and a cool way to cover the lens for better privacy. We now have 1080p and even 4K webcams built into our devices, but there’s still a market for external webcams with larger sensors and better microphones for those who videoconference every day. Although this would be very niche, I would like to see Apple reintroduce iSight with a large 4K sensor for vloggers. Unfortunately, this seems quite unlikely to happen since Apple itself has released a feature that lets users turn their iPhone into a webcam for their Mac or Apple TV. The iSight webcam design would look great in today’s Apple lineup.Christopher Phin Back to the future Apple is known for not reviving things from the past very often, even when it’s something its users really love. Still, we can dream of some of these things coming back in the future–just look at MagSafe, which was removed from MacBooks and then added back years later. And even though some of these technologies may not seem relevant these days, they certainly contributed to improving the Apple ecosystem at the time.

Adobe will be giving its priciest subscription tier an AI-first rebrand—and adding an even higher price tag. Adobe’s Creative Cloud All Apps subscription, which includes access to more than 20 Adobe apps, will soon be known as “Creative Cloud Pro,” the company announced last week. The renamed subscription plan will give users expanded access to Adobe’s AI-powered tools and apps, but for a price: For subscribers on an annual plan, the cost will increase from $59.99 to $69.99 monthly, or from $659.88 to $779.99 annually. Beginning on June 17, any members of Creative Cloud All Apps will be automatically opted into Creative Cloud Pro. According to Adobe’s announcement of the plan, Creative Cloud Pro pricing will be effective at your next renewal on or after June 17. Currently, these changes are only rolling out in North America. This follows better-than-expected first quarter 2025 financial results for the software company, which reported a record revenue of $5.71 billion, equal to 10% year-over-year growth. Still, Adobe’s shares dropped after the report, as several experts and investors noted concerns that the company might be falling behind competitors with its AI efforts. Creative Cloud Pro appears to be the next step for Adobe to monetize its newly robust suite of AI tools by making them a mandatory investment for the company’s most dedicated users, even as it rolls out “made without generative AI” image labels. Here’s what to know about the new plan. What’s new on Creative Cloud Pro? To start, Creative Cloud Pro comes with all of the features that were included under the Creative Cloud All Apps umbrella. The plan includes a portfolio of more than 30,000 fonts, unlimited Creative Cloud libraries, millions of stock photos and videos, and 100 gigabytes of cloud storage. In addition to these perks, the upgraded plan will include several new AI features. First, users will gain unlimited access to “standard generative tools” like Photoshop’s Generative Fill, which can essentially “deepfake” anything within a composition, and Lightroom’s Generative Remove, which eliminates unwanted details in a photo. Creative Cloud Pro users will also have 4,000 monthly credits to use for Adobe’s class of “premium generative features,” like Premiere Pro’s Generative Extend, which uses AI to add frames to the beginning or end of any video. The rebranded subscription also includes the most recent Firefly app, which Adobe bills as its “one-stop shop for exploration and ideation with creative AI.” The app comes with Adobe’s new text-to-image generator Image Model 4, as well as its Firefly Video Model, which first entered public beta testing last month. Another feature called Firefly Boards allows teams to do some Pinterest-style mood board brainstorming.  For any Creative Cloud Pro users who have a different AI model of choice, they can also choose to import Google Imagen 3 and Veo 2, OpenAI image generation, or Flux 1.1 Pro into Firefly. More details on Creative Cloud Pro features are available here. How much will it cost for different kinds of users? Prices are set to rise across the board for all kinds of Creative Cloud All Apps users.  For rolling subscribers (those not on an annual plan), prices will rise from $89.99 to $104.99. For teams, prices will jump from $89.99 to $99.99 per month. And for student and teacher plans, renewal prices are set to increase from $34.99 to $39.99 monthly. What if I don’t want to join this new plan? If you’re a current Creative Cloud All Apps user but don’t want to be automatically shuffled into Creative Cloud Pro, Adobe has created another subscription tier called Creative Cloud Standard. This tier is the same price as the former Creative Cloud All Apps ($54.99 per month for annual users), but it comes with a bit less value.  Whereas All Apps included 1,000 monthly credits for the aforementioned standard generative features, Creative Cloud Standard only includes 25 credits. It also limits access to premium features on mobile and web apps, and, of course, does not include premium generative features or Firefly.  While Adobe’s web page states that Creative Cloud Standard is “only available to existing customers,” an Adobe spokesperson clarified that new users can actually join this tier by contacting customer support. It’s a trade-off that essentially means you’ll be paying the same amount for a subscription with fewer bonuses, but it might be the option that makes the most sense for users who have no interest in Adobe’s AI features. On Reddit, plenty of users have already expressed displeasure with the new plan. It’s easy to see why. Adobe is automatically upgrading subscriptions to the more expensive Creative Cloud Pro tier, a UX pattern that makes it less likely for users to opt out than if they had to make an active choice and tick a subscribe box, for instance. Both this and the Creative Cloud Standard journey for new users could be seen as dark patterns, which are UX pathways that manipulate users into taking actions that they may not have intended but are in the business interests of the company. The U.S. sued Adobe over its hard-to-cancel subscriptions last year. The goal of the automatic upgrade, in combination with the decreased appeal of the Creative Cloud Standard tier due to its reduced features, seems to be to draw more daily active users into the company’s existing AI products. That would be in close keeping with its recent focus on monetizing generative AI tools following its last earnings report, which was plagued with fears that Adobe isn’t staying ahead in the AI race. An Adobe spokesperson declined to comment on the reasoning behind the subscription tier rebrand and whether users will be personally notified before the change takes place.

About the RoleSearchStax is the leader in Open Source Search in the Cloud with headquarters in Los Angeles, CA and has teams located across the United States and around the world.This is an excellent opportunity to join SearchStax Cloud team, providing technical support to customers and ensuring the availability and reliability of our search service. We are looking for a self-motivated Linux and Systems Engineer with a passion for professional service excellence who want to build on their experience and make a real difference to our cloud solutions. This entails installing, configuring, maintaining, supporting, and optimizing open source and custom-built software.Initiatives will include analysis and improvements around application reliability, disaster recovery, cloud management, distributed systems, and cluster management.This is a contract opportunity. The successful candidate will be required to participate in on-call shifts as part of the role.If this sounds like you, let’s talk! What You Will DoYou will collaborate closely with Engineers and Other Cloud Operations engineers to ensure high availability and smooth daily operations of the service.Resolve customer support tickets and service incidents and requests in a timely and professional manner via effective investigation, triage and resolution of these requests.Treat every customer professionally and with respect; ensure positive customer experience and satisfaction.Work within a global support team covering 24x7x365 cloud operations - effectively managing handoffs from shift-to-shift for cloud support issues.Respond to escalated customer service issues within the defined process with a high level of reactivity.You will be responsible for setting up backups, deploying software, upgrading systems, and performing other routine maintenance tasks - Manually or using Automation (ideally via Ansible or other scripting language).You will be responsible for configuring and generating reports, alerts on Core Infrastructure using Datadog, Zabbix or custom scripts.You will perform periodic security audits of the system.You will perform service requests by customers or internal teams with high quality and detail by following and contributing to Standard Operating Procedures.You will be part of an on-call rotation schedule.What You Must Have Strong communication skills and strong command on English2+ years- experience in Linux system (Ubuntu/CentOS) administrationAt least 1 cloud provider experience (AWS, Azure or GCP)Knowledge of network issues (firewall, routing, load balancing)Familiarity in writing scripts using Bash or PythonPractical knowledge of MySQL and NoSQL (MongoDB) database system as an administrator (backing up, replication, optimization)Experience in web server administration (e.g. Apache, Nginx)Exposure to ITIL processWillingness to learn new technologiesAbility to work independently and as a teamKnowledge of DevOps tools (we use Ansible, Terraform and Python) would be a plusApply NowLet's start your dream job Apply now Meet JobCopilot: Your Personal AI Job HunterAutomatically Apply to Remote DevOps and Sysadmin JobsJust set your preferences and Job Copilot will do the rest-finding, filtering, and applying while you focus on what matters. Activate JobCopilot

Whether you embrace it or not, AI is shaping the future of Google Search. Google is bringing AI Mode to Google Search for every U.S. user, beginning today. Google launched AI Overviews a year ago, which aims to answer your question before showing the traditional list of links. AI Mode is the next step: from what Google has shown, the list of links will disappear entirely, replaced by tiny link icons that link back to the information Google is slurping up. Google’s Liz Reid, a Google vice president and head of Google Search, said that AI Overviews totals 1.5 billion users and will be expanded to over 200 countries. At the beginning of May, Google migrated AI Mode out of its Labs environment into a small subset of users in the real world and has apparently replaced the “I’m feeling lucky” button with an AI search button as well. It’s not clear whether AI Mode will be the default search for all U.S. users, or whether Google will allow users to express a preference or preserve the choices they’ve made before. Traditional search doesn’t look like it will go away, but it will be relegated to a different tab, in much the same way a search for “Images” requires you to shift to another search tab within Google. Reid said that it’s bringing AI Mode to AI overviews, too. “We use what we call a query fan-out technique,” Reid said, in describing how AI Mode works. “And this basically takes your question and it breaks it up into different subtopics, and then we search on each of those different search topics that allows us to go way deeper in the web and find that really hyper-relevant, incredibly specific content that might be great with you.” This what Google’s AI Mode has looked like within Google Labs.Foundry Google said that it’s upgrading the version of Gemini that powers its AI Mode to a more advanced version and bringing the technology to mobile, too. “Deep Search” will be more like the “Deep Research” mode in Gemini, where, behind the scenes, Gemini will issue dozens of separate searches and then aggregate the results. Google’s AI Mode may even generate custom graphs to present information from search and finance questions, Reid said. Agentic search is coming to AI Mode, too. What Google has previously known as “Project Mariner” can be used to research the cheapest seats for a specific game. AI Mode will then start digging through various shopping sites and point you to the cheapest seats. Finally, the Project Astra technology Google showed off last year is being added to Gemini Live so that it can “see” through your smartphone’s camera and then talk through any problems you might have. You can also add data from Gmail, Google Drive, etc. to affect your searches. “We’re going to be pulling all of that in,” Reid said. “You’re going to always be in control. So it’s your choice to opt in to doing this in the first place, but you can connect and disconnect it at any time going forward.” It’s impossible to entirely disconnect what Google is doing or how it will affect major media — meaning that it’s difficult to remain entirely objective. Put simply, Google’s AI overviews and AI Mode pass off third-party news, opinions, roundups, and data as (almost) Google’s own, links or not. Major publishers are beginning to sound alarm bells, and even Google itself is worried about losing money from Google Search ads. Will users click through to the sites where an AI Mode summary originates? Search data says no, though Google disagrees. Google’s AI Overviews in action. Links are either presented as tiny icons or buried at the very bottom of the summary.Google “What we’ve seen with AI overviews is that pages with AI overviews get higher quality clicks to websites,” Reid said. “And you might ask, what does that really mean? And what it means is people spend more time on those websites. They’re not going to those sites and immediately figuring out it’s not what they want and bouncing back. They’re really digging in to the content there, and that’s our goal with AI Mode as well.” Google seems like it’s being pressured by Wall Street, who seem to be wondering if Google will fall behind Anthropic and OpenAI, both of which use AI to replace traditional search results. Microsoft, too, has an AI-powered replacement for Bing Search waiting in the wings called Copilot Search. But Google remains the Web’s top search engine, and it apparently aims to stay that way. “The way you can think about that is AI mode is not just this AI-powered experience end to end, but it also is a glimpse of what’s to come in search overall,” Reid said. Great.

The popularity of the actual play show Critical Role helped make 5th edition Dungeons & Dragons wildly successful. But now, Critical Role Productions has become more than a booster and frequent collaborator for D&D: It’s become a competitor. After years in development, Daggerheart, a tabletop RPG from Critical Role’s publishing imprint, Darrington Press, launches today. And the book shows just how much lead designer Spenser Starke and the book’s other designers have learned from playing 5e, as they address some of that game’s biggest issues.Problem: Failure is boringThere are few things as satisfying as rolling a natural 20 in a clutch situation in D&D, but D&D’s d20 system has a big drawback. It’s inherently very swingy, with a wide range from success to failure, and it can lead to situations where failure means the PCs accomplish nothing, and the story doesn’t move forward in a meaningful way. Roll low, and you might miss an attack, miss a key clue needed to progress the plot, or be unable to bypass a locked door to get to the next goal.Daggerheart changes the math by having players roll two d12s and add the results, which generally smooths the probability curve in favor of success. But the more significant change is a system inspired by how Fantasy Flight’s Star Wars roleplaying game represents the pull of the light side and dark side of the Force. One of the d12s represents hope, while the other is fear, and the higher number determines which aspect is dominant in the totalled roll.Succeeding with hope is nothing but good news for the PCs. Failing with hope gives them a hope point, a resource that can be spent on numerous special abilities, as a sort of consolation prize. Fear, in turn, gives the game master a fear point they can use to introduce complications or activate abilities for antagonistic NPCs.That system, combined with a collaborative narrative focus, means there’s never an instance where a roll has no effect. If you can’t pick that lock, you might hear guards approaching, or even trigger a trap, depending on whether you failed with hope or fear. Miss a roll with fear in combat, and an antagonist will get a turn to act. Failure always has consequences that move the game forward.Image: Darrington PressProblem: Advantage and disadvantage are too significantOne of 5e’s key mechanics is the concept of advantage and disadvantage — rolling two d20s and taking the better or worse result, respectively. It’s an elegant way to avoid having numerous modifiers for conditions like being aided by an ally or trying to strike a hidden foe. But the math makes those edges and penalties too significant.Daggerheart keeps the concept, but changes the effect to adding or subtracting a d6. The game also simplifies D&D’s laundry list of conditions — “grappled,” “paralyzed,” “heavily obscured,” etc. — to just three options: “hidden,” “restrained,” and “vulnerable.” It creates a convenient way to modify rolls without making GMs worry about the specific mechanics too much.Problem: Species and background choices are too importantIn the original 5e ruleset, players had to limit their species and background choices to ensure they got attribute boosts to the key stats for their class, or risk not being able to hit as frequently or do as much damage as players who made the more optimized choices. The 2024 ruleset removed attribute bonuses from species, but instead shunted them into backgrounds. That means you’re operating at a real disadvantage if, for story reasons, you want your wizard to have been a soldier instead of a scribe.Attributes are entirely divorced from these decisions in Daggerheart, and just assigned based on what’s best for your character class. The other decisions give you flavorful minor abilities that might be better for some classes, but are fairly broadly applicable, like a giant having extra hit points, or a person who grew up in the wilderness being able to move silently. It keeps the mechanics from getting in the way of the fantasy.Image: Darrington PressProblem: Spellcasters have a lot more choices than non-castersAdmittedly, this isn’t a problem for everyone. Some new TTRPG players can be intimidated by lots of options, and might prefer the simplicity of playing a fighter who’s mostly going to move and attack on their turn, rather than considering which spells to use and prepare. Wizards of the Coast worked to offer more complexity to martial characters in the 2024 rules with the weapon mastery system, but mostly created more subclasses that are hybrids of casters and weapon-wielders.No matter your class, Daggerheart characters all have equivalent options, thanks to a card system reminiscent of 4e D&D or Gloomhaven. Every level, characters get to choose new cards, which could represent a wizard using a runic ward, or a bard bolstering their allies with a pep talk. The modularity of the system also makes it easier to multiclass by just taking cards associated with other classes, at the price of digging deeper into your base abilities.There’s still more work to be doneFor all the problems they’ve solved, the Daggerheart designers left some big holes that need filling. The downtime action section is very thinly sketched. The game is deeply ambivalent about loot, preferring to abstract treasure rewards and costs into amounts like “a handful of gold” or “a chest of gold.” Upgrading gear is important to stay competitive, but the section on weapons is the weakest past of the entire book: Weapons follow a clear linear progression based on character tier, but their stats are printed over and over again, rather than being condensed with the formula.And GMs are encouraged to come up with their own gear, but there are no tools provided. Special items only available at higher tiers have random names, like Wand of Essek or Aantari Bow, with no descriptions to give them the character of powerful D&D magic items.But overall, Daggerheart is a strong evolution of medieval fantasy roleplaying. It shows a deep understanding of Dungeons & Dragons’ flaws, addressing them by drawing on the strengths of other systems. Even for groups not ready to fully make the switch to a new game, the book can provide some inspiration for making a D&D game a bit better.Daggerheart is available for purchase now at through Critical Role shops and local game stores in the Darrington Press Guild, which offer a PDF free with a physical copy. The core set will arrive at Amazon and book stores including Barnes & Noble and Books-A-Million starting June 3. The free beta playtest is still available at DriveThruRPG.For those who want to see Daggerheart in action, Critical Role has released several one-shots and specials. “Age of Umbra,” new eight-episode series run by Matthew Mercer will launch on May 29.See More:

Some of Adobe’s most expensive Creative Cloud subscriptions are about to get even pricier for users in North America. Starting from June 17th, the Creative Cloud All Apps plan will be renamed Creative Cloud Pro for users in the US, Canada, and Mexico, adding a bunch of generative AI perks in exchange for bumping up subscription costs.The pre-tax monthly price for individual Creative Cloud All Apps subscribers on an annual contract will increase from $59.99 to $69.99, or from $659.88 to $779.99 annually. The monthly price for rolling, non-contracted subscribers will jump from $89.99 to $104.99. Contracted prices for teams start at $99.99 per month, up from $89.99, while student and teacher plans will jump from $34.99 to $39.99 monthly on renewal.The new Creative Cloud Pro plan provides access to the same Adobe apps and features as the previous All Apps plan, alongside some new additions. Users will have unlimited credits for powering generative AI image tools like Photoshop’s Generate Fill, and 4,000 monthly credits for “premium” AI video and audio features like Generative Extend in Premiere Pro. The plan also includes the ability to select third-party generative AI models like OpenAI’s GPT and Google Imagen, and access to Adobe’s in-beta collaborative whiteboard app, Firefly Boards.“We want to empower you with more time to explore ideas and create, so we’re focused on continually upgrading your apps’ performance, delivering innovations to your core workflows, and integrating generative AI-powered capabilities across Creative Cloud and through our new Firefly app that make you more productive,” Adobe said in its announcement. “Today, we’re sharing updates to our Creative Cloud offerings to reflect our continued innovation and commitment to providing you the best tools for bringing your visions to life.”The previous All Apps plan will no longer be available following the switch, and existing subscribers will be charged the increased price on their next renewal date. These changes only apply in North America, and Adobe says it isn’t planning to make name or pricing changes in other regions “at this time.”Adobe is also offering a stripped-back “Creative Cloud Standard” plan for users who don’t need its generative AI offerings. Starting at $54.99 per month for contracted subscribers or $82.49 for rolling users, the Creative Cloud Standard plan is nearly identical to the current All Apps plan, but reduces the previous 1,000 monthly generative credit allowance down to 25. Users also won’t have access to premium web and mobile app features that are unlocked for Creative Cloud Pro subscribers. Not only is Adobe defaulting current All Apps subscribers to the more expensive AI-laden plan, compared to the Standard offering that’s closer in price and features, but this new Creative Cloud Standard offering is only available to existing subscribers, forcing new customers to take the more expensive AI-focused plan.Adobe’s All Apps plan was a poor investment for most individual users anyway, as it’s rare for one person to need more than 20 apps that target such a wide variety of creative industries. Still, some existing All Apps subscribers aren’t too pleased with the changes, if the reactions on Adobe subreddits are any indication. Canva attempted to make similar AI-driven price increases last year, which were later softened due to backlash from its users, so we will have to see if Adobe sticks to its guns.See More: