I think this is as close as we've gotten to smartphones being able to replace digital cameras.

Honors latest flagship phone is a refined marriage of hardware and AI-infused software.

A technology reporter came across a Facebook group called A.I. for Church Leaders and Pastors, and his interest was piqued.

MacworldShooting music videos on iPhones is nothing new. Lady Gagas video for Stupid Love made a big deal about being shot entirely on iPhone 11 almost five years ago. Olivia Rodrigo and Selena Gomez have shot music videos on iPhones, and most recently, The Weeknds Dancing in the Flames was shot in cinematic slow-mo on iPhone 16 Pro.But few actually feature the iPhone itself as much as OK Gos new video for A Stone Only Rolls Downhill. You can watch it below.The video features 64 videos on 64 iPhones and makes use of clever framing, choreography, and edits to tie it all together. Not only were all the videos shot on iPhone, but the iPhones are the star of the video. Its difficult to judge exactly which iPhones are in use, but they appear to be iPhone 15 Pro models in bright colorful cases. In a short behind the scenes video you can see the phones have action buttons rather than mute switches, but no camera control button. And of course, they all feature a Dynamic Island.

OK Go's latest music video for "A Stone Only Rolls Downhill" uses 64 iPhones and an awful lot of planning and effort.iPhones in the music video for 'A Stone Only Rolls Downhill' - Image Credit: OK GoOK Go is a band known for coming up with unique music videos, with the eye-catching efforts aiming to get viewers and listeners for being creative and unusual.This has ranged from orchestrations on running machines to dancing with motorized unicycles, to careful filming on a zero-gravity flight. Continue Reading on AppleInsider | Discuss on our Forums

New York Citys Landmarks Preservation Commission (LPC) is looking into a rare designation for the interior spaces of the recently sold 945 Madison Avenue (aka the Breuer Building) on the Upper East Side. According to The Art Newspaper, a hearing on the issues is expected to take place within the next few months.Herzog & de Meuron had previously announced its intentions to "perfectly balance innovation and preservation" through their renovation. The interior layout and other aspects it would protect are equally important parts of the experience of the building as fans of Marcel Breuers and those who have visited in the past can attest to.

Firewalk Studios Concord is one of Sonys biggest failures of all time, estimated to have only sold 25,000 units after launch. It was pulled from sale after roughly two weeks before servers eventually shut down and the developer shuttered. Beyond the rumored budget and sunk costs, its impact is allegedly still felt, especially with Sonys other projects.In the latest Game Mess podcast, GiantBombs Jeff Grubb revealed that the cancelled live-service titles from Bluepoint Games and Bend Studio were reportedly due to Concord. This happened because of Concord. Like, this should be clear. Thats what Ive been told.Sony has been shell-shocked from Concord, and now theyre going around to every studio and reassessing every project. If its a live-service project, theres a lot of friction against it, preventing it from getting a chance to come out. He also reports that these were the main projects from both studios. Alongside Concord, they join the likes of cancelled multiplayer titles for The Last of Us and Marvels Spider-Man, the rumored Twisted Metal reboot and Sony Londons fantasy RPG.Sony noted that the cancellations wont result in studio closures, but its unknown if there will be layoffs. Plans are underway to discuss the future, so stay tuned for further updates.

A view of the Palisades fire on January 9. The strong Santa Ana winds that fueled much of the L.A. wildfires destruction are expected to relax for a few days. Tayfun Coskun / Anadolu via Getty ImagesThe fires around Los Angeles continue to rage on, after scorching some40,000 acres of drought-parched land. The Palisades and Eaton fires have together killed at least 27 people and displaced tens of thousands more, making them some of the deadliest fires in California history.In recent days, however, the regions powerful Santa Ana windswhich have been fanning the flameshave begun to slow down. This lull has offered firefighters a reprieve and a key opportunity to make progress against the blazes, but forecasts suggest the Santa Ana will return next week. What are these gusts, and how have they become so strong?This is not a typical Santa Ana, but this is the time of year when you expect it, Daniel Swain, a climate scientist at the University of California Los Angeles, said in a livestream, per Voxs Umair Irfan.The Santa Ana winds are a seasonal occurrence in Southern California. They push inland air from the desert over Californias mountains, making it grow warmer and drier as it reaches the coast. As the winds funnel through canyons and valleys toward L.A., they gather speed.This year, ocean heat has likely made the winds even stronger. Warming oceans can cause the jet streama narrow, high-altitude current of fast-moving air that influences weather across the continentto move off course. This can create a patchwork of high- and low-pressure systems over California that supercharge the Santa Ana winds. Last week, gusts were as high as 100 miles per hour.These ocean heat waves are becoming stronger and larger because of heat trapped by increased human-generated greenhouse gases, so these persistent and unusual weather patterns will probably become more common, says Jennifer Francis, a senior scientist at the Woodwell Climate Research Center, to Bloombergs Lauren Rosenthal and Brian K Sullivan.The Santa Ana winds are a natural part of the states weather and have exacerbated wildfires beforebut when these gusts are paired with abnormally dry conditions fueled by climate change, it can make them especially destructive.These winds come every year, Crystal Kolden, a fire scientist at the University of California, Merced, told National Geographics Alejandra Borunda in 2020. The question is: Are they going to come when its wet or when its dry?For 2025, its the latter: Winter usually brings rainfall to Southern California, but that hasnt been the case this year. We havent had any substantial rain for hundreds of days, says Max Moritz, a wildfire specialist at the University of California, Santa Barbara, to NBC News Denise Chow.The regions current dry spell follows two wet winters, which led to exceptional vegetation growth, as Swain tells Elizabeth Kolbert at Yale Environment 360. Then, the rain stopped, in what Swain has called hydroclimate whiplash, or a sudden shift between wet and dry weather. After months without rain, all that vegetation has become fuel for fire. The winds then contributed to the fires fast-moving and erratic spread, helping them blaze through a heavily populated area, leading to a lot of destruction.While the region is currently getting a break from the Santa Ana, meteorologists expect the winds to pick back up early next week.Next week is a concern, wrote the National Weather Service Los Angeles in a post on X on Wednesday. While confident that we will NOT see a repeat of last week, dangerous fire weather conditions are expected.As of today, the Eaton fire has reached 65 percent containment and the Palisades fire is 31 percent contained, according to Cal Fire.The long-term effects of the wildfires remain to be seen. Once the health impacts from exposure to smoke, which contains pollutants and dangerous fine particles, are fully understood, the eventual death toll is likely to rise dramatically, writes Jeff Masters for Yale Climate Connections.Get the latest stories in your inbox every weekday.Filed Under: California, Climate Change, Death, Global Warming, Natural Disasters, Weather, Wildfire

Devin 1.2 will help developers with accelerated workflows and less cognitive load in file searches, understanding codebases or fixing code.Read More

IntroductionLocalization is one of the most critical yet often underestimated aspects of game development. As global audiences grow, players expect to experience games in their native language, making effective localization a necessity, not a luxury. However, it's much more than just translating textit involves addressing technical challenges, cultural nuances, and workflow optimizations to ensure a smooth and seamless experience across multiple languages.In this article, Ill walk you through the complexities of localization in Unreal Engine, sharing insights based on my experience with Wizard of Legend 2. From gathering and managing text to overcoming issues like incorrect formatting, gender-specific language, and font handling, Ill highlight key areas that can cause delays and how to mitigate them.This is not an introductory article, so I expect you to be familiar with Unreals basic localization tools. If youre new to the subject, resources below are great to learn the basics. Once youre ready, lets dive into the real-world challenges and best practices to help you plan your localization process more effectively.Localization in depth -This series of videos will cover all the basics you need to work with Unreal's localization pipeline.How to make localization friendly UIMinimum you must know about unicode- Read this article to familiarize yourself with unicodeGathering textGathering text is straightforward. Open the Localization Dashboard, press the "Gather Text" button, and voil, it's done!However, there are two major problems that will take up a significant amount of your time:1. Irrelevant TextsUnreal gathers many irrelevant texts. In our case, about 80% of the text that appeared in the gathering results was irrelevant. These seemed intended for engine localization, not game content, but they appeared regardless of the filter preferences set.To address this, you need to filter the locations where your gather text command looks for text. At the later stages of development, this can be a daunting task, and its challenging to ensure that your filters cover all of your game content.2. Incorrect Text TypesAnother common issue is encountering many texts with the wrong type. In Unreal, every localizable text should be of type FText, but developers sometimes use FString instead. Worse, they might use FText initially but later change its value using FStringwhich is easy to do, as converting between FText and FString is very easy.Its a good idea to familiarize your entire team with localization principles in Unreal from the start and assign someone to supervise the localization process. You should periodically run the "Gather Text" command and ensure that your filters cover the majority of your texts. As your project grows in size, it becomes much harder to find the texts that need localization.Later, I will explain how to automate your pipeline so that AI can translate your texts into other languages, allowing your QA team to spot unlocalized text while testing the game in a different language.FText vs FString HellIf you've watched the tutorials mentioned earlier, you know that converting FString to FText (or vice versa) is a bad idea. But its so easy to do that I want to remind you again!We had some cases where FText was cast to FString, passed to a function, and then cast back to FText inside the function. The text appeared to be a regular FText unless you attempted to access its original string or sent it over the network to a client with a different language.Casting from FString to FText is also automatically done by the Blueprint system if you change the type of your text from FString to FText or vice versa. So, keep an eye on these conversions and fix them as soon as you spot one.There are a few cases where casting FString to FText makes sense (e.g., printing debug text on the screen), but in general, its a red flag.Human languages are a mess!We decided to introduce gender customization very late in development. From a gameplay perspective, it seemed simple: create a female model, add a UI to let the player choose the wizards gender. Done, right? Unfortunately, no!Some languages, like Persian and Kurdish, are gender-neutral, but others, like French and Spanish, are not. The introduction of gender customization forced us to retranslate every sentence involving our character, since its gender was determined at runtime, and the text also had to be dynamically crafted based on the gender.[1]Unreal already supports the {var}|gender(masculine, feminine, neuter) construct. If you pass ETextGender to the var parameter in the FormatText function, it works perfectly. However, we didnt use this feature.Our development language was English, which is largely gender-neutral. But to support gender using Unreals construct, we would have had to define a {var} for gender in all our texts. This would have allowed us to pass ETextGender to the FormatText function, which other languages could use if needed. This approach is easy to forget, and implementing it late in development requires significant effort.Instead, I wrote a custom construct that could be absent in the original text, and implemented a processor that could parse the construct and select the correct string based on the characters gender. This allowed our English text to remain clean. The construct is very similar to the Unreal construct [masculine|feminine]Additionally, this construct is flexible. Although we didnt need it, you could introduce a header like [header: masculine|feminine|neuter] to support different genders for the speaker and target.Another issue youll need to address is pluralization and singular forms. I encourage you to use Unreals {number} {number}|plural(one=,few=,many=,other=) construct.Certain languages may present other challenges. For example, in Turkish, the percent symbol comes before the number (e.g., %5 instead of 5%). Additionally, text highlighting might not work in languages like Chinese, where words arent separated by spaces. These issues are difficult to spot, so allocate time to handle them.FontsHandling fonts for different languages can be a real headache.You might be tempted to create a single font that supports all the languages in your game. This isnt a good idea because, for example, the font used for Chinese might overlap with the English font, and merging them could create inconsistencies. Even if you manage to separate the fonts cleanly, theres a limit to the number of glyphs a font can support.Another approach is to use Unreals asset localization, creating localized versions of your font asset. Unfortunately, this approach has its own drawbacks. When you change the games language, in-game texts change immediately, but Unreal only loads the localized font assets when the game is restarted. This results in players seeing question marks until they restart the game or switch back to the original language.A better solution is to use Unreals font handler feature, which allows you to choose a specific font based on the current locale. While this works, it's not ideal. For example, in the settings menu, you might want to display each language's name both in the current language and in its native script (e.g., "Farsi ()"). If the font is only selected based on the locale, you either have to support Persian letters in all your fonts or you'll see question marks.Whats the best approach?The approach I found best is to use Unicode ranges and assign each font to a specific range.Our default font covered all European languages, but Chinese and Japanese were more challenging. Since the Unicode range for Kanji characters is mixed, and simplified Chinese, traditional Chinese, and Japanese all use the same range, it was impossible to have separate fonts for each language. We tried various fonts, some of which promised to support both Chinese and Japanese, but when we tested them, we found missing characters. Some fonts were acceptable, but Chinese users found them unreadable. Eventually, the translators came to the rescue and provided me with the link below, which offers standard Chinese fonts: https://github.com/wordshub/free-font.Translation pipelineWorking with a translation team is a challenging management and software development task.As a programmer, you need to create a pipeline that facilitates communication between your team and the translation team. Since each teams structure is different, I wont go into specifics, but Ill offer some general advice.First and foremost, understand the software your translation team is using. Ensure that encoding is consistent throughout the pipeline. If not, you may encounter issues like numbers showing up instead of carriage returns or previously translated texts becoming corrupted. A good rule of thumb is to handle the conversion yourself. For example, if theyre using Excel, give them Excel files instead of CSVs (especially since Microsoft Excel doesnt ask for encoding when importing CSVs!). Depending on your workflow, you might need to write some converters or even create your own format (e.g., for versioning or tagging).The ideal workflow is to provide the translation team with a single file and retrieve the same file after translation. However, since translation deadlines are usually before the release date, some content might not be ready. In such cases, you can use string tables: write the texts in there and once the content is ready, you can reference the string table for the localized text. However, as translation progresses, your team might realize they missed some texts, and you might need to provide additional files. How you manage multiple files will depend on your pipeline, but be prepared for this.Building a robust pipeline is time-consuming, and youll likely need to refine it several times, but it can significantly speed up the process.You can start by using the commands available in Unreals Localization Dashboard. These can be easily called in a Python script without needing to open the engine. Ive included a simple example at the end of the document.With these building blocks, you can do all sorts of interesting things. For example, you could export your texts every night, convert them, and upload them automatically to your translation team. After the localization deadline, you can adjust your merge pipeline to check for word count. If new text has been added, you can prevent the merge from proceeding.Another useful application is to gather all your texts and use AI translation services to translate them, then have your internal QA team test the game and identify unlocalized texts before you send them to the translation team.Finally, note that text compilation isn't triggered when you build the game, so you'll need to trigger it manuallyor better yet, configure your build pipeline to call CompileText automatically.Platform considerationsIf you are planning to publish your game on platforms like PlayStation and Xbox, be aware that hardware, software, and concepts are referred to differently across platforms. Platform owners expect you to follow their standards in all the languages you support; otherwise, your game may be rejected. For example, you cannot simply use the word "Controller" across all platforms. The term "Controller" is called differently on each platform, so your game should refer to it according to the platform-specific terminology.You could create a construct that takes the current platform as a parameter and selects the appropriate term based on the platform, or alternatively, you can use different text for each platform.Its a good idea to create a table of these terms, alongside their expected translations in different languages for each platform, and provide it to your localization team early in the process. Reviewing all the texts afterward can be time-consuming and error-prone.ConclusionLocalization can be challenging and time-consuming, and you need to be prepared for it. It is an essential part of modern game development. Players expect to engage with games in their native language, and failing to provide this at launch can lead to negative reviews and missed opportunities. I hope this article has provided valuable insights into the challenges and solutions, and that it helps you approach localization with a clearer understanding.Good luck with your localization efforts, and I wish you great success!