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WWW.SMITHSONIANMAG.COMElephants Aren't People and Can't Sue to Leave a Zoo, Colorado's Top Court RulesLouLou, an elephant at the Cheyenne Mountain Zoo, was one of five that the Nonhuman Rights Project claimed in a lawsuit should be able to live in a sanctuary. Molly ConditOn Tuesday, Colorados highest court ruled that five elderly African elephants do not have legal standing to sue to leave a local zoo, because they arent human. The Supreme Court of the state ruled 6-0 against the Nonhuman Rights Project, the animal rights organization that brought forward the case.The group alleged that the Cheyenne Mountain Zoos five elephantsnamed Missy, Kimba, Lucky, LouLou and Jambowere unlawfully confined, according to the ruling. They made their case under the principle of habeas corpus, which allows legal persons to challenge their confinement.Elephants have a right to bodily liberty, because they are autonomous and extraordinarily cognitively and socially complex beings, the organization argued, according to the ruling. The animal rights group cited affidavits from seven biologists explaining that elephants can experience empathy and self-awareness, as humans do, per Reuters Jonathan Stempel.One affidavit suggested the animals suffer from chronic frustration, boredom and stress when theyre deprived of a variable environment, exercise and the social opportunities of the wild. The group wanted the creatures to be transferred to an elephant sanctuary.Though the court ruled unanimously against the animal rights group, the case does not turn on our regard for these majestic animals generally or these five elephants specifically, wrote Justice Maria Berkenkotter in the decision. Instead, the legal question here boils down to whether an elephant is a person as that term is used in the habeas corpus statute. And because an elephant is not a person, the elephants here do not have standing to bring a habeas corpus claim. Missy, an African elephant at the Cheyenne Mountain Zoo Molly ConditThe Cheyenne Mountain Zoo cheers the decision in a statement, calling the legal affair a frivolous lawsuit.While were happy with this outcome, we are disappointed that it ever came to this, the zoo writes. For the past 19 months, weve been subjected to their misrepresented attacks, and weve wasted valuable time and money responding to them in courts and in the court of public opinion.It seems their real goal is to manipulate people into donating to their cause by incessantly publicizing sensational court cases with relentless calls for supporters to donate, they add.This isnt the first time the Nonhuman Rights Project has fought for the release of elephants. In 2022, the organization lost a similar court case on behalf of Happy, an Asian elephant at the Bronx Zoo in New York. That time, however, two judges ruled in favor of the organization.[Happys] captivity is inherently unjust and inhumane. It is an affront to a civilized society, and every day she remains a captivea spectacle for humanswe, too, are diminished, wrote judge Jenny Rivera in her dissent at the time, per the Associated Press.In a statement, the Nonhuman Rights Project says the Colorado decision perpetuates a clear injustice. But they also suggest the tides will turn on cases like this one.Whereas the court refused to look beyond the species membership of our clients, we envision a legal system that respects the conscious experience of individuals regardless of their biological label, says Christopher Berry, executive director for the Nonhuman Rights Project, to Newsweeks Tom Howarth.A big part of our challenge is simply overcoming the inertia of the status quoand that requires time and education, Berry adds to Rachel Pannett at the Washington Post. As we overcome that inertia, more and more judges will find the motivation and courage to rule in our favor.Get the latest stories in your inbox every weekday.Filed Under: Animals, Elephants, Ethics, Law, Mammals, Zoology0 Commentarios 0 Acciones 149 Views
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WWW.SMITHSONIANMAG.COMA Man Found a Mysterious Statue in a Trash Bag on the Street. It Turned Out to Be a 2,000-Year Old Greek ArtifactCool FindsA Man Found a Mysterious Statue in a Trash Bag on the Street. It Turned Out to Be a 2,000-Year Old Greek ArtifactAfter discovering the ancient artwork in a suburb of Thessaloniki, Greece, the man surrendered it to the police. Authorities are analyzing the statue and investigating why it was abandoned The recently discovered statue is missing its arms and head. Greek PoliceEarlier this month, a 32-year-old Greek man brought something remarkable to his local police station: a statue of a woman draped in flowing cloth, missing its arms and head. Hed found it encased in a black plastic bag next to garbage cans on the street.Authorities called in experts to examine the piece. According to a statement from the Greek police, they determined that the statue dates back to GreecesHellenistic periodwhich lasted from the death ofAlexander the Great in 323 B.C.E. until around 31 B.C.E.This is not the first time a civilian has handed over a statue to police, as Vasilis Tempelis, a culture ministry spokesperson, tells theNew York Times Christine Hauser. Plans to investigate the circumstances and analyze the statue are already in motion.Local police have turned over the statue to investigators from Greeces Cultural Heritage Protection Office. The piece will be sent to a forensic laboratory for analysis before making its way to the local antiquities authority. As the Associated Press Costas Kantouris reports, police have questioned one man about the discarded statue and released him without charge.The artifact was found in Neoi Epivates, a suburb of Thessaloniki, Greeces second-largest city, per the AP. Its just over 31 inches tallabout the length of abaseball bat. AsBert Smith, a classical archaeologist at Oxford University, tells the Times, the marble statue was probably made for religious purposes.The small size is typical for such marblevotives set up to divinities in sanctuaries or temples, he says. In ancient Greece, people prayed to divinities and made dedications to them in thanks for their favor.Greeces three-century-long Hellenistic era was marked by cultural expansion and exchange. Alexander the Great died without a successor, leaving the vast empire hed conquered to be divided into three large kingdoms, which secured Greek influence throughout the Middle East and into South Asia. Greece became more cosmopolitan, and its philosophy and art scenes flourished.Unlike the detached idealism found in the sculptures of GreecesClassical periodduring the fifth and fourth centuries B.C.E.Hellenistic sculptures reflected a new awareness of personality and introspection by showing realism and human emotion,wrote art historian Summer Trentin and classicistDebby Sneed in 2018. Hellenistic sculptors paid special attention to draped fabric, like the dress worn the famousWinged Victory of Samothrace, and the female body, as seen inAphrodite of Knidos.AsEstelle Strazdins, a classicist at theAustralian National University, tells theWashington Posts Rachel Pannett, the recently discovered statues loose, draping clothingas well as its marble compositionsuggest the piece depicts a goddess. Contemporary sculptures of earthly Greek women were usually made from terra-cotta and depicted them clothed in tight cloaks.Strazdins also thinks the statue was dedicated in a temple. However, its small size suggests it wasnt the main statue in the sanctuary, she says. It might be a gift that someone has given to the god either to thank them for something or in the hopes of getting some kind of grant.The statues garb appears to be apeplos, a one-piece wool garment, per the Times. Still, the statues missing limbs make discerning its identity difficult. As Smith tells the publication, The arms might tell us what the figure was doing and what attributes it may have carried.This more than 2,000-year-old artifact is one of thousands found in and around Thessaloniki in recent years. The citys two-decade-long construction of a new subway systemwhich opened last monthunearthed over 300,000 archaeological finds illustrating Greeces ancient history.Get the latest stories in your inbox every weekday.Filed Under: Ancient Greece, Ancient Rome, Archaeology, Art, Art History, Artifacts, Arts, Cool Finds, Greece, Sculpture, Statues0 Commentarios 0 Acciones 142 Views
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VENTUREBEAT.COMTech leaders respond to the rapid rise of DeepSeekMarc Andreessen, Yann LeCunn, and Mark Zuckerberg have all penned what appear to be responses to the Chinese open source model's ascent.Read More0 Commentarios 0 Acciones 142 Views
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VENTUREBEAT.COMY Combinators hottest startup, Origami Agents, secures $2M seed round to supercharge sales teams with AIY Combinator's fastest-growing startup Origami Agents raises $2M seed round to build AI research tools that help sales teams find perfect customers, reaching $50K MRR in 8 weeks while rejecting the trend of AI sales rep replacement.Read More0 Commentarios 0 Acciones 151 Views
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WWW.GAMEDEVELOPER.COMEx-Gearbox Publishing devs form new publisher Cooldown GamesJustin Carter, Contributing EditorJanuary 24, 20252 Min ReadImage via Cooldown Games.At a GlanceThe team at Cooldown are looking to release games that require less dedication than live-service and multiplayer titles.Former staffers at Gearbox Publishing have founded a new publisher, Cooldown Games.Speaking with Bloomberg, co-founder and CEO Steve Gibson said the plan is as it was at Gearbox: bring "promising projects" to the game market and continue working with his fellow alums after Gearbox Software was sold off to Take-Two last year. While some employees remained with Embracer and have rebranded into Arc Games, others were laid off as part of the parent company's restructuring plans.Helping Gibson start up the new company are chief officers Matt Charles (product), Erick Cobbs (business), Jackson Hardesty (operations), Jeff Skal (marketing), Jimmy Sieben (technology), and Brad Schliesser (revenue).Be cool(down), manCooldown's overall aim is to publish titles "where you dont feel like youre falling behind if you dont play it enough." Skal noted the ongoing struggles with live-service and ongoing games trying to vie for players' time when they already have "forever games" set in stone. Cooldown-published titles, he reasoned, can serve as good in-between games instead of titles that "ask more of us than we can give."To that end, Gibson said games from interested developers have to fit in at least two of its three categories: reliability, like an established studio or a remaster for a well-known game; the potential to be a "next big hit;" or a project that teaches Cooldown something or "helps strengthen our relationship with one of the platforms.""Our team is confident rational business models will be a long-term strength of Cooldown Games and that just might be a refreshing contrast from many recent industry trends," said Gibson in the company announcement. "My passion of helping game makers reach as many game players as possible while making sure that its a rewarding experience for everyone involved is at the center of all of this."Developers interested in working with Cooldown can contact the studio here, and those looking for a job can apply here. Meanwhile, Gibson's interview with Bloomberg, which also details his time at Gearbox Publishing and Embracer before being laid off, is here.Read more about:Studio announcementEmbracer GroupAbout the AuthorJustin CarterContributing Editor, GameDeveloper.comA Kansas City, MO native, Justin Carter has written for numerous sites including IGN, Polygon, and SyFy Wire. In addition to Game Developer, his writing can be found at io9 over on Gizmodo. Don't ask him about how much gum he's had, because the answer will be more than he's willing to admit.See more from Justin CarterDaily news, dev blogs, and stories from Game Developer straight to your inboxStay UpdatedYou May Also Like0 Commentarios 0 Acciones 159 Views
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WWW.GAMEDEVELOPER.COMObituary: Tetsuhisa Seko, Nippon Ichi president, has died at age 54Nippon Ichi Software (NIS) president Tetsuhisa Seko passed away this week at 54 years old.In a translated statement, the company expressed "deep gratitude for the kindness shown to us during his lifetime." It also provided a short timeline of his game industry tenure, beginning with his start at SNK in 1993. He joined Nippon in 2002 and was promoted to general manager of its business operations in 2005.By 2019, Seko became senior managing director, and was also director for Nippon's American division. In 2023, he was appointed as president and representative director for the publisher.Seko's game credits include The Last Blade: Beyond the Destiny, Blazing Star, and several Disgaea titles. Phantom Brave: The Last Hero, which releases next week on January 30, will be one of the final games he oversaw prior to his passing.As an SNK alum, this is the publisher's second loss this week: Tsuda Eiji, who voiced Takuma Sakazaki in King of Fighters and Buriki One's Jacques Dugarry, passed on January 20.A funeral service for Seko will be held on Wednesday, January 29.0 Commentarios 0 Acciones 164 Views
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WWW.THEVERGE.COMElon Musk email to X staff: were barely breaking evenEver since Elon Musk closed his deal to buy Twitter hes claimed the company, now called X, is in a very dire situation from a revenue standpoint. Now, the Wall Street Journal reports that banks are preparing a coordinated move to sell off some of the $13 billion in debt they loaned Musk to finance the deal. It mentions an email sent to employees this month, also confirmed by The Verge, where the Chief Twit said, ...weve witnessed the power of X in shaping national conversations and outcomes, but also claimed, Our user growth is stagnant, revenue is unimpressive, and were barely breaking even.Part of the reason Bank of America, Barclays, and Morgan Stanley areholding so much of the debtis from trying toavoid selling at a lossafter economic conditions changed, and Musk had an extended court battle attempting to get out of the deal. While equity investors have reportedly slashed the value of their stakes by as much as 78 percent, the Journal reports, banks hope to sell senior debt at 90-95 cents on the dollar, while retaining more-junior holdings.As Musk referenced in his email, the report says the banks hope to use the narrative of Musks link to Donald Trump, as some unnamed investors may be interested in buying based on a belief that its financials are on the way up. However, Musk also said that the company could become cash-flow positive within months nearly two years ago, and it still faces over $1 billion in annual interest payments on the loans. The platform is increasingly turning into a testing ground for his AI ambitions, as we reported earlier this month, and while X has added some features, like job listings and a new video tab, theres little sign of the service hed said would be able to someones entire financial life by the end of 2024.0 Commentarios 0 Acciones 135 Views
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WWW.THEVERGE.COMTikTok still isnt in the App StoreNearly a week after it was removed, the TikTok app is still missing from Apple and Googles app stores.The app was pulled from both stores after the US ban-or-divest law went into effect last weekend, which resulted in the service going dark within the United States. While TikTok came back online shortly after the ban, the app didnt return to either mobile store. Apple and Google are at risk of paying billions in fines if they make TikTok available, and its unclear if President Donald Trumps executive order refusing to enforce the ban actually removes that risk.Apple and Google havent replied to multiple requests for comment from The Verge including requests I made today about if or when the app might be available again. Apple and Google do have statements about the removal of TikTok and other ByteDance-owned apps, but otherwise, no comment since. TikTok didnt immediately reply to a request for comment, either.Because these app stores are the primary way many people get software, TikToks absence basically means you cant newly install the app at least, for the time being without jumping through a lot of hoops.If you had TikTok on your phone before the ban kicked in, however, the app should work for you as normal. (As a result, people are trying to sell used phones with the TikTok app still on them.) You can also use TikTok in a browser including on your phone.0 Commentarios 0 Acciones 118 Views
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WWW.DENOFGEEK.COMStar Trek Section 31 Ending Explained: The Final Scene Connects to TNGs Darkest StoryThis article contains spoilers for Star Trek: Section 31.At the climax of Star Trek: Section 31, Philippa Georgiou has succeeded. She and her newfound teammates in the black ops division Section 31 have returned a massive bomb to the Mirror Universe where it originated, saving the Prime Universe.Never the type to let anything keep them from cackling loudly at a bar, the team reconvenes in a bar in the movies final scene, where they get information about their next mission. What is that mission, you ask? Lets take a look at all of the teases in the ending of Section 31.Georgious Redemption(?)In the climactic battle, Georgiou (Michelle Yeoh) faces off against Sen (James Hiroyuki Liao), her rival/best friend from the Mirror Universe. As seen in flashbacks throughout the movie, Georgiou betrayed Sen to gain her position as Empress, which left him badly burned and relegated to the position of slave. After Georgiou left the Mirror Universe, Sen followed her with super bomb in tow, seeking revenge.The two fight a brutal battle at the end of Section 31, with Sen about to shove a sword through Georgious face. In the last section, she kicks the blade back, sending it across his neck. As Sen bleeds out, Georgiou cradles her defeated foe.This is not what I wanted, she says, and the two share words of affirmation before Sen dies. Honestly, its a bit hard to explain this scene. What exactly did Georgiou want when she kicked a blade into his neck? Seems like theres only one kind of outcome for that sort of thing.Of course, whats really happening here is an unearned character moment, the type common to the worst scenes on Star Trek: Discovery, where Section 31 director Olatunde Osunsanmi and screenwriter Craig Sweeny previously worked. The characters fumble for some sort of emotional epiphany and forgiveness, as if they werent just stabbing one another two minutes ago.Even if the redemptive moment doesnt work for viewers, its clear that Section 31 considers Georgiou now forgiven for her sins and able to do more black ops with a clear conscience.The Closing of the Mirror PassagewayThe Mirror Universe first appeared in The Original Series season two episode Mirror, Mirror, where the ISS Enterprise served under the human-centric Terran Empire. Kirk, McCoy, and Uhura made it to the Mirror Universe entirely on accident, after an ion storm disrupted their beaming back to the ship.Section 31 pays homage to this original set up with an ion storm in deep space, which offers a more or less predictable portal to the Mirror Universe. Georgiou and Alok hope to close off that portal in the climax of the movie, detonating the super bomb while right on the edge. The trick works, forcing the passageway to collapse, closing off access to the Mirror Universe and allowing Georgiou to put her checkered past behind her.Honestly, its a bit underwhelming. We dont get much treknobabble to explain the exact effects of the bomb on the ion storm passageway, but we expected much more destruction with the explosion, given that Georgiou previously said that the bomb could wipe out an entire quadrant.Join our mailing listGet the best of Den of Geek delivered right to your inbox!This explosion might have something to do with the fall of the Terran Empire, which happens sometime between Mirror, Mirror on TOS and the Mirror Universe episodes of Deep Space Nine. By the time that Kira and Bashir visit the Mirror Universe in the season two episode Crossover, the Klingon-Cardassian Alliance has ascended and humanity has been enslaved. According to Intendant Kira, the Terran Empire fell because of Spocks reforms, as suggested at the end of Mirror, Mirror.But it wouldnt be too much of a leap to think that Georgious explosion further weakened the Empire, setting it on a path only accelerated by Spocks reforms.Rachel Garrett and the Final LineupThe promotional cycle for Section 31 teased a team full of Star Trek deep pulls. We have Sam Richardson as the Chameloid Quasi, Humberly Gonzlez as a Deltan called Melle, Kacey Rohl as Rachel Garrett from the Next Generation episode Yesterdays Enterprise, and Sven Ruygrok as Fuzz, a laughing Vulcan with bleached hair. That last part gets explained away pretty quickly in Section 31, as we learn that Fuzz is not Vulcan, but rather a microscopic Nanokin, who gets around in a robotic Vulcan suit.Melle dies almost immediately and Fuzz reveals himself to be a traitor when he kills the mech-suit wearing Zeph (Robert Kazinsky). By the end of the movie, were left with a team that consists of Alok, Georgiou, Quasi, and Rachel Garrett. For those who (like this writer) would rather watch a movie about season one Neelix than spending one more second with the obnoxious Fuzz, things get bad when the flashy Vulcan suit returns. As he explains in an irritating Southern accent to replace his irritating Irish accent, the robot is now piloted by Fuzzs mate, angry at being abandoned with a brood of children.The most interesting of the remaining members is, of course, Garrett. The movie positioned Garrett as the team stick-in-the-mud, a Starfleet true believer who did not approve of Section 31s ways. However, by the end, shes on permanent assignment with the team, more comfortable with the chaos around her, but still holding out for a more prestigious gig. Of course, we know that Garrett will eventually become captain of the Enterprise-C before meeting her end in Yesterdays Enterprise. Section 31 isnt interested in any of that, though, and instead just ends with her smiling along with her rag-tag new pals.Turkana IV and Section 31s Next MissionThe teams celebrations get interrupted by a holographic message from their handler, portrayed by Jamie Lee Curtis. Has anyone been to Turkana IV? she asks, to which all of the characters respond with self-satisfied grins and all the the viewers roll their eyes and exhale in exasperation.Turkana IV is the home world of Tasha Yar, the ill-fated Security Officer of The Next Generation. Yar famously died in the first season of TNG, which means that we only learned a few things about her planet, and didnt get much more information from her sister Ishara Yar, who appeared in season fours Legacy. However, there is one phrase that gets used often when describing the place: Rape Gangs.Honestly, its a good thing that most of Star Trek forgot about the planet. As the above phrase suggests, Turkana IV was a tone-deaf attempt to build pathos for Tasha, explaining her toughness as an extension of her extremely dangerous upbringing on a world threatened by rape gangs. Star Trek creator Gene Roddenberry based Yar on Vasquez from Aliens and Legacy drew inspiration from the John Carpenter movie Escape from New York, which gives us an idea of the dystopias they had in mind when thinking about Turkana IV.Given that Section 31s producers have already excavated the titular black ops organization and the Mirror Universe, they needed a new source of ill-fitting edginess for their extreme approach to Star Trek. A planet full of people battling to survive rape gangs is exactly the sort of empty shock value that pervades Section 31, making it an ideal setting for a sequel, should a sequel ever happen.Star Trek: Section 31 is streaming on Paramount+.0 Commentarios 0 Acciones 125 Views