• Key Ways to Measure AI Project ROI
    www.informationweek.com
    John Edwards, Technology Journalist & AuthorFebruary 18, 20257 Min ReadTithi Luadthong via Alamy StockBusinesses of all types and sizes are launching AI projects, fearing that failing to embrace the powerful new technology will place them at a competitive disadvantage. Yet in their haste to jump on the AI bandwagon, many enterprises fail to consider one critical point: Will the project meet its expected efficiency or profitability goal?Enterprises should consider several criteria to assess the ROI of individual AI projects, including alignment with strategic business goals, potential cost savings, revenue generation, and improvements in operational efficiencies, says Munir Hafez, senior vice president and CIO with credit monitoring firm TransUnion, in an email interview.Besides relying on the standard criteria used for typical software projects -- such as scalability, technology sustainability, and talent -- AI projects must also account for the costs associated with maintaining accuracy and handling model drift over time, says Narendra Narukulla, vice president, Quant analytics, at JPMorganChase.In an online interview, Narukulla points to the example of a retailer deploying a forecasting model designed to predict sales for a specific clothing brand. "After three months, the retailer notices that sales haven't increased and has launched a new sub-brand targeting Gen Z customers instead of millennials," he says. To improve the AI model's performance, an extra variable could be added to account for the new generation of customers purchasing at the store.Related:Effective ApproachesAssessing an AI project's ROI should start by ensuring that the initiative aligns with core business objectives. "Whether the goal is operational efficiency, enhanced customer engagement, or new revenue streams, the project must clearly tie into the organizations strategic priorities," says Beena Ammanath, head of technology trust and ethics at business advisory firm Deloitte, in an online interview.David Lindenbaum, head of Accenture Federal Services' GenAI center of excellence, recommends starting with a business assessment to identify and understand the AI project's end-user as well as the initiative's desired effect. "This will help refocus from a pure technical implementation into business impact," he says via email. Lindenbaum also advises continued AI project evaluation, focusing on a custom test case that will allow developers to accurately measure success and quantitively understand how well the system is operating at any given time.Ammanath believes that a comprehensive cost-benefit analysis is also essential, balancing tangible outcomes such as increased productivity with intangible ones, like improved customer satisfaction or brand perception. "Scalability and sustainability should be central considerations to ensure that AI initiatives deliver long-term value and can grow with organizational needs," she says. "Additionally, a robust risk management framework is vital to address challenges related to data quality, privacy, and ethical concerns, ensuring that projects are both resilient and adaptable."Related:Metrics MatterPotential project ROI can be measured with metrics, including projected cost savings, expected revenue increases, hours of productivity saved, and anticipated improvements in key performance indicators (KPIs) such as customer satisfaction scores, Hafez says. Additionally, metrics such as time-to-market for new products or services, as well as any expected reduction in bugs or vulnerabilities revealed by a tool such as Amazon Q Developer, can provide insights into an AI project's potential benefits.Leaders need to look past the technology to determine how investing in generative AI aligns with their overall strategy, Ammanath says. She notes that the metrics required to measure AI project ROI vary, depending on the implementation stage. For example, to measure the potential ROI, organizations should evaluate projected efficiency gains, estimated revenue growth, and strategic benefits, like improved customer loyalty or reduced downtime. "These forward-looking metrics offer insights into the initiatives promise and help leaders determine if they align with the business goals." Additionally, for current ROI, leaders should consider using metrics that look at realized outcomes, such as actual cost savings, revenue increases tied directly to AI initiatives, and improvements in key performance indicators like customer satisfaction or throughput.Related:Pulling the PlugIf an AI project consistently fails to meet expectations, terminate it in a calculated manner, Hafez recommends. "Document the lessons learned and the reasons for failure, reallocate resources to more promising initiatives, and leverage the knowledge gained to improve future projects."Once a decision has been made to end a project, yet prior to officially announcing the ventures termination, Narukulla advises identifying alternative projects or roles for the now-idled AI team talent. "In light of the ongoing shortage of skilled professionals, ensuring a smooth transition for the team to new initiatives should be a priority," he says.Narukulla adds that capturing key learnings from the terminated project should be a priority. "A thorough post-mortem analysis should be conducted to assess which strategies were successful, which aspects fell short, and what improvements can be made for future endeavors."Narukulla believes that thoroughly documenting post-mortem insights can be invaluable for future reference. "By the time a similar issue arises, new models and additional data sources may offer innovative solutions," he explains. At that point, the project may be revived in a new and useful form.Parting ThoughtsEstablishing a strong governance framework for all ongoing AI projects is essential, Hafez says. "Further, a strong partnership with legal, compliance, and privacy teams can enhance success, particularly in regulated industries." He also suggests collaborating with external partners. "Leveraging their expertise can provide valuable insights and accelerate the AI journey."When implemented and scaled properly, AI is far more than a technological tool; it's a strategic enabler of innovation and competitive advantage, Ammanath says. However, long-term success requires more than sophisticated algorithms -- it demands cultural transformation, emphasizing human collaboration, agility, and ethical foresight, she warns. "Organizations that thrive with AI establish clear governance frameworks, align business and technical teams, and prioritize long-term value creation over short-term gains."As AI continues to advance and evolve, IT leaders have an unprecedented opportunity to align investments with enterprise-wide goals, Ammanath says. "By approaching AI as a strategic lever rather than a standalone solution, organizations can position themselves at the forefront of innovation and value creation."Read more about:Cost of AIAbout the AuthorJohn EdwardsTechnology Journalist & AuthorJohn Edwards is a veteran business technology journalist. His work has appeared in The New York Times, The Washington Post, and numerous business and technology publications, including Computerworld, CFO Magazine, IBM Data Management Magazine, RFID Journal, and Electronic Design. He has also written columns for The Economist's Business Intelligence Unit and PricewaterhouseCoopers' Communications Direct. John has authored several books on business technology topics. His work began appearing online as early as 1983. Throughout the 1980s and 90s, he wrote daily news and feature articles for both the CompuServe and Prodigy online services. His "Behind the Screens" commentaries made him the world's first known professional blogger.See more from John EdwardsNever Miss a Beat: Get a snapshot of the issues affecting the IT industry straight to your inbox.SIGN-UPYou May Also LikeWebinarsMore WebinarsReportsMore Reports
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  • DistroKid: Software Engineering Manager
    weworkremotely.com
    SALARY RANGE: 120,000 - 160,000 EUR/// 100,000 - 135,000 GBP annuallyLOCATION: UK/EUROPE ONLY SPONSORSHIP: NO; Not provided at this time, including after student visas expire.DistroKid is the worlds largest music distributor to Spotify, Apple, Google and more. Most new music today is released through DistroKid. Help us help millions of musicians be more prolific!Summary:With your excellent technical and leadership skills, you will lead engineers with technical expertise and a high level of emotional intelligence. As a Software Engineering Manager, you will lead by optimizing toward autonomy, ownership, accountability, empowerment, and the overall health of the team.You will guide a team of engineers on large-scale products and services while working closely with stakeholders to define product goals and priorities. As a manager, you will work with functional peers to set the strategy and mission for teams.You will direct a team and will often lead day-to-day work, the development of direct reports, and be responsible for the software architecture, quality, scalability, and delivery of work.You will help guide the creation, improvement, and growth of cutting-edge tools and products for musicians around the world, including our video distribution platform, instant mastering, and artist tools. You will forge the effort in pursuing our vision for artists to be prolific at any level. Core Attributes:Set and communicate team priorities that support the broader organization's goals. Align strategy, processes, and managing across teams.Set clear expectations with team members based on their level and role and aligned with the goals of the organization on an extended scale. Meet regularly with direct reports to discuss performance and development, and provide feedback and coaching.Develop the long-term technical vision and roadmap within, and often beyond, the scope of your teams. Evolve the roadmap to meet anticipated future requirements and infrastructure needs.Oversee systems designs within the scope of the broader area, and review product or system development code to solve ambiguous problems.Review code developed by other engineers and provide feedback to ensure best practices.Passion for technology (e.g., personal projects, open-source involvement).Show clear communication within the organization and teams.Strategize with senior leaders across multiple functions within the organization.Enthusiasm for music! Qualifications We're Looking For:Bachelors or Masters degree in Computer Science, Information Technology, or a related field or equivalent work experience3+ years of engineering team management experience, Bachelors or Masters degree in Computer Science, Information Technology, or a related field or equivalent work experience7+ years of working directly within engineering teams3+ years of designing or architecting (design patterns, reliability and scaling) of new and existing systems experienceExperience partnering with product or program management teams.Strong software development skills in JavaScript, Node.js, SQL, CSS, HTML, and languages such as Java, PHP, Python, or similar.Strong understanding of cloud environments and toolchains.Strong written and oral communication skills.Desire to work in a diverse teamKnowledge and operational experience in developing and scaling event-driven services.Understanding of full-stack software development.Hands-on experience with Agile and Scrum software development methodologies. Why Join Us? At DistroKid, were all about empowering artists and fostering a culture where our team members can rock out in their own way. Enjoy a remote work environment, a culture that puts employees first, and competitive benefits.If you're ready to join a company thats making waves in the music industry and guide our tech team, apply now! DistroKid is an Equal Opportunity EmployerWe are committed to building a diverse and inclusive team and strongly encourage applications from individuals of all backgrounds, identities, and experiences. We value a wide range of perspectives and believe that our differences make us stronger. If you require any accommodations during the application process, please don't hesitate to reach out.
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  • Finland Pavilion will explore architecture as a collaborative endeavor at Venice Biennale
    worldarchitecture.org
    Submitted by WA ContentsFinland Pavilion will explore architecture as a collaborative endeavor at Venice Biennale Finland Architecture News - Feb 18, 2025 - 15:37 html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd"The Finland Pavilion has announced the theme and details about its exhibition at the 2025 Venice Architecture Biennale, Italy.Curated by Ella Kaira and Matti Jnkl's, the exhibition, titled The Pavilion Architecture of Stewardship, will highlight the various types of labor that go into building and maintaining architecture, from the design contributions of engineers and architects to the work of construction workers, restoration architects, maintenance personnel, and cleaners, all of whom are essential to the development and maintenance of the built environment.At the 19th International Architecture Exhibition of La Biennale di Venezia, curators Ella Kaira and Matti Jnkl will examine architecture as a collaborative endeavor by utilizing the famous architecture of Alvar and Elissa Aalto's Pavilion of Finland.The 19th International Architecture Exhibition will take place from 10 May to 23 November 2025 at the Giardini, the Arsenale and various venues in Venice, Italy. Curators Matti Jnkl and Ella Kaira at the Pavilion of Finland in Venice. Image Ugo Carmeni / ArchinfoThe Pavilion, built in Venices Giardini della Biennale Park in 1956, is one of only two buildings the legendary modernist Alvar Aalto and his office designed in Italy and the only one completed during his lifetime.The building carries a mythos that has undoubtedly bolstered its preservation but also obscures the many contributors to its ongoing existence. The Pavilion Architecture of Stewardship aspires to make the invisible visible by bringing the ongoing work on the Pavilion out of the shadow of Aaltos legacy.Pavilion of Finlands response to the theme IntelligensBy showcasing the continuous process of creation required to preserve the Pavilion, the exhibitionwhich was commissioned by Archinfo, the Information Centre for Finnish Architecturewill force us to reconsider how we relate to the built environment and the labor that goes into its building and maintenance."The Pavilion of Finland in the Giardini della Biennale has been celebrated internationally as one of the masterpieces of Finlands greatest architect, but this perspective has shifted in recent years. Over a period shorter than many peoples careers, scholarship has developed its recognition of the significant contribution made by Aaltos wives, Aino and Elissa, to his corpus of work. It is no longer accepted that he was a lone genius, creating in isolation," said Katarina Siltavuori, Director of Archinfo and Commissioner of the Pavilion of Finland."Kaira and Jnkls exhibition aims to further re-examine the process of authorship by broadening its enquiry to the myriad workers involved in the design, construction and maintenance of the built environment. As the 19th International Architecture Exhibition asks us to consider the nature of Intelligens, the Pavilion of Finlands investigation takes on a new significance: challenging widely-held assumptions about the nature of creativity and intelligence and revealing a broad and nuanced understanding that celebrates the work of individuals as part of collaborative systems," Siltavuori concluded.Valentina Albomico from Vita Restauri painting the pavilions facade as part of the regular maintenance work in 2025. Image Ella KairaStewardship and authorshipThe Pavilion Architecture of Stewardship explores who is responsible for maintaining the longevity of building, as well as why it is important. It traces the Pavilion's history from its creation through decades of constant upkeep and three significant restorations to the present, bringing to life the memories etched into the walls. The exhibition places the individuals involved in this work as co-creators alongside the original architect by bringing these stories to life in an audio-visual piece made by sound designer Jussi Hertz and video artist Merle Karp."The Pavilion of Finland is an architectural icon, but it wouldnt exist without the ongoing labour and care contributed by many workers throughout its life. Every architectural project has a story of intentions that unravelled on the journey from sketch to inhabited building. We think that the solutions these give rise to are as much a part of history as the intent of the original architect. Our exhibition seeks to ask whether architecture is fixed instruction or an ongoing collaboration and recognise the importance of a broad range of contributions to the authorship of buildings," said Curator Ella Kaira.Stewardship, an age-old practice based on responsibility and care, is essential to preserving constructed heritage. Stewardship, as it relates to architecture, is a shared responsibility between architects and non-architects that necessitates the negotiation of resources, land, and the built environment using both human and non-human action.The Finlandia sign being installed during the pavilions construction in 1956. Image Isa Andrenius / The National Archives of Finland"The Pavilion of Finland invites us to reflect on the concept of ephemerality in our built environment. The building was originally designed as a temporary structure, but it has become a permanent monument. However, today, many buildings that were designed to remain in place are demolished in under 50 years of age," saidCurator Matti Jnkl."The built environment is treated as a collection of pavilions characterised by ephemerality rather than heritage characterised by permanence. Our exhibition explores the stewardship of our built environment that enables its continued use from one generation to another," Jnkl added.Daniele Canato from Vita Restauri painting the pavilions facade in 2025. The cables of the Finlandia sign have been cut at the neighbouring construction site of the Central Pavilion. Helsinki-based architects Ella Kaira and Matti Jnkl are co-founders of the architectural firm Vokal. Jnkl promotes justice in urban planning and contemporary built heritage. Rather than building new, he is more interested in maintaining and fixing the built environment that already exists.Over time, Kaira's architectural focus has changed from designing buildings to restoring them, with a particular emphasis on strengthening community resilience.The top image in the article: Finland Pavilion Sept 2021. Image Miina Jutila Archinfo.> via Archinfo
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  • Qatar will debut a permanent national pavilion in the Giardini at the Venice Architecture Biennale
    worldarchitecture.org
    Submitted by WA ContentsQatar will debut a permanent national pavilion in the Giardini at the Venice Architecture Biennale Qatar Architecture News - Feb 18, 2025 - 14:27 html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd"Qatar has announced that it will build a national pavilion in the historic venue of Giardini della Biennale, which first opened to the public in 1895.Along with 30 other countries, Qatar will have a permanent pavilion in the Giardini. In the past fifty years, only two other countriesRepublic of Korea and Australiahave opened pavilions at the Biennale.The announcement of the Qatar Pavilion comes after Qatar Museums and the Municipality of Venice signed a Protocol of Cooperation in June 2024, wherein the two parties committed to fortifying their current ties and advancing cooperation between Qatar, Venice, and the Italian Republic in the cultural and socioeconomic spheres.UNStudio, Dadu, Childrens Museum of Qatar conceptual design: exterior view Rendering. Image Qatar Museums"La Biennale di Venezia is the worlds pre-eminent gathering in art and architecture, and the Giardini is the historic landscape where extraordinary pavilions stand as ambassadors for their nations," said Her Excellency Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, Chairperson of Qatar Museums and commissioner of the Qatar Pavilion."Qatar is proud to take its place in this international assembly, advancing our role as a global leader in cultural diplomacy and providing an unparalleled platform for giving voice to the creative talent of our nation and the Middle East, North Africa, and South Asia region.""Venice is the only European city to have had, since the year 1000 CE, a name in Arabic, Bunduqiyyah, a fact that testifies to the teeming mixture of languages and ethnicities that have long sheltered here," said Pietrangelo Buttafuoco, President of La Biennale di Venezia."In the spirit of curiosity, exploration, and sincere human exchange that characterises Venice and its Biennale, I welcome Qatar to the Giardini, as a powerful global source of creativity and cross-cultural understanding," Buttafuoco added.On a prominent location in the Giardini, next to the well-known Book Pavilion, will be the new Qatar Pavilion. During the 19th International Architecture Exhibition in May 2025, Qatar will unveil a significant installation called Community Centre, designed by Pakistani architect Yasmeen Lari, marking the start of site activation.ELEMENTAL, Art Mill Museum conceptual design: aerial view of the museum in the Cultural District (Doha, Qatar), 2022. Rendering Qatar MuseumsThe installation will be part of the exhibition Beyti Beytak. My home is your home. La mia casa la tua casa., presented at both the Giardini and ACP-Palazzo Franchetti. In keeping with the theme of the Biennale Architettura 2025, Beyti Beytak. My home is your home. La mia casa la tua casa. will explore how hospitality and traditions of welcome are embodied in the contemporary architecture and landscapes throughout the Middle East, North Africa and South Asia (MENASA).More than 20 modern and contemporary architects from the MENASA region will have pieces in the exhibition, which will honor trailblazing architects and thinkers. Some of these architects' work has never been seen in Venice before.Among the pioneering modern architects represented are Raj Rewal (India), Nayyar Ali Dada (Pakistan), Abdel Wahed el Wakil (Egypt), and Minnette de Silva (Sri Lanka). Their work will be highlighted along with that of a range of contemporary designers and architects, including Marina Tabassum and Nabil Haque (Bangladesh), Sameep Padora and Vastu Shilpa (India), Daaz Studio (Iran), Abeer Seikaly (Jordan), Sumaya Dabbagh (UAE), Liz Diller (USA), Meriem Shabani (Iran), and the New South Studio (France), among others.OMA, Concept design of Qatar Auto Museum project. Rendering Qatar MuseumsThe exhibition is commissioned by H.E. Sheikha Al Mayassa and Qatar Museums and organised by the future Art Mill Museum. It is curated by Aurlien Lemonier, Art Mill Museum Curator of Architecture, and Sean Anderson, Associate Professor at Cornell University, with the collaboration of Virgile Alexandre.Recently, Carlo Ratti, the curator of the 19th International Architecture Exhibition of Venice Architecture Biennale, shared details and highlights of the 2025 Venice Architecture Biennale. Ratti emphasized that by engaging with science, architecture can become more inclusive, as it will be discussed in this year's Biennial.Top image in the article: Herzog & de Meuron, Lusail Museum conceptual design: exterior view. Rendering Qatar Museums.> via Qatar Museums
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  • 'Sonic the Hedgehog 3' Is Now Streaming. Here's How to Watch
    www.cnet.com
    Want to stream Sonic the Hedgehog 3? You can if you dash over toParamount Plus.The PG-rated action comedy sped into theaters in December and currently has a score of85% on Rotten Tomatoes. The movie is set after Sonic 2 and theKnuckles Paramount Plus seriesand stars Keanu Reeves as the voice of the mysterious and powerful hedgehog Shadow, a new anthropomorphic adversary for Knuckles, Tails and Sonic.A fourth Sonic the Hedgehog flick is scheduled to be released in 2027. If you missed the third adventure on the big screen or want to rewatch, here's when you can step through a portal to the film on Paramount Plus.When to watch Sonic 3 on Paramount PlusThe video game movie premiered overnight on Tuesday, Feb. 18,and is available to stream now for folks in the US and Canada. Based somewhere else? Paramount Plus said Sonic 3's "availability in additional international Paramount Plus markets will be announced at a later date."Paramount Plus has two subscription options for newcomers: Essential and Paramount Plus with Showtime. Essential is ad-supported and costs $8 a month or $60 a year. You'll need the latter plan, which costs $13 a month or $120 a year to watch Showtime programming like thecurrently airing Yellowjackets. Sonic 3 is also available to rent for $10 atAmazon andFandango at Home. James Martin/CNET While you can watch Sonic 3 with either version of Paramount Plus, opting for the Showtime plan removes commercials from your streaming experience (outside of live TV) and lets you download titles. Deal-seekers can try the service for free for a week, and college students can get a discount on Essential. See at Paramount Plus
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  • Best Multipoint Bluetooth Headphones and Earbuds for 2025
    www.cnet.com
    Our Experts Written by David Carnoy Our expert, award-winning staff selects the products we cover and rigorously researches and tests our top picks. If you buy through our links, we may get a commission. Reviews ethics statement Executive Editor David Carnoy has been a leading member of CNET's Reviews team since 2000. He covers the gamut of gadgets and is a notable reviewer of mobile accessories and portable audio products, including headphones and speakers. He's also an e-reader and e-publishing expert as well as the author of the novels Knife Music, The Big Exit and Lucidity. All the titles are available as Kindle, iBooks, Kobo e-books and audiobooks. Expertise Headphones, Bluetooth speakers, mobile accessories, Apple, Sony, Bose, e-readers, Amazon, glasses, ski gear, iPhone cases, gaming accessories, sports tech, portable audio, interviews, audiophile gear, PC speakers Credentials Maggie Award for Best Regularly Featured Web Column/Consumer See full bio Why You Can Trust CNET 16171819202122232425+ Years of Experience 14151617181920212223 Hands-on Product Reviewers 6,0007,0008,0009,00010,00011,00012,00013,00014,00015,000 Sq. Feet of Lab Space How we test CNETs expert staff reviews and rates dozens of new products and services each month, building on more than a quarter century of expertise.Table of Contents Our Picks Latest Bose Bose QuietComfort 45 View details $349 at Bose View details Top noise-canceling headphones with multipoint Sony WH-1000XM5 View details $328 at Amazon View details Sony's former flasgship earbuds Sony WF-1000XM4 View details $260 at Amazon View details Best new Soundcore by Anker buds Soundcore by Anker Liberty 4 (Out of stock) View details $117 at Amazon View details Smaller Sony earbuds with big sound Sony LinkBuds S View details $128 at Amazon View details Best wireless earbuds for Android users Google Pixel Buds Pro View details $120 at Walmart View details Best Sennheiser noise-canceling headphones Sennheiser Momentum 4 Wireless View details $250 at Amazon View details Premium Panasonic multipoint buds Technics EAH-AZ60 View details $122 at Amazon View details Budget on-ear multipoint headphones Creative Sound Blaster Jam V2 View details $35 at Amazon View details Great if you can afford it Mark Levinson No. 5909 View details $799 at Music Direct View details Premium noise-canceling headphones for less Soundcore by Anker Space Q45 View details $150 at Amazon View details Best bone-conduction Shokz OpenRun Pro View details $160 at Amazon View details Line-topping Jabra buds Jabra Elite 7 Pro View details $141 at Walmart View details Best value on-ear multipoint headphones Jabra Elite 45h View details $148 at Amazon View details Best-sounding premium noise-canceling headphones Master & Dynamic MW75 View details $599 at Amazon View details Table of Contents Looking for the best multipoint Bluetooth earbuds to stay connected across multiple devices? Multipoint technology lets you seamlessly switch between your phone, laptop, tablet or other Bluetooth-enabled devices without the hassle of reconnecting. Whether youre taking calls while streaming music or jumping between work and personal devices, the right multipoint Bluetooth earbuds ensure smooth, uninterrupted audio.While brands like Apple and Samsung offer device-specific switching, true multipoint earbuds work across all platforms, making them a must-have for multitaskers. Our top picks include earbuds with stable connectivity, long battery life, and crystal-clear audio -- perfect for work, travel or everyday use. Check out our expert recommendations for the best multipoint Bluetooth earbuds available today. Best Presidents Day Sales Don't miss our coverage of the Best Presidents Day deals, curated by CNET Deals experts. See now
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  • Broken Legs and Ankles Heal Better If You Walk on Them within Weeks
    www.scientificamerican.com
    OpinionFebruary 18, 20254 min readBroken Legs and Ankles Heal Better If You Walk on Them within WeeksUsing crutches for months is largely a thing of the past. Early weight-bearing has real benefitsBy Lydia Denworth edited by Josh Fischman Jay BendtTwenty years ago my husband, Mark, broke his left ankle and was in a cast and on crutches for nearly two months. Last year he broke the other ankle. But this time, after surgery, his doctor surprised us by instructing Mark to walk on it two weeks later.It turns out the standard advice to stay off a broken leg bone for at least six weeks is based less on scientific evidence and more on cultural cautionphysicians like to play it safe. But now studies show that complications are no more likely with early weight-bearing than with a long delay. Except in a few complex cases, walking around earlier helps broken bones heal, and it improves quality of life: for example, people can return to work and other activities faster.If you are fully immobilized, you come out of the cast with a sort of hairy, withered leg that takes forever to overcome, says orthopedic trauma surgeon Alex Trompeter of St. Georges University of London. The science tells us that the rate at which you lose muscle mass is far faster than the rate at which you gain it. Youre slow to build bone, too. Consider astronauts. After six months in zero gravity at the International Space Station, they lose 10 percent of their bone density, and to ward off that loss they do exercises in space that are equivalent to bearing weight.On supporting science journalismIf you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today.In the 19th century German surgeon and anatomist Julius Wolff recognized that healthy bones adapt and change in response to the load placed on them. That is why everyonebut especially women, who are more susceptible than men to osteoporosisshould lift weights as they age. It increases bone density.Those who walked early on femurs that had broken just above the knee had no higher rate of complications than those who stayed off the leg for six weeks.When you fracture a bone anywhere in the body, physicians first worry about stability. How much will the bone fragments move if you put weight on them? If the answer is too much, surgery is usually indicatedfirst a reduction to realign the pieces of bone and then fixation to hold them in place with screws, plates or rods.That procedure sets up a bone, which is living tissue, to heal naturally by making new bone and resorbing damaged cells. In the gap caused by a fracture, a healing tissue called callus forms first, which then turns into bone. The right amount of load or movement (heres where Wolffs discovery applies) is critical to this process. Too little results in no callus; too much prevents the bone from knitting back together. Its all about the strain environment, says orthopedic surgeon Chris Bretherton of Queen Marys Hospital in London.Surgical implants hold the alignment until that process is complete. Its a little bit of a race postoperatively between the bone healing and the fixation breaking, says orthopedic trauma surgeon Marilyn Heng of the University of Miami Miller School of Medicine. In that contest, she roots for the new bone. Once the body heals and forms bone across the fracture site, the hardware we put in becomes extraneous. The crux of our decisions for weight-bearing status is we want to win that race.And putting some load on the bones aids that goal. Although the process of bone healing is the same all over the body, bones in the lower limbs such as hips, femurs and ankles bring extra complications because they affect the ability to walk. In patients with hip fracturespredominantly frail, older peoplethat immobility can lead to dire consequences.Some patients do not have the dexterity and strength to manage partial weight-bearing while using crutches, so they stay in bed. The lack of movement leads to serious problems such as blood clots and weakening of the lungs. One 2005 study found that nine percent of hip fracture patients died within 30 days of breaking a hip and that 30 percent died within the first year. But more recent studies of healing hips suggest that early weight-bearing decreases mortality rates, and doctors have altered their practices. The normal standard of care is [now] to fix it and let people walk, Trompeter says.Breaks in long bones, like the femur in your thigh, can be relatively straightforward to repair with a rod. In a study that looked back at outcomes for a series of patients, Heng and her colleagues showed that those who walked early on femurs that had broken just above the knee had no higher rate of complications than those who stayed off the leg for six weeks.For ankles, the largest randomized controlled trial to date (480 fracture cases across 23 centers in the U.K.) was published in 2024 in the Lancet. Half of the patients were instructed to walk after two weeks, and the other half were told to wait until after six weeks. Any complications, such as infections or broken plates, were equally common in both groups, so early walking didnt pose a greater risk. And the early weight-bearing group reported better function in the ankle at six weeks and at four months postsurgery. Surgeons just needed a push, says Bretherton, who led the study. He hopes this evidence gives them that confidence.As for my husband, he jumped at the chance to get moving sooner. In less than two months, the point at which he was just coming out of a cast last time, his scar was fully healed, he was walking normally and, with a few limitationsno running, no quick pivotshe was exercising again. It seems that he won this race.This is an opinion and analysis article, and the views expressed by the author or authors are not necessarily those of Scientific American.
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  • A Backyard Bird Offers a New Way of Thinking about Sexes
    www.scientificamerican.com
    February 18, 202514 min readThis Backyard Bird Has a Lot to Teach Us about Sex VariabilityWhite-throated Sparrows demonstrate that traits we usually associate with sex can be influenced by genes that are not on sex chromosomesBy Donna L. Maney Joel Sartore/Photo ArkIts springtime in your backyard. You watch a pair of little brown songbirds flit about, their white throats flashing in the sun. One of the birds has striking black and white stripes on its crown and occasionally belts out its song, Old Sam Peabody, Peabody, Peabody. Its partner is more drab, with tan and gray stripes on its head and brown streaks through its white throat. Knowing the conventional wisdom about songbirdsthat the males are flashy show-offs and the females more camouflaged and quietyou decide to name the singer with bright plumage Romeo and the subtler one Juliet.But later that day you notice Juliet teed up on the fence, belting out a song. Juliets song is even louder and showier than Romeos. You wonder, Do female birds sing? Then you see Romeo bringing a twig to the pairs nest, hidden under a shrub. Your field guide says that in this species the female builds the nest by herself. What is going on?Turns out, when you named Romeo and Juliet, you made the same mistake 19th-century artist and naturalist John Audubon did when, in his watercolor of this species, he labeled the bright member of the pair male and the drab one female. Romeo might look male, even to a bird expert such as Audubon, but will build a nest and lay eggs in it. Juliet, who might look female, has testes and will defend the pairs territory by singing both alone and alongside Romeo, who also sings.On supporting science journalismIf you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today.Juliet and Romeo are White-throated Sparrows (Zonotrichia albicollis). At first glance, members of this species of songbird might look rather ordinary. For example, like many other songbirds, one member of each breeding pair of these sparrows has more striking plumagethat is, its appearance is what we would traditionally consider malelike for songbirds. The other bird in the pair is more femalelike, with drabber plumage.On closer inspection, White-throated Sparrows are quite remarkable. If we were to assume that the brighter bird in each breeding pair is the male, wed be right only half the time. In about 50 percent of breeding pairs of White-throated Sparrows, the brighter bird has the testes and the drabber bird has the ovaries, in keeping with the typical songbird pattern. In the rest of the breeding pairs, however, the bird with the more striking plumage is the one with the ovaries, and the duller bird has the testes.White-striped birds with ovaries behave in a way that is more masculine than we expect for female songbirds.Researchers have known since the 1960s that White-throated Sparrows occur in two color forms: a brighter white-striped morph and a plainer tan-striped morph. Even though morph has nothing to do with sexbirds of each morph are equally likely to have ovaries or testesthe birds still pay attention to morph when choosing mates. Whether male or female, tan-striped birds almost always choose white-striped mates, and vice versa. Each bird, therefore, chooses a mate from only 25 percent of the population; if you are a tan-striped female looking to make some babies, a male of the same morph just wont do. You want a male with white stripes on his head.This interesting and complex situation has earned this species the nickname the bird with four sexes. But to be clear, White-throated Sparrows do not have four different types of gonads. As in other birds, each individual typically has either two testes that produce sperm or a single ovary that produces eggs. Nevertheless, as recent research has shown, this species has much to teach us about the nature of sex variabilitythe way in which sex-related behaviors are influenced by genes, the complex structure of sex-associated chromosomes and the evolution of sexual reproduction itself. Importantly, this species challenges the practice of flattening natures wondrous diversity into two categories, male and female.I have spent the past 25 years studying this fascinating species, trying to understand how social behavior and the structure of genomes can influence each others evolution. White-throated Sparrows are a particularly good model for this line of research because the categories of sex and morph are each associated with special chromosomes. The sex chromosomes, which in birds are known as Z and W, influence whether primordial gonads develop as ovaries or testes. Birds with both the Z and the W typically develop an ovary, whereas birds with two copies of the Z develop testes. Color morph is associated with a different chromosome, chromosome number 2. Like sex chromosomes, chromosome 2 in White-throated Sparrows occurs in two versions. The first, which well call the standard version, was the first to be sequenced by scientists. The other is a rearranged version that contains a supergene, which is technically a collection of genes bound together. Whether male or female, birds with a copy of the supergene develop as white-striped; birds with only the standard chromosome develop as tan-striped.Rebecca Gelernter; Source: Multivariate Models of Animal Sex: Breaking Binaries Leads to a Better Understanding of Ecology and Evolution, by J. F. McLaughlin et al., in Integrative and Comparative Biology, Vol. 63; October 2023 (reference)Although color morphs in White-throated Sparrows are not technically sexes, the standard and supergene-bearing versions of chromosome 2 share features with the human sex chromosomes X and Y, respectively. In a typical breeding pair, one bird has two copies of the standard version, analogous to the XX genotype in humans. The other bird has one copy of the standard and one copy of the supergene, analogous to the XY genotype. Just as humans with two Y chromosomes are rare, the number of White-throated Sparrows with two copies of the supergene is vanishingly small. Almost all birds of the white-striped morph have one standard version of chromosome 2 to pass down and one version with the supergene. As a result, half the offspring of each breeding pair will inherit the supergene, and half will not.The supergene-bearing version of chromosome 2 resembles the mammalian Y chromosome in other ways. To understand the similarities, lets consider how it came to exist. Geneticist James W. Thomas, who was then at Emory University, and his laboratory demonstrated that the supergene itself is made up of several inversionslarge sections of DNA sequence that long ago flipped 180 degrees relative to the standard sequence. The rearranged region on chromosome 2 in White-throated Sparrows is so large that the two different versions cannot line up precisely beside each other and swap genes, a process known as recombination. Generally speaking, mismatched sequences arent a big problem, so long as there is another copy of the same version of the chromosome nearby to line up and swap genes with. But for the supergene version of chromosome 2, there usually isnt one. As is the case for the mammalian Y chromosome, individuals with the supergene chromosome typically have only one copy of it. So, whereas in the tan-striped birds the two copies of the standard version of chromosome 2 can recombine freely with each other, in white-striped birds the supergene version of the chromosome stands alone, unable to recombine with a partner.This isolation has caused the gene sequences inside the supergene to slowly diverge from the corresponding sequence on the standard version, becoming less and less similar to it over time. Escaping recombination also causes the genes inside the supergene to become locked together, meaning that each white-striped bird inherits a large block of increasingly differentiated genes. For these sparrows, those differentiated genes translate to differences in plumage and behavior.The evolutionary changes taking place in chromosome 2 in White-throated Sparrows loosely recapitulate a classical theory of the evolution of sex chromosomes. In the case of the X and Y chromosomes in mammals, suppression of recombination has been hypothesized to cause progressive loss of gene function and even the loss of entire genes. Over time the Y chromosome has degenerated such that it shares only a handful of genes with the X. The same scenario has played out for sex chromosomes in a wide variety of species, including other mammals, birds and many insects: a chromosome associated with either testicular or ovarian development has stopped recombining with its former partner and has differentiated substantially. The supergene-bearing chromosome 2 in White-throated Sparrows seems to be in the same situation. To investigate these parallels more closely, we worked with researchers at the Georgia Institute of Technology, led by Soojin V. Yi. Our study revealed that the supergene shows only minimal signs of degeneration. Thus, although the chromosome with the supergene may be recapitulating the evolution of a sex-chromosome-like system in many ways, we dont see obvious evidence that it will end up small, like the Y, anytime soon.In White-throated Sparrows, both white-striped birds (bottom) and the drab tan-striped birds (top) sing.Glenn Bartley/Minden Pictures (top); Scott Leslie/Minden Pictures (bottom)The White-throated Sparrows chromosome 2 also resembles the mammalian XY chromosome system with respect to its consequences for behavior. Birds with the supergene versionthat is, the white-striped birdsdefend their breeding territories more vigorously on average than do their tan-striped counterparts, who spend more of their time bringing food to offspring in the nest. In other words, behaviors we expect to be associated with the Y chromosome in mammalsnamely, prioritizing territorial aggression over parentalThis dissociation makes this species especially valuable for understanding the evolution of sex-related traits and the extent to which any individual can be said to be one sex versus another. In White-throated Sparrows, we see masculine and feminine traits distributing themselves in a manner clearly orthogonal to gonadal sex. White-striped birds with ovaries behave in a way that is more masculine than we expect for female songbirds, and tan-striped birds with testes look and behave in a relatively feminine way. Because the behavioral differences between the morphs can be attributed to a genetic sequence not associated with sex or sex chromosomes, the supergene provides an important tool with which to identify gene variants that nudge a sparrow in one behavioral direction or another no matter what gonads it has.Twentieth-century geneticist Theodosius Dobzhansky, who once said, Nothing in biology makes sense except in light of evolution, speculated that inversions are adaptive because they capture and bind together gene variants that confer a collective benefit when inherited together. The inversions that make up the White-throated Sparrow supergene have captured about 1,000 genes that are slowly differentiating from the standard versionscertainly a rich source of possibilities for co-adaptation.In my laboratory at Emory, we went on the hunt for gene variants inside the supergene that shift the behavior of the white- and tan-striped sparrows in masculine and feminine directions, respectively. We knew that circulating levels of steroid hormonesnamely, testosterone in males and estradiol in femalesare higher in white-striped than tan-striped birds. This morph difference in hormone levels does not, however, explain the differences in their behavior. When we experimentally equalized levels of steroid hormones between the morphs, the white-striped birds were still more aggressive, despite having levels of steroid hormones identical to those of the tan-striped birds. Perhaps the white-striped birds are simply more sensitive to their own circulating steroids. If so, we wondered, what is the biology underlying that sensitivity?To answer that question, Brent M. Horton and I led a team to take a neuroscience approach. We reasoned that increased sensitivity to steroid hormones in white-striped birds might come from higher levels of the receptors for those hormones in their brains. Sure enough, in a part of the brain associated with reproductive behaviors, white-striped birds have extraordinarily high activity of a gene encoding a steroid-hormone receptor important for territorial aggression. This gene, called ESR1, is located inside the region of chromosome 2 that corresponds to the location of the inversions. Over evolutionary time the variant of ESR1 inside the supergene has diverged genetically from its counterpart on the standard chromosome. This genetic divergence has revved up the activity of the supergene variant such that white-striped birds have higher levels in this brain region than do tan-striped birds. Moreover, the more active the supergene variant of ESR1 relative to the standard version, the more aggressive the bird. We had our smoking gun.To show definitively that this receptor plays a causal role in white-striped aggression, Jennifer R. Merritt, then a graduate fellow at Emory,ESR1 gene. We hypothesized that if white-striped birds were more aggressive because of higher levels of the hormone receptor, then the morph difference in aggression should disappear if we experimentally reduced production of the receptor in those birds down to the tan-striped level in the brain region in question. Just as we predicted, white-striped birds with reduced receptor levels showed no more aggression than tan-striped birds. In other words, we were able to change their behavior from white-striped to tan-striped by altering the activity of a single gene.As exciting as that finding was, we were under no illusion that the aggressive behavior of the white-striped morph can be explained by just one gene. We believe, as Dobzhansky would have, that the behavior is influenced by multiple, co-adapted genes inside the supergene. Our analysis of all the genes inside the supergene, spearheaded by Emory researcher Wendy M. Zinzow-Kramer, showed that ESR1 is part of a large network of genes inside the supergene that predict territorial aggression. Perhaps these genes act together somehow to alter both plumage and behavior.White-throated Sparrows help us see past the sex binary by forcing us to acknowledge sources of variability other than sex.Armed with the knowledge that the neighbors of influential genes can have related functions, we directed our attention to a gene that is practically adjacent to ESR1 inside the supergene. This gene, known as VIP, is active widely in the brain and influences a variety of social behaviors across vertebrates. In songbirds, it promotes aggression when activated in one part of the brain and parental behavior in another. Because these behaviors are the ones that differ between the morphs in White-throated Sparrows, this gene was a prime candidate for further investigation.Horton and his team showed that in the brain region where VIP is associated with aggression, activity of the VIP gene is higher in the white-striped morph. In the brain region associated with parenting, its activity is higher in the tan-striped morph. Because white-striped birds are more aggressive and tan-striped more parental, this finding strongly suggested a role for VIP in the behavioral differences. But how can the same gene variant be revved up in one brain region and ramped down in another?A group led by Mackenzie R. Prichard, then a graduate fellow at Emory, provided an important clue. The VIP variant inside the supergene differs from the standard version not only genetically but also in another important way. DNA can be tagged with chemical markers that are not part of the gene sequencethey attach to it epigenetically, which can silence the gene. In the brain region where VIP promotes aggression, these tags are significantly reduced on the supergene variant of VIP. Although we do not totally understand the mechanisms that regulate the tags, their removal from the supergene probably allows the peptide that VIP encodes to be produced at higher levels in this brain region in the white-striped birds. The situation looks different in the brain region associated with parenting, where the relative activity of the supergene variant of VIP is significantly lower.The 19th-century artist and naturalist John Audubon mistakenly assumed that the whitestriped variants of the White-throated Sparrow were all males and the tan-striped birds were all females.Fine art images/Heritage Images via Getty ImagesThese findings are exciting because they show that production of the VIP peptide is regulated differently in each of these two brain regions in ways that are adaptive for each morph. In the brain region where VIP promotes aggression, the brakes have come off the supergene version of the gene. The resulting higher activity may allow the white-striped birds to produce more VIP peptide where it is needed for aggression. In the region where VIP promotes parental behavior, the brakes are applied a bit more to the supergene, which may reduce VIP production in this region in white-striped birds and make them less parental.Is it significant that the two supergene variants of ESR1 and VIP are so close to each other inside the supergene? Are they co-adapted at the molecular level? We dont yet know. Even if the gene products dont interact directly, both contribute toward the same aggressive, white-striped phenotype. Dobzhansky might argue that this shared function alone makes their linkage adaptive. Over evolutionary time the supergene is likely to accumulate even more gene variants and epigenetic tags that complement an aggressive phenotype, in keeping with the theory behind the evolution of chromosomes associated with sexes.White-throated Sparrows demonstrate that traits we usually associate with sex can be influenced by genes that are not on sex chromosomes. In this species, some of those genes are linked to one another and to an obvious, sex-adjacent phenotype, making these associations easy to study. But the dissociation of sex-related genes from sex chromosomes isnt at all exceptional. In all sexually reproducing species, including humans, most genes that contribute to sex-related variation are not known to be linked to any particular genomic architecture. Even genes involved in gonadal development and hormone synthesis can be found on most any chromosome, mapping to locations throughout the genome that freely recombine. Each individual inherits a new combination of genetic and epigenetic material, resulting in diversity that defies binary categories.In most sexually reproducing species, making an embryo requires two gametes: one egg and one sperm. That binary is clear. But the egg-sperm binary does not apply to the eventual development of that embryo into a sexed body with sex-related behaviors. That development is conceptually separate and decidedly nonbinary in many ways. To understand why, lets consider the theoretical evolutionary function of sexual reproduction.Biologists have long argued that the genetic function of sexnamely, the mixing of genomes in the generation of offspringis to create combinations of genes that could confer advantages in an unpredictable future environment. Sexual reproduction hurries the new combinations along, meaning the advantageous combinations become established much faster than if we simply cloned ourselves and waited for genes to randomly mutate into more beneficial forms. In other words, the entire point of having sexes is to generate diversity. Each new organism possesses a genome never seen before, unlike either parents.For reasons that so far remain mysterious to scientists, the most diverseUntil recently, species such as sex-changing fish, all-female lizards and White-throated Sparrows with their four sexes were regarded as curiositiesoddball organisms that seemed to break the rules. But that view is rapidly changing. New tools for studying the processes underlying sexual development call the rules themselves into question. We are learning that the molecular pathways that guide a body to develop ovaries, testes, or other sex-related features are evolutionarily unstable and precarious. The genes and proteins that contribute to making a gonad are not the same across species, even closely related ones. These pathways are not well conserved, suggesting they remain flexible for good reason.The development of sex-related traits is astonishingly diverse not only across species but within them. Every individual, sparrow or human, has masculine and feminine characteristics. That diversity is obscured when we lump individuals into two categories and consider each as a homogeneous group. When we compare the categories female and male, we often report a sex differencea binary outcome made inevitable by a binary approach. This approach fails to acknowledge the profound overlap between sexes on almost any measure.White-throated Sparrows help us see past the sex binary by forcing us to acknowledge sources of variability other than sex, which is, in reality, only a small contributor to variability for many species. Diversity and plasticity of phenotypic expression is the norm, particularly for traits that correlate with sex. Sex-related traits are simply not hardwired. Evolutionary biologists believe that this plasticitylike the dazzling diversity of sex-determining molecular pathwaysmay be adaptive in changing environments. Individuals retaining maximal flexibility in the expression of sex-related traits are better able to adapt quickly to changing environments or, in some cases, may even be able to change their sex.Sexual reproduction, by its very nature, generates diversity. The different pathways by which bodies develop as male, female, both or neither are perhaps as numerous as species themselves. Genomes are fluid, constantly changing and evolving. Gene sequences link together and separate in a never-ending dance. The environment also changes constantly, guiding development in unpredictable and sometimes disruptive ways. Every newly evolved avenue to develop into a sexed body begins a new, generative process that gives rise to still newer routes. Viewed this way, it is clear that sexual diversity within species is an evolutionary adaptationa feature, not a bug. Like our backyard sparrows Romeo and Juliet, each of us is expressing our own unique phenotype just as nature intended.
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  • GAME U-turns on Pokmon card price hustle that caused cost to almost triple
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    GAME U-turns on Pokmon card price hustle that caused cost to almost triple11 sets no longer require 20 delivery fee.Image credit: GAME / The Pokmon Company / Eurogamer News by Tom Phillips Editor-in-Chief Published on Feb. 18, 2025 UK retailer GAME appears to have dropped its widely-criticised delivery fee for in-demand Pokmon Prismatic Evolutions card sets, which saw 11 tins cost 31 to get delivered.Exasperated GAME staff told Eurogamer last week that the chain's inflated postage pricing was a deliberate move, rather than a simple mistake. Employees also told us they were tired of Pokmon card stock being kept back to sell for more money via GAME's website, rather than to customers visiting to try and buy the cards in-store.The story spread online, and Eurogamer heard yesterday from a source close to the chain that GAME's "Oversized Delivery" fee was being reconsidered, or potentially relabelled. Today, Eurogamer has spotted that the Pokemon TCG: Scarlet & Violet Prismatic Evolutions Mini Tin no longer has its previous 19.99 "Oversized Delivery" option. GAME's Pokemon TCG: Scarlet & Violet Prismatic Evolutions Mini Tin product page today, with the chain's regular delivery options now available. | Image credit: GAME / EurogamerThat's not to say that GAME's regular options are cheap - the chain's Standard Delivery is 4.99, or you can pay the same amount just for GAME to hold the item for you in store. Alternatively, you can pay 11.99 to get the cards via Next Day Delivery by DPD, or 9.99 to chance it with Next Day Delivery by Evri. But these are, at least, now GAME's usual rates.Eurogamer previously contacted GAME to ask why a small tin of Pokmon cards no bigger than a mobile phone required a 19.99 "Oversized Delivery" option, when a PlayStation 5 Pro console did not. Eurogamer is still waiting for a response.Last year, Eurogamer reported on GAME's various ongoing issues as it is further integrated into Sports Direct's Fraser Group, and suffers store closures, redundancies, and stock problems.
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  • Like a Dragon: Pirate Yakuza in Hawaii review
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    A raucous, absurd spin-off that manages to still feel like a first-rate Yakuza game despite the leftfield setting and delightfully unhinged plot. Anyone unfamiliar with the Like A Dragon series might assume it's the gaming equivalent of a Wetherspoons with poor acoustics: suffocating noise, confusing conversations, reused textures, and the constant, anxious threat of erupting violence. And while it's true that at least 60 percent of your problems can be resolved by hitting menacing men with bicycles, the Yakuza games actually have disarming emotional range. They're as much about reflective conversations on rooftops as they are about punching bears; the only games that let you crush an enemy's ass with a weaponised bollard and make you contemplate what it means to grow old in a world you no longer recognise.Like a Dragon: Pirate Yakuza in Hawaii reviewDeveloper: Ryu Ga Gotoku StudioPublisher: SegaPlatform: Played on PS5Availability: Out 21st February on PC (Steam), PS4/PS5 and Xbox Series X/S and Xbox OneThis is exactly why Like A Dragon: Pirate Yakuza in Hawaii is a less tantalising prospect, in some respects, than yet another game set in Kamurocho. Its tale of cutlass-flashing derring-do, secret island hideaways, and 18th century galleons suggests a game with a thuggish disregard for subtlety. Even the choice of protagonistthe pleasantly unhinged Goro Majima - a man who, right now, youre probably imagining screaming, stabbing, or both - speaks to a heightened sense of throwaway irreverence. It's the sort of concept people who don't play Yakuza probably think series obsessives would love, when, actually, all we want is to try all the different whiskies at a sunakku bar in the Champion District. Against all expectations, however, this chaotic spin-off manages to feel rich and refreshing while still delivering the grandiose dramatic moments that make the series so wonderful.Perhaps the most surprising thing is how quickly I'm willing to accept the possibility that a series of career criminals would indeed choose to haunt the Pacific in tricked out Age of Sail frigates. This isn't a throwaway joke. It does an incredible job of introducing an absurd collection of disparate ideas in the first few hours, with enough emotional heft and direction that I barely questioned why Japanese comedian Ryji Akiyama was my new ship's cook, or, indeed, why I was on a ship in the first place. The game maintains this clip over the course of its 18-odd hour campaign. And, despite the pace, it manages to introduce loads of new stuff without it becoming overwhelming. The side stories and minigames are deftly woven into the main quest without ever feeling like narrative speedbumps, and I rarely felt like I was being told too much, too soon (although there were a few occasions where I had to track back into the upgrades menu to remind myself what I unlocked). Left: The last thing you see before you die, probably. Right: If there's a less-threatening pirate name than Keith, I'd love to hear it. | Image credit: Eurogamer/SegaSome of the new additions are more compelling than others - I certainly spent more time cooking meals and fighting naval battles in my playthrough than I did saving strays for Majimas makeshift animal sanctuary - but it's lovely to know that stuff is there when I choose to go back to it. There's also a raft (sorry) of other classic distractions including arcades, a Master System, Dragon Kart, swimming, photography, gambling, and more. It's enough to fill anyone aiming for 100 percent completion with a sense of nameless dread, and yes, you will have to learn the hanafuda rules again. I also have to give a brief, vague shout out to the Minami Girls side story, which starts weird, gets weirder, then goes to a place even the most perceptive/damaged Yakuza obsessive couldn't predict. It might sound like I'm lying, but this character is probably the least-weird part of the Minato Girls substory. | Image credit: Eurogamer/SegaThe sailing is a shorthand way of understanding the tone of Pirate Yakuza in Hawaii. In the unlikely event you were worried about having to trim your sails, tack into the wind, and tell a clove-hitch from a carrick-bend, fret not. Everything that isn't fun, including sailing in the traditional, gusty sense, is largely absent. If you want further evidence, all you need to know is that your ship can boost, drift, and has machine guns. The result is something utterly bizarre: an arcade twist on Master and Commander, in which you can sling your 1000-ton warship around the stern of an enemy ship and rake them with your laser cannons like you're playing Forza on the high seas. You can find cursed instruments that activate powerful special moves, such as the ability to fiddle ghost sharks into existence. | Image credit: Eurogamer/SegaThe limited use of boost means there are moments where your ship slows down and feels legitimately weighty - and an added sense of scale comes from being able to stroll around on deck whenever you want. But naval battles are usually swift and exhilarating. I found myself looking for fights when travelling between islands, which is a useful measure of how fun it is to sink enemy ships with juddering broadsides. Also: this is coming from someone who unironically loved driving sensibly in the Yakuza 5 taxi missions, and who's read all the entire Aubrey-Maturin series, so I'll admit I'm in the centre of this extremely specific Venn diagram.Bigger naval encounters culminate with on-deck battles, which are huge, chaotic, and extremely silly. I didn't realise quite how upsetting my collection of misfit crewmates was until my first boarding action cutscene, in which my team of female ninja, septuagenarian gardener, rockabilly pro wrestler, and bikini-wearing-probably-assassin swung into action like a salacious, AI-generated Pirates of the Caribbean movie. I'm somehow embarrassed and proud, all at once. Go team. The longer you look at this boarding action, the weirder it gets. | Image credit: Eurogamer/SegaThe fights themselves feel bigger, lighter, and messier than many of the games that came before. This isn't a criticism, but it does feel different - don't be surprised if you see Dynasty Warriors mentioned in the same breath in other reviews. Majima's Mad Dog style is most similar to what hardened Yakuza veterans will recognise, whereas the Sea Dog iteration is essentially like controlling Soulcalibur's Cervantes in an open-world brawler. It's intuitive, and immediate, but I did find it harder to find a rhythm that made me feel like I was in total control of what I wanted to do.Heat Actions, in particular, feel more limited, with smaller windows of opportunity. There are still some moves that elicit genuine delight when you trigger them, such as Majima catching an enemy sword between his teeth, but the selection of Heat Actions feels narrower, and less contextual. That said, the range of useful skills you have in combat is as varied as it's ever been; I'm not sure I can be too critical of a game that lets me shoot ancient pistols, snare enemies with my hook, and summon ghost sharks with a cursed fiddle. Left: Fighting on the yards happens just often enough for it to feel dashing every time. Right: The flecks of blood on Goro's head are a reminder that he's actually quite useful in a scrap. | Image credit: Eurogamer/Sega Admit it: youd probably watch an amnesiac pirate yakuza live streaming Virtua Fighter. | Image credit: Eurogamer/SegaThe other element that feels new is the sheer scale of the combat. There are some battles that feature literally hundreds of characters fighting at once, so the staid, focused fighting system of the pre-Dragon Engine games was never going to function here. Sometimes it feels like the outcomes are less about my own abilities as a player, and more about my capable army of nautical weirdos, but perhaps that's what it means to be the captain of a pirate ship. It's not all about me, until the game tells me it is. Yes, this fight really does involve this many combatants. | Image credit: Eurogamer/SegaLike A Dragon: Pirate Yakuza in Hawaii accessibility options Colour vision assistance. High contrast mode. Adjustable subtitles with size and colour options. Adjustable display text. Automatic QTEs. Swappable left and right sticks. In-game adaptive difficulty for boss fights. All of this somehow coalesces into something that works in defiance of itself. It still feels like a Yakuza game, despite being set completely outside of Japan. This, if anything, made me somehow more nostalgic-drinking a Staminan Spark in the glowing bowels of Madlantis feels like a British person packing Yorkshire Tea and digestives for their holiday to Honolulu. It's also packed with minor characters and callbacks, such as tone-deaf karaoke oik Daisaku Minami, who most players will remember as the human flamethrower often on the business end of Shun Akiyamas loafers in Yakuza 4. And, without spoiling too much, there are some deeply satisfying moments late in the game for anyone curious to understand how Majima reconciles being a pirate captain with his former life as vice-chairman of the Tojo Clan. It's a measure of how adept Ryu Ga Gotoku Studio is (and how good the localisation team continues to be) that an amnesiac criminal's hunt for mystical doubloons can somehow feel fun, weighty, throwaway, and engaging all at once.A copy of Like A Dragon: Pirate Yakuza in Hawaii was provided for review by publisher Sega.
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