Dezeen School Shows: furniture which is specifically designed to suit the needs of women's bodies is included in this school show by students at Instituto Tecnolgico y de Estudios Superiores de Monterrey.Also included is a musical tool designed for visually impaired people and ceramic condiment holders inspired by Mexican culture.Instituto Tecnolgico y de Estudios Superiores de MonterreyInstitution: Tecnologico de MonterreySchool: Architecture, Art and Design (EAAD)Course: Horizontes 2024Tutors: Professors of Tecnolgico de MonterreySchool statement:"EAAD is conformed by students all over the country at Tec de Monterrey Institution and it focuses on training professionals capable of facing contemporary challenges in these fields through innovation, creativity and sustainability, by supporting the students' initiatives and giving visibility to their work."Since the founding of our school, it has been a member of prestigious organisations such as the International Association of Universities and Colleges of Art, Design and Media (CUMULUS), the World Design Organisation (WDO), the Association of Collegiate Schools of Architecture (ACSA), UN-Habitat and the Association of Institutions of Architectural Education of the Mexican Republic (ASINEA) and it has stood at the top 50 according to the QS World University Ranking by Subject, 2024."Each exhibition showcases the best projects created by design students. All the selected projects stand out for their high conceptual and execution quality, as well as their alignment with the principles and DNA of the Tecnolgico de Monterrey School of Design."Every end of the semester our students put on a final exhibition on each of their campuses. This is a small sample of ten of the most significant collections and projects of the Tecnologico de Monterrey School of Design."Acobijo by Airam Ruelas"Designed to help those who keep culinary traditions alive, 'acobijo' is born from the feeling of security of the kitchen of our childhood home, which nourished us body and soul."It consists of a molcajete and a mill, limiting the movement of the wrists to avoid pain and reduce wear and tear in the area."Winner, Sustainable Category CEM."Student: Airam RuelasCourses: Thinking and Creative Process, Specification of Products and Services, Design and InnovationTutors: Mariana Sols, Joel Olgun, Laura Nino, Raymundo Acosta and Christian GmezMachila by Emilano Snchez"Machilia is a set of ceramic condiment holders inspired by the street cuisine of Mexico, which seeks to reflect the vitality of food stalls and the values related to food as a collective action in our culture."This family of products consists of a salt shaker, a pepper shaker, a bowl and a sauce boat."Home Category Winner CEM."Student: Emilano SnchezCourse: Product Family Design, Modularity and Optimisation and Extended ExperienceTutors: Montserrat Castan, Liliana Ovalle and Leticia GatynMusic. All by Nimbe Ruis"Music, a universal language except when it comes to studying it."Music. An inclusive tool for people with visual disabilities, it uses potentiometers that simulate the staff and emits musical notes."Thus, with a raised score, users identify and memorise notes by touch and reproduce them in music."Winner, Emotions Category CEM."Student: Nimbe RuisCourse: Integral Project: Design and Emerging TechnologiesTutors: Lobsanth Ortega and Ricardo EspinosaFmina 01 by Valentina Gonzlez"Fmina 01 is furniture designed in line with anthropometric measurements of Mexican women, criticising androcentric standardisation in design."Its reversible seat allows the user to choose the side that best suits their body."The reddish tones symbolise strength and hope, promoting dialogue about the role of women in design."Winner, Entrepreneurship Category CEM."Student: Valentina GonzlezCourse: Integral Project: Development of Strategic Design ProjectsTutors: Andrea Pazos and Manuel LpezEntropa by Brenda Lee, Ana Hernndez, Paola Zarate and Sebastin Arroyo"Entropy is a machine that generates patterns based on human interaction, representing the chaos in migrant life."It has three moments: the migrant's routine, the trigger of migration (user's interaction) and the chaos after the loss of everyday life."It reflects the experience of Angie, a Colombian migrant in Mexico, seeking to generate empathy."Winner, Social Category and Honour Category CCM."Students: Brenda Lee, Ana Hernndez, Paola Zarate and Sebastin ArroyoCourse: Form, function, sense and valueTutors: Jos de La O, Pier Paolo Peruccio and Oscar MirandaSilvestre by Valeria Casas"Inspired by an iconic and mystical plant from Mexican culture, the cactus."The shape resembles the thin and asymmetrical arms of this plant, seeking stylisation and elegance."Student: Valeria CasasCourse: Concentration of art, object and fashionTutors: Ayrton Miranda, Zita Gonzlez, Claudia Kleemann, Alejandro Diaz and Cristina RoblesDualidad by Monica Isobel Lemus"Duality is a unique vase that creates a fascinating optical illusion focused on the flower and its beauty."With a minimalist and elegant design, this vase features a mirror strategically placed behind the flower, giving the impression that there is an additional flower floating in space and allowing different angles of the flower to be seen from a single position."This visual effect delights the eye, transforming any space into a scene of beauty and mystery."Student: Monica Isobel LemusCourse: Workshop: plant-basedTutors: Henry Julier and Jorge Diego EtienneHihamt by Ana Sofa Valenzuela Hernndez, Ana Sofa Yeomans Molina, Victoria Moreno Cruz and Carla Paulina Fuentes Hernndez"Hihamt arises from the need to create a fun educational resource for children and young people to learn Cmiique iitom, promoting interest in their native language and preserving the language."Inspired by the natural resources of Punta Chueca and the Comca'ac calendar, the board game incorporates elements such as the sea, sand, sky and stars."Students: Ana Sofa Valenzuela Hernndez, Ana Sofa Yeomans Molina, Victoria Moreno Cruz and Carla Paulina Fuentes HernndezCourse: Form, Function, Sense and ValueTutors: Hugo Martnez, Ren Corella, Edgar Ludert, Luis Franco, Jaime Solorzano and Diana JimnezGr by Bruno Daz, Diego Carrillo and Joshwa Gutirrez"Gr is a modular system for people with physical and cognitive disabilities, implemented in the New World IAP."It optimises ergonomics and efficiency in greenhouses for heavy use, with trays that make cleaning and transporting plants easier."Its adaptable structure allows for efficient material handling, prioritising accessibility."Outstanding Winner QRO."Students: Bruno Daz, Diego Carrillo and Joshwa GutirrezCourse: Form, Function, Sense and ValueTutors: Ayca Kinik, Francisco Martnez, Luis Cordoba and Mario MartnezEntrelazos by Ximena Monroy, Michelle Daz and Juan Carlos Rodrguez"Entrelazos transforms the painting experience into a three-dimensional game with moving beads and curved tubular structures."This playful furniture allows unlimited combinations, stimulating the creativity and motor development of childhood, evoking the freedom and fluidity of the stroke when painting, and encouraging free play and exploration.""Outstanding Winner CCM."Students: Ximena Monroy, Michelle Daz and Juan Carlos RodrguezCourses: Thinking and Creative Process, Specification of Products and Services, Design and Innovation (CCM)Tutors: Gerado Osio, Daniel Zuita, Marcelo Ramrez, Hilda Varela, Yuruen Lerma, Romain Roy-Point and Alberto MendozaPartnership contentThis school show is a partnership between Dezeen and Instituto Tecnolgico y de Estudios Superiores de Monterrey. Find out more about Dezeen partnership content here.The post Ten student design projects from Instituto Tecnolgico y de Estudios Superiores de Monterrey appeared first on Dezeen.

Mid-century modern and traditional Japanese influences blend inside this Los Angeles home, which the principals of design studio OWIU have reimagined for themselves.Close to Silverlake Reservoir on the east side of the city, the house was originally built in 1962 by renowned mid-century architect Carl Maston, then later owned and re-designed by Swiss architect Pierre de Meuron.OWIU's renovation of the mid-century home involved incorporating several Japanese design elementsThe property was sold to OWIU principals Joel Wong and Amanda Gunawan by de Meuron's son, and the duo set about restoring the building while tailoring elements to their tastes."For Wong and Gunawan, it was a symbolic opportunity to extend the legacy of the home," said a statement from the studio.Shoji screens were installed throughout the home, while the original brick floors were retainedThe couple retained structural elements like the brick flooring across the ground floor and left the basic layout relatively untouched.However, they imbued the spaces with Japanese design elements similar to those typically found in traditional ryokans, or inns to create a sense of tranquillity within the city.Akari lamps suspended above the dining table create an intimate gathering space"A home shouldn't energetically spark you," said Gunawan. "It should be a place for meditation. You come home to recharge, re-balance."For instance, floor-to-ceiling sliding shoji screens were installed across both floors to offer options for partitioning the spaces and enabling privacy.OWIU added a custom kiln-dried Douglas fir platform at the base of the staircaseThe light-filled living area enjoys a double-height ceiling and is furnished with a mix of contemporary and mid-century pieces including a Le Corbusier LC4 chair.A mezzanine over the dining area creates a more intimate space that's warmed by Akari lamps over the wooden table.The rooms upstairs are equally bright, open and calmingOWIU added a custom kiln-dried Douglas fir platform at the base of the staircase "to remind the guests they are 'ascending' into a more intimate space" and also installed a bespoke console to fit the curve of the landing.The rooms upstairs are equally bright and open, with white walls, wood furniture and flooring, and pale linen fabrics all used for their calming qualities.Read: OWIU creates tranquil environment in mid-century LA homeDespite being in the centre of Silverlake, the home is surrounded by greenery and feels relatively secluded, according to OWIU.The connection to the outdoors is enhanced by large windows that face the lush foliage, breaking up the weathered timber facades.OWIU extended the building with a wellness centre"I never understood why we needed to leave town or go far away to feel we're in nature," Gunawan said. "I love that we can build a home that brings the feeling of retreat and peace to my everyday life."She and Wong also built a glass-wrapped extension that houses a wellness centre with a sauna and cold plunge tub for rejuvenation and meditation.The house in Silverlake was originally built by mid-century architect Carl Maston, then later owned and re-designed by Swiss architect Pierre de MeuronThis isn't the first time OWIU has looked to traditional Japanese inns for references for their projects in LA.The studio previously took a similar approach when renovating another mid-century home as well as an apartment in an old biscuit factory both times adding Japanese design elements to the spaces.The photography is by Justin Chung.The post Japanese ryokans inform OWIU's renovation of Duane House in LA appeared first on Dezeen.

For our latest lookbook, we've rounded up eight bedrooms where exposed concrete surfaces add character to their minimalist interiors.While bedrooms are often designed with a warm-toned material palette, this roundup offers a different approach showcasing bedrooms sat on a backdrop of concrete surfaces ranging from rough and textured to smooth and sleek.Among this list of projects is a bedroom wrapped in rippled concrete walls in a Melbourne home and another encased by board-marked concrete walls in an open-plan Tokyo home.This is the latest in our lookbooks series, which provides visual inspiration from Dezeen's archive. For more inspiration, see previous lookbooks featuring homes that feature tactile plywood panelling, homes where staircases fulfil additional functions, and interiors where gridded ceilings serve as a decorative element.Photo by Aaron ChapmanThe Cabin House, India, by TaliesynIndian architecture studio Taliesyn used rough textures and vernacular elements to complete this weekend home in Bangalore.The main bedroom is located on the home's mezzanine level overlooking the living area, is wrapped entirely in concrete surfaces and completed with wooden furniture.Find out more about The Cabin House Photo by Tom RossNorthcote House, Australia, by LLDS ArchitectsThis home situated on a narrow urban plot in Melbourne is characterised by a curved roof and textured concrete walls.Completed by local studio LLDS Architects, the compact home features bedrooms wrapped in textured concrete and topped with barrel-vaulted ceilings.Find out more about Northcote House Photo by Jose HeviaVillain House, Spain, by Architecture Office Claudia RaurellThis concrete home designed by local studio Architecture Office Claudia Raurell is built on the original footprint of a dilapidated townhouse in Barcelona.Named Villain House, the home is contained within a new concrete volume with exposed walls throughout the living and bedroom spaces.Find out more about Villain House Photo by Anson SmartPacific House, Australia, by Alexander & CoPacific House in Sydney was overhauled by Australian architecture practice Alexander & Co to make its spaces more suitable for family life.The use of rendered concrete walls and ceilings complemented by oakwood is used throughout the home and extends to the bedrooms.Find out more about Pacific House Photo by Rory GardinerCasa Alfrez, Mexico, by Ludwig GodefroyIn keeping with this brutalist home's exterior, its interior spaces are similarly defined by its raw concrete structure.Serving as a holiday home in Mexico's Alfrez region, the residence features a minimalist bedroom sat atop a concrete base.Find out more about Casa Alfrez Photo by Hiroyuki OkiAM House, Vietnam, by Nguyen Huu Duy, Nguyen Duy and Bui The LongLocated in a rural area of Long An Province, Vietnam, AM House is as a holiday home that opens up to views of a surrounding pond.The home's walls were cast using rough boards to create wood-imprinted concrete complemented by concrete floors.Find out more about AM House Photo by Jim StephensonHouse in an Olive Grove, Greece, by Piers TaylorBritish architect Piers Taylor completed the House in an Olive Grove for his family in Corfu, Greece.The home's reinforced concrete structure was left exposed throughout the pared-back interior, which extends to the bedroom spaces.Find out more about House in an Olive Grove Photo by Ooki JinguBuilding Frame of the House, Japan, by IGArchitectsDesigned as "one big room", this Tokyo home by Japanese studio IGArchitects provides a space for both living and working and is divided by stepped living areas.Board-marked concrete walls wrap around the interior and are set off by wooden floors and metal detailing.Find out more about Building Frame of the House This is the latest in our lookbooks series, which provides visual inspiration from Dezeen's archive. For more inspiration, see previous lookbooks featuring homes that feature tactile plywood panelling, homes where staircases fulfil additional functions, and interiors where gridded ceilings serve as a decorative element.The post Eight minimalist bedrooms lined with exposed concrete surfaces appeared first on Dezeen.

Spanish architecture practice XStudio has inserted a ceramics workshop and apartment into the worn-out shell of an abandoned bar on the island of Gran Canaria.The project, called House M, occupies an old corner building in the Arenales neighbourhood of the Canary Island's capital Las Palmas, which had stood abandoned for decades.Drawn to its ruined appearance, XStudio retained its worn facade but replaced a bar on the ground floor with a ceramics workshop and added a concrete volume above that contains an apartment for the workshop's owner.XStudio has converted an abandoned bar in Gran Canaria"The Arenales neighbourhood is very central, but despite that, it has suffered decades of degradation," XStudio partner Ancor Surez told Dezeen."It is a humble neighbourhood, with mostly old houses that are poorly preserved and that are a testament to better times," he said. "However, that 'decay' gives it a special charm in our opinion. We believe that responding with humble and honest architecture was the best way to relate to the environment."Entering through the original doors in the old building's pale yellow-painted facade, the workshop occupies a single open space that has been left largely untouched and painted white.A workshop occupies the open space on the ground floorA separate entrance leads into the apartment, where a stairwell and metal staircase reveal a mint green-coloured steel skeleton that frames the first-floor rooms, reinforced by the existing walls and pillars."The main concept was to establish a dialogue between the new architecture and the existing building," explained Surez.Read: Julio Sanchez Arimayn transforms warehouse complex into creative studios in Buenos Aires"This dialogue was based on contrast. Assuming the impositions of the municipal regulations, a new body was added to the existing one to complete the apparent volume of the building," Surez continued."It does so while respecting the facade composition of the original building, proposing an honest architecture that assumes its function in the context without prejudice."A metal staircase leads up to the apartmentIn the apartment, an area of timber-framed glazing surrounds a small courtyard next to the living area and stairwell to the west, while the more private bedrooms are located to the east of the plan.These new spaces are defined by exposed materials, including thermo-clay blocks, exposed concrete and the steel frame, which reference the rough texture of the existing structure.Exposed materials feature throughout"The entire project was approached from honesty, respecting the footprint of time and showing the new naked materials," said Surez.Other recent examples of adaptive reuse on Dezeen include Studio Gang's conversion of a former tobacco warehouse in Lexington into the College of Design at the University of Kentucky and Fala Atelier's transformation of a shop in Porto into an apartment.The photography is by David Rodrguez.The post XStudio transforms abandoned bar in Gran Canaria into a workshop and apartment appeared first on Dezeen.

Dezeen Showroom: Italian brand Mara has created atable made from metal that features a hinged top and collapsible legs.The 100 per cent recyclable Argo Libro Metal is made entirely of metal and forms part of the brand's Argo collection.The Argo Libro Metal table is made from metalDesigned to suit a variety of styles, the table features a ultra-thin steel top and a monochrome finish available in a range of colours.To provide flexibility, the product comes in various sizes for use in conferences, meetings, and co-working and training spaces.The table has a central hinge in its topIts mechanical folding system allows the table to be opened by one person, while its wheels ensure ease of movement between spaces.The table also features an anti-shock system designed and patented by Mara. This keeps users' hands safe when unfolding the table.Product details:Product:Argo Libro MetalDesigner:Mara R&DBrand:MaraContact:marketing@marasrl.itMaterial: metalDezeen ShowroomDezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.The post Argo Libro Metal by Mara appeared first on Dezeen.

From a 15th-century thatched house in England to a ski cabin in Canada, our latest lookbook collects eight cottages with panoramic windows that offer views of their dramatic surroundings.Although perhaps more commonly associated with cosy, sheltered interiors, cottages can also be designed with expansive glazing to connect them with the world outside and maximise the potential of their scenic settings.Read on for eight examples from Canada, Australia and the UK.This is the latest in our lookbooks series, which provides visual inspiration from Dezeen's archive. For more inspiration, see previous lookbooks featuring plywood panelling, colourful kitchens and moody bedrooms.Photo is by Ben PipeWatercress Cottage, UK, by Greenaway ArchitectureBritish studio Greenaway Architecture added a minimalist glass extension to this medieval thatched cottage near Bath, which features floor-to-ceiling glazing informed by Ludwig Mies van der Rohe's modernist Neue Nationalgalerie in Berlin.The studio chose simple interiors for the open-plan living room, creating a gallery-like space focused on the surrounding views of the garden.Find out more about Watercress Cottage Photo is by Jack LovelShadow House, Australia, by Grotto StudioShadow House is the charred-timber extension of a 20th-century cottage in Perth, Australia, designed by local firm Grotto Studio.The new addition features a guest suite lined in dark timber that which opens onto a private garden connected to the interior via sliding wood-and-glass doors.Find out more about Shadow House Photo by Clinton WeaverCottage, Australia, by Zuzana & NicholasElsewhere in Australia, the Zuzana & Nicholas studio transformed a former workers' cottage in Brisbane into a light-filled home and studio.The upper level features a sliding wall that reveals a covered dining area overlooking the garden. A combination of hardwood panelling, exposed concrete and metal delineate different areas throughout the property.Find out more about this cottage Photo is by Jim StephensonCottage, UK, by Invisible StudioArchitecture practice Invisible Studio reconfigured the cramped interior of this "poky cottage" on the borders of Hampshire and Surrey byadding a contemporary concrete and timber extension.The living space features sliding glass doors that, according to the studio, allow the occupants to "live in the view". An interior palette of concrete, plaster and steel was chosen as a utilitarian backdrop for the owners' extensive art collection.Find out more about this cottage Photo is by Ronan MzireLa Brche, Canada, by NaturehumaineFloor-to-ceiling corner windows illuminate the living space at La Brche a ski cottage in Qubec by Montreal studioNaturehumaine.While the exterior was informed by the area's vernacular architecture, the interior includes more contemporary details. Polished concrete flooring runs throughout the home, accented by pops of colour and texture.Find out more about La BrchePhoto is by Trevor MeinCaptain Kelly's Cottage, Tasmania, John Wardle ArchitectsAustralian studioJohn Wardle Architects repaired this weatherboard cottage on Bruny Island off the coast of Tasmania, which dates back to the 1840s.The home includes furniture created from materials left over at the end of the project's renovation and a full-length window seat with flat cushions that frames views of the surrounding bay.Find out more about Captain Kelly's Cottage Photo is by Jim StephensonMade of Sand, UK, by Studio WeaveArchitecture office Studio Weave added a geometric, timber-clad extension to this stone cottage in rural Devon.The new volume incorporates large glazed apertures that provide views of the Blackdown Hills, which can be observed from built-in window seats finished in Douglas fir.Find out more about Made of Sand Photo courtesy of Ian MacDonald ArchitectGo Home Bay Cabin, Canada, by Ian MacDonald ArchitectGo Home Bay Cabin is an island cottage that cantilevers over a rocky hillside in Georgian Bay, Ontario.Canadian studio Ian MacDonald Architect added a wood-burning stove to the living area, which is illuminated by panoramic glazing. Iconic furniture pieces including a cow-print Le Corbusier chaise longue and Eames rocking chairs feature in the light-filled living space.Find out more about Go Home Bay Cabin This is the latest in our lookbooks series, which provides visual inspiration from Dezeen's archive. For more inspiration, see previous lookbooks featuringplywood panelling, colourful kitchens and moody bedrooms.The post Eight light-filled cottage interiors defined by generous windows appeared first on Dezeen.

Plywood shelves lined with ceramics are slotted beneath the old oak trusses of Underwing Workshop, a pottery studio that British studio Ashton Porter Architects has created in an English barn.Located in the village of Framfield, East Sussex, the studio occupies a dilapidated lean-to storage space attached to the Grade II-listed hay barn, which dates back to the 15th century.Ashton Porter Architects has reworked old barn storage into a pottery studioAshton Porter Architects' main intervention was the removal of the structure's infill walls, added in the 19th century to convert it from an open animal shelter into an enclosed storage space.The studio replaced these walls with large portions of glazing while levelling out its sunken floor, transforming the tile-roofed structure into the Underwing Workshop a pottery studio with views out over the surrounding gardens.The lean-to storage space dates back to the 15th century"The original 15th-century oak roof and wall structure of the existing hay barn were significantly dilapidated and there was a mixture of 19th-century and 20th-century infills," the studio told Dezeen."The most recent history as storage space meant that there was a lack of development and elements such as an unmade ground floor needed to be addressed."Infill walls have been replaced with glazingAshton Porter Architects created Underwing Workshop as part of an overhaul of the wider farmstead, which began with an earlier extension and renovation to its main house.According to the studio, the main challenge was determining how much of the old storage space's ageing structure needed to be retained due to heritage listing, and that this process required working with an expert in tree ring dating.The studio is organised as an open space"To establish which parts were of historic relevance, either from the original barn or recycled from other local oak structures of a similar age and to determine which should be retained, an expert assessment of the dendrochronology was essential to assist with this work," the studio explained.The retained oak beams now feature as a centrepiece within Underwing Workshop, adding texture to a palette of more sleek contemporary materials.The centrepiece is a wall of plywood shelvingTo remove the 19th-century infill walls and allow space for a glazed corner, the old structure has been reinforced by a "discreet cantilever" made of steel, hidden within the ceiling."This [steel] structure forms a supporting 'cradle' to the existing roof to allow both the removal of 19th-century infill walls with glass and to create a transparent corner to connect to the landscaped gardens in close proximity," explained the studio.The shelving slots in around the original oak structureThe combination of the concealed steel frame and silicone-framed glass creates the illusion that the old roof hovers over the pottery studio.Inside, Underwing Workshop takes the form of an open pared-back room framed with shelving and work benches.Read: Artist and architect convert backgarden shed into Los Angeles pottery showroomAccording to Ashton Porter Architects, the interior layout was determined to cater for "a strong connection to the garden and an eroded corner to allow this transparency".Its floor is sunken below the outdoor ground level, aligning the workbenches with the planting outside and immersing the owners in greenery.The project formed part of a wider renovation of the farmsteadTo complement and celebrate the existing structure, a minimalist palette of "unfinished and raw materials" was chosen for the interior fit-out, including plywood, unpainted plaster, raw concrete and glazed white bricks.The centrepiece of Underwing Workshop is the birch plywood joinery, which has been used to craft the gridded shelving units that slot in around the original oak trusses.A "simple palette of contemporary materials" complements the existing elements"The dilapidated structure is propped by a discreet cantilever steel frame and the existing oak roof structure is carefully preserved to juxtapose with the simple palette of contemporary materials," said Ashton Porter Architects."The existing oak roof structure is carefully preserved to juxtapose with the simple palette of contemporary materials."Other pottery studios featured on Dezeen include a slate-clad structure that Bruno Stevens added to a house in Belgium and a stilted shed in the backyard of a Los Angeles home by Mark Watanabe and Raina Lee.The photography is courtesy of Ashton Porter Architects.The post Ashton Porter Architects reworks 15th-century barn into tactile pottery studio appeared first on Dezeen.

Marble covered with plaster and metal treated with acid are among the repurposed materials used by Japanese architect Shogo Onodera to minimise waste while fitting out the flagship store of fashion brand IZA Tokyo.The boutique takes over an existing retail space in the city's Shibuya district, where the previous tenant had left the interior largely intact with much of the display furniture and internal surfaces still in functional condition.Onodera's studio used the IZA Tokyo store as a test bed for his "unmaking" philosophy, which focuses on reducing waste through reuse.The IZA Tokyo boutique is set in busy Shibuya"Unmaking might mean that we don't let anything go to waste, choose not to demolish, design whilst demolishing or decide it is complete when it is dismantled, prompting the usual design process to be reconstructed," the architect explained.The project involved carefully removing existing materials and reprocessing them using techniques such as applying various mesh substrates or coating them in plaster to create new textures.Onodera compared the process to treating an injured limb by applying a plaster cast, claiming that these methods allow him to "heal the store" by giving new life to broken or damaged materials.Lamps were constructed using spotlights recovered from the original store"This is not about a stripped-back, exposed interior that has been a trend in retail," Onodera said. "It is a design method that has been extensively worked through to avoid making anything new.""As we head into the crisis era, we wanted to fundamentally rethink this choice of not making, of not making waste," he added.Three distinct methods were used in the project to revitalise existing elements: covering or wrapping them in a thin white layer, altering their surface qualities using different processes or repurposing them as new objects.A concrete landing and bench seating was added at the bottom of the staircaseAn example of the first approach is the way that the glass-block walls on the facade were covered with a lightweight mesh and painted to create a textured white surface.This technique was also applied to columns, walls, ceilings and mirrors to create a cohesive aesthetic. The original surface textures combine with the gauze and plaster to add depth to elements including some of the plinths and display furniture."The large marble units were too heavy for the previous owner to remove but we were also banned from using their signature stones," Onodera explained. "We therefore covered the stones in mesh and thick plaster to hide the true identity, their value being made anonymous."Read: Eight interiors that feature reclaimed and recycled materialsMetal components featured throughout the existing store were treated using various processes to alter their colour and patina. The brass entrance door was removed and sanded down to reveal the steel underneath, then refitted as if it were a new door.Hanging rails for clothes were taken to Onodera's studio to be washed in sulphur and acid, producing a darkened appearance that helps them stand out against the all-white interior.A stainless-steel handrail that curves around the central staircase was hammered by a specialist artisan using a traditional technique, resulting in a shimmering textured surface.The steel handrail was hammered by a specialist artisanMaterials that would otherwise be redundant were removed and transformed into art pieces and fixtures. Herringbone parquet flooring, for example, was used to create a minimalist artwork displayed on one of the walls.Floor-standing lamps were constructed using spotlights recovered from the original store, while a suspension light left hanging over the bar counter was adapted and repositioned above the staircase.Changing rooms at the rear of the ground floor were created by cutting openings in an existing wall. Where the cuts were made, the wall's internal wooden structure is left exposed as a reminder of the unmaking process.Gauze and plaster were applied to some of the walls and display furnitureThe existing staircase leading up to the first floor was adapted by casting concrete on top to create a larger landing and bench seating at its base.The IZA Tokyo store features on the shortlist for Dezeen Awards 2024 in the large retail interior category, alongside a light-filled bookshop in China and a showroom for Jaipur Rugs in Dubai featuring cascading rainbow-coloured staircases.Shogo Onodera founded his Tokyo-based studio in 2018 after completing his studies at Hosei University and working at architecture practice SANNA for eight years.The photography is by Ichiro Mishima.The post Shogo Onodera transforms existing surfaces in Tokyo boutique to "avoid making anything new" appeared first on Dezeen.

Dezeen School Shows: toys for children resembling animals that are crafted from biomaterials are included in this school show by students at Instituto Tecnolgico y de Estudios Superiores de Monterrey.Also included is a set of candleholders made from sand and starch as well as a bag designed to carry menstrual products.Instituto Tecnolgico y de Estudios Superiores de MonterreyInstitution: Tecnologico de MonterreySchool: Architecture, Art and Design (EAAD)Course: Indito Universitario: Elemental y Cotidiano, 4th semester Campus Estado de MxicoTutors: Mariana Sols, Elena Amato, Joel Olgun, Laura Nio, Raymundo Acosta and Christian GmezSchool statement:"What would a home environment look like if all objects were sustainable and affordable?"The project 'Elemental y Cotidiano' was carried out by students throughout the 4th semester of design at Campus Estado de Mxico."Students developed products that contribute to the reintegration and reconstruction of societies affected by natural disasters from a sustainable perspective, where everyday home spaces and products are accessible and sustainable."Through material experimentation, the aesthetics of the home is questioned and the use of products with a more planet-friendly life cycle is promoted."TonameyatlbyPaulina Alejandra L Gmiz Orozco"Tonameyatl is a rainwater filter that adapts to any type of bucket."This filter converts rainwater into clean but non-potable water, so it can be used for house tasks such as washing clothes or cleaning."The structure is built by two plates of biomaterial made with sand, starch and water that provide strength."Student: Paulina Alejandra L Gmiz OrozcoCourse: Indito Universitario: Elemental y Cotidiano, 4th semester Campus Estado de MxicoterbyArantza Paola Snchez"Darkness is not scary, but I am here to take care of you."Soft and welcoming, with rounded shapes and colours that convey tranquility and security, these nouns give new meanings to the sea."This night light protection token incorporates formal elements inspired by sea animals, with adjustable light functions that allow children to control the intensity of the light according to their needs and preferences."This gives them a sense of control over their environment and helps them feel more secure during the night."Student: Arantza Paola SnchezCourse: Indito Universitario: Elemental y Cotidiano, 4th semester Campus Estado de MxicoAlma MadrebyDalia Ivonne Nicols Guzmn"Alma Madre was born from an empathetic point of view, inspired by the deep bond between humans and nature, symbolising maternal care and protection."Made with sustainable materials, its design evokes the process of harvesting legumes carried out by elderly women."Created with the purpose of capturing the essence of adaptability and harmony in every detail."Student: Dalia Ivonne Nicols GuzmnCourse: Indito Universitario: Elemental y Cotidiano, 4th semester Campus Estado de MxicoComo en casabyFernanda Saavedra Aguilera"It is a solid land, a place where you will not feel strange, where you can relax, where your memories will always be with you."Como en casa is a modular mat made of a biomaterial that integrates polished brick taken from previous homes."Student: Fernanda Saavedra AguileraCourse: Indito Universitario: Elemental y Cotidiano, 4th semester Campus Estado de MxicoMeSillabyKarla Sofa Durn Martnez"MeSilla works as a stool or as a table for children, allowing them to create their own space anywhere in their home."Made of biomaterial based on gypsum, starch, glycerin, water and leaves."With its form, it encourages the freedom and autonomy of the little ones in their family environment."Student: Karla Sofa Durn MartnezCourse: Indito Universitario: Elemental y Cotidiano, 4th semester Campus Estado de MxicoZoo-EnsamblebyKarla Sofa Durn Martnez"Zoo-Ensamble is a modular toy with interchangeable animal parts, designed to stimulate creativity and improve children's cognitive skills."Made from a soft biomaterial based on gypsum, starch, glycerin, gelatin and water, it helps calm negative emotions through sensory play."Student: Karla Sofa Durn MartnezCourse: Indito Universitario: Elemental y Cotidiano, 4th semester Campus Estado de MxicoRubrumbyAna Camila Nieves Flores"Rubrum is made from a bioplastic with an aesthetic that seeks to match and replicate how menstrual bleeding looks like."With the aim of opening conversations regarding the stigmas and prejudices that exist around the topic of menstruation."Rubrum is a bag tailored to the user's comfort for storage menstrual products."Student: Ana Camila Nieves FloresCourse: Indito Universitario: Elemental y Cotidiano, 4th semester Campus Estado de MxicoPequea QuebradabyLuis Fabricio Martnez Salinas"Pequea Quebrada honors the people from Acapulco, bringing them together and giving them light to warmth their homes."This set of candle holders is made from a biomaterial of sand and starch, which gives a rough look that simulates the rock formations of the famous Quebrada site in Acapulco."Student: Luis Fabricio Martnez SalinasCourse: Indito Universitario: Elemental y Cotidiano, 4th semester Campus Estado de MxicoOasisbyRegina Rojas Mena"Take refuge in me and with me recover the space that is in you."There are many women who, due to the culture and the latent machismo that exists in Mexico, are embarrassed by the care of their health and sexuality."This problem is intensified thanks to the loss of privacy that comes after a natural disaster."Oasis, beyond being an organiser, symbolises and provides a safe space which users can call completely their own, thus seeking to return that sense of belonging and intimacy that they lost."Student: Regina Rojas MenaCourse: Indito Universitario: Elemental y Cotidiano, 4th semester Campus Estado de MxicoEmoverebyMontserrat Crdenas Pea"Emovere helps children identify, understand and manage their emotions in a healthy way."This toy promotes emotional exploration and self-care using a bioplastic made from gelatin and starch."Additionally, it seeks to generate feelings of security, empowerment and self-discovery, fostering an environment of support and emotional growth in your daily life."Student: Montserrat Crdenas PeaCourse: Indito Universitario: Elemental y Cotidiano, 4th semester Campus Estado de MxicoPartnership contentThis school show is a partnership between Dezeen and Instituto Tecnolgico y de Estudios Superiores de Monterrey. Find out more about Dezeen partnership content here.The post Instituto Tecnolgico y de Estudios Superiores de Monterrey spotlights ten design projects appeared first on Dezeen.

Canadian studio Ste Marie has designed Meo cocktail bar and restaurant influenced by 1970s and '80s Hong Kong in Vancouver's Chinatown, using pink hues, floral patterns and red accents.Meo is tucked into the lower storey of a faded building in the heart of the neighbourhood, the largest of its kind in Canada, and is a sister location to Bao Bei a few blocks away and Kissa Tanto next door.Dark wood panelling and mood lighting set the scene when arriving at MeoSte Marie was heavily influenced by the "hedonistic energy" of the 1970s and '80s when designing the interiors, and looked to the imagery of Canadian photographer Greg Girard who documented Kowloon Walled City during the era for references."The dimly lit room is aesthetically inspired by Greg Girard's series on Hong Kong nightlife in the '70s and '80s, and by the clandestine 'love motels' of a bygone era," said the studio.A raised seating area is accessed via angled steps that follow the drop ceiling aboveTo evoke these spaces, plush pink drapery and lush carpeting with vintage floral patterns were added throughout the dining and bar areas.Bold red accents are introduced through 1970s Guzzini pendant lights, which pop against the dark wood panelling across portions of the walls.Leather-wrapped bar stools are lined up along the wood-panelled barA raised area with angled steps follows the dropped ceiling and is wrapped by a banquette that serves rows of small tables.At the back, a painterly scene of mountains, flora and buildings is reflected in a series of mirrors on the perpendicular wall.Bar top lamps and cove lighting help to set the sultry moodOther built-in seating areas are tucked into corners and niches, while guests can also sit at leather-covered stools along the wood-panelled bar.Warm soft lighting from a variety of pendants, sconces, cove lights and bar-top lamps creates a sultry mood, and allows the illuminated blue front of a jukebox to stand out.Many of the artworks and curios were sourced from thrift stores in Taiwan"A glowing old-school jukebox, reminiscent of Girard's photos, adds a sense of nostalgia and novelty to the richly textured atmosphere," the studio said.Several curios and decor items many of them feline-themed were sourced by the owner from thrift stores in Taiwan.Read: Ste Marie spotlights the art of flower arranging inside Cadine store in VancouverMeanwhile, artworks include a portrait of a Persian cat found at a garage sale and a vinyl-printed mural of a photograph taken inside a North Korean hotel."These elements, combined with the plush pink monochromatic interiors inspired by motel bedspreads, create an immersive environment that transports guests back in time," said Ste Marie. "Meo invites with warmth and wonder: a playful escape where the night is always young and full of possibilities."A banquette is tucked into a corner below a portrait of a Persian catThe studio, known for its narrative approach to contemporary interiors, was founded by Craig Stanghetta and has offices in both Vancouver and Toronto.Other hospitality projects by the firm include an artisanal flour shop and bakery with "malty hues", a tapas joint wrapped in terracotta tiles and a cosy Italian cafe imagined as a den for a pet fox.A jukebox nods to Greg Girard's photos of Kowloon, which influenced the interiorsGirard's photographs of Kowloon, compiled in a book titled The City of Darkness, also influenced the production design of 2019 sci-fi movie Alita: Battle Angel.Love motels like those in Kowloon are not exclusive to Hong Kong architectural photographers have documented these spaces for sex in Santo Domingo and across Brazil over the years too.The photography is by Conrad Brown.The post Hong Kong's "love motels" influence Vancouver restaurant by Ste Marie appeared first on Dezeen.

Dezeen Showroom: Swedish brand Asko has unveiled its latest generation of professional dishwashers, which the brand says is designed to set new standards in performance, hygiene and user-friendliness.The stainless steel DW60.C dishwasher comes with features such as its Floor Projection technology where the machine's status information is projected directly onto the floor to allow easy monitoring of the cycles.The DW60.C dishwasher aims to improve performance, hygiene and user-friendlinessAdditionally, the product's controls are centrally located to promote ease of use, along with the integrated Auto Dose system, which is capable of storing up to 30 wash cycles of detergent.To ensure the highest levels of hygiene, the design also features Asko's new Sani Lock innovation, which is designed to "guarantee a complete sanitisation cycle" by locking the machine during its final rinse phase to preventing load contamination.The product is equipped with Floor Projection technology"The DW60.C dishwasher is not only a powerhouse of efficiency but also a robust, durable machine, tested with over 20,000 cycles to ensure reliability," the company said."With its flexible loading options, low noise levels, and advanced sanitization features like the SANI Lock, the DW60.C is poised to become an indispensable tool in maintaining hygiene and safety in professional settings."Product details:Product: DW60.CBrand: AskoContact: info@asko.comMaterial:Non-magnetic acid proof stainless steelColours/finishes: Stainless steel and whiteDezeen ShowroomDezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.The post Stainless steel dishwasher by Asko appeared first on Dezeen.

This week on Dezeen, we revealed that Austrian studio Delugan Meissl Associated Architects and global firm Gensler are the lead architects for phase one of The Line megacity in Saudi Arabia.In the first official confirmation of the architecture studios designing The Line, it was announced thatDelugan Meissl Associated Architects is urban planner for phase one of the project, whileGensler is city planning consultant and UK engineering studio Mott MacDonald is city infrastructure engineer.In other Neom news, the project's long-term CEO Nadhmi al-Nasr departed his role.Thomas Heatherwick created a collection for Bombay SapphireIn design news, Thomas Heatherwick unveiled a glassware collection for gin brand Bombay Sapphire that is made up of glasses and sculptural bottles.The collection comprises two hourglass-shaped bottles, the largest of which contains "a terrarium of sorts" for the display of botanicals found in Bombay Sapphire gin.Alex Chinneck created distorted furniture in BristolAlso in design, British artistAlex Chinneck unveiled a series of distorted street furniture to bring "surrealism into the public realm".The sculptures inBristol, England, include knotted lampposts, a twisted telephone booth and a constricted postbox.The Centenary Building is under threat of demolitionIn architecture, it was revealed that the first building to ever win the RIBA Stirling Prize the 29-year-old Centenary Building by British studio Hodder+Partners is threatened with demolition.Meanwhile, the Twentieth Century Society selected 10 UK buildings turning 30 this year, and therefore eligible for listing, which it believes should be granted listed status.The "world's first office rollercoaster" was revealed in StockholmOther news this week included design studio The Great Exhibition adding the "world's first office rollercoaster" to its Stockholm office.Named The Frontal Lobe, the 60-metre-long rollercoaster loops through the seating areas, kitchen and bar on the ground floor of The Great Exhibition's office in the Liljeholmen district.We rounded up eight upcoming skyscrapers in MiamiAhead of Design Miami and Miami art week, we took a look at the city's changing skyline by rounding up eight upcoming skyscrapers set to be built there.Among the skyscrapers are towers for Dolce & Gabbana and automotive brands including Bentley and Mercedes-Benz.A house in Kerala was one of this week's most popular projectsPopular projects featured on Dezeen this week included a home in Kerala that blends "old-world charm with the modern", a London home with patinated copper "top hat" and a Boston academic building wrapped in ribbons of stainless steel.This week's lookbooks featured homes with plywood panelling and staircases that fulfil additional functions.This week on DezeenThis week on Dezeenis our regular roundup of the week's top news stories.Subscribe to our newslettersto be sure you don't miss anything.The post This week we revealed the architects of The Line phase one appeared first on Dezeen.

Dezeen School Shows: a pharmaceutical app which integrates Eastern and Western healthcare approaches and designed using AI is included in Dezeen's latest school show by students at Swinburne University of Technology.Also included is an adaptive reuse proposal for a waterfront in Melbourne, Australia, and a textiles project utilising recycled yarn.Swinburne University of TechnologyInstitution:Swinburne University of TechnologySchool: School of Design and ArchitectureCourse: Multi-disciplinaryTutors: Dr Jane Connory, Deputy Chair of Communication DesignSchool statement:"Swinburne continues to be recognised as having one of the best design schools in the world by the 2018 QS World University Rankings by Subject."Ranked at equal number 40 for Art and Design, Swinburne has improved by more than 10 places since 2017."Swinburne's ongoing success stems from initiatives such as The Design Factory Melbourne, in partnership with the Global Design Network."Type Fair PH by Glocielle Nera"With the diverse history of typography design in the Philippines, this motion response aims to introduce Type Fair PH as a bright and creative local event that celebrates the rich culture of Filipino design and typography."As you watch, you'll see that typography is used to mention the activities but also as graphic elements showcasing unique styles from sans serifs to decorative to blackletter and more."Iconic Filipino elements are also present such as jeepneys and jeepney signage, Rizal Park an iconic local urban park along with the use of flowers and leaves, a sentiment towards the Philippines' rich biodiversity."The video successfully encapsulated the theme: diversity and creativity through typography and design, made proud with local Filipino talent."Student: Glocielle NeraCourse: Communication Design and Motion DesignTutor: Lucas LicataEmail: glocielle.nera[at]gmail.comMoody by Gayathri Krishna"Moody is an electronic toy designed to enhance parent-child interaction while teaching children aged three to eight about emotions and empathy."Accompanied by the 'Moody and Friends' storybooks, it engages kids in recognising and understanding emotions by prompting them to match characters' feelings with RFID-enabled emotion cards."Moody provides immediate feedback by glowing with corresponding expressions, making learning intuitive and fun."Moody's blend of co-operative play and meaningful parent-child interaction nurtures emotional education, making it a valuable tool for bonding and holistic child development."Student: Gayathri KrishnaCourse: Bachelor of Design (Industrial Design) with HonoursTutors: Nicholas Chia and Charles RanscombeEmail: 103167937[at]student.swin.edu.auThousand Winds by Savannah Knott"Thousand Winds is a new way to honour those who have passed, promoting sustainable cremation by creating an emotionally grounded, meaningful vessel for containing ashes."At each anniversary the top of the vessel is removed and a candle is placed within."As the candle burns the light escapes through the small gap on the side projecting light outwards."The vessel is made from ceramics providing a soft and delicate feeling to the product."Thousand Winds also includes a website for memory sharing."Student: Savannah KnottCourse: Swinburne's School of Design and ArchitectureTutors: Nicholas Chia and Charles RanscombeEmail: nottsavannahl[at]gmail.comVaulted Village (Waterfront intervention and adaptive reuse proposal) by Daniel Zeleznik-Pina, Natarin 'Cherry' Jamsai and Ding Khoo"Vaulted Village is an adaptive reuse proposal for a waterfront intervention and student accommodation project in Docklands, Melbourne."The project aims to enhance connectivity and foster community among residents, locals and visitors by preserving the site's maritime heritage and revitalising the area."The Grafted-Hybrid style approach extends the South Promenade to the site, converting Goods Shed Number Five into a market, with the three levels above the market dedicated to student-focused study and social areas, bridging the gap between residents and the public."The project supports ecological efforts to clean the Birrarung (Yarra) River by integrating the river's water into the building's systems."This project was designed by Daniel Zeleznik-Pina, Natarin 'Cherry' Jamsai, Ding Khoo led by Joel Collins and Dr. Yalda Sourani."Students: Daniel Zeleznik-Pina, Natarin 'Cherry' Jamsai and Ding KhooCourse: Bachelor of Design ArchitectureTutors: Joel Collins, co-led by Dr Yalda SouraniEmails: danielzeleznik9[at]gmail.com and cherryjamsai[at]hotmail.comTrash4Treasure by Joshua David"Trash4Treasure was a marketing campaign created specifically to inform, educate and promote the CDS (Container Deposit Scheme) to Victorian children so that everyone is playing their role in ensuring Victoria is a cleaner and greener state."The approach was to create a fun and engaging campaign that will allow more kids to participate in earning some pocket money for completing a good deed for the community."The website had 1,100 event counts, 117 total users and 200 total views on the homepage from 70 users; while the social media reach included 3,228 Instagram profile impressions, 1,159 Facebook users reached from posts and 1,962 X post impressions; while the 12 EDM campaigns had a 45.5 per cent average open rate and 20 subscribers within the first week."Student: Joshua DavidCourse: Web Marketing and Advanced UsabilityTutor: Dylan DavisEmail: josh05david[at]gmail.comCSIRO's AI4Design: Enhancing Intelligent Digital Twin Fidelity and Utility through Immersive AI and Human Computer Interaction by Danni Liu"This project proposes to develop an AI-powered immersive workbench prototype applied as part of CSIRO's (Commonwealth Scientific and Industrial Research Organisation) state of the art AI4Design pipeline."This will provide a unique window into complex design problems integrating diverse representations from combinations of computational simulation models, real world live experimental data and AI-driven generative design within an Intelligent Digital Twin (IDT) framework."Key features of our AI-powered immersive workbench prototype include embedded 3D simulation models, AI-driven analytical visualisations and intuitive interactions within a mixed reality environment; enabling complex data manipulation operations and insights in real time."It will enable seamless analysis, interaction and refinement of the optimal control parameters within the IDT, ultimately leading to more accurate and informed decision-making."Our results will have wide-reaching applications, significantly impacting on multiple scientific research domains, driving innovation and accelerating scientific discovery."Student: Danni LiuCourse: Doctor of Philosophy (Design), Department of Computing Technologies and and Department of Communication DesignTutors: Dr Rui Wang (CSIRO Data61, Senior Research Scientist), Dr Gary Delaney (CSIRO Data61, Research Director), Professor Jun Zhang and Dr Jane Connory (Deputy Chair of Communication Design at Swinburne University of Technology)Email: danniliu[at]swin.edu.auThe Herbal Pharmacy: Apoth by Cheng-Yu Wu, Chalita Chayakul, Kainan Huang, Chi Luu and Zhichen Dong"The herbal pharmacy project explores the integration of Eastern and Western healthcare approaches, recognising the evolving healthcare needs while utilising AI to assist with the design process."The project aims to rebrand traditional Chinese medicine through different prototypes, including interior design and packaging design, brochure design and app design."All prototypes integrate Eastern and Western minimalism to appeal to diverse audiences, with the interior layout providing functional spaces for modernised TCM products, consultation rooms and educational showcase."The brochure emphasises harmony and balance in traditional Chinese herbal practices and the packaging design promotes sustainability and cultural sensitivity, with the accompanying app offering comprehensive health management tools catering to diverse user needs."This project was showcased at Melbourne Design Week 2024 event, Exploring Pluriversal Design Narratives in the Era of Generative AI."Students: Cheng-Yu Wu, Chalita Chayakul, Kainan Huang, Chi Luu and Zhichen DongCourse: Master of Design, Design-led ResearchTutors: Dr Linus Tan, Dr Fanny Suhendra and Dr Jane Connory (Director of Master of Design)Email: 101069439[at]students.win.edu.au, 104103505[at]students.win.edu.au, 103845783[at]students.win.edu.au, 103167982[at]students.win.edu.au and 102246149[at]students.win.edu.auGood and Fugly by Xin Zi Hoo"Good and Fugly brings fresh and flavourful rejected produce straight from farmers to homes across Australia."They sought a brand update that resonated with the unapologetically quirky nature of their fruits and vegetables."A distinctive wordmark logo using potato stamps was devised, capturing the quirky essence of the brand."This wordmark was combined with vibrant colours, witty copywriting and engaging imagery showcasing the 'fugly' fruits, all working together to boldly convey the brand's voice: 'we're fugly, so what?'"Student: Xin Zi HooCourse: Bachelor of Communication DesignTutors: Dr Jane Connory, Kylie Burnes and Michele MurrayEmail: hooxinzi1044[at]gmail.comTransports through stuff vitrine design for artefacts dug during the construction of a new Metro tunnel by Simon Urbini"Design of a vitrine to display artefacts unearthed during Melbourne Metro tunnel excavation. An invitation to discover and imagine."Student: Simon UrbiniCourse: Swinburne's School of Design and ArchitectureTutors: Anna CaioneEmail: 9518215[at]student.swin.edu.auLoomless by Aaron Davis"Loomless, celebrates the creative process, highlighting the unconventional weaving method of fashion designer Lilli McKenzie."She utilises recycled yarn, crafted from discarded t-shirt fibres, to fashion vibrant and textural garments which are woven directly onto the body."The centrepiece of the book is a garment photographed from start to finish, revealed when worn and modelled on the body."The images document her previous pieces and track the evolution of her unique style, emphasising the meticulous handcrafted nature of her work."This body of work serves as a tribute to creativity and the revolutionary approach of one designer towards sustainable garment manufacturing. Garments woven and photographed on Wurundjeri land."Student: Aaron DavisCourse: Bachelor of Communication Design (Photomedia)Tutors: Morganna Magee and Dr Kate RoberstonPartnership contentThis school show is a partnership between Dezeen and Swinburne University of Technology. Find out more about Dezeen partnership content here.The post Ten architecture and design projects by students at Swinburne University of Technology appeared first on Dezeen.

After five years of development, LG Display has created a stretchable digital screen capable of expanding up to 50 per cent, which can also be twisted and bent into various shapes.The stretchable display prototype was presented at LG Science Park in Seoul as part of Final Outcome Showcase for the Stretchable Display National Project, which concluded five years of research and development of the product.It encompasses a flat, 12-inch mat displaying a rectangular screen with a resolution of 100 pixels per inch, which sits between the standard 72-300 pixels per inch of a computer monitor.The screen also displays full RGB colour.LG Display has created a stretchable screen prototype after five years of developmentThis mat can be folded, twisted and stretched without compromising the display."The stretchable display is more than just an expandable screen," said the team. "It can be folded, twisted, and reshaped, earning it the title of the 'ultimate free-form display'."Compared to a previous model released in 2022, this most recent display has an "elongation rate" of 50 per cent, versus 20 and expands from 12 inches to 18."The newly introduced stretchable display, developed through extensive collaboration, marks a significant improvement in flexibility compared to the first prototype revealed two years ago," said the team.It can be used to cover irregular surfaces"The most notable feature is the enhancement of the elongation rate from 20 per cent to an impressive 50 per cent."The team achieved the elasticity using materials "typically found in contact lenses" and micro-LEDs, which are capable of delivering high-quality visuals under shock, such as high temperatures.A new structural design also relieved stress on the display's wiring."Moreover, a new structural design was implemented to minimize physical stress on the wiring when the display is stretched, significantly boosting durability," said the team.Read: Lenovo reveals "industry's first" laptop with transparent display"This innovation ensures the display remains intact even when subjected to everyday impacts and pressure, turning once imagined technologies into reality."This flexibility allows for a variety of uses according to LG Display, as the screen can effectively be used as material to conform to surfaces.In one instance, it was showcased as part of a car dashboard with a raised central portion that acts as a digital knob and buttons that emerge from the surface, then retreat after use.Because of its material-like qualities, it could also be used in the fashion industry.It displays a similar resolution as standard monitors"If we could change the design and color of everyday clothing in real-time, it would bring a new paradigm to the fashion industry," said fashion designers Youn-Hee Park and Chung-Chung Lee."Using displays as a fabric material offers revolutionary potential for creating clothes that never become outdated."Other experiments with digital screens include a Huawei phone that can expand into a tablet and a transparent-screen laptop from Lenovo.The photography is courtesy of LGThe post LG Display develops stretchable screen capable of expanding 50 per cent appeared first on Dezeen.

The latest edition of our weekly Dezeen Agenda newsletter features a sculptural glassware collection by Thomas Heatherwickfor Bombay Sapphire.Subscribe to Dezeen Agenda now.The limited-edition set described as "the first ownable Thomas Heatherwick piece of its kind" includes a gin and tonic glass and a standard-sized gin bottle.Heatherwick also designed two larger, blown-glass vessels that feature an hourglass shape, or "pinched waist", and a pleated texture.Athena was named medical winner for this year's James Dyson AwardThis week's newsletter also featured the 2024 James Dyson award winners and a feature exploring how the superyacht industry is approaching sustainability.Dezeen AgendaDezeen Agenda is a curated newsletter sent every Thursday containing the most important news highlights from Dezeen. Read the latest edition of Dezeen Agenda or subscribe here.You can also subscribe to our other newsletters; Dezeen Debate is sent every Thursday and features the hottest reader comments and most-debated stories, Dezeen Dailyis our daily bulletin that contains every story published in the preceding 24 hours andDezeen In Depthis sent on the last Friday of every month anddelves deeper into the major stories shaping architecture and design.The post Dezeen Agenda features Thomas Heatherwick's bottle design for Bombay Sapphire appeared first on Dezeen.

Mexico City architecture studio HEMAA utilised a steel structure and green-coloured eaves for Pabelln de la Reserva, a meeting place sited on the marshy shores of a lake in the mountains of central Mexico. Pabelln de la Reserva Reserve Pavilion was built to be a gathering space on the shores of a small lake in the Santa Fe Reserve outside of Mexico City.HEMAA has completed a retreat center in MexicoThe 263-square-metre structure sits low alongside the lake, anchored by reinforced concrete foot foundations that reach into the wet ground, and, where the structure's patio extends, into the lake itself.It has a structure made mostly of recycled steel, with low-hanging eves painted green to help it blend into the environment as the owners host events and retreats.It sits gently on the land and extends over the lake"The Pabelln de la Reserva is anchored by a delicate framework, with cantilevered eaves in an ash-green shade that blends with the surrounding environment," HEMAA founder Santiago Matos told Dezeen."This design choice blurs the structure's boundaries, framing the natural landscape with subtlety," he continued."The architectural structure not only defines space but establishes a rhythm that harmonizes with its surroundings, creating a serene, airy atmosphere that invites visitors to engage with the beauty of the setting."It has a structure created with primarily recycled steelRecycled steel columns frame floor-to-ceiling glass hemmed in by a wrap-around path that extends out to the concrete path.The roof of the structure has a single smokestack that gives the property a rural silhouette as well as planters and solar panels to add to its self-sufficiency.It has deep, green-coloured eavesHEMAA told Dezeen that they are on track for Living Building certification, a high international standard for sustainability.The recycled steel makes up almost two-thirds of the structural steel and cladding and was sourced within 500 kilometres of the site, according to the studio.Adjacent to the structure is a sophisticated rainwater gathering system and a miniature treatment plant concealed by wetland landscaping that utilises small artificial wetland filtration elements as well as industrial techniques.Wood was used for the interior architectureInside, the pavilion has a simple layout designed with interior studio Direccin MX with an open living space set up like a combination living and dining room.A smaller section to the side holds the kitchen and bathroom facilities.A void in the ceiling lets in light from aboveFSC-certified wood clads much of the interior. It features a built-in entertainment system as well as an elegant wood screen that covers the floor-to-ceiling windows to provide privacy from the adjacent road.The structural steel beams that constitute the ceiling of the structure were left open and serve as skylights. The planting boxes on the roof are hollow and have openings on the side that let light into a void in the ceiling area, bringing additional natural light into the interiors.Floor-to-ceiling glass surrounds an open area for gatheringA central Japanese-style paper pendant chandelier hangs through the gridded ceiling structure, and, when its dark can be seen illuminated from a distance even across the lake."Designed to host cultural events, workshops, and meetings, it encourages community engagement and a deeper appreciation of nature," said Matos.Read: Cylindrical voids accommodate trees at Mexican lake house by MCxA Group"Its open, flexible layout accommodates a range of activities from intimate gatherings and conversations to larger events enhancing its role as a dynamic and inclusive space for shared experiences."A stone path leads from the patio to a wood-and-steel bridge that leads to a small landscape island designed by Hugo Snchez Paisaje. On the shore, the studio included a built-in concrete conversation pit with a central fire pit.It is on track to reach Living Building certificationBased in Mexico City, HEMAA has also completed a pair of stone-clad houses in the city and renovated a 1950s modernist home.The photography is by Csar Bjar.Project credits:Architecture: HEMAAEngineering: Grupo BVGLandscape design: Hugo Snchez PaisajeInterior design: Direccin MX in collaboration with HEMAAThe post HEMAA integrates "nuanced structure" into Mexican wetlands pavilion appeared first on Dezeen.

Global design studio HOK and Minnesota-based Snow Kreilich Architects have teamed up to create the Citypark urban sports campus and stadium for a Major League Soccer club in St Louis, Missouri.Designed for the St Louis City Soccer Club, Cityparkspans 25.5 acres in the heart of downtown St. Louis, near the iconic Gateway Arch and Mississippi River.HOK and Snow Kreilich Architects have created an urban sports campus and stadium"[The venue] shifts the MLS stadium narrative from an enclosed singular space divorced from the city to a public space that brings together all of St Louis to be part of a civic soccer experience," the team said.Completed in November 2022 by HOK and Snow Kreilich Architects, the complex includes a 22,500-seat stadium, team headquarters and a practice facility, and has a structural system made primarily with recycled steel.The stadium was built on a former freeway off-rampThe stadium was built on a former freeway off-ramp and parking lot with an elevated topography that allowed the pitch level to be set 17 feet (5.1 metres) below the street-level concourse and minimised the height of the building in relation to the surrounding buildings.The team submerged the operations and support spaces below grade accessed by tunnels and buried loading docks to create a 360-degree seamless fan experience that connects to the surrounding street grid.The ground level of the rectangular stadium is enclosed with light-grey masonry and glassThe ground level of the rectangular stadium is enclosed with light-grey masonry and glass that allow views both into and out of the venue.Additionally, an elevated upper concourse wraps around the building with a drink rail along the facade, opening the stadium to the gameday festivities on the exterior of the stadium.Varied beam sizes that allow the edges of the canopy to look thinnerA 120-foot wide, portico-like canopy is supported by two rows of columns an inner row of robust, compressed columns and an outer row of delicate, tensile columns to balance above the steeply raked concrete seating bowl."It acts as a front porch to the city and creates connections between the city and the activity of the stadium," said HOK.While providing shade to fans and amplifying the sound of cheering, HOK and Snow Kreilich Architects wanted to create a modernist structure reminiscent of the Gateway Arch.Flexible indoor event space sits in the centre of the complex"Citypark exhibits a seamless fusion of structural engineering and architectural design," said the studios."Through a coordinated system that features steel in a variety of ways, the structural engineering complements the architecture, creating open, interconnected spaces and fluid exterior forms."Lightweight spanning trusses were combined with an invisible lateral system that concealed the seismic bracing. Meanwhile, the canopy's shallow cantilever is supported by an outrigger system and varied beam sizes that allow the edges of the canopy to look thinner.An outrigger system supports the canopy's shallow cantileverThe venue opened its inaugural season in 2023, billing itself as a "zero-waste venue: with 100 per cent recycled structural steel that can be disassembled and reused low-energy LED lighting, low-flow water fixtures, and a high-efficiency building control system."The urban stadium is connected to and focused on the City as much as it is on soccer," the team said.Read: CCA shades Mexican baseball stadium with concrete umbrellasAn additional 17,000-square foot (1,580-square metre) flexible indoor event space sits in the centre of the complex, offering views into the pitch to the north, practice fields to the south, and the Mall to the east.Meanwhile, a 70,000-square foot (6,500-square metre) outdoor space on the eastern side of the complex provides public infrastructure for civic events, food, and performances further connecting the stadium to the context.The stadium is in St Louis, MissouriOther professional sports facilities that HOK is currently working on include Major League Soccer's first fully electric stadium for New York City Football Club in Queens and a renovation for the National Football League's Jacksonville Jaguars stadium with a fritted dome in Florida.The photography is by Michael Robinson.Project credits:Client: St. Louis CITY SCDesign architect: HOKDesign architect: Snow Kreilich ArchitectsArchitectural support: KAI EnterprisesArchitectural support: WA, IncLandscape architect: HOKLandscape architecture Support, Irrigation: DG2 DesignTurf design: Kimley-HornConstruction manager: MAK Joint Venture (Mortenson Construction, Alberici Construction, Keeley Construction)Steel fabricator: Hillsdale FabricatorsSteel detailer: Esskay Structures IncSteel erector: Alberici Constructors, IncOwner's representative: Kwame Building Group + Unlimited PartnersStructural engineer: HOKCivil engineering and structural engineering support: David Mason & Associates, IncMEP engineering, fire protection & technology: ME EngineersPlumbing engineering support: Custom EngineeringSustainability consultant: HOKInterior design: HOK + Snow Kreilich ArchitectsArchitecture/interiors support, FF&E: ArcturisSignage & wayfinding: Kiku Obata & CompanyLighting designer: ME EngineersCode: Code Consultants, IncWind studies: CPP IncAccessibility: Ed Roether Consulting, LLCTechnology design support: Faith Group, LLCFood service: S20 Consultants, IncVertical transportation: Van Deusen & Associates, IncThe post HOK and Snow Kreilich raise thin canopy above St Louis soccer stadium appeared first on Dezeen.

Dezeen School Shows: a material made from waste crustacean shells from restaurants is included in Dezeen's latest school show by students at London South Bank University.Also featured is a piece of multipurpose, reconfigurable furniture designed for renters and a shower that runs on bioethanol that allows accessible bathing for those in developing areas.London South Bank UniversityInstitution: London South Bank UniversitySchool: School of Engineering and DesignCourse: BSc (Hons) Product Design and TechnologyTutors: Barney Townsend, Susana Soares, Peter Wong and Elisa Guimarares Puccinelli RebeloSchool statement:"If you want to become a confident, creative and resilient designer, our BSc/MDes Design and Technology programme is perfect for you!"You will graduate as a versatile professional, well-prepared for a diverse range of design and technology career paths."Smartable by Adam Butt"Smartable, a smart retrofit shelf for your fridge, helps users develop their food management skills."Smartable can monitor essential food information, such as expiration dates and food availability users will be notified of this information through an accompanying app or by RGB LEDs on the physical shelf."Grid spaces will be used to store items in an organised manner and the data collected from Smartable will always be accessible to users, even while shopping."This system will prevent food expiration and overbuying by generating reports to monitor the rate of domestic food waste, making Smartable your all in one system for food management practices."Student: Adam ButtCourse: BSc (Hons) Product DesignEmail: adambutt840[at]gmail.comMyco-G by Eugenia Rossi"Myco-G is a project aiming to tackle the rising problem of non-sustainable packaging solutions."By collaborating with nature, Myco-G has designed and manufactured mycelium-based packaging for the shipment and storage of goods, from wine bottles cases to fruit trays and plant pots."The product utilises the fungal network of mycelium and its regenerative properties, combining it with a binder mixed with organic industry by-products to grow 100 per cent compostable packaging."The outcome is a carbon positive material presenting strong insulating properties and remarkable impact resistance it is a new, exiting way to collaborate with nature to rethink the way we produce."Student: Eugenia RossiCourse: BSc (Hons) Product DesignRomi Air Sensor by Jake Phillips"Particulate matter is an invisible issue that effects millions of city commuters daily buy polluting the air we breathe."Romi is a compact wearable air sensor that pairs with a users smartphone and guides them on the cleanest path to their destination ensuring we travel safely."A wide network of like-minded users help enrich the database mapping out cities air quality in real time."Student: Jake PhillipsCourse: BSc (Hons) Product DesignEmail: jakephillips2003[at]gmail.comCurrentSee by Luke Handley"Do you know how much money you spend charging your phone every night? Would you like to?"CurrentSee empowers consumers with localised and detailed data of their energy usage in real time, enabling them to be more conscious of their consumption."It also gives more control to the user, by enabling 'smart features via an accompanying app."The ability to see usage data per outlet at home as well as being able to control your plug sockets remotely, will provide a clearer understanding for the user and enable them to reduce their consumption, thus energy bill."Student: Luke HandleyCourse: BSc (Hons) Engineering Product DesignTrades Pro Brush by Phillipa Peart"Trades Pro Brush is an ergonomic tool handle with exchangeable heads, allowing users toswitch between colours, dispose of paint properly, and have a more comfortable experience."Paint that is washed down the drain contaminates water with microplastics, and acrylic paint should be left to dry and then be recycled."The brush's design encourages this environmentally friendly disposal method."Because the tool heads are changeable, the handle is a product for life, and this keeps handles out of landfill and allows for customisation."The Pro Brush is engineered to relieve grip stress on the craftsperson's hand, prevent dropping, and free fingers for alternative use."Student: Phillipa PeartCourse: BSc (Hons) Engineering Product DesignEmail: pipengineeringdesign[at]gmail.comGarnele by Sofija Li"Garnele is a water and hearproof Biodegradable material made of crab and lobster shells sourced from restaurants."It is machinable and can also be injection moulded."Garnele can be used for various products such as tiles, lampshades or other pieces of furniture."Student: Sofija LiCourse: BSc (Hons) Product DesignImpelEco, Reducing The Carbon Footprint Within The Royal Navy & Marine Environment by Stuart M Jeffery EngTech MIMechE"The ImpelEco Project revolutionises marine engineering with a sustainable impelle design."Beginning with extensive material research with a priority in the field of PEEK 40% Carbon Fibre and the use of 3D Printing Technology, it aims to minimise the environmental impact of centrifugal pumps in a marine environment."Maintaining efficiency and reducing carbon emissions & energy throughout the impellers full lifecycle."With the use of ImpelEco the marine industry charts a way to greener seas, showcasing sustainability and innovation."Student: Stuart M Jeffery EngTech MIMechECourse: BSc (Hons) Engineering Product DesignEmail: stuartjeffery[at]btinternet.comAdjustable by Dan Goodwin"Furniture waste is an increasing issue due to the rise of fast furniture."This popularity is exacerbated by the increase in the number of short-term renters who favour purchasing new items when moving."Adjustable aims to curb this issue by promoting a lifelong modular furniture system."The use of modular parts and simplified joinery eases both the assembly process and allows the parts to be fully flat packed."Adjustables modular components can be assembled into two forms, a coffee table and an armchair."All parts are made with fully reclaimed materials vastly reducing the environmental impact of Adjustables construction."Student: Dan GoodwinCourse: BSc (Hons) Product DesignFlow Bioethanol Shower by Kelly Olivier"Introducing the Flow Bioethanol Shower System, an innovative solution designed to revolutionize hygiene and sanitation practices in low-income households across developing regions."This shower system utilises bioethanol as a sustainable fuel source, providing warm water for comfortable bathing experiences even in areas with limited access to electricity."The shower features a aluminium tank that ensures efficient heating, retention and temperature control."With a focus on affordability, durability, and ease of use, this system is poised to make a significant impact, offering a reliable and accessible bathing solution for communities in need."Student: Kelly OlivierCourse: BSc (Hons) Engineering Product DesignEmail: kellyolivier16[at]gmail.comPartnership content This school show is a partnership between Dezeen and London South Bank University. Find out more about Dezeen partnership content here.The post Nine product design projects by London South Bank University appeared first on Dezeen.

Neom has announced that Nadhmi al-Nasr is no longer its chief executive amid reports of financial issues and migrant worker fatalities connected to the Saudi Vision 2030 projects.Neom announced that Al-Nasr, who has led the development of the controversial giga project in Saudi Arabia since 2008, has departed the project in a statement on its website. No official reason has been given for his departure.The news comes in the wake of an ITV documentary that stated there have reportedly been 21,000 migrant worker fatalities in the country since the Saudi Vision 2030 projects began eight years ago. Neom is the most high profile of the Saudi Vision 2030 giga projects."Neom enters a new phase of delivery"Following Al-Nasr's departure, Aiman Al-Mudaifer has become acting CEO for the project, which includes the 170-kilometre-long city The Line."As Neom enters a new phase of delivery, this new leadership will ensure operational continuity, agility and efficiency to match the overall vision and objectives of the project," said a statement on the Neom website."Neom is a fundamental pillar of Saudi Vision 2030 and progress continues on all operations as planned as we deliver the next phase of our vast portfolio of projects including The Line, Oxagon, Trojena, Magna and The Islands of Neom."Read: Is it time for architecture studios to walk away from Neom?The controversial Neom development in the north west of Saudi Arabia, which along with The Line includes the Oxagon port city, Trojena ski resort, and Magna resorts on the Red Sea, is one of the largest developments in the world.The project has repeatedly made the news and, most recently, was part of the Kingdom Uncovered: Inside Saudi Arabia documentary on ITV, which focused on working conditions for migrant workers in the country."Exclusive figures" reveal 21,000 foreign worker deathsAlong with revealing harsh conditions, including people reportedly working 84-hour weeks on Neom projects, the documentary included fatality figures for migrants from India, Bangladesh and Nepal."New exclusive figures reveal that 21,000 foreign workers from India, Bangladesh and Nepal have died since Vision 2030 was launched," said ITV.In response to the documentary, Neom issued a statement to ITV stating that it would investigate the reports."We are assessing the claims made in this programme and, where required, will take appropriate action," said the statement."We require all contractors and subcontractors to comply with Neom's code of conduct, based on the laws of Saudi Arabia and the policies of the International Labour Organization, and they are subject to frequent inspections of their workers' living and working conditions."Read: First Neom region completes as "luxury island" Sindalah opens in Saudi ArabiaThe documentary is the latest piece of reporting to draw attention to the controversies surrounding the Neom project. Earlier this year Dezeen asked if it was time for architecture studios to walk away from the project, following mounting human rights concerns.It followed reporting by the BBC alleging that Saudi forces permitted the use of lethal force to clear land for the project, with human rights organisation ALQST drawing attention to reports that three men forcibly evicted from the Neom site were sentenced to death in 2022.Along with human rights concerns, the project has also reportedly been beset with financial issues, leading to the ambitious scale of some projects to be potentially dialled back.In April this year, it was reported by news agency Bloomberg that The Line mega-citywill allegedly house fewer than 300,000 people by 2030, down from an original goal of 1.5 million.Earlier this week, it was announced that Austrian studio Delugan Meissl Associated Architects and global studio Gensler are leading the design of phase one of The Line megacity. Other leading architecture studios working on Neom include BIG, Morphosis, Studio Fuksas, LAVA, Zaha Hadid Architects, UNstudio, OMA and Woods Bagot. We recently rounded up all the studios working on the scheme.Neom is one of numerous large-scale developments taking place in the country as part of the Saudi Vision 2030 plan to diversify the country's economy and reduce its dependence on oil. The projects are largely funded by the country's Public Investment Fund (PIF).The post Neom CEO departs amid reports of worker fatalities and human rights abuses appeared first on Dezeen.

A collection of stiffened felt chairs designed by Italian designer Gaetano Pesce prior to his death earlier this year was presented by New York gallery Salon 94 Design at Design Miami's Paris edition.The collection, titled La Famiglia, was initiated in the early months of 2024 by Pesce, who passed away aged 84 before completing the project.Salon 94 Design unveiled a collection of stiffened felt chairs by Gaetano PesceThe designer created a family of four chairs intended to accommodate people of all ages, which he named La Mamma (the Mother), La Cugina (the Cousin), Il Bambino (the Child) and La Piccola (the Little One).The chairs are made from stiffened industrial felt, using a technique that Pesce pioneered in 1987 with his Feltri chair for Cassinaand subsequently applied to numerous products including cabinets, vases and furniture.The collection comprises four chairs designed to accommodate people of all agesThe process involves soaking the fabric in clear resin before shaping it and allowing the resin to set so that the felt forms become rigid and self-supporting.Pesce initially considered producing the chairs from solid resin but instead chose felt because, according to a statement from the gallery, "he enjoyed the transformation of the flat, soft textile cut out like a child's drawings into functional seating."The chairs are made from stiffened industrial feltEach chair features a curved backrest decorated with a cutout face that lends the pieces their distinctive, playful personalities. The hardened felt is also used to form the seats and side panels, which are folded over to create feet and armrests.Prototypes developed by the designer at his studio in Brooklyn, New York, were presented at an exhibition titled Nice to See You during Milan Design Week.Read: Christian Louboutin and Pierre Yovanovitch perch chairs on legs informed by "iconic women"The final versions of the chairs were produced posthumously in Italy by Pesce's studio team and were exhibited at Salon 94 Design's booth at Design Miami.Paris, held at the lavish 18th-century mansion L'htel de Maisons.Alongside the La Famiglia collection, the gallery showed other pieces developed by Pesce including a chandelier comprising 60 multicoloured resin arms with LED light fittings attached.The show also featured vases in felt and resin, and a table made from resin-soaked fabric covered with drawings of flowers.The playful chairs feature curved backrests and cutout facesPesce was a pioneer of the Radical Design movement in the 1960s, when he developed experimental products that stood in stark contrast to the rational modernism that had defined the previous decades.His iconic creations included the Up5 chair from 1969 a vacuum-packed chair and ottoman designed to resemble a female body attached to a ball and chain.After moving to New York in 1983, Pesce began to move away from mass production and focused on creating "standardised series" in everyday materials like resin.The pieces were unveiled atDesign Miami's Paris editionSome of the projects he completed in the final years of his life include a colourful resin catwalk and seating for fashion brand Bottega Veneta and a pair of handbags for the same company that resemble bucolic landscapes.Following the news of Pesce's passing in April, tributes poured in from members of the design community, including from curator Glenn Adamson who called him "the most reliably provocative of the Italian radical designers".The photography is courtesy of Design Miami.Paris.Design Miami.Paris took place from 15-20 October in Paris, France. See Dezeen Events Guidefor an up-to-date list of architecture and design events taking place around the world.The post La Famiglia is Gaetano Pesce's last-ever furniture collection appeared first on Dezeen.

Apparel brand Carhartt WIP and Japanese furniture brand Nychair X have collaborated on a collapsible chair and ottoman covered in a brown canvas reminiscent of workwear.The chair's silhouette is a signature of Nychair X, which was designed and launched in 1970 by Japanese designer Takeshi Nii.Carhartt WIP and Nychair X have collaborated on a chair and ottoman setThe original chair was designed to be "like the curry rice everybody loves", according to the brand.The collaboration with Carhartt WIP, a streetwear off-shoot of workwear brand Carhartt, features a custom colourway from Carhartt WIP, utilising Carhartt's classic Hamilton Brown.The design takes after the Nychair X folding silhouetteThe dark brown colour is the same as is used in the jackets and other workwear garments made famous by Carhartt although the pieces are covered in Kurashiki sailcloth canvas which Nychair X typically uses for its products.Both pieces rest on crossing stainless steel legs and feature straight, cylindrical armrests made of 100 per cent wood.The chair sits low to the ground and has an angeled backrest for lounge-style seating. Both pieces are "lightweight and foldable" and collapse to sit in between their armrests.The pieces are covered in an exclusive brown colourwayAccording to Nychair X, the set "fits into a floor space around the size of a dinner table"."The chair's minimalist design creates a place to relax without taking up much space," said the brand.Read: Jell-O creates series of inflatable chairs informed by "iconic molds"They also feature a square Carhartt WIP label found throughout the brand's products and clothing.It is only one of a few furniture collaborations carried out by Carhartt WIP, which has produced clothing and some accessories since its first store opened in London in 1994.It is part of Carhartt WIP's Fall/Winter 2024 line.Other recent disciplinary collaborations include a spacesuit by Prada and Axiom Space and an inflatable chair by Jell-O.The images are courtesy of Carhartt WIP.The post Carhartt WIP and Nychair X release foldable chair and ottoman appeared first on Dezeen.

Architecture firm Studio Gang has sought to "amplify social connections" at its first French project, the John W Boyer Center in Paris, a "vertical campus" created using mass timber for the University of Chicago.The academic structure in Paris's 13th arrondissement was designed by Studio Gang with a hybrid-timber-and-steel structure and a facade covered with over 900 cylindrical limestone-covered fibreglass "batons" that function as brise soleil.Sited on an ongoing development adjacent to a housing block by Parc Architectes, the John W Boyer Center was designed as a "vertical campus" to expand the University of Chicago's research capabilities into Europe.Studio Gang has completed a mass-timber research facility in Paris"The Center in Paris is designed as a vertical campus," said Studio Gang founding partner Jeanne Gang."Its multilevel atrium provides all the spaces with light and offers visual connections across programs," she continued."We wanted the building to amplify social interactions, scholarly collaborations, and cultural exchange between the University and the city of Paris."It is the studio's first project completed in FranceIn order to meet regulations put in place by Paris that require public buildings to utilise at least 50 per cent wood or other natural materials in construction, Studio Gang opted for a hybrid timber-and-steel structure.A concrete foundation and steel base supports a mass-timber grid. Cross-laminated timber decks are spread across steel trusses to create a structurally sound building that conforms to government requirements.It has a hybrid mass-timber-and-steel structure. Photo by Corentin LespagnolThe limestone of the facade was integrated in order to fulfil the natural material needs and visually link the building to the limestone facades of other Parisian buildings.All of the stone was sourced from quarries within 40 kilometres of the city, according to Studio Gang.A central atrium holds the centre of the program. Photo by Corentin Lespagnol"Each baton is enrobed in Lutetian limestone, a stone that underlies much of the Paris region and has been a common local building material since antiquity," said Studio Gang."Limestone links the building to the university's main campus in Chicago, where it is also a prominent building material, while simultaneously rooting it to the history of Paris."It holds classrooms, laboratories, meeting spaces and other facilities of the University of Chicago's operations in Paris. Photo by Corentin LespagnolThe building consists of two blocks, with the corner block rising higher and an atrium between the shorter and taller blocks.The building's entrance leads into a double-height lobby that connects to a shared courtyard garden at the centre of the block and to a five-storey atrium. This atrium serves as a stairwell to the whole structure and is topped by skylights angled to best take advantage of natural light.A sculptural staircase zigzags up through the atrium and classrooms and research areas were opened up to this circulation space through windows to take advantage of the light from the skylights.Skylights were placed above the atrium. Photo by Corentin LespagnolLibraries, classrooms, and research labs were placed throughout the program, which has floors of various heights on either side of the atrium, according to use.The rooftop holds a double-height events space that leads out into a "biodiverse" rooftop garden.In addition to the visual connection to Parisian infrastructure achieved through the limestone, the structure also connects structurally with the city as a whole, as it houses an underground connection to the Paris subway system.Read: Dezeen Debate features "possibly Studio Gang's best work"The studio also implemented photovoltaic panels on the rooftop to offset the building's energy usage."In alignment with the environmental standards of the City of Paris, the design minimizes the building's carbon footprint while optimizing its energy performance," said the studio.It sits above a regional train lineThe John W Boyer Center is the first French project for the studio after it opened its Paris offices in 2017. Its first European project was a pair of residential buildings completed in Amsterdam in 2022.Recently, Studio Gang completed another mass-timber structure embedded in a concrete podium for a university campus in California.The photography is by Fabrice Fouillet unless otherwise stated.Project credits:Design architects: Studio GangMass timber columns and beams: KLHCross-laminated timber panels: Weisrock Vosges SASMetal/glass curtain wall: HorizonsWood cladding: LignalpesStone screen facade: Polycor FranceWindows: WiconaGlazing: RIOU GlassPhotovoltaic system: Sunpower MaxeonConveyance: OtisThe post Studio Gang completes mass-timber academic building in Paris appeared first on Dezeen.

The latest edition of our Dezeen Debate newsletter features a mass-timber building by Studio Gang in San Francisco. Subscribe to Dezeen Debate now.The addition at the California College of the Arts San Francisco campus consists of threemass-timber buildings featuring an exposed, black-toned bracing system and a large, elevated board-marked concrete terrace.Commenters debated the project, some calling it "possibly Studio Gang's best work", while others decried it as "a remarkably inelegant solution". What do you think? Join the debate in the Dezeen comments section Neom has, for the first time officially, confirmed the architecture studios designing The LineOther stories in this week's newsletter that Dezeen readers were quick to comment on was the latest news from Neom in Saudi Arabia as they named The Line architects and Alex Chinneck's distorted street furniture, which was designed to bring "surrealism into the public realm".Dezeen DebateDezeen Debate is sent every Tuesday and features a selection of the best reader comments and most talked-about stories. Read the latest edition of Dezeen Debate or subscribe here.You can also subscribe to our other newsletters; Dezeen Agenda is sent every Tuesday containing a selection of the most important news highlights from the week, Dezeen Daily is our daily bulletin that contains every story published in the preceding 24 hours and Dezeen In Depth is sent on the last Friday of every month and delves deeper into the major stories shaping architecture and design.The post Dezeen Debate features "possibly Studio Gang's best work" appeared first on Dezeen.

New York studio Parts and Labor Design and Brad Guidi of Boston real estate company Blue Flag Capital have renovated the Beachside Hotel on Nantucket to reflect the local craft and design scene of the 1960s.Located outside of Boston on Nantucket island, the 45,000 square-foot (4,180 square metres) Beachside Hotel encompasses a motel-style property originally built in the 1960s, with five low-lying buildings encircling a central pool deck.Parts and Labor Design and Blue Flag Capital have completed a hotel renovation on NantucketParts and Labor Design and Blue Flag Capital largely focused on the renovation of the property's interiors, as its grey shingle facade is historically relevant and typical to Nantucket.The hotel includes guestrooms, an adult and children's pool, a gym, a restaurant and bar and other public spaces, such as a meeting space and game room that branches off a central lobby.The project encompasses five motel-style buildings that encircle a pool deckThe design involved creating a family-friendly hotel that could accommodate children while being design-forward, according to the team."It's somewhere that we feel like families would feel confident and comfortable and that was really our main goal," Parts and Labor Design partner Danu Kennedy told Dezeen.The project pulls from the craft movement on the island from the 1960s and 70s"It's very approachable, it's very fun. It's full of energy but it's chic."The team outfitted the interiors in a palette of terracotta, cream, dark greens and natural wood to achieve a "nostalgic" feeling, using custom furniture and fixtures pieces designed by Jay Edward Group, Light Annex, Majestic Mirror & Frame.These details also play into a hand-crafted feel a nod to the artists and craft movement of 1960s and 1970s Nantucket."There's this real crafted, hand-built, hand-touched, feel to it," said Kennedy.Terracotta, wood, creams and dark greens were used for the palette"We chose furniture, fabrics, and materials that are reminiscent of our childhood, even pulling from movies like the Sandlot for inspiration," said Blue Flag Capital chief development officer Brad Guidi."There is something comforting and nostalgic when watching Sandlot so we asked ourselves, how do we evoke this feeling at our hotel?"Read: Thompson Washington DC hotel subtly draws on city's nautical pastThe hotel's lobby features a collection of deeply cushioned lounge sofas and woven chairs centred around a tiled fireplace. Plinths by Parts and Labor off-shoot Known Work and vessells by Maxine Metbo and Diego Olivero Studio fill the space.Pieces by artists Sean Spellman and Gayle Fitzpatrick are among the works that hang on the walls.The hotel is designed to be family-friendlyThe space is clad with wooden trim and a tiled floor and expands outwards from the bar area, which features light-green tiling and a wooden counter.It is also directly connected to the pool deck, which makes for a connected indoor-outdoor interior conducive to families.A quilt was placed on each bed"If you're looking to be in the lobby, or if you're lounging by the pool, you're in this space where it's contained and that's really important, because kids will just run and go crazy, so that the layout is great for that," Kennedy told Dezeen.The guestrooms also cater to families with sofas large enough for children to sleep on, and an "approachable" feeling brought in by details like an individual quilt on each bed.The interior branches outwards from the poolThe hotel is now open, although some areas are still undergoing construction according to the team.Other projects by Parts and Labor design include a "nautical" hotel in Washington DC and a Chicago restaurant with a coastal California feel.The photography is by Matt KisidayThe post Parts and Labor Design and Blue Flag Capital create "nostalgic" Nantucket hotel appeared first on Dezeen.

Architecture studio Javier Senosiain Arquitectos has created a wood-lined office space in Mexico City informed by an "animal's refuge" and other cave-like spaces.The 202-square-metre office was designed to be "adapted to the human being" and consists of several main cave-like chambers linked by curving pathways.Javier Senosiain Arquitectos has created a cave-like office in Mexico City. Photo is by Francisco LlubertIt serves as a Mexico City office for Javier Senosiain Arquitectos, an architect and office known for its organic architecture."The main idea [was] to achieve adapted spaces to the human body: similar to [the] maternal cloister, animal's refuge, the troglodytes that are sculpted under the ground, the igloo not a turn back but a meditated reconciliation," said Javier Senosiain Arquitectos founder Javier Senosiain.It is covered in maple root veneer. Photo is by Francisco LlubertThe space spreads out over one level of a wedge-shaped shared office building and contains a terrace on one side.Visitors enter through the main door, which opens onto a waiting area with a reception desk that leads into a curving hallway.The space is organised into various chambers. Photo is courtesy Javier Senosiain ArquitectosThis main hall branches off into a large work area, which contains two large snaking desks that look out over the terrace. On the other side, the main hall leads into a kitchenette, a material library and two enclosed offices.The larger of the two offices contains a circular meeting area with curved benches. Past it is another curvilinear desk and a wall of floor-to-ceiling windows.Read: "Every work is very different" in organic architecture says Javier SenosiainEach space is enclosed with overhanging, curved ceilings and walls clad in a marble-like maple root veneer, also used for the floor.Organically shaped columns, shelving and light pendants were distributed throughout the space, while ground-level lighting runs along the perimeter.Large desks snake through the main working area. Photo is by Francisco LlubertThe space was previously a "rectangular prism", which the studio converted by creating wooden framing in the space and then covering it with "thin strings of wood".According to the studio, the use of wood versus prefabricated or synthetic materials reduced the project's environmental impact.Private offices branch off a main hallway. Photo is by Tanya Picazo Navarro"The project is made out of wood in its structure and finishing; this wood certifies the planification and the legal felling of trees," said the studio."With this in mind, it also guaranteed a lower environmental impact, compared to the energy and resources used in prefabricated materials."Desks and other surfaces were covered in leather. Photo is courtesy Javier Senosiain ArquitectosLeather was used to cover the desks and other surfaces to create a "soft" working space."[Living] together in the workshop is like working in a warm and illuminated cave, with stimulating sensations that change from one space to another, an interplay of lights that change throughout the day," said the studio.This project has been shortlisted in the Workplace interior category of Dezeen Awards 2024. Other projects shortlisted in this category include Land Over Water Office by Firm Architects and Link Lab Creative Offices by Stay Studio.A circular seating area is designed for meetings. Photo is courtesy Javier Senosiain ArquitectosRecently, Latvian photographer Anna Dave released images of the studio's snake-shaped aparment complex outside of Mexico City.The photography is courtesy of Javier Senosiain Arquitectos unless otherwise statedThe post Javier Senosiain Arquitectos creates "illuminated cave" office in Mexico City appeared first on Dezeen.

Mexican designer Norberto Miranda has created an inflatable "museographic device" made from PVC with a built-in shelf supported by air pressure.Named Intermittent Dome, the structure was created for The Arts and Cultures Program at Instituto Tecnolgico y de Estudios Superiores de Monterrey (TEC) in Monterrey, Mexico, and was tied to a workshop designed to teach students about upcycling in design.Made from clear PVC, the dome is six metres tall with striations marked by white PVC sheets that, according to Miranda, give the structure a "mise en abyme" effect.Norberto Miranda has installed an inflatable installation at TEC in Monterrey, MexicoOne of the circular bands that makes up the dome forms a shelf within the walls of the structure and is accessible from inside via four zippers."Zippers access air cells into what could be the thinnest shelf ever, 0.35 millimetres thick, totally suspended by air pressure," said Miranda."It has four access points and is a very silly process [to access] because it literally blows your face [when you open it]; we developed some skills to get the material passed the zipper but once inside it behaves pretty well."It is made out of PVCThe shelf runs around the perimeter and can be used to showcase items for educational purposes or student work.Air is constantly being pump into the structure to maintain the form. A vent at the top helps to modulate the temperature inside the structure, which is directly affected by the outside conditions.Read: Norberto Miranda creates inflatable bean galleries for travelling exhibit in Mexico"]"The dome has a hole in the last segment, that makes a natural ventilation at the top it gets hot if you put it outside at the straight sun," said Miranda."It does provide some shade, though, and shelter from the rain. Ultimately, it replicates the outside conditions, offering diffraction of light entering."It was created for design educationThough Miranda often works with recycled plastics through his design studio Bolson, he opted to use virgin PVC fabricated by Jalisco-based manufacturer Publiglobos to assure structural consistency and to achieve a see-through finish.TEC will host workshops in the dome geared towards upcycling processes, and Miranda said he will field proposals for ways to recycle the dome once the programming is complete.Miranda said it has a shelf that may be the "thinnest" in the worldHe said that some of the dome may be converted into the handbags Bolson is known for, but that he wants students to "develop the sensibility" addressing the afterlife of projects, noting that no matter what the entirety of the dome will be reprocessed.Miranda was featured in a cross-section of Guadalajara's design scene as part of Dezeen's North American Design 2024 series.Other inflatables meant for occupation include a "womb-like" installation created by Annabelle Schneider during NYCxDesign.The photography is courtesy of Norberto Miranda.The post Norberto Miranda creates inflatable classroom with world's "thinnest shelf" appeared first on Dezeen.

French studio Cigu drew on Greek modernism when creating the interior of Ace Hotel and Swim Club Athens, which features vintage furniture and specially commissioned artworks by local artists.Located in the old Fenix Hotel, a brutalist building notable for its jagged facade composed of multiple small balconies, the latest Ace Hotelhas a pool and was intended to also function as a place where locals can come to swim and dine.The 120-room hotel sits outside central Athens near the Glyfada suburb and the Ellinikon an ongoing redevelopment of the former Athens airport into residential neighbourhoods with buildings planned by BIG and Foster + Partners.The Ace Hotel and Swim Club Athens is located on the Greek RivieraCigu focused on evoking the history of the area when creating the hotel's interior."The idea was to create a new urban destination around that swim club concept and the revival of the existing building, anchored in the spirit of the 1970s Athenian Riviera era: relaxed elegance, natural vibrancy, Mediterranean sensuality," Cigu founding partner Alphonse Sarthout told Dezeen."We could say this project is like a bridge between three cities, Athens, Glyfada and the future Ellinikon, and three eras and scenes: 1950s modernist architecture heritage, 70s Riviera pool and beach culture and the contemporary Athenian art scene."French studio Cigu designed its interior using vintage furnitureThe studio removed a number of 1980s and 90s interventions to showcase the bones of the building and made several changes to the layout, including turning the entire ground floor into one large public space and"[We've] entirely redesigned the pool and its deck, opened and enlarged indoor spaces, creating transparencies from street to pool, and a new axis along its main facade a wooden shaded walkway offering a new space between indoor and outdoor, where clients and locals can meet, giving the public access to the restaurant, the bar and the lobby," Sarthout said.Sandy-hued terrazzo was used for the flooringTo create a sense of continuity between the interior and exterior, the studio used a sandy-toned terrazzo in different finishes, structured by steps and travertine lines, for the flooring that extends onto the terrace.The facade was clad in white plaster with wooden accents and greenery on the balconies to soften the brutalist appearance. Cigu also added colourful accents in the form of artwork, furniture and deep-blue ceramic tiles in the hotel's Sebastian restaurant.The brutalist hotel exterior has multiple balconiesThe studio worked with local brand Back to the Future to find the 1960s and 70s furniture and accessories that decorate the main areas and the guest rooms."Like art pieces, vintage furniture is essential in every Ace Hotel," Sarthout said. "They show their love for design and designers, look for the richness of eclecticism, and trust the power of a well-curated selection to give personality and a spirit to a place."Read: Ace Hotel Brooklyn showcases the borough's artistic talent"Vintage pieces come with their own stories and personalities, like characters in a theatre piece," he added."They also bring this sense of ageing well, inviting to be used, transmitting a sense of welcoming, to feel more relaxed and comfortable."Fabrics in different textures add tactile interestWooden detailing and furniture and fabric in different textures, in the form of throws, rugs and wall hangings, add tactile interest to the interior."We like to keep material as 'raw' as possible," Sarthout said."We were looking for a general brightness and naturality everywhere in the hotel to echo this seaside situation but balanced with warmer tones, sandy floors and wooden accents, to darker moments like the bar, the landing in the staircase and elevators with black floors. "The guest rooms have custom-designed bed covers and artworksGreek-Egyptian designer Salma Barakat created custom bed covers for the guestrooms while the whole building was filled with artworks that were specially commissioned for the space.When entering, guests are met by facade murals from artists Claire Manent and Panos Profitis, and a silvery artwork by artist Bregje Sliepenbeek that adds a decorative touch to the lobby.A desk made from Dionysos marble decorates the receptionThe reception desk is formed of an art piece created by artist Ilias Lefas from Dionysos marble. Profitis also created aluminium wall lamps shaped like harpies for each guestroom in a nod to Greek mythology.Cigu aimed for the artists to represent young Athenian talent working in a variety of mediums and expressions."In the end, this presence of art everywhere in the hotel, with all the stories it contains, creates an inhabited place like an art collector's house that resonates with its context and its time," Sarthout concluded.Bregje Sliepenbeek designed an art piece in silver for Ace Hotel and Swim Club AthensAce Hotel and Swim Club Athens is set to be expanded next year to also include a rooftop restaurant, bar and lounge.Ace Hotel has a number of locations around the world. Dezeen has previously featured its location in Toronto, which has large fireplaces and a rooftop bar, and Ace Hotel Brooklyn, which aims to showcase the neighbourhood's creative talent.The photography is byDe Pasquale+Maffini.The post Cigu designs art-filled Ace Hotel in brutalist building on Athens Riviera appeared first on Dezeen.

Austrian studio Delugan Meissl Associated Architects and global studio Gensler have been named as the architects for phase one of The Line megacity, which is being built as part of the controversial Neom project in Saudi Arabia.Neom announced that Delugan Meissl Associated Architects (DMAA) is the urban planner for phase one of the project, while Gensler will act as city planning consultant. UK engineering studio Mott MacDonald was also revealed as city infrastructure engineer.The announcement is the first official confirmation of the architecture studios designing The Line.The city is the most high-profile element of the controversial Neom development, which has been criticised widely on human rights and sustainability grounds. In an article earlier this year, we asked if it was time for architecture studios to walk away from the project in the face of mounting pressure from campaigners.First official announcement of The Line architectsIt is understood that US studio Morphosis designed the concept for the city, which is planned to stretch for 170 kilometres across northeastern Saudi Arabia and will made from two parallel 500-metre-high skyscrapers.Individual studios will be responsible for designing 700-metre-long sections of the megastructure, with phase one consisting of three of these sections starting at the Red Sea.Several studios have been attached to the project, with DMAA being one of 12 studios included in The Line Exhibition in Riyadh, Saudi Arabia, in 2022. Until now, the studio had not spoken publicly about the project."The Line is a pioneering, visionary project that really changes how we think about city planning," said DMAA founder Roman Delugan."We're putting sustainability and adaptability first," he continued. "It's the first time in the history of urban development that a city is being realized based on a parametric model. Due to its construction method, The Line is quickly adjustable to people's needs, which we desperately need for a sustainable future."Read: Is it time for architecture studios to walk away from Neom?Under DMAA's overall lead, Neom will appoint numerous studios to design neighbourhoods within the city in early 2025. Gensler will coordinate the city planning and act as "city asset design architect" responsible for designing infrastructure including transport hubs and the public spaces."The Line presents an extraordinary opportunity in the history of urban development to redesign and reimagine a new future for our cities," said Gensler's managing principal for Europe Duncan Swinhoe."At Gensler, we are working around the globe to design places for people and to shape the cities of tomorrow," added Swinhoe."We look forward to bringing our design values and expertise and collaborating with the greatest minds from across the world to develop one of the most transformative, resilient, and innovative architectural projects of our time."Neom criticised by human rights groupsNeom is one of14 giga projects being developed in Saudi Arabiaas part of the Saudi Vision 2030 plan to shift the country's economy from a reliance on oil. A recent ITV documentary titledKingdom Uncovered: Inside Saudi Arabia stated that 21,000 migrant workers from Nepal, Bangladesh and India had died in Saudi Arabia since 2016, which was when the country launched its Vision 2030 plan.The Neom project has been criticised on human rights grounds, with human rights organisation ALQST reporting that three men were sentenced to deathafter being "forcibly evicted" from the Neom site.UN Human Rights Council laterexpressed "alarm" over the imminent executions. Saudi Arabiaresponded to the UN by denying abuses had taken place.The main image is courtesy of Neom.The post Neom names Delugan Meissl Associated Architects and Gensler as The Line architects appeared first on Dezeen.

Architecture studios Mailen Design and Peter Bradford Architects have completed Weald House, a barn-like home designed to be "deeply connected" to its rural site in Kent, UK.Described by Mailen Design and Peter Bradford Architects as a "contemporary interpretation of the familiar agricultural black barn", the home has a low-lying, pitched-roof structure wrapped with blackened-timber cladding and a dark zinc roof.Mailen Design and Peter Bradford Architects have completed a barn-like home in Kent"The main concept for Weald House was to create a home that feels deeply connected to its natural surroundings whilst offering a modern, comfortable space for family living," director of Mailen Design Ben Mailen told Dezeen."We wanted to design a structure that not only respects but also celebrates the Kentish landscape, taking inspiration from traditional agricultural black barns and embracing that familiar volume."Weald House is clad in blackened timberThe single-storey home is organised across a 385-square-metre L-shaped plan, with one wing hosting shared living spaces and the other containing four bedrooms.To balance privacy with views over the surrounding meadows, the studios added expansive openings to the home's south-facing facades, which face away from public view, while to the north smaller, concealed openings enable light access while minimising onlooking.The north facade is designed to maximise privacy for the owners"The house itself was strategically positioned in one corner of the plot to allow the south facade to capture expansive, uninterrupted views across the entire meadow, creating a strong sense of connection to the landscape whilst maintaining a sense of seclusion," Mailen added."The L-shaped layout naturally creates pockets of private outdoor space that can be enjoyed without feeling exposed, with deep eaves extending over the glazed areas to provide a degree of shelter and shade."Its dark cladding is teamed with a black roofWeald House opens to a spacious entrance, off of which there is a bathroom and a storage space.A corridor leads into the home's open-plan kitchen, dining room and lounge area, where expansive openings draw in daylight and open up to a patio sheltered by the roof's deep eaves.Within this living area, a blackened stainless-steel island divides the kitchen and dining space, which features matching black furniture and finishes.Read: Mary Arnold-Forster Architects creates "modern agricultural aesthetic" for Cumbrian homeBehind the kitchen is a volume containing a laundry room and pantry at ground level. It is topped with a mezzanine floor accessed by an oak staircase.The lounge is held at the wing's opposite end and features a statement fireplace on a thick concrete shelf.On either side of this, two doors hidden against the black panelled wall provide access to a separate living space on one side and a home office on the other.Black surfaces and finishes feature insideMeanwhile, the home's other wing contains four ensuite bedrooms that sit off a long corridor illuminated by slim skylights.Located at the end of the corridor, the main bedroom is complete with large openings that offer views across the surrounding landscape and lead out to the adjacent garden.The living spaces are illuminated by expansive glazingWhite walls and porcelain tiles feature throughout the home to create an "atmosphere that complements the landscape beyond"."By keeping the interior finishes understated, we allowed the colours of the shifting seasons outside to bring life and vibrancy into the space," Mailen explained.A mezzanine floor is accessed via an oak staircaseTo minimise Weald House's operational carbon footprint, it features 45 solar panels that generate a "substantial portion" of the home's electricity, along with two air source heat pumps to provide heating and hot water.Rainwater is funnelled from the pitched roof and captured in subterranean tanks.White walls and porcelain tiles feature throughout Weald HouseOther recently completed British homes featured on Dezeen include a chestnut-clad home designed as an extension to an old school in Somerset and a courtyard home in Cornwall that draws on farm architecture.The photography is by Peter Landers.The post Black timber and metal cloak low-lying Weald House in Kent appeared first on Dezeen.

Rounded layers of smooth cement plaster take cues from traditional stone-carved architecture at TropiBox, a home in Kerala, India, designed by local studio Tropical Architecture Bureau.Located in the city of Kochi, TropiBox is informed by the architecture of tropical modernism a style developed in the late 1940s as a blending of European modernism with the vernacular techniques of tropical regions.Drawing on this style in response to Kochi's hot climate, Tropical Architecture Bureau (TAB) organised the home around a series of internal courtyards and planters, wrapped by curved walls formed of smooth layers of cement plaster.Tropical Architecture Bureau has completed a cement-plastered home in Kerala"Inspired by tropical modernism, the design incorporates minimalist lines and natural textures, enhanced by the raw beauty of wood, stone, and concrete," TAB founder Uvais Subu told Dezeen."By using smooth, flowing curves and layered cement plaster, the design achieves a futuristic feel while incorporating minimalistic carvings that pay homage to the region's rich heritage."Entered via a covered porch area and living room, TropiBox steps down into a double-height kitchen and dining space at its centre, which is illuminated by a circular skylight.The home is organised around a series of internal courtyards and plantersTo the south of this space, sliding glass doors lead out onto a small patio and swimming pool, while to the north and west sides the living area opens out onto planted courtyards partially sheltered by metal canopies.A black staircase, framed by a section of rough stone-clad wall, leads up to the first floor, where three bedrooms are organised around an upper living area overlooking the ground floor from an L-shaped balcony.Read: Rahul Pudale Design wraps Indian home in perforated adobe facade"The layout fosters family interaction through open sightlines and interconnected spaces, while still offering each inhabitant their own private retreat," said Subu."The central dining area, with its double-height skylight, serves as a gathering point that connects the kitchen, courtyard, and pool, allowing for immersive views of nature from multiple angles and enhancing Kerala's tropical greenery," he added.A double-height kitchen and dining space sit at the home's centreThe mixture of tradition and modernity continues on the interior of TropiBox. Areas of irregularly-paved flooring are contrasted by smooth stone paving, while rough-plastered walls meet crisp metal window frames and canopies.Built-in elements such as a stone-clad, steel-topped kitchen island sit alongside vintage and repurposed pieces of furniture, in what Subu describes as "blending old-world charm with the modern".A circular skylight illuminates the living spaces belowOther homes recently completed in Kerala include a mud-plastered dwelling nestled into a forest by Studio Terratects and a residence by 3dor Concepts featuring an oversized concrete roof to offer shade and privacy.The photography is by Turtle Arts Photography.The post Tropical Architecture Bureau blends "old-world charm with the modern" for Keralan home appeared first on Dezeen.

Dezeen Showroom: two L-shaped aluminium sheets create "the illusion of a single rectangular base" in this characterfully geometric coffee table by New York furniture designer Orlando Pippig.A thick slab of smoked glass tops off the AL-03 table, both concealing and revealing the base structure underneath depending on the angle from which it is viewed.Orlando Pippig has released the AL-03 tableThe design is a homage to the monumental glass sculptures created in the 1960s by American artist Larry Bell a leading figure of Southern California's Light and Space movement."Following Bell's works, negative space is an equally important element in this design as the positive is," Pippig said.The smoked glass top looks opaque from certain angles"Every component of the table is based on simple geometry: the addition of squares into rectangles," he added. "Offsetting the Ls visually aligns the two opposing squares, creating a dialogue of negative-positive space to imply the illusion of a single rectangular base."The aluminium base is available in a matte brushed finish or a shiny waxed version to suit different interiors.Product details:Product: AL-03 tableBrand: Studio Orlando PippigContact: orlndofurniture@gmail.comMaterial: aluminium and smoked glassColours/finishes: hand brushed and waxed aluminium, sliverDimensions: 1016 x 508 x 368 millimetresDezeen ShowroomDezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.The post AL-03 table by Studio Orlando Pippig appeared first on Dezeen.

Swiss architecture studio Itten+Brechbhl has created a temporary timber university sports hall in Zurich, with aspirations for its demountable construction to be "the new standard in architecture".Shortlisted in the sustainable buildingcategory ofDezeen Awards 2024, Sporthallenprovisorium Gloriarank replaces four sports halls at the University of Zurich with its glued laminated timber (glulam) structure clad in larch timber.Itten+Brechbuhl has designed a temporary sports hall that will be deconstructed after its useWith sustainability in mind, Itten+Brechbhl designed the three-storey building with wood construction company Hector Egger Gesamtdienstleistung to be easily deconstructed after 10 years of use."To design a demountable building should be the new standard in architecture," Itten+Brechbhl associate partner Daniel Blum told Dezeen. "It is only in the last, let's say, 100 years that we started glueing everything together."Larch timber clads the exterior"The development of demountable buildings gives us the possibility to cultivate our buildings, not only in form and expression but through construction and detail," he continued."If we do so, sustainability and sufficiency can become driving forces for the creation of architecture."Its form is made up of three cuboid shapesSituated on the corner of a triangular site, Itten+Brechbhl designed the building as a cluster of three combined cuboid volumes.The largest volume contains sports halls, the smallest features changing rooms and shower facilities, and a windowless volume has storage spaces and plant rooms.Read: 3XN and Itten+Brechbhl design mass-timber campus for Swiss universityAccording to Blum, as much raw timber was used as possible so elements could biodegrade if they were not reused for another project.Columns and beams were made from glulam, while untreated wood was used elsewhere in the building, including larch external cladding, oriented strand board (OSB) interior cladding, and plywood used to cover prefabricated slabs.Many of the timber surfaces were left untreatedStandardised timber elements were fixed together with screws, intending to make the temporary building easy to demount and reuse."There are three scenarios either the building will be dismantled and rebuilt somewhere else, or its parts will be reused," said Blum.OSB boards line the internal spaces"If both of these options fail, there is a lot of raw timber and other materials that can be used to create new buildings, or let the timber become soil and grow new trees on it," Blum continued."Raw timber is biodegradable, unlike treated wood, so even if the building as a whole or in parts will not be reused, it still has a low carbon footprint."Red, green and blue colours were on the floors used to distinguish different levelsDifferent colours of wall tiles and linoleum flooring were used on each level red on the ground floor, green on the first floor and blue on the second floor.Founded in 1922 by Otto Rudolf Salvisberg and Otto Brechbhl,Itten+Brechbhl has seven architecture offices across Switzerland.Other demountable structures recently published on Dezeen include a bamboo house in Germany and a forest pavilion made by students from London's Architectural Association.The photography is by Yohan Zerdoun.The post Itten+Brechbhl creates demountable timber sports hall for University of Zurich appeared first on Dezeen.

Promotion: Estonian timber supplier Thermory has announced the winners of its annual wooden architecture design awards, including a swooping addition to Lisbon's Centro de Arte Moderna Gulbenkian by Kengo Kuma.The Thermory Design Awards celebrates architecture and design constructed with Thermory'sthermally-modified wood products.Thermory has named a winner for each of its four categories Best Private House, Best Public Building, Best Interior and Best Sauna this year, selected from 59 submissions from 16 countries.Hatchway Home received the award for Best Private House"We are proud to say that in these structures and environments, thermally treated wood has found a home, playing a central role and making a meaningful difference in both design and environmental impact," said the timber supplier.Designed by owner Robert Gabriel of American architecture studio Atelier Chalk, Hatchway Home is a rural Californian property that won the award for Best Private House.The jury praised Gabriel's use of thermo-radiata pine to clad the dwelling, chosen to complement the surrounding hedgerow and ocean views.Kengo Kuma's wood-clad canopy for the Centro de Arte Moderna Gulbenkian in Lisbon was also honoured"Hatchway Home's sun-kissed silver patina harmoniously blends with the colours of the surrounding meadow, creating a seamless connection with nature," said Thermory.Japanese architect Kengo Kuma recently completed a wood-clad canopy for the Centro de Arte Moderna Gulbenkian extension in Lisbon, with a sweeping form that references an engawa a sheltered corridor typical of Japanese architecture.Awarded for its use of thermo-ash, Kuma's project took home the prize for Best Public Building.The award for Best Interior was presented to Tallinn Airport Business Lounge"The jury was particularly impressed by the bold form and innovative use of wood, which together create a striking visual impact," said the timber supplier."One can almost sense the weight of the structure, giving it a strong sense of presence. Overall, this remarkable architecture stands as a true embodiment of public space," it added.The award for Best Interior was presented to Tallinn Airport Business Lounge, designed by local studio KAMP Arhitektid.APEX took home the award for Best SaunaA combination of thermo-ash and thermo-ash veneer was chosen for the lounge's furniture and wall panels. The space also features locally sourced natural limestone and lime plaster walls."All the details are meticulously thought through, and the use of natural materials fosters a warm and inviting atmosphere, creating a modern yet welcoming environment," considered Thermory. "The lounge serves as a beautifully designed business card for Estonia."Slovakian architecture and design studio APEX took home the award for Best Sauna for its project Sauna In The Forest a cedar-clad building complete with a fully glazed wall and alder wood benches.Celebrated by the jury for its "embrace of simplicity", the sauna was designed to be peaceful and calming."The materials add a warm, natural ambiance to the space," explained Thermory. "The blend of modern design, natural materials, and the beauty of the forest creates an ideal environment for relaxation and rejuvenation."This year's jury was made up of architects including Arhitekt Must's Ott Alver, Maali Roomet-Allese of Maali Roomet Design and Rubn Toms Verde, architect at Lundn Architecture.Thermory's development manager Hannes Tarn and sales director Katrin Reinaste-Parve also joined the panel."Through this event, we celebrate and recognise our brand ambassadors and creative professionals for their remarkable work, which leaves a lasting positive impact through the use of our natural, durable, and sustainable wood," said the timber supplier.For more information on the Thermory Design Awards, visit itswebsite.The photography is courtesy of Thermory Design Awards.Partnership contentThis article was written by Dezeen as part of a partnership with Thermory. Find out more about Dezeen partnership contenthere.The post Thermory Design Awards 2024 winners leave "lasting positive impact" appeared first on Dezeen.

Dezeen Showroom: onion bulbs and conchigliette pasta are among the organic shapes that informed this collection of ceramic pendant light clusters by Indian manufacturer Naaya Studio.The Cluster collection includes five different sculptural multi-tiered chandeliers Bud, Flight, Sunrise Rings, Conchigliette and Cepa.Sunrise Ring and Conchigliette are among five designs in the Cluster seriesAlthough different in shape, they are united by their handcrafted clay elements, which are individually moulded and fired to create a unique outcome every time and show the hand of their maker.As the name suggests, the modules are combined into clusters that can be adapted to different interior layouts to add depth and dimension.Bud was informed by the irregular petals of a blooming flowerThe Sunrise Ring cluster features circular pendants with a concealed light source to mimic the soft light of dawn, while the Bud design captures the delicate, irregular shape of a budding flower.Conchigliette pays homage to its namesake pasta shape with a shell-like form that's especially suited to dining spaces whether public or private.Meanwhile, Cepa mimics the shape of an onion bulb with intricate cutwork that casts a delicate play of light and shadow, and Flight features simple folded shades that can be used to emphasise a more expansive space.Product details:Product: Chandelier clustersBrand: Naaya StudioContact: sales@naayastudio.comMaterial: clay, stoneware and terracottaColours/finishes: terracotta, white, off-white and naturalDezeen ShowroomDezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.The post Cluster chandeliers by Naaya Studio appeared first on Dezeen.

New York-based Builtin Studio has helped a young family expand their Upper West Side apartment into the adjacent unit and create mid-century-influenced interiors that complement the historic details.After the family jumped at the chance to buy the neighbouring apartment to their current home, they tasked Builtin Studio with combining the two spaces and uniting them with the decor.The apartment's kitchen and dining area includes a chestnut island, olive green cabinetry and built-in seating around the table"What resulted is an elegant lesson in how to refresh a home for a growing family that is reflective of their needs and personality," said the studio.United after removing the dividing wall, the property measures 2,200 square feet (204 square metres) and now contains two beds, four baths, two offices and a den.In the light-filled living space, a navy sectional and pink occasional chair offer plenty of seatingThe entire interior was gutted to offer "a clean slate", allowing Builtin Studio to restore the traditional mouldings while rethinking the layout and the atmosphere of the spaces.An open floor plan connects the lounge to the kitchen and dining area, which includes a chestnut island and built-in seating around an oval table.Mid-century influences can be seen in the den's furniture and lightingKitchen cabinets are painted olive green, while the marble backsplash features golden flecks that match the range hood trim and Apparatus light fixture over the island.The mid-century influences are visible in the choice of dining chairs, as well as the furnishings in the den.Read: General Assembly creates "comforting and quiet palette" for Manhattan apartment"Given the complex's age, once a residency for Babe Ruth, Builtin played off of the apartment's historic character while modernising it," the studio said.In the primary bedroom, a neutral palette complements the rich wood used for the bed frame, side tables and millwork in the closet.Varied shades of blue can be found in the kid's bedroomThe kid's bedroom was designed to "strike a balance between maturity and playfulness", featuring various shades of blue across the ceiling, carpet, curtains and bedding.A moodier tone is set in the hallway bathroom, where earthy green plaster and brass scones create a sense of intimacy.A moodier tone is set in the hallway bathroom thanks to earthy green plaster and brass sconcesThe front office has high-gloss painted ceilings, steel doors and a built-in bookcase that again nods to the mid-century style.Other recently completed apartments on the Upper West Side include a pad by General Assembly that has a "comforting and quiet palette", and a residence by Messana O'Rorke that features striking marble bathrooms.The photography is by Trevor Parker.Project credits:Architecture and design: Studio director; Kyle Landau, designer; Connor TauntonConstruction: MKON ConstructionStyling: Mariana MarckiThe post Builtin Studio combines and renovates two Upper West Side apartments appeared first on Dezeen.

California studio LOHA has completed a residential and retail building called Bellevue53, which features a rooftop swimming pool and stepped elevations clad in white metal.Located just north of a major freeway, the multi-level building sits on a corner lot in Los Angeles' Silver Lake neighbourhood, known for its trendy restaurants, distinctive architecture and bohemian atmosphere.LOHA has completed a residential and retail building called Bellevue53The building sits next to another LOHA project, the Dillon617 apartment complex, which has stepped facades and black cladding.Totalling 96,400 square feet (8,956 square metres), the new three-storey building holds retail space at ground level and 53 residential units up above, along with a rooftop swimming pool. There are also two underground parking levels.The building features a rooftop swimming poolDesigned to "elevate the urban environment", the building's massing was influenced by the area's hilly topography."Drawing inspiration from the neighbourhood, LOHA developed a rhythmic massing that echoes the steep topography and reduces the scale of the building," the team said.Generous views of the city can be enjoyed from the building"The massing steps up and down along the elevation, touching the ground at key moments to anchor the residential program."In form, the building takes the shape of a rectangle in which large blocks have been cut away, allowing for ample sunlight and outdoor terraces.Bellevue53 has 46 studios and seven one-bedroom apartments"Los Angeles has a deficiency of outdoor public space; therefore, amenity decks are essential for successful multi-family developments," the team said."These decks are paired with open air circulation, offering both generous views of the city and a sustainable solution for development."The building includes "punched balconies"The building also has "punched balconies", which are recessed rather than projecting, to offer tenants more access to daylight and the outdoors.The building has 46 studios and seven one-bedroom apartments, with units ranging from 475 to 1,000 square feet (44 to 93 square metres). Interior finishes include white-painted walls and wooden flooring.Interior facades are wrapped in white stuccoStructurally, the building consists of a concrete podium and steel-framed upper volumes.Street-facing walls are clad in white metal panels, while interior facades are wrapped in white stucco.Read: LOHA creates dance school within historic orange-packing building in southern CaliforniaDesigned with pedestrians in mind, the building is surrounded by generous walkways and a plaza. Overall, the building is meant to have a neighbourly feel."As Los Angeles embraces densification, the tension between multifamily living and single-family homes intensifies," the team said.The building is surrounded by generous walkways and a plaza"LOHA's Bellevue project eases this tension by weaving the essence of the neighbourhood into multi-family fabric through stepped facades, exterior spaces and public amenities."Other projects by LOHA include a Raleigh apartment building with a highly sculptural roof and a cedar-clad housing block in Detroit.The photography is by Eric Staudenmaier.Project credits:Architect: LOHAArchitecture team: Lorcan O'Herlihy (principal-in-charge), Brian Adolph (project director), Geoffrey Sorrell (project lead), Yuval Borochov, Nick HopsonCivil and MEP engineer: SYLeeStructural engineer: John Labib + AssociatesLandscape architect: Stephen Billings Landscape ArchitectureClient: CIM GroupThe post LOHA uses "rhythmic massing" for dual-use building in Los Angeles appeared first on Dezeen.

Dezeen School Shows: a proposal for micro housing which promotes sustainability is included in this latest school show by students at the University of Waterloo.Also included is a botanical garden which includes education initiatives and a proposal for a food security system through combining a greenhouse with a food bank.University of WaterlooInstitution:University of WaterlooSchool: School of ArchitectureCourse: Bachelor of Architectural Studies (BAS) and Master of Achitecture (MArch)Tutors: David Fortin, Rick Haldenby, David Correa, Jaliya Fonseka, Terri Meyer Boake, Lola Sheppard, Scott Sorli and John McMinnSchool statement:"The University of Waterloo School of Architecture is an internationally respected architecture and design school dedicated to educating the best architects in the world."Set on the Grand River in historic downtown Cambridge, Ontario, in Canada, the School of Architecture is a source of design inspiration."Our campus, housed in a carefully restored 1920s silk mill, features an award-winning library, art gallery, cross-disciplinary maker spaces, fitness facilities, eateries and student services."During the fourth year, students spend a term abroad studying at our campus in Rome, Italy."Our pre-professional Bachelor of Architectural Studies (BAS) degree immerses students in the culture and practice of design."Students develop an understanding of the workings of society and culture, the principles of physics, the materials and techniques of construction, human interaction with the natural and built environment, historical processes, critical thought and diverse forms of creative expression."The Master of Architecture (MArch) programme provides students with a unique opportunity to create an individual research and design thesis while completing the required coursework for professional accreditation."Under the guidance of faculty with internationally recognised expertise, students can explore diverse topics in architecture, landscape, urbanism, technology, sustainability and fabrication, among other topics."Crop Co-opbyRoksolana Ozerianska"Crop Co-op's sustainability philosophy integrates sustainability in human activity, human living and building construction."It balances affordability and quality of life by focusing on practical efficient solutions."Sustainability in human activity emphasises collective food growing and consumption, supported by a rich social program."In living, sustainability is achieved through a six-bay unit module that allows for unit mix flexibility."In construction, the modular building structure is designed for disassembly, enclosed in a repetitive 'perfect box' envelope and wrapped in a self-supported sunroom system to minimise thermal bridging and maximise simplicity.""Initial design completed by Roksolana Ozerianska, Kimia Safdarzadeh and Athena Walker."Student: Roksolana OzerianskaCourse: ARCH392 Design StudioTutor: David Fortin and Rick HaldenbyEmail: rozerianska[at]uwaterloo.caGrowbyMadeline Engen"Grow proposes a genuinely circular architecture addressing pressing social needs, joining a production greenhouse with the not-for-profit Cambridge Food Bank."Beyond their natural programmatic symbiosis, the programmes promote food security by engaging local communities in food production; additional education programmes and spaces leverage the greenhouse as a living classroom."Beyond programming, each of the building's components are conceived as integral parts of a circular process."Its hay-bale walls are sourced from agricultural waste; mechanical systems recirculate heat from the greenhouse; rainwater captured in a cistern becomes effective solar mass and food waste is composted on-site for the many productive gardens."Student: Madeline EngenCourse: ARCH 493 Comprehensive Building Design StudioTutor: Jaliya FonsekaEmail: mhengen[at]uwaterloo.caKnot-icalbySarah Abdulkarim, Michael Salib and Naya Sanchez"The Knot-ical Bridge connects Halifax's South End with Armdale, saving residents commute time, expanding the city's green network and reaffirming public waterfront access."The bridge draws inspiration from Halifax's sailing traditions, featuring a design reminiscent of billowing boat sails."Three strategically placed masts offer unique viewpoints and experiences along the pathway (ramp from the lower elevation of Sir Sandford Fleming Park, observatory deck and built-in seating areas)."This innovative structure not only serves as a necessary connection between points in Halifax but also enriches the public realm, inviting people to enjoy the city's scenery and heritage from a new perspective."Students: Sarah Abdulkarim, Michael Salib and Naya SanchezCourse: ARCH 570 Architecturally Exposed Structural Steel DesignTutor: Terri Meyer BoakeEmails: sabdulka[at]uwaterloo.ca, m7salib[at]uwaterloo.ca and nsanchez[at]uwaterloo.caParkdale People's Palace: Rethinking a Heritage Church as Revitalised Social InfrastructurebyMatthew Dlugosz"This thesis explores how a church building in disrepair can be transformed into a socially relevant space for its community through architectural adaptation."In the context of South Parkdale's gentrification and commitment to equity, the thesis proposes transforming Bonar-Parkdale Presbyterian Church in Toronto into a community food hub."By integrating new spaces and programming, the church can become a social infrastructure asset, offering renewed relevance and connectivity."This thesis argues for the intersection of heritage and social infrastructure, empowered by community ideals, to create socially constructive futures for Toronto's declining church buildings."Student: Matthew DlugoszCourse: Master of Architecture (MArch)Tutor: Lola SheppardEmail: matthew.dlugosz[at]uwaterloo.caStep by StepbyPhillis Yang, Leanne Li and Matthew Baker"Step by Step weaves ceramic craft into an architectural element activated by the user through movement and touch as they ascend or descend."Our brick module is a double sided, universal experience that allows the inside face to cast sharp angular shadows within the negative space while the outside face are angled planes joined together with varying sizes of the centre aperture."When mortared and assembled similar to a conventional brick wall, the stair is presented with formal rhythm and an optical effect, creating a new poetic experience and appreciation for stairs and for its details and joinery."Students: Phillis Yang, Leanne Li and Matthew BakerCourse: ARCH 520 Material SyntaxTutor: David CorreaEmails: phillis.yang[at]uwaterloo.ca, l567li[at]uwaterloo.ca and m37baker[at]uwaterloo.caStonehouse: more than a foodbankbyYoon Hur"Stonehouse reimagines the Cambridge Food Bank as an architectural typology woven into the urban fabric as a communal hub, rather than being pushed to the margins."Cambridge Food Bank's motto, 'more than a food bank', is embodied in the proposal, fostering a space that provokes timeless sensorial curiosity."As one walks through the space enclosed by rhythmic timber frames and welcoming stonewalls, Stonehouse reveals the enduring symbiotic relationship between the locally sourced and reclaimed materials, paying homage to the city's architectural heritage and the former industrial site."Here, materiality transcends building science, becoming an agent of history, sustainability and belonging."Student: Yoon HurCourse: ARCH493 Design Studio/Comprehensive Building DesignTutor: Jaliya FonsekaEmail: yoonhurr[at]gmail.comCamp GlennbySophie (Jinhong) Rioux"Architecture for grief requires adaptability and variability; in a death-denying society, emotional landscapes rarely encounter public space."Camp Glenn is a lodge designed for bereaved children and teenagers, providing a therapeutic environment to learn essential coping skills, meet people with similar experiences and memorialise their loved ones."Flowing through the Canadian Shield, the riverside stratum is a passageway."Natural and constructed landscaping elements allow campers to retreat and rejoin the program without dictating the course of transitional grief phases."Camp Glenn provides agency and compassion, helping its visitors find community, support and solace after loss uncovering life after life."Student: Sophie (Jinhong) RiouxCourse: ARCH 293 Landscape Design StudioTutor: Scott Sorli and Lola SheppardEmail: j3rioux[at]uwaterloo.caMicro-housing for affordability, flexibility and sustainability by architecture students"This studio is focused on housing insecurity in the Waterloo Region and explores the potential of low-cost, small-scale building that could be widely deployed as a means of quickly created, much needed housing, for a growing segment of our communities."The studio explores the principles of design, technology and fabrication of small dwellings, whose modest size, mobility and economy can play a key role in addressing the acute housing crisis both regionally and nationally."The studio will design an approximately 190-square-foot tiny home in Ontario."This course runs as part of the Grand Studio Design Build program at the School of Architecture, which has dual focus of creating alternative housing in the Kitchener-Waterloo Region as well as cultural infrastructure projects in collaboration with local Indigenous communities."The program offers students the opportunity to carry through designs from preliminary research, to concept design, construction documents and the building of full-scale permanent structures, in collaboration with community groups, putting design education into practice, for architecture that can create tangible change for people in our surrounding local communities."Students: MultipleCourse: ARCH 393: Micro-housing for affordability, flexibility and sustainabilityTutor: John McMinnCambridge Food BankbyCian Hrabi"The Cambridge food bank project recognises its industrial surroundings as valuable contextual material to be referenced and physical material to be used in the new construction."The new building is a light steel frame single-story structure located at the front of the site, with one existing building retrofitted to become a conditioned community centre and farm storage space."From demolition, brick walls are re-used as floor finishes, concrete block used as interior partitions and steel recycled."A photovoltaic shading screen is erected on the south facade, creating a distinct building face and enabling a fully-glazed facade while maintaining an efficient thermal envelope."Student: Cian HrabiCourse: ARCH 493 Design Studio/Comprehensive Building DesignTutor: Jaliya FonsekaEmail: cian_m_h[at]mit.eduGill GardensbyAudrey Chen, Simone Darveau and Kailing Mai"Located on the UBC campus and adjacent to secondary and elementary schools, Gill Gardens aims to be a collaborative, hands-on botanical garden centred around learning and engaging with nature."This project explores an innovative architectural solution by upscaling adaptive wood bilayer systems, inspired by the hygroscopic actuation of the Button Mushroom."It intends to create a climate-responsive louvre system that leverages the inherent properties of American White Beech for controlled shape-changing transformations, based on fluctuations in relative humidity at a seasonal scale."This offers a biomimetic and material-centric alternative to conventional kinetic facades."Students: Audrey Chen, Simone Darveau and Kailing MaiCourse: ARCH393 Biomimetic Design LabTutor: David CorreaEmails: a277chen[at]uwaterloo.ca, klmai[at]uwaterloo.ca and sdarveau[at]uwaterloo.caPartnership contentThis school show is a partnership between Dezeen and the University of Waterloo. Find out more about Dezeen partnership content here.The post Ten architecture projects by students at the University of Waterloo appeared first on Dezeen.

Mongolian designer Sarina has released a duo of stools clad in the pale bark of birch trees that celebrate the craftsmanship of the Oroqen people of Inner Mongolia.The Oroqen people are an ethnic group native to the Inner Mongolia region of northern China, who have been using birch tree bark in their handicrafts for thousands of years.The seats are clad in the bark of birch treesHowever, rather than the brown inner bark used by Oroqen craftspeople, Sarina decided to employ the birch tree's outer bark, which has a distinctive silvery surface pocked with grey knots and splits."I chose to preserve the white texture of the outer bark this texture not only showcases the unique natural beauty of each tree scar but also adds new visual layers to the pieces," Sarina told Dezeen.Wavy joins are the result of time-honoured craft techniquesShe treated the raw bark with traditional steaming methods to achieve a cardboard-like consistency that is malleable and pliable.The pieces were then hand-stitched together using traditional bark-splicing methods, which resulted in characterful scalloped, wavy detailing between joins apparent on both pieces.Read: EJM Studio's Pew stool reimagines traditional church pews with "tricky angles and curves"One seat is arch-shaped, while the other has an oval footprint with a chamfered solid wood top."The inspiration for the works comes from the inherent strength and weight of trees, while the simple curved design bestows an unexpected softness," Sarina said.Two different-shaped seats comprise the collectionThe designer envisages the seats to be used in residential spaces and imagines that they would suit interiors designed in Japanese, Scandi, minimalist and rustic styles.Both stools are available to purchase and customised pieces can be hand-made upon request. Sarina is currently working on other similar items to add to the collection.Sarina wanted to celebrate her Mongolian heritage through the pieces"Through the contrast of solidity and gentleness, viewers can experience a unique balance and harmony," she said."I envision these pieces being used in a variety of settings, possessing a strong sense of sculptural artistry while exuding a natural aura."The pieces would fit into a range of interior design schemesSarina was born in Hulunbuir, Inner Mongolia, and produces work informed by her upbringing. She also teaches design at the Central Academy of Fine Arts (CAFA) in Beijing, China.Other stools recently published on Dezeen include a series of playful stools made from dyed timber and a stool made from steel that has three separately adjustable legs.The post Sarina designs bark-clad Forestrest seats to reference traditional Mongolian crafts appeared first on Dezeen.

This video produced by Jim Stephenson spotlights the University of Aberdeen Science and Teaching Hub by Reiach and Hall Architects, which has been shortlisted for the RIAS Andrew Doolan Best Building in Scotland Award.It is the fourth video published by Dezeen in collaboration with the Royal Incorporation of Architects in Scotland (RIAS) to highlight the annual award's 2024 shortlist.In the video, viewers are introduced to the building's updated science facilities, which encompass laboratories from various departments that are "gathered into a single entity".The University of Aberdeen Science and Teaching Hub has been shortlisted for the RIAS Doolan Award 2024In the video, University of Aberdeen professor Peter Edwards and director at Reiach and Hall Architects Neil Gillespie emphasise the importance of this development for the university and its students."There was a recognition within the university that our existing facilities for lab-based science education were dated and needed significant investment, and so it was an opportunity across the university to look at what we needed for the future," Edwards said."The traditional model, if you like, was that each department had its own suite of laboratory spaces, teaching spaces, and this building moves to a different model where it's the activity that's been housed rather than the department," Gillespie explained.Read: Fruitmarket Gallery renovation by Reiach and Hall Architects draws on "its previous histories"Praised by the jury for its "high quality and architectural precision", the University of Aberdeen Science and Teaching Hub is one of two projects by Reiach and Hall Architects shortlisted for this year's award, with the studio's Fruitmarket Gallery in Edinburgh also nominated.Other projects vying for the prize include North Gate Social Housing by Page\Park Architects, Ardoch by Moxon Architects and The Burrell Collection by John McAslan + Partners.The Andrew Doolan Best Building in Scotland Award is an annual award running since 2002 that highlights Scottish projects. This year's winner is set to be announced on 22 November.The film and photography are courtesy of Jim Stephenson.The post Reiach and Hall Architects renews "dated" science facilities at the University of Aberdeen appeared first on Dezeen.

Architecture studio Atelier Heyman Hamilton has renovated and expanded Tor, a holiday home on an island with the same name in Sweden, focusing on "the meeting between the building and the site".The careful renovation aimed to honour the house's 1970s Folkhem architecture, a Swedish movement that combined modern materials and mass production systems with local and traditional forms.Atelier Heyman Hamilton (AT-HH), founded by James Hamilton and Malin Heyman, wanted to explore how new site-specific construction methods could be combined with an existing catalogue house a prefabricated modular home chosen from a catalogue.The summer house is located in the Stockholm archipelago"We began this project by grounding the design work with a sense of curiosity about the ambiguities that arise when new site-specific parts, specifically designed for the context of the existing building and noticeably adapted to the site, are inserted into the general design of the catalogue home, which is not designed for a specific site and context," Heyman told Dezeen."Through the renovation and addition, we wanted to focus a lot of our attention on the meeting between the building and the site in terms of views, space and tectonics, by working on the foundation, the shape of the roof and the entrances," she added.The home is located in rocky terrain on Tor, an island in the archipelago that surrounds Stockholm.AT-HH added an extension to one end of the traditional holiday homeAs well as adding an 18-square-metre extension, which holds a bedroom and reading room, the designers adapted the existing layout to suit multigenerational living."The major moves of the new plan create more distinct spaces for varying family constellations to gather and seek privacy," Hamilton told Dezeen.The studio cut away damaged roof sections and mouldy parts of the interiorThe aim was to create a design that respected the existing building while not being nostalgic about it."A non-sentimental respect for the existing house was central to our work on this project," Hamilton added."In the interest of keeping both the amount of waste produced and the use of new materials down, while dealing with an existing building in disrepair, the work of renovation and extension turned into a thorough exercise in having existing meet new at every scale, everywhere in the building."A post-and-lintel portal shows off Tor's new structureHamilton and Heyman designed Tor's kitchen, dining room, hallway and bathroom as a series of medium-sized rooms.These function as a meeting point for the two original bedrooms and the bedroom and reading room in the extension.AT-HH removed walls affected by black mould, cut away the worn lower sections of the house's damaged roof and constructed new eaves. These are covered in tar roof paper, which continues over the new extension.Read: Norm Architects creates cedar-clad summerhouse that nods to traditional barnsThe roof structure and ceiling of the living room were also removed, creating the need for a new ridge beam that the studio decided to turn into a visible element."The visible structure a result of changes to the interior roof structure of the existing house becomes a central spatial element in this organization, both separating the living spaces from the service spaces with a post-and-lintel portal where the hall, living room and dining room intersect as well as linking them visually and structurally across the living room," Hamilton said.The interior is clad in plywood panelsPlywood panelling covers most of Tor's interior, which was designed by Stockholm studio Matsson Marnell, creating a space that nods to the summer house's traditional design while offering a clean, contemporary feel."We feel that the spatial qualities of the interiors, as well as their relation to this specific site, are strengthened by the interior design by Matsson Marnell," Heyman explained."The sculptural furniture of Matsson Marnell's own design from the series skog are complemented by a few select pieces that create a low centre of gravity and focus on natural materials and shape," she added."The interior design reflects the contrasts in texture and scale that are present in the architecture of the existing, altered and added."AT-HH aimed to introduce as few new materials as possibleThe overall material choice was an important aspect of the renovation and extension of Tor, which now measures 93 square metres, with the architects aiming to use a palette that reflected and respected the existing."The project introduced as few new materials as possible," Hamilton said."The materials that we chose to add are very much a response of the most prevalent existing materials: the brown-black tar paint on the facade and the pine wood interior panelling," he added."The tar paper on the roof and facade are, for us, in clear dialogue with the dark brown-black ferrous pigment of the existing facades, while the pine plywood on the interior is a nod to the pine panelling in the ceiling of the existing interiors."Other summer houses on Dezeen include a cedar-clad home in Denmark and a residence on stilts in Sweden.The photography is by Andy Liffner with interior styling by Matsson Marnell.The post Atelier Heyman Hamilton revives 1970s summer house in the Swedish archipelago appeared first on Dezeen.