Besides the former Wright Carriage House (now the Soule Recreation Center), the only other extant building that was built on the grounds of the former John G. Wright Estate in Brookline, Massachusetts, is this structure, the historic gatehouse to the property. Built in 1907 at the same time as the manor house, the gatehouse was also designed by architects Chapman & Frazer and served as the entry to the expansive grounds with a room for the gatekeeper to sleep in overnight. The Tudor Revival style building is less ornate than the stone mansion, the half timbering and stucco work well to compliment the other buildings. While the formerly dark half timbering has since been painted a white, the building still maintains its character. While the remainder of the Wright Estate was subdivided and sold off by the heirs of next owner, wool merchant, Andrew Adie, the gatehouse remained and survived the destruction that befell the main manor. The old gatehouse was converted to a full-time residence and remains to this day.

The Soule Recreation Center in Brookline, Massachusetts, was originally the stable and carriage house on the John G. Wright estate. John Gordon Wright (1843-1912), was a Boston wool merchant who purchased farmland on this site in the 1890s and hired architects Chapman & Frazer , to design an estate house (since demolished), and this building to serve as a carriage house and stable for horses. The stone Tudor Revival style mansion house was complemented by the earlier wood-frame Tudor carriage house, resembling an English manor with grounds designed and laid-out by the Olmsted firm. In 1942, the property was purchased by the Rivers School (now located in Weston) and converted into classrooms and administrative offices for the private school. When the school moved to Weston, the Town of Brookline in 1961 bought property for recreational purposes. Sadly, in 1967, the mansion house burned down, but the carriage house and gate lodge remain as lasting remnants of a once great Brookline estate.

John Gordon Wright (1843-1912), was a Boston wool merchant who purchased farmland on this site in the 1890s and hired architects Chapman & Frazer, to design this stone mansion as an estate house. He previously moved into an earlier wood-frame home on the site and a decade earlier, had the architects design his carriage house and stable, which survive today as the Soule Recreation Center. The stone Tudor Revival style mansion house was massive and featured in national periodicals when completed. The estate was beautified by landscaping designed and laid-out by the Olmsted firm. In 1942, the property was purchased by the Rivers School (now located in Weston) and converted into classrooms and administrative offices for the private school. When the school moved to Weston, the Town of Brookline in 1961 bought property for recreational purposes. Sadly, in 1967, the mansion house burned down, but the carriage house and gate lodge remain as lasting remnants of a once great Brookline estate.

Found on Woodland Road in Southern Brookline, Massachusetts, this brick dwelling is one of a dozen-or-so whimsical Tudor cottages built there in the1920s and 1930s. The Barnard Gordon House, built around 1928, utilizes brick and stucco cladding with ornamental half-timbering, diamond pane leaded glass casement windows on the second story, and decorative half-timbering. The main attraction is the round tower with conical roof also serving as the entrance, resembling more of Rapunzels tower than a normal suburban home. We need more unique houses today like they built 100 years ago. Everything today feels so sterile and unwelcoming, maximizing interior layout at the loss to street presence.

A playful interpretation of a medieval English cottage, with its stucco cladding, half-timbering, weatherboards in the gable ends and ornamental well enclosure in the front yard, can be found on Woodland Road in Brookline. The whimsical cottage was built in 1928 for Arthur B. Bernard, the son of the president of the New England Leather Company in Bostons Leather District. Arthur would follow his fathers footsteps and join the business himself. Architect and builder, Fred S. Wells of Newton designed and constructed the house (and others in the area in the same style). Whats your favorite part of this house?

The early decades of the 20th century were the golden years for suburban development in the Boston area. With personal automobiles better-connecting the city to lesser developed areas like Milton, Newton and Brookline, middle-upper class residents were able to relocate to the suburbs and build stately homes, typically in one of three architectural styles: Colonial Revival (most common), Tudor Revival, or Arts and Crafts (least common). This large house is located on Randolph Road in the Woodland/Heath area of Southern Brookline, and dates to 1928. The residence was constructed for Dr. Walter C. Miner, an orthopedic dentist, and his wife, Ethel and designed by the firm of Strickland, Blodgett & Law. The large house sits on a double-lot, and is notable for its symmetry, slate tile roof, and rough-faced stucco walls.

The Liberty Tree Block is located at one of Bostons oldest and most important intersections, Boylston and Essex streets. It is said that near this site, the Liberty Tree stood, and where in 1765,Patriotsin Boston staged the first act of defiance against the British government under its branches, The Stamp Act protests. The tree became a rallying point for the growing resistance to the rule of Britain over theAmerican colonies. The Liberty Tree was cut down by British Loyalists in 1775, but the trees symbolism lives on in the building constructed on the site 75 years later. Nineteenth-century real estate developer David Sears had this commercial block built in 1850, which housed stores at the street with ballrooms on the upper floors. The Liberty Tree Block is best-known and named so due to the wooden relief plaque of the Liberty Tree on the Washington Street elevation. The motif stands 8 high and 5 wide and was carved by ship carvers. The bas relief is inscribed with Liberty1765 across the top, Law and Order at its roots, and at the bottom, Sons of Liberty, 1765. Independence of their Country, 1776. The building (and its carving) are protected Landmarks in Boston.

The Boston Young Mens Christian Union was founded in 1851 by a group of Harvard students as a biblical and christian literature discussion group, which incorporated the following year. First located on School Street, the organizations activities were to provide a focal point for the intellectual, religious, and social life of primarily middle-class, well-educated Christians. The organization grew to the point that a new building was needed, and in 1873, a site on Boylston Street was acquired as a perfect central location for the group. Architect Nathaniel J. Bradlee of Bradlee and Winslow was hired to design the structure, principally because Mr. Bradlee by then a prominent architect and public figure, was also a life member of the Union and the brother of one of its founders. The building was completed in 1875 and included ground floor retail with an auditorium, gymnasium, library, social and game rooms, and offices for the Union above and behind. Designed in the High Victorian/Ruskinian Gothic style, derived from a mixture of English, Italian, French, and some German Gothic precedents, the style emphasized complicated, asymmetrical massing, polychromy, ornate details, and lancet or Gothic arched openings, in this building a sandstone facade was used. The building became a City of Boston Landmark in 1977. In 2016, the building was converted to an affordable housing development by The Architectural Team Inc., and called The Union. The development provides 46 units of affordable housing, including 25 targeted to those who have experienced homelessness. What a great rebirth of the building. Historic Preservation and Affordable Housing can work together and create great projects.

Tucked away on Boylston Place, a dead-end pedestrian way off the bustling Boylston Street in Boston, you will find a collection of 19th century buildings that have miraculously survived over a century of growth, urban renewal, and rebirth. This is the Ancient Landmark Building, constructed in 1887 as a IOOF Lodge. The Independent Order of Odd Fellows (IOOF) is a non-political, non-sectarian international fraternal order established in the United States 1819. The four-story Ancient Landmark Building blends Queen Anne and Romanesque Revival styles effectively with its two arched openings, arched windows in the top floor and two-story metal projecting bays. In the 1970s, the building was listed as substandard by the infamous Boston Redevelopment Authority, and luckily did not get demolished as part of its Urban Renewal push. The property was eventually acquired by Emerson College, a great steward for historic buildings and cultural institutions, who restored the building and built a new dormitory above and alongside the Ancient Landmark Building. The project preserves the important streetscape of Boylston Place, while providing needed dormitories for the school.

This is your reminder to get lost and explore your city or town. Tucked off Boylston Street sits Boylston Place, a short, dead-end way that is passed by thousands every day, many not knowing about the little enclave of surviving 19th century buildings there. At the end of the street, the Hilt-Rayner Double House remains in great condition and a reminder as to the residential character of the area in the first half of the 19th century. The houses were built by Henry Hilt, a housewright who owned one unit after completion. The other unit was owned by Thomas L. Rayner, who appears to have rented the unit out. The late example of the Greek Revival style in the rowhouse form is well preserved through nearly 200 years of use. Beginning in the 1920s, the two homes were acquired by the Tavern Club, aprivate social clubestablished in 1884 in the house next door. It remains owned by the Tavern Club today.

This is your reminder to get lost and explore your city or town. Tucked off Boylston Street sits Boylston Place, a short, dead-end way that is passed by thousands every day, many not knowing about the little enclave of surviving 19th century buildings there. This Federal period house was built in the 1810s for Beza Tucker (1771-1820), who rented the home to boarders until his death in 1820. Tucker bequeathed the house to the American Society for Educating Pious Youth for Gospel Ministry, a nationwide association formed in 1815 with the goal of providing financial support to men seeking a theological education. The Society sold the house in 1834 to Reverend Nehemiah Adams, when he became pastor of the Essex Street Church in Boston. Since 1887, the building has been the home to the Tavern Club, a venerable Boston social and dining club that was invite-only. Presidents in the early years included William Dean Howells, Charles Elliot Norton, Henry Lee Higginson. Inside, the eclectic English pub/Colonial interior with its cozy atmosphere included dining rooms, sleeping accommodations for guests, and a small theatre for annual club productions. The Tavern Club is still in operation and maintains the building today. I can only imagine how great the interior is!

The Little Building sits prominently at the busy corner of Boylston and Tremont streets overlooking the Boston Common. Like the Colonial Theater next door, the Little Building was designed by architect Clarence Blackall and named after its developer and owner, John Mason Little. Blackall designed the Little Building in the Neo-Gothic style with a steel frame and a two-story Tudor-arched entrance on Boylston Street. The original facade was granite and cast stone, and the floors were made from reinforced concrete. The building replaced the Hotel Pelham which occupied the site since the 1850s. After being completed in 1917, the Little Building was considered significant enough that it was featured inAmerican ArchitectandBuilding News, highlighting many architectural details inside and out. The Little Building was advertised as a City Under One Roof with 600 offices, dozens of shops, a post office, restaurants, and connections to the nearby subway and theaters. Emerson College purchased the Little Building in March 1994 for $5 million and converted the building to dormitories. After years of deteriorating masonry, Emerson College hired Elkus Manfredi Architects to oversee a full renovation of the building, including a sweepingfacade restoration and the insertion of three glazed elevations between street-facing light wells. The new Little Building is a splendid re-imagining of a historic building, showing how old buildings can be renovated to meet contemporary uses through well intentioned design and care.

Built in 1857 at the prominent intersection of Boylston and Tremont streets in Boston, the Hotel Pelham is said to have been the first apartment building of its type in America. Seen as a high-end apartment building, not like the slum-like tenements in New York and elsewhere in Boston, the units were like French-flats for medium-term renters, rather than short-term stays. The Hotel Pelham was developed by Dr. John Homer Dix, a doctor who took a keen interest in providing healthy accomodations for city-folk. The Hotel Pelham was designed by architect Alfred Stone, as an early example of the Second Empire style, with a French Mansard roof and stone facades. Just about a decade after the building was completed, Tremont Street (which runs along the side of the building) was set to be widened. This work would require the partial (and likely full) demolition of the Pelham Hotel. Rather than see his building face the wrecking ball, Dr. Dix, in 1869, had the Hotel Pelham slid off its foundation, and moved westward thirty feet to accommodate the expanded Tremont Street. This incredible feat of engineering was undertaken by John S. Blair, with architect Nathaniel Bradlee overseeing updates to the facades and interiors. The building would survive a gas main explosion in 1897, but succumbed to redevelopment during WWI, when the building was demolished for the present building on the site, the Little Building.

One of my favorite buildings on Boylston Street in Boston is the ten-story Colonial Theater Building, a landmark Classical Revival style structure of stone. Built in 1899, the Colonial Theater replaced the original Boston Public Library building (1855) which was demolished by 1898, and relocated to Copley Square. The Colonial Theater was designed by famed theater architect,Clarence Blackall and is said to be the oldest, intact theater in Boston. The theatre first opened its doors for a performance ofBen-Huron December 20, 1900 with a sold out show.Ben-Huroperated with a cast and crew of 350 people and featured eight live horses on stage in full gallop during the chariot race scene, with the play being so mechanically and technically extraordinary it was featured on the cover ofScientific American. While cheekily named the Colonial Theater, the interior theater spaces were anything but. The spaces originally contained murals and Baroque style finishes, many of which remain today. Beyond the 1,700-seat theater, the building contained between 250-300 professional offices. The building is owned by Emerson College, who underwent a massive restoration project of the building with Elkus Manfredi architects. Allowing the oldest Boston theater to shine again!

Courtesy of BPL collections. Established in 1848, the Boston Public Library was the first large, free municipal library in the United States.The Boston Public Librarys first building of its own was a converted former schoolhouse located on Mason Street that opened to the public in 1854. As soon as the library occupied the building, it was apparent that the amount of visitors and collections could not effectively be held in the cramped quarters. Planning began almost immediately for its first purpose-built library. Less than a year later, in December 1854, library commissioners were authorized to purchase a lot and fund the construction of the new library. A desirable building lot on Boylston Street, opposite the Boston Common, was purchased and a public invitation for proposals from architects was held. The requirements for the building included: a library hall with alcoves capable of containing on fixed shelves at least 200,000 volumes, a general reading room with ample accommodations at tables for at least 150 readers, a ladies reading room, an adjacent library room for the arrangement of 20,000 books most constantly demanded for circulation, and quarters for the Trustees and Librarian. The facade was to be of brick, with stone dressing. The selected design by architect, Charles Kirk Kirby, was for this handsome Italianate style building which took nearly three years to build, opening in September 1858. Twenty years later, as the library outgrew that space, the Trustees asked the state legislature for a plot in the newly filled Back Bay, and planning began on the McKim Building, built in 1895 down Boylston Street. This building, the first purpose-built Boston Public Library building, was demolished in 1898, and replaced by the ten-story Colonial Theater Building. It stood just 40 years.

Courtesy of BPL archivesFamed author Edgar Allan Poe was born in this house on Carver Street in Boston, Massachusetts, on January 19, 1809, the second child of American actorDavid Poe Jr.andEnglish-born actressElizabeth Arnold Hopkins Poe. His father abandoned the family in 1810and his mother died a year later frompulmonary tuberculosis. He would be adopted by John Allan, a merchant and slaver in Richmond, Virginia, his adopted family gave him the name Edgar Allan Poe. He would live a somewhat nomadic life, moving around often to cities all over the East Coast until his death in 1849 in Baltimore. Although it was his birthplace, Poes troubled early childhood likely contributed to his disdain for Boston, where he often referred to Bostonians as Frogpondians, after the frog pond on Boston Common, though as an insult. The poets seminal workThe Ravenwas published in January 1845 to widespread success. Several months later, Poe was invited to read at the Boston Lyceum with the support ofJames Russell Lowell,a Harvard professor and editor ofThe Atlantic Monthly. Itdid not go well.His childhood home on Carver Street would be razed by 1962 and is presently a surface parking lot for an electrical substation. The city would honor its macabre author by renaming an alley off Boylston Street, Edgar Allan Poe Way, and in 2014, the City commissioned a public statue titled, Poe Returning to Boston. Designed by Stefanie Rocknak, the statue depicts Poe walking, facing away from theBoston Common. His figure is accompanied by anoversized flying raven; his suitcase lid has fallen open, leaving a paper trail of literary works embedded in the sidewalk behind him.

On Boylston Street overlooking the Boston Common, this historic building with two distinct parts is not photographed as much as some of its neighbors, but it is an important visual reminder of the period of growth and development in the city in the late 19th and early 20th centuries. This is the Walker Building, an early office building that was constructed beginning in 1891 in two phases by owner Joseph W. Walker. Mr. Walker hired the architectural firm of Winslow & Wetherell to design the building, which was finished in the Romanesque Revival style with a notable cornice with nine-bay arcade of arched windows and ornate wreath and swag motifs. A major tenant in the building was the Boston office of the S. S. White Dental Manufacturing Company, the largest dental manufacturing company in the world. Less than a decade after the six-story Walker Building opened, Joseph Walker purchased and razed the parcels nextdoor and again hired the same firm (at this time renamed Winslow & Bigelow), to expand the Walker Building, building a ten-story addition in a similar style. The second Walker building housed piano company showrooms and offices along with professional offices of numerous architects and professionals. The Walker Building is now owned by Emerson College, and is used as classrooms, computer labs, and study spots for students with the dining center and bookstore in the former retail spaces.

The Steinert Building on Boylston Street in Boston is one of the citys most iconic and mysterious buildings. The Beaux Arts style building was constructed in 1894 from plans by architects Winslow & Wetherell and contained three floors of display rooms, three floors of teaching studios and practice rooms. The building is arguably best-known for the 650-seat Steinert Hall, a basement concert hall constructed 35 under ground and considered by some to be one of the most perfect concert halls, acoustically, in the U.S. The building was constructed as the national headquarters for the prestigious firm of M. Steinert & Sons, one of the largest and finest music stores in New England. Established in 1860 by Morris Steinert, a Bavarian musician, musical instrument collector and founder of the New Haven Symphony (originally Steinerts Family Orchestra). The company was expanded under his second son, Alexander Steinert, who had the Steinert Building in Boston built, requiring a music hall to showcase musicians and their products. The subterranean concert hall closed in the 1940s, following the 1942 Cocoanut Grove fire, the third-deadliest building fire in American history, which resulted in deaths of 492 people. This tragedy inspired an entirely new set of building and fire codes throughout the city; which ultimately would close Steinert Hall, as it had only one means of egress, making it too cost-prohibitive to bring the theatre into compliance.The building was long-operated as a piano showroom, but closed in 2017 and has been vacant ever-since. The basement music hall remains frozen in time, awaiting a new life.

The Chapin Mausoleum was built as a memorial to Chester and Dorcas Chapin by their son, Chester W. Chapin Jr. Located in the Chicopee Street Cemetery in Chicopee, Massachusetts, the otherwise ordinary burial ground is adorned by this stately mausoleum, which was designed by none other than Louis Comfort Tiffany. Chester W. Chapin, the father of the mausoleum builder, was one of the Connecticut Valley s most important 19th century businessmen. After more humble beginnings operating a store, Chapin operated a business for coaches and steamboats, and later, he became president and director of the Western Railroad Corporation (1854 to 1867), and president of the Boston and Albany Railroad Company (1868 to 1878). He was elected as a Democrat to the US House of Representatives and served from 1875 to March 3, 1877. His son, Chester Williams Chapin (1842-1922), followed his fathers footsteps and serves as president of the New York & New Haven Steamship Company and one of the organizers of the Central New England Railroad. Chapin Jr. hired Louis Comfort Tiffany to design and decorate this mausoleum as a memorial to his parents, in the cemetery where hundreds of family members are buried in Chicopee. The mausoleum is constructed of Tiffany granite, from a granite quarry in Cohasset that Tiffany Studios purchased in 1914. The entrance to the mausoleum is through a Romanesque portico complete with round arches, stocky columns, and Favrile glass mosaics on the sides. Two marble benches flank a specially designed Tiffany bronze door. Inside, it is said that there are 12 catacombs of richly veined white marble under a Favrile glass mosaic ceiling.

The First Congregational Church Society of Chicopee was organized as the Second Church of Springfield in 1751, when residents of land today known as Chicopee and Holyoke (then a part of Springfield) sought a parish church closer to their homes. Before Chicopee officially split from Springfield in 1844, the Second Church of Springfield built this Federal-Greek Revival style church building in 1825. Shepherd and Whitmarsh, prominent builders of Springfield were hired to erect the church. Both were trained under architect, Isaac Damon, thus the close resemblance to his designs for this church in Chicopee. The clapboard structure is simply designed but holds strong proportions and symmetry. The church has a four-columned portico with Ionic columns and a two-story square tower containing the belfry, blind octagonal stage with molded trim above, all capped by a dome surmounted by a weathervane. While the church now has replacement windows and plastic, ill-fitting shutters, the building is in great shape and tells the story of the early days of the development of Chicopee from sleepy parish town to industrial city.

In 1843, Elias Gates (1801-1886) a young farmer, purchased land from the family of his wife, Mary A. Stedman, and had this handsome brick, Greek Revival style house built. The family would reside here less than ten years, and relocate to Albany, where Elias worked as a bookseller. The house was purchased numerous times throughout the 19th and 20th centuries, and operated as a farmhouse until much of the land was sold and subdivided for new housing. The Gates House is a great example of the Greek Revival style with a side hall plan, recessed entry with original sidelights and transom, and bold facade with brick pilasters dividing the bays with brick entablature and gable end facing the street.

Located next to the Assumption Roman Catholic Church of Chicopee, this handsome Second Empire style residence is significant not only architecturally, but as the residence of a Massachusetts Governor. This house was built around 1870 for a Frank D. Hale, who resided here until 1878, when the property was purchased by George Dexter Robinson (1834-1896), who moved to Chicopee and eventually got engaged in politics, in 1873 winning election to the Massachusetts House of Representatives, and was elected to theMassachusetts Senatein 1875. In 1876, Robinson was elected to theUnited States House of Representatives, where he served most of four terms, buying this home about half-way through his time as a Representative in Washington. While serving in Congress, Robinson was nominated to run for Governor of Massachusettsin 1883, he won and served three, one-year terms. After his time as Governor, he went back to his law practice, and in 1892, Robinson took on his most famous client,Lizzie Borden.During the infamous trial, Robinson was also able to cast significant doubt on the reliability of several witnesses to the events surrounding the murders. Lizzie Borden was ultimately acquitted of the criminal charges, and Robinson was a highly visible presence in themedia circusthat attended the trial. In the 20th century, this handsome property was acquired by the Assumption R.C. Church of Chicopee, who used the house as a rectory for its new church next door. It remains a well-preserved example of the Second Empire architectural style with slate mansard roof crowned by iron cresting.

As Chicopee developed into one of the major industrial cities in Western Massachusetts, immigrant groups moved there, finding work at some of the major manufacturing companies. Irish and Polish churches were built and French and French Canadian residents too built their own church, where they could gather and worship in their native language. A wood-frame church was first built in the 1870s and used until it was destroyed by fire in 1912. It took a decade for the congregation to gather enough funds to purchase a new lot and build a new church, but patience was a virtue as their church is a stunner! The cornerstone for the church was laid in 1922 and the building was designed by local architect, George P. Dion, and constructed at the cost of $200,000. The building was dedicated in 1925 and is one of the finest, and most unique churches in the state. Italian Renaissance Revival in style, the church stands out for its 85-foot-tall campanile and cast-stone high-relief in the pediment at the facade. It is believed that within the relief, that depicts the figure of Mary surrounded by Cherubs, depicting the Assumption of the Virgin, George P. Dion used the likeness of his granddaughter as a face of one of the cherubs. The congregation moved out of the building but has been recently mortgaged to a new church, Iglesia CristianaCasa De Paz y Restauracin, showcasing the ever-changing demographics that keep our cities vibrant and stewards that do right by our collective history and buildings.

The Third Congregational Church of Chicopee was built on a prominent lot on Springfield Street in 1868, replacing the congregations first church there, which was outgrown. The present building was designed by Charles Edward Parker, a Boston-based architect, who was an expert in Gothic architecture. He would design the Chicopee City Hall just years later. The building is constructed of brick and atop a granite base and features lancet (pointed arch) doors and windows, a corner steeple, and steep gable end with large rose stained glass window. The interior is preserved as well. Due to shifting demographics in Chicopee in the early 20th century, the church merged in 1925 with the Central Methodist Episcopal Church, forming the Federated Church of Chicopee. The congregation eventually closed and the church has sat vacant in recent years, and was briefly listed for sale in 2024, 9,339 square feet for just $200,000.

The Old Chicopee High School building islocated at 650 Front Street, between the two major population hubs of Chicopee Center and Chicopee Falls and is one of the finest examples of Collegiate Gothic/Neo-Gothic Revival architecture in Massachusetts. The school building was constructed in 1917from plansby architect, George E. Haynesas a central high school, a single building where pupils from all over the city could be educated. The population growth of Chicopee in the early decades of the 20thcentury necessitated additions and reworking of the spaces of the building, eventually outgrowing the building after WWII.In 1961, plans for a contemporary high schoolwere completed and this building became a middle school for the City of Chicopee. Architecturally, the building stands out for its siting and high-quality design. The main facade features a central clock tower which contains the main entrance. The use of brick with cast stone trim and the castellated parapet add much dimension to the large building. The City of Chicopee have done a commendable job maintaining this important landmark.

The Polish National Home in Chicopee, Massachusetts, was organized in 1910 as a fraternal service organization catering to the needs of the local Polish immigrant and Polish-American communities. The organization was founded at a time where Polish immigrants were settling in Chicopee, finding work at local factories. The Polish population of Chicopee surged in the late 19th into the early 20th centuries from just 200 residents in 1885 to over 9,000 in 1914, the year this building was completed. One of the other goals for the Polish National Home was to provide class space for new immigrants to take classes in the english language and learn to read and write, to become eligible for U.S. citizenship. The club eventually would build this five-story structure on Cabot Street, architecturally rivaling any other building in town. The building was designed by architect Bruno Wozny, a German-born architect who settled in Springfield and ran his own practice. Spaces inside the building included retail stores, a meeting hall, small meeting rooms, and apartments for some recently arrived immigrants and their families. The adjacent building was designed by local architect George Dion, as a bowling alley and billiard hall. After WWII, the building was converted almost entirely to residential use, which remains today.

The Basilica of St. Stanislaus is a landmark church building in Chicopee, Massachusetts, with strong ties to the citys industrial and immigrant past as well as a landmark of the citys rebirth and growth. The congregation was founded and financed by Polish immigrants who had arrived in Chicopee, beginning in the 1880s. The young Poles were determined to establish and finance their own church in which they could worship in their own native language and espouse their Polish customs and traditions with a sense of community. The church was founded at a time where Polish immigrants were settling in Chicopee, finding work at local factories. The Polish population of Chicopee surged in the late 19th into the early 20th centuries from just 200 residents in 1885 to over 9,000 in 1914. The first St. Stanislaus Church was a small frame structure built on this site in 1891. The present church was built in 1908 from the designs of architectsRobert J. Reiley and Gustave E. Steinback and is Byzantine Revival in style. Constructed of brownstone with cathedral-like qualities, the facade is dominated by a pair of monumental masonry towers. Its spires are composed of copper drums which are surmounted by graceful belvederes and are pierced by arched openings. In 1991, PopeJohn Paul IIraised the status of the church to a minor basilica, a classification that remains to today, one of just a handful in New England.

The third and final extant building on the former Church of the Holy Name of Jesus complex in Chicopee, Massachusetts, is this former school building, a stunning example of Colonial Revival architecture. Located behind the former church and rectory buildings, this three-story building was built in 1925 as a Science building to accompany an existing girls high school. Inside, the building had a Commercial department, where young girls could learn important skills like banking, stenography, and typing; with the second floor containing traditional science classrooms and labs along with the school library. Springfield-based architect, John W. Donahue, who specialized in ecclesiastical buildings in Western Massachusetts, designed the building in the Colonial Revival style with brick and stone construction, an elaborate entrance and Palladian window on the second floor facade. The school building closed in the late 20th century, and has seemingly sat vacant ever-since. I sincerely hope this important building could be incorporated as much-needed housing for Chicopee residents!

In 1857, the same year that the Diocese of Springfield built the Church of the Holy Name of Jesus in Chicopee, they also broke groundon an adjacent rectory, a residence for its priest. Like the church, the brick rectory was possibly designed by Irish-born architect,Patrick Keely. The Italianate style building originally was capped by a shallow hipped roof, but a renovation in 1871 added the mansard roof, two-story bays, and the portico at the entrance. The building served as the church rectory for over a century but eventually closed by 2011, and the future of the site was uncertain. Luckily, thePolish Center of Discovery and Learninghave rented and occupied the rectory, serving as an important cultural institution educating and collecting to tell the story of Polish history in Chicopee and beyond. Fitting that many early-arriving Poles in the late 19thcentury to Chicopee attended this church before establishing their own.

With crop failure a common occurrence in 1830s Ireland,immigration from Irish to New England surgedwith workers and families looking for a better life. Labor opportunities were abundant in the newly established mill town ofChicopee, with the Irish flocking here to dig canals, build dams and mills and later work in those same buildings. Their wives and daughters would work as cooks and maids, but later as operatives in those same mills. As many Irish were Catholic, it became apparent that a Catholic congregation should be established, St. Matthews was first organized inChicopeein 1838. An earlier wood-frame church was built and used for a number of years untila large site on South Streetwas purchased by the Diocese for a new campus. Irish-born ecclesiastical architectPatrick Keelydesigned the church building which was constructed between 1857-1859 in the Gothic Revival style. The church was dedicated the Holy Name of Jesus church and exhibited sandstone-topped buttresses, rows of pointed dormers running down the clerestory on the sides, and a prominent central steeple. In 1910, the present copper spirereplaced the original steeplewhich was damaged and burned in a lightning strike. The complex grew throughout the 19thand 20thcenturies, with a rectory, schools, convent and monastery built on the site. Sadly, due to dwindling membership and fiscal considerations, many of these buildings were demolished in the past decades. The church appears now to be closed and is stillowned by the Archdiocese of Springfield. I hope something can be done to preserve this landmark structure and the remaining buildings on the site.