The Canterbury Green has been home to four congregational churches in its history. Originally established in 1711, a modest frame church was built here and in 1736, a new meetinghouse was constructed as a more permanent building. The rustic structure was deemed insufficient for a wealthy rural community, so in 1805, a stately, Federal style edifice was built. Designed by Thomas Gibbs, a local architect/builder who also designed other nearby high-style Federal homes, the building was destroyed by fire in December, 1963. Within a year, this church was constructed on the ground of its 1805 building. While designed and constructed during the mid-20th century, the town clearly wanted its new church to contribute to the village’s Colonial character, having this Colonial Revival style church serve as the new anchor to the green.

Formerly located at the intersection of two historic turnpikes in Canterbury, Connecticut, the William Moore House was a historic and architecturally significant residence that stood over 200 years until its demolition in 2019. The large, Federal style house was built in 1803 for William Moore, a merchant who operated a store and also served as the town postmaster. The upper floor of this house at one time accommodated a ballroom where the local Masonic organization met. Later in the 19th century, the house became the home of prominent merchant, banker, and politician Marvin H. Sanger, Connecticut Secretary of State from 1873 to 1876. In 1921, it was the home of Lillian Frink when she became one of the first women ever elected to the Connecticut General Assembly, along with four other women elected that same year. The house with its projecting center pedimented bay, elaborate corner pilasters on pedestals, and elegant Palladian window represented the height of country Federal-period architecture until destroyed by a fire in 2018, leading the town to raze the building a year later in 2019. The lot remains vacant as of 2025.

The Center District Schoolhouse of Canterbury, Connecticut, sits behind the village church and is the town’s best-preserved example of a district schoolhouse. Built c.1860, the vernacular, Greek Revival one-room schoolhouse served the central village through the 19th and into the 20th centuries with its twin entry, double-hung windows to allow light and air into the classroom, and a belfry with bell to notify pupils when class was about to start. Like many similar one-room schools in rural New England, pupils attended class with neighbors and siblings in the small, intimate classroom of varied ages. 

The Samuel Pellett House in Canterbury, Connecticut, dates to the mid-18th century and is an excellent example of a Colonial-era home in this part of the state. Research in the land records suggests that this house may date from the time of Samuel Pellett’s second marriage in 1752 to Hannah Underwood. The couple planted two sycamore trees in front of the house to signify husband and wife but one was lost in the 1938 hurricane while the other survives to this day. According to historians, Sarah Harris Fayerweather, the first Black student at Prudence Crandall’s school nearby, worked as a servant in this house, then owned by Jedediah Shepard. The Pellett House is an excellent example of a Colonial Georgian home in Connecticut, with clapboard siding, center chimney, five-bay facade and small pane sash windows. 

Built c.1805 for Elisha Payne, this architecturally distinguished Federal style mansion in Canturbury, Connecticut is one of the most significant buildings in the state, not only for its architecture but historical significance. In 1831, a young white woman, Prudence Crandall, was asked to open a boarding school for girls in Canterbury. She purchased this mansion and began operations for the school, which was attended by many wealthy girls in town. In 1832, Ms. Crandall was approached by a young Black girl who worked as a servant in town, named Sarah Harris, asking to attend the school. Encouraged by conversations with both Harris and Maria Davis, a Black woman who worked for Crandall and shared copies of the abolitionist newspaper The Liberator with her, Crandall agreed to admit Harris. Almost immediately, residents protested the school’s admission of a Black girl and parents threatened to withdraw their students, Crandall undeterred, closed her school and reopened in 1833, solely for Black and Brown students. Young girls traveled from several states to attend the school. The legislature of Connecticut responded by passing the “Black Law,” which prevented out-of-state Black and Brown people from attending school in Connecticut towns without local town approval. Crandall was arrested, spent one night in jail, and faced three court trials before the case was dismissed. In September 1834, a nighttime mob of men attacked the house, smashing the windows, leading Crandall to close the school out of fear for her students as no protections were afforded to them. These events made national and international news in the 1830s and galvanized the burgeoning abolitionist movement. Crandall would later marry and left Connecticut, never to return. For her vision and brave actions at this school, Prudence Crandall is Connecticut’s official state heroine and the house was designated a National Historic Landmark in 1991.

This house on Westminster Road in Canterbury, Connecticut, is architecturally distinguished by its extensive and imaginative detailing, which reflects the widespread availability of manufactured architectural ornament in the Victorian period. The porch columns, archways, bay window, and round-arched windows all reflect an Italianate influence and the work of its original owner, Mr. George Washington Smith (1857-1937). The house dates to about 1886 when George W. Smith, built it from his workshop formerly located across the street. Smith manufactured mast-hoops, the wooden fixtures for attaching sails to the masts of sailing ships, and utilized his woodworking skills to build and decorate the exterior of his family home.

Renovated in the early 20th century from a Federal style farmhouse, “The Pillars” in Canterbury, Connecticut, is an extravagant example of a Colonial Revival style residence in this quiet part of the state. The Pillars was the creation of Frank Edwin Miller (1856-1947) and his wife, Hattie Jenks Miller. The Miller’s retired here in 1913 after Hattie inherited the family homestead, which dated to the late 18th century, and they had the home renovated, adding the massive two-story columned porch and projecting entry. The house is a visual representation of the difference between Colonial and Colonial Revival styles as this home, the latter example, is a free interpretation of its prototype with exaggerated architectural details in a scale not seen centuries earlier.

Located in northern Canterbury, Connecticut, this rural farmhouse was built following the American Revolution, showcasing the emergence of the Federal style from the Colonial Georgian type farmhouses before. The house dates to 1783 and was built by Captain Asa Bacon (1735-1819), a wealthy farmer and captain in the Revolutionary War. The home was also occupied by his son, Asa Bacon Jr. (1771-1857) a Yale educated lawyer who practiced law in town before moving to Litchfield. Asa Jr. was a turnpike promoter, advocating for turnpikes through the formerly sleepy agricultural town, opening it up to trade and commerce. The early Federal-period home features a five-bay facade and central entry with triangular pediment and fluted pilasters. The house appears much like it would have when originally built besides the Victorian-era two-over-two window sashes installed in the late 19th century. The farm even retains a few 19th century barns, likely built when the windows were replaced by later owners.

This house in Canterbury, Connecticut, is known as the Turnpike House and dates to the early 19th century. A great example of a Federal style residence, the symmetrical, five-bay home exhibits pair chimneys, multi-light double-hung windows, and an elaborate center entry with sidelights and fanlight transom. The house was built along the Windham Turnpike (now Connecticut Route 14), which was an early toll road established in 1795. Behind the main block of the house is a squat gambrel-roofed ell, that is believed to be made from an older house that previously stood on this site, perhaps dating as early as 1745. According to tradition, this early house, which was also at one time supposedly used as a jail, was the home of Rev. Dr. James Coggswell when he ran a school for boys in Canterbury. One of his pupils at that school was Benedict Arnold, the infamous turncoat.

This charming, Greek Revival style building near the town green in Scotland, Connecticut, was built in 1843 as a Universalist Church for area residents who split off from more Congregationalist beliefs. By the end of the 19th century, populations shifted heavily to industrial centers where work was more plentiful, the church appears to have lost much of its membership and the building became a local grange hall. The Shetucket Grange was organized in June 1887, and was a meeting place for local farmers and their families to promote the economic and political well-being of the community and agricultural pursuits. Today, the building is owned by the town, but it’s use is unclear. Greek Revival in style, the building retains much of its original architecture, from its simple form, facade with two entrances flanking a central hung window, and pilasters framing the bays.

The Edward Waldo House in Scotland, Connecticut, is a vernacular Georgian house with saltbox roof and wings which from its erection about 1715 until 1971 was owned by members of the Waldo family. Edward Waldo (1684-1767) purchased land here along the Shetucket River in 1702 and by 1715, erected this house. The saltbox house which Edward Waldo built was one of the first houses in the town of Scotland and would remain in successive generations of the family for centuries. The house was the birthplace of Samuel Lovett Waldo (1783-1861), a portraitist who was a founder of the National Academy of Design as well as Daniel Waldo, chaplain of Congress, 1856-1858, and was one of seven Revolutionary War veterans who, having survived into the age of photography, were featured in the 1864 book The Last Men of the Revolution. The last Waldo owner, Miss Ruth Waldo died in1975. She insured the preservation of her family homestead by bequeathing the house, its contents, and about 15 acres of land to the Antiquarian & Landmarks Society of Connecticut Inc. and the surrounding acreage to the Connecticut Forest and Park Association, creating an enduring legacy for centuries to come. The house, set amongst a quiet country road, is evocative of early days in Scotland, Connecticut, and is one of the finest-preserved Colonial homes in this part of the state. 

This handsome Shingle style building was constructed in 1906 as a carriage house of a larger farm property in Scotland, Connecticut. The barn is said to have been built for Archie Gallup, who purchased the old Manning farm just west of the town green in Scotland. The 1 1/2-story carriage-house with a gambrel-roof stands out for its principal entry of paneled wooden doors and above, a large, flared hood featuring two pedimented gable-dormers. The entire building is clad with varied shingles to add complexity to the design, catching the attention of all who drive by.

The main visual anchor of the charming town green of Scotland, Connecticut, is this building, the Scotland Congregational Church. Built in 1842 as the congregations third building, this Greek Revival style edifice features stately proportions, temple-front with four large Doric columns supporting the portico, and a two-stage belfry. The chapel (some say it was converted from the original town hall) was acquired by the congregation in 1867, and has remained in its new location ever since. Later alterations include the stained glass windows and clock in the pediment, which dates to the early 20th century.

The Huntington Homestead in Scotland, Connecticut, was the birthplace and boyhood home ofSamuel Huntington(17311796), aFounding Father, a signer of the Declaration of Independence and a distinguished statesman during the Revolutionary War and early Republic. The remarkably well-preserved site includes an eighteenth century house on its original foundation surrounded by acres of farmland and is now protected as a museum. The house was built sometime between the transfer of land in 1715 from Deacon Joseph Huntington to his son Nathaniel, and Nathaniels marriage in 1723 to Mehetabel Thurston. As originally constructed, the house consisted of a two-story structure with an end chimney on the west end and one large room on each floor. By the time of Nathaniels death in 1767, the house had been doubled in size with the addition of two rooms west of the chimney, giving the house its current five-bay form. The Georgian style Colonial-era home features a symmetrical facade, twelve-over-twelve windows, and a saltbox roof and is one of the finest Colonial-era homes in this part of the state.

The town of Scotland, Connecticut, is a rural community centered around agriculture and is the smallest municipality in Windham Countys Quiet Corner. European settlement began in earnest following the purchase of 1,950 acres of land from then Windham, by Isaac Magoon, a Scotsman, who named the new village after his ancestral home. The present-day town hall and offices of Scotland, was originally built in the 1840s as a one-room schoolhouse. In 1894, the town voted to consolidate all the school districts in a single building, and to expand the one-room village school to accommodate them. The present two-story structure was completed in 1896 and was added to the front of the old building. It is unclear if anything remains of the original schoolhouse. The vernacular, Stick style building served as the towns consolidated school until a modern school building was constructed in the 1960s. This building became the town hall/offices and remains a significant visual anchor to the towns common.

Despite its name, this handsome mill structure, known as the Pawtucket Hair Cloth Mill, is actually located in Central Falls, Rhode Island. The building, located on Roosevelt Avenue on the banks of the Blackstone River, is a great example of a Civil War-era mill, built for one of the many wool and cloth companies in New England. Begun in a small factory across the street in 1856, this business became successful after the acquisition of patents for weaving haircloth (most of the raw material for which originally came from Russian horse markets) for upholstery, crinolines, and inner linings. The company is said to have once been the largest producer of haircloth in the world. The Italianate style mill stands pretty much as built, besides the tower that has lost its low pyramidal cap. The building was one of the first commissions by great Rhode Island architect, William Walker, who was just 34 at the time of designing this large, and complicated structure.

One of the oldest mills in Central Falls, Rhode Island, is this four-story brick building constructed in 1825 is important as one of the earliest extant brick mills in Rhode Island, at a time when such buildings were shifting from wood construction to fire-proof brick or stone construction. Built on one of the first industrial sites in the city, along the Blackstone River, the mill was originally constructed for a John Kennedy as a cotton manufactory. The complex was purchased and expanded in the 1860s by the Stafford Manufacturing Company, who built a new dam on the river and extension to the 1825 building. The structure features a five-story square end tower with freight doors, and a monitor roof which runs the span of the original 1825 building, terminating where the Stafford Company addition begins. Originally, canals flowed directly under the building, powering the building and three mills downstream, but they were filled in by 1965. Elizabeth Webbing started in the Kennedy/Stafford mill buildings in 1933. After over 70 years of making cloth straps used for seat belts, dog collars, luggage straps and more, it ceased operations in March of 2001. The complex, which included 19 nearby mill buildings, was split up and sold off. In 2007 work began on converting the former mill to residential use with the first phase of the project opening to tenants in 2009. Its another great example of adaptive reuse into housing, the best type of project!

One of the finest homes in Central Falls, Rhode Island, is this eclectic Victorian residence on Clay Street. The home was seemingly built around 1870 and modified by the end of the 19th century by later owner, George Mumford Thornton (1850-1916). Mr. Thornton was an industrialist who was elected as one of the first aldermen when Central Falls incorporated in 1895. The well-preserved house features varied siding, a rounded corner tower with spiral-columned porch and conical roof, and original multi-light sash windows. What a spectacular home.

The Pawtucket-Central Falls Railroad Station is a crumbling relic of a time once dominated by rail travel. This architectural landmark spans the border of the cities of Pawtucket andCentral Falls, along with the tracks of the former New York, New Haven and Hartford Railroad and is one of the more unique buildings in Rhode Island. The station opened in 1916 to replace separate stations in the two cities from plans by F.W. Mellor, architect for the New Haven Railroad withNorcross Brothersof Worcester facilitating the construction over a structural steel base spanning the tracks. As many as 140 trains per day once passed under this station, but in 1959, it closed. The building was purchased by a private owner and plans failed to materialize for decades, leaving us with a crumbling masterpiece in architecture and engineering. In 2007, the lot was partially developed with the addition of a suburban, soulless CVS store and parking lot, which today, directly abuts the station. In 2023, a new Pawtucket/Central Falls station opened nearby, which has brought new calls to demolish this building, with people actively seeking grants to fund the estimated $10 Million dollar demolition.

Built in 1895 for Samuel Conant, president of aPawtucketprinting firm, this stately residence is one of the finest Colonial Revival houses in Central Falls, Rhode Island. Designed by the Providence architectural firm of Stone, Carpenter & Willson, the house is brick on the first floor with clapboard siding above. The Contant house has a gambrel roof punctuated by several gable dormers. The main facade has two symmetrical round bays, which rise to the roof and are topped by low balustrades. A single-story porch extends between the center points of these bays, and is also topped by a low balustrade. Recognized for its architectural grandeur (inside and out), the house was individually listed on the National Register of Historic Places. The Conant House is now used as a nursing home and while the transition to this new use has required a number of interior alterations, these changes have been made with sympathy for the character of the house and many of them are reversible.

The Valley Falls Mill sits along the Blackstone River in Central Falls, Rhode Island, and is one of the many significant industrial complexes which facilitated the development and growth of the city. The main building in the complex is the four-story rectangular building, constructed in 1849. To meet the requirements of fire resistance, the mill was constructed with load-bearing brick walls and heavy timber columns. Samuel B. and Harvey Chace, sons of Fall River mill owner Oliver Chace, built the mill on this site, influenced not only by the availability of water power, but also by the completion the same year of the Providence & Worcester Railroad, which passes by the mill on its east side. The mill was designed for the manufacture of a variety of cotton products. The Valley Falls Company merged with another industrial concern in 1929, and this mill was subsequently closed the following year. After decades of little-to-no use, the significant Valley Falls Mill was converted into senior housing in 1979 following its listing on theNational Register of Historic Places. It ranks as one of the earliestmill conversionprojects inNew England and while some details were lost, it preserves a significant piece of local history and meets a much-needed demand of housing.

Tucked away in the middle of a residential neighborhood in the dense city of Central Falls, Rhode Island, this Neo-Gothic style church more closely resembles an English country church than one typically found in a dense, industrial city. This is the St. Georges Episcopal Church,located at the corner of Central and Clinton streets, and built for the local Episcopal congregation therein 1922. The church was designed by the Rhode Island architectural firm ofClarke & Howeand is built of rough-faced stone with limestone trim. The highlight of the design is the large central tower with lancet, stained glass window, and belfry.

Built jointly by the city of Central Falls and the state of Rhode Island,this Classical Revival style buildingoriginally contained both the local police station and a district court house. The symmetrical building was designed byWilliam R. Walker and Son, a Providence design firm, who specialized in large, civic and commercial buildings. The gray brick building is trimmed with limestone and stands three-stories under a hipped tile roof capped by decorative cresting. In the 1970s, the courthouse moved out and the entire building came into the ownership of the City of Central Falls and is today owned by the Central Falls Redevelopment Agency, which frankly worries me about the future of this important building. Does anyone know about plans for the building?

The crown jewel of the nearly one square mile city of Central Falls, Rhode Island, is Jenks Park, the only large park in one of the densest cities in America. The land was a gift of Alvin Jenks, a descendant of the family which had been among the towns earliest settlers and one of its leading industrial families, and provided a much-needed recreational/open space for the dense industrial city. In 1890, planning began on the park with consists of hilly terrain cut through by paved paths, rocky outcroppings, and large metal gazebos which were fabricated at the nearby Fales and Jenks machinery works. At the crest of the parks hill is Cogswell Tower, a clock and observation tower given by a former resident, Caroline E. Richards Cogswell. The stone tower was designed by architect Albert Humes, who ironically, was serving as mayor of Central Falls at the time, which may represent somewhat of a conflict of interest to gain the commission The Cogswell Tower stands 70-feet-tall and is constructed of rough stone with a pyramidal roof that was once surmounted by an eagle. Its most remarkable aspect, a circular, iron structure which surrounds the base appearing from below as a sort of Hula-Hoop to the tower. Jenks Park and the iconic Cogswell Tower remain as a source of pride for the City of Central Falls.

Built for Benjamin Franklin Greene, a second-generation mill owner of the Greene and Daniels Thread Company in Central Falls, Rhode Island, this large, Second Empire style house is one of the finest of its style in the entire state. The house is one of only a few high-style residences left from the mid-nineteenth century in Central Falls, when industrializations full expansion provided manufacturers such as Greene with fortunes to be expended on their houses. Designed by Providence architect Clifton A. Hall, the ornamentation of the Greene House is extraordinary for its elaboration, relieving the severity of the simple, block-like shape of the house. The central door is set under a flat-roofed porch which is supported by trios of Corinthian columns. Above the porch a trio of round-head windows is set under a sunbonnet gabled dormer which caps the central pavilion, is supported by brackets, and encloses a round-head window with a small balcony. What a spectacular home!

The David G. Fales House of Central Falls, Rhode Island, is an excellent example of the Second Empire architecture style in a high-end residence. The home was built around 1858 and belonged to David Gilmore Fales (1806-1875), one of the partners of the nearby Fales and Jenks machine works. Mr. Fales either built or purchased the home which was then a flat-roofed Italianate style home, and hired architect Clifton A. Hall, to modernize the residence, adding trim and the mansard roof. Its broad eaves are supported by brackets with pendants; segmental-head dormers are set in the mansard and a square belvedere with round-head windows tops the roof. A major fire gutted much of the house in the 1960s, and its future was uncertain. It was preserved and is now a multi-family apartment building.

One of the largest mills in Central Falls, Rhode Island, is this complex tucked away on Foundry Street. Constructed in phases beginning in 1863, the site was originally owned by the firm of Fales & Jenks, manufacturers, and it was the first major factory in the town to not be built on a river, but on the railroad, showcasing a shift in the transportation of goods along with the increasing availability of steam power, relieving mill owners from having to build on the rivers. Fales & Jenks manufactured textile machinery here for just a few years until they moved to Pawtucket, and the complex was purchased by A. & W. Sprague in 1865 and after slight enlargement, was used as a flax mill until the Spragues failure in 1873. In the late 19th century, the mill was occupied by the U.S. Cotton Company. The oldest buildings are brick with granite lintels under a monitor roof. Later additions include a massive brick factory with a tower with castellated parapet. The small, two-story gable-roofed building at the corner was the mill office. The complex is today owned and maintained by the Murdock Webbing Company.

This modest, Italianate style house was built around 1860 by a carpenter and builder as his own residence. Nathan S. Horton (1819-1916) was a busy builder in Central Falls, Rhode Island in the mid-late 19th century as the population boomed along with the industrial growth and wealth that the city saw. For his own residence, Horton built this two-story wood-frame house with side entrances and porches, paired brackets in the eaves, and arched top windows, all commonly found in the Italianate style, popular around the time of the Civil War. Mr. Horton lived to his late 90s and likely remained in this home until his death.

Central Falls, Rhode Island, is not necessarily known for its residential architecture, but like any good industrial city, there are some excellent examples of Victorian houses from the mid-late 19thcentury to be discovered! This isthe Edward L. Johnson House on Cross Streetin Central Falls. The house was built around 1886 forMr. Johnson, a manufacturer,who resided herefor some years with his wife, who founded thePawtucket Womens Club in 1899and was an activemember of the Daughters of the American Revolution. The house is an excellent example of the Queen Anne architecture style, from the various siding types including clapboard and patterned shingling; its steep cross-gable roof; and its variety of windows, including a shallow bay on the first floor and oval and half-round windows in the 2nd-floor porch.

When Stephen L. Adams, a public-spirited citizen and a member of the school committee in Central Falls, Rhode Island, passed away in 1900, he left a bequest to provide for the erection and maintenance of a library building for his community. It would take years until a site in the center of town was acquired and contracts were written for designing and building the citys first purpose-built library. Architect, William H. McLean of the firm McLean & Wright were hired to furnish plans, which is supposed to have been modified from a number of prototypes for small-town libraries supplied to set standards by the Carnegie Corporation in conjunction with its endowment of such facilities in cities and towns throughout the United States. While this is not a Carnegie Library, it does mimic many design elements found in similar libraries by the corporation. The Adams Library in Central Falls is Classical Revival in style and built of light brick with limestone trim with a symmetrical facade dominated by a columned, pedimented portico.