canadian architect
canadian architect
Published since 1955, Canadian Architect is a magazine for architects and related professionals practicing in Canada.
  • 2 people like this
  • 117 Posts
  • 2 Photos
  • 0 Videos
  • 0 Reviews
  • Design & Architecture
Search
Recent Updates
  • WWW.CANADIANARCHITECT.COM
    Construction begins on Dreams new community in Ottawa
    Image courtesy of Dream/Multifaith Housing InitiativeDream, and its partner Multifaith Housing Initiative, recently celebrated the beginning of construction on Odenak, a development located in Ottawas LeBreton Flats.Odenak is a partnership between Dream Unlimited Corp, Dream Impact Trust, and Multifaith Housing Initiative (MHI), a non-profit housing provider. Named after the Algonquin Anishinbe word for community, Odenak represents the importance of connecting people and creating community.Designed by architecture and design firms Perkins&Will and KPMB, alongside Indigenous architecture firm Two Row Architects, Odenak focuses on creating a more inclusive and sustainable community, while also providing affordable housing.The project, which will integrate affordable housing, green building practices, and comprehensive social programming, is planned to be one of Canadas largest residential Zero Carbon Building certified developments. This community will be integrated into the LeBreton Flats Library Parcel, a 1.1-hectare site located on the western edge of downtown Ottawa.Located at 665 Albert Street, the project will include two residential towers with 608 rental units, 251 of which will be dedicated to affordable housing. A significant portion of these units will serve priority populations such as Indigenous peoples, veterans, newcomers, adults with cognitive disabilities, and women and children, while at least 31 per cent will be accessible.Designed to LEED Gold standards, it will also implement the One Planet Living framework, and is targeting an energy reduction of 45 per cent compared to typical buildings that meet building code.We are proud to work with the federal government, the City of Ottawa, and MHI to create an innovative financing model that will increase the number of affordable housing units from 20 per cent to 41 pr cent through a combination of Affordable Housing Fund and Apartment Construction Loan Program (ACLP) financing, said Michael Cooper, president and chief responsible officer of Dream.This approach can be applied to other projects and increase the amount of affordable housing built in Canada. We are also proud to begin construction on this landmark project that will foster a culture of belonging and provide a sense of safety and community for over 1,200 people thanks to funding from the Dream Community Foundation.Odenak is a model for how housing can be built in partnership with the public and not-for-profit sector, all while achieving competitive returns for private sector investors.The project will also honour the natural and cultural heritage of the Algonquin Anishinbe people and will include a circular outdoor gathering space and other design elements inspired by Algonquin culture, with Indigenous signage and architectural details incorporated throughout.The Dream Community Foundation will invest $150,000 annually over the next 20 years to support cultural, educational, and wellness initiatives for residents of all ages. Dream and MHI will collaborate to provide services such as after-school programs, fitness classes, and bicycle maintenance workshops to foster a vibrant and inclusive neighbourhood.This project, which is located close to public transit, retails, daycare, and health services, is expected to be completed by the winter of 2027. Odenak was made possible thanks to more than $310 million in federal funding.The post Construction begins on Dreams new community in Ottawa appeared first on Canadian Architect.
    0 Comments 0 Shares 4 Views
  • WWW.CANADIANARCHITECT.COM
    2024 Canadian Association of Heritage Professionals awards winners announced
    Nineteen projects by heritage firms from across Canada are being honoured in the 2024 Canadian Association of Heritage Professionals (CAHP) awards.The awards are a platform to highlight the critical role of heritage professionals in safeguarding the stories and structures that shape the nation. CAHP inspires excellence and innovation in the field by recognizing and celebrating these achievements. These awards celebrate heritage professionals efforts to rehabilitate, revitalize, and reuse existing and heritage buildings and spaces.A Lifetime Achievement Award, a Student Achievement Award, and a special Jurys Award were also presented.The following are the four winners in the Conservation: Architecture category.Maisonneuve Library Restoration, Montral, Qubec Award of Excellence. Awardees: Giovanni Diodati, Georges Drolet, Gilles Prudhomme, Silvie Peguiron, Marianne Leroux, EVOQ Architecture. Photo credit: Adrien WilliamsMaisonneuve Library Restoration, Montral, Qubec Award of ExcellenceAwardees:Giovanni Diodati, Georges Drolet, Gilles Prudhomme, Silvie Peguiron, Marianne Leroux,EVOQ ArchitectureAssociated CAHP members:Jeff Scheckman, Studio du VerreIn collaboration with: Civiliti, NCK, Pageau Morel, Xenobios, UL Cleb, ARD, Lightfactor, GSM project, Synairgis, M&B Mtalliers, Arts mtiers dart, Platres artefact, Maonnerie painfill et frres, Trevor Gillingwater, Alexandre tailleurs de pierre et sculpteurs, Clment de gaulejac.Rockwood Academy Rehabilitation, Rockwood, Ontario Award of Merit. Awardees:Joey Giaimo, Mitchell May, Trevor Witten,Giaimo Architects (Photo courtesy of CAHP)Rockwood Academy Rehabilitation, Rockwood, Ontario Award of MeritAwardees:Joey Giaimo, Mitchell May, Trevor Witten,Giaimo ArchitectsAssociated CAHP Members:Mitchell May, Giamo Architects, Will Teron, Tacoma EngineersIn collaboration with: Ontario Heritage Trust, Tacoma Engineers Inc., Spline, Roof Tile ManagementCase Goods Warehouse, Toronto, Ontario Award of Merit. Awardees: Michael McClleland, Andrew Pruss, Jordan Molnar, Avita Madan, ERA Architects Inc. (Photo courtesy of CAHP)Case Goods Warehouse, Toronto, Ontario Award of MeritAwardees:Michael McClleland, Andrew Pruss, Jordan Molnar, Avita Madan,ERA Architects Inc.In collaboration with: BDP Quadrangle, Entuitive, BK Consulting, Synergy, LedcorRestoration of the facades of the TD Bank Building, Montral, Qubec Award of Merit. Awardees:Istvan Kovacs,Pascal Letourneau, Salvatore G. Nudo, Nazi Amin Farzaneh,DFSInc. (Photo courtesy of CAHP)Restoration of the facades of the TD Bank Building, Montral, Qubec Award of MeritAwardees:Istvan Kovacs,Pascal Letourneau, Salvatore G. Nudo, Nazi Amin Farzaneh,DFSInc.Associated CAHP Members:Pascal LetourneauIn collaboration with: EGP Groupe, Saint-Denis ThompsonTo view the full list of winners, click here.The post 2024 Canadian Association of Heritage Professionals awards winners announced appeared first on Canadian Architect.
    0 Comments 0 Shares 19 Views
  • WWW.CANADIANARCHITECT.COM
    Three Canadian projects among winners of AIA International Design Awards
    Old Post Office Idea Exchange, Tyler W. Sharp, Intl. Assoc. AIA, RDH Architects; Cambridge, ON, CanadaThree Canadian projects are among the winners of the AIA International Design Awards.AIA International held its 2024 Design Awards Ceremony at the Henderson in Hong Kong on October 26, 2024, as part of the AIA International Conference entitled Hong Kong: Architectural Intelligence.The awards, which are now in their 11th year, recognize outstanding architecture and aims to inspire fellow practitioners, governments and the public.The jury selected submissions across four categories: Architecture, Interior Architecture, Urban Design and Unbuilt Design. Winning projects were eligible for further recognition for combining exceptional design with sustainability, in the form of the Sustainable Future Award developed with AIAs partner, Dow. The awards also continued with the Inclusive Design Excellence Award (IDEA), which honours projects that demonstrate meaningful, inclusive and accessible designs. The jury also gave out the Firm Award for outstanding architectural practice.This years jury consisted of Grover Dear, FAIA, president, AIA Hong Kong 2002 and 2006, Illya Azaroff, FAIA, president-elect, AIA 2025, and Sara Topelson de Grinberg, president, UIA 1996 to 1999.The following is the full list of winners, highlighting three Canadian winners:Honor Awards for Open International | ArchitectureHouse of Grain, Reiulf Ramstad, Hon. FAIA, Reiulf Ramstad Arkitekter; Hjrring, DenmarkOld Post Office Idea Exchange, Tyler W. Sharp, Intl. Assoc. AIA, RDH Architects; Cambridge, ON, CanadaHonor Awards for Open International | Architecture. Old Post Office Idea Exchange, Tyler W. Sharp, Intl. Assoc. AIA, RDH Architects; Cambridge, ON, Canada. Photo credit: Tom ArbanKyabirwa Surgical Center, George K. George, AIA, GKG; Kyabirwa, UgandaMerit Awards for Architecture & Open International | ArchitectureAida Sekkei Factory, Nobuaki Miyashita, Intl. Assoc. AIA, MR STUDIO; Bando, JapanBoral Biddya Niketon, Ishtiaque Zahir, Hon. FAIA, VITTI Sthapati Brindo; Pabna, BangladeshU.S. Consulate General Dhahran, Javier Arizmendi, FAIA, SOM; Al Khobar, Saudi ArabiaSix Bricolage Houses, Zhang Yuxing, Han Jing, Intl. Assoc. AIA, ARCity Office; Shenzhen, ChinaBata Shoe Factory, Laura Rachlin, AIA, BDP Quadrangle; Batawa, CanadaMerit Award for Architecture. Bata Shoe Factory, Laura Rachlin, AIA, BDP Quadrangle; Batawa, Canada Photo credit: Scott NorsworthyRumah Baca, David Hashim, Assoc. AIA, VERITAS; Perak, MalaysiaNYU Shanghai, Kohn Pedersen Fox Associates; Shanghai, ChinaCommendations for Architecture & Open International | ArchitectureThe Crystal Towers, Henning Larsen Architects; Riyadh, Saudi ArabiaParkwayHealth Gleneagles Chengdu Hospital, Angela Lee, FAIA, HKS Asia Pacific Design Consulting; Chengdu, ChinaThe New Urbanity, Gustavo Vera Ocampo, Intl. Assoc. AIA, BVO Architects; Montevideo, UruguayHonor Awards for Interior ArchitectureShenzhen Metro Line 16, Hoi Lung Damian Chan, AIA, Matter Design; Shenzhen, ChinaGlobal Technology Company Suzhou Campus, Yun Hsueh, AIA, Gensler; Suzhou, ChinaMerit Awards for Interior Architecture & Open Intl | Interior ArchitectureUOB Malaysia HQ, John Sellery, FAIA, M Moser Associates; Kuala Lumpur, MalaysiaYishan Pinnacle, Zhang Yuxing, Han Jing, Intl. Assoc. AIA, ARCity Office; ChinaCommendations for Interior Architecture & Open International | Interior ArchitectureMcDonalds Hong Kong Office, Moira Moser, FAIA, M Moser Associates; Hong KongWoomyeon Elementary School Library, Kyung Sun Lee, AIA, SUNe.Lab; Seoul, South KoreaLotus HQ in Shanghai, B+H Architects, an SJ Company; Shanghai, ChinaMerit Award for Urban DesignJingdezhen Taoxichuan Ceramic Industrial Park, Jie Zhang, Intl. Assoc. AIA, School of Architecture, Tsinghua University; ChinaCommendations for Urban DesignGuangzhou Ji Yun Yao Resorts, Fanhao Meng, Intl. Assoc. AIA, line+ studio; Guangzhou, ChinaWoven Passage to Cloudy Peaks, Peidong Zhu, Intl. Assoc. AIA, line+ studio; Shaoxing, ChinaMerit Award for UnbuiltThe Destructor, Aaron Budd, AIA, SvN Architects + Planners; Toronto, CanadaMerit Award for Unbuilt. The Destructor, Aaron Budd, AIA, SvN Architects + Planners; Toronto, Canada. Photo credit: SvN Architects + PlannersFirm AwardT. R. Hamzah & YeangSustainable Future AwardsHouse of Grain, Reiulf Ramstad, Hon. FAIA, Reiulf Ramstad Arkitekter; Hjrring, DenmarkOld Post Office Idea Exchange, Tyler W. Sharp, Intl. Assoc. AIA, RDH Architects; Cambridge, ON, CanadaKyabirwa Surgical Center, George K. George, AIA, GKG; Kyabirwa, UgandaNYU Shanghai, Kohn Pedersen Fox Associates; Shanghai, ChinaInclusive Design Excellence AwardsBoral Biddya Niketon, Ishtiaque Zahir, Hon. FAIA, VITTI Sthapati Brindo; Pabna, BangladeshNYU Shanghai, Kohn Pedersen Fox Associates; Shanghai, ChinaUOB Malaysia HQ, John Sellery, FAIA, M Moser Associates; Kuala Lumpur, MalaysiaThe post Three Canadian projects among winners of AIA International Design Awards appeared first on Canadian Architect.
    0 Comments 0 Shares 5 Views
  • WWW.CANADIANARCHITECT.COM
    Big Plans offers introduction to lives and work of 10 leading women urbanists
    Photo: Copyright Frank HanswijkCurrently on display at Amsterdams Van Eesteren Museum, the exhibition Big Plans presents the lives and work of ten women urbanists from the modernist era.Although recent years have shown growing interest in women architects from past and present, the role of women in urban planning has remained underexposed. Big Plans takes a first step towards complementing 20th century historiography by offering an introduction to the lives and work of ten leading women urbanists.Not only did these women plan regions, cities and neighbourhoods, they also created laws, computer programs and publications with which they further developed the fields of urban design and planning.Photo: Copyright Frank HanswijkPopulation growth, urbanization, industrialization, and decolonization brought radical change in the 20th century. Modernist urbanists devoted themselves to the accompanying challenges of social equality, public health and prosperity, and economic opportunity for all. Intense discourse in architecture and urban planningvia the ranks of CIAM (Congres Internationaux dArchitecture), numerous magazines, and universitiesfostered a worldwide cross-pollination of knowledge and ideas. Through their publications, lectures, and pedagogy, these women professionals disseminated designs and ideas that added depth and humanity to modernism.Photo: Copyright Frank HanswijkThese women urbanists varied experience, positions, and perspectives on society greatly enriched 20th century urban planning. Their contributions to a rapidly changing world were not due to some specifically female approachsuch as, for example, extra attention to childcare or communal facilities. Rather, what distinguishes their work is the shared belief in the emancipatory power of urban design for women, for disadvantaged socio-economic classes, and for other marginalized groups in society.A common thread is their collaborations and the forms of collective authorship they advanced. They recognized that this work expands our understanding of urbanism as a wide-ranging, contextual field that thrives on shared knowledge and insights.Photo: Copyright Frank HanswijkA square on a roofAmong the 10 women urbanists featured in the exhibition, some are relatively well-known, while others will be new to many. Canadian architect and urbanist Blanche Lemco van Ginkel has been receiving growing recognition in recent years. A brief stint at Le Corbusiers office in Paris in 1948 resulted in her iconic design for the roof of the Unit dHabitation in Marseille, which the exhibition Big Plans presents as one of her early urban designs. This rooftop functions as an urban square with, at its heart, the iconic ventilation towers, the pavilions with playground and wading pool, and a running track leading along the edge overlooking the Alps. It provides a welcoming space for community life but also, through its spatial expression, offers a common identity for the dwellers of the Unit dHabitation.Photo: Copyright Frank HanswijkThis focus on community life and a shared identity through space is characteristic for Lemco van Ginkels approach, and can be recognized in some of her other projects that are featured in the exhibition.One of them, Movement in Midtown, is a pioneering traffic study that she executed with her partner Sandy van Ginkel in 1970. At a time when the automobile was central to city planning, this project prioritized the experience of the pedestrian. The plan involved a partial closure of Madison Avenue and the construction of a finely woven system of pedestrian connections inaccessible to automobile traffic in the area between 34th and 63d street in Midtown Manhattan. In its sketches of leafy green streets with terraces, this plan for a laid back, clean, and walkable city for everyone appears remarkably contemporary.As part of this plan, the New York Office for Midtown Planning and Development also commissioned the design of the accompanying Ginkelvana hybrid electric minivan, as an alternative to short-distance inner-city transportation, which would be accessible for users including those in wheelchairs and strollers.The Ginkelvan got no further than a prototype, and Movement in Midtown was never implemented.Photo: Copyright Frank HanswijkAn international generation of urbanistsBeside the life and works of Blanche Lemco van Ginkel, the exhibition presents the work of Carmen Portinho (Brazil, 1903-2001), Luz Amorocho (Colombia, 1923-1995), Jane Drew (UK,1911-1996) and Eulie Chowdhury (India, 1923 1995) (both with leading positions in the project of Chandigarh), Rene Gailhoustet ( France 1929 -2023), and Flora Ruchat-Roncati (Switzerland, 1937 -2012). For each woman, the exhibition elaborates on their biography and their body of work, offering a particular focus on one of their Big Plans.For Jane Drew, the chosen case study is the village of Tema Manhean in Ghana, in which she aimed to fuse traditional Ghanean forms of cohabitation and the modernist New Town. For Carmen Portinho, it is the housing plan of Pedregulho, an idealistic neighborhood on a Rio de Janeiro hillside that offered low income families not only dwelling,s but an array of amenities and communal areas. For Rene Gailhoustet, it is the intricate urban texture of social housing combined with other functions in the heart of Parisian suburb Ivry-sur-Seine, which was developed under her guidance in the 1970s and 80s. For Flora Ruchat-Roncati, is is the Trans Jurane highway system, which she designed to add a new layer of identity fitting landscape and culture.Photo: Copyright Frank HanswijkBig Plans highlights other urbanists for their significant contributions to the field of urbanism outside of spatial design. Catherine Bauer (US,1905-1965) is presented for her groundbreaking writing and publishing on housing, but most of all for the US Housing Act of 1943 that she authored. All her work was founded in a drive to synthesize the aesthetic agenda of modernist architecture with a clear vision of social justice.Beverly Willis (US, 1928-2023), a well-known architect and urbanist, is highlighted for her pioneering role in computer use for urban design. Drawing on knowledge of aerial imagery from her time as a pilot during WWII, Williss firm in 1971 developed CARLA (Computerized Approach to Residential Land Analysis). The software digitized analog topographical maps, soil surveys, planning regulations, and marketing information in order to generate a rapid assessment tool for residential land analysis.Photo: Copyright Frank HanswijkIn a multitude of forms and ways, the selection of 10 women urbanists on display in Big Plans made pivotal contributions to shaping the modern world. The exhbition shows how collaborations and the networking of people and knowledge strengthened their concepts and designs, and offered strategies to realize them. The hope is that Big Plans inspires the visitor to reconsider notions of authorship in urban designthinking of our cities as collaborative in nature. On the other hand, it also demonstrates the importance of the individual women who have brought their own unique experiences, knowledge and passion to the field.Big Plans was created by the Curatorial Research Collective , a group of doctoral researchers in the field of architecture culture at the Eindhoven University of Technology in The Netherlands. The exhibition emerged from Catja Edens doctoral project And the rest is historyOn the archival representation of women architects. Big Plans is on show at the Amsterdam Van Eesteren Museum until November 24th and at Plaza Vertigo Eindhoven University of Technology in April 2025.The post Big Plans offers introduction to lives and work of 10 leading women urbanists appeared first on Canadian Architect.
    0 Comments 0 Shares 4 Views
  • WWW.CANADIANARCHITECT.COM
    New seniors housing project in Calgary breaks ground
    Rendering of Bethany Calgary redevelopment. Photo courtesy of Bethany Care SocietyBethany Care Society recently broke ground on a new state-of-the-art care home in the Hounsfield Heights-Briar Hill neighbourhood in Calgary, marking the beginning of a long-anticipated redevelopment project.The new seniors housing project, designed by Zeidler Architecture, is based on what is known as a small home model and is influenced by a care home in the Netherlands called Hogeweyk Village. It will offer a modern, home-like environment for seniors and adults with disabilities.Funded in part by a $114 million commitment from the Government of Alberta, the care home will feature 420 private continuing care rooms. The new building will also include amenities for residents, families, and community members, such as a bistro, outdoor courtyards, enrichment activity areas, and gathering spaces.Care will be delivered in a new way, with small homes that each contain 14 rooms, shared dining and living spaces, and their own unique look and feel. Similar to homes on a street, they will form a neighbourhood with their own character.Rendering of Bethany Calgary redevelopment. Photo courtesy of Bethany Care SocietyBethany Calgary, one of the oldest care centres in Alberta, has been serving families since its establishment on this site in 1945. However, despite various renovations, the existing building no longer meets modern design standards for care environments.Over 20 years ago, we began planning for the eventual replacement of Bethany Calgary as models of care evolved and as costs and risks associated with aging infrastructure increased, said Jennifer McCue, president and CEO of Bethany. This new development will ensure we can continue serving Alberta seniors in a modern, welcoming environment that truly reflects our mission to create caring communities.Construction will take place on the southeast corner of the existing site, to ensure no disruption to residents or the healthcare systems capacity.In April 2023, the Government of Alberta announced funding for the Bethany Calgary Redevelopment Project, recognizing the importance of updating care environments to meet evolving needs. The project is part of the governments broader commitment to strengthening Albertas healthcare system and enhancing care for seniors.The construction of the 370,000 square foot building is targeted for completion in late fall 2027.In addition to the funding provided by the Government of Alberta, Bethany Care Foundation will be launching a capital campaign in Fall 2024 to raise $20 million for the new Bethany Calgary.The post New seniors housing project in Calgary breaks ground appeared first on Canadian Architect.
    0 Comments 0 Shares 32 Views
  • WWW.CANADIANARCHITECT.COM
    Four Canadian projects recognized at Singapores 2024 World Architecture Festival (WAF)
    Four Canadian projects were recently recognized at Singapores 2024 World Architecture Festival (WAF), which is known for spotlighting projects that represent the pinnacle of architectural innovation.The 2024 winners presented live at the festival in Singapore and impressed esteemed judging panels with their projects.The following are the Canadian winning projects.Completed BuildingsPhoto credit: James BrittainPumphouse by 5468796 ArchitecturePumphouse, which was a winner in the WAF Completed Buildings: Creative Reuse category, is an adaptive reuse project in Winnipeg and a mixed-use redevelopment on former railway lands. Pumphouse showcases innovation inspired by heritage, site, and budget challenges, sparking new ideas about attainable housing design and city-building.Photo credit: James BrittainArthur Residence by 5468796 ArchitectureThe Arthur Residence, which was a winner in the WAF Completed Buildings: House & Villa (Urban/Suburban) category, is a multi-unit residence in Regina, and was designed for a finish carpenter and emergency room doctor from South Africa. The couple was seeking a modest sanctuary with space for privacy and relaxation. They selected an infill site near downtown Regina, in a mature neighbourhood where small bungalows are being replaced by conventional homes. In contrast, the Arthurs wanted to challenge this development with a thoughtful alternative.Future ProjectsPhoto credit: NEUF architect(e)sInstitut Thoracique de Montral by NEUF architect(e)sThis project was a winner in the WAF Future Project: Office category. Built in the 1930s as the Royal Edward Institute, the Montreal Chest Institute (MCI) was a key medical centre in the history of Montreal and Quebec. A surgical wing was added in the 1950s. Neglected and abandoned, the campus will now be revived as a new life sciences hub specializing in research into respiratory illnesses, continuing the sites original vocation at the foot of Mount-Royal.Photo credit: Renderings: VISMO, courtesy of hcma + Dub ArchitectsCoronation Park Sports & Recreation Centre by hcma & Dub Architects in conjunction with FaulknerBrowns ArchitectsThis project was a winner in the WAF Future Project: Sport category. Coronation Park Sports and Recreation Centre is a hub that brings together high-performance sport and community recreation in one facility. The centres design needed to carefully consider the needs of all users, while exploring the design potential in bringing together such distinct spaces in one building.For the full list of winners, click here.WAF 2025 will take place in Miami from the November 12 to 14, 2025.The post Four Canadian projects recognized at Singapores 2024 World Architecture Festival (WAF) appeared first on Canadian Architect.
    0 Comments 0 Shares 35 Views
  • WWW.CANADIANARCHITECT.COM
    Wood Design and Building Awards Winning Projects Announced
    The Canadian Wood Council has announced the winning projects of the 40th annual Wood Design & Building Awards program, which recognizes and celebrates the work of architectural professionals from around the world who achieve excellence in wood design and construction.Were proud to recognize leading innovators in wood design through our awards program, said Martin Richard, vice president of communications and market development at the Canadian Wood Council. This years submissions were remarkable in their scope, quality, and variety. They reflect a rising interest in biomaterials and highlight the importance of wood as a versatile, low-carbon, high-performance material, driving the next generation of sustainable buildings.The jurors for the Wood Design & Building Awards included Marlon Blackwell, principal at Marlon Blackwell Architects, Veronica Madonna, director and principal at Studio VMA, and Alfred Waugh, principal at Formline Architecture + Urbanism.This year, the regional WoodWorks program awards from Ontario, British Columbia, and Alberta were integrated with the Wood Design & Building Awards.The jurors for the WoodWorks awards included Duncan Bourke, vice president of development at Cityflats, Melissa Higgs, principal at hcma and Steve Oosterhof, partner and structural engineer at Dialog.Fifteen winning projects were selected, with five from each regional program.In total, 33 award winners from around the world including 25 Canadians were celebrated for excellence in wood design at the Wood Design and Building Awards celebration hosted at the WoodWorks Summit on October 22, 2024.The following is a complete list of the award-winning projects.HonorArbour House (Victoria, BC) | Patkau ArchitectsPhoto credit: James Dow / Patkau Architects Hilltop Cottage (NB) | MacKay-Lyons Sweetapple ArchitectsPhoto credit: Hilltop Cottage (NB) by MacKay-Lyons Sweetapple ArchitectsMohegan Trail (Block Island, RI, USA) | Bates Masi + ArchitectsThe Nest (Bayfield County, WI, USA) | SALA Architects, Inc.Prepared Rehmannia Root Crafts Exhibition Hall (Houyanmen Village, Henan Province, China | Luo StudioWisdome Stockholm (Stockholm, Sweden) | Elding Oscarson ArchitectsMeritCovered ice rink in Saint-Apollinaire (Saint-Apollinaire, QC) | ABCP architecture et urbanismePhoto credit: Covered ice rink in Saint-Apollinaire (Saint-Apollinaire, QC) by ABCP architecture et urbanismeChekonien House (Victoria, BC) | Perkins&WillPhoto credit: Chekonien House (Victoria, BC) by Perkins&WillHouse In A Garden (Coconut Grove, FL, USA) | Atelier Mey ArchitectsQuantum Institute (Sherbrooke, QC) | Saucier + PerrottePhoto credit: Quantum Institute (Sherbrooke, QC) by Saucier + PerrotteCitationCunard Street Live / Work / Grow (Halifax, NS) | FBMCunard Street Live / Work / Grow (Halifax, NS) by FBM. Photo credit: Greg HanlonDes Cerisiers Elementary School (Maskinong, QC) | Lucie Paquet architecte, Paulette Taillefer architecte, Leclerc architectesDes Cerisiers Elementary School (Maskinong, QC) by Lucie Paquet architecte, Paulette Taillefer architecte, Leclerc architectes. Photo credit: Maxime BrouilletLP Hotel with a View (Lodeynoe Pole, Russian Federation) | RHIZOMESansin Sponsored AwardsGalien River Retreat (New Buffalo, MI, USA) | Wheeler Kearns ArchitectsArbour House (Victoria, BC) | Patkau ArchitectsSustainable Forestry Initiative Sponsored Award619 Ponce (Atlanta, GA) | Handel ArchitectsWestern Red Cedar Sponsored AwardBunkie on the Hill (Muskoka, ON) | Dubbeldam Architecture + DesignPhoto credit: Bunkie on the Hill (Muskoka, ON) by Dubbeldam Architecture + DesignWood Preservation Canada Sponsored Award#Ferndale_Flightdeck (Ottawa, ON) | 25:8 Architecture + Urban DesignPhoto credit: #Ferndale_Flightdeck (Ottawa, ON) by 25:8 Architecture + Urban DesignWoodWorks Ontario CategoryBunkie on the Hill (Muskoka, ON | Dubbeldam Architecture + DesignCentennial College A-Building Expansion (Toronto, ON) | DIALOG in collaboration with Smoke ArchitecturePhoto credit: Centennial College A-Building Expansion (Toronto, ON) by DIALOG in collaboration with Smoke ArchitectureNew Tecumseth Municipal Offices Adaptive Re-Use (Alliston, ON) | +VG ArchitectsPhoto credit: New Tecumseth Municipal Offices Adaptive Re-Use (Alliston, ON) by +VG ArchitectsQueens University Indigenous Gathering Space (Kingston, ON) | Smoke ArchitecturePhoto credit: Queens University Indigenous Gathering Space (Kingston, ON) by Smoke ArchitectureScience Collaboration Centre at Chalk River (Chalk River, ON) | HDRPhoto credit: Science Collaboration Centre at Chalk River (Chalk River, ON) by HDRWoodWorks BC CategoryArbour House (Victoria, BC) | Patkau ArchitectsNuxalk Mask, song and dance (Bella Coola, BC) | Mackin Architects Ltd.Photo credit: Nuxalk Mask, song and dance (Bella Coola, BC) by Mackin Architects Ltd.Pyrrha (Vancouver, BC) | Birmingham & Wood Architects Planners LLPPhoto credit: Pyrrha (Vancouver, BC) by Birmingham & Wood Architects Planners LLPRosemary Brown Recreation Centre (Burnaby, BC) | hcma architecture + designPhoto credit: Rosemary Brown Recreation Centre (Burnaby, BC) by hcma architecture + designAquatic and Community Centre (New Westminster, BC) | hcma architecture + designtmsewtx Aquatic and Community Centre. Photo credit: Nic LehouxWoodWorks Alberta, Prairie CategoryCanopy (Edmonton, AB) | Jonathan MonfriesPhoto credit: David BloomOlds College, Werklund Agriculture and Technology Centre (Olds, AB) | GGA-ArchitectureOlds College, Werklund Agriculture and Technology Centre (Olds, AB) by GGA-Architecture. Photo credit: Jason DziverSaddle Lake Onchaminahos Elementary School (Saddle Lake Cree Nation, AB) | Reimagine ArchitectsPhoto credit: Saddle Lake Onchaminahos Elementary School (Saddle Lake Cree Nation, AB) by Reimagine ArchitectsThe Station at Cochrane Crossing (Cochrane, AB) | GEC ArchitecturePhoto credit: The Station at Cochrane Crossing (Cochrane, AB) by GEC ArchitectureV Residence (Winnipeg, MB) | 11 architecture inc.Photo credit: V Residence (Winnipeg, MB) by 11 architecture inc.The post Wood Design and Building Awards Winning Projects Announced appeared first on Canadian Architect.
    0 Comments 0 Shares 36 Views
  • WWW.CANADIANARCHITECT.COM
    CSLA launches continuing education program on climate change adaptation
    Photo credit: landADAPTThe CSLA has announceda new continuing education program on climate change adaptation for Canadian landscape architects.The program, called landADAPT: Landscape Architects Navigating and Designing for Adaptation, aims to help landscape architects by developing tools and communication resources tailored for the profession.CSLAs landADAPT program will include a monthly webinar series, a series of climate change case studies, and a new online professional development course designed specifically for Canadian landscape architects.As part of the program, CSLA will host up to 16 live-streamed webinar events over the next two years. The webinars will feature experts from across Canada and a global network who will highlight climate change challenges.An upcoming webinar, which will take place on December 12, 2024, will feature Joanna Eyquem, who will discuss progress and examples of efforts to mainstream consideration of nature-based solutions. This will range from strategic approaches and technical guidance, to integration in municipal management and financial reporting.The CSLA will also curate a series of Canadian case studies, and put a spotlight on adaptive and resilient landscape architecture projects. Case studies will serve as educational tools, bolster CSLAs advocacy efforts, and empower members to make the business case for adaptation measures to their clients and/or target audiences.Additionally, the CSLA is preparing and delivering a new online professional development course to provide members with the latest in climate data, risk assessments, and adaptation strategies to support their practice. The course will include modules catered to landscape architects at various career stages.For more information on the landADAPT program, click here.The post CSLA launches continuing education program on climate change adaptation appeared first on Canadian Architect.
    0 Comments 0 Shares 34 Views
  • WWW.CANADIANARCHITECT.COM
    DAS Bash: celebrating 75+ years of architectural education at TMU
    The Paul H. Cooper Gallery, located on the main floor of TMUs Architecture Building at 325 Church St., Toronto. Photo by Alex Berceanu.On October 24, 2024 the Department of Architectural Science (DAS) at Toronto Metropolitan University launched a month-long exhibition entitled DAS Bash, showcasing 75+ years of architectural education. Hundreds of alumni, students, faculty and friends gathered for the opening event, featuring funky archival displays, vintage drafting equipment, student and faculty work spanning three-quarters of a century, experimental digital fabrications, and a large interactive model of the Architecture Building itself home of the Department since 1981.TMU alumni presenters at the DAS Bash: David Campbell, Associate at Arup (Toronto); Tura Cousins Wilson, Co-founding Principal of SOCA; Jake Chakasim, Assistant Prof. Carleton University; Gayle Meeks, Associate and Technical Director at Perkins&Will; Aaron Budd, Principal and Director of Regenerative Practice, SvN; Paige Crewson, Senior Adviser, Kennaley Construction Law; Tania Bortolotto, Founder and President, BORTOLOTTO; Robin Snell Director (Senior Partner) Parkin Architects; Ian Dance, Dillon Consulting; and Dami Lee, Architect, YouTuber, and Founder of Nollistudio.The opening event also featured a series of Pecha Kucha presentations by distinguished alumni whose graduation years spanned from 1980 to 2017.Tura Cousins Wilson, Co-founding Principal of SOCA, presenting at the DAS Bash. Photo by Alex Berceanu.Photo credit: Alex BerceanuThe DAS Bash, which runs through Nov. 28, is conceived as a living work-in-progress, with interactive displays to prompt fresh reflection on the past and present and reimagining DAS futures.The large working model of the Architecture Building (at 1:25 scale) serves as a centerpiece for interpretive interaction. Collaboratively designed and constructed as a DAS dream machine, memory theatre and experimental apparatus, it serves to inspire, enact and envision the schools potential for continued physical and pedagogical transformation.The student built model of the DAS Architecture building is fully interaction, encouraging visitors to move the elements around and inhabit the model.Each wing of the model is on wheels, encouraging visitors to move the elements around and inhabit its creative foundations, which include a built-in seat or stage representing the schools Pit, a central gathering and presentation space.Photo by Matthew Chetuti.The buildings iconic double atriums (designed by Ron Thom Associates) continue to serve as lively social chambers; with diagonal stairways and internal view-corridors enlivening its core. Upper studios and ground-level workshops are the schools hands-on innovation zones. Its curvaceous central gallery added in 2013 by Gow Hastings Architects has become the schools energizing heart and much-loved critical forum for collective experimentation, community outreach and creative research.Photo by Matthew Chetuti.Photo credit: Alex BerceanuOne of the extensive undertakings of the exhibition is a 20-meter (65-foot) long interactive timeline, encircling the walls of the Paul H. Cooper Gallery. This timeline plots DAS accomplishments and transformations from 1948 to the present, showing a wide range of information: from the schools inaugural annual tuition of just $25; to yearbook images of early graduates, including the first Lady Draftsmen; to dramatic accounts of a 1968 student revolt and a 1978 fire at the schools prior premises; to narratives about the people, program developments and provocations that have contributed to making DAS the uniquely innovative and highly relevant place of discovery it is today.TMUs Department of Architectural Sciences (DAS) began as a School of Architectural Draughting in 1948, it was among the inaugural programs of what was then Ryerson Institute of Technology. Modeled partly on MIT in Cambridge, RIT was an ambitious educational experiment conceived by founder Howard Kerr, and created in response to social and technological changes sweeping society after World War II.Over the years, DAS programs have maintained balance of mind and skill, with robust liberal studies which have been integral from the start bolstered by an evolving architectural curriculum with varying emphasis on draughting, building technology, construction management, landscape architecture, and urban planning.The 20-meter (65-foot) long interactive timeline of the DAS program history, encircling the walls of the Paul H. Cooper Gallery. Photo by Alex Berceanu.Starting in 1973 the Department embraced a holistic vision of Architectural Science, integrating Architecture, Building Science and Project Management. In 2010, DAS earned professional accreditation for its architecture program, and now offers graduate programs in each of its complementary disciplines, including a PhD in Building Science and a newly launched PhD in Architecture focused on design research. More on DAS here.Students and alumni alike were drawn to the many archival items on display at the exhibition, including the original construction drawings for the DAS architecture building shown here. Photo by Alex Berceanu.According to DAS Chair Lisa Landrum, the model in the gallery and timeline on the wall are not the full story, but serve as scaffolds for extending more narratives and innovations. We invite alumni, professional partners and the entire DAS community to interact with the displays and collaborate in building our model of education together.The DAS Bash exhibition is open weekdays until November 28, 2024, at the Paul H. Cooper Gallery, located on the main floor of TMUs Architecture Building at 325 Church St., Toronto.Curation of DAS Bash was led by DAS professors Lisa Landrum (Chair), Carlo Parente (Gallery Director), and Jurij Leshshyshyn with students and recent graduates, notably Ozlem Bektas, Kolbie Fung and Raymin Sidhar (archival research, led by Prof. Leshshyshyn); Jessica Gu and Christian Maidankine (timeline graphics), Matthew Chetcuti (model), with support of several other students, faculty and staff, and contributions by TMU Archives and Special Collections.The exhibition is made possible with the generous sponsorship of Walters Group, and additional support of Arup, Perkins&Will, Dillon Consulting and Kennaley Construction Law.Teagan Hyndman is a MArch student at TMU.The post DAS Bash: celebrating 75+ years of architectural education at TMU appeared first on Canadian Architect.
    0 Comments 0 Shares 33 Views
  • WWW.CANADIANARCHITECT.COM
    Moriyama Teshima Architects designs new mass timber project in Toronto
    Photo credit: Moriyama Teshima ArchitectsThe new Ontario Secondary School Teachers Federation (OSSTF/FEESO) Headquarters and Multi-Tenant Commercial Building, designed by Moriyama Teshima Architects has officially opened, overlooking the Don Valley ravine in Toronto, Ontario.OSSTF is a mass timber facility that ensures that the OSSTF Headquarters and Multi-Tenant Commercial Building operates as a hub that supports public education in Ontario, provides healthy workplace environments for its staff and visitors, and meets the organizations goals of financial resiliency.The three-storey, mass timber, 127,000-square-foot facility is centred on the OSSTF Headquarters. The OSSTF represents all the educators, educational assistants, psychologists, secretaries, speech-language pathologists, social workers, plant support personnel, attendance counselors and many other education professionals in the secondary school system in the province.Built of cross laminated timber (CLT) floor slabs and glue laminated timber (GLT) beams and columns, structural components have been sourced nationally where possible.The central atrium is the buildings key design feature where everyone in the building can connect to each other and connect to nature, ultimately making for a healthier working environment for all who visit and work here, said Carol Phillips, partner, Moriyama Teshima Architects.The building offers outside views, light, openness, and various opportunities for interactions between the OSSTF staff and tenants.Shareable spaces on the ground floor include the lobby, caf, and ground floor terrace, and features a multipurpose, convertible event space. These amenities will be shared not only by the building occupants, but also by external groups.Generous structural bays provide optimal sizes for offices and corridors, and maximize the amount of natural daylight to reach the interiors. A fresh air strategy also ensures air moves through the building at a regular rate using building automation systems.Large overhangs reduce solar heat gain and control glare and geothermal heating, while a rainwater harvesting system for toilet flushing and irrigation, green roof, rooftop solar PV panels, and automated daylight dimming controls further contribute to significant energy savings.The Don Valley ravine edge on which the building is located has also undergone intensive restoration and stabilization through naturalization and water balance procedures.All design decisions for the new OSSTF Headquarters and Multi-Tenant Commercial Building were assessed for long-term value, health and wellness of employees, and operational savings.The post Moriyama Teshima Architects designs new mass timber project in Toronto appeared first on Canadian Architect.
    0 Comments 0 Shares 42 Views
  • WWW.CANADIANARCHITECT.COM
    2024 Holiday Gift Guide
    Its safe to say that many people look forward to gift guides to inspire them during the holiday season.Thats why weve decided to put together another round-up of nice things made by Canadian designers and architects that we think would make perfect gifts.The Winnipeg Architecture Foundation | Precious Blood Tote BagThe canvas bag features Precious Blood Roman Catholic Church / glise du Prcieux Sang, and was designed by Winnipeg architect tienne Gaboury in 1969. ($20.00 CAD)Photo credit: Winnipeg Architecture FoundationSpacing | As It Is: A Precarious Moment in the Life of Ontario PlaceA book by architectural and documentary photographer Steven Evans that explores and documents Ontario Place. Features essays by John Lorinc and Maia-Mari Sutnik. ($49.95 CAD)Photo credit: SpacingLambert & Fils | Silo Vase 2VJA flower vase and candle holder hybrid by Montreal-based design studio Lambert & Fils. From one end, water-resistant extrusions accommodate fresh cut flowers. Flip it over, and it becomes a candle holder. This product is offered in two, three or four cylinders, and in various heights. ($280.00 CAD)Photo credit: Lambert & FilsUmbra | Limited Edition Tipsy Bottle Opener & Gift BoxThis limited-edition bottle opener by Toronto-based houseware company Umbra comes in a polished titanium finish, and is packaged in a gift box. ($40.00 CAD)Photo credit: UmbraBocci | 89 Wall Hook Style 1A trendy wall hook by Bocci, a Canadian design and manufacturing company based in Vancouver and Berlin. 89 comes in four wall hook styles that can be mixed and matched. Made of solid recycled brass. ($125.00 USD)Photo credit: BocciSpacing | Too FunA book that explores Raymond Moriyamas brutalist masterpiece, the Ontario Science Centre, through 150 photographs of Hewaks family outings to the playhouse in the months before its closure. The book also features text excerpts from Moriyamas design notes anticipating the creation of the Science Centre in 1969. ($34.95 CAD)Photo credit: SpacingMatheson | Batik Table LinenThe Matheson Batik Table Linens are a result of a partnership with Canadian design studio Castor and chef/influencer Matty Matheson. The products are made from hand-dyed sheets of natural cotton. Batik is a fabric-making and dying process that is unique to the artisans of Indonesia, where this practice originates. ($24.00 USD)Photo credit: MathesonCB2 | Kava Warm Toned Glass Taper Candle HoldersCandle holders with a vintage feel made of borosilicate glass. Each piece is mouth-blown to create its shape before receiving warm neutral tints. CB2 exclusive. ($79.95 CAD each)Kava Warm Toned Glass Taper Candle Holders. Photo credit: CB2Cyrc. | Willow VaseThis 3D-printed vase by Cyrc., which was founded in Montreal in 2021, features a classic flask shape. A weaving motion while printing creates an intricate texture over this modern and organic form and showcases the craft of additive manufacturing. ($125.00 CAD)Willow vase by Cyrc. (Photo credit: Cyrc.)Pikto | Personalized SketchbookThis sketchbook is perfect for creative minds of all kinds. It comes in a compact size of 5 x 7 inches and features 100 blank pages. The personalized cover also adds a special touch, making it a unique and thoughtful gift for a fellow architect. Designed and manufactured in Toronto. (From $14.95 CAD)Photo credit: PiktoSadelmager | Oldenburg Large MessengerThe Oldenburg Large Messenger by Canadian leather company Sadelmager, based in Toronto and Alliston, Ontario, is a satchel meticulously crafted using traditional saddlery techniques. This is a made-to-order item that can be customized. ($925.00 CAD)Oldenburg Large Messenger (Photo credit: Sadelmager)FROOOT Bowl |Maha Alavi via Casson HardwareFROOOT aims to reimagine the bowl of fruit into a fun and modern object. Its translucent velvet-like surface and playful form can be used as a tray, or home decor accent piece. This product is resin poured and finished by hand in Toronto.FROOOT Bowl by Maha AlaviThe post 2024 Holiday Gift Guide appeared first on Canadian Architect.
    0 Comments 0 Shares 50 Views
  • WWW.CANADIANARCHITECT.COM
    Upcoming exhibition to explore Arthur Ericksons travels
    Arthur Erickson (photographer), Katsura Imperial Villa Garden, Kyoto, Japan, 1961, 120 reversal film. ARCH289164, Arthur Erickson fonds, CCA. Gift of the Erickson Family Emily Erickson McCullum and Christopher EricksonThe opening of the exhibition Being There: Photography in Arthur Ericksons Early Travel Diarieswill be taking place at the Canadian Centre for Architecture (CCA) in Montreal on Thursday, November 14, 2024.Curated by David Covo, the exhibition examines architect Arthur Ericksons exchanges with people, places, landscapes, buildings, rituals, and ideas during his early travels in Europe and North Africa between 1950 and 1952, and in Asia in 1961.Drawing on a prescient understanding of site and environment, Erickson was convinced that architecture must be experienced to be understood. He knew that travel and the privilege of being present in different places would be a lifelong preoccupation and crucial to his continuing growth as an architect and thinker, reads the CCAs website.The exhibition, presented as a geographical and thematic reading, is structured around two collections: Ericksons letters and photographs. It also features his correspondence from his 1961 trip to Japan, Cambodia, and Indonesia, which includes a series of letters to Gordon Webber, his former teacher and mentor.While Ericksons physical presence in a place was crucial for him to understand the essence of a site and a building, photography and writing were forms of site annotations in Ericksons architectural practice. The photographs and letters produced during his travels include a narrative of his experiences and reveal discoveries and insights that reappeared in his architectural work.Being There is part of a longer, ongoing investigation at the CCA into the use of photography and new media as a means of studying the built environment. This new chapter aims to explore how travel photography acts as a mode of note-taking and thinking in design practice.The exhibitions grand opening will take place on November 14, 2024, and the exhibition will run until March 16, 2025.The post Upcoming exhibition to explore Arthur Ericksons travels appeared first on Canadian Architect.
    0 Comments 0 Shares 68 Views
  • WWW.CANADIANARCHITECT.COM
    Architecture Without Borders Qubec to host Soire des Grands A
    Photo credit: ASFQLater this month, Architecture Sans Frontires Qubec (ASFQ) will be hosting its annual networking event called La Soire des Grands A.Over the last decade, the event has become significant within the design community and is an opportunity to thank all the Big As who make ASFQs mission possible. These include its partners, collaborators, employees, volunteers and the architects of Quebec, who are all members of the organization.After a sold out evening in 2023 with more than 580 guests in attendance, this edition of the fundraising event promises a memorable experience with networking opportunities, DJs, and more. The event also aims to highlight ASFQs activities as well as thank its valued partners.This years theme is Against the Current, which was chosen due to various floods and other environmental crises that have been occuring. The event will take place at the Montreal Science Centre on November 27, 2024, from 5:30 p.m. to midnight.Founded in 2007, ASFQ aims to help vulnerable communities in Quebec and abroad. ASFQ is the humanitarian arm of roughly 4,000 Quebec architects who are all de facto members with a mission is to improve living conditions and restore the dignity of the architecturally disadvantaged by tapping into the collective resources of the Quebec architectural community.For more information on the upcoming event, click here.The post Architecture Without Borders Qubec to host Soire des Grands A appeared first on Canadian Architect.
    0 Comments 0 Shares 66 Views
  • WWW.CANADIANARCHITECT.COM
    Ryder and 3XN GXN selected for University of British Columbia housing project
    Photo credit: Ryder ArchitectureRyder Architecture, in partnership with 3XN GXN, has announced that they will provide architectural services for the University of British Columbias (UBC) Lower Mall Precinct Phase One project.The $560-million endeavour will deliver more than 1,500 new beds and significantly contribute to British Columbias remaining target of roughly 6,700 new student housing beds by 2028.The Lower Mall Precinct Phase One project will encompass five buildings, and total 710,000 square feet. It will include an 18-storey tower, an eight-storey mass timber hybrid prototype structure, and the adaptive reuse of a historic fire hall.The development also includes 1,508 student housing beds (1,333 new and 175 replacement), focusing on graduate students, a 400-seat dining hall, 37 new childcare spaces, common amenity spaces and academic and administrative office spaces honouring the communal legacy of St. Johns College.The project aims to set new standards for sustainability and inclusivity on campus. The buildings will target net-zero emissions by 2035, achieve LEED Gold certification, and adhere to the UBC LEED Implementation Guide. Additionally, they will be zero-waste ready, achieving a 10 per cent reduction in embodied carbon.Climate resilience and biodiversity are crucial, and align with provincial frameworks and UBC guidelines for climate adaptation and a bird-friendly design. Delivering inclusive design will include fully accessible architecture supportive of UBCs Inclusion Action Plan and Positive Space Campaign.By integrating mass timber technologies and adhering to CleanBC initiatives, we are committed to advancing UBCs sustainability goals, said Adam James, principal at Ryder Architecture. Our team, supported by 3XN GXNs research-driven studio, pioneers strategic sustainability within the construction industry.In 2023, Ryder and 3XN GXN established the Lower Mall Precinct Development Plan in partnership with Gehl Studio. Together, they bring a wealth of experience to the project and have an intimate understanding of the site and UBCs processes. Ryders previous collaborations on student housing, including the award-winning t xhlelms t kaka residence, also demonstrate a commitment to design excellence that aligns with UBCs goals.Our partnership with 3XN GXN is based on shared values of placing people at the heart of architecture, said James. We are honoured to contribute to UBCs vision of creating innovative, affordable, inclusive, and climate-resilient student housing that enhances the overall university experience.The architect team will create spaces that promote well-being, social interaction, and environmental stewardship in pursuit of innovation and sustainability. Our approach goes beyond LEED to inherently address sustainability as part of our process, said James. We focus on carbon, resilience, biodiversity, hydrology, and materials to create spaces that are not only sustainable but also enhance the well-being of their inhabitants.The projects focus on affordable, specialized housing aims to address the need for student accommodation in a socially cohesive environment while easing pressure on the local rental market beyond the campus. Its objectives include community spaces that inspire and support human-centred design and well-being.Construction is set to begin in fall 2026, with the project expected to open for students in phases starting in fall 2028 and completing in fall 2029.The post Ryder and 3XN GXN selected for University of British Columbia housing project appeared first on Canadian Architect.
    0 Comments 0 Shares 51 Views
  • WWW.CANADIANARCHITECT.COM
    Mandating Accessibility in New Buildings: An Opportunity, Not a Cost
    Photo credit: Gustavo FringGovernments across the country are looking at ways to deliver more accessible spaces. In fact, British Columbia recently mandated new accessibility standards for both large condominium and apartment buildings. The move triggered concerns among real estate developers who were quick to argue that this would lead to increased expenses for builders and, consequently, for buyers.Sadly, this is an often-used argument, yet it is rooted in a misunderstanding of both the long-term economic potential and the evolving market landscape. This isnt just about compliance with regulationsits about tapping into a massive, underserved segment of the population. Rather than viewing accessibility mandates as a burden, developers should recognize them as an opportunity to innovate, expand their customer base, and increase profitability.A Shift from a Charity Model to a Consumer-Focused MarketFor too long, disability has been viewed through the lens of charity, community support, or government-subsidized housing. This limited perspective has overshadowed the fact that people with disabilities27% of Canadas populationare also potential homebuyers and renters. The prevalent medical model of disability often defines this group by their limitations, rather than their economic potential. Its time to challenge these outdated assumptions and see individuals with disabilities as consumers, not causes.There is a misconception that people with disabilities are financially incapable of participating in the housing market, which contributes to the slow progress in accessibility legislation. Yet, by adopting a social model of disabilitywhere inclusive environments enable full participation in societywe can unlock a market of eager buyers and renters who have been left out of the conversation for too long.Designing for an Untapped MarketConsider the potential: In Canada, the 8 million people with disabilities (PWDs)have about $47 billion in disposable income the opposite of a niche market. Adding their families and friends, this grows to 12 million Canadians, or more than a third of the population, with an estimated disposable income exceeding $311 billion, based on 2020 statistics. For real estate developers and architects, this represents a massive, largely untapped market. When designing new developments, accessibility should not be treated as a costly add-on but as a smart business strategy. By incorporating universal design principles, developers can make their properties appealing to a wider audience, including those with physical, cognitive, visual, or hearing disabilities.The Return on Disability Group (RoDG) released The Global Economics of Disability: 2024 in September. The report values the economic power of the global disability market at over $18 trillion in spending. It also stresses that businesses can open new revenue opportunities and thrive by designing for functionality and customer experience, rather than just aiming to meet compliance standards.As an accessibility strategist, I have worked with developers and architects to rethink how they approach design. Universal design isnt just about ramps and wide doorways; its about creating spaces that everyone can use with ease. This includes thoughtful considerations like wider hallways, tactile wayfinding features for the visually impaired, or smart technology that enables individuals with mobility issues to control their environment.Developers often ask whether accessibility will compromise their design vision. In reality, integrating lived experience into the design process enhances creativity and innovation. The more diverse perspectives you include, the more versatile and appealing the final product becomes. A home or building that accommodates a range of abilities will attract more potential buyers and tenantspeople who are actively seeking environments that meet their needs.The Business Case for AccessibilityThe assumption that accessible units are expensive and not worth the investment is misguided. The primary reason people with disabilities are not buying or renting homes is not financial; its because there are too few options designed with their needs in mind. Many homes on the market simply dont consider the basic requirements of people with disabilities, such as ample space for wheelchairs or intuitive technology for individuals with visual impairments. When the design doesnt work for them, they have no choice but to look elsewhere.By intentionally designing barrier-free spaces, developers are positioning themselves to tap into a market that is loyal and appreciative. People with disabilities value businesses and services that prioritize their needs, and they repay that consideration with their business and loyalty. In real estate, this could translate into long-term renters, repeat buyers, and strong referrals. In an industry built on investment, the return on creating accessible spaces could be significant.Photo credit: Gustavo FringAccessibility as a Driver of ProfitabilityAccessibility isnt just the right thing to doits profitable. Companies that understand this are already seeing returns on their investment. By making homes and commercial spaces more accessible, developers arent just fulfilling a legal obligation; they are also creating a product that appeals to a broader market.The key to successfully tapping into this market is to collaborate with accessibility consultants who have lived experience. These professionals can provide invaluable insights into how to design spaces that are functional, appealing, and fully accessible. Their lived experience with disability gives them a unique perspective on what works and what doesnt in the built environment. This expertise can help developers avoid costly mistakes while ensuring that their properties meet the needs of people with disabilities.Consider this: almost one in four potential buyers or renters has a disability. Ignoring this segment means ignoring a substantial portion of the market. Architects and developers should take the time to research accessibility consultants, ask for case studies on past projects, and evaluate the return on investment from accessibility improvements. This isnt just about complianceits about making smart, future-focused business decisions.A Call to Action for Architects and DevelopersIf youre an architect or developer interested in expanding your market, its time to start thinking differently about accessibility. This isnt about charity or doing the right thingits about providing a product that meets the needs of millions of Canadians. Its about positioning your properties as inclusive, forward-thinking, and ultimately more profitable.Accessibility works. It drives loyalty, expands your customer base, and can lead to real financial returns. Its not an expenseits an investment. Every time I open the door to my own home, Im reminded that thoughtful design is not just about convenience; its about creating spaces where everyone, regardless of ability, can thrive.Developers who invest in accessible design today will be the ones reaping the rewards tomorrow. Its time to embrace accessibility, not as a burden, but as a profitable opportunity.Photo credit: Mark DeMontisMark DeMontis has 15 years of experience as an accessibility strategist. Having lost his sight at 17, he foundedCanadian Blind Hockeyfor blind or partially sighted Canadians and has raised funds by inline skating over 8,000 kilometres.Mark has worked as the accessibility advisor to the Premier of Ontario and some of Canadas top brands including the NHL and Lululemon. His firsthand experience as both sighted and visually impaired provides him with unique insights into the consumer behaviours of both markets. As Chief Accessibility Officer at The Substance Group, he helps organizations embrace accessibility as a business driver.The post Mandating Accessibility in New Buildings: An Opportunity, Not a Cost appeared first on Canadian Architect.
    0 Comments 0 Shares 67 Views
  • WWW.CANADIANARCHITECT.COM
    November 2024
    In our November issueArchitecture has traditionally been a profession of generalists, but technical specialization plays an increasing role in todays landscape. Our November issue focuses on projects whose success hinged on in-depth technical knowledge.We start by visiting T3 Bayside (3XN with WZMH) and T3 Sterling Road (DLR Group with WZMH), two Toronto projects that are testing the market for mass timber commercial buildings. Lloyd Alter explores how dowel-laminated timber (DLT) and cross-laminated timber (CLT) products are deployed in the two buildings, and what it means for their sustainability profile.Out towards the citys Pearson airport, we dive under the wings at Bombardiers new manufacturing facility, by NEUF architect(e)s. Ian Chodikoff details the highly detailed work that went into creating the mega-sized facility for the precision-driven work of assembling aircraft.For our cover story, Odile Hnault looks at how the rest of Canada can learn from Quebecs provincial system of architecture competitions. Case in point: two recent Montreal libraries, both complex project which adaptively reuse existing structures to create vibrant new community hubs.Last, Adele Weder visited Old Crow, Yukon, at the northwest corner of the country. Here, Kobayashi + Zedda Architects has crafted a community centre for the Vuntut Gwitchin First Nation. Weder argues that the technical rules for building may need to be rethought for the North: it may be time to consider encouraging flexibility with certain code requirements and energy targets in such communities.Our November issue also includes a review of a compendium on vernacular architecture, an interview with Canadian planetarium expert Bill Chomik, and an afternoon at a giant domino run in Toronto.-Elsa Lam, editorThe post November 2024 appeared first on Canadian Architect.
    0 Comments 0 Shares 67 Views
  • WWW.CANADIANARCHITECT.COM
    Domino Effect
    An oversized domino is launched from the upper terrace of Canoe Landing Park to continue the cascade of dominoes below. Photo by Francis Jun, courtesy of The BentwayIn mid-October, downtown Toronto was host to a surreal sighta 2.7-kilometre-long run of two-metre-tall dominoes. Made of lightweight concrete, the 8,000 oversized dominoes snaked down sidewalks, meandered through parks, and even wandered into buildings: a library, stores, a condo tower lobby.Setting up the dominoes took the better part of a day. Then, at 4:30 pm, it was go-time: the first domino was tipped over, and the chain tumbled through the city.The production was hosted by The Bentway and curated by Station House Opera, a British performing arts company that premiered Dominoes as a way to link the five host boroughs of the 2012 London Olympics. Since then, the site-specific performance has toured to cities including Copenhagen, Melbourne, Marseilles, and Malta. For Toronto, the artists chose a path tracing the development of the citys west end: from the Victorian residential fabric south of King West, to the industrial-inspired Stackt Market, then weaving its way through the waterfronts high-rise neighbourhoods before ending at Lake Ontario.Putting together the event was a logistically complex undertaking, including negotiating with city agencies for crossing streetcar tracks, getting sign-off from more than 40 site partners, and setting up with help from some 300 volunteers. Near the end of the run, the line of dominoes crossed Lakeshore Boulevard. The busy street could only be closed for six minutesa tense window in which time the dominoes were quickly set up, knocked down, and cleared away.The enormous effort was worth it, says Ilana Altman, co-executive director of The Bentway. She explains that while The Bentway is anchored in its eponymous spacean urban park and public art venue under the raised Gardiner Expresswaythe organizations mission centres on revealing opportunities and connections in the urban landscape. Dominoes helped Toronto to really see these possibilities in a compelling and convincing way, says Altman.The Bentway is looking to make those connections more permanent. Its own site is growing: its first phase, designed by Public Work, opened in 2018, and this fall, the organization named Field Operations and Brook McIlroy as the designers for its second phase. Earlier this year, Toronto City Council endorsed a public realm plan that outlines a comprehensive vision for the remainder of spaces below and adjacent to the 6.5-kilometre expressway.Beyond the physical links that were created by the line of dominoes, the event created important social connections. It was quite moving to see the level of interest we got from volunteers, says Altman. People were passionate and invested in it; people were meeting neighbours for the first time.On show day, my seven-year-old son and I delighted in rediscovering pockets of downtown, in chatting with the volunteers setting up the dominoes, and in seeing the clever ways that the white slabs had been laid to climb hills, zigzag through open areas, and even hop over a park bench. It was a sunny fall afternoon, and hundreds of people were out, engaging with an openness facilitated by the charming installation. As 4:30 pm approached, the crowds grew along with the sense of anticipation. My son and I were stationed at the end of the run, and cheered alongside a throng of Torontonians as the dominoes fell one by oneand the last domino splashed into Lake Ontario.As appeared in theNovember 2024issue of Canadian Architect magazineThe post Domino Effect appeared first on Canadian Architect.
    0 Comments 0 Shares 59 Views
  • WWW.CANADIANARCHITECT.COM
    Book Review: HabitatVernacular Architecture for a Changing Climate
    Habitat: Vernacular Architecture for a Changing ClimateEdited by Sandra Piesik (Thames and Hudson, compact edition 2023)Vernacular architecture is generally understood as referring to domestic, native and Indigenous structures. So it is perhaps of little surprise that in our contemporary scapedominated by forms of monolithic scale and proportionmethods of producing vernacular architecture have often been overlooked and marginalized. Yet, as a strand of construction indebted to a rich history of making, the vernaculars sphere of influence can be seen as an important response to the growing climate crisis. Habitat: Vernacular Architecture for a Changing Climate, assembled by architect-author Sandra Piesik, offers an insightful overview of age-old methods of production, and supports and celebrates present-day efforts that follow in their wake.Unconcerned with its own behemoth scale (the framing as a compact edition referencing a shrinking from an earlier version with larger type), Piesiks text navigates the breadth of global vernacular construction, convening an encyclopaedic collection of references with considered commentary. Ordered around climatic typologiestropical,dry, temperate, continental, and polarthe book provides concise introductions by regional experts, inviting consideration of a world foreign to many who operate within the narrow scope of contemporary architecture. Crucial to the book is the vast array of photos that support the edited essays; although these have a somewhat domineering presence, they are effective in facilitating an understanding of how the texts should be read. Through the displayed architectures, the kaleidoscopic nature of the vernacular shines: the volume surveys a truly global footprint, from the global South to Iceland and the Arctic, and from rural environments to Brazils favelas.The book documents hundreds of vernacular buildings from around the world, including the traditional round huts (or rondavels) of the Zulu people in in Lalani Valley, Kwazulu-Natal, South Africa. Photo Oliver Gerhard/Age FotostockThe integrated essays penned by experts span a legion of fields. A text by Anna Yu Mainicheva, Homesteads of Northern and Central Russia, appears in the continental section alongside a contribution from Aldona Jonaitis examining the Indigenous Dwellings of Americas Subarctic and Northwest Coast. Beyond challenging political barriers, this careful placement of content plays a significant role in articulating the volumes ambition, demonstrating relevance across a global scale. Similarly, words by the likes of Ronald van Oers point to the dynamism within the vernacular; his case study surveys the plethora of influences on chattel houses and the timber architecture of the Caribbean. Texts by Canadian scholars Tammy Gaber and Miriam Ho are also included, looking respectively at vernacular architecture in Turkey and Kazakhstan.Towards the books end, an appendixperhaps better understood as a sixth chapteroffers a modern account of the vernacular by presenting contemporary references. Francis Krs Gando Primary School Complex represents arguably the most lauded example. However, less celebratedyet equally impressiveworks include Hollmn Reuter Sandman Architects Rufisque Womens Centre, and Architypes Enterprise Centre at the University of East Anglia. Canadian architect Brian MacKay-Lyons Muir Craig Cottage is also included in the mix. These aid in providing a rich register of the vernacular, and, yet again, evidence its global multiplicity. Despite a somewhat muted presence against the dazzling imagery, the short texts that accompany these examples facilitate an ease of understanding, supporting the volumes lessons to be learned approach. Like the short essays in the main section, the pockets of texts throughout the book work hard and add depth.In sum, Habitat: Vernacular Architecture for a Changing Climate is a well-constructed compendium. The volume provides a highly considered overview of the vernacular, while retaining a format which is both approachable and inviting. While perhaps imagined to be read across its breadth, the weight of the tome makes it even more valuable as a reference document. For those committed to a different kind of architecture and a non-extractive approach, this book is a useful starting point, ably demonstrating that a new way of thinking can be found in the old.As appeared in the November 2024 issue of Canadian Architect magazineThe post Book Review: HabitatVernacular Architecture for a Changing Climate appeared first on Canadian Architect.
    0 Comments 0 Shares 67 Views
  • WWW.CANADIANARCHITECT.COM
    Under the Wing
    An on-site ground run-up enclosure allows for aircraft engine testing as part of the quality control process. The enclosure blocks the transmission of sound to noise-sensitive locations, while providing jet blast protection built into the rear wall structure.PROJECT Bombardier Global Manufacturing Centre, Toronto Pearson Airport, Mississauga, OntarioARCHITECT NEUF architect(e)sTEXT Ian ChodikoffPHOTOS Salina KassamCreating an aircraft manufacturing space is a unique programmatic challenge for an architect, combining advanced technology, precision engineering, and meticulous attention to safety. When Bombardier approached NEUF architect(e)s to create its new aircraft assembly centre at Toronto Pearson International Airport, the architects embarked on a five-year-long journey to realize a state-of-art facility, with 2,000 employees manufacturing over a dozen planes at a time.A complex coordination challengeNot unlike the complexity of planning for a hospital, the project required NEUF to navigate many client requirements, specifications, and workflow methodologies, translating them into a functional design. Beginning with client-supplied diagrams built in Excel, the architects worked through detailed programmatic diagrams to assimilate everything from equipment requirements to unique fire and life safety standards. The complexity was multiplied by the challenges of the sitethe aeronautic campus was to be built adjacent to Canadas busiest runway, handling over 200,000 planes annually.NEUF partner Lilia Koleva led the project, working alongside Marco Chow and Rainier Silva to ensure every detail aligned with Bombardiers operational requirements; Linh Truong headed up the interior design. At one point, the NEUF team had 30 staff coordinating with 120 external professionals from various disciplines and specialties, including over 75 engineers and designers from Stantec. The project began in late 2019; after nearly 400 meetings, it officially opened in the spring of 2024.Kolevas ability to coalesce complex programming requirements were previously honed through her involvement with the renovation and expansion of the Centre hospitalier de lUniversit de Montral (CHUM) completed in 2021, where, in collaboration with CannonDesign, she coordinated a constantly evolving list of facility and equipment requirements for dozens of operating theatres. For the Bombardier facility, Chow noted the creation of over 750 room data sheets with the client, as well as over 3,200 requests for information (RFIs) for the construction phase alone, 260 sheets of drawings, 3,000 Revit wall tags, 3,718 Revit construction notes and 58,000 Revit families. The architects had to address Bombardiers evolving corporate needs as well. During the pandemic, the facilitys footprint was reduced by 30 percent, requiring the team to adapt the program to ensure it met Bombardiers operational and strategic goals.Workstations are integrated on the production floor, allowing for quick responses to any issues that arise as the planes are assembled.Adapting to a new site and scaleBombardiers previous site was a century-old 366-acre campus at Downsview Airport. To enable the move to a much smaller, irregular 41-acre parcel at Pearson, the architects had to negotiate a comprehensive site planning process, and navigate complex municipal infrastructure requirements and aviation regulations.Upon arrival at the new facility, one first notices an enormous parking lot filled with dozens of Teslas. There is a culture within Bombardier to improve the sustainability of their businessin addition to their aircraft designas they continue to explore environmentally friendly aviation fuel options, and to reduce waste and emissions. Over 50 percent of the energy used on-site comes from renewable sources. The facilitys expansive exterior faades are marked by barcode-like vertical strips of curtain wall and translucent polycarbonate panels, which help to maximize daylight. 88 percent of workstations have access to natural light, boosting workplace health and wellbeing while reducing energy demands. The design intuitively orients employees to the fire exits, highlighted by narrower, single-width translucent overhead panels.The new campus is responsible for Bombardiers Global line of business jets, marketed for use by governments and private clients. NEUFs detailed planning was most intense for the 60,000-square-metre manufacturing buildingthe largest standalone building constructed at Pearson airport in the past 20 years. The extensive production floor is divided into 16 interior work centres, each measuring approximately 38 by 38 metres, and tailored to specific stages of aircraft assembly. There are eight similarly dimensioned exterior work areas. The 75-metre clear span over the production floor allows plenty of natural daylight through highly translucent fabric megadoors, while the large volume of space makes for considerably reduced ambient noise compared to the old Downsview production facility. Beyond the production floor are testing areas, flight simulation rooms, offices for engineers, classrooms for the aerospace program at Centennial College, and training, orientation and computer labs. Separate buildings include a 10,600-square-metre flight test hangar.Designing anything near an airport means the architects must adhere to strict Transport Canada and NAV Canada regulations, including the Obstacle Limitation Surface (OLS). James Lambie, Industrialization Director at Bombardier, explains that with OLS protocols, nothing can be built within 100 metres from the centreline of the nearby runway. From there, every seven feet you go out, you can go up one foot. At the tightest points, the building stays within 15 centimetres of the OLS to provide construction tolerance. Safety and environmental considerations also required integrating advanced fire suppression, ventilation, and lighting systems.Koleva estimates that, given the number of employees and requirements for the building, the needed municipal infrastructure upgrades that Bombardier performed were equivalent to handling the needs of six or seven residential towers. The existing sewers were nearing capacity before construction. Therefore, Bombardier had to build a new sewer alongside the runway and underneath the aprons for the busy FedEx distribution centre next door. At specific points, excavations had to go down 20 metres to build a sewer that could then be tied back into the main trunk lines for the City of Mississauga. At the same time, the airport runway and the FedEx facility maintained their complete operations, without any dust or disturbance that could affect the safety of the aircraft. Similarly, the architects had to control stormwater before releasing it to the City, by installing four underground tanks. The capacity of the two largest tanks totals 7.6 million litres of waterthe equivalent of three Olympic-sized swimming pools.Individual components are transported to Toronto using specially designed handling equipment, then undergo an initial inspection after being unloaded.Integrating advanced systems and equipmentVarious custom solutions were needed to accommodate large component handling, specialized racking systems for the thousands of parts on reserve, and the need for precise clearances along the manufacturing line.Large parts like wings and fuselage sectionsmanufactured at other Bombardier facilities outside of Torontoare transported to Pearson using specially designed vehicles and handling equipment, to ensure they arrive without damage. Wing sections unloaded in the aerostructures facility undergo an initial inspection, and are then decanted in a climate-controlled area. This allows the components to expand or contract back to factory-specified dimensions in the case that they have been transported in excessively hot or cold environments.Specialized robotic arms assist in drilling and riveting, as well as performing component quality checks. These robots are programmed to perform tasks with incredible precision, and are guided by specialized GPS sensors embedded in the concrete slab. An elaborate system of sprinklered scaffolding and cranes runs overhead and underneath the aircraft components as they move along the line, eventually arriving at a point when the fuselage, cockpit, wings and landing gear are assembled. In the factory, they call this the transformation into weight on wheels.The building isnt air-conditioned, only humidity-controlled. This is because the one-metre-thick double-reinforced concrete floors that run through much of the facility act as an effective heat sink. These floors are designed to house some 1.5 kilometres of slab-on-grade trenches, which run beneath the floors to accommodate power lines, vacuum systems, and hydraulic connections. The trenches help keep the workspace free and clear of objects and hazards, minimizing the risk of foreign-object debris (FOD). Anything from a plastic wrapper to a screwdriver could cause severe damage if it were to interfere with, or contaminate, the aircraft in any way.To Bombardier Vice-President of Management and Programs Julien Boudreault, the biggest challenge in designing the new facility is to allow listening and seeing to happen. It is the first line of defense where you must be able to quickly see which aircraft is in position on the assembly floor at any given time, and this is our companys culture. Many senior management offices have windows overlooking the two U-shaped assembly lines; the offices are also positioned to allow anyone to walk out onto the assembly floor quickly. This configuration fits within Bombardiers go-and-see approach, says Boudreault, referring to the concept that the CEO, a mechanic, and an engineer can quickly resolve an issue together, during any assembly stage.This exceptional degree of accessibility extends to all levels of production. The aeronautics industry is highly regulated, with many trades concentrated on the production floor. At every manufacturing stage, clusters of desktop workstations bring engineers within earshot of the production crew, so they can quickly collaborate to identify and resolve problems. Around the perimeter of the production line are areas where a new part can be replaced, modified or builtall designed so that workers in charge of those parts are within a four-minute walk from any point they need to access on the floor. Specialized tooling shops on the periphery operate around the clock to keep the flow moving.The facilitys high-power engine run booth, unique to Pearson Airport, is designed to handle the immense power, heat, and noise generated during the testing and calibration of aircraft enginesthe most expensive part of the aircraft, valued at around $10 million per pair. The extensive aircraft inspection process also includes a process known as soaking, where the aircraft is fuelled to its maximum capacity and left to sit to check for leaks or other issues that could affect performance.Some bespoke aspects of the build-out are handled at Bombardiers Montreal facility, including custom interiors, unique paint jobs, and the installation of specific equipment. Whether a customer chooses a particular sound system, carpeting, or bathroom fixture, each piece of equipment must be carefully sourced and documentedsimilarly to the planes rivets, bolts, or landing gearto ensure airworthiness and safety.Highly translucent super-sized fabric doors allow for natural daylighting for the manufacturing facility.A complex building for a complex processBuilding an aircraft is an undertaking that rivals the complexity of a major building project, says Graham Kelly, Vice President of Operations for Global Aircraft at Bombardiers Toronto facility. We needed a space that could not only handle the scale of our manufacturing operations, but also reflect our commitment to innovation and to exceeding client expectations, while ensuring the safety and wellbeing of our employees.NEUF became one of Bombardiers Diamond Suppliers after completing the landmark facility at Pearson. Architects may not like to be referred to as suppliers, but in this context, it is an honour that demonstrates an earned trust with a client that lives and breathes a technical, process-driven culture.For Koleva, designing this facility was also a personal achievement. She flew a lot with her parents as a child, and was fascinated by planes. She wanted her thesis project at McGill University to be an airport. (It ended up being an embassy.) As an architect, she always hoped to design an airport. From her perspective, the Bombardier facility is as close to an airport as it gets, because its about all the requirements for moving people through space. Bombardier builds the planes, while NEUF builds for the people who make them.Ian Chodikoff is an architect and consultant focused on architectural leadership and business strategy.CLIENT Bombardier | ARCHITECT TEAM Lilia Koleva (RAIC), Antoine Cousineau (RAIC), Andr Cousineau (FRAIC), Azad Chichmanian (RAIC), Marco Chow (RAIC), Rainier Silva, Linh Truong, Annabelle Beauchamp, Jean-Luc Bourbeau, Stphane Claveau, Ailsa Craigen, Sophie Del Signore, Feroz Faruqi, Gabriel Garofalo, Marie-Pier Gervais, Valrie Godbout, Gary Hlavaty, Sarah Ives, Mathieu Jolicoeur, Nadia Juarez, Kazim Kanani, Madina Koshanova, Guillaume Lallier, Celia Lauzon, Alain Piccand, James Rendina, Kristen Sarmiento, Marina Socolova, Naomi Su Hamel, Sam Taylor, Serge Tremblay, Don Toromanoff, Varteni Vartanyan | STRUCTURAL/MECHANICAL/ELECTRICAL/ACOUSTIC/LANDSCAPE Stantec | INTERIORS NEUF architect(e)s | CONSTRUCTION MANAGER Ledcor | AVIATION CONSULTANT BDI Blast Deflectors | AREA Building area54,250 M2 ; Gross floor area70,400M2 | BUDGET $500 M | COMPLETION May 2024As appeared in the November 2024 issue of Canadian Architect magazineThe post Under the Wing appeared first on Canadian Architect.
    0 Comments 0 Shares 70 Views
  • WWW.CANADIANARCHITECT.COM
    Northern Light
    The curved shape of the community centre echoes the bend of the meandering river.PROJECT Old Crow Community Centre, Old Crow, YukonARCHITECT Kobayashi + Zedda ArchitectsTEXT Adele WederPHOTOS Andrew LatreilleArriving in Old Crow is like entering another country. Tucked into the northwest corner of Yukon, this tiny village of 280 citizens of the Vuntut Gwitchin First Nation is accessible only by air, orfor intrepid seafarersalong the adjacent Porcupine River. A grocery store is the sole commercial outlet. All-terrain vehicles putter through a network of dirt roads lined with simple wood houses in various stages of weathering, many festooned with caribou antlers.In this otherworldly hamlet, Old Crows new Darius Elias Community Centre, designed by Kobayashi Zedda Architects (KZA), stands out like a spaceship.From the road, the building reads like a giant cylinder clad in wood slats. From the waterfront side, it flexes inward, roughly framing the outdoor space into a naturalistic courtyard and subtly echoing the meandering river. On a balmy late-summer evening, a young man and woman and their dalmatian are hanging out around the buildingunder the building, actually. Like almost all structures built in the Arctic, the Centre is raised above the ground so that its warmth does not melt the top layer of permafrost that sheathes the Arctic. This building is raised even higher than the norm, partly to account for the periodic flooding of Porcupine River. Architect Antonio Zedda notes that the buildings elevated condition creates a completely different planar experienceinside and out.The Centre comprises a community hall, Elders lounge, industrial kitchen, games room, meeting spaces, offices, and exercise room. The main spacethe large, circular hallhosts the Vuntut Nations assemblies, which include intense discussions, heritage dances, bonding, and reconnecting. Although Old Crow is the current home base of the Vuntut, the Nations thousand citizens are dispersed across Yukon. A few times a year, those citizens gather and reconnect in the large hall. Its a beautiful space for dancing, observes Vuntut Gwitchin Chief Pauline Frost. The adjoining kitchenindustrial in both size and equipment calibreruns at full steam during those events to provide the accompanying traditional feasts.The structural beams topping the main gathering room radiate outwards, adding a dynamic energy to the space.The oblique angles and concentric double circle of the ceilings radiating structural beams make the space feel alive and active even when empty, and emphasize the centrifugal force of the plan.At the other end of the structure, the spacious exercise room offers a stunning panoramic vista of the river, and doubles as a repository for traditional costume-making materials, with a hundred-plus bolts of fabric stacked floor-to-ceiling along one wall. The textiles are end-rolls donated to the community for use by local seamstresses. While it would be incongruous for a big-city gym, this juxtaposition makes perfect sense for a tiny community reclaiming its heritage crafts.KZA also designed the John Tizya Cultural Centre a few dozen metres down the road, a rectangular mass sheathed in corrugated metal. The Cultural Centre serves as a venue for locals and visitors to explore Vuntut Gwitchin culture and history. That compact and superbly designed building, like the new Community Centre, resulted from the advocacy of Chief Frost, who successfully lobbied for these and other new buildings while serving as the Vuntut Gwitchins MLA from 2016 to 2021. She was sworn in as Chief last year, in the same Community Hall that she helped bring to fruition.The Community Centre presents an architectural contrast to KZAs Cultural Centre, both in terms of massing and material. The clients wanted a building clad in wood, period, recalls Zedda. Not metal, nor anything simulating wood. That was the challenge for us; the reality in Yukon is that wood does not last long because of the extreme sun and extreme temperatures. In response, the design team researched an array of materials, finally settling on modified pinewood by Kebony, a Norwegian wood producer. Infused with an alcohol solution that preserves the wood, Kebony pine will naturally weather into a silvery hue over time, but will not decompose.The volume of the building is more closed towards the north side, giving it protection from winter weather.To many locals, the building is shaped like a snowshoean Aih in Gwichin. Others, like Vuntut Gwitchin Deputy Chief Harold Frost, tell me its designed to resemble a caribou trap. To this reporter, as a descendant of Prairie settlers, the plan evokes a leather waterskin. Read into it what you will. Drum? Snowshoe? Caribou trap? Its all those things, says Zedda. We dont typically design things that reference something specific. When the architects showed the floor plans to community members, he recalls, they started to infer ideas of what it resembled.For Zedda, the original community halla wooden octagon that still stands, vacant and rotting, beside the new structurewas the biggest driver. The idea was to capture the essence of that building and its [interior] space in the newer building, he says. The concept of circularity, rather than any specific representation, is at the heart of the design, echoing Indigenous respect for the cycle of life.But here is the uncomfortable question: is this building too big, and too state-of-the-art? For Chief Frost, the biggest challenge of the Community Centre is its high heating costs. That is not an architectural failing per se: the design team followed the design brief in terms of size, but few buildings of this size and scope could keep their energy costs low in an Arctic locale with viciously cold winters. The huge circular space that is so highly appropriate and welcoming for the quarterly gatherings of the Vuntut Nation is otherwise often vacant.Site planZedda argues that our system of consistent building-code application and aggressive energy targets is problematic for remote places like Old Crow, with populations so small that residents are unlikely to have the skill sets to address and maintain the technical issues and features. In terms of codes and standards that affect building systems such as mechanical heating and ventilation, for example, the code requirements tend to overly complicate the systems without understanding the context in which they are being placed, he says. This needs to be revisited. Otherwise, highly complex and efficient systems, if not operated properly, tend to perform poorly and are more expensive to operate.The time has come, he argues, to question whether its imperative in every instance to follow every code requirement when in certain communities it might be inappropriate or cost-prohibitive. And by inappropriate or cost-prohibitive, he clarifies, we are not talking about life safety items, for which there should be no flexibility. Whats needed is more consideration for the immediate geographic and cultural context.He cites a real-life example from a past project in Old Crow: The client asked why we needed to include a wheelchair ramp in the building design. Being on permafrost, the raised building resulted in a steel ramp system that was over 12 metres long with a price tag of over $50,000. The client told Zedda that a ramp wasnt strictly necessary, since on the rare occasions when someone would need assistance to enter and exit the building, others in this tightly-knit community would step up to help. They would never leave an Elder or mobility-challenged individual to navigate these spaces and places on their own, says Zedda. I was in awe hearing this. What are the fixes for the Darius Elias Community Centre and buildings like it? An architectural solutionunfeasible now, but perhaps viable with some future technologyis crafting a means to expand and contract a buildings capacity in response to shifting needs. As for the challenge of making and maintaining buildings in small and isolated places, it may be time to consider encouraging flexibility with certain code requirements and energy targets in such communities.Ultimately, for the Vuntut Gwitchin, the Darius Elias Community Centre is not just a functional amenity, but an existential one. Their periodic gatherings are essential as a cultural reaffirmation, both amongst their Nations citizens and to the outside world. We were essentially the forgotten community, because of our remoteness and social isolation, says Chief Frost. We didnt have anything before. But whats happened here in the last six or seven years is so amazing.Adele Weder is a contributing editor to Canadian Architect. KZA Architectscontributed a portion of the travel costs for this article.CLIENT Vuntut Gwitchin Government | ARCHITECT TEAM Antonio Zedda (MRAIC), Chris Chevalier, Sheelah Tolton, Phillippe Gregoire, David Tolkamp | STRUCTURAL Ennova Structural Engineers Inc | MECHANICAL Williams Engineering Canada; Building Systems Engineering | ELECTRICAL Williams Engineering Canada | CONTRACTOR Johnston Builders Ltd. | FOOD SERVICES Lisa Bell & Associates | ENERGY MODELlING Morrison Hershfield (now Stantec) | SOLAR PV STUDY Green Sun Rising | GEOTECHNICAL EBA/TetraTech | AREA 940 m2 | BUDGET Withheld | COMPLETION June 2021As appeared in the November 2024 issue of Canadian Architect magazineThe post Northern Light appeared first on Canadian Architect.
    0 Comments 0 Shares 73 Views
  • WWW.CANADIANARCHITECT.COM
    Serge Filion and Raymond Montpetit among 2024 Prix du Qubec winners
    Image credit: KollectifWinners for this years edition of the Prix du Qubec, the highest distinction awarded by the Government of Qubec in the fields of culture and science, have been announced.The awards recognize the exceptional careers of individuals who have contributed to the growth of their field, the transmission of knowledge and the influence of Qubec throughout the world.Among the winners are Serge Filion, who was awarded the Ernest-Cormier Prize and Raymond Montpetit, who recieved the Grard-Morisset Prize.Serge Filion became director of the land use planning division for the City of Qubec in 1969. From 1996 to 2005, he held the position of director of planning and architecture at the National Capital Commission of Quebec, before working for a year as assistant to the president.In Quebec City, he is responsible for the design of the first land use plan and the first zoning plan, which led to the establishment of the Lebourgneuf district, the revitalization of the Saint-Roch district, and the complete development plan for the banks of the Saint-Charles and Berger rivers.Now retired, Filion continues to mobilize Quebec authorities around the defense of cultural heritage and the environment. His goals are to encourage the creation of urban spaces that honour the past, while prioritizing the ecological crisis in future urban policies.Raymond Montpetit is a researcher, museologist, founding director, author, and professor. Since 1974, through the design and production of temporary and permanent exhibitions, he has been committed to disseminating heritage to a wide audience. In order to improve the professional functioning of Quebec museums, he played a major role in the establishment of the first masters program in museology in Quebec in 1987, of which he was the founding director and which he would direct again from 1993 to 1999.Between 1981 and 1983, Montpetit contributed to the design of the Centre dhistoire de Montral, the first municipal museum inspired by American interpretation centres, and in 1987, he defined the broad outlines of what would become Pointe--Callire, the Montreal Museum of Archaeology and History. In 2001, he directed the creation of the new regional museum La Pulperie de Chicoutimi, which focuses on the history and identity of Saguenay. More recently, he wrote the study that led to the creation of the Centre des mmoires montralaises, which opened in 2023.Named professor emeritus by the Universit du Qubec Montralin 2014, Montpetit continues to participate in research and publication projects.Image credit: Government of QubecThe full list of 2024 winners are featured below.Cultural awardsDenisCt, Albert-Tessier Prize CinemaliseTurcotte, Athanase-David Prize LiteratureDenisGougeon, Denise-Filiatrault Prize Performing ArtsRmyGirard, Denise-Pelletier Prize Performing ArtsSergeFilion, Ernest-Cormier prize Regional planning, architecture and designFranoiseArmand, Georges-mile-Lapalme Prize French languageRaymondMontpetit, Grard-Morisset Prize HeritageFranoisCousineau, Guy-Mauffette Prize Radio, television and digital or traditional mediaFranoisMorelli, Paul-mile-Borduas Prize Visual arts, crafts and digital artsAlineDesjardins, Ren-Lvesque Prize JournalismScientific prizesSylvieBelleville, Armand-Frappier prize Development of a research institution or administration and promotion of researchFrantzSaintellemy, Innovation Prize Scientific, entrepreneurial, economic, social or commercial innovationsRobert J.Vallerand, Lon-Grin Prize Human and Social SciencesMyriamDenov , Marie-Andre-Bertrand Prize Social InnovationRenDoyon, Marie-Victorin Prize Natural Sciences and EngineeringAnne-MarieMes-Masson, Wilder-Penfield Prize Biomedical ResearchNomie-Manuelle DorvalCourchesne, Hubert-Reeves Prize Scientific Emerging Talent, all scientific disciplinesFor more information, click here.The post Serge Filion and Raymond Montpetit among 2024 Prix du Qubec winners appeared first on Canadian Architect.
    0 Comments 0 Shares 66 Views
  • WWW.CANADIANARCHITECT.COM
    What Quebec can teach Canada about competitions
    The Maisonneuve Library is at the heart of a working-class district in the eastern part of Montreal. The project involved restoring a former City Hall, opened in 1912, to its original splendour. The jury report described the winning competition entry as a beautiful dance between two eras.PROJECT Maisonneuve Library, restoration and extensionARCHITECT EVOQ ArchitecturePROJECT Octogone Library, transformation and extensionARCHITECT Anne Carrier Architecture in consortium with Les architectes Labont MarcilTEXT Odile HnaultPHOTOS Adrien WilliamsLate last spring, as I was lining up outside Montreals Thtre du Nouveau Monde, waiting for the doors to open, I started a casual conversation with the person nearest me. At one point, totally out of the blue, she asked: Have you visited Montreals new libraries? Before I had a chance to answer, she went on: You know, they are the result of architectural competitions. A great system! I couldnt help laughing and thinking this was the moment I had long been waiting for The word was spreading! The news was reaching the public!Over the past three decades, the Quebec government has gradually set in place an enviable competition system for cultural buildingsthat is, museums, theatres, interpretation centres, and libraries. It results from a policy adopted in June 1992 by the provinces Ministry of Culture, which aimed at holding public competitions for cultural facility projects presented by municipalities and organizations and produced with the assistance of government grants, the cost of which is over $2 million (Ministre de la Culture du Qubec, La politique culturelle du Qubec, 1992).The formidable historic stone columns remind visitors of an earlier era filled with hope and enthusiasm.A new cultural landscapeThanks to this policy, a new cultural landscape has gradually emerged across Quebecs major cities as well as in its smaller municipalities. Competitions have been behind the design of at least 16 theatres, 20 museums of various sizes, and numerous interpretative pavilions. As far as libraries are concerned, the wave of competitions started in 2001 with the small Bibliothque de Chteauguay (by Atelier TAG with JLP architectes). Since then, more than 20 libraries were the object of competitions. Several of these new cultural institutions have gone on to win awards, and to be covered in journals such as Canadian Architect.The benefits to the public are obvious, even though the average Montrealer (with the exception of my theatre-going friend) is mostly unaware of the competition process at work. Needless to say, architects have gained a lot from this policy, which has allowed them to explore ideas and concepts they might not have been able to address in a standard RFP system. Steel portals and spatial voids were introduced to emphasize the transition from the light-filled contemporary wings to the more subdued ambiance of the original building.Two competitionsIt is often presumed that while design competitions may be suitable for new-builds, the complexities of additions and renovations put them out of reach for competitions. However, the contrary is proving to be the case: quite a few of Quebecs library competitions have been for additions or the quasi-total transformation of existing buildings.This is the case for two recently-inaugurated amenities in Montreal: the Maisonneuve Library and LOctogone both fit into this latter category. They are also among the largest of the citys 45 branch public libraries, including seven that were the objects of architectural competitions. Both Maisonneuve and LOctogone existed as libraries before 2017, when separate competitions were launched to renovate and expand them.Elements of the historical building were meticulously restored, including an ornate cast iron stair and stained glass skylight. ABove The east wing stairs illustrate the architects sober colour palette and respectful choice of materials.The Maisonneuve LibraryThe Maisonneuve Library is a rather unique case, since it is sited in a historic City Hallpart of a grand City Beautiful plan carried by a few enlightened entrepreneurs, who developed this sector of Montreal at the turn of the 20th century. Opened in 1912, their new City Hall only filled its role for a short period as the heavily indebted Cit de Maisonneuve was amalgamated to Montreal in 1918. The Beaux-Arts building, designed by architect Louis-Joseph Cajetan Dufort, remained standing through the last century, relatively unalteredthankfullyby its successive occupants. In 1981, it became part of Montreals public library network.Key to the design concept was the introduction of a tower off the east wing, containing a vertical circulation core and serving as the librarys universally accessible entrance.Four teams were selected to take part in the Maisonneuve Library competition: in situ atelier darchitecture + DMA architects; Saucier + Perrotte/DFS inc.; Chevalier Morales Architectes; and Dan Hanganu architectes + EVOQ Architecture. All four teams are considered to be among Quebecs most creative architectural firms, a reputation they acquired mostly through competitions. They were paid the pre-tax sum of $82,000 to take part in the competition, a sum which was included in the winning teams eventual contract.Site PlanThe challenge for the four teams was to triple the size of the 1,240-square-metre original facility with a contemporary intervention that would pay homage to the former City Hall. The Hanganu-EVOQ team had a definite advantage, EVOQ being one of very few offices in Quebec with a strong expertise in heritage preservation. Their parti was therefore centred on restoring the historic building (then in an advanced state of disrepair) to its original splendour, and treating it as a jewel inserted at the centre of a sober, contemporary composition. The alignment of the new curtain walls and the rhythm of a brise-soleil took their cues from the existing neoclassical colonnade.Elements of the historical building were meticulously restored, including an ornate cast iron stair and stained glass skylight. ABove The east wing stairs illustrate the architects sober colour palette and respectful choice of materials.On the exterior, stone faades and monumental doors were carefully restored. On the interior, similar attention was paid to the original plaster mouldings, wood panelling, and mosaic floors. The former piano nobiles marble staircase and its two imposing stained-glass features were painstakingly restored by a team of remarkable artisans, who still work using traditional construction methods.Key to the design concept was the introduction of a tower off the east wing, containing a vertical circulation core and serving as the librarys universally accessible entrance.Every effort was made by EVOQwhich now includes the late Dan Hanganus former teamto ensure the library would be fully accessible to all. This led to the design of a circular entrance pavilion, projecting from the east wing. An architectural promenade takes one from the new entrance, through the historic building, and onwards to the west wing. A sheer delight. The subtly handled transition points between old and new celebrate the original 1900s monument and the skill of its builders.A reading area, located on the west wings second level, includes a playful shelf-wall intended to appeal to children and youth.Slightly less convincing is the west wings shelf wall, visible from Ontario Street. It reflects an influence from Sou Fujimoto Architects Musashino Art University Museum & Library in Tokyo (2010), with its striking wooden shelving doubling as wall structure. In both cases, aesthetics seem to have been chosen over utility as any books stored in these areas are challenging to access.While intent on keeping alive the memory of the past, the local librarians simultaneously embraced the progressive outlook of the International Federation of Library Associations and Federations (IFLA). The Maisonneuve Library looks clearly to the future, particularly in its mission is to improve local levels of digital literacy. Gone are the administrative offices hidden away from the public: staff members wheel mobile stations around the building, plugging into a large array of floor outlets. The librarys offerings also now include a playful childrens area, a Media Lab, and a small roof garden. Silence is no longer the rule, except for in a few enclosed spaces.In the new design, the librarys three wingsevocative of a windmills bladesare arrayed around a central hub.Octogone LibraryAnother major library competition was also launched in 2017: this one for Octogone Library, in a totally distinct environment situated towards the western tip of the Montreal Island. A suburban street pattern is prevalent in the borough and the site of the library is off a banal commercial strip. The areas most interesting feature is perhaps the adjoining Parc Flix Leclerc, with its gentle landscape and large weeping willows.The original Octogone Library building was the outcome of decades-long advocacy efforts by the local community, which did, finally, lead to the government commitment for a public library in 1983. The following year, a low-scale, rather Brutalist building opened its doors to the public. The architects were Bisson, Hbert et Bertomeu. The long-awaited amenity was named Centre culturel de lOctogone in reference to its role in the community and to its geometry.When the 2017 competition was launched for a renovation and addition to the existing building, the resulting proposals aimed to perpetuate the memoryand the nameof the 1984 building. Again, four teams were selected to participate in the competition: Atelier Big City with LOeuf; BGLA with Blouin Tardif architects; EVOQ Architecture with Groupe A; and finally, Anne Carrier architecture in consortium with Labont Marcil, the winning team. The octagonal foundations were deemed solid enough to handle the loads of a new construction, but the existing walls presented competitors with a number of difficulties.The site plan demonstrates urban design firm civilitis attention to the librarys immediate grounds and to the larger heritage-designated site.Carrier and Labont Marcils entry was, as noted by the jury, a vigorous and joyous response to the program. The team had opted not to adhere too closely to the original octagonal plan and to refer instead to a far more significant symbol for LaSalle citizens, the 1827 Fleming Mill. The projects most striking feature is a central helicoidal stair, or hub, which immediately attracts attention as one enters from either side of the new building.A central helicoidal staircase is a stunning feature of the library.The second-level plan is laid out to evoke a mills three giant blades revolving around a central pivot, which culminates in a quiet, more secluded, circular space enlivened by an airy artwork. Produced by artist Karilee Fuglem, this piece alludes to LOctogones extensive collection of graphic novels and comicsthe largest such collection in Montreals library network.A second-floor view shows the buildings three levels, from the main entrance below to a small, secluded reading area at the top.ConclusionWhile architectural competitions have yet to spread across Canada, Quebec can boast a rich repository of experience in this domain. At the end of three decades, and with dozens of projects successfully built through the competition process, the provinces landscape of libraries, theatres, and museums is obvious proof that competitions are worth the effort.Of course, there are improvements to be made. The process has gradually been burdened with overly complicated programmatic specificationssome preliminary documents are now up to several hundred pages long. The constraint of tight budgetary commitments in a highly volatile context can also seriously hinder creativity. But in the end, despite the need to revisit and simplify the process, a healthy competition culture has emerged, not just in Montreal and Quebec City, but all over the province.At 32 years old, Quebecs architecture policy is entering middle-age, and its perhaps worth considering how it might be adjusted to prompt even more innovative, mature expressions of architecture. Can programs be loosened to allow for more daring concepts? Is there a place for open design competitions, creating opportunities for younger generations of architects? Despite some shortcomings experienced over the last three decades, Quebec has successfully put competitions to the test. And the rest of Canada could learn from it.Odile Hnault is a contributing editor to Canadian Architect. She was the professional advisor for two pilot competitions that led to the adoption of the Quebec Ministry of Cultures 1992 policy on architectural competitions.Maisonneuve LibraryCLIENTS Ville de Montraland Arrondissement Mercier-Hochelaga-Maisonneuve | ARCHITECT TEAM EVOQGilles Prudhomme, Sylvie Peguiron, Marianne Leroux, Georges Drolet, Nathan Godlovitch, Anne-Catherine Richard, Lynda Labrecque, Simona Rusu, Alexis Charbonneau | ARCHITECT (HISTORIC BUILDING, 1911) Louis-Joseph Cajetan Dufort | LANDSCAPE civiliti | ENVELOPE ULYS Collectif | STRUCTURAL NCK | CIVIL Gnipur | MECHANICAL/ELECTRICAL Pageau Morel | ENVELOPE/QUALITY CONTROL UL CLEB | ELEVATOR EXIM | DOORS, HARDWARE SPECIALISTS ARD | COMMISSIONING Cima+| FURNITURE/SIGNAGE/MULTIMEDIA GSMProject | ERGONOMICS Vincent Ergonomie | LIGHTING LightFactor | SUSTAINABILITY WSP | ACOUSTICS Octave | METAL/HISTORIC DOORS M&B Mtalliers | MOSAIC Arts Mtiers dart | ORNAMENTAL PLASTERS Pltres Artefact | MASONRY Maonnerie Rainville et Frres | CONSERVATOR/MASONRY Trevor Gillingwater | STONECUTTERS Alexandre, Tailleurs de pierres + sculpteurs | STAINED GLASS Studio du verre | ARTIST (PUBLIC ART) Clment de Gaulejac | AREA 3,594 m2 | construction bUDGET $38.6 M | COMPLETION June 2023Octogone LibraryCLIENTS Ville de Montral and arrondissement lasalle | ARCHITECT TEAM AC/AAnne Carrier (FIRAC), Robert Boily, Martin LHbreux, Patricia Pronovost, Mathieu St-Amant, Andre-ve Gaudreault, Brenda Ct. LES ARCHITECTES LABONT MARCIL IN CONSORTIUMPierre Labont, Jean Marcil, Andranne Gaudet, MICHEL DESMARAIS | Structural/mechanical/electrical EXP | LANDSCAPE Rousseau Lefevre | INTERIORS Anne Carrier Architecture/les Architectes Labont Marcil en consortium | CONTRACTOR Dcarel | ergonomics VINCENT ERGONOMIE | acoustics Octave | SCENOGRAPHY GO MULTIMEDIA | aRTISTS (PUBLIC ART) CLAUDE LAMARCHE (1984), KARILEE FUGLEM (2024) | AREA 4,500 m2 | BUDGET $28.6 M | COMPLETION October 2024As appeared in the November 2024 issue of Canadian Architect magazineThe post What Quebec can teach Canada about competitions appeared first on Canadian Architect.
    0 Comments 0 Shares 80 Views
  • WWW.CANADIANARCHITECT.COM
    Timber Redux
    The two buildings of T3 Sterling Road are a contemporary take on the former industrial fabric of their neighbourhood, west of downtown Toronto. Photo by James BrittainPROJECTS T3 Sterling Road and T3 Bayside Phase 1ARCHITECTST3 STERLING ROAD DLR Group Architecture inc. (Design Architect and Architect-of-Record) and WZMH (Local Affiliate Architect)ARCHITECTST3 BAYSIDE WZMH Architects (Executive Architect) and 3XN (Design Architect)TEXT Lloyd AlterIn 1970, Barton Myers and Jack Diamond bought the Eclipse Whitewear Building on King Street in Toronto and converted it into offices. They left the brick walls and massive wood structure exposed, and kept visible all the conduits, ducts, sprinkler pipes and other mechanical paraphernalia, layering in industrial lighting. When you entered the space, you got the shock of the old: the existing warehouse adapted for modern use. Soon, warehouse conversions were happening around North America, including in San Francisco and in Minneapolis, where a renovation of the half-million-square-foot Butler Building became the continents most prominent example.Creative industries loved these spaces, which quickly filled with architects, advertising firms, and tech startups. Jane Jacobs understood this, writing in The Death and Life of Great American Cities, Old ideas can sometimes use new buildings. New ideas must use old buildings.Ground floor amenities include a generous co-working space. Photo by James BrittainBut old buildings were not without their problems. The floors were usually mill decking, where lumber such as 2x10s were nailed to each other to carry the heavy industrial loads. Noise passed right through them, as did dirt: staff would often find dust and debris on their desks.In 2016, real estate developer Hines built the continents first large new mass timber building, which they called T3 (for Timber, Transit, Technology). They aimed to capture the look and feel of a warehouse, without the drawbacks. It was sort of a new-old building. Hines noted in their marketing materials at the time:We love old brick & timber warehouses. We love the feel of them, the originality, and the entrepreneurship that lives inside their bones. They are cool places to collaborate, create, and innovate. Unfortunately, these buildings lack good natural light, are drafty, noisy, and have outdated HVAC systems. So we asked ourselves, why cant we solve these problems by selecting an authentic location, surrounded by heritage buildings, and construct a brand new, vintage building? All the charm of an old brick & timber building, with none of the downsides.Ground floor amenities include a generous co-working space. Photo by James BrittainThe Minneapolis T3, designed by Canadian mass timber pioneer Michael Green and American firm DLR Group, was built with glue-laminated columns and beams. Its floor slabs were made of Nail-Laminated Timber (NLT) supplied by StructureCraft of British Columbia, and nailed together in Winnipeg, Manitoba. Modern NLT was developed in Germany in the 1970s by engineer Julius Natterer. NLT was used because it was in the building codes and could be made anywhere, by anyone with a nailgun; Cross-Laminated Timber (CLT) was not yet approved or manufactured in North America. Unlike conventional construction, with mass timber, the supplier often acts as the timber structural engineer and builder, delivering the complete package. StructureCraft says, Our Engineer-Build model brings responsibility for all the steps of engineering and construction under one roof, to a company that has significant experience taking on this responsibility. Engineer-Build synthesizes and smooths out the building process.T3 Minneapolis was a success, and Hines took the concept to other cities, with a total of 27 buildings completed, under construction, and in design. The most recent finished T3s are in Toronto, where Hines has opened two projects: T3 Sterling Road and T3 Bayside.A new landscaped park is framed by T3 Sterling Road to the south, and the Museum of Contemporary Art (MoCA) to the east. Photo by James BrittainHines pitches its T3 projects as timber buildings with a conscience, claiming T3s exceptional amenities prioritize health and well-being, and the natural wood interior and bright, inspiring spaces help people feeland dotheir best. Research backs this up. An Australian study, Workplaces: Wellness + Wood = Productivity found that Employees surrounded with natural wooden surfaces on average reported higher personal productivity, mood, concentration, clarity, confidence and optimismand were more likely to find their workplaces relaxing, calming, natural-feeling, inviting and energising. These ideas are captured in the concept of biophilia, a term coined in the mid-80s by Harvard professor Edward O. Wilson to refer to humans fondness for nature, including plants, wood, and natural light.The leasable spaces feature Dowel-Laminated Timber (DLT) floor assemblies, along with glulam columns and beams. Photo by James BrittainHines also points to the environmental benefits, noting that building with wood avoids the emissions that come from making steel or concrete, which together total about 15 percent of global carbon emissions. When a tree is taken and used in a building that will last for centuries, the developer writes, that piece of wood is storing that carbon dioxide in the material for the life of the building.For T3 Sterling Road, Hines brought DLR Group and StructureCraft together again, including lead designer Steve Cavanaugh, who worked with Green on T3 Minneapolis. StructureCrafts roles once more encompassed acting as the timber structural engineer, coordinating timber sourcing, and providing supply and installation. The team also included WZMH Architects as the local architect of record.Torontos Sterling Road district has become a hotbed of warehouse conversions and brewpubs, anchored by the Museum of Contemporary Art; the New York Times has described it as newly hip, its appeal broadening beyond the small cadre of tuned-in artists and bohemian types who for years have had it to themselves. The site certainly nails the Transit of the T3 moniker, with a short walk to the Bloor subway and the UP Express train, which connects to downtown and the airport. The environmental importance of location and available transit is often underestimated: Alex Wilson of BuildingGreen calculated that the energy used by tenants commuting to a building was 2.3 times the energy consumed operating the building.Mullioned windows and upper level diagonal braces emulate the appearance of industrial buildings. Photo by James BrittainPhase 1 of the Sterling Road project includes two buildings totalling 300,000 square feet, constructed of glulam columns and beams, and with Dowel-Laminated Timber (DLT) floors. DLT was developed in the 1990s by a German company which called it Dbelholz, German for dowelled wood. Holes are drilled in softwood lumber with a moisture content of about 15 percent, and hardwood dowels, dried to about 8 percent, are driven in. As the dowels absorb moisture from the surrounding wood, they expand, locking the assembly together. StructureCraft has built sophisticated DLT machinery in its Abbotsford plant, which can spit out massive 12-foot-wide by 60-foot-long panels.Sterling Road is a bit rough around the edges, and the design for T3 Sterling aims to be edgy as well, with exposed diagonal bracing and steel bars added on the exterior to emulate the appearance of industrial windows. The program is geared towards young urbanites; while the upper floors are conventional leased office space, the ground floor has a large co-working space, a well-equipped gym, and bicycle storage.Different types of mass timber have distinct looks and feel, and DLT can be finished in different ways. T3 Sterlings DLT is made of 3-wide boards with a kerf on the corner, giving it a seriously industrial look, like you used to get in warehouses when wood was thicker. While most modern office buildings have a 30-foot-by-30-foot grid, mass timber is not cost-effective at that span, so the grids in the T3 are 20-by-30. DLR lead architect Steve Cavanaugh explained that many layouts were tested against the grid, and it was found to maintain planning flexibility.Although they both share the T3 label and are made of mass timber, T3 Bayside is a very different building from T3 Sterling Road. Its located in the rapidly developing area just east of the downtown core, and is surrounded by new residential towers.In branding this building, Hines adjusted the second T in T3 to substitute Talent for Transit, because its a fairly substantial 24-minute walk to Union Station. (A light rapid transit line, approved by the City in 2019, is currently in the design phase.) WZMH is back as the architect of record, with Danish firm 3XN as lead designer.At T3 Bayside, a band of glazing steps up to accommodate the possibility of interconnected spaces between office floors. Photo by Tom ArbanWhere T3 Sterling Road is industrial and edgy, T3 Bayside is all business. Its defining architectural feature is a stepped, recessed band of glazing ringing the faades, which permits a succession of double-height spaces. The original concept included grand stairs running through these double-height spaces from ground to top floor, but this was before the pandemic, when it was anticipated that the building might be occupied by a single tenant who would appreciate the interconnection of their spaces. However, the market has changed significantly, and the building is starting to be leased to smaller tenants. The double-height spaces are now called opportunities, and are currently filled with removable slabs. Common areas on the first, second, and third floors do remain connected, resulting in a small set of dramatic spaces, linked by enticing stairs. On the buildings west side, the stepped glazing corresponds with the staggered, stacked spaces of the buildings atrium, a communal lounge, and a shared meeting room. Photo by Tom ArbanAs at T3 Sterling, the columns and beams of T3 Bayside are made of glue-laminated timber, but this locations slabs are Cross-Laminated Timber (CLT). The laminations in CLT are made up of 2x4s, laid up flat to form a layer; the next set is laid at 90 degrees to the layer below, and so on. The whole sandwich is glued together in giant presses. CLT was invented in the States and patented in 1923, but modern CLT was developed by Professor Gerhard Schickhofer at Graz University in the 1990s. Austria had a large lumber industry, but being landlocked, exports were expensive. Turning lumber into CLT added significant value.CLT is more dimensionally stable than DLT, and can act as a two-way slab, supported on columns without beams. However, Hines specifies a column-and-beam design so they can get competitive pricing between the different mass timber technologies. To avoid the noise transfer that was endemic in older warehouse conversions, the CLT floor is topped with a sound mat and 2.6 inches of concrete.CLT is usually more expensive than DLT, but the wood, structural design and assembly for T3 Bayside is supplied by Nordic Structures. Nordic is a subsidiary of Chantiers Chibougamau, a vertically integrated lumber company controlling close to six million acres of black spruce Quebec forest; the company processes 15 percent of the renewable resources in the provinces woodlands. Geographically, Quebec is a lot closer than British Columbia, so it is likely that the reduced transport expense helps to balance out costs.At T3 Bayside, Cross-Laminated Timber (CLT) floor assemblies are paired with glulam columns and beams. Dropped ceilings are absent from both T3s, opening panoramic views to the city and lake. Photo by Tom ArbanIn the base building, there are no dropped ceilings to block the view of the mass timber beams and slabs, and no raised floorall mechanical and electrical services are exposed. What is normally hidden and often installed haphazardly has to be precise and straight. Every conduit and duct is laid out in advance in the BIM model; notches are cut into the tops of beams for them to pass through. With rare exceptions, the electrical conduits in both Toronto T3s are a work of art, resembling a circuit board rather than a typical electrical installation. The ventilation ductwork is also lovely to look at; in Bayside, there is a narrow structural bay without beams running around the core so that the main supply ducts can run east-west, while the smaller ducts run north-south between beams. It is all brilliantly coordinated. No lighting is installed in the base building; that is added after the tenant layouts are determined.T3 Bayside Connection DetailHines notes that T3 Bayside will store 3,886 metric tons of carbon dioxide. However, this isnt counted or credited by LEED. According to the Life Cycle Assessment (LCA) report, biogenic carbon is excluded since it is assumed that at the end of life, the wood will be disposed and the embodied carbon will be re-emitted back into the atmosphere.The treatment of biogenic carbon in LCA calculations is a major topic of discussionand controversyin both the industry and academia. Some in the industry dont believe any credit should be given for carbon being stored in the wood, given that roots are left to rot in the ground, slash is left behind, scrap is burned to kiln-dry the wood, and wood panels are transported from factory to site in fossil-fuel-powered vehicles. Others, like Paul Brannen, author of the book Timber!, claim that so much carbon is sequestered in the wood that developers should be able to sell carbon credits for every tonne stored, to help reduce the cost premium and to encourage more wood construction.Some also worry that building out of wood will lead to deforestation and the loss of old-growth timber. Hines counters by saying: The trees we use at Hines come from responsibly harvested forests/certified sustainable forests. The forests in the U.S. and Canada, for example, reproduce the timber required for T3 buildings every 20 minutes.Adding to their claims, Hines measures and mentions avoided emissions, the carbon emissions that dont happen because of the decision to go with wood. They note in a FAQ that Compared with steel or concrete, T3 Sterling Roads timber construction avoids emitting approximately 1,411 metric tons of carbon dioxide into our atmosphere. I question the idea of avoided emissions, thinking that its like being on a diet and crediting the calories of the chocolate cake I didnt eat.But any negativity disappears when you walk into either T3 Sterling Road or T3 Bayside. The spaces look good. They smell good. Fondle the columns, and they feel good. The biophilic effect is instantaneous. One may argue about the exact count of kilograms of carbon emissions stored or avoided, but as wood expert Dave Atkins noted about building materials, it all comes down to one principle: If you dont grow it, you mine it.The T3 buildings give tenants the culture, the aesthetics, the warmth, and the biophilic effects of an old warehouse building, with modern technology and services, and without the noise and dust. The carbon savings, however they are measured, are a wonderful bonus.Lloyd Alter, formerly an architect and real estate developer, is the author of The Story of Upfront Carbon (New Society Publishers). He currently writes a popular Substack newsletter, Carbon Upfront!T3 Sterling RoadCLIENT Hines | ARCHITECT TEAM DLR GroupStephen J. Cavanaugh, Kevin Curran, Kelly Goffiney, Charlie McDaniel, Bobby Larson, Kailey Smith, Neely Sutter. WZMHTed DuArte (MRAIC), Robert Sampson (MRAIC) | STRUCTURAL Magnussen Klemencic Associates | MECHANICAL/ELECTRICAL TMP | LANDSCAPE Janet Rosenberg Studio | INTERIORS Partners by Design | CONTRACTOR Ellis Don | AREA 28,234 m2 | BUDGET Withheld | COMPLETION Spring 2024ENERGY USE INTENSITY (PROJECTED) 45.6 kWh/m2/year T3 Bayside Phase 1CLIENT Hines | ARCHITECT TEAM 3XNCompetition Phase: Jens Holm, Audun Opdal, Kim Herforth Nelson, Elizabeth Nichols, Sai Ma, Monty de Luna, Sean Lyon, Matthias Altwicker; Design Phase: Jens Holm, Matthias Altwicker, Elizabeth Nichols, Laura Wagner, Sai Ma, Catherine Joseph, Jacquelyn Hecker, Ida Flche, Thomas Herve, Aleksandre Andghuladze, Farzana Hossain, Benji Magin, Christian Harald Hommelhoff Brink, Lydon Whittle, Sang Yeun Lee, Ann Christina Ravn, Thomas Lund, Eliana Nigro, Dora Lin Jiabao, Majbritt Lerche Madsen, Morten Norman Lund; Execution Phase: Matthias Altwicker, Catherine Joseph, Elizabeth Nichols, Jens Holm. WZMHRobert Sampson (MRAIC), Nicola Casciato (MRAIC), Len Abelman (MRAIC), Paul Brown, Ted DuArte (MRAIC), Nazanin Salimi, Derek Smart, Liu Liu, Ashley McKay, Samer Richani, Akhilesh Ahuja, Terek Aly, Loc Nguyen, Tracey Gaull| STRUCTURAL DESIGN Magnusson Klemencic Associates | MASS TIMBER PRODUCTION Nordic Structures | MECHANICAL The Mitchell Partnership Inc. | ELECTRICAL Mulvey & Banani | LANDSCAPE Janet Rosenberg & Studio | INTERIORS Partners by Design | CONTRACTOR Eastern Construction Company Ltd. | CODE Vortex Fire | CIVIL WSP | GEOTECHNICAL EXP | CONTROLS AND SECURITY HMA Consulting | ACOUSTICS Cerami & Associates Inc., HGC Engineering (Site Plan only) | SUSTAINABILITY Purpose Building Inc. | ENERGY MODELLING EQ Building Performance | ENVELOPE Entuitive Consulting Engineers | COMMISSIONING RWDI Consulting Engineers & Scientists | TRANSPORTATION BA Consulting Group Ltd. | WIND Gradient Wind Engineering | VERTICAL TRANSPORTATION Soberman Engineering Inc. | SIGNAGE Kramer Design Assoc. Ltd. | BUILDING MAINTENANCE EQUIPMENT RDP Engineering Inc. | AREA 23,341 m2 | BUDGET Withheld | COMPLETION Fall 2023 ENERGY USE INTENSITY (PROJECTED) 141.3 ekWh/m2/year | WATER USE INTENSITY (PROJECTED) 0.3 m3/m2/year (water use reduction of 45% compared to the LEED baseline, including greywater reuse in toilets from water collected on the roof and stored in a cistern)As appeared in the November 2024 issue of Canadian Architect magazineThe post Timber Redux appeared first on Canadian Architect.
    0 Comments 0 Shares 80 Views
  • WWW.CANADIANARCHITECT.COM
    Editorial: Star Specialist
    Calgary Architect Bill Chomik is contributing his expertise to a current redesign for the Heureka Planetarium, in Helsinki, Finland. Drawing courtesy Bill ChomikArchitecture has traditionally been a profession of generalists, but can offer fulfilling opportunities for those who choose to specialize.This was the case for Bill Chomik, a Calgary-based architect who, over the latter half of his career, has become the worlds leading expert in planetarium design.Chomiks foray into this esoteric specialty happened largely by circumstance. In 1993, he was Chair of the Calgary Science Centre Society when the centre needed to upgrade its aging planetarium. Because of Chomiks experience as an architect, he helped write an RFP for retrofitting the building with the new style of planetariuma tilted dome that allowed for upright seats, replacing the original flat dome that required almost fully reclined seats.There were no bids on the RFP: the obvious candidate to take the job would have been the planetariums original designer, Jack Long, but Long had by then become a City Councillor. So, with the support of the Science Centre Society, Chomik resigned from the board, and his 10-person firm took on the project.To complete the design, Chomik consulted extensively with suppliers. He also travelled to Finland to visit the just-opened Hereka Planetarium, by Heikkinen-Komonen Architects.Chomik and colleague Urs Kick studied the new structure from top to bottom, and ultimately used it as a model for the Calgary planetarium.At the grand reopening of the Calgary venue, suppliers approached Chomik saying that he was good to work with, and thatunlike many architects, whose designs undermined the ability of the projectors and other technical elements to perform at their besthe listened to what they had to say about their equipment. Chomik replied, Were Canadians, we listen and deal with everyone around us.A month later, he got a call from Athens: his name was put forward for a new planetarium being built there. He interviewed and got the job. Soon after, he was working on planetariums in Chicago, Guangzhou, Seoul, and San Jose. Although they were never the sole focal point of his practice, the firm took on these projects, and he continued to work on planetariumsone a year or soafter his practice was acquired by Kasian and he became a principal with the larger firm.To date, Chomik has been involved in the design of some 18 completed planetariums, with another 14 projects currently underway. Now retired from Kasian, he is a sole practitioner who works as a consultant to firms leading the design of planetarium-containing venues. In this capacity, Chomik has worked with the likes of I.M. Pei, Ricardo Legorreta, MAD Architects, and Zaha Hadid Studio.His scope now focuses on high-level conceptual design, and Chomik is glad for the opportunity to have a seat at the table, and for the travel his work involves. Id encourage young architects to try and develop a specialization if they want to have an interesting time in the prime of their career, he says. I made it a point 30 years ago to really understand planetariumswhat clients wanted, what technologies were out there to support it, what flaws were out there that should never be repeated againand became a world expert.As appeared in the November 2024 issue of Canadian Architect magazineThe post Editorial: Star Specialist appeared first on Canadian Architect.
    0 Comments 0 Shares 72 Views
  • WWW.CANADIANARCHITECT.COM
    SHIFT2025 Challenge Now Accepting Submissions
    Image credit: The SHIFT Architecture ChallengeTheSHIFT2025 Challengeis officially open for submissions.This biennial Ontario Association of Architects (OAA) awards program is an aspirational ideas competition that aims to highlight the architecture professions distinct contribution to addressing societal issues, with past themes having focused on health, resiliency, and infrastructure.The SHIFT Challenge is open to individuals or teams led by someone who holds an OAA status such as an architect, intern architect, student associate, retired member, or honorary member.All submissions will be reviewed by a special jury of experts from the architecture profession and beyond. The jurors will be introduced in the weeks to come.Selected SHIFT2025 submissions are collected in a special publication and shared online, as well as celebrated at next years Conference in Ottawa.This years theme, Reshaping Communities, asks the profession to explore how they can develop sustainable solutions. From urban revitalization and reconceptualization to adaptations responding to climate change and other emergencies, the competition is seeking conceptual, yet possible, architectural ideas for communities that enable all people to find stability, a sense of belonging, and hope.The submission deadline is January 17, 2025.To learn more, click here.The post SHIFT2025 Challenge Now Accepting Submissions appeared first on Canadian Architect.
    0 Comments 0 Shares 62 Views
  • WWW.CANADIANARCHITECT.COM
    Upcoming webinar to help newcomers in architecture
    Photo credit: TSAInternationally trained architects who are new to Canada are invited to join a special information session with representatives of the Toronto Society of Architects (TSA), the Canadian Architectural Certification Board (CACB) and the Ontario Association of Architects (OAA).The webinar aims to discuss some of the different paths for internationally trained architectural professionals to practice in Canada. Additionally, it aims to help those who may be wondering which paths to practice and where to start when obtaining their licences.It will take place via Zoom on November 6, 2024, at 6:00 p.m. and will cover a wide variety of programs including Accreditation, Academic Certification, and the Broadly Experienced Foreign Architects Program, as well as existing mutual recognition treaties and licensure.Guests will also clarify what a Building Code Identification Number (BCIN) is and its limitations, as well as important regulatory aspects to keep in mind when transitioning their careers to Ontario.This year, the hosts of the session will also be welcoming representatives of The Royal Architectural Institute Of Canada (RAIC) who will share some information about their Syllabus program and whether it might be the right path for participants. The webinar will end with a moderated Q&A session which will provide an opportunity to ask questions.For some resources to consult before and after the session, visit TSAs Resources for Internationally Trained Architectural Professionals.To register, click here.The post Upcoming webinar to help newcomers in architecture appeared first on Canadian Architect.
    0 Comments 0 Shares 68 Views
  • WWW.CANADIANARCHITECT.COM
    RAIC Launches Life Cycle Assessment Training Workshops
    Image credit: RAICThe Royal Architectural Institute of Canada (RAIC) has partnered with the National Research Council of Canada in a one-year rapid-deployment project to train members of the Canadian architectural community.The Canadian built environment is the third-highest source of greenhouse gas (GHG) emissions, and as a result, there is an urgent need to accelerate the knowledge, skills, and competencies of professionals who design buildings in the country. Architects, engineers, and other stakeholders can significantly contribute to the reduction of GHG emissions by understanding and addressing the carbon footprint of buildings. This initiative is important not only for meeting Canadas environmental targets, but also for setting a global example in sustainable building practices. To address this need, the training will be conducted through a high-quality, hands-on case study-based Whole Building Life Cycle Assessment (LCA) curriculum, designed to equip professionals with the tools and knowledge to evaluate the environmental impacts of buildings from conception to demolition.As architects, it is our responsibility to build and design with environmental leadership as an underpinning value and principle. Focused on our purpose to create a better world for all, this partnership with the National Research Council Canada, is one step in the right direction for the building sector to decarbonize at rapid scale and to accelerate the pace of climate action needed for Canada to achieve its 2030 and 2050 targets, said Jason Robbins, FRAIC, past president of the RAIC.Whole Building Life Cycle Assessment provides an estimate of the total GHG emissions associated with a building. This includes emissions due to operations and those associated with the extraction, manufacturing, transport, installation, replacement, and end of service life for products and materials used in a building.The workshop, hosted by the RAIC, is designed for architectural professionals, including licensed architects, interns, technologists, students, and others who want to learn about Life Cycle Assessment and how to reduce embodied carbon in real-life projects. Participants will learn about definitions, methods, targets, and standards, as well as the opportunity to practice with LCA software to implement into practice.These stages contribute a proportion of a buildings whole life carbon emissions. By analyzing these factors, professionals can identify critical areas where interventions can make the most significant impact in reducing emissions.The RAIC is collaborating with Ha/f Climate Design to organize in-person workshops on LCA for practicing industry professionals.The workshops will run until May 2025 in several locations across Canada, including Ottawa, Toronto, St. Andrews, Winnipeg, Regina, Vancouver, Calgary, Halifax, and Montreal. For more information about curriculum, dates, and to register, visit www.raic.org/LCAworkshop.The post RAIC Launches Life Cycle Assessment Training Workshops appeared first on Canadian Architect.
    0 Comments 0 Shares 67 Views
  • WWW.CANADIANARCHITECT.COM
    Op-ed: Move over Santas Workshopthe Ontario Science Centre is coming to your local mall
    While the Ontario Science Centre be reduced to a series of shopping mall pop-ups? Photo from handout, Landmark Mall, Hong KongMost of you have followed the tragic story of the Ontario Science Centres closure this past summer, a remarkable science museum perched atop a ravine overlooking Torontos Thorncliffe Park. An icon of late Modernism designed by architect Raymond Moriyama of Moriyama Teshima Architects, the Centre has been closed since June when the provincial government controversially used an engineers report to falsely justify extensive safety concerns, mostly surrounding the condition of the buildings roof. However, the larger and real reason is far more transactional: the Ford government wants to literally pave the way for several high-rise condominiums to eventually occupy the site. Watch for scandalous land deals in the future as politically well-connected developers secure the rights to build their 50-storey condo towers alongside a future Ontario Line subway stop (ironically named Ontario Science Centre).Before its closure, the Ontario Science Centre (OSC) welcomed approximately 900,000 visitors annually, making it one of Ontarios most visited cultural attractions and playing a vital role in providing interactive science education to a broad audience, including families, school groups and tourists.Until it can be confirmed where and how a permanent OSC will be built (currently, the plans are for it to be located adjacent to the Therme mega spa being proposed at Ontario Place), it was announced this week that the OSC will literally pop-up, at least temporarily. One location will be at Sherway Gardens, a popular regional shopping centre. The second site will be at the Harbourfront Centre. The Sherway Gardens location will feature interactive exhibits like a LEGO skyscraper, where visitors can play with the colourful trademarked bricks to build and learn about skyscraper construction, and Circus!, a popular exhibit exploring the science behind carnival tricks.Meanwhile, Harbourfront Centre will host KidSpark, a crafty, hands-on childrens exhibit. Getting to either location for a little science pop-up will be far more expensive and time-consuming for most parents than visiting the now-shuttered OSC.Photo credit: Cadillac FairviewThis latest OSC-related announcement has been met with mixed reactions, with some supporting the governments decision, presumably believing that any continued access to science education is better than none. Others have criticized the temporary nature of this latest announcementthe LEGO Towers exhibition will be up for less than three months, and the Harbourfront space will only be open until Mayand the potential for decreased accessibility. (OSC staffers were advised that a third temporary location is being considered within an underutilized convention centre somewhere in Mississauga.)But a shopping mall? Why do I feel the pop-up wonders of science at Sherway Gardens will feel more like a Santas Workshop, complete with simplistic, brash interpretation panels with a bravado that could only hope to match the sophistication of a nearby cell phone kiosk? I am depressed by our governments policy to infantilize science education and exploration while treating it as an entertainment sideshow between purchasing $1,500 down-filled winter coats and vanilla-bomb cosmetics. Besides, any good toy store in any decent mall could offer far more genuine opportunities to explore science than a couple of LEGO-filled buckets underneath the banner of the Ford-era mall version of OSC 2.0. I wonder if all of this poorly conceived education-, science-, culture- and innovation-related policy mash-up can possibly be pegged to the brazen arrogance of a single politician? What does this say about our culture, political or otherwise? Those who support the decision believe in continued access to science education. Ontario Infrastructure Minister Kinga Surma emphasizes keeping children engaged and excited about science. Really? Does a 25,000 square foot shopping mall experience replace 325,000 square feet of exhibition space dedicated to experiential learning? Photo credit: Toronto Public LibraryThere is also an argument that these temporary locations may allow the OSC to reach new audiences who may have yet to visit the Don Mills locationan odd argument, simply because the Don Mills site is closed! Why do I feel the argument over accessibility to learning is at the same level of sophistication as what the bookmobiles tried to achieve for literacy and outreach programs (a limited 1970s idea still in operation today)? Furthermore, there are now whole generations of young adults who grew up with the concept of pop-up exhibits and stores. Pop-ups are perfect for selling non-alcoholic cocktail mixes and upscale pet food. But science and innovation? And in a major metropolitan city like Toronto? We can do better.I agree with critics who feel these new locations will reduce the capacity and impact of science education programs. Dividing the OSC between two places combined with the unimaginative and dilutive idea of creating pop-up exhibits will undoubtedly diminish a science exhibits overall effect and scope, no matter how well-designed they may be.And then there is the cost. There was a stated $500 million cost to repair the OSC. As convincingly and eloquently outlined by Elsa Lam in Canadian Architect, the figure should be far less, debunking the Provinces business case. However, the cost of relocations, building temporary exhibitions, and designing a yet-to-be-determined program for the future, which will likely considerably diminish the OSCs exhibition capacity, would far exceed the costs of giving the currently mothballed OSC the love and care it deserves.When learning from other cities experience with science centres, we need not look far for inspiration. Chicagos Griffin Museum of Science and Industry (Griffin MSI), one of the largest science museums in the world, faced significant financial challenges in the early 2000s, but was revitalized through public-private partnerships, becoming a cornerstone of science education in Chicago. The Exploratorium in San Francisco is an excellent example of a museum reinventing itself when it relocated from the Palace of Fine Arts to a bigger waterfront location along the Embarcadero in 2013. Rather than shuttering or downsizing, it doubled down on its mission to inspire lifelong learning through science, transforming both the museum and the visitor experience with a $220 million investment in private donations and grants. Its expansion increased its size to 330,000 square feet of exhibit and public spacecoincidentally, almost the same size as the shuttered OSC. With over 800 interactive exhibits for all ages, it trains hundreds of teachers yearly to improve science education across the US. And receiving 1.1 million visitors annually, the new site also incorporates sustainable design with its net-zero energy building powered by rooftop solar panels. The Exploratorium makes me cry: it is what Toronto would have, if the culture and political climate allowed.The Montral Biodme, designed by KANVA, is another inspiring example of using innovation to transform and elevate an existing science centre. Rather than scaling back, the Biodme enhanced its role as a cultural and educational touchstone in Montreal, starkly contrasting the situation here in Ontario.We are witnessing a hugeand expensivemissed opportunity. Improving the Ontario Science Centre could have followed the MSI, Exploratorium or the Biodme examples. Preserving an important architectural and educational icon, instead of erasing it, represents good math, good science, and good architecture.We should also be mindful of a model of failure: the Center of Science and Industry (COSI) in Toledo, Ohio, which closed in 2007 due to unpaid taxes and a lack of financial support. Why should a city the size of Saskatoon or Windsor be the closest example for what is happening in Toronto? The museums exhibition was a quarter of what comprised the Ontario Science Centre, yet it received a very impressive 200,000 visitors annually. Toronto and Toledo sound too similar.It must be said that science should not just be for children. LEGO and crafty pop-up exhibits infantilize science. Chicagos MSI and the Exploratorium treat their science museums as all-ages civic treasures, not pop-up distractions. In essence, the criticism surrounding the Ontario Science Centres relocation stems from a perceived lack of transparency in the decision-making process, concerns about reduced accessibility, and a potentially diminished educational impact. These criticisms highlight the tension between addressing infrastructure needs and maintaining a vital educational resources accessibility and quality for the public. To see the downgrading of intellectual engagement and public science-related educational resources is maddening. Ian Chodikoff, OAA, FRAIC is a consultant who helps architects with business and leadership development. His substack can be found here.The post Op-ed: Move over Santas Workshopthe Ontario Science Centre is coming to your local mall appeared first on Canadian Architect.
    0 Comments 0 Shares 97 Views
  • WWW.CANADIANARCHITECT.COM
    Deadline nears for Winter Stations 2025
    Winter Stations 2024 entry Nimbus. Image courtesy of Winter Stations.Winter Stations has officially launched its 11th annual design competition and is looking for fresh ideas from the local and international design community.Launched in 2014 by RAW Architects, Winter Stations challenges local and international designers to transform the utilitarian lifeguard stations along Torontos beaches into works of public art. The competition, which attracts thousands of annual visitors, has seen entries from over 90 countries.This years theme is Dawn, which symbolizes a fresh chapter for Winter Stations and its creative journey. It represents the shift from night to day and will explore moments of change that redefine and shape our existence. It will also put a spotlight on the delicate process of shedding old layers to emerge as something new.Dawn aims to embrace the evolving self and endless possibilities of change and transition, whether it be personal, natural, or spiritual, as well as capture the raw beauty of growth and renewal.This year, designers are invited to explore how Winter Stations can evolve, and consider the future of the exhibition and its relationship with the public and the environment. Dawn will challenge designers to explore how Winter Stations can grow in the coming years, and shape the urban landscape in imaginative ways.We are excited to be entering our second decade as an organization and are using this opportunity to re-think aspects of how the Winter Stations are brought into the world, says RAW Design architect and Winter Stations organizer Dakota Wares-Tani. The theme for this years competition is purposefully intended to inspire new ideas and new thinking, and to also consider the second life of these stations as we move towards a model that allows for additional exhibitions throughout the year.The competition is accepting entries until November 4, 2024, at 11:59 p.m. EST. Winners will be announced in early January 2025. There is no fee to enter the competition, which welcomes entries from all around the world. The winning teams will be rewarded $2,000 (CAD).All 2025 installations must be able to withstand the citys winter weather for several weeks along the waterfront. Designs must also consider new technical guidelines that will help facilitate future exhibitions in other parts of Toronto. The built installations will be unveiled on Family Day Weekend, which falls on February 17, 2025.For more information, click here.The post Deadline nears for Winter Stations 2025 appeared first on Canadian Architect.
    0 Comments 0 Shares 68 Views
  • WWW.CANADIANARCHITECT.COM
    NDP leader files complaint to Integrity Commissioner about Ontario Place development
    Ontario Place (Photo credit: World Monuments Fund)NDP Ontario leader Marit Stiles has filed a complaint with the Ontario Integrity Commissioner about the process in which Austrian spa company Therme was chosen to redevelop Ontario Place.In her affidavit to the Integrity Commissioner, Stiles questions the call-for-development of Ontario Place, the evaluation process, and the lease agreement with Therme. Stiles claims that Infrastructure Minister Kinga Surma has shown preferential treatment to Therme during the Ford governments process of partnering with private companies to redevelop Ontario Place. As a result, Stiles is asking for an investigation to indentify whether the infrastructure minister broke ethics laws by choosing Therme as the main proponent for the redevelopment of Ontario Place.Along with the letter, the complaint also includes a nine page-long affidavit, and over 1,000 pages of documentary evidence. The documents reveal that the province is required to provide Therme with 1,600 parking spaces in a planned garage that will have over 2,000 spaceseven though the call for development was explicit in only offering existing parking to applicants. This evidence suggests that Therme received preferential treatment, and its private interests were improperly furthered, as a result of decisions for which Minister Kinga Surma is ultimately responsible, reads the letter.The complaint also cites evidence reported in Canadian Architect that the Provincial government unnecessarily closed the Ontario Science Centre, based on a deliberate misinterpretation of engineering reports about the roof condition.The letter concludes with a request that the office investigate whether Minister Surma breached sections 2 and 3 of the Members Integrity Act.The full letter and affidavit are included below, and the evidence attached to the affidavit can be downloaded at this link.The post NDP leader files complaint to Integrity Commissioner about Ontario Place development appeared first on Canadian Architect.
    0 Comments 0 Shares 81 Views
  • WWW.CANADIANARCHITECT.COM
    Ontario Land Tribunal decides against the preservation of Moriyama landmark
    On Friday October 18, the Ontario Land Tribunal green-lighted the redevelopment of the former Japanese Canadian Cultural Centre, a heritage-designated building designed by the late Raymond Moriyama, at 123 Wynford Drive. The proposed new development is a pair of condo towers, one of which is a 48-storey tower to be located on top of the heritage building.Photo by James BrittainTo accommodate these proposed towers and below grade parking, the developer plans to completely demolish the old Japanese Canadian Cultural Centre and later re-assemble portions of the original building at an elevated grade.The City of Toronto refused the development application, citing the propertys heritage designation. The proposal to demolish the building (with the exception of the north-west concrete pylon) and alter the property, would result in the permanent loss of this significant cultural heritage resource, wrote the Interim Chief Planner and Executive Director, City Planning. The proposal to demolish and re-attach select portions of the original building onto a new tower structure in its former location at a much highergrade would remove the buildings integrity as a whole building and all its interior and exterior heritage attributes as well as alter its placement on the site.Renderings of the proposed development, by Kirkor Architects.The introduction of two tall towers on the site to replace the existing building wouldadditionally result in the removal of a fundamental attribute of the property which is theinextricable relationship the building was designed to have with the landscape andnatural ravine, they added. This would have a considerable negative impact on the original vision for the property and the manner in which that vision is currently expressed.Additional renderings how the proposed re-attachment of a portion of the historic faades to the new buildings.The heritage building, designed by the late Raymond Moriyama and recently renovated by his firm, holds deep cultural, historical and architectural significance. This holds particularly true for Japanese Canadians, who have been advocating for the retention and restoration of the existing structure.Less than 20 years after Japanese Canadians were unjustly incarcerated during the Second World War, the Japanese Canadian community built the JCCC as a living monument to celebrate their ancestry, regain a sense of self-respect and promote friendship with all Canadians through culture, writes the National Association of Japanese Canadians Greater Toronto Chapter. Due to a funding shortfall at that time, 75 community members stepped forward and put second mortgages on their homes and businesses to finance the building.The developer contested City Councils refusal of their application by bringing the case to the Ontario Land Tribunal. In its decision to approve the development plans, the Tribunal wrote: The Tribunal acknowledges the cultural and architectural significance of the existing structure. However, in the absence of any firm alternative plans, it believes that the proposal preserves the importance of the Subject Site. The Tribunal encourages both parties to continue discussions with this goal in mind.It continues: The Tribunal is persuaded by the evidence that the proposal promotes efficient development of land, accommodates a range of appropriate mixed uses, intensifies uses within the settlement area, and contributes to the range of housing options, particularly with the increase in housing options supported by mass public transit as desired by the City.The post Ontario Land Tribunal decides against the preservation of Moriyama landmark appeared first on Canadian Architect.
    0 Comments 0 Shares 84 Views
  • WWW.CANADIANARCHITECT.COM
    Spirit Garden opens at Nathan Phillips Square in Toronto
    Photo credit: Tom ArbanOn September 30, 2024, the National Day of Truth and Reconciliation, the Spirit Garden opened at Nathan Phillips Square, after 7 years in development. More than 100 residential school survivors became the first to walk in the space alongside Indigenous community members, Mayor Olivia Chow, The Honourable Edith Dumont, Lieutenant Governor of Ontario and Deputy Prime Minister Chrystia Freeland.The Spirit Garden was designed by Gow Hastings Architects and Two Row Architect as a new permanent space to honour residential school survivors and all the children who were lost to their families and communities. It will also honour the diversity of First Nations, Inuit and Mtis cultural traditions.The gardens design centres around a six-foot-tall limestone Turtle sculpture by Anishinaabe artist Solomon Kin, placed in a reflecting pool. It symbolizes the First Mother, a commonality of creation stories for many Indigenous peoples. As the Turtle climbs over a boulder, it represents the strength and resilience of residential school survivors, a process introduced originally as the Restoration of Identity.The fully accessible site also includes a Two Row Wampum path, a Voyageur canoe, an Inukshuk, A Tree of Peace, a Three Sisters illustration on metal, and a timber-frame Teaching Lodge.The Spirit Garden is dedicated to Indigenous history and culturethe first public space built in a Canadian capital city to honour those impacted by the Residential Schools program and to directly respond to the Truth and Reconciliation Commissions Action 82.Nathan Phillips Square was selected by the City of Toronto, in partnership with the Toronto Council Fire Native Cultural Centre, as a publicly accessible, highly visible location to celebrate the resilience of survivors and their families with space for teaching, learning, sharing and healing. The garden serves as a space for contemplation, gatherings and spiritual ceremonies, and is open to all people seeking connection and understanding.The post Spirit Garden opens at Nathan Phillips Square in Toronto appeared first on Canadian Architect.
    0 Comments 0 Shares 106 Views
  • WWW.CANADIANARCHITECT.COM
    TMU exhibition to celebrate milestones and reflect on the past
    Image credit: TMUIn 2024, TMUs Department of Architectural Science is celebrating 75+ years of architectural education; 50+ years of degree-granting; and 15+ years of graduate studies.To celebrate these milestones, the public is invited to attend an exhibition, launched with an evening of recollection and reimagining.The DAS Bash Exhibition, which will open on October 24, 2024, will feature an interactive timeline of the Department from 1948 to the present. It will highlight accomplishments and transformations, and tell stories of DAS people, places, programs and provocations.Additionally, it will feature a giant model of the Architecture Building (1:25 scale) constructed as a DAS Dream Machine, memory theatre and dynamic apparatus to collectively assess and envision the Departments physical, pedagogical and performative potential.This exhibition is a living work in progress to which alumni and the DAS community are invited to contribute throughout the show.Distinguished alumni from the 1980s to 2010s will also share current work and reflect on their journey from DAS to where they are now, through fast-paced Pecha Kucha format presentations.Those who attended DAS and have stories or work to share are encouraged to do so. The contributionswhich could be a story, project, or image of social life or design workwill be integrated into the DAS Bash Exhibition.For more information, click here.The post TMU exhibition to celebrate milestones and reflect on the past appeared first on Canadian Architect.
    0 Comments 0 Shares 101 Views
  • WWW.CANADIANARCHITECT.COM
    Upcoming book launch to accompany exhibition exploring Ontario Science Centre
    TOO FUN Publication Leala Hewak 1080The launch of TOO FUN, a large-scale photo book accompanying the multimedia exhibition of the same name by Toronto-based photographer and conceptual artist, Leala Hewak, will be taking place on October 24, 2024.TOO FUN explores Raymond Moriyamas brutalist masterpiece, the Ontario Science Centre (OSC), through 150 photographs of Hewaks family outings to the doomed playhouse in the months before it closed. The book also features text excerpts from Moriyamas own design notes anticipating the creation of the OSC in 1969.The potential destruction of the Ontario Science Centre, a building Hewak has been visiting for years, impelled her lens-based survey of the building and the people who use it, reads Urbanspace Gallerys website.I heard the Ontario Science Centre was in danger, so I rushed to capture its joys just in time, said Hewak in an article featured in the Toronto Star back in June.The exhibiton is supported by Canada Council for the Arts. The book launch event will take place from 5:00 p.m. to 8:00 p.m. on Thursday, October 24, at the Urbanspace Gallery in Toronto.Admission to the gallery is free.For more information, click here.The post Upcoming book launch to accompany exhibition exploring Ontario Science Centre appeared first on Canadian Architect.
    0 Comments 0 Shares 96 Views
  • WWW.CANADIANARCHITECT.COM
    Prairie Design Awards submission deadline approaching
    National Music Centre in Calgary, Alberta, by Kasian Architecture Interior Design and Planning Ltd. and Allied Works Architecture. 2022 Prairie Design Award winner Award of Excellence.Submissions are still being accepted for the 2024 Prairie Design Awards.Every two years, The Alberta Association of Architects, The Saskatchewan Association of Architects, and The Manitoba Association of Architects celebrate those setting new standards of creativity and skill in architecture and interior design. Since its inauguration in 2000, this collaboration has been recognizing design excellence. Two types of awards may be awarded: an Award of Excellence and/or Award of Merit.This year, there is a new category: the Equity Award, which recognizes projects that create positive social change through high ideals and ethical standards, social inclusion, cultural responsiveness, and promotion of human health, well-being, and resiliency. Categories for Recent Work, Interior Design, Landscape Architecture, and Small Projects will also be included.The awards will be presented at an in-person event that will be hosted by the SAA in Regina at the Mackenzie Art Gallery on November 29, 2024, in conjunction with the exhibit Spring on the Prairie: Kiyoshi Izumi and the Work of Izumi Arnott and Sugiyama.Entries are due by noon CDT, on October 25, 2024. Submissions can be made online through this website.For more information, click here.The post Prairie Design Awards submission deadline approaching appeared first on Canadian Architect.
    0 Comments 0 Shares 97 Views
  • WWW.CANADIANARCHITECT.COM
    Perkins Eastman announces promotion of 5 Canadian staff members
    Photo credit: Perkins EastmanGlobal design firm Perkins Eastman has announced the promotions of 80 members of its staff this year, four of whom are in the Seattle-Vancouver studio and one in the Toronto studio.Each of these individuals has made contributions to the firm and are being recognized for their collective hard work, inventiveness, and talent.Our PEople are at the heart of Perkins Eastman and represent the very best of our Human by Design ethos, said Shawn Basler, AIA, co-CEO and executive director of Perkins Eastman. Every day, the talented teams in our studios across the globe work in tandem to design inspiring projects that enhance the lives of people and the planet. Its humbling to watch their passion, creativity, and dedication day after day, and we couldnt be more thrilled to celebrate them.Perkins Eastman has announced that Anne Lissett, LEED AP BD+C, is now an associate principal. Lissett brings her passion for design excellence, social equity, and sustainable design, along with over 20 years of architecture and design expertise, to grow the portfolio of the firms Vancouver studio with family-friendly and affordable senior housing.The firm has also shared that Parker Ammann, Roberto Contreras-Loreto, and Damola Michael in the Seattle-Vancouver studio, and Hanna Negami in the Toronto studio, are now associates.Perkins Eastman thanks each of them for their hard work and recognizes their valuable contributions.The post Perkins Eastman announces promotion of 5 Canadian staff members appeared first on Canadian Architect.
    0 Comments 0 Shares 71 Views
  • WWW.CANADIANARCHITECT.COM
    Upcoming BEAT Leadership Seminar to focus on technical women in architecture
    Image credit: Building Equality in Architecture Toronto (BEAT)Registration is open for the Building Equality in Architecture Toronto (BEAT) Leadership Seminar, which will be taking place on Saturday, November 9, 2024. The day-long event, which includes a morning panel discussion and optional afternoon break-out sessions and tours, will focus on technical women in architecture. Registration is a sliding scale from $10-20, including lunch.The bi-annual seminar is dedicated to exposing students and young practitioners to leaders in the architectural profession. The seminar speakers are women who have established careers in architecture, landscape architecture, and interior design. The event aims to showcase the breadth of the profession and how to navigate a career in the built environment.The upcoming event will feature five women who have developed in-depth technical knowledge and will share about their career journeys. They include:Dima Cook, principal and director, EVOQ ArchitectureKendra Kusick, project manager, Teeple ArchitectsOlivia Keung, associate, Moriyama Teshima ArchitectsSophie Tremblay, associate, LGA Architectural PartnersJennifer Davis, strategic business development lead and project manager, WZMH ArchitectsThe panelists will explore how pursuing technical specialties can lead to a rewarding and fulfilling career in architecture.Following the morning panel discussion and a catered networking lunch, attendees will be invited to participate in afternoon tours with individual panelists. While all are welcome to attend, the event extends a special invitation to recent graduates and women.The event will be moderaed by Davis and welcoming remarks will be made by Sonia Ramundi (principal, IAH Architects, and advisory member and past executive chair, BEAT).The seminar will take place on Saturday, November 9, 2024, from 9:30 a.m 4 pm, at T3 Bayside on Torontos waterfront.For more information and to register, click here.BEAT is a volunteer-run organization made up of architects, designers, leaders, and entrepreneurs creating opportunities for community-building, advocacy, networking, and mentorship. The organization believes that empowering women in the design community improves and enriches the practice of architecture, the quality of the built environment, and ultimately, the human experience.The post Upcoming BEAT Leadership Seminar to focus on technical women in architecture appeared first on Canadian Architect.
    0 Comments 0 Shares 113 Views
  • WWW.CANADIANARCHITECT.COM
    Winners announced for ideas competition to reimagine Montreals incinerators
    Hritage Montral and its Emerging Talent Committee recently announced the winning proposals of the third edition of their ideas competition, focused on repurposing the citys historic incinerators.The Hritage Montrals Charette aims to highlight a vulnerable heritage site and propose redevelopment scenarios that respect the principles of excellence put forward by Hritage Montral. This is a multidisciplinary ideation exercise, the only constraint being respect for heritage.From September 5 to 15, 2024, the next generation confronted not one, but two sites proposed in this edition of the competition: they were challenged to rekindle the flames of the Carrires and Dickson incinerators.The awards ceremony took place on October 3, 2024, at Espace Ville Autrement.The winning projects include the following.First Jury Prize Contes de ce qui persistePhilippe Tremblay and Maude LefebvreThe Montreal skyline from the quiet zone of the DECA urban temperate park on a bright September morning. First Jury Prize Contes de ce qui persiste by Philippe Tremblay and Maude LefebvreContes de ce qui persiste proposes to rethink the City of Montreals waste management network by bringing together three major sites. The Carrires incinerator becomes a waste treatment training center, accompanied by a heating network and an urban park on its roof. The Dickson incinerator is a snow dump feeding a cooling network. The Francon quarry is converted into an urban park, reads Hritage Montrals website.Second Jury Prize Artfacts des Possiblestienne Genest and Christopher MaloufSecond Jury Prize Artfacts des Possibles by tienne Genest and Christopher MaloufArtfacts des Possibles proposes a light intervention based on the current state of urban ruin in which the Carrires incinerator finds itself. Suggesting an architectural stroll, it turns the incinerator and its surroundings into a space for exploration and reflection, fueled by the material traces of the various metabolic functions that have marked the sites history, reads Hritage Montrals website.Audience Award Bain des CarriresJrme Blanger, Eva McSweeney and Cdric VzinaAudience Award Bain des Carrires by Jrme Blanger, Eva McSweeney and Cdric VzinaAlong with the jurys selection of prizes, the public was asked to vote for their favourite proposal between September 24 and October 1. More than 450 votes were cast during this period. Almost a fifth of the publics votes went to the Bain des Carriresproject, which proposed the creation of a soap factory, fragrant flower gardens and public baths in the Carrires incinerator.Special Jury Mention ImprissableJeanne Pelletier and Mlanie LembregtsSpecial Jury Mention Imprissable by Jeanne Pelletier and Mlanie LembregtsOf all the proposals submitted by up-and-coming architects, two tied for the jurys special mention for their strong, nurturing themes with universal appeal, and their reflection on the publics involvement in their program. The proposal entitled Imprissable won the jurys attention for its clear approach to transforming the site through gentle industrialization, while taking advantage of the qualities of standardization and the potential for replication of the solution of prefabricated greenhouses aided by abundant technology, reads Hritage Montrals website.Special Jury Mention Quest-ce qui mijote?Xavier Saint-Jean, Jolle Ttreault and Laurne SmithSpecial Jury Mention Quest-ce qui mijote? by Xavier Saint-Jean, Jolle Ttreault and Laurne SmithThe proposal entitled Quest-ce qui mijote? approaches the site under various cycles of transformation and use of space, detailing a poetic approach to odors and the social character of food, while addressing a gradual transformation of the site. Its neighborhood-wide approach, combined with the theme of cooking by and for all, roots the new program in its site.The proposals resulting from this exercise are intended as sources of inspiration, with the aim of providing food for thought and encouraging discussion.For more information, click here.The post Winners announced for ideas competition to reimagine Montreals incinerators appeared first on Canadian Architect.
    0 Comments 0 Shares 114 Views
  • WWW.CANADIANARCHITECT.COM
    Design competition launches to reimagine former airport runway
    Rendering of the proposed pedestrian street along the former runway framed by mid-rise development with a variety of activities occurring along its length including outdoor dining, children playing and people strolling. Credit: Northcrest DevelopmentsNorthcrest Developments has launched a global design competition for the Runway at YZD in Toronto, formerly home to the historic Downsview airport.The YZD Runway Design Competition will ask cross-disciplinary design teams to transform the 2-km airstrip into a key centerpiece for the future series of mixed-use communities across the expansive 370 acres.Rendering of a public square in the higher density transit nodes of the plan. Credit: Northcrest DevelopmentsThe competition will also task global design teams, led by a registered landscape architect, with developing a holistic set of design guidelines for the runway which will shape its future and inform how it connects and interacts with the sites neighbourhoods.The Runway at YZD is envisioned as an unparalleled outdoor experience with a pedestrian-focused and publicly-accessible corridor that will become a destination for visitors to experience its creative public spaces.Rendering of a proposed broad underpass below the rail corridor including a public street but primarily illustrating a generous open space connection to Downsview Park providing habitat, stormwater and open space connections below the rail corridor. Credit: Northcrest DevelopmentsThe former airstrip links the seven complete communities at YZD, and will also be animated by community uses, public amenities, and recreation opportunities for the 55,000 residents and 23,000 workers that will eventually live, work and visit the site.This competition presents an extraordinary opportunity for design teams to make their mark by reimagining a cherished piece of Torontos industrial heritage into a world-class, public space where people can gather, explore, and enjoy, said Kristy Shortall, senior vice president of Development at Northcrest Developments. The Runway is the heart of YZD, and it embodies our ambitions of creating complete communities that are vibrant, sustainable, and connected. Were excited to see the level of talent and creativity that will emerge to help bring this vision to life.Hangar District Ancaster West Rendering. Credit: Northcrest DevelopmentsAward-winning urban designer, city-building advocate, and authorKen Greenberg will chair the competition jury, alongside other design, development, and placemaking experts.The Runway at YZD reflects a growing understanding that reusingrather than demolishingoutdated urban infrastructure can become a great source of identity and uniqueness for successful neighbourhoods, said Greenberg. YZD is an incredible city-building opportunity for not only Toronto, but North America, and the Runway will set the tone for much of whats to come.The competition will consist of two phases. The first one will see global design teams submit Expressions of Interest. For phase two, Northcrest Developments will issue closed Requests for Proposals to shortlisted teams. Once selected, the winning team will start work on the YZD Runway Design guidelines in Q3 2025.Hangar District Atrium Rendering. Credit: Northcrest DevelopmentsFor many years, Northcrest has implemented a Meanwhile Use strategy, activating several areas of the site with free community-focused events, pop-ups, partnerships with local businesses and arts, and other cultural and recreation opportunities. These include the annual Play on the Runway, Hangar Skate, and Tee Up Downsview, a public art-infused mini golf experience. The recently opened YZD Experience Centre and Plaza has transformed the Bay 12 Hangar into a hub designed to educate the public on the future of YZD, alongside various activities.Our Meanwhile Use strategy has been instrumental in turning YZD into a vibrant community by opening this historically closed space and welcoming the public in. From our perspective, its a preview of the inclusive community were shaping, with the Runway poised to be a key magnet in the future. These actiations are just the begining of what YZD and, critically, the future Runway will offer as a destination for residents and visitors alike, said Shortall.For more details about the YZD Design Competition, visit yzd.ca/runwaydesign. Submissions for Expression of Interest are due at 11:59 p.m. EST on November 22, 2024.The post Design competition launches to reimagine former airport runway appeared first on Canadian Architect.
    0 Comments 0 Shares 113 Views
  • WWW.CANADIANARCHITECT.COM
    Newly-Designed Healthcare Centre in Toronto Combines Indoors and Outdoors
    Photo credit: Doublespace PhotographyWest Park Healthcare Centre, founded in the early 1900s, has played an important role in the western Greater Toronto Area (GTA) care community, providing rehabilitation services and care after lifealtering illnesses or injuries, such as lung disease, amputation, stroke, and traumatic musculoskeletal injuries.A new 730,000 sq. ft. ambulatory care centre, designed by CannonDesignandMontgomery Sisam Architects, is the latest addition to the historic site. The new centre, which replaced a series of aging hospital buildings, was created to meet the evolving needs and set new standards in rehabilitative care through its patient-centred philosophy and the use of nature as a healing ground.Photo credit: Doublespace PhotographyThe design of the new facility features the intersection of emotional and therapeutic healing and recognizes that recovery is not just a physical process but also one that must address the emotional, psychological, and spiritual well-being of patients. As a result, the facility incorporates elements of nature both inside and outside the building to foster a holistic healing environment.Photo credits: Laura PetersThe centre also features outdoor spaces, such as sensory gardens, fitness trails, and meditation areas, while the inside features natural materials, abundant light, and expansive views throughout the building.Terraces on each floor also offer outdoor spaces for therapeutic activities, family gatherings, and personal reflection. Each patient room features operable windows positioned at a low height to promote natural ventilation and allow patients to look outside.Photo credit: Doublespace PhotographyThe new facility has three interconnected wings; one dedicated to outpatient services and two to inpatient care. The building exterior reflects West Parks rich natural heritage through the use of wood-look soffits, aluminum and copper-zinc alloy cladding, brick, and stone.Photo credits: Laura PetersA few other unique design elements include a fireplace lounge, spiritual care centre, therapeutic pool, rooftop garden, and unique art pieces that were donated to the hospital.The post Newly-Designed Healthcare Centre in Toronto Combines Indoors and Outdoors appeared first on Canadian Architect.
    0 Comments 0 Shares 133 Views
More Stories