canadian architect
canadian architect
Published since 1955, Canadian Architect is a magazine for architects and related professionals practicing in Canada.
  • 2 people like this
  • 108 Posts
  • 2 Photos
  • 0 Videos
  • 0 Reviews
  • Design & Architecture
Search
Recent Updates
  • WWW.CANADIANARCHITECT.COM
    Moriyama Teshima Architects designs new mass timber project in Toronto
    Photo credit: Moriyama Teshima ArchitectsThe new Ontario Secondary School Teachers Federation (OSSTF/FEESO) Headquarters and Multi-Tenant Commercial Building, designed by Moriyama Teshima Architects has officially opened, overlooking the Don Valley ravine in Toronto, Ontario.OSSTF is a mass timber facility that ensures that the OSSTF Headquarters and Multi-Tenant Commercial Building operates as a hub that supports public education in Ontario, provides healthy workplace environments for its staff and visitors, and meets the organizations goals of financial resiliency.The three-storey, mass timber, 127,000-square-foot facility is centred on the OSSTF Headquarters. The OSSTF represents all the educators, educational assistants, psychologists, secretaries, speech-language pathologists, social workers, plant support personnel, attendance counselors and many other education professionals in the secondary school system in the province.Built of cross laminated timber (CLT) floor slabs and glue laminated timber (GLT) beams and columns, structural components have been sourced nationally where possible.The central atrium is the buildings key design feature where everyone in the building can connect to each other and connect to nature, ultimately making for a healthier working environment for all who visit and work here, said Carol Phillips, partner, Moriyama Teshima Architects.The building offers outside views, light, openness, and various opportunities for interactions between the OSSTF staff and tenants.Shareable spaces on the ground floor include the lobby, caf, and ground floor terrace, and features a multipurpose, convertible event space. These amenities will be shared not only by the building occupants, but also by external groups.Generous structural bays provide optimal sizes for offices and corridors, and maximize the amount of natural daylight to reach the interiors. A fresh air strategy also ensures air moves through the building at a regular rate using building automation systems.Large overhangs reduce solar heat gain and control glare and geothermal heating, while a rainwater harvesting system for toilet flushing and irrigation, green roof, rooftop solar PV panels, and automated daylight dimming controls further contribute to significant energy savings.The Don Valley ravine edge on which the building is located has also undergone intensive restoration and stabilization through naturalization and water balance procedures.All design decisions for the new OSSTF Headquarters and Multi-Tenant Commercial Building were assessed for long-term value, health and wellness of employees, and operational savings.The post Moriyama Teshima Architects designs new mass timber project in Toronto appeared first on Canadian Architect.
    0 Comments 0 Shares 1 Views
  • WWW.CANADIANARCHITECT.COM
    2024 Holiday Gift Guide
    Its safe to say that many people look forward to gift guides to inspire them during the holiday season.Thats why weve decided to put together another round-up of nice things made by Canadian designers and architects that we think would make perfect gifts.The Winnipeg Architecture Foundation | Precious Blood Tote BagThe canvas bag features Precious Blood Roman Catholic Church / glise du Prcieux Sang, and was designed by Winnipeg architect tienne Gaboury in 1969. ($20.00 CAD)Photo credit: Winnipeg Architecture FoundationSpacing | As It Is: A Precarious Moment in the Life of Ontario PlaceA book by architectural and documentary photographer Steven Evans that explores and documents Ontario Place. Features essays by John Lorinc and Maia-Mari Sutnik. ($49.95 CAD)Photo credit: SpacingLambert & Fils | Silo Vase 2VJA flower vase and candle holder hybrid by Montreal-based design studio Lambert & Fils. From one end, water-resistant extrusions accommodate fresh cut flowers. Flip it over, and it becomes a candle holder. This product is offered in two, three or four cylinders, and in various heights. ($280.00 CAD)Photo credit: Lambert & FilsUmbra | Limited Edition Tipsy Bottle Opener & Gift BoxThis limited-edition bottle opener by Toronto-based houseware company Umbra comes in a polished titanium finish, and is packaged in a gift box. ($40.00 CAD)Photo credit: UmbraBocci | 89 Wall Hook Style 1A trendy wall hook by Bocci, a Canadian design and manufacturing company based in Vancouver and Berlin. 89 comes in four wall hook styles that can be mixed and matched. Made of solid recycled brass. ($125.00 USD)Photo credit: BocciSpacing | Too FunA book that explores Raymond Moriyamas brutalist masterpiece, the Ontario Science Centre, through 150 photographs of Hewaks family outings to the playhouse in the months before its closure. The book also features text excerpts from Moriyamas design notes anticipating the creation of the Science Centre in 1969. ($34.95 CAD)Photo credit: SpacingMatheson | Batik Table LinenThe Matheson Batik Table Linens are a result of a partnership with Canadian design studio Castor and chef/influencer Matty Matheson. The products are made from hand-dyed sheets of natural cotton. Batik is a fabric-making and dying process that is unique to the artisans of Indonesia, where this practice originates. ($24.00 USD)Photo credit: MathesonCB2 | Kava Warm Toned Glass Taper Candle HoldersCandle holders with a vintage feel made of borosilicate glass. Each piece is mouth-blown to create its shape before receiving warm neutral tints. CB2 exclusive. ($79.95 CAD each)Kava Warm Toned Glass Taper Candle Holders. Photo credit: CB2Cyrc. | Willow VaseThis 3D-printed vase by Cyrc., which was founded in Montreal in 2021, features a classic flask shape. A weaving motion while printing creates an intricate texture over this modern and organic form and showcases the craft of additive manufacturing. ($125.00 CAD)Willow vase by Cyrc. (Photo credit: Cyrc.)Pikto | Personalized SketchbookThis sketchbook is perfect for creative minds of all kinds. It comes in a compact size of 5 x 7 inches and features 100 blank pages. The personalized cover also adds a special touch, making it a unique and thoughtful gift for a fellow architect. Designed and manufactured in Toronto. (From $14.95 CAD)Photo credit: PiktoSadelmager | Oldenburg Large MessengerThe Oldenburg Large Messenger by Canadian leather company Sadelmager, based in Toronto and Alliston, Ontario, is a satchel meticulously crafted using traditional saddlery techniques. This is a made-to-order item that can be customized. ($925.00 CAD)Oldenburg Large Messenger (Photo credit: Sadelmager)FROOOT Bowl |Maha Alavi via Casson HardwareFROOOT aims to reimagine the bowl of fruit into a fun and modern object. Its translucent velvet-like surface and playful form can be used as a tray, or home decor accent piece. This product is resin poured and finished by hand in Toronto.FROOOT Bowl by Maha AlaviThe post 2024 Holiday Gift Guide appeared first on Canadian Architect.
    0 Comments 0 Shares 2 Views
  • WWW.CANADIANARCHITECT.COM
    Upcoming exhibition to explore Arthur Ericksons travels
    Arthur Erickson (photographer), Katsura Imperial Villa Garden, Kyoto, Japan, 1961, 120 reversal film. ARCH289164, Arthur Erickson fonds, CCA. Gift of the Erickson Family Emily Erickson McCullum and Christopher EricksonThe opening of the exhibition Being There: Photography in Arthur Ericksons Early Travel Diarieswill be taking place at the Canadian Centre for Architecture (CCA) in Montreal on Thursday, November 14, 2024.Curated by David Covo, the exhibition examines architect Arthur Ericksons exchanges with people, places, landscapes, buildings, rituals, and ideas during his early travels in Europe and North Africa between 1950 and 1952, and in Asia in 1961.Drawing on a prescient understanding of site and environment, Erickson was convinced that architecture must be experienced to be understood. He knew that travel and the privilege of being present in different places would be a lifelong preoccupation and crucial to his continuing growth as an architect and thinker, reads the CCAs website.The exhibition, presented as a geographical and thematic reading, is structured around two collections: Ericksons letters and photographs. It also features his correspondence from his 1961 trip to Japan, Cambodia, and Indonesia, which includes a series of letters to Gordon Webber, his former teacher and mentor.While Ericksons physical presence in a place was crucial for him to understand the essence of a site and a building, photography and writing were forms of site annotations in Ericksons architectural practice. The photographs and letters produced during his travels include a narrative of his experiences and reveal discoveries and insights that reappeared in his architectural work.Being There is part of a longer, ongoing investigation at the CCA into the use of photography and new media as a means of studying the built environment. This new chapter aims to explore how travel photography acts as a mode of note-taking and thinking in design practice.The exhibitions grand opening will take place on November 14, 2024, and the exhibition will run until March 16, 2025.The post Upcoming exhibition to explore Arthur Ericksons travels appeared first on Canadian Architect.
    0 Comments 0 Shares 5 Views
  • WWW.CANADIANARCHITECT.COM
    Architecture Without Borders Qubec to host Soire des Grands A
    Photo credit: ASFQLater this month, Architecture Sans Frontires Qubec (ASFQ) will be hosting its annual networking event called La Soire des Grands A.Over the last decade, the event has become significant within the design community and is an opportunity to thank all the Big As who make ASFQs mission possible. These include its partners, collaborators, employees, volunteers and the architects of Quebec, who are all members of the organization.After a sold out evening in 2023 with more than 580 guests in attendance, this edition of the fundraising event promises a memorable experience with networking opportunities, DJs, and more. The event also aims to highlight ASFQs activities as well as thank its valued partners.This years theme is Against the Current, which was chosen due to various floods and other environmental crises that have been occuring. The event will take place at the Montreal Science Centre on November 27, 2024, from 5:30 p.m. to midnight.Founded in 2007, ASFQ aims to help vulnerable communities in Quebec and abroad. ASFQ is the humanitarian arm of roughly 4,000 Quebec architects who are all de facto members with a mission is to improve living conditions and restore the dignity of the architecturally disadvantaged by tapping into the collective resources of the Quebec architectural community.For more information on the upcoming event, click here.The post Architecture Without Borders Qubec to host Soire des Grands A appeared first on Canadian Architect.
    0 Comments 0 Shares 6 Views
  • WWW.CANADIANARCHITECT.COM
    Ryder and 3XN GXN selected for University of British Columbia housing project
    Photo credit: Ryder ArchitectureRyder Architecture, in partnership with 3XN GXN, has announced that they will provide architectural services for the University of British Columbias (UBC) Lower Mall Precinct Phase One project.The $560-million endeavour will deliver more than 1,500 new beds and significantly contribute to British Columbias remaining target of roughly 6,700 new student housing beds by 2028.The Lower Mall Precinct Phase One project will encompass five buildings, and total 710,000 square feet. It will include an 18-storey tower, an eight-storey mass timber hybrid prototype structure, and the adaptive reuse of a historic fire hall.The development also includes 1,508 student housing beds (1,333 new and 175 replacement), focusing on graduate students, a 400-seat dining hall, 37 new childcare spaces, common amenity spaces and academic and administrative office spaces honouring the communal legacy of St. Johns College.The project aims to set new standards for sustainability and inclusivity on campus. The buildings will target net-zero emissions by 2035, achieve LEED Gold certification, and adhere to the UBC LEED Implementation Guide. Additionally, they will be zero-waste ready, achieving a 10 per cent reduction in embodied carbon.Climate resilience and biodiversity are crucial, and align with provincial frameworks and UBC guidelines for climate adaptation and a bird-friendly design. Delivering inclusive design will include fully accessible architecture supportive of UBCs Inclusion Action Plan and Positive Space Campaign.By integrating mass timber technologies and adhering to CleanBC initiatives, we are committed to advancing UBCs sustainability goals, said Adam James, principal at Ryder Architecture. Our team, supported by 3XN GXNs research-driven studio, pioneers strategic sustainability within the construction industry.In 2023, Ryder and 3XN GXN established the Lower Mall Precinct Development Plan in partnership with Gehl Studio. Together, they bring a wealth of experience to the project and have an intimate understanding of the site and UBCs processes. Ryders previous collaborations on student housing, including the award-winning t xhlelms t kaka residence, also demonstrate a commitment to design excellence that aligns with UBCs goals.Our partnership with 3XN GXN is based on shared values of placing people at the heart of architecture, said James. We are honoured to contribute to UBCs vision of creating innovative, affordable, inclusive, and climate-resilient student housing that enhances the overall university experience.The architect team will create spaces that promote well-being, social interaction, and environmental stewardship in pursuit of innovation and sustainability. Our approach goes beyond LEED to inherently address sustainability as part of our process, said James. We focus on carbon, resilience, biodiversity, hydrology, and materials to create spaces that are not only sustainable but also enhance the well-being of their inhabitants.The projects focus on affordable, specialized housing aims to address the need for student accommodation in a socially cohesive environment while easing pressure on the local rental market beyond the campus. Its objectives include community spaces that inspire and support human-centred design and well-being.Construction is set to begin in fall 2026, with the project expected to open for students in phases starting in fall 2028 and completing in fall 2029.The post Ryder and 3XN GXN selected for University of British Columbia housing project appeared first on Canadian Architect.
    0 Comments 0 Shares 5 Views
  • WWW.CANADIANARCHITECT.COM
    Mandating Accessibility in New Buildings: An Opportunity, Not a Cost
    Photo credit: Gustavo FringGovernments across the country are looking at ways to deliver more accessible spaces. In fact, British Columbia recently mandated new accessibility standards for both large condominium and apartment buildings. The move triggered concerns among real estate developers who were quick to argue that this would lead to increased expenses for builders and, consequently, for buyers.Sadly, this is an often-used argument, yet it is rooted in a misunderstanding of both the long-term economic potential and the evolving market landscape. This isnt just about compliance with regulationsits about tapping into a massive, underserved segment of the population. Rather than viewing accessibility mandates as a burden, developers should recognize them as an opportunity to innovate, expand their customer base, and increase profitability.A Shift from a Charity Model to a Consumer-Focused MarketFor too long, disability has been viewed through the lens of charity, community support, or government-subsidized housing. This limited perspective has overshadowed the fact that people with disabilities27% of Canadas populationare also potential homebuyers and renters. The prevalent medical model of disability often defines this group by their limitations, rather than their economic potential. Its time to challenge these outdated assumptions and see individuals with disabilities as consumers, not causes.There is a misconception that people with disabilities are financially incapable of participating in the housing market, which contributes to the slow progress in accessibility legislation. Yet, by adopting a social model of disabilitywhere inclusive environments enable full participation in societywe can unlock a market of eager buyers and renters who have been left out of the conversation for too long.Designing for an Untapped MarketConsider the potential: In Canada, the 8 million people with disabilities (PWDs)have about $47 billion in disposable income the opposite of a niche market. Adding their families and friends, this grows to 12 million Canadians, or more than a third of the population, with an estimated disposable income exceeding $311 billion, based on 2020 statistics. For real estate developers and architects, this represents a massive, largely untapped market. When designing new developments, accessibility should not be treated as a costly add-on but as a smart business strategy. By incorporating universal design principles, developers can make their properties appealing to a wider audience, including those with physical, cognitive, visual, or hearing disabilities.The Return on Disability Group (RoDG) released The Global Economics of Disability: 2024 in September. The report values the economic power of the global disability market at over $18 trillion in spending. It also stresses that businesses can open new revenue opportunities and thrive by designing for functionality and customer experience, rather than just aiming to meet compliance standards.As an accessibility strategist, I have worked with developers and architects to rethink how they approach design. Universal design isnt just about ramps and wide doorways; its about creating spaces that everyone can use with ease. This includes thoughtful considerations like wider hallways, tactile wayfinding features for the visually impaired, or smart technology that enables individuals with mobility issues to control their environment.Developers often ask whether accessibility will compromise their design vision. In reality, integrating lived experience into the design process enhances creativity and innovation. The more diverse perspectives you include, the more versatile and appealing the final product becomes. A home or building that accommodates a range of abilities will attract more potential buyers and tenantspeople who are actively seeking environments that meet their needs.The Business Case for AccessibilityThe assumption that accessible units are expensive and not worth the investment is misguided. The primary reason people with disabilities are not buying or renting homes is not financial; its because there are too few options designed with their needs in mind. Many homes on the market simply dont consider the basic requirements of people with disabilities, such as ample space for wheelchairs or intuitive technology for individuals with visual impairments. When the design doesnt work for them, they have no choice but to look elsewhere.By intentionally designing barrier-free spaces, developers are positioning themselves to tap into a market that is loyal and appreciative. People with disabilities value businesses and services that prioritize their needs, and they repay that consideration with their business and loyalty. In real estate, this could translate into long-term renters, repeat buyers, and strong referrals. In an industry built on investment, the return on creating accessible spaces could be significant.Photo credit: Gustavo FringAccessibility as a Driver of ProfitabilityAccessibility isnt just the right thing to doits profitable. Companies that understand this are already seeing returns on their investment. By making homes and commercial spaces more accessible, developers arent just fulfilling a legal obligation; they are also creating a product that appeals to a broader market.The key to successfully tapping into this market is to collaborate with accessibility consultants who have lived experience. These professionals can provide invaluable insights into how to design spaces that are functional, appealing, and fully accessible. Their lived experience with disability gives them a unique perspective on what works and what doesnt in the built environment. This expertise can help developers avoid costly mistakes while ensuring that their properties meet the needs of people with disabilities.Consider this: almost one in four potential buyers or renters has a disability. Ignoring this segment means ignoring a substantial portion of the market. Architects and developers should take the time to research accessibility consultants, ask for case studies on past projects, and evaluate the return on investment from accessibility improvements. This isnt just about complianceits about making smart, future-focused business decisions.A Call to Action for Architects and DevelopersIf youre an architect or developer interested in expanding your market, its time to start thinking differently about accessibility. This isnt about charity or doing the right thingits about providing a product that meets the needs of millions of Canadians. Its about positioning your properties as inclusive, forward-thinking, and ultimately more profitable.Accessibility works. It drives loyalty, expands your customer base, and can lead to real financial returns. Its not an expenseits an investment. Every time I open the door to my own home, Im reminded that thoughtful design is not just about convenience; its about creating spaces where everyone, regardless of ability, can thrive.Developers who invest in accessible design today will be the ones reaping the rewards tomorrow. Its time to embrace accessibility, not as a burden, but as a profitable opportunity.Photo credit: Mark DeMontisMark DeMontis has 15 years of experience as an accessibility strategist. Having lost his sight at 17, he foundedCanadian Blind Hockeyfor blind or partially sighted Canadians and has raised funds by inline skating over 8,000 kilometres.Mark has worked as the accessibility advisor to the Premier of Ontario and some of Canadas top brands including the NHL and Lululemon. His firsthand experience as both sighted and visually impaired provides him with unique insights into the consumer behaviours of both markets. As Chief Accessibility Officer at The Substance Group, he helps organizations embrace accessibility as a business driver.The post Mandating Accessibility in New Buildings: An Opportunity, Not a Cost appeared first on Canadian Architect.
    0 Comments 0 Shares 14 Views
  • WWW.CANADIANARCHITECT.COM
    November 2024
    In our November issueArchitecture has traditionally been a profession of generalists, but technical specialization plays an increasing role in todays landscape. Our November issue focuses on projects whose success hinged on in-depth technical knowledge.We start by visiting T3 Bayside (3XN with WZMH) and T3 Sterling Road (DLR Group with WZMH), two Toronto projects that are testing the market for mass timber commercial buildings. Lloyd Alter explores how dowel-laminated timber (DLT) and cross-laminated timber (CLT) products are deployed in the two buildings, and what it means for their sustainability profile.Out towards the citys Pearson airport, we dive under the wings at Bombardiers new manufacturing facility, by NEUF architect(e)s. Ian Chodikoff details the highly detailed work that went into creating the mega-sized facility for the precision-driven work of assembling aircraft.For our cover story, Odile Hnault looks at how the rest of Canada can learn from Quebecs provincial system of architecture competitions. Case in point: two recent Montreal libraries, both complex project which adaptively reuse existing structures to create vibrant new community hubs.Last, Adele Weder visited Old Crow, Yukon, at the northwest corner of the country. Here, Kobayashi + Zedda Architects has crafted a community centre for the Vuntut Gwitchin First Nation. Weder argues that the technical rules for building may need to be rethought for the North: it may be time to consider encouraging flexibility with certain code requirements and energy targets in such communities.Our November issue also includes a review of a compendium on vernacular architecture, an interview with Canadian planetarium expert Bill Chomik, and an afternoon at a giant domino run in Toronto.-Elsa Lam, editorThe post November 2024 appeared first on Canadian Architect.
    0 Comments 0 Shares 21 Views
  • WWW.CANADIANARCHITECT.COM
    Domino Effect
    An oversized domino is launched from the upper terrace of Canoe Landing Park to continue the cascade of dominoes below. Photo by Francis Jun, courtesy of The BentwayIn mid-October, downtown Toronto was host to a surreal sighta 2.7-kilometre-long run of two-metre-tall dominoes. Made of lightweight concrete, the 8,000 oversized dominoes snaked down sidewalks, meandered through parks, and even wandered into buildings: a library, stores, a condo tower lobby.Setting up the dominoes took the better part of a day. Then, at 4:30 pm, it was go-time: the first domino was tipped over, and the chain tumbled through the city.The production was hosted by The Bentway and curated by Station House Opera, a British performing arts company that premiered Dominoes as a way to link the five host boroughs of the 2012 London Olympics. Since then, the site-specific performance has toured to cities including Copenhagen, Melbourne, Marseilles, and Malta. For Toronto, the artists chose a path tracing the development of the citys west end: from the Victorian residential fabric south of King West, to the industrial-inspired Stackt Market, then weaving its way through the waterfronts high-rise neighbourhoods before ending at Lake Ontario.Putting together the event was a logistically complex undertaking, including negotiating with city agencies for crossing streetcar tracks, getting sign-off from more than 40 site partners, and setting up with help from some 300 volunteers. Near the end of the run, the line of dominoes crossed Lakeshore Boulevard. The busy street could only be closed for six minutesa tense window in which time the dominoes were quickly set up, knocked down, and cleared away.The enormous effort was worth it, says Ilana Altman, co-executive director of The Bentway. She explains that while The Bentway is anchored in its eponymous spacean urban park and public art venue under the raised Gardiner Expresswaythe organizations mission centres on revealing opportunities and connections in the urban landscape. Dominoes helped Toronto to really see these possibilities in a compelling and convincing way, says Altman.The Bentway is looking to make those connections more permanent. Its own site is growing: its first phase, designed by Public Work, opened in 2018, and this fall, the organization named Field Operations and Brook McIlroy as the designers for its second phase. Earlier this year, Toronto City Council endorsed a public realm plan that outlines a comprehensive vision for the remainder of spaces below and adjacent to the 6.5-kilometre expressway.Beyond the physical links that were created by the line of dominoes, the event created important social connections. It was quite moving to see the level of interest we got from volunteers, says Altman. People were passionate and invested in it; people were meeting neighbours for the first time.On show day, my seven-year-old son and I delighted in rediscovering pockets of downtown, in chatting with the volunteers setting up the dominoes, and in seeing the clever ways that the white slabs had been laid to climb hills, zigzag through open areas, and even hop over a park bench. It was a sunny fall afternoon, and hundreds of people were out, engaging with an openness facilitated by the charming installation. As 4:30 pm approached, the crowds grew along with the sense of anticipation. My son and I were stationed at the end of the run, and cheered alongside a throng of Torontonians as the dominoes fell one by oneand the last domino splashed into Lake Ontario.As appeared in theNovember 2024issue of Canadian Architect magazineThe post Domino Effect appeared first on Canadian Architect.
    0 Comments 0 Shares 18 Views
  • WWW.CANADIANARCHITECT.COM
    Book Review: HabitatVernacular Architecture for a Changing Climate
    Habitat: Vernacular Architecture for a Changing ClimateEdited by Sandra Piesik (Thames and Hudson, compact edition 2023)Vernacular architecture is generally understood as referring to domestic, native and Indigenous structures. So it is perhaps of little surprise that in our contemporary scapedominated by forms of monolithic scale and proportionmethods of producing vernacular architecture have often been overlooked and marginalized. Yet, as a strand of construction indebted to a rich history of making, the vernaculars sphere of influence can be seen as an important response to the growing climate crisis. Habitat: Vernacular Architecture for a Changing Climate, assembled by architect-author Sandra Piesik, offers an insightful overview of age-old methods of production, and supports and celebrates present-day efforts that follow in their wake.Unconcerned with its own behemoth scale (the framing as a compact edition referencing a shrinking from an earlier version with larger type), Piesiks text navigates the breadth of global vernacular construction, convening an encyclopaedic collection of references with considered commentary. Ordered around climatic typologiestropical,dry, temperate, continental, and polarthe book provides concise introductions by regional experts, inviting consideration of a world foreign to many who operate within the narrow scope of contemporary architecture. Crucial to the book is the vast array of photos that support the edited essays; although these have a somewhat domineering presence, they are effective in facilitating an understanding of how the texts should be read. Through the displayed architectures, the kaleidoscopic nature of the vernacular shines: the volume surveys a truly global footprint, from the global South to Iceland and the Arctic, and from rural environments to Brazils favelas.The book documents hundreds of vernacular buildings from around the world, including the traditional round huts (or rondavels) of the Zulu people in in Lalani Valley, Kwazulu-Natal, South Africa. Photo Oliver Gerhard/Age FotostockThe integrated essays penned by experts span a legion of fields. A text by Anna Yu Mainicheva, Homesteads of Northern and Central Russia, appears in the continental section alongside a contribution from Aldona Jonaitis examining the Indigenous Dwellings of Americas Subarctic and Northwest Coast. Beyond challenging political barriers, this careful placement of content plays a significant role in articulating the volumes ambition, demonstrating relevance across a global scale. Similarly, words by the likes of Ronald van Oers point to the dynamism within the vernacular; his case study surveys the plethora of influences on chattel houses and the timber architecture of the Caribbean. Texts by Canadian scholars Tammy Gaber and Miriam Ho are also included, looking respectively at vernacular architecture in Turkey and Kazakhstan.Towards the books end, an appendixperhaps better understood as a sixth chapteroffers a modern account of the vernacular by presenting contemporary references. Francis Krs Gando Primary School Complex represents arguably the most lauded example. However, less celebratedyet equally impressiveworks include Hollmn Reuter Sandman Architects Rufisque Womens Centre, and Architypes Enterprise Centre at the University of East Anglia. Canadian architect Brian MacKay-Lyons Muir Craig Cottage is also included in the mix. These aid in providing a rich register of the vernacular, and, yet again, evidence its global multiplicity. Despite a somewhat muted presence against the dazzling imagery, the short texts that accompany these examples facilitate an ease of understanding, supporting the volumes lessons to be learned approach. Like the short essays in the main section, the pockets of texts throughout the book work hard and add depth.In sum, Habitat: Vernacular Architecture for a Changing Climate is a well-constructed compendium. The volume provides a highly considered overview of the vernacular, while retaining a format which is both approachable and inviting. While perhaps imagined to be read across its breadth, the weight of the tome makes it even more valuable as a reference document. For those committed to a different kind of architecture and a non-extractive approach, this book is a useful starting point, ably demonstrating that a new way of thinking can be found in the old.As appeared in the November 2024 issue of Canadian Architect magazineThe post Book Review: HabitatVernacular Architecture for a Changing Climate appeared first on Canadian Architect.
    0 Comments 0 Shares 19 Views
  • WWW.CANADIANARCHITECT.COM
    Under the Wing
    An on-site ground run-up enclosure allows for aircraft engine testing as part of the quality control process. The enclosure blocks the transmission of sound to noise-sensitive locations, while providing jet blast protection built into the rear wall structure.PROJECT Bombardier Global Manufacturing Centre, Toronto Pearson Airport, Mississauga, OntarioARCHITECT NEUF architect(e)sTEXT Ian ChodikoffPHOTOS Salina KassamCreating an aircraft manufacturing space is a unique programmatic challenge for an architect, combining advanced technology, precision engineering, and meticulous attention to safety. When Bombardier approached NEUF architect(e)s to create its new aircraft assembly centre at Toronto Pearson International Airport, the architects embarked on a five-year-long journey to realize a state-of-art facility, with 2,000 employees manufacturing over a dozen planes at a time.A complex coordination challengeNot unlike the complexity of planning for a hospital, the project required NEUF to navigate many client requirements, specifications, and workflow methodologies, translating them into a functional design. Beginning with client-supplied diagrams built in Excel, the architects worked through detailed programmatic diagrams to assimilate everything from equipment requirements to unique fire and life safety standards. The complexity was multiplied by the challenges of the sitethe aeronautic campus was to be built adjacent to Canadas busiest runway, handling over 200,000 planes annually.NEUF partner Lilia Koleva led the project, working alongside Marco Chow and Rainier Silva to ensure every detail aligned with Bombardiers operational requirements; Linh Truong headed up the interior design. At one point, the NEUF team had 30 staff coordinating with 120 external professionals from various disciplines and specialties, including over 75 engineers and designers from Stantec. The project began in late 2019; after nearly 400 meetings, it officially opened in the spring of 2024.Kolevas ability to coalesce complex programming requirements were previously honed through her involvement with the renovation and expansion of the Centre hospitalier de lUniversit de Montral (CHUM) completed in 2021, where, in collaboration with CannonDesign, she coordinated a constantly evolving list of facility and equipment requirements for dozens of operating theatres. For the Bombardier facility, Chow noted the creation of over 750 room data sheets with the client, as well as over 3,200 requests for information (RFIs) for the construction phase alone, 260 sheets of drawings, 3,000 Revit wall tags, 3,718 Revit construction notes and 58,000 Revit families. The architects had to address Bombardiers evolving corporate needs as well. During the pandemic, the facilitys footprint was reduced by 30 percent, requiring the team to adapt the program to ensure it met Bombardiers operational and strategic goals.Workstations are integrated on the production floor, allowing for quick responses to any issues that arise as the planes are assembled.Adapting to a new site and scaleBombardiers previous site was a century-old 366-acre campus at Downsview Airport. To enable the move to a much smaller, irregular 41-acre parcel at Pearson, the architects had to negotiate a comprehensive site planning process, and navigate complex municipal infrastructure requirements and aviation regulations.Upon arrival at the new facility, one first notices an enormous parking lot filled with dozens of Teslas. There is a culture within Bombardier to improve the sustainability of their businessin addition to their aircraft designas they continue to explore environmentally friendly aviation fuel options, and to reduce waste and emissions. Over 50 percent of the energy used on-site comes from renewable sources. The facilitys expansive exterior faades are marked by barcode-like vertical strips of curtain wall and translucent polycarbonate panels, which help to maximize daylight. 88 percent of workstations have access to natural light, boosting workplace health and wellbeing while reducing energy demands. The design intuitively orients employees to the fire exits, highlighted by narrower, single-width translucent overhead panels.The new campus is responsible for Bombardiers Global line of business jets, marketed for use by governments and private clients. NEUFs detailed planning was most intense for the 60,000-square-metre manufacturing buildingthe largest standalone building constructed at Pearson airport in the past 20 years. The extensive production floor is divided into 16 interior work centres, each measuring approximately 38 by 38 metres, and tailored to specific stages of aircraft assembly. There are eight similarly dimensioned exterior work areas. The 75-metre clear span over the production floor allows plenty of natural daylight through highly translucent fabric megadoors, while the large volume of space makes for considerably reduced ambient noise compared to the old Downsview production facility. Beyond the production floor are testing areas, flight simulation rooms, offices for engineers, classrooms for the aerospace program at Centennial College, and training, orientation and computer labs. Separate buildings include a 10,600-square-metre flight test hangar.Designing anything near an airport means the architects must adhere to strict Transport Canada and NAV Canada regulations, including the Obstacle Limitation Surface (OLS). James Lambie, Industrialization Director at Bombardier, explains that with OLS protocols, nothing can be built within 100 metres from the centreline of the nearby runway. From there, every seven feet you go out, you can go up one foot. At the tightest points, the building stays within 15 centimetres of the OLS to provide construction tolerance. Safety and environmental considerations also required integrating advanced fire suppression, ventilation, and lighting systems.Koleva estimates that, given the number of employees and requirements for the building, the needed municipal infrastructure upgrades that Bombardier performed were equivalent to handling the needs of six or seven residential towers. The existing sewers were nearing capacity before construction. Therefore, Bombardier had to build a new sewer alongside the runway and underneath the aprons for the busy FedEx distribution centre next door. At specific points, excavations had to go down 20 metres to build a sewer that could then be tied back into the main trunk lines for the City of Mississauga. At the same time, the airport runway and the FedEx facility maintained their complete operations, without any dust or disturbance that could affect the safety of the aircraft. Similarly, the architects had to control stormwater before releasing it to the City, by installing four underground tanks. The capacity of the two largest tanks totals 7.6 million litres of waterthe equivalent of three Olympic-sized swimming pools.Individual components are transported to Toronto using specially designed handling equipment, then undergo an initial inspection after being unloaded.Integrating advanced systems and equipmentVarious custom solutions were needed to accommodate large component handling, specialized racking systems for the thousands of parts on reserve, and the need for precise clearances along the manufacturing line.Large parts like wings and fuselage sectionsmanufactured at other Bombardier facilities outside of Torontoare transported to Pearson using specially designed vehicles and handling equipment, to ensure they arrive without damage. Wing sections unloaded in the aerostructures facility undergo an initial inspection, and are then decanted in a climate-controlled area. This allows the components to expand or contract back to factory-specified dimensions in the case that they have been transported in excessively hot or cold environments.Specialized robotic arms assist in drilling and riveting, as well as performing component quality checks. These robots are programmed to perform tasks with incredible precision, and are guided by specialized GPS sensors embedded in the concrete slab. An elaborate system of sprinklered scaffolding and cranes runs overhead and underneath the aircraft components as they move along the line, eventually arriving at a point when the fuselage, cockpit, wings and landing gear are assembled. In the factory, they call this the transformation into weight on wheels.The building isnt air-conditioned, only humidity-controlled. This is because the one-metre-thick double-reinforced concrete floors that run through much of the facility act as an effective heat sink. These floors are designed to house some 1.5 kilometres of slab-on-grade trenches, which run beneath the floors to accommodate power lines, vacuum systems, and hydraulic connections. The trenches help keep the workspace free and clear of objects and hazards, minimizing the risk of foreign-object debris (FOD). Anything from a plastic wrapper to a screwdriver could cause severe damage if it were to interfere with, or contaminate, the aircraft in any way.To Bombardier Vice-President of Management and Programs Julien Boudreault, the biggest challenge in designing the new facility is to allow listening and seeing to happen. It is the first line of defense where you must be able to quickly see which aircraft is in position on the assembly floor at any given time, and this is our companys culture. Many senior management offices have windows overlooking the two U-shaped assembly lines; the offices are also positioned to allow anyone to walk out onto the assembly floor quickly. This configuration fits within Bombardiers go-and-see approach, says Boudreault, referring to the concept that the CEO, a mechanic, and an engineer can quickly resolve an issue together, during any assembly stage.This exceptional degree of accessibility extends to all levels of production. The aeronautics industry is highly regulated, with many trades concentrated on the production floor. At every manufacturing stage, clusters of desktop workstations bring engineers within earshot of the production crew, so they can quickly collaborate to identify and resolve problems. Around the perimeter of the production line are areas where a new part can be replaced, modified or builtall designed so that workers in charge of those parts are within a four-minute walk from any point they need to access on the floor. Specialized tooling shops on the periphery operate around the clock to keep the flow moving.The facilitys high-power engine run booth, unique to Pearson Airport, is designed to handle the immense power, heat, and noise generated during the testing and calibration of aircraft enginesthe most expensive part of the aircraft, valued at around $10 million per pair. The extensive aircraft inspection process also includes a process known as soaking, where the aircraft is fuelled to its maximum capacity and left to sit to check for leaks or other issues that could affect performance.Some bespoke aspects of the build-out are handled at Bombardiers Montreal facility, including custom interiors, unique paint jobs, and the installation of specific equipment. Whether a customer chooses a particular sound system, carpeting, or bathroom fixture, each piece of equipment must be carefully sourced and documentedsimilarly to the planes rivets, bolts, or landing gearto ensure airworthiness and safety.Highly translucent super-sized fabric doors allow for natural daylighting for the manufacturing facility.A complex building for a complex processBuilding an aircraft is an undertaking that rivals the complexity of a major building project, says Graham Kelly, Vice President of Operations for Global Aircraft at Bombardiers Toronto facility. We needed a space that could not only handle the scale of our manufacturing operations, but also reflect our commitment to innovation and to exceeding client expectations, while ensuring the safety and wellbeing of our employees.NEUF became one of Bombardiers Diamond Suppliers after completing the landmark facility at Pearson. Architects may not like to be referred to as suppliers, but in this context, it is an honour that demonstrates an earned trust with a client that lives and breathes a technical, process-driven culture.For Koleva, designing this facility was also a personal achievement. She flew a lot with her parents as a child, and was fascinated by planes. She wanted her thesis project at McGill University to be an airport. (It ended up being an embassy.) As an architect, she always hoped to design an airport. From her perspective, the Bombardier facility is as close to an airport as it gets, because its about all the requirements for moving people through space. Bombardier builds the planes, while NEUF builds for the people who make them.Ian Chodikoff is an architect and consultant focused on architectural leadership and business strategy.CLIENT Bombardier | ARCHITECT TEAM Lilia Koleva (RAIC), Antoine Cousineau (RAIC), Andr Cousineau (FRAIC), Azad Chichmanian (RAIC), Marco Chow (RAIC), Rainier Silva, Linh Truong, Annabelle Beauchamp, Jean-Luc Bourbeau, Stphane Claveau, Ailsa Craigen, Sophie Del Signore, Feroz Faruqi, Gabriel Garofalo, Marie-Pier Gervais, Valrie Godbout, Gary Hlavaty, Sarah Ives, Mathieu Jolicoeur, Nadia Juarez, Kazim Kanani, Madina Koshanova, Guillaume Lallier, Celia Lauzon, Alain Piccand, James Rendina, Kristen Sarmiento, Marina Socolova, Naomi Su Hamel, Sam Taylor, Serge Tremblay, Don Toromanoff, Varteni Vartanyan | STRUCTURAL/MECHANICAL/ELECTRICAL/ACOUSTIC/LANDSCAPE Stantec | INTERIORS NEUF architect(e)s | CONSTRUCTION MANAGER Ledcor | AVIATION CONSULTANT BDI Blast Deflectors | AREA Building area54,250 M2 ; Gross floor area70,400M2 | BUDGET $500 M | COMPLETION May 2024As appeared in the November 2024 issue of Canadian Architect magazineThe post Under the Wing appeared first on Canadian Architect.
    0 Comments 0 Shares 7 Views
  • WWW.CANADIANARCHITECT.COM
    Northern Light
    The curved shape of the community centre echoes the bend of the meandering river.PROJECT Old Crow Community Centre, Old Crow, YukonARCHITECT Kobayashi + Zedda ArchitectsTEXT Adele WederPHOTOS Andrew LatreilleArriving in Old Crow is like entering another country. Tucked into the northwest corner of Yukon, this tiny village of 280 citizens of the Vuntut Gwitchin First Nation is accessible only by air, orfor intrepid seafarersalong the adjacent Porcupine River. A grocery store is the sole commercial outlet. All-terrain vehicles putter through a network of dirt roads lined with simple wood houses in various stages of weathering, many festooned with caribou antlers.In this otherworldly hamlet, Old Crows new Darius Elias Community Centre, designed by Kobayashi Zedda Architects (KZA), stands out like a spaceship.From the road, the building reads like a giant cylinder clad in wood slats. From the waterfront side, it flexes inward, roughly framing the outdoor space into a naturalistic courtyard and subtly echoing the meandering river. On a balmy late-summer evening, a young man and woman and their dalmatian are hanging out around the buildingunder the building, actually. Like almost all structures built in the Arctic, the Centre is raised above the ground so that its warmth does not melt the top layer of permafrost that sheathes the Arctic. This building is raised even higher than the norm, partly to account for the periodic flooding of Porcupine River. Architect Antonio Zedda notes that the buildings elevated condition creates a completely different planar experienceinside and out.The Centre comprises a community hall, Elders lounge, industrial kitchen, games room, meeting spaces, offices, and exercise room. The main spacethe large, circular hallhosts the Vuntut Nations assemblies, which include intense discussions, heritage dances, bonding, and reconnecting. Although Old Crow is the current home base of the Vuntut, the Nations thousand citizens are dispersed across Yukon. A few times a year, those citizens gather and reconnect in the large hall. Its a beautiful space for dancing, observes Vuntut Gwitchin Chief Pauline Frost. The adjoining kitchenindustrial in both size and equipment calibreruns at full steam during those events to provide the accompanying traditional feasts.The structural beams topping the main gathering room radiate outwards, adding a dynamic energy to the space.The oblique angles and concentric double circle of the ceilings radiating structural beams make the space feel alive and active even when empty, and emphasize the centrifugal force of the plan.At the other end of the structure, the spacious exercise room offers a stunning panoramic vista of the river, and doubles as a repository for traditional costume-making materials, with a hundred-plus bolts of fabric stacked floor-to-ceiling along one wall. The textiles are end-rolls donated to the community for use by local seamstresses. While it would be incongruous for a big-city gym, this juxtaposition makes perfect sense for a tiny community reclaiming its heritage crafts.KZA also designed the John Tizya Cultural Centre a few dozen metres down the road, a rectangular mass sheathed in corrugated metal. The Cultural Centre serves as a venue for locals and visitors to explore Vuntut Gwitchin culture and history. That compact and superbly designed building, like the new Community Centre, resulted from the advocacy of Chief Frost, who successfully lobbied for these and other new buildings while serving as the Vuntut Gwitchins MLA from 2016 to 2021. She was sworn in as Chief last year, in the same Community Hall that she helped bring to fruition.The Community Centre presents an architectural contrast to KZAs Cultural Centre, both in terms of massing and material. The clients wanted a building clad in wood, period, recalls Zedda. Not metal, nor anything simulating wood. That was the challenge for us; the reality in Yukon is that wood does not last long because of the extreme sun and extreme temperatures. In response, the design team researched an array of materials, finally settling on modified pinewood by Kebony, a Norwegian wood producer. Infused with an alcohol solution that preserves the wood, Kebony pine will naturally weather into a silvery hue over time, but will not decompose.The volume of the building is more closed towards the north side, giving it protection from winter weather.To many locals, the building is shaped like a snowshoean Aih in Gwichin. Others, like Vuntut Gwitchin Deputy Chief Harold Frost, tell me its designed to resemble a caribou trap. To this reporter, as a descendant of Prairie settlers, the plan evokes a leather waterskin. Read into it what you will. Drum? Snowshoe? Caribou trap? Its all those things, says Zedda. We dont typically design things that reference something specific. When the architects showed the floor plans to community members, he recalls, they started to infer ideas of what it resembled.For Zedda, the original community halla wooden octagon that still stands, vacant and rotting, beside the new structurewas the biggest driver. The idea was to capture the essence of that building and its [interior] space in the newer building, he says. The concept of circularity, rather than any specific representation, is at the heart of the design, echoing Indigenous respect for the cycle of life.But here is the uncomfortable question: is this building too big, and too state-of-the-art? For Chief Frost, the biggest challenge of the Community Centre is its high heating costs. That is not an architectural failing per se: the design team followed the design brief in terms of size, but few buildings of this size and scope could keep their energy costs low in an Arctic locale with viciously cold winters. The huge circular space that is so highly appropriate and welcoming for the quarterly gatherings of the Vuntut Nation is otherwise often vacant.Site planZedda argues that our system of consistent building-code application and aggressive energy targets is problematic for remote places like Old Crow, with populations so small that residents are unlikely to have the skill sets to address and maintain the technical issues and features. In terms of codes and standards that affect building systems such as mechanical heating and ventilation, for example, the code requirements tend to overly complicate the systems without understanding the context in which they are being placed, he says. This needs to be revisited. Otherwise, highly complex and efficient systems, if not operated properly, tend to perform poorly and are more expensive to operate.The time has come, he argues, to question whether its imperative in every instance to follow every code requirement when in certain communities it might be inappropriate or cost-prohibitive. And by inappropriate or cost-prohibitive, he clarifies, we are not talking about life safety items, for which there should be no flexibility. Whats needed is more consideration for the immediate geographic and cultural context.He cites a real-life example from a past project in Old Crow: The client asked why we needed to include a wheelchair ramp in the building design. Being on permafrost, the raised building resulted in a steel ramp system that was over 12 metres long with a price tag of over $50,000. The client told Zedda that a ramp wasnt strictly necessary, since on the rare occasions when someone would need assistance to enter and exit the building, others in this tightly-knit community would step up to help. They would never leave an Elder or mobility-challenged individual to navigate these spaces and places on their own, says Zedda. I was in awe hearing this. What are the fixes for the Darius Elias Community Centre and buildings like it? An architectural solutionunfeasible now, but perhaps viable with some future technologyis crafting a means to expand and contract a buildings capacity in response to shifting needs. As for the challenge of making and maintaining buildings in small and isolated places, it may be time to consider encouraging flexibility with certain code requirements and energy targets in such communities.Ultimately, for the Vuntut Gwitchin, the Darius Elias Community Centre is not just a functional amenity, but an existential one. Their periodic gatherings are essential as a cultural reaffirmation, both amongst their Nations citizens and to the outside world. We were essentially the forgotten community, because of our remoteness and social isolation, says Chief Frost. We didnt have anything before. But whats happened here in the last six or seven years is so amazing.Adele Weder is a contributing editor to Canadian Architect. KZA Architectscontributed a portion of the travel costs for this article.CLIENT Vuntut Gwitchin Government | ARCHITECT TEAM Antonio Zedda (MRAIC), Chris Chevalier, Sheelah Tolton, Phillippe Gregoire, David Tolkamp | STRUCTURAL Ennova Structural Engineers Inc | MECHANICAL Williams Engineering Canada; Building Systems Engineering | ELECTRICAL Williams Engineering Canada | CONTRACTOR Johnston Builders Ltd. | FOOD SERVICES Lisa Bell & Associates | ENERGY MODELlING Morrison Hershfield (now Stantec) | SOLAR PV STUDY Green Sun Rising | GEOTECHNICAL EBA/TetraTech | AREA 940 m2 | BUDGET Withheld | COMPLETION June 2021As appeared in the November 2024 issue of Canadian Architect magazineThe post Northern Light appeared first on Canadian Architect.
    0 Comments 0 Shares 7 Views
  • WWW.CANADIANARCHITECT.COM
    Serge Filion and Raymond Montpetit among 2024 Prix du Qubec winners
    Image credit: KollectifWinners for this years edition of the Prix du Qubec, the highest distinction awarded by the Government of Qubec in the fields of culture and science, have been announced.The awards recognize the exceptional careers of individuals who have contributed to the growth of their field, the transmission of knowledge and the influence of Qubec throughout the world.Among the winners are Serge Filion, who was awarded the Ernest-Cormier Prize and Raymond Montpetit, who recieved the Grard-Morisset Prize.Serge Filion became director of the land use planning division for the City of Qubec in 1969. From 1996 to 2005, he held the position of director of planning and architecture at the National Capital Commission of Quebec, before working for a year as assistant to the president.In Quebec City, he is responsible for the design of the first land use plan and the first zoning plan, which led to the establishment of the Lebourgneuf district, the revitalization of the Saint-Roch district, and the complete development plan for the banks of the Saint-Charles and Berger rivers.Now retired, Filion continues to mobilize Quebec authorities around the defense of cultural heritage and the environment. His goals are to encourage the creation of urban spaces that honour the past, while prioritizing the ecological crisis in future urban policies.Raymond Montpetit is a researcher, museologist, founding director, author, and professor. Since 1974, through the design and production of temporary and permanent exhibitions, he has been committed to disseminating heritage to a wide audience. In order to improve the professional functioning of Quebec museums, he played a major role in the establishment of the first masters program in museology in Quebec in 1987, of which he was the founding director and which he would direct again from 1993 to 1999.Between 1981 and 1983, Montpetit contributed to the design of the Centre dhistoire de Montral, the first municipal museum inspired by American interpretation centres, and in 1987, he defined the broad outlines of what would become Pointe--Callire, the Montreal Museum of Archaeology and History. In 2001, he directed the creation of the new regional museum La Pulperie de Chicoutimi, which focuses on the history and identity of Saguenay. More recently, he wrote the study that led to the creation of the Centre des mmoires montralaises, which opened in 2023.Named professor emeritus by the Universit du Qubec Montralin 2014, Montpetit continues to participate in research and publication projects.Image credit: Government of QubecThe full list of 2024 winners are featured below.Cultural awardsDenisCt, Albert-Tessier Prize CinemaliseTurcotte, Athanase-David Prize LiteratureDenisGougeon, Denise-Filiatrault Prize Performing ArtsRmyGirard, Denise-Pelletier Prize Performing ArtsSergeFilion, Ernest-Cormier prize Regional planning, architecture and designFranoiseArmand, Georges-mile-Lapalme Prize French languageRaymondMontpetit, Grard-Morisset Prize HeritageFranoisCousineau, Guy-Mauffette Prize Radio, television and digital or traditional mediaFranoisMorelli, Paul-mile-Borduas Prize Visual arts, crafts and digital artsAlineDesjardins, Ren-Lvesque Prize JournalismScientific prizesSylvieBelleville, Armand-Frappier prize Development of a research institution or administration and promotion of researchFrantzSaintellemy, Innovation Prize Scientific, entrepreneurial, economic, social or commercial innovationsRobert J.Vallerand, Lon-Grin Prize Human and Social SciencesMyriamDenov , Marie-Andre-Bertrand Prize Social InnovationRenDoyon, Marie-Victorin Prize Natural Sciences and EngineeringAnne-MarieMes-Masson, Wilder-Penfield Prize Biomedical ResearchNomie-Manuelle DorvalCourchesne, Hubert-Reeves Prize Scientific Emerging Talent, all scientific disciplinesFor more information, click here.The post Serge Filion and Raymond Montpetit among 2024 Prix du Qubec winners appeared first on Canadian Architect.
    0 Comments 0 Shares 6 Views
  • WWW.CANADIANARCHITECT.COM
    What Quebec can teach Canada about competitions
    The Maisonneuve Library is at the heart of a working-class district in the eastern part of Montreal. The project involved restoring a former City Hall, opened in 1912, to its original splendour. The jury report described the winning competition entry as a beautiful dance between two eras.PROJECT Maisonneuve Library, restoration and extensionARCHITECT EVOQ ArchitecturePROJECT Octogone Library, transformation and extensionARCHITECT Anne Carrier Architecture in consortium with Les architectes Labont MarcilTEXT Odile HnaultPHOTOS Adrien WilliamsLate last spring, as I was lining up outside Montreals Thtre du Nouveau Monde, waiting for the doors to open, I started a casual conversation with the person nearest me. At one point, totally out of the blue, she asked: Have you visited Montreals new libraries? Before I had a chance to answer, she went on: You know, they are the result of architectural competitions. A great system! I couldnt help laughing and thinking this was the moment I had long been waiting for The word was spreading! The news was reaching the public!Over the past three decades, the Quebec government has gradually set in place an enviable competition system for cultural buildingsthat is, museums, theatres, interpretation centres, and libraries. It results from a policy adopted in June 1992 by the provinces Ministry of Culture, which aimed at holding public competitions for cultural facility projects presented by municipalities and organizations and produced with the assistance of government grants, the cost of which is over $2 million (Ministre de la Culture du Qubec, La politique culturelle du Qubec, 1992).The formidable historic stone columns remind visitors of an earlier era filled with hope and enthusiasm.A new cultural landscapeThanks to this policy, a new cultural landscape has gradually emerged across Quebecs major cities as well as in its smaller municipalities. Competitions have been behind the design of at least 16 theatres, 20 museums of various sizes, and numerous interpretative pavilions. As far as libraries are concerned, the wave of competitions started in 2001 with the small Bibliothque de Chteauguay (by Atelier TAG with JLP architectes). Since then, more than 20 libraries were the object of competitions. Several of these new cultural institutions have gone on to win awards, and to be covered in journals such as Canadian Architect.The benefits to the public are obvious, even though the average Montrealer (with the exception of my theatre-going friend) is mostly unaware of the competition process at work. Needless to say, architects have gained a lot from this policy, which has allowed them to explore ideas and concepts they might not have been able to address in a standard RFP system. Steel portals and spatial voids were introduced to emphasize the transition from the light-filled contemporary wings to the more subdued ambiance of the original building.Two competitionsIt is often presumed that while design competitions may be suitable for new-builds, the complexities of additions and renovations put them out of reach for competitions. However, the contrary is proving to be the case: quite a few of Quebecs library competitions have been for additions or the quasi-total transformation of existing buildings.This is the case for two recently-inaugurated amenities in Montreal: the Maisonneuve Library and LOctogone both fit into this latter category. They are also among the largest of the citys 45 branch public libraries, including seven that were the objects of architectural competitions. Both Maisonneuve and LOctogone existed as libraries before 2017, when separate competitions were launched to renovate and expand them.Elements of the historical building were meticulously restored, including an ornate cast iron stair and stained glass skylight. ABove The east wing stairs illustrate the architects sober colour palette and respectful choice of materials.The Maisonneuve LibraryThe Maisonneuve Library is a rather unique case, since it is sited in a historic City Hallpart of a grand City Beautiful plan carried by a few enlightened entrepreneurs, who developed this sector of Montreal at the turn of the 20th century. Opened in 1912, their new City Hall only filled its role for a short period as the heavily indebted Cit de Maisonneuve was amalgamated to Montreal in 1918. The Beaux-Arts building, designed by architect Louis-Joseph Cajetan Dufort, remained standing through the last century, relatively unalteredthankfullyby its successive occupants. In 1981, it became part of Montreals public library network.Key to the design concept was the introduction of a tower off the east wing, containing a vertical circulation core and serving as the librarys universally accessible entrance.Four teams were selected to take part in the Maisonneuve Library competition: in situ atelier darchitecture + DMA architects; Saucier + Perrotte/DFS inc.; Chevalier Morales Architectes; and Dan Hanganu architectes + EVOQ Architecture. All four teams are considered to be among Quebecs most creative architectural firms, a reputation they acquired mostly through competitions. They were paid the pre-tax sum of $82,000 to take part in the competition, a sum which was included in the winning teams eventual contract.Site PlanThe challenge for the four teams was to triple the size of the 1,240-square-metre original facility with a contemporary intervention that would pay homage to the former City Hall. The Hanganu-EVOQ team had a definite advantage, EVOQ being one of very few offices in Quebec with a strong expertise in heritage preservation. Their parti was therefore centred on restoring the historic building (then in an advanced state of disrepair) to its original splendour, and treating it as a jewel inserted at the centre of a sober, contemporary composition. The alignment of the new curtain walls and the rhythm of a brise-soleil took their cues from the existing neoclassical colonnade.Elements of the historical building were meticulously restored, including an ornate cast iron stair and stained glass skylight. ABove The east wing stairs illustrate the architects sober colour palette and respectful choice of materials.On the exterior, stone faades and monumental doors were carefully restored. On the interior, similar attention was paid to the original plaster mouldings, wood panelling, and mosaic floors. The former piano nobiles marble staircase and its two imposing stained-glass features were painstakingly restored by a team of remarkable artisans, who still work using traditional construction methods.Key to the design concept was the introduction of a tower off the east wing, containing a vertical circulation core and serving as the librarys universally accessible entrance.Every effort was made by EVOQwhich now includes the late Dan Hanganus former teamto ensure the library would be fully accessible to all. This led to the design of a circular entrance pavilion, projecting from the east wing. An architectural promenade takes one from the new entrance, through the historic building, and onwards to the west wing. A sheer delight. The subtly handled transition points between old and new celebrate the original 1900s monument and the skill of its builders.A reading area, located on the west wings second level, includes a playful shelf-wall intended to appeal to children and youth.Slightly less convincing is the west wings shelf wall, visible from Ontario Street. It reflects an influence from Sou Fujimoto Architects Musashino Art University Museum & Library in Tokyo (2010), with its striking wooden shelving doubling as wall structure. In both cases, aesthetics seem to have been chosen over utility as any books stored in these areas are challenging to access.While intent on keeping alive the memory of the past, the local librarians simultaneously embraced the progressive outlook of the International Federation of Library Associations and Federations (IFLA). The Maisonneuve Library looks clearly to the future, particularly in its mission is to improve local levels of digital literacy. Gone are the administrative offices hidden away from the public: staff members wheel mobile stations around the building, plugging into a large array of floor outlets. The librarys offerings also now include a playful childrens area, a Media Lab, and a small roof garden. Silence is no longer the rule, except for in a few enclosed spaces.In the new design, the librarys three wingsevocative of a windmills bladesare arrayed around a central hub.Octogone LibraryAnother major library competition was also launched in 2017: this one for Octogone Library, in a totally distinct environment situated towards the western tip of the Montreal Island. A suburban street pattern is prevalent in the borough and the site of the library is off a banal commercial strip. The areas most interesting feature is perhaps the adjoining Parc Flix Leclerc, with its gentle landscape and large weeping willows.The original Octogone Library building was the outcome of decades-long advocacy efforts by the local community, which did, finally, lead to the government commitment for a public library in 1983. The following year, a low-scale, rather Brutalist building opened its doors to the public. The architects were Bisson, Hbert et Bertomeu. The long-awaited amenity was named Centre culturel de lOctogone in reference to its role in the community and to its geometry.When the 2017 competition was launched for a renovation and addition to the existing building, the resulting proposals aimed to perpetuate the memoryand the nameof the 1984 building. Again, four teams were selected to participate in the competition: Atelier Big City with LOeuf; BGLA with Blouin Tardif architects; EVOQ Architecture with Groupe A; and finally, Anne Carrier architecture in consortium with Labont Marcil, the winning team. The octagonal foundations were deemed solid enough to handle the loads of a new construction, but the existing walls presented competitors with a number of difficulties.The site plan demonstrates urban design firm civilitis attention to the librarys immediate grounds and to the larger heritage-designated site.Carrier and Labont Marcils entry was, as noted by the jury, a vigorous and joyous response to the program. The team had opted not to adhere too closely to the original octagonal plan and to refer instead to a far more significant symbol for LaSalle citizens, the 1827 Fleming Mill. The projects most striking feature is a central helicoidal stair, or hub, which immediately attracts attention as one enters from either side of the new building.A central helicoidal staircase is a stunning feature of the library.The second-level plan is laid out to evoke a mills three giant blades revolving around a central pivot, which culminates in a quiet, more secluded, circular space enlivened by an airy artwork. Produced by artist Karilee Fuglem, this piece alludes to LOctogones extensive collection of graphic novels and comicsthe largest such collection in Montreals library network.A second-floor view shows the buildings three levels, from the main entrance below to a small, secluded reading area at the top.ConclusionWhile architectural competitions have yet to spread across Canada, Quebec can boast a rich repository of experience in this domain. At the end of three decades, and with dozens of projects successfully built through the competition process, the provinces landscape of libraries, theatres, and museums is obvious proof that competitions are worth the effort.Of course, there are improvements to be made. The process has gradually been burdened with overly complicated programmatic specificationssome preliminary documents are now up to several hundred pages long. The constraint of tight budgetary commitments in a highly volatile context can also seriously hinder creativity. But in the end, despite the need to revisit and simplify the process, a healthy competition culture has emerged, not just in Montreal and Quebec City, but all over the province.At 32 years old, Quebecs architecture policy is entering middle-age, and its perhaps worth considering how it might be adjusted to prompt even more innovative, mature expressions of architecture. Can programs be loosened to allow for more daring concepts? Is there a place for open design competitions, creating opportunities for younger generations of architects? Despite some shortcomings experienced over the last three decades, Quebec has successfully put competitions to the test. And the rest of Canada could learn from it.Odile Hnault is a contributing editor to Canadian Architect. She was the professional advisor for two pilot competitions that led to the adoption of the Quebec Ministry of Cultures 1992 policy on architectural competitions.Maisonneuve LibraryCLIENTS Ville de Montraland Arrondissement Mercier-Hochelaga-Maisonneuve | ARCHITECT TEAM EVOQGilles Prudhomme, Sylvie Peguiron, Marianne Leroux, Georges Drolet, Nathan Godlovitch, Anne-Catherine Richard, Lynda Labrecque, Simona Rusu, Alexis Charbonneau | ARCHITECT (HISTORIC BUILDING, 1911) Louis-Joseph Cajetan Dufort | LANDSCAPE civiliti | ENVELOPE ULYS Collectif | STRUCTURAL NCK | CIVIL Gnipur | MECHANICAL/ELECTRICAL Pageau Morel | ENVELOPE/QUALITY CONTROL UL CLEB | ELEVATOR EXIM | DOORS, HARDWARE SPECIALISTS ARD | COMMISSIONING Cima+| FURNITURE/SIGNAGE/MULTIMEDIA GSMProject | ERGONOMICS Vincent Ergonomie | LIGHTING LightFactor | SUSTAINABILITY WSP | ACOUSTICS Octave | METAL/HISTORIC DOORS M&B Mtalliers | MOSAIC Arts Mtiers dart | ORNAMENTAL PLASTERS Pltres Artefact | MASONRY Maonnerie Rainville et Frres | CONSERVATOR/MASONRY Trevor Gillingwater | STONECUTTERS Alexandre, Tailleurs de pierres + sculpteurs | STAINED GLASS Studio du verre | ARTIST (PUBLIC ART) Clment de Gaulejac | AREA 3,594 m2 | construction bUDGET $38.6 M | COMPLETION June 2023Octogone LibraryCLIENTS Ville de Montral and arrondissement lasalle | ARCHITECT TEAM AC/AAnne Carrier (FIRAC), Robert Boily, Martin LHbreux, Patricia Pronovost, Mathieu St-Amant, Andre-ve Gaudreault, Brenda Ct. LES ARCHITECTES LABONT MARCIL IN CONSORTIUMPierre Labont, Jean Marcil, Andranne Gaudet, MICHEL DESMARAIS | Structural/mechanical/electrical EXP | LANDSCAPE Rousseau Lefevre | INTERIORS Anne Carrier Architecture/les Architectes Labont Marcil en consortium | CONTRACTOR Dcarel | ergonomics VINCENT ERGONOMIE | acoustics Octave | SCENOGRAPHY GO MULTIMEDIA | aRTISTS (PUBLIC ART) CLAUDE LAMARCHE (1984), KARILEE FUGLEM (2024) | AREA 4,500 m2 | BUDGET $28.6 M | COMPLETION October 2024As appeared in the November 2024 issue of Canadian Architect magazineThe post What Quebec can teach Canada about competitions appeared first on Canadian Architect.
    0 Comments 0 Shares 28 Views
  • WWW.CANADIANARCHITECT.COM
    Timber Redux
    The two buildings of T3 Sterling Road are a contemporary take on the former industrial fabric of their neighbourhood, west of downtown Toronto. Photo by James BrittainPROJECTS T3 Sterling Road and T3 Bayside Phase 1ARCHITECTST3 STERLING ROAD DLR Group Architecture inc. (Design Architect and Architect-of-Record) and WZMH (Local Affiliate Architect)ARCHITECTST3 BAYSIDE WZMH Architects (Executive Architect) and 3XN (Design Architect)TEXT Lloyd AlterIn 1970, Barton Myers and Jack Diamond bought the Eclipse Whitewear Building on King Street in Toronto and converted it into offices. They left the brick walls and massive wood structure exposed, and kept visible all the conduits, ducts, sprinkler pipes and other mechanical paraphernalia, layering in industrial lighting. When you entered the space, you got the shock of the old: the existing warehouse adapted for modern use. Soon, warehouse conversions were happening around North America, including in San Francisco and in Minneapolis, where a renovation of the half-million-square-foot Butler Building became the continents most prominent example.Creative industries loved these spaces, which quickly filled with architects, advertising firms, and tech startups. Jane Jacobs understood this, writing in The Death and Life of Great American Cities, Old ideas can sometimes use new buildings. New ideas must use old buildings.Ground floor amenities include a generous co-working space. Photo by James BrittainBut old buildings were not without their problems. The floors were usually mill decking, where lumber such as 2x10s were nailed to each other to carry the heavy industrial loads. Noise passed right through them, as did dirt: staff would often find dust and debris on their desks.In 2016, real estate developer Hines built the continents first large new mass timber building, which they called T3 (for Timber, Transit, Technology). They aimed to capture the look and feel of a warehouse, without the drawbacks. It was sort of a new-old building. Hines noted in their marketing materials at the time:We love old brick & timber warehouses. We love the feel of them, the originality, and the entrepreneurship that lives inside their bones. They are cool places to collaborate, create, and innovate. Unfortunately, these buildings lack good natural light, are drafty, noisy, and have outdated HVAC systems. So we asked ourselves, why cant we solve these problems by selecting an authentic location, surrounded by heritage buildings, and construct a brand new, vintage building? All the charm of an old brick & timber building, with none of the downsides.Ground floor amenities include a generous co-working space. Photo by James BrittainThe Minneapolis T3, designed by Canadian mass timber pioneer Michael Green and American firm DLR Group, was built with glue-laminated columns and beams. Its floor slabs were made of Nail-Laminated Timber (NLT) supplied by StructureCraft of British Columbia, and nailed together in Winnipeg, Manitoba. Modern NLT was developed in Germany in the 1970s by engineer Julius Natterer. NLT was used because it was in the building codes and could be made anywhere, by anyone with a nailgun; Cross-Laminated Timber (CLT) was not yet approved or manufactured in North America. Unlike conventional construction, with mass timber, the supplier often acts as the timber structural engineer and builder, delivering the complete package. StructureCraft says, Our Engineer-Build model brings responsibility for all the steps of engineering and construction under one roof, to a company that has significant experience taking on this responsibility. Engineer-Build synthesizes and smooths out the building process.T3 Minneapolis was a success, and Hines took the concept to other cities, with a total of 27 buildings completed, under construction, and in design. The most recent finished T3s are in Toronto, where Hines has opened two projects: T3 Sterling Road and T3 Bayside.A new landscaped park is framed by T3 Sterling Road to the south, and the Museum of Contemporary Art (MoCA) to the east. Photo by James BrittainHines pitches its T3 projects as timber buildings with a conscience, claiming T3s exceptional amenities prioritize health and well-being, and the natural wood interior and bright, inspiring spaces help people feeland dotheir best. Research backs this up. An Australian study, Workplaces: Wellness + Wood = Productivity found that Employees surrounded with natural wooden surfaces on average reported higher personal productivity, mood, concentration, clarity, confidence and optimismand were more likely to find their workplaces relaxing, calming, natural-feeling, inviting and energising. These ideas are captured in the concept of biophilia, a term coined in the mid-80s by Harvard professor Edward O. Wilson to refer to humans fondness for nature, including plants, wood, and natural light.The leasable spaces feature Dowel-Laminated Timber (DLT) floor assemblies, along with glulam columns and beams. Photo by James BrittainHines also points to the environmental benefits, noting that building with wood avoids the emissions that come from making steel or concrete, which together total about 15 percent of global carbon emissions. When a tree is taken and used in a building that will last for centuries, the developer writes, that piece of wood is storing that carbon dioxide in the material for the life of the building.For T3 Sterling Road, Hines brought DLR Group and StructureCraft together again, including lead designer Steve Cavanaugh, who worked with Green on T3 Minneapolis. StructureCrafts roles once more encompassed acting as the timber structural engineer, coordinating timber sourcing, and providing supply and installation. The team also included WZMH Architects as the local architect of record.Torontos Sterling Road district has become a hotbed of warehouse conversions and brewpubs, anchored by the Museum of Contemporary Art; the New York Times has described it as newly hip, its appeal broadening beyond the small cadre of tuned-in artists and bohemian types who for years have had it to themselves. The site certainly nails the Transit of the T3 moniker, with a short walk to the Bloor subway and the UP Express train, which connects to downtown and the airport. The environmental importance of location and available transit is often underestimated: Alex Wilson of BuildingGreen calculated that the energy used by tenants commuting to a building was 2.3 times the energy consumed operating the building.Mullioned windows and upper level diagonal braces emulate the appearance of industrial buildings. Photo by James BrittainPhase 1 of the Sterling Road project includes two buildings totalling 300,000 square feet, constructed of glulam columns and beams, and with Dowel-Laminated Timber (DLT) floors. DLT was developed in the 1990s by a German company which called it Dbelholz, German for dowelled wood. Holes are drilled in softwood lumber with a moisture content of about 15 percent, and hardwood dowels, dried to about 8 percent, are driven in. As the dowels absorb moisture from the surrounding wood, they expand, locking the assembly together. StructureCraft has built sophisticated DLT machinery in its Abbotsford plant, which can spit out massive 12-foot-wide by 60-foot-long panels.Sterling Road is a bit rough around the edges, and the design for T3 Sterling aims to be edgy as well, with exposed diagonal bracing and steel bars added on the exterior to emulate the appearance of industrial windows. The program is geared towards young urbanites; while the upper floors are conventional leased office space, the ground floor has a large co-working space, a well-equipped gym, and bicycle storage.Different types of mass timber have distinct looks and feel, and DLT can be finished in different ways. T3 Sterlings DLT is made of 3-wide boards with a kerf on the corner, giving it a seriously industrial look, like you used to get in warehouses when wood was thicker. While most modern office buildings have a 30-foot-by-30-foot grid, mass timber is not cost-effective at that span, so the grids in the T3 are 20-by-30. DLR lead architect Steve Cavanaugh explained that many layouts were tested against the grid, and it was found to maintain planning flexibility.Although they both share the T3 label and are made of mass timber, T3 Bayside is a very different building from T3 Sterling Road. Its located in the rapidly developing area just east of the downtown core, and is surrounded by new residential towers.In branding this building, Hines adjusted the second T in T3 to substitute Talent for Transit, because its a fairly substantial 24-minute walk to Union Station. (A light rapid transit line, approved by the City in 2019, is currently in the design phase.) WZMH is back as the architect of record, with Danish firm 3XN as lead designer.At T3 Bayside, a band of glazing steps up to accommodate the possibility of interconnected spaces between office floors. Photo by Tom ArbanWhere T3 Sterling Road is industrial and edgy, T3 Bayside is all business. Its defining architectural feature is a stepped, recessed band of glazing ringing the faades, which permits a succession of double-height spaces. The original concept included grand stairs running through these double-height spaces from ground to top floor, but this was before the pandemic, when it was anticipated that the building might be occupied by a single tenant who would appreciate the interconnection of their spaces. However, the market has changed significantly, and the building is starting to be leased to smaller tenants. The double-height spaces are now called opportunities, and are currently filled with removable slabs. Common areas on the first, second, and third floors do remain connected, resulting in a small set of dramatic spaces, linked by enticing stairs. On the buildings west side, the stepped glazing corresponds with the staggered, stacked spaces of the buildings atrium, a communal lounge, and a shared meeting room. Photo by Tom ArbanAs at T3 Sterling, the columns and beams of T3 Bayside are made of glue-laminated timber, but this locations slabs are Cross-Laminated Timber (CLT). The laminations in CLT are made up of 2x4s, laid up flat to form a layer; the next set is laid at 90 degrees to the layer below, and so on. The whole sandwich is glued together in giant presses. CLT was invented in the States and patented in 1923, but modern CLT was developed by Professor Gerhard Schickhofer at Graz University in the 1990s. Austria had a large lumber industry, but being landlocked, exports were expensive. Turning lumber into CLT added significant value.CLT is more dimensionally stable than DLT, and can act as a two-way slab, supported on columns without beams. However, Hines specifies a column-and-beam design so they can get competitive pricing between the different mass timber technologies. To avoid the noise transfer that was endemic in older warehouse conversions, the CLT floor is topped with a sound mat and 2.6 inches of concrete.CLT is usually more expensive than DLT, but the wood, structural design and assembly for T3 Bayside is supplied by Nordic Structures. Nordic is a subsidiary of Chantiers Chibougamau, a vertically integrated lumber company controlling close to six million acres of black spruce Quebec forest; the company processes 15 percent of the renewable resources in the provinces woodlands. Geographically, Quebec is a lot closer than British Columbia, so it is likely that the reduced transport expense helps to balance out costs.At T3 Bayside, Cross-Laminated Timber (CLT) floor assemblies are paired with glulam columns and beams. Dropped ceilings are absent from both T3s, opening panoramic views to the city and lake. Photo by Tom ArbanIn the base building, there are no dropped ceilings to block the view of the mass timber beams and slabs, and no raised floorall mechanical and electrical services are exposed. What is normally hidden and often installed haphazardly has to be precise and straight. Every conduit and duct is laid out in advance in the BIM model; notches are cut into the tops of beams for them to pass through. With rare exceptions, the electrical conduits in both Toronto T3s are a work of art, resembling a circuit board rather than a typical electrical installation. The ventilation ductwork is also lovely to look at; in Bayside, there is a narrow structural bay without beams running around the core so that the main supply ducts can run east-west, while the smaller ducts run north-south between beams. It is all brilliantly coordinated. No lighting is installed in the base building; that is added after the tenant layouts are determined.T3 Bayside Connection DetailHines notes that T3 Bayside will store 3,886 metric tons of carbon dioxide. However, this isnt counted or credited by LEED. According to the Life Cycle Assessment (LCA) report, biogenic carbon is excluded since it is assumed that at the end of life, the wood will be disposed and the embodied carbon will be re-emitted back into the atmosphere.The treatment of biogenic carbon in LCA calculations is a major topic of discussionand controversyin both the industry and academia. Some in the industry dont believe any credit should be given for carbon being stored in the wood, given that roots are left to rot in the ground, slash is left behind, scrap is burned to kiln-dry the wood, and wood panels are transported from factory to site in fossil-fuel-powered vehicles. Others, like Paul Brannen, author of the book Timber!, claim that so much carbon is sequestered in the wood that developers should be able to sell carbon credits for every tonne stored, to help reduce the cost premium and to encourage more wood construction.Some also worry that building out of wood will lead to deforestation and the loss of old-growth timber. Hines counters by saying: The trees we use at Hines come from responsibly harvested forests/certified sustainable forests. The forests in the U.S. and Canada, for example, reproduce the timber required for T3 buildings every 20 minutes.Adding to their claims, Hines measures and mentions avoided emissions, the carbon emissions that dont happen because of the decision to go with wood. They note in a FAQ that Compared with steel or concrete, T3 Sterling Roads timber construction avoids emitting approximately 1,411 metric tons of carbon dioxide into our atmosphere. I question the idea of avoided emissions, thinking that its like being on a diet and crediting the calories of the chocolate cake I didnt eat.But any negativity disappears when you walk into either T3 Sterling Road or T3 Bayside. The spaces look good. They smell good. Fondle the columns, and they feel good. The biophilic effect is instantaneous. One may argue about the exact count of kilograms of carbon emissions stored or avoided, but as wood expert Dave Atkins noted about building materials, it all comes down to one principle: If you dont grow it, you mine it.The T3 buildings give tenants the culture, the aesthetics, the warmth, and the biophilic effects of an old warehouse building, with modern technology and services, and without the noise and dust. The carbon savings, however they are measured, are a wonderful bonus.Lloyd Alter, formerly an architect and real estate developer, is the author of The Story of Upfront Carbon (New Society Publishers). He currently writes a popular Substack newsletter, Carbon Upfront!T3 Sterling RoadCLIENT Hines | ARCHITECT TEAM DLR GroupStephen J. Cavanaugh, Kevin Curran, Kelly Goffiney, Charlie McDaniel, Bobby Larson, Kailey Smith, Neely Sutter. WZMHTed DuArte (MRAIC), Robert Sampson (MRAIC) | STRUCTURAL Magnussen Klemencic Associates | MECHANICAL/ELECTRICAL TMP | LANDSCAPE Janet Rosenberg Studio | INTERIORS Partners by Design | CONTRACTOR Ellis Don | AREA 28,234 m2 | BUDGET Withheld | COMPLETION Spring 2024ENERGY USE INTENSITY (PROJECTED) 45.6 kWh/m2/year T3 Bayside Phase 1CLIENT Hines | ARCHITECT TEAM 3XNCompetition Phase: Jens Holm, Audun Opdal, Kim Herforth Nelson, Elizabeth Nichols, Sai Ma, Monty de Luna, Sean Lyon, Matthias Altwicker; Design Phase: Jens Holm, Matthias Altwicker, Elizabeth Nichols, Laura Wagner, Sai Ma, Catherine Joseph, Jacquelyn Hecker, Ida Flche, Thomas Herve, Aleksandre Andghuladze, Farzana Hossain, Benji Magin, Christian Harald Hommelhoff Brink, Lydon Whittle, Sang Yeun Lee, Ann Christina Ravn, Thomas Lund, Eliana Nigro, Dora Lin Jiabao, Majbritt Lerche Madsen, Morten Norman Lund; Execution Phase: Matthias Altwicker, Catherine Joseph, Elizabeth Nichols, Jens Holm. WZMHRobert Sampson (MRAIC), Nicola Casciato (MRAIC), Len Abelman (MRAIC), Paul Brown, Ted DuArte (MRAIC), Nazanin Salimi, Derek Smart, Liu Liu, Ashley McKay, Samer Richani, Akhilesh Ahuja, Terek Aly, Loc Nguyen, Tracey Gaull| STRUCTURAL DESIGN Magnusson Klemencic Associates | MASS TIMBER PRODUCTION Nordic Structures | MECHANICAL The Mitchell Partnership Inc. | ELECTRICAL Mulvey & Banani | LANDSCAPE Janet Rosenberg & Studio | INTERIORS Partners by Design | CONTRACTOR Eastern Construction Company Ltd. | CODE Vortex Fire | CIVIL WSP | GEOTECHNICAL EXP | CONTROLS AND SECURITY HMA Consulting | ACOUSTICS Cerami & Associates Inc., HGC Engineering (Site Plan only) | SUSTAINABILITY Purpose Building Inc. | ENERGY MODELLING EQ Building Performance | ENVELOPE Entuitive Consulting Engineers | COMMISSIONING RWDI Consulting Engineers & Scientists | TRANSPORTATION BA Consulting Group Ltd. | WIND Gradient Wind Engineering | VERTICAL TRANSPORTATION Soberman Engineering Inc. | SIGNAGE Kramer Design Assoc. Ltd. | BUILDING MAINTENANCE EQUIPMENT RDP Engineering Inc. | AREA 23,341 m2 | BUDGET Withheld | COMPLETION Fall 2023 ENERGY USE INTENSITY (PROJECTED) 141.3 ekWh/m2/year | WATER USE INTENSITY (PROJECTED) 0.3 m3/m2/year (water use reduction of 45% compared to the LEED baseline, including greywater reuse in toilets from water collected on the roof and stored in a cistern)As appeared in the November 2024 issue of Canadian Architect magazineThe post Timber Redux appeared first on Canadian Architect.
    0 Comments 0 Shares 28 Views
  • WWW.CANADIANARCHITECT.COM
    Editorial: Star Specialist
    Calgary Architect Bill Chomik is contributing his expertise to a current redesign for the Heureka Planetarium, in Helsinki, Finland. Drawing courtesy Bill ChomikArchitecture has traditionally been a profession of generalists, but can offer fulfilling opportunities for those who choose to specialize.This was the case for Bill Chomik, a Calgary-based architect who, over the latter half of his career, has become the worlds leading expert in planetarium design.Chomiks foray into this esoteric specialty happened largely by circumstance. In 1993, he was Chair of the Calgary Science Centre Society when the centre needed to upgrade its aging planetarium. Because of Chomiks experience as an architect, he helped write an RFP for retrofitting the building with the new style of planetariuma tilted dome that allowed for upright seats, replacing the original flat dome that required almost fully reclined seats.There were no bids on the RFP: the obvious candidate to take the job would have been the planetariums original designer, Jack Long, but Long had by then become a City Councillor. So, with the support of the Science Centre Society, Chomik resigned from the board, and his 10-person firm took on the project.To complete the design, Chomik consulted extensively with suppliers. He also travelled to Finland to visit the just-opened Hereka Planetarium, by Heikkinen-Komonen Architects.Chomik and colleague Urs Kick studied the new structure from top to bottom, and ultimately used it as a model for the Calgary planetarium.At the grand reopening of the Calgary venue, suppliers approached Chomik saying that he was good to work with, and thatunlike many architects, whose designs undermined the ability of the projectors and other technical elements to perform at their besthe listened to what they had to say about their equipment. Chomik replied, Were Canadians, we listen and deal with everyone around us.A month later, he got a call from Athens: his name was put forward for a new planetarium being built there. He interviewed and got the job. Soon after, he was working on planetariums in Chicago, Guangzhou, Seoul, and San Jose. Although they were never the sole focal point of his practice, the firm took on these projects, and he continued to work on planetariumsone a year or soafter his practice was acquired by Kasian and he became a principal with the larger firm.To date, Chomik has been involved in the design of some 18 completed planetariums, with another 14 projects currently underway. Now retired from Kasian, he is a sole practitioner who works as a consultant to firms leading the design of planetarium-containing venues. In this capacity, Chomik has worked with the likes of I.M. Pei, Ricardo Legorreta, MAD Architects, and Zaha Hadid Studio.His scope now focuses on high-level conceptual design, and Chomik is glad for the opportunity to have a seat at the table, and for the travel his work involves. Id encourage young architects to try and develop a specialization if they want to have an interesting time in the prime of their career, he says. I made it a point 30 years ago to really understand planetariumswhat clients wanted, what technologies were out there to support it, what flaws were out there that should never be repeated againand became a world expert.As appeared in the November 2024 issue of Canadian Architect magazineThe post Editorial: Star Specialist appeared first on Canadian Architect.
    0 Comments 0 Shares 19 Views
  • WWW.CANADIANARCHITECT.COM
    SHIFT2025 Challenge Now Accepting Submissions
    Image credit: The SHIFT Architecture ChallengeTheSHIFT2025 Challengeis officially open for submissions.This biennial Ontario Association of Architects (OAA) awards program is an aspirational ideas competition that aims to highlight the architecture professions distinct contribution to addressing societal issues, with past themes having focused on health, resiliency, and infrastructure.The SHIFT Challenge is open to individuals or teams led by someone who holds an OAA status such as an architect, intern architect, student associate, retired member, or honorary member.All submissions will be reviewed by a special jury of experts from the architecture profession and beyond. The jurors will be introduced in the weeks to come.Selected SHIFT2025 submissions are collected in a special publication and shared online, as well as celebrated at next years Conference in Ottawa.This years theme, Reshaping Communities, asks the profession to explore how they can develop sustainable solutions. From urban revitalization and reconceptualization to adaptations responding to climate change and other emergencies, the competition is seeking conceptual, yet possible, architectural ideas for communities that enable all people to find stability, a sense of belonging, and hope.The submission deadline is January 17, 2025.To learn more, click here.The post SHIFT2025 Challenge Now Accepting Submissions appeared first on Canadian Architect.
    0 Comments 0 Shares 7 Views
  • WWW.CANADIANARCHITECT.COM
    Upcoming webinar to help newcomers in architecture
    Photo credit: TSAInternationally trained architects who are new to Canada are invited to join a special information session with representatives of the Toronto Society of Architects (TSA), the Canadian Architectural Certification Board (CACB) and the Ontario Association of Architects (OAA).The webinar aims to discuss some of the different paths for internationally trained architectural professionals to practice in Canada. Additionally, it aims to help those who may be wondering which paths to practice and where to start when obtaining their licences.It will take place via Zoom on November 6, 2024, at 6:00 p.m. and will cover a wide variety of programs including Accreditation, Academic Certification, and the Broadly Experienced Foreign Architects Program, as well as existing mutual recognition treaties and licensure.Guests will also clarify what a Building Code Identification Number (BCIN) is and its limitations, as well as important regulatory aspects to keep in mind when transitioning their careers to Ontario.This year, the hosts of the session will also be welcoming representatives of The Royal Architectural Institute Of Canada (RAIC) who will share some information about their Syllabus program and whether it might be the right path for participants. The webinar will end with a moderated Q&A session which will provide an opportunity to ask questions.For some resources to consult before and after the session, visit TSAs Resources for Internationally Trained Architectural Professionals.To register, click here.The post Upcoming webinar to help newcomers in architecture appeared first on Canadian Architect.
    0 Comments 0 Shares 23 Views
  • WWW.CANADIANARCHITECT.COM
    RAIC Launches Life Cycle Assessment Training Workshops
    Image credit: RAICThe Royal Architectural Institute of Canada (RAIC) has partnered with the National Research Council of Canada in a one-year rapid-deployment project to train members of the Canadian architectural community.The Canadian built environment is the third-highest source of greenhouse gas (GHG) emissions, and as a result, there is an urgent need to accelerate the knowledge, skills, and competencies of professionals who design buildings in the country. Architects, engineers, and other stakeholders can significantly contribute to the reduction of GHG emissions by understanding and addressing the carbon footprint of buildings. This initiative is important not only for meeting Canadas environmental targets, but also for setting a global example in sustainable building practices. To address this need, the training will be conducted through a high-quality, hands-on case study-based Whole Building Life Cycle Assessment (LCA) curriculum, designed to equip professionals with the tools and knowledge to evaluate the environmental impacts of buildings from conception to demolition.As architects, it is our responsibility to build and design with environmental leadership as an underpinning value and principle. Focused on our purpose to create a better world for all, this partnership with the National Research Council Canada, is one step in the right direction for the building sector to decarbonize at rapid scale and to accelerate the pace of climate action needed for Canada to achieve its 2030 and 2050 targets, said Jason Robbins, FRAIC, past president of the RAIC.Whole Building Life Cycle Assessment provides an estimate of the total GHG emissions associated with a building. This includes emissions due to operations and those associated with the extraction, manufacturing, transport, installation, replacement, and end of service life for products and materials used in a building.The workshop, hosted by the RAIC, is designed for architectural professionals, including licensed architects, interns, technologists, students, and others who want to learn about Life Cycle Assessment and how to reduce embodied carbon in real-life projects. Participants will learn about definitions, methods, targets, and standards, as well as the opportunity to practice with LCA software to implement into practice.These stages contribute a proportion of a buildings whole life carbon emissions. By analyzing these factors, professionals can identify critical areas where interventions can make the most significant impact in reducing emissions.The RAIC is collaborating with Ha/f Climate Design to organize in-person workshops on LCA for practicing industry professionals.The workshops will run until May 2025 in several locations across Canada, including Ottawa, Toronto, St. Andrews, Winnipeg, Regina, Vancouver, Calgary, Halifax, and Montreal. For more information about curriculum, dates, and to register, visit www.raic.org/LCAworkshop.The post RAIC Launches Life Cycle Assessment Training Workshops appeared first on Canadian Architect.
    0 Comments 0 Shares 19 Views
  • WWW.CANADIANARCHITECT.COM
    Op-ed: Move over Santas Workshopthe Ontario Science Centre is coming to your local mall
    While the Ontario Science Centre be reduced to a series of shopping mall pop-ups? Photo from handout, Landmark Mall, Hong KongMost of you have followed the tragic story of the Ontario Science Centres closure this past summer, a remarkable science museum perched atop a ravine overlooking Torontos Thorncliffe Park. An icon of late Modernism designed by architect Raymond Moriyama of Moriyama Teshima Architects, the Centre has been closed since June when the provincial government controversially used an engineers report to falsely justify extensive safety concerns, mostly surrounding the condition of the buildings roof. However, the larger and real reason is far more transactional: the Ford government wants to literally pave the way for several high-rise condominiums to eventually occupy the site. Watch for scandalous land deals in the future as politically well-connected developers secure the rights to build their 50-storey condo towers alongside a future Ontario Line subway stop (ironically named Ontario Science Centre).Before its closure, the Ontario Science Centre (OSC) welcomed approximately 900,000 visitors annually, making it one of Ontarios most visited cultural attractions and playing a vital role in providing interactive science education to a broad audience, including families, school groups and tourists.Until it can be confirmed where and how a permanent OSC will be built (currently, the plans are for it to be located adjacent to the Therme mega spa being proposed at Ontario Place), it was announced this week that the OSC will literally pop-up, at least temporarily. One location will be at Sherway Gardens, a popular regional shopping centre. The second site will be at the Harbourfront Centre. The Sherway Gardens location will feature interactive exhibits like a LEGO skyscraper, where visitors can play with the colourful trademarked bricks to build and learn about skyscraper construction, and Circus!, a popular exhibit exploring the science behind carnival tricks.Meanwhile, Harbourfront Centre will host KidSpark, a crafty, hands-on childrens exhibit. Getting to either location for a little science pop-up will be far more expensive and time-consuming for most parents than visiting the now-shuttered OSC.Photo credit: Cadillac FairviewThis latest OSC-related announcement has been met with mixed reactions, with some supporting the governments decision, presumably believing that any continued access to science education is better than none. Others have criticized the temporary nature of this latest announcementthe LEGO Towers exhibition will be up for less than three months, and the Harbourfront space will only be open until Mayand the potential for decreased accessibility. (OSC staffers were advised that a third temporary location is being considered within an underutilized convention centre somewhere in Mississauga.)But a shopping mall? Why do I feel the pop-up wonders of science at Sherway Gardens will feel more like a Santas Workshop, complete with simplistic, brash interpretation panels with a bravado that could only hope to match the sophistication of a nearby cell phone kiosk? I am depressed by our governments policy to infantilize science education and exploration while treating it as an entertainment sideshow between purchasing $1,500 down-filled winter coats and vanilla-bomb cosmetics. Besides, any good toy store in any decent mall could offer far more genuine opportunities to explore science than a couple of LEGO-filled buckets underneath the banner of the Ford-era mall version of OSC 2.0. I wonder if all of this poorly conceived education-, science-, culture- and innovation-related policy mash-up can possibly be pegged to the brazen arrogance of a single politician? What does this say about our culture, political or otherwise? Those who support the decision believe in continued access to science education. Ontario Infrastructure Minister Kinga Surma emphasizes keeping children engaged and excited about science. Really? Does a 25,000 square foot shopping mall experience replace 325,000 square feet of exhibition space dedicated to experiential learning? Photo credit: Toronto Public LibraryThere is also an argument that these temporary locations may allow the OSC to reach new audiences who may have yet to visit the Don Mills locationan odd argument, simply because the Don Mills site is closed! Why do I feel the argument over accessibility to learning is at the same level of sophistication as what the bookmobiles tried to achieve for literacy and outreach programs (a limited 1970s idea still in operation today)? Furthermore, there are now whole generations of young adults who grew up with the concept of pop-up exhibits and stores. Pop-ups are perfect for selling non-alcoholic cocktail mixes and upscale pet food. But science and innovation? And in a major metropolitan city like Toronto? We can do better.I agree with critics who feel these new locations will reduce the capacity and impact of science education programs. Dividing the OSC between two places combined with the unimaginative and dilutive idea of creating pop-up exhibits will undoubtedly diminish a science exhibits overall effect and scope, no matter how well-designed they may be.And then there is the cost. There was a stated $500 million cost to repair the OSC. As convincingly and eloquently outlined by Elsa Lam in Canadian Architect, the figure should be far less, debunking the Provinces business case. However, the cost of relocations, building temporary exhibitions, and designing a yet-to-be-determined program for the future, which will likely considerably diminish the OSCs exhibition capacity, would far exceed the costs of giving the currently mothballed OSC the love and care it deserves.When learning from other cities experience with science centres, we need not look far for inspiration. Chicagos Griffin Museum of Science and Industry (Griffin MSI), one of the largest science museums in the world, faced significant financial challenges in the early 2000s, but was revitalized through public-private partnerships, becoming a cornerstone of science education in Chicago. The Exploratorium in San Francisco is an excellent example of a museum reinventing itself when it relocated from the Palace of Fine Arts to a bigger waterfront location along the Embarcadero in 2013. Rather than shuttering or downsizing, it doubled down on its mission to inspire lifelong learning through science, transforming both the museum and the visitor experience with a $220 million investment in private donations and grants. Its expansion increased its size to 330,000 square feet of exhibit and public spacecoincidentally, almost the same size as the shuttered OSC. With over 800 interactive exhibits for all ages, it trains hundreds of teachers yearly to improve science education across the US. And receiving 1.1 million visitors annually, the new site also incorporates sustainable design with its net-zero energy building powered by rooftop solar panels. The Exploratorium makes me cry: it is what Toronto would have, if the culture and political climate allowed.The Montral Biodme, designed by KANVA, is another inspiring example of using innovation to transform and elevate an existing science centre. Rather than scaling back, the Biodme enhanced its role as a cultural and educational touchstone in Montreal, starkly contrasting the situation here in Ontario.We are witnessing a hugeand expensivemissed opportunity. Improving the Ontario Science Centre could have followed the MSI, Exploratorium or the Biodme examples. Preserving an important architectural and educational icon, instead of erasing it, represents good math, good science, and good architecture.We should also be mindful of a model of failure: the Center of Science and Industry (COSI) in Toledo, Ohio, which closed in 2007 due to unpaid taxes and a lack of financial support. Why should a city the size of Saskatoon or Windsor be the closest example for what is happening in Toronto? The museums exhibition was a quarter of what comprised the Ontario Science Centre, yet it received a very impressive 200,000 visitors annually. Toronto and Toledo sound too similar.It must be said that science should not just be for children. LEGO and crafty pop-up exhibits infantilize science. Chicagos MSI and the Exploratorium treat their science museums as all-ages civic treasures, not pop-up distractions. In essence, the criticism surrounding the Ontario Science Centres relocation stems from a perceived lack of transparency in the decision-making process, concerns about reduced accessibility, and a potentially diminished educational impact. These criticisms highlight the tension between addressing infrastructure needs and maintaining a vital educational resources accessibility and quality for the public. To see the downgrading of intellectual engagement and public science-related educational resources is maddening. Ian Chodikoff, OAA, FRAIC is a consultant who helps architects with business and leadership development. His substack can be found here.The post Op-ed: Move over Santas Workshopthe Ontario Science Centre is coming to your local mall appeared first on Canadian Architect.
    0 Comments 0 Shares 35 Views
  • WWW.CANADIANARCHITECT.COM
    Deadline nears for Winter Stations 2025
    Winter Stations 2024 entry Nimbus. Image courtesy of Winter Stations.Winter Stations has officially launched its 11th annual design competition and is looking for fresh ideas from the local and international design community.Launched in 2014 by RAW Architects, Winter Stations challenges local and international designers to transform the utilitarian lifeguard stations along Torontos beaches into works of public art. The competition, which attracts thousands of annual visitors, has seen entries from over 90 countries.This years theme is Dawn, which symbolizes a fresh chapter for Winter Stations and its creative journey. It represents the shift from night to day and will explore moments of change that redefine and shape our existence. It will also put a spotlight on the delicate process of shedding old layers to emerge as something new.Dawn aims to embrace the evolving self and endless possibilities of change and transition, whether it be personal, natural, or spiritual, as well as capture the raw beauty of growth and renewal.This year, designers are invited to explore how Winter Stations can evolve, and consider the future of the exhibition and its relationship with the public and the environment. Dawn will challenge designers to explore how Winter Stations can grow in the coming years, and shape the urban landscape in imaginative ways.We are excited to be entering our second decade as an organization and are using this opportunity to re-think aspects of how the Winter Stations are brought into the world, says RAW Design architect and Winter Stations organizer Dakota Wares-Tani. The theme for this years competition is purposefully intended to inspire new ideas and new thinking, and to also consider the second life of these stations as we move towards a model that allows for additional exhibitions throughout the year.The competition is accepting entries until November 4, 2024, at 11:59 p.m. EST. Winners will be announced in early January 2025. There is no fee to enter the competition, which welcomes entries from all around the world. The winning teams will be rewarded $2,000 (CAD).All 2025 installations must be able to withstand the citys winter weather for several weeks along the waterfront. Designs must also consider new technical guidelines that will help facilitate future exhibitions in other parts of Toronto. The built installations will be unveiled on Family Day Weekend, which falls on February 17, 2025.For more information, click here.The post Deadline nears for Winter Stations 2025 appeared first on Canadian Architect.
    0 Comments 0 Shares 19 Views
  • WWW.CANADIANARCHITECT.COM
    NDP leader files complaint to Integrity Commissioner about Ontario Place development
    Ontario Place (Photo credit: World Monuments Fund)NDP Ontario leader Marit Stiles has filed a complaint with the Ontario Integrity Commissioner about the process in which Austrian spa company Therme was chosen to redevelop Ontario Place.In her affidavit to the Integrity Commissioner, Stiles questions the call-for-development of Ontario Place, the evaluation process, and the lease agreement with Therme. Stiles claims that Infrastructure Minister Kinga Surma has shown preferential treatment to Therme during the Ford governments process of partnering with private companies to redevelop Ontario Place. As a result, Stiles is asking for an investigation to indentify whether the infrastructure minister broke ethics laws by choosing Therme as the main proponent for the redevelopment of Ontario Place.Along with the letter, the complaint also includes a nine page-long affidavit, and over 1,000 pages of documentary evidence. The documents reveal that the province is required to provide Therme with 1,600 parking spaces in a planned garage that will have over 2,000 spaceseven though the call for development was explicit in only offering existing parking to applicants. This evidence suggests that Therme received preferential treatment, and its private interests were improperly furthered, as a result of decisions for which Minister Kinga Surma is ultimately responsible, reads the letter.The complaint also cites evidence reported in Canadian Architect that the Provincial government unnecessarily closed the Ontario Science Centre, based on a deliberate misinterpretation of engineering reports about the roof condition.The letter concludes with a request that the office investigate whether Minister Surma breached sections 2 and 3 of the Members Integrity Act.The full letter and affidavit are included below, and the evidence attached to the affidavit can be downloaded at this link.The post NDP leader files complaint to Integrity Commissioner about Ontario Place development appeared first on Canadian Architect.
    0 Comments 0 Shares 30 Views
  • WWW.CANADIANARCHITECT.COM
    Ontario Land Tribunal decides against the preservation of Moriyama landmark
    On Friday October 18, the Ontario Land Tribunal green-lighted the redevelopment of the former Japanese Canadian Cultural Centre, a heritage-designated building designed by the late Raymond Moriyama, at 123 Wynford Drive. The proposed new development is a pair of condo towers, one of which is a 48-storey tower to be located on top of the heritage building.Photo by James BrittainTo accommodate these proposed towers and below grade parking, the developer plans to completely demolish the old Japanese Canadian Cultural Centre and later re-assemble portions of the original building at an elevated grade.The City of Toronto refused the development application, citing the propertys heritage designation. The proposal to demolish the building (with the exception of the north-west concrete pylon) and alter the property, would result in the permanent loss of this significant cultural heritage resource, wrote the Interim Chief Planner and Executive Director, City Planning. The proposal to demolish and re-attach select portions of the original building onto a new tower structure in its former location at a much highergrade would remove the buildings integrity as a whole building and all its interior and exterior heritage attributes as well as alter its placement on the site.Renderings of the proposed development, by Kirkor Architects.The introduction of two tall towers on the site to replace the existing building wouldadditionally result in the removal of a fundamental attribute of the property which is theinextricable relationship the building was designed to have with the landscape andnatural ravine, they added. This would have a considerable negative impact on the original vision for the property and the manner in which that vision is currently expressed.Additional renderings how the proposed re-attachment of a portion of the historic faades to the new buildings.The heritage building, designed by the late Raymond Moriyama and recently renovated by his firm, holds deep cultural, historical and architectural significance. This holds particularly true for Japanese Canadians, who have been advocating for the retention and restoration of the existing structure.Less than 20 years after Japanese Canadians were unjustly incarcerated during the Second World War, the Japanese Canadian community built the JCCC as a living monument to celebrate their ancestry, regain a sense of self-respect and promote friendship with all Canadians through culture, writes the National Association of Japanese Canadians Greater Toronto Chapter. Due to a funding shortfall at that time, 75 community members stepped forward and put second mortgages on their homes and businesses to finance the building.The developer contested City Councils refusal of their application by bringing the case to the Ontario Land Tribunal. In its decision to approve the development plans, the Tribunal wrote: The Tribunal acknowledges the cultural and architectural significance of the existing structure. However, in the absence of any firm alternative plans, it believes that the proposal preserves the importance of the Subject Site. The Tribunal encourages both parties to continue discussions with this goal in mind.It continues: The Tribunal is persuaded by the evidence that the proposal promotes efficient development of land, accommodates a range of appropriate mixed uses, intensifies uses within the settlement area, and contributes to the range of housing options, particularly with the increase in housing options supported by mass public transit as desired by the City.The post Ontario Land Tribunal decides against the preservation of Moriyama landmark appeared first on Canadian Architect.
    0 Comments 0 Shares 38 Views
  • WWW.CANADIANARCHITECT.COM
    Spirit Garden opens at Nathan Phillips Square in Toronto
    Photo credit: Tom ArbanOn September 30, 2024, the National Day of Truth and Reconciliation, the Spirit Garden opened at Nathan Phillips Square, after 7 years in development. More than 100 residential school survivors became the first to walk in the space alongside Indigenous community members, Mayor Olivia Chow, The Honourable Edith Dumont, Lieutenant Governor of Ontario and Deputy Prime Minister Chrystia Freeland.The Spirit Garden was designed by Gow Hastings Architects and Two Row Architect as a new permanent space to honour residential school survivors and all the children who were lost to their families and communities. It will also honour the diversity of First Nations, Inuit and Mtis cultural traditions.The gardens design centres around a six-foot-tall limestone Turtle sculpture by Anishinaabe artist Solomon Kin, placed in a reflecting pool. It symbolizes the First Mother, a commonality of creation stories for many Indigenous peoples. As the Turtle climbs over a boulder, it represents the strength and resilience of residential school survivors, a process introduced originally as the Restoration of Identity.The fully accessible site also includes a Two Row Wampum path, a Voyageur canoe, an Inukshuk, A Tree of Peace, a Three Sisters illustration on metal, and a timber-frame Teaching Lodge.The Spirit Garden is dedicated to Indigenous history and culturethe first public space built in a Canadian capital city to honour those impacted by the Residential Schools program and to directly respond to the Truth and Reconciliation Commissions Action 82.Nathan Phillips Square was selected by the City of Toronto, in partnership with the Toronto Council Fire Native Cultural Centre, as a publicly accessible, highly visible location to celebrate the resilience of survivors and their families with space for teaching, learning, sharing and healing. The garden serves as a space for contemplation, gatherings and spiritual ceremonies, and is open to all people seeking connection and understanding.The post Spirit Garden opens at Nathan Phillips Square in Toronto appeared first on Canadian Architect.
    0 Comments 0 Shares 48 Views
  • WWW.CANADIANARCHITECT.COM
    TMU exhibition to celebrate milestones and reflect on the past
    Image credit: TMUIn 2024, TMUs Department of Architectural Science is celebrating 75+ years of architectural education; 50+ years of degree-granting; and 15+ years of graduate studies.To celebrate these milestones, the public is invited to attend an exhibition, launched with an evening of recollection and reimagining.The DAS Bash Exhibition, which will open on October 24, 2024, will feature an interactive timeline of the Department from 1948 to the present. It will highlight accomplishments and transformations, and tell stories of DAS people, places, programs and provocations.Additionally, it will feature a giant model of the Architecture Building (1:25 scale) constructed as a DAS Dream Machine, memory theatre and dynamic apparatus to collectively assess and envision the Departments physical, pedagogical and performative potential.This exhibition is a living work in progress to which alumni and the DAS community are invited to contribute throughout the show.Distinguished alumni from the 1980s to 2010s will also share current work and reflect on their journey from DAS to where they are now, through fast-paced Pecha Kucha format presentations.Those who attended DAS and have stories or work to share are encouraged to do so. The contributionswhich could be a story, project, or image of social life or design workwill be integrated into the DAS Bash Exhibition.For more information, click here.The post TMU exhibition to celebrate milestones and reflect on the past appeared first on Canadian Architect.
    0 Comments 0 Shares 50 Views
  • WWW.CANADIANARCHITECT.COM
    Upcoming book launch to accompany exhibition exploring Ontario Science Centre
    TOO FUN Publication Leala Hewak 1080The launch of TOO FUN, a large-scale photo book accompanying the multimedia exhibition of the same name by Toronto-based photographer and conceptual artist, Leala Hewak, will be taking place on October 24, 2024.TOO FUN explores Raymond Moriyamas brutalist masterpiece, the Ontario Science Centre (OSC), through 150 photographs of Hewaks family outings to the doomed playhouse in the months before it closed. The book also features text excerpts from Moriyamas own design notes anticipating the creation of the OSC in 1969.The potential destruction of the Ontario Science Centre, a building Hewak has been visiting for years, impelled her lens-based survey of the building and the people who use it, reads Urbanspace Gallerys website.I heard the Ontario Science Centre was in danger, so I rushed to capture its joys just in time, said Hewak in an article featured in the Toronto Star back in June.The exhibiton is supported by Canada Council for the Arts. The book launch event will take place from 5:00 p.m. to 8:00 p.m. on Thursday, October 24, at the Urbanspace Gallery in Toronto.Admission to the gallery is free.For more information, click here.The post Upcoming book launch to accompany exhibition exploring Ontario Science Centre appeared first on Canadian Architect.
    0 Comments 0 Shares 52 Views
  • WWW.CANADIANARCHITECT.COM
    Prairie Design Awards submission deadline approaching
    National Music Centre in Calgary, Alberta, by Kasian Architecture Interior Design and Planning Ltd. and Allied Works Architecture. 2022 Prairie Design Award winner Award of Excellence.Submissions are still being accepted for the 2024 Prairie Design Awards.Every two years, The Alberta Association of Architects, The Saskatchewan Association of Architects, and The Manitoba Association of Architects celebrate those setting new standards of creativity and skill in architecture and interior design. Since its inauguration in 2000, this collaboration has been recognizing design excellence. Two types of awards may be awarded: an Award of Excellence and/or Award of Merit.This year, there is a new category: the Equity Award, which recognizes projects that create positive social change through high ideals and ethical standards, social inclusion, cultural responsiveness, and promotion of human health, well-being, and resiliency. Categories for Recent Work, Interior Design, Landscape Architecture, and Small Projects will also be included.The awards will be presented at an in-person event that will be hosted by the SAA in Regina at the Mackenzie Art Gallery on November 29, 2024, in conjunction with the exhibit Spring on the Prairie: Kiyoshi Izumi and the Work of Izumi Arnott and Sugiyama.Entries are due by noon CDT, on October 25, 2024. Submissions can be made online through this website.For more information, click here.The post Prairie Design Awards submission deadline approaching appeared first on Canadian Architect.
    0 Comments 0 Shares 51 Views
  • WWW.CANADIANARCHITECT.COM
    Perkins Eastman announces promotion of 5 Canadian staff members
    Photo credit: Perkins EastmanGlobal design firm Perkins Eastman has announced the promotions of 80 members of its staff this year, four of whom are in the Seattle-Vancouver studio and one in the Toronto studio.Each of these individuals has made contributions to the firm and are being recognized for their collective hard work, inventiveness, and talent.Our PEople are at the heart of Perkins Eastman and represent the very best of our Human by Design ethos, said Shawn Basler, AIA, co-CEO and executive director of Perkins Eastman. Every day, the talented teams in our studios across the globe work in tandem to design inspiring projects that enhance the lives of people and the planet. Its humbling to watch their passion, creativity, and dedication day after day, and we couldnt be more thrilled to celebrate them.Perkins Eastman has announced that Anne Lissett, LEED AP BD+C, is now an associate principal. Lissett brings her passion for design excellence, social equity, and sustainable design, along with over 20 years of architecture and design expertise, to grow the portfolio of the firms Vancouver studio with family-friendly and affordable senior housing.The firm has also shared that Parker Ammann, Roberto Contreras-Loreto, and Damola Michael in the Seattle-Vancouver studio, and Hanna Negami in the Toronto studio, are now associates.Perkins Eastman thanks each of them for their hard work and recognizes their valuable contributions.The post Perkins Eastman announces promotion of 5 Canadian staff members appeared first on Canadian Architect.
    0 Comments 0 Shares 25 Views
  • WWW.CANADIANARCHITECT.COM
    Upcoming BEAT Leadership Seminar to focus on technical women in architecture
    Image credit: Building Equality in Architecture Toronto (BEAT)Registration is open for the Building Equality in Architecture Toronto (BEAT) Leadership Seminar, which will be taking place on Saturday, November 9, 2024. The day-long event, which includes a morning panel discussion and optional afternoon break-out sessions and tours, will focus on technical women in architecture. Registration is a sliding scale from $10-20, including lunch.The bi-annual seminar is dedicated to exposing students and young practitioners to leaders in the architectural profession. The seminar speakers are women who have established careers in architecture, landscape architecture, and interior design. The event aims to showcase the breadth of the profession and how to navigate a career in the built environment.The upcoming event will feature five women who have developed in-depth technical knowledge and will share about their career journeys. They include:Dima Cook, principal and director, EVOQ ArchitectureKendra Kusick, project manager, Teeple ArchitectsOlivia Keung, associate, Moriyama Teshima ArchitectsSophie Tremblay, associate, LGA Architectural PartnersJennifer Davis, strategic business development lead and project manager, WZMH ArchitectsThe panelists will explore how pursuing technical specialties can lead to a rewarding and fulfilling career in architecture.Following the morning panel discussion and a catered networking lunch, attendees will be invited to participate in afternoon tours with individual panelists. While all are welcome to attend, the event extends a special invitation to recent graduates and women.The event will be moderaed by Davis and welcoming remarks will be made by Sonia Ramundi (principal, IAH Architects, and advisory member and past executive chair, BEAT).The seminar will take place on Saturday, November 9, 2024, from 9:30 a.m 4 pm, at T3 Bayside on Torontos waterfront.For more information and to register, click here.BEAT is a volunteer-run organization made up of architects, designers, leaders, and entrepreneurs creating opportunities for community-building, advocacy, networking, and mentorship. The organization believes that empowering women in the design community improves and enriches the practice of architecture, the quality of the built environment, and ultimately, the human experience.The post Upcoming BEAT Leadership Seminar to focus on technical women in architecture appeared first on Canadian Architect.
    0 Comments 0 Shares 63 Views
  • WWW.CANADIANARCHITECT.COM
    Winners announced for ideas competition to reimagine Montreals incinerators
    Hritage Montral and its Emerging Talent Committee recently announced the winning proposals of the third edition of their ideas competition, focused on repurposing the citys historic incinerators.The Hritage Montrals Charette aims to highlight a vulnerable heritage site and propose redevelopment scenarios that respect the principles of excellence put forward by Hritage Montral. This is a multidisciplinary ideation exercise, the only constraint being respect for heritage.From September 5 to 15, 2024, the next generation confronted not one, but two sites proposed in this edition of the competition: they were challenged to rekindle the flames of the Carrires and Dickson incinerators.The awards ceremony took place on October 3, 2024, at Espace Ville Autrement.The winning projects include the following.First Jury Prize Contes de ce qui persistePhilippe Tremblay and Maude LefebvreThe Montreal skyline from the quiet zone of the DECA urban temperate park on a bright September morning. First Jury Prize Contes de ce qui persiste by Philippe Tremblay and Maude LefebvreContes de ce qui persiste proposes to rethink the City of Montreals waste management network by bringing together three major sites. The Carrires incinerator becomes a waste treatment training center, accompanied by a heating network and an urban park on its roof. The Dickson incinerator is a snow dump feeding a cooling network. The Francon quarry is converted into an urban park, reads Hritage Montrals website.Second Jury Prize Artfacts des Possiblestienne Genest and Christopher MaloufSecond Jury Prize Artfacts des Possibles by tienne Genest and Christopher MaloufArtfacts des Possibles proposes a light intervention based on the current state of urban ruin in which the Carrires incinerator finds itself. Suggesting an architectural stroll, it turns the incinerator and its surroundings into a space for exploration and reflection, fueled by the material traces of the various metabolic functions that have marked the sites history, reads Hritage Montrals website.Audience Award Bain des CarriresJrme Blanger, Eva McSweeney and Cdric VzinaAudience Award Bain des Carrires by Jrme Blanger, Eva McSweeney and Cdric VzinaAlong with the jurys selection of prizes, the public was asked to vote for their favourite proposal between September 24 and October 1. More than 450 votes were cast during this period. Almost a fifth of the publics votes went to the Bain des Carriresproject, which proposed the creation of a soap factory, fragrant flower gardens and public baths in the Carrires incinerator.Special Jury Mention ImprissableJeanne Pelletier and Mlanie LembregtsSpecial Jury Mention Imprissable by Jeanne Pelletier and Mlanie LembregtsOf all the proposals submitted by up-and-coming architects, two tied for the jurys special mention for their strong, nurturing themes with universal appeal, and their reflection on the publics involvement in their program. The proposal entitled Imprissable won the jurys attention for its clear approach to transforming the site through gentle industrialization, while taking advantage of the qualities of standardization and the potential for replication of the solution of prefabricated greenhouses aided by abundant technology, reads Hritage Montrals website.Special Jury Mention Quest-ce qui mijote?Xavier Saint-Jean, Jolle Ttreault and Laurne SmithSpecial Jury Mention Quest-ce qui mijote? by Xavier Saint-Jean, Jolle Ttreault and Laurne SmithThe proposal entitled Quest-ce qui mijote? approaches the site under various cycles of transformation and use of space, detailing a poetic approach to odors and the social character of food, while addressing a gradual transformation of the site. Its neighborhood-wide approach, combined with the theme of cooking by and for all, roots the new program in its site.The proposals resulting from this exercise are intended as sources of inspiration, with the aim of providing food for thought and encouraging discussion.For more information, click here.The post Winners announced for ideas competition to reimagine Montreals incinerators appeared first on Canadian Architect.
    0 Comments 0 Shares 70 Views
  • WWW.CANADIANARCHITECT.COM
    Design competition launches to reimagine former airport runway
    Rendering of the proposed pedestrian street along the former runway framed by mid-rise development with a variety of activities occurring along its length including outdoor dining, children playing and people strolling. Credit: Northcrest DevelopmentsNorthcrest Developments has launched a global design competition for the Runway at YZD in Toronto, formerly home to the historic Downsview airport.The YZD Runway Design Competition will ask cross-disciplinary design teams to transform the 2-km airstrip into a key centerpiece for the future series of mixed-use communities across the expansive 370 acres.Rendering of a public square in the higher density transit nodes of the plan. Credit: Northcrest DevelopmentsThe competition will also task global design teams, led by a registered landscape architect, with developing a holistic set of design guidelines for the runway which will shape its future and inform how it connects and interacts with the sites neighbourhoods.The Runway at YZD is envisioned as an unparalleled outdoor experience with a pedestrian-focused and publicly-accessible corridor that will become a destination for visitors to experience its creative public spaces.Rendering of a proposed broad underpass below the rail corridor including a public street but primarily illustrating a generous open space connection to Downsview Park providing habitat, stormwater and open space connections below the rail corridor. Credit: Northcrest DevelopmentsThe former airstrip links the seven complete communities at YZD, and will also be animated by community uses, public amenities, and recreation opportunities for the 55,000 residents and 23,000 workers that will eventually live, work and visit the site.This competition presents an extraordinary opportunity for design teams to make their mark by reimagining a cherished piece of Torontos industrial heritage into a world-class, public space where people can gather, explore, and enjoy, said Kristy Shortall, senior vice president of Development at Northcrest Developments. The Runway is the heart of YZD, and it embodies our ambitions of creating complete communities that are vibrant, sustainable, and connected. Were excited to see the level of talent and creativity that will emerge to help bring this vision to life.Hangar District Ancaster West Rendering. Credit: Northcrest DevelopmentsAward-winning urban designer, city-building advocate, and authorKen Greenberg will chair the competition jury, alongside other design, development, and placemaking experts.The Runway at YZD reflects a growing understanding that reusingrather than demolishingoutdated urban infrastructure can become a great source of identity and uniqueness for successful neighbourhoods, said Greenberg. YZD is an incredible city-building opportunity for not only Toronto, but North America, and the Runway will set the tone for much of whats to come.The competition will consist of two phases. The first one will see global design teams submit Expressions of Interest. For phase two, Northcrest Developments will issue closed Requests for Proposals to shortlisted teams. Once selected, the winning team will start work on the YZD Runway Design guidelines in Q3 2025.Hangar District Atrium Rendering. Credit: Northcrest DevelopmentsFor many years, Northcrest has implemented a Meanwhile Use strategy, activating several areas of the site with free community-focused events, pop-ups, partnerships with local businesses and arts, and other cultural and recreation opportunities. These include the annual Play on the Runway, Hangar Skate, and Tee Up Downsview, a public art-infused mini golf experience. The recently opened YZD Experience Centre and Plaza has transformed the Bay 12 Hangar into a hub designed to educate the public on the future of YZD, alongside various activities.Our Meanwhile Use strategy has been instrumental in turning YZD into a vibrant community by opening this historically closed space and welcoming the public in. From our perspective, its a preview of the inclusive community were shaping, with the Runway poised to be a key magnet in the future. These actiations are just the begining of what YZD and, critically, the future Runway will offer as a destination for residents and visitors alike, said Shortall.For more details about the YZD Design Competition, visit yzd.ca/runwaydesign. Submissions for Expression of Interest are due at 11:59 p.m. EST on November 22, 2024.The post Design competition launches to reimagine former airport runway appeared first on Canadian Architect.
    0 Comments 0 Shares 70 Views
  • WWW.CANADIANARCHITECT.COM
    Newly-Designed Healthcare Centre in Toronto Combines Indoors and Outdoors
    Photo credit: Doublespace PhotographyWest Park Healthcare Centre, founded in the early 1900s, has played an important role in the western Greater Toronto Area (GTA) care community, providing rehabilitation services and care after lifealtering illnesses or injuries, such as lung disease, amputation, stroke, and traumatic musculoskeletal injuries.A new 730,000 sq. ft. ambulatory care centre, designed by CannonDesignandMontgomery Sisam Architects, is the latest addition to the historic site. The new centre, which replaced a series of aging hospital buildings, was created to meet the evolving needs and set new standards in rehabilitative care through its patient-centred philosophy and the use of nature as a healing ground.Photo credit: Doublespace PhotographyThe design of the new facility features the intersection of emotional and therapeutic healing and recognizes that recovery is not just a physical process but also one that must address the emotional, psychological, and spiritual well-being of patients. As a result, the facility incorporates elements of nature both inside and outside the building to foster a holistic healing environment.Photo credits: Laura PetersThe centre also features outdoor spaces, such as sensory gardens, fitness trails, and meditation areas, while the inside features natural materials, abundant light, and expansive views throughout the building.Terraces on each floor also offer outdoor spaces for therapeutic activities, family gatherings, and personal reflection. Each patient room features operable windows positioned at a low height to promote natural ventilation and allow patients to look outside.Photo credit: Doublespace PhotographyThe new facility has three interconnected wings; one dedicated to outpatient services and two to inpatient care. The building exterior reflects West Parks rich natural heritage through the use of wood-look soffits, aluminum and copper-zinc alloy cladding, brick, and stone.Photo credits: Laura PetersA few other unique design elements include a fireplace lounge, spiritual care centre, therapeutic pool, rooftop garden, and unique art pieces that were donated to the hospital.The post Newly-Designed Healthcare Centre in Toronto Combines Indoors and Outdoors appeared first on Canadian Architect.
    0 Comments 0 Shares 88 Views
  • WWW.CANADIANARCHITECT.COM
    New Building Material Exchange program launches on Vancouver Island
    Light House, an organization focused on advancing circular practices in the built environment,hasannounced the launch of the Building Material Exchange program (BMEx).BMEx was created with an aim to help reduce waste management costs as well as the amount of construction materials that end up in landfills.Through the BMEx program, businesses in and around Nanaimo, Victoria, Cowichan Valley, Duncan and the surrounding islands with excess, unused, or salvaged building and/or design-related materials, are matched with others in need of resources to begin or complete projects.BMEx is for any business in South or Central Vancouver Island that has a surplus of building or design-related materials they dont need, said Gil Yaron, managing director, Circular Innovation, Light House. Their perfect match is out there a local business or organization that is seeking more affordable materials. Through BMEx, were making these connections possible while reducing landfill costs and creating an opportunity for paired businesses to get their hands on high-quality, raw materials for a fraction of virgin material costs.We are excitedfor theconnections thatwill be made andthe positive environmental impact we expectBMExwill have.Materials accepted through theBMEx program include concrete, aggregates, asphalt, metal, wood, glass, carpet, doors, flooring, drywall, and fixtures.The program is free tosign upand participate in and is funded by the Regional District of Nanaimos Zero Waste Recycling Fund, the Capital Regional District, and the Cowichan Valley Regional District.South and Central Vancouver Island businesses that are interested in learning more aboutBMEx or who would like to get involved, are encouraged to attend or participate in BMEx Challenge events in Victoria and Nanaimo next month. Both BMExChallenge events are free to attend and are presented by Coast Capital Savings.Additionally, there will be an opportunity for eight businesses to pitch to an audience of local community members, investors, and innovators about a challenge they are facing related to incorporating circular economic principles into their operations or products.TheBMEx Challenge events will be similar to Dragons Den or Shark Tank, but with a focus on circularity, said Yaron. The audience can offer up possible solutions to unwanted materials, and they are also invited to meet one-on-one with the pitching companies to establish partnerships.At the Nanaimo Challenge, Habitat for Humanity Mid Vancouver Island Executive Director Jeff Krafta will share his idea to establish a physical hub for the receiving and resale of excess and salvaged building materials. The Material Exchange Hub will expand Habitats offerings to include a full range of building materials, including wood, siding, roofing and gutters.This physical hub will also aim to help fill a gap in the exchange community for those who have occasional and inconsistent amounts of materials to offload. At the Challenge, Habitat aims to connect with local contractors interested in using the Exchange Hub as well those interested in donating extra materials from job sites.Later this fall, BMExparticipants will also have access toBMEx Marketplace, an online platform designed to exchange, donate, or acquire excess, unused, or salvaged building and/or design-related materials.TheBMEx Marketplace will include acustominterface for those involved with building materials so they can list materials they have and find what they need fast, said Yaron.The online community will be vetted to ensure confidence in the exchange materials and partners, with detailed product profiles so users have access to more information about materials they are sourcing. A resource hub will also be included that will include educational content like articles, guides, and best practices on sustainable construction, material reuse, and waste reduction tips.To learn moreaboutBMEx, click here.The post New Building Material Exchange program launches on Vancouver Island appeared first on Canadian Architect.
    0 Comments 0 Shares 85 Views
  • WWW.CANADIANARCHITECT.COM
    SvN Architects + Planners Appoints New Principals
    Top row from left to right: Ana Espinosa, Gerardo Paez Alonso, Laura Sellors. Middle row from left to right: Michael Matthys (Planning Lead), Kelly Graham (Senior Associate), Kevin Hurley (Senior Associate). Bottom row from left to right: Lucy Cui, Ana Morodo, Daniela LeonSvN Architects + Planners (SvN) has announced the promotion of Ana Espinosa, Gerardo Paez Alonso, and Laura Sellors to principals, alongside several internal promotions throughout the firm.With this strengthened leadership team, SvN will continue delivering community-focused solutions that contribute to the well-being of cities across the globe.Ana, Gerardo, and Laura have already brought extensive knowledge and expertise to our team, and Im pleased to welcome them as our newest Principals, said Drew Sinclair, managing principal, SvN Architects + Planners. With SvN continually pushing the boundaries of design and community development, these promotions will strengthen our ability to tackle the evolving challenges of urban development. This group has played a pivotal role in expanding our work across disciplines and regions, shaping strategic approaches and delivering forward-thinking, regenerative solutions.As director of Latin America, Espinosa draws on her experience in landscape architecture and urban design and has been an important part of building SvNs Mexico City office. She has led multidisciplinary teams on various projects, such as the Culiacan River Revitalization Master Plan and the Regional Tourism Action Plan for the State of Sinaloa.Paez, who leads SvNs landscape architecture team, brings almost two decades of experience integrating urban design and engineering infrastructure with landscape architecture. He has worked in both the private and public sectors, and led the development of Vaughans new downtown parks and open spaces.Sellors joined SvN in October 2023 as the firms first chief growth officer. For over 20 years, she has shaped and led creative firms across various industries, including software startups, advertising agencies, experiential design companies, and now SvN.In addition to the new principals, SvN has promoted Michael Matthys to planning lead, while Kelly Graham and Kevin Hurley have been promoted to senior associate roles.With over 11 years of leadership experience, Matthys expertise in land use planning and urban design focuses on creating livable and inclusive communities.Graham brings experience in collaborating with public and private sector clients on projects ranging from site development approvals to master planning and public sector policy development.Hurleys focus on integrated transit-oriented development is driven by his commitment to creating sustainable and inclusive communities that contribute to the transition toward a low-carbon future.SvN has also announced several internal promotions as part of its continued growth. The firm is promoting Lucy Cui, Ana Morodo, and Daniela Leon to associate positions.The post SvN Architects + Planners Appoints New Principals appeared first on Canadian Architect.
    0 Comments 0 Shares 86 Views
  • WWW.CANADIANARCHITECT.COM
    Canadian projects among CTBUH Annual Awards winners
    Several Canadian projects are among the winners of this years Council on Tall Buildings and Urban Habitat (CTBUH) Annual Awards.The CTBUH Annual Awards program recognizes projects, practices, and individuals that have made contributions to the advancement of tall buildings and urban environment, and that achieve sustainability and human well-being at the highest level across 15 categories.Award-winning projects are recognized at the annual CTBUH International Conference, where Award of Excellence winners in each category present their projects to an international audience and live juries.The objective is to deliver a comprehensive and sophisticated view of these important buildings, spaces, actions, and technologies, while advocating for improvements in every aspect of their performance, especially those that have the greatest impact on the people who use them each day, reads CTBUHs website. This means that the buildings highlighted are often not the tallest in a given year, but represent the best qualities and innovations in the typology.The Council on Tall Buildings and Urban Habitat began its annual awards program in 2002 with the creation of the Lynn S. Beedle Lifetime Achievement Award, and later added the Fazlur R. Khan Lifetime Achievement Award in 2004. Recognition of team achievement in tall building projects began in 2007 with the introduction of the Best Tall Building suite of awards.The awards program has continued to expand to address specific industry developments and recognize buildings, innovations, and individuals that are pushing the industry forward.The following are the Canadian winners of Awards of Excellence in this years edition of the program.Best Tall Building, by Height, 100-199 meters8 Spadina at The Well by Hariri Pontarini ArchitectsToronto, Canada8 Spadina at The Well, Toronto, Ontario, Hariri Pontarini Architects. Photo: doublespace photographyBest Tall Building, by Height, 200-299 metersM1 & M2 by CORE ArchitectsMississauga, CanadaM1 and M2 buildings, Mississauga, Ontario, by CORE ArchitectsBest Tall Building, by Region, AmericasCIBC Square I by WilkinsonEyreToronto, CanadaCIBC Square I, Toronto, by WilkinsonEyre. Photo credit: James BrittainBest Tall Building, by Region, AmericasSickKids Patient Support Centre by B+H ArchitectsToronto, CanadaSickKids Patient Support Centre Toronto by B+H ArchitectsUrban Habitat Award Concord CityPlace by Page + Steele / IBI Group ArchitectsToronto, CanadaConcord CityPlace, Toronto, Page + Steele / IBI Group ArchitectsFuture Project AwardCentre Block Rehabilitation by by HOK, Inc.Ottawa, CanadaParliament of Canada, Parliament Hill Centre Block, Ottawa, by HOK, Inc.Innovation AwardLimberlost Place Mass Timber Structure and Prefab Envelope System for Tall Institutional Building by Moriyama & Teshima Architects with Acton Ostry ArchitectsToronto, CanadaStructure AwardLimberlost Place by Moriyama & Teshima Architects with Acton Ostry ArchitectsToronto, CanadaLimberlost Place at George Brown College Moriyama Teshima Architects and Acton Ostry ArchitectsBest Tall Building, by Height, Under 100 metersBoston University Center for Computing & Data Sciences by KPMB ArchitectsBoston, MassachusettsBoston University Center for Computing & Data Sciences. KPMB Architects. Photo credit: Tom Arban photogrpahyThe following are other Canadian winners from this years edition of the program.Equity, Diversity & Inclusion AwardDiversifying the Talent Pipeline (Turner Construction Company)Equity, Diversity & Inclusion AwardEquitable Transit Oriented Development Strategy Study (Perkins & Will)For more information and to view the full list of winners, click here.The post Canadian projects among CTBUH Annual Awards winners appeared first on Canadian Architect.
    0 Comments 0 Shares 110 Views
  • WWW.CANADIANARCHITECT.COM
    Aurora Town Square celebrates grand opening
    Outdoor plaza (Photo credit: Town of Aurora)Aurora Town Square, which recently opened on September 21, 2024, is a community facility and outdoor square located in the heart of downtown Aurora by RAW Design.Aurora Town Square is the Towns largest capital project and is a key component of its downtown revitalization. The Square was designed with an inclusive and sustainable focus that was deeply rooted in Auroras rich history.Front entrance (Photo credit: Town of Aurora)The Town Square offers a variety of amenities aimed at enhancing community life and bringing more opportunities for culture and heritage to the Town. The 29,000 square-foot outdoor community space includes a skating loop with an overhead catenary lighting system for the winter. During warmer months, an interactive water feature and Amphitheatre will aim to be the hub for community gatherings, events, and performances.While this smaller municipality is known for its recreation facilities, it is trying to foster an arts and culture ecosystem and provide community members with access to world-class arts and culture outside of Toronto.Atrium (Photo credit: Town of Aurora)A 32,000 square-foot addition to the Church Street School creates a new Cultural Centre and Museum for the town. The renewed facility includes a flexible Performance Hall that seats up to 250 guests, along with several multi-purpose arts programming spaces. The Aurora Museum & Archives is housed within a permanent, environmentally controlled, artifact collection space.Atrium (Photo credit: Town of Aurora)The year-round connectivity provided by the Treasure Hill Bridge aims to ensure that visitors have access to the Aurora Public Library and the new Museum and Cultural Centre at any time.Aurora Town Squares partners include the Aurora Cultural Centre, Aurora Museum & Archives, and Aurora Public Library. These partners operate independently yet collaboratively, enhancing the opportunities for arts and culture in Aurora.Bridge Interior (Photo credit: Town of Aurora)The opening event marked the beginning of several weeks of Grand Opening celebrations, featuring live performances, interactive workshops, activities, programs, and exhibits, that will continue until October 13, 2024.The post Aurora Town Square celebrates grand opening appeared first on Canadian Architect.
    0 Comments 0 Shares 109 Views
  • WWW.CANADIANARCHITECT.COM
    New Arthur Erickson film headlines ADFF Vancouver
    Arthur Erickson: Beauty Between the Lines (Image credit: ADFF Vancouver)The Architecture & Design Film Festival (ADFF) is returning to the VIFF Theatre in Vancouver next month to deliver five days of global contemporary cinema about architecture and design.The ADFF: Vancouver opening night film at the Hollywood Theatre is the B.C. premiere ofArthur Erickson: Beauty Between the Lines, a documentary about Vancouver architect, Arthur Erickson.The film showcases his structures and includes revelations of the man behind the story, as well as the personal relationships that shaped his life and work.The film was made with access to the Erickson Family Archives as well as with the full cooperation of the family, and features never-seen-before archival footage and imagery. Both the Friday night and Saturday screenings will be followed by a Q&A panel discussion with the films producers/directors Ryan Mah and Danny Berrish of Black Rhino Creative.Image credit: ADFF VancouverThis years edition of ADFF Vancouver will also feature a screening of two environmental films; Biocentrics, which is about biomimicry and Janine Benyus, and Green Over Gray, a journey through Emilio Ambaszs poetic buildings.Other films that will be featured include This Is Not A House, from Academy Award winning director Morgan Neville,Sitting Still, which profiles landscape architecture and urbanist Laurie Olin, and Where We Grow Older, which asks how two different cities care for their aging populations.Several films will be followed by panel discussions that will feature high-profile speakers and special guests organized in collaboration with the Vancouver Urbanarium Society.Each year we screen over 350 films to uncover the most compelling and beautiful stories. Our goal is to entertain, educate, and foster community around the love of architecture and design. This year many of the films shed light on the singular genius of people who were challenged to fight the status quo and stay true to their vision to leave a lasting impact, said ADFF founder and director Kyle Bergman, AIA. Its been a real joy to put this lineup togetherone of the best weve ever had.ADFF Vancouver will take place from November 6 to 10, 2024. The Festival will then continue with ADFF: LA from November 19 to 23, ADFF: Mumbai from January 9 to 12, 2025, and ADFF: Chicago from January 29 to February 2, 2025.For more information about ADFF Vancouver, click here.The post New Arthur Erickson film headlines ADFF Vancouver appeared first on Canadian Architect.
    0 Comments 0 Shares 112 Views
  • WWW.CANADIANARCHITECT.COM
    Northcrest Developments unveils YZD Experience Centre and Plaza
    Photo: Garcia CreativeNorthcrest Developments has announced the grand opening of the YZD Experience Centre and Plaza in Toronto, Ont.As part of the transformation of the Bay 12 hangar space, the YZD Experience Centre and Plaza will form part of the heart of this community hub located on the former Downsview Airport lands, and will feature an Art Walk, weekly events and spaces for play.Following several years of engagement with local communities and stakeholders, the hub is set to become a welcoming destination for connection and creativity.The 16,150 sq. ft. Experience Centre aims to provide an immersive experience that invites the public to explore the vision for YZD; a historic $30-billion transformation of the former Downsview Airport lands, while the Plaza will offer visitors opportunities to play, create and socialize.The centre also provides visitors with an overview of this generational city-building opportunity, which includes seven new neighbourhoods, and is set to welcome more than 55,000 residents as well as create employment for 23,000 people.Photo: Garcia CreativeA highlight of the Centre is the Community Hall, a multipurpose space that aims to address the need for accessible community spaces. The Community Hall can accommodate a range of activities, including meetings, informal gatherings, education and fitness.Opening alongside this space is a free weekly event and programming series, Weekends at YZD, that will feature a regular schedule of events, programs and pop-ups.The Experience Centre extends outdoors with the Plaza, which offers a rotation of activities, art and playscapes. Current installations include playscapes designed by Montreal-based Future Simple Studio, such as a modular canopy structure with swings for the fall season, a 3,900 sq. ft. colourful mural by Toronto artist Jacquie Comrie, free art-inspired mini-golf, outdoor games, and more.For the past several years, weve connected with thousands of people through formal meetings, townhalls, and various activations and pop-up events. A consistent theme has emerged: there is a genuine need for accessible, communal spaces. Prior to the extraordinary public spaces that will be delivered as part of the redevelopment, The Experience Centre and Plaza will address that need, fostering a community hub at YZD from the very beginning. Were so excited to now have a dedicated space where we can provide even more free programs and activities, creating a community well before development begins, said Mitchell Marcus, executive director of site activation and programming for YZD.Photo: Garcia CreativeThis Fall, the Plaza will temporarily showcase various Winter Stations installations, a collection of four large-scale, interactive public art pieces that were on display in Torontos east end as part of the festival this past winter.Among the Plazas outdoor offerings is YZDs Art Walk, which is made up of art exhibitions and murals, beginning in and wrapping around the Experience Centre. These installations offer a large-scale art experience, and showcase local talent.Photo: Garcia CreativeThe work of creative placemaking is not new, said Marcus. Yet this is possibly the first time that it is being executed at such scale and for such a lengthy period, on pre-developed lands with a direct trajectory towards a future community. We believe that if we work with the public to shape the soul of the destination before development even begins, we will collectively create a great place for generations to come.Alongside Weekends at YZD, the site has hosted events such as a celebration of dance, music and storytelling called R.A.V.E. as part of Luminato, Play on the Runway, a Pride Month-themed drive-in movie experience, winter skating and more.The post Northcrest Developments unveils YZD Experience Centre and Plaza appeared first on Canadian Architect.
    0 Comments 0 Shares 137 Views
  • WWW.CANADIANARCHITECT.COM
    Twenty + Change: COMN Architects
    COMNs first built work, Semi Semi, consists of two 1,000-squarefoot semi-detached homes nestled onto a site near Torontos Greektown. One serves as the firms residence and studio, and the other is used for long-term rental accommodation. Photo by Doublespace PhotographyThe founders of Toronto-based COMN aimed to make a splash when they set up their firm, choosing as their inaugural project a multiplex they developed for themselves. The so-called Semi-Semi occupies a tight 16-by-78-foot corner lot in Torontos east end. Instead of a detached home, Clarissa Nam and Peter McNeil designed two back-to-back units of 1,000-squarefeet each, one of which was to become their own home. Both of the split-level units are massed vertically, allowing each to have its own street-facing entrance. The exterior is a geometrical composition of white stucco over vertical black wood siding, with a middle section in grey concrete panels. Generous windows and perforated aluminum screens allow in natural light. The mirror-image living spaces are situated at opposite ends to allow for acoustic separation.COMNs first built work, Semi Semi, consists of two 1,000-squarefoot semi-detached homes nestled onto a site near Torontos Greektown. One serves as the firms residence and studio, and the other is used for long-term rental accommodation. Photo by Doublespace PhotographyCOMNs first built work, Semi Semi, consists of two 1,000-squarefoot semi-detached homes nestled onto a site near Torontos Greektown. One serves as the firms residence and studio, and the other is used for long-term rental accommodation. Photo by Doublespace PhotographyWe used Semi-Semi as a jumping off point, to get the house published and get our name out there, says McNeil. He had worked previously for Toronto architect and multi-family developer George Popper, and the couple had an interest in pursuing infill residential projects a fast-growing market, given Toronto City Councils move to allow multiplexes and small apartment buildings in many areas previously reserved for detached residential.One such project is an infill site across the street from the Art Gallery of Ontario, currently a large vacant lot behind an existing nineunit walk-up apartment. Instead of shoe-horning a stand-alone midrise onto the site, Nam and McNeil designed an extension to the walk-up that will include 12 rental units, varying in size from one to three bedrooms. We thrive under constraints, McNeil says of the tight lot. Adds Nam: It focuses us to try to maximize what we have, but at the same time, obviously, to make it as aesthetically pleasing as it can be.COMNs first built work, Semi Semi, consists of two 1,000-squarefoot semi-detached homes nestled onto a site near Torontos Greektown. One serves as the firms residence and studio, and the other is used for long-term rental accommodation. Photo by Doublespace PhotographyGrange Place is a 12-unit residential building situated on a vacant lot behind an existing 1930s walk-up apartment building. Residents access their homes from a landscaped pedestrian mews, which buffers the entrances from the laneway and provides the suites with direct sunlight. Photo by COMNThat approach characterized the conditions on the lot they had purchased for their own home. Youre forced to really engage with the context, Nam adds. In general, that outlook also describes their practice, which is defined more by pragmatism than by a consistent aesthetic. And like other smaller, newer, firms, theyve learned quickly to be mindful of their clients resources: Every project is going to be different, she observes. We work under any budget and focus on the experience of each space.CLARISSA NAM, PETER MCNEIL, JONAS CHIN, NATALIE KOPPThis profile is part of ourOctober 2024 feature story, Twenty + Change: New Perspectives.As appeared in the October 2024 issue of Canadian Architect magazineThe post Twenty + Change: COMN Architects appeared first on Canadian Architect.
    0 Comments 0 Shares 142 Views
  • WWW.CANADIANARCHITECT.COM
    Canada Council for the Arts accepting applications for 2025 Venice Fellowship
    Canadian Pavilion, exterior view of the newly restored pavilion, May 18, 2018, La Biennale di Venezia, Giardini di Castello, Venice. (Photo credit: Andrea Pertoldeo)The Canada Council for the Arts is accepting applications from students and graduates from architecture schools in Canada as well as professionals in the early stages of their careers in architecture or the arts to apply for the 2025 Venice Fellowship.The fellowship provides an opportunity to spend one month in Venice, Italy, and engage with the official Canadian entry to the 19th International Architecture Exhibition La Biennale di Venezia, an installation by Living Room Collective.The International Architecture Exhibition features a central exhibition with more than 100 international participants, 60 national pavilions and various events. The prestigious exhibition attracts 300,000 visitors annually, including architects, artists, students and more from across the globe.The Venice 2025 Fellowship is a unique opportunity to conduct independent research during the 19th International Architecture Exhibition La Biennale di Venezia, taking place from May 10 to November 23, 2025, said the Canada Council for the Arts.The Canada Council for the Arts will award 14 grants, and give priority to people who identify as First Nations, Inuit or Mtis, Black, racialized, Deaf or disabled, members of official language minority communities, young people, members of the LGBTQIA+ community, people of diverse gender identities, women and people at the crossroads of these identities. The Arts Board will also ensure that the fellows reflect Canadas regional diversity.Recipients will have the opportunity to take part in the Living Room Collective exhibition and gain hands-on experience by overseeing the day-to-day operations of the Canada Pavilion, located in the Giardini di Castello.The amount of the scholarship is $5,000.The deadline to apply is October 15, 2024. The Canada Council for the Arts will announce the fellows in February 2025.For more information, click here.The post Canada Council for the Arts accepting applications for 2025 Venice Fellowship appeared first on Canadian Architect.
    0 Comments 0 Shares 134 Views
  • WWW.CANADIANARCHITECT.COM
    Amid 865 trees coming down, Province releases 95-year lease with Therme
    Under cover of darkness, Infrastructure Ontario began the removal of 865 trees at Ontario Place on the evening of Wednesday, October 2, 2024. By the end of the day, workers had cut down approximately half of those trees.The workwhich includes the removal of every single tree on the western portion of the waterfront site adjacent downtown Torontois part of the approximately $200-million in site preparations that taxpayers are funding to prepare the land for Therme, an Austrian spa company, to develop a stadium-sized indoor waterpark on the site.The next day, October 3, the Province released the details of its 95-year lease with Therme, which journalists and grassroots organizations have been seeking for years to obtain through Freedom of Information requests.Removal of trees in progress at Ontario Place on October 3, 2024, around 5 pm. Photo by Jason AshThe timing, critics say, aimed to distract from the tree removal in progress. It also likely anticipates the expected release later this year of an Auditor Generals report about the lease, which would make public many details about the arrangement between the Province and Therme. (Agencies like Infrastructure Ontario are given early access to Auditor Generals reports in order to provide official responses.)Hours after the razing of the site began, Ontario Place Protectors filed an emergency injunction asking for the tree removal to stop, pending the hearing of the appeal of its case that questions the Provinces ability to assume sweeping powers over the site, including ignoring its own environmental and heritage laws in redeveloping it. However, the speed at which the work is being done may mean that there is little left to save, even if the injunction is granted and the appeal is successful.Distressed birds circling the forest destruction at Ontario Place @ONPlace4All pic.twitter.com/KwpXs4xaY5 jonclement (@jonclement) October 3, 2024The lease details that Therme has the right to rent the property for 75-years, with the option for a 20-year renewal for a total term of 95 years. While Therme can terminate the agreement with minimal penalties$250,000, and back-rent to a maximum of $5 millionthe Province doesnt have an easy way to back out.If the Province ended the agreement today, they would have to pay Therme $30 million. But the window to exercise this option is closing quickly: it only exists until the first applicable building permit (excavation permit) for initial construction of any aspect of the Project by the Tenant has been issued. A fact sheet issued to journalists by Infrastructure Ontario indicates that this milestone will be reached around 2025.After that, the Province can only cancel the contract after the facility has been operational for 10 years. They can then end the arrangement with 5 years noticebut taxpayers would be on the hook to pay for Thermes buildings to be demolished, and for the facility to be rebuilt at an alternate site provided by the Province. This kind of clause has been described as a poison pill.Removal of trees in progress on the morning of October 3, 2024. Courtesy of Ontario Place for AllThermes rental cost for the prime waterfront site is well below market rates for Toronto. The arrangement stipulates a minimum rent of 3.5% of the assessed land value, indexed to inflation, as well as, beginning in year six, a performance rent of 2.45% of Thermes gross revenues. However, there is also a ceiling to this arrangement, with rent limited to 8% of the land value.The current assessed land value, as stated in the lease, is $3.5 million per acrea number that Infrastructure Ontario says is on the low side because it relates to the existing land-use and zoning rules for Ontario Place. The rent calculation uses the core area of the development, comprising the 8.4-acre footprint of the building. If Therme was to start paying its full rent today, the revenue to Ontario would be a paltry $1-2.4 million dollars per year.To reach the higher end of this rent payment, $2.4 million, Therme would need to make $98 million annually in todays dollarsmeaning having an average of 3,000 visitors daily for 365 days of the year, and charging each of them an after-tax average of $100.The Province states that over the duration of the lease, the rent will amount to $1.1 billion dollarsbut this figure depends on using the almost century-long term of the lease, and applying inflation to the rent over that term.It adds that Therme will pay property tax and utilities. But since this is provincial land, at current rates in 2024, property tax would amount to only $10,500 a year.Therme will also be responsible to contribute to ongoing site maintenance, which the government says will amount to $855 million over the term of the leasebut again because of the long lease, this will mean a yearly payment, in present dollars, of perhaps $1.8 million per year.Photos taken on the afternoon of October 2 show some of the trees that are now in the process of being removed at Ontario Places West Island. Photo by Francesca BouaounTo receive this $3.8-5.2 million per year in rent and park maintenance, the Province has committed to spending over half a billion dollars in public dollars now.In order to prepare the site, the Province is contributing some $25 million to flood mitigation, shoreline repair measures, and extending a public trail across the West Island. As Infrastructure Ontario stated in 2022, they are also spending approximately $200 million preparing the site for Therme, and are obligated under the terms of the lease to build and operate a parking garage with 1,600 spaces reserved for Therme customers.A preliminary estimate for this garage pegged a 2,000-space underground parkade at $307 million. The current plan is to construct a 2,700-space parkade intended to also service the Live Nation concert venue and other visitors to the site. Assuming a straight-line extrapolation, this means the garage will cost some $411 million, bringing the tally of public investment on site preparations and parking to at least $636 million.The Province states that Therme will spend some $700 million of private dollars on construction, including $500 million for constructing its 8.4-acre waterpark facility, and $200 million on lake infill, shoreline works, and creating 16 acres of public parkland intended to compensate for the parkland that is being razed for the development.However, while access to that parkland will be open to the public, the lease grants Therme the exclusive right to conduct commercial activity and programming on up to 30 percent of that park space. This potentially allows for a high density of commercial activitycomparable to the CNE fairgroundswith food concessions, midway games, toy and souvenir sellers, personal care services, equipment rentals, cabanas, and other amenities that fit under the broad description in the lease of year-round, inclusive and diverse, family-oriented, indoor and outdoor aquatic facilities focused on fun, health, wellness and relaxation.Photos taken on the afternoon of October 2 show a kingfisher at Ontario Places West Island, one of the hundreds of documented species who have been seen at the site, and which depend on the habitat that is being removed from it. Photo by Francesca BouaounUltimately, Therme may not even be the one operating those concessions, or even the facility as a whole. The lease allows Therme to sublet 25% of the project and surrounding lands without seeking the consent of the Province, and allows the licensing of the operation of up to 40% of the project and surrounding lands without seeking its consent.The entire lease can also be assigned, but in this case, Therme would need to seek the Provinces written consent, and would share a portion of the revenue from such a lease assignment with the Province. In this scenario, Therme would retain a 25% internal rate of return and 70% of the net proceeds above this amount, with the Province receiving the remaining 30%.While the lease cannot be assigned to a person involved in an illegal business, these clauses would effectively allow Therme to contract out large parts of its operation, on favourable terms, to parties that it selects without outside vetting or public oversight.The post Amid 865 trees coming down, Province releases 95-year lease with Therme appeared first on Canadian Architect.
    0 Comments 0 Shares 143 Views
More Stories