House W / Florian Busch ArchitectsSave this picture! SGRHousesNakafurano, Hokkaido, JapanArchitects: Florian Busch ArchitectsAreaArea of this architecture projectArea:163 mYearCompletion year of this architecture project Year: 2024 PhotographsPhotographs:SGRMore SpecsLess SpecsSave this picture!Text description provided by the architects. Like the city in the past, the countryside is becoming the new catalyst for change. FB, 2007. Net Zero and Beyond. House W is FBA's first building to generate more energy than it consumes. Counterintuitively, the solution does not result in compactness but in breaking it up. Bucking the (still ongoing) trend to move from the countryside to the city, the clients, a young family living in Tokyo approached FBA to design their new home on the western edge of the Furano Plateau a 25-km-long and 5-km-wide strip in the center of Hokkaido, renown for its cold powder-snow winters and beautiful summers. Their plan is ambitious: A building independent from the local power grid, generating at least as much energy as it consumes. Net zero. (The built outcome goes further: Over the course of an entire year, House W produces almost twice the energy it consumes.)Save this picture!Farmland efficiency. Consistent with these ambitions, they have bought a piece of land in the middle of active agricultural production: Farmland efficiency rather than countryside romanticism. Originally the site of a farmer's barn, our neighbors are rice paddies and asparagus fields, irrigation channels, and roads. We are in the open. The only context is (mostly man-made) nature.Save this picture!Save this picture!Save this picture!Like a plant. 1923: A house is a machine for living in. (Le Corbusier). 2023: A house is a plant for living with. The clients want a simple wooden structure, which not unlike a farmer's barn will focus on the essentials. But where the barn's "essence" is the rather straightforward, passive task of sheltering tools, it is now more complex: providing the place for a family's daily lives whilst depending solely on the natural energy available on site. It is almost as if we are asked to model the crop, not the barn: An architecture that, like a plant, actively engages with its surroundings, adapts to its environment and makes use of what is available.Save this picture!Views. Panorama Mix. The site's immediate neighbors in the foreground are farmland and infrastructure: We are surrounded by fields, irrigation channels, roads, and power lines. The background is more picturesque: A panorama of the mountains defining the Furano Plateau. Between the Tokachi mountain range in the east and a hilly landscape in the northwest lies majestic Mt Furano Nishi in the southwest.Save this picture!Water. Heat Pump. On-site is a water source with flow and temperature constant throughout the year. Running this natural source through a heat pump can generate enough energy to provide underfloor heating as well as warm water for the entire house.Save this picture!Save this picture!Save this picture!Sun. Solar Skin. The flat open plateau is ideal for harvesting sunlight. Unlike the usual approach to retroactively add photovoltaic panels to the most suitable places the design has (more or less inadvertently) provided, solar performance, both active and passive, has been a core criterion from the beginning of our design process. PV panels are not an afterthought but make up the building's solar skin: a homogeneous, hard, dark exterior surface wrapping what in contrast appears as a soft, light interior. While this solar skin directly reaches for the sun's energy, the placement of openings plays just as crucial a role. Yet instead of piercing the solar skin, our strategy is more radicalSave this picture!Breaking the compact. As brief and budget would suggest, we begin with a compact volume reminiscent of a vernacular barn. Whereas early studies try to directly orient towards the three main directions by polygonal footprints or by branching out, the designs leading to the final outcome are both more brutal and more subtle: Breaking the compact volume into two and rotating each of them so that the short ends of the elongated volumes perfectly face the east and northwest mountains opens up an interstitial space looking towards Furano's ski slopes in the southwest. Unlike the earlier studies, breaking keeps the volumetric simplicity of the compact. The interstitial space reveals the compact volume's interior as a fragile soft interior world in stark contrast to the homogeneous hard exterior. As if a snapped twig's vascular tissue had not been completely severed, the wooden interior continues to flow between the two halves of the house. The interstice plays a key role in regulating the climate of the building: It is the pivot of the house where all movement vertical and horizontal, human and infrastructural passes through. The sun's impact is modulated with louvers to block the sun's rays during summer and let them fill the inside in the winter.Save this picture!Save this picture!Save this picture!Growing. Ironically, the idea of breaking a large simple volume into pieces was triggered by an initial requirement which in the end was lifted: In light of the volatile construction market, the clients had requested to study the possibility of splitting the project into phases. While we ended up constructing phases 1 and 2 together, the design and construction of a third a shed for storage and workshop originally intended as a future annex, began before phase 1 was even completed. The strategy of splitting a larger volume into pieces and rotating them provides the basis for the annex(es) to preserve the integrity of the overall, complement not undo it. Parallel to the road and less tall than the main house, this annex turns the tables. It seems to be not the last but the first of the three black volumes, with more to grow in twists and turns towards the east and south.Save this picture!Prototype. A bigger question remains: Is leaving the city for the countryside a viable path towards a sustainable future? While densification through urbanization remains the straightest path to reducing humanity's carbon footprint, the thought that in 25 years, about 70% of us will occupy a mere 1% of the earth's land mass does seem absurd and, worse, in many places socially unsustainable. Seeking the countryside makes sense, but only in ways that do not increase our per capita carbon footprint. The key is how we engage with, not exploit our natural environment. The countryside's open context affords freedom to test, to explore. Like the city in the past, the countryside is becoming the new catalyst for change. But where the movement to the city once left everything behind and sought the new in the city, moving to the countryside lets us reconnect with nature while staying connected with the city, made possible by the speed of technology. The opportunity to learn from the countryside looks promising. In becoming an active part of its surroundings to generate more energy than it consumes, House W is a (scalable) proof of concept.Save this picture!Project gallerySee allShow lessAbout this officePublished on February 21, 2025Cite: "House W / Florian Busch Architects" 20 Feb 2025. ArchDaily. Accessed . <https://www.archdaily.com/1027090/house-w-florian-busch-architects&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! 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