To design the interiors of this six-story town house in Chelsea, Amy Kolker of Jane Street Projects looked to very specific people and places for inspiration. One was the Maison de Verre in Paris, a steel-and-glass residence that was unthinkably modern at the time of its construction in 1932, and another was Adolf Loos, an Austro Hungarian architect who rejected adornment but embraced luxurious materials, sometimes covering entire rooms in marble or mahogany.As a longtime set designer and visual display expert for couture labels and luxury retailers, Kolker developed an extensive design vocabulary. When a friend approached her about transforming the interiors of white-walled residence spanning nearly 8,000 square feet, Kolker dug deep into her decorative repertoire. “This was my big debut as an interior designer,” she says. “And it was quite a bit of space to work with.” It helped that her friend (and now client), James Haslam, a filmmaker and co-owner of the David Armstrong Archive, was also knowledgeable about the history of design, so the two were able to riff off each other.Near the entrance is a vintage console by J. Wade Beam for Brueton. The vase is Lalique. A peek into the elevator of the six-story home, with millwork by The New Motor and Dedar fabric walls. Haslam cites diverse influences—from the stark surrealism of David Lynch to the poetic maximalism of Lorenzo Mongiardino—when it comes to interiors. “I think it’s about emotion and storytelling, and putting that into a white-box town house was the goal,” he says. “Amy went with me; she really delivered.”From the outset, Kolker knew the home had to have saturated, moody colors and had to evoke an old-world ambience, set sometime between the 1930s and 1970s. On the ground level, she ripped out the existing white ceramic floors and added terra-cotta tiles sealed in black epoxy, creating a dramatic dark canvas. She then painted the steel of the towering industrial windows facing the garden a deep red, echoing the black-and-red palette of the aforementioned Maison de Verre. This section of the home, often used for entertaining, includes a brass-topped bar backed by a band of mirrors and low-slung Vladimir Kagan sectional sofas upholstered in gray velour. Floor-to-ceiling sheer ivory curtains add softness to the space. Behind them, in the garden, is a newly planted thicket of bamboos (a detail inspired by Halston’s house on the Upper East Side, as seen on a magazine spread from 1977). “You get to have this view of greenery when you open the curtains, and also these dappled shadows against the walls,” Kolker says.These shelves, on a mezzanine that overlooks the ground-floor living room and garden, were inspired by the library at the Maison de Verre in Paris. The oval table is by Karl Springer. In this parlor, on the third level, we see two Charlotte Perriand LC5 chairs and two Milo Baughman Parsons chairs on a Leslie Doris Blau carpet inspired by Marion Dorn. “It wanted it to feel eclectic and collected,” Kolker says of the room. Up two levels, past a mezzanine with a library overlooking the double-height windows, is an operatic eat-in kitchen. Its walls are covered in glossy emerald green tiles that go all the way to the ceiling, and the countertops, made of rosso levanto marble, have deep burgundy tones with white veins. The contrast is dazzling. In the center of the space is a Louis XV dining table paired with vintage Thonet chairs upholstered in a green gauffrage velvet and a French Art Deco glass pendant. “It’s an eclectic story of timeless furniture,” Kolker says. “It’s a rich, luxurious kitchen.”On that same level is a parlor used as a media room, with a television hidden behind a sheath of blue curtains, dark navy walls, ceilings to match, and a monolithic floor-to-ceiling marble fireplace flanked by gilded mirrors. This is the room influenced by Loos and his penchant for symmetry and paneling.Haslam, whose family owns the Haslam Sports Group, was so pleased with the results that he asked Kolker to design his home in Miami. “She knows her stuff,” he says. “And I was impressed by her ability to go outside of her own style.” Kolker has since established her interior design studio and taken on new clients—but none quite like her first. “A lot of people want a ‘safe’ home, but James is extremely creative,” she says. “It was an incredible experience.”The exterior of the town house, which spans six stories and is almost 8,000 square feet. Kolker worked with AlphaCraft Construction on the renovations of the home. The style of the main living room at this six-story town house, designed by Amy Kolker of Jane Street Projects, was inspired by the Maison de Verre in Paris, an icon of early modern architecture featuring towering steel-framed glass panes. A four-piece sectional sofa by Vladimir Kagan was paired with a coffee table from Maison Lancel. Kolker and Haslam came across these glossy green tiles at Artistic Tile and knew right away they wanted them for the kitchen walls. “It’s a whole collaboration of elements that just turned it into this masterpiece,” says the designer of the space, furnished with a marble-top Louis XV table, vintage Thonet chairs, and a Persian rug. A corner of the garden-level living room featuring an octagonal marble-top table with a vintage base by Eric Maville. The wheeled side chairs were found at Fat Chance, a design gallery in Los Angeles. The mirror behind this brass-topped bar, which was designed by Office Of Things, reflects the dappled shadows coming in from the garden. A 1930s brass and waxed white paper lamp designed by Niels Rasmussen Thykier sits atop the bar. A parlor used as a media room, with a television hidden behind a sheath of blue curtains, dark navy walls, ceilings to match, and a monolithic floor-to-ceiling marble fireplace flanked by gilded mirrors. This room was influenced by architect and designer Adolf Loos, who had penchant for symmetry and paneling. “The primary bedroom was a dark space, and I loved the idea of doing cut-grid mirrors and letting the light bounce off them,” says Kolker of the mirrored wall above the fireplace in the bedroom’s seating area. The marble coffee table was custom made; the club chairs are vintage pieces from the 1970s. In the primary bedroom, a stainless-steel-and-burl-wood cabinet from Brueton, made in 1978. The rug, depicting a horse, is Tibetan. Paonazzo Arabescato marble covers most of the surfaces in the primary bathroom. The vanity hardware is from Waterwork’s Henry line. Black limestone floor tiles from Paris Ceramics complement the look of the Paonazzo Arabescato walls. One of the guest bedrooms has a vintage French tapestry by André Minaux above the bed. The side tables are from Avery & Dash Collections. A guest bedroom, with a custom burl-wood headboard and linens from Bed Threads. The sconces are vintage, designed by George Nelson and Daniel Lewis for Koch & Lowy. On the rooftop, wrought-iron patio chairs. The landscape design is by When in Bloom.