Disney+ has decided to pull "The Abyss" again, and it seems to be due to that controversial rat scene that everyone has been talking about. Honestly, it feels like a never-ending cycle. One moment, the content is available, and the next, it's gone because of some backlash. You'd think they'd get used to this by now. It’s hard to muster up any excitement about it. The film has its moments, but the whole situation just seems exhausting. I mean, are we really surprised? Disney+ has a habit of pulling content that stirs up controversy. It’s like they’re trying to please everyone, but in doing so, they end up disappointing everyone. The rat scene, in particular, has sparked quite the debate. Some viewers find it offensive, while others think it's just a part of the story. Whatever the case, it’s clear that Disney+ is choosing to play it safe this time. At this point, I'm just waiting for the next round of complaints. It's almost predictable. They could’ve just left it alone, but now here we are, with "The Abyss" disappearing once again from the platform. I don’t really feel like diving deep into the reasons anymore. The whole thing just feels monotonous. Pulling and adding movies based on public opinion can be tiring to keep up with. So, if you're looking to watch "The Abyss," you might have to wait a while. It’s not like there’s a shortage of content on Disney+, but it feels like this whole situation could have been avoided. Just another day in the streaming world, I guess. Anyway, read more about it if you want. I’m not really invested. #DisneyPlus #TheAbyss #Controversy #Streaming #Film

Mickey 17, Robert Pattinson, effets visuels, Bong Joon Ho, comédie noire, science-fiction, colonie spatiale, VFX, DNEG, film innovant ## Introduction Dans un monde où l'imaginaire n'a pas de limites, le film *Mickey 17* s'apprête à nous transporter dans une aventure extraordinaire, orchestrée par le talentueux Bong Joon Ho et mettant en vedette l'éblouissant Robert Pattinson. Ce film, qui allie habilement comédie noire et critique sociale, ne se contente pas de raconter une histoire captivante...

Qu'est-ce qui se passe au FMX 2025 à Stuttgart ? On dirait que cette édition, au lieu d'être un phare d'innovation, est en train de devenir une véritable farce. Le 6 mai, nous avons célébré le lancement de la 29ème édition de cet événement censé être le summum de l'animation, des effets visuels et des médias immersifs. Mais à quoi bon ? Où sont les vraies pistes pour sortir de la crise qui frappe notre industrie ? Il est inacceptable de voir un événement aussi important se vautrer dans l'incertitude et les préoccupations. Les professionnels de l'animation, qui devraient être au cœur de cet événement, se retrouvent face à des solutions minimalistes, des discussions stériles et un manque criant d'enthousiasme. On nous parle de « pistes pour sortir de la crise », mais où sont-elles réellement ? Tout cela ressemble à une tentative désespérée de masquer l'absence d'innovation concrète et d'initiatives audacieuses. La Filmakademie Baden-Württemberg, organisatrice du FMX, a-t-elle oublié son rôle de leader dans cette industrie ? Au lieu de rassembler les esprits les plus brillants pour discuter des défis actuels, ils semblent se contenter d'une programmation fade et d'intervenants peu inspirants. Les professionnels de l'animation méritent mieux que cela. Ils méritent un espace où leurs voix peuvent réellement faire la différence, où les idées créatives peuvent s'épanouir sans entraves. Et que dire du manque de diversité dans les sujets abordés ? Les mêmes vieux thèmes sont rabâchés année après année, sans aucune véritable évolution. Si nous voulons vraiment sortir de cette crise, il est temps de bousculer les conventions et de donner la parole à des voix nouvelles et diverses. Le FMX 2025 aurait dû être l'occasion de célébrer l'inclusivité et la créativité, mais au lieu de cela, il semble se complaire dans la monotonie. Les promesses d'un avenir radieux pour l'animation et les effets visuels sont vides si elles ne sont pas accompagnées d'actions concrètes. Les professionnels attendent des réponses, des solutions, et surtout, de l'inspiration. Le FMX doit se réveiller et comprendre qu'il est temps de passer à l'action. Sinon, cet événement, autrefois prestigieux, risque de sombrer dans l'oubli, laissant derrière lui une industrie frustrée et désabusée. La colère gronde parmi les créateurs et les innovateurs. Nous ne pouvons plus nous contenter de discours creux et de promesses non tenues. Il est temps que le FMX prenne ses responsabilités et redonne un vrai sens à cet événement. Nous ne voulons plus être témoins d'une telle dérive. Assez, c'est assez ! #FMX2025 #Animation #EffetsVisuels #MédiasImmersifs #Innovation

Il est grand temps de parler de l'absurdité qui entoure le jeu "Fantasy Life i: La Voleuse de temps" et son nouveau mode roguelike en monde ouvert qui arrive bientôt. Franchement, qui a eu cette idée farfelue et pourquoi est-ce que l'industrie du jeu vidéo semble constamment se complaire dans l'ineptie ? Level-5, en lançant ce type de contenu, semble ignorer complètement les attentes des joueurs et les véritables enjeux de l'innovation dans les jeux modernes. D'abord, parlons du concept même de "roguelike". Cette tendance à recycler des mécaniques de jeu qui, avouons-le, sont devenues obsolètes, montre à quel point le manque d'originalité gangrène le secteur. Pourquoi devrions-nous être excités par un mode roguelike en monde ouvert ? Cela ne fait que souligner le fait que les développeurs, au lieu de créer quelque chose de véritablement novateur, choisissent le chemin le plus facile : copier-coller des idées déjà vues mille fois. Les joueurs ne veulent plus d'une expérience qui se contente de nous faire revivre les mêmes choses encore et encore. Ils veulent de l'innovation, de la créativité, et surtout, du respect pour leur temps et leur investissement. Ensuite, il est primordial de se demander si Level-5 comprend réellement ce qu'est un "mode roguelike". Pour ceux qui ne le savent pas, ce genre de jeu se caractérise par des niveaux générés de manière procédurale et une mort permanente, des éléments qui peuvent être intéressants dans un contexte précis, mais qui ne semblent pas du tout adaptés à l'univers de "Fantasy Life". À quoi bon introduire ces mécaniques si cela signifie sacrifier l'essence du jeu ? Cela ressemble plus à un coup marketing désespéré qu'à un véritable effort pour améliorer l'expérience utilisateur. Et que dire de la promesse d’un monde ouvert ? Cela semble être un ajout superficiel pour masquer le fait que le jeu lui-même pourrait souffrir de lacunes majeures. Un monde ouvert ne peut pas être simplement une vaste étendue vide ; il doit être riche en contenu, en histoires et en interactions. Si Level-5 ne met pas les efforts nécessaires pour créer un environnement engageant, ce sera juste une vaste déception, et une autre preuve que l'industrie du jeu vidéo n'écoute pas ses consommateurs. Il est urgent que les développeurs commencent à prendre leurs responsabilités. Les joueurs méritent mieux que des mises à jour bâclées et des ajouts qui semblent tirés par les cheveux. Au lieu de se concentrer sur des gimmicks comme un mode roguelike en monde ouvert, ils devraient retourner à la planche à dessin et réfléchir à ce qui rend réellement un jeu captivant. La créativité et l'innovation doivent primer sur le profit rapide, sinon nous risquons de voir l'industrie du jeu vidéo s'effondrer sous le poids de ses propres faiblesses. #FantasyLife #Level5 #JeuxVidéo #Roguelike #InnovationDansLesJeux

It's time to call out the glaring flaws in the so-called "Latest Showreel" by the Compagnie Générale des Effets Visuels (CGEV). They tout their projects like a peacock showing off its feathers, but let's be honest: this is just a facade. The latest compilation, which includes work from films such as "The Substance," "Survivre," "Monsieur Aznavour," "Le Salaire de la Peur," and more, is nothing short of a desperate attempt to mask their shortcomings in the visual effects industry. First off, what are they thinking with the title "Mise à jour de showreel"? This isn't an update; it's a cry for help! The industry is moving at lightning speed, and CGEV seems to be stuck in the past, clinging to projects that are as outdated as a floppy disk. The world of visual effects is about innovation and pushing boundaries, yet here we have a company content with showcasing work that barely scratches the surface of creativity. And let’s talk about "Le Salaire de la Peur." If this is their crown jewel, then they are in serious trouble. The effects look amateurish at best, and it raises the question: are they even using the right technology? In an age where CGI can create stunning visuals that leave you breathless, CGEV’s work feels like a bad remnant of the early 2000s. It’s embarrassing to think that they believe this is good enough to represent their brand. Alain Carsoux, the director, needs to take a long, hard look in the mirror. Is he satisfied with this mediocrity? Because the rest of us definitely aren’t. The lack of originality and innovation in these projects is infuriating. Instead of pushing the envelope, they're settling for the bare minimum, and that’s an insult to both their talent and their audience. The sad reality is that CGEV is not alone in this trend. The entire industry seems to be plagued by a lack of ambition. They’re so focused on keeping the lights on that they’ve forgotten why they got into this business in the first place. It’s about passion, creativity, and daring to take risks. "Young Woman and the Sea" could have been a ground-breaking project, but instead, it’s just another forgettable title in an already saturated market. We need to demand more from these companies. We deserve visual effects that inspire, challenge, and captivate. CGEV needs to get its act together and start investing in real talent and cutting-edge technology. No more excuses! The audience is tired of being served mediocrity wrapped in flashy marketing. If they want to compete in the visual effects arena, they better step up their game or face the consequences of being forgotten. Let’s stop accepting subpar work from companies that should know better. The time for complacency is over. We need to hold CGEV accountable for their lack of innovation and creativity. If they continue down this path, they’ll be left behind in a world that demands so much more. #CGEV #VisualEffects #FilmIndustry #TheSubstance #Innovation

What on earth is going on with the VFX in Netflix's "The Snow Sister"? Seriously, it’s 2023, and we’re still being fed mediocre visual effects that are supposed to "wow" us but end up doing the exact opposite! The so-called "VFX breakdown" is nothing more than a slap in the face to anyone who actually appreciates the art of visual storytelling. Let’s get one thing straight: if the best VFX are indeed the ones you can’t spot, then how on earth did we end up with these glaringly obvious digital blunders? It’s like they threw a bunch of half-baked effects together and called it a day. Instead of stunning visuals that elevate the narrative, we get a distracting mess that pulls you right out of the experience. Who are they kidding? The creators of "The Snow Sister" clearly missed the memo that viewers today are not easily satisfied. We demand more than just passable effects; we want immersive worlds that captivate us. And yet, here we are, subjected to a barrage of poorly executed VFX that look like they belong in a low-budget production from the early 2000s. It’s frustrating to see Netflix, a platform that should be setting the gold standard in content creation, flounder so embarrassingly with something as fundamental as visual effects. What’s even more maddening is the disconnect between the promotional hype and the actual product. They tout the "creation" of these effects as if they’re groundbreaking, but in reality, they are a visual cacophony that leaves much to be desired. How can anyone take this seriously when the final product looks like it was hastily patched together? It’s not just a disservice to the viewers; it’s an insult to the talented artists who work tirelessly in the VFX industry. They deserve better than to have their hard work represented by subpar results that manage to undermine the entire project. Netflix needs to wake up and understand that audiences are becoming increasingly discerning. We’re not just mindless consumers; we have eyes, and we can see when something is off. The VFX in "The Snow Sister" is a glaring example of what happens when corners are cut and quality is sacrificed for the sake of quantity. We expect innovation, creativity, and, above all, professionalism. Instead, we are fed a half-hearted effort that leaves us shaking our heads in disbelief. In conclusion, if Netflix wants to maintain its position as a leader in the entertainment industry, it’s time to step up its game and give us the high-quality VFX that we deserve. No more excuses, no more mediocre breakdowns—just real artistry that enhances our viewing experience. Let’s hold them accountable and demand better! #VFX #Netflix #TheSnowSister #VisualEffects #EntertainmentIndustry

🌟 Bonjour à tous ! Aujourd'hui, je suis tellement enthousiaste à l'idée de partager avec vous un projet incroyable qui redonne vie à notre patrimoine architectural : **Latidos de Piedra** ! 🏛️💖 Dans la belle ville de Torredonjimeno, en Jaén, le centre éducatif IES Santo Reino a lancé cette initiative inspirante qui utilise l'impression 3D pour reconstruire des structures historiques disparues. Imaginez un monde où nous pouvons redonner vie à notre héritage culturel grâce à la technologie ! C'est comme si chaque pierre avait une histoire à raconter, et ce projet nous permet de les écouter à nouveau. 📜✨ Ce qui est vraiment fascinant, c'est que **Latidos de Piedra** ne se contente pas de restaurer des bâtiments ; il connecte les générations, permettant aux jeunes d'apprendre et de participer activement à la préservation de leur histoire. Ce projet est une véritable bouffée d'air frais pour notre patrimoine, et il montre à quel point nous pouvons être créatifs et innovants en utilisant les outils modernes à notre disposition ! 🌈🔧 Chaque pièce créée par impression 3D est comme un battement de cœur, pulsant avec l'énergie des artisans et des étudiants qui travaillent ensemble pour faire revivre notre passé. Pensez à l'impact que cela a sur notre communauté ! Cela incarne l'esprit d'unité et de collaboration, et cela nous rappelle à quel point nous sommes tous liés par notre histoire. 🤝🌍 Alors, chers amis, que vous soyez passionnés d'architecture, amateurs d'histoire, ou simplement curieux de découvrir de nouvelles idées, je vous invite à vous joindre à moi pour soutenir ce projet extraordinaire. Partageons ensemble cette belle initiative et faisons en sorte que tous puissent entendre les **Latidos de Piedra** résonner dans nos cœurs ! 💪❤️ Ensemble, nous pouvons créer un avenir où notre patrimoine est non seulement préservé, mais célébré ! N'oubliez jamais : chaque petite action compte et peut mener à de grands changements. Alors, qu'attendez-vous pour faire entendre votre voix ? 🚀✨ #LatidosDePiedra #PatrimoineArchitectural #Impression3D #Innovation #Inspiration

🚀✨ Are you ready to embark on an exciting journey into the world of freelance 3D artistry? 🌟 The possibilities are endless, and I'm here to tell you that this is the perfect time to dive into freelancing! Whether you're coming from animation, video games, architecture, or visual effects, the demand for talented 3D professionals is skyrocketing! 📈💥 Imagine waking up each day to work on projects that ignite your passion and creativity! 💖 Freelancing in the 3D industry allows you to embrace your artistic spirit and transform your visions into stunning visual realities. With studios and agencies increasingly outsourcing production stages, there has never been a better opportunity to carve out your niche in this vibrant field. 🌈 Let’s talk about the **5 essential tools** you can use to kickstart your freelancing career in 3D! 🛠️✨ 1. **Blender**: This powerful and free software is a game-changer! With its comprehensive features, you can create everything from animations to stunning visual effects. 🌌 2. **Autodesk Maya**: Elevate your skills with this industry-standard tool! Perfect for animators and modelers, Maya will help you bring your creations to life with professional finesse. 🎬 3. **Substance Painter**: Don’t underestimate the power of textures! This tool allows you to paint textures directly onto your 3D models, ensuring they look photorealistic and captivating. 🖌️ 4. **Unity**: If you’re interested in gaming or interactive content, Unity is your go-to platform! It lets you bring your 3D models into an interactive environment, giving you the chance to shine in the gaming world. 🎮 5. **Fiverr or Upwork**: These platforms are fantastic for freelancers to showcase their skills and connect with clients. Start building your portfolio and watch your network grow! 🌍 Freelancing isn't just about working independently; it’s about building a community and collaborating with other creatives to achieve greatness! 🤝💫 So, gather your tools, hone your craft, and don’t be afraid to put yourself out there. Every project is an opportunity to learn and grow! 🌱 Remember, the road may have its bumps, but your passion and determination will propel you forward. Keep believing in yourself, and don’t hesitate to take that leap of faith into the freelancing world. Your dream career is within reach! 🚀💖 #Freelance3D #3DArtistry #CreativeJourney #Freelancing #3DModeling

Test de Seduced.ai: can you really customize your fantasies with AI? June 2025. Honestly, it sounds like just another tech gimmick. Seduced.ai claims to be one of those revolutionary platforms redefining adult content creation. But does anyone even care? The idea of personalizing fantasies with artificial intelligence seems more like a passing trend than anything groundbreaking. Sure, it’s intriguing on the surface—who wouldn’t want to tailor their wildest dreams to their liking? But then again, does it really make a difference? In a world already saturated with adult content, the novelty of using AI to create personalized experiences feels a bit stale. I mean, at the end of the day, it’s still just content. The article discusses how Seduced.ai aims to engage users by offering customizable options. But honestly, how many people will actually go through the trouble of engaging with yet another app or service? Let’s be real. Most of us just scroll through whatever is available without thinking twice. The thought of diving into a personalized experience might sound appealing, but when it comes down to it, the effort feels unnecessary. Sure, technology is evolving, and Seduced.ai is trying to ride that wave. But for the average user, the excitement seems to fade quickly. The article on REALITE-VIRTUELLE.COM touches on the potential of AI in the adult content space, but the reality is that many people are simply looking for something quick and easy. Do we really need to complicate things with AI? Or can we just stick to the basics? Maybe the novelty will wear off, and we’ll be back to square one—looking for whatever gives us the quickest thrill without the hassle of customization. In conclusion, while the concept of customizing fantasies with AI sounds interesting, it feels like just another fad. The effort to engage might not be worth it for most of us. After all, who has the energy for all that? #SeducedAI #AdultContent #AIFantasy #ContentCreation #TechTrends

Dune Awakening is one of those games that you might find interesting if you’re into survival in vast, open worlds. But honestly, it can also feel a bit tedious. The article "Tout savoir sur les classes (comment les débloquer, quelle est la meilleure…)" on ActuGaming.net dives into the various classes you can unlock in the game. Sure, it’s nice to know how to unlock them and which one might be considered the best. But let’s be real. It’s just another routine of figuring things out in a game that can sometimes feel like it drags on. You’ll read about the different classes, and maybe you’ll feel a spark of interest, but then again, you might just end up scrolling through your phone instead. Unlocking classes isn’t exactly thrilling, and deciding which one is the best feels like trying to choose a favorite brand of water. The article gives you the basics on how to unlock classes. Apparently, you have to do certain tasks or maybe complete some boring missions. The best class? Well, that’s subjective. It’s all about what you prefer, but it feels more like a chore than a choice. So, if you’re curious about the classes and how to unlock them, the article is there. But let’s not pretend it’s going to change your life. It’s just another piece of information in the endless sea of gaming content. If you have some time to kill, sure, give it a look. Otherwise, you could probably find something more entertaining to do. Anyway, if you’re into this sort of thing, you can check it out on ActuGaming.net. Just don’t expect fireworks or anything. #DuneAwakening #GamingClasses #OpenWorldGames #SurvivalGames #ActuGaming