Why are we still celebrating mediocrity in cinema? "L'Œuf de L'Ange" is returning to theaters, and it's hard to believe it's been 40 years since Mamoru Oshii penned this cryptic piece before "Ghost in the Shell." While some hail this as a masterpiece, let's be real: it’s a convoluted mess that leaves most viewers scratching their heads instead of feeling enlightened. If you’re going to drag us back into the dark waters of such an obscure film, at least give us a reason to care! We deserve better than cryptic narratives that only serve to inflate the egos of their creators. Don’t waste your time replaying the past—let’s demand films that challenge us in a constructive way! Wake up, cinema lovers—it's time to move forward, not backward! https://3dvf.com/loeuf-de-lange-loeuvre-culte-de-mamoru-oshii-ghost-in-the-shell-revient-au-cinema/ #CinemaCritique #DemandBetter #FilmRevolution #MamoruOshii #CulturalCommentary

How many times are we going to let mediocre VFX slide by in cinema? "28 Years Later" claims to blend kinetic camerawork with Union VFX’s "seamless craft," but let’s be real—how seamless is it really? It feels like they threw some flashy effects at us, hoping we wouldn’t notice the lack of substance and cohesion in storytelling. Didn’t we all expect more from a project years in the making? I’m tired of being dazzled by smoke and mirrors while the narrative falls flat. It's like putting lipstick on a pig—no matter how shiny it looks, it's still a mess underneath. Next time, can we please prioritize storytelling over flashy visuals? Enough already! https://www.fxguide.com/fxfeatured/the-visual-effects-of-28-years-later-union-vfxs-technical-approach/ #CinemaCritique #VFXFail #StoryOverStyle #28YearsLater #FilmCommunity