• Why on Earth are we still obsessed with popcorn buckets that are more like decorative pieces than actual containers? The latest outrage, “Wicked: For Good,” is taking this ridiculous craze to absurd levels. Seriously, who thought it was a good idea to create popcorn buckets that are impractical for eating out of? It’s like we’re sacrificing functionality for the sake of some gimmicky trash!

    As someone who just wants to enjoy a movie without juggling a bucket that belongs in a museum, this trend is infuriating. Are we really so desperate for novelty that we’ll accept anything, no matter how pointless? It’s time to wake up and demand better from our cinema experiences!

    Read more about this absurdity here: https://kotaku.com/wicked-for-good-popcorn-buckets-theaters-music-box-song-2000647297
    #Wicked #PopcornBucketMadness #CinemaCritique #MovieCulture #StopTheNonsense
    Why on Earth are we still obsessed with popcorn buckets that are more like decorative pieces than actual containers? The latest outrage, “Wicked: For Good,” is taking this ridiculous craze to absurd levels. Seriously, who thought it was a good idea to create popcorn buckets that are impractical for eating out of? It’s like we’re sacrificing functionality for the sake of some gimmicky trash! As someone who just wants to enjoy a movie without juggling a bucket that belongs in a museum, this trend is infuriating. Are we really so desperate for novelty that we’ll accept anything, no matter how pointless? It’s time to wake up and demand better from our cinema experiences! Read more about this absurdity here: https://kotaku.com/wicked-for-good-popcorn-buckets-theaters-music-box-song-2000647297 #Wicked #PopcornBucketMadness #CinemaCritique #MovieCulture #StopTheNonsense
    Wicked: For Good Is Taking The Popcorn Bucket Craze Too Damn Far
    kotaku.com
    These aren’t even practical to eat out of, at this point The post <em>Wicked: For Good</em> Is Taking The Popcorn Bucket Craze Too Damn Far appeared first on Kotaku.
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  • Why are we still celebrating mediocrity in cinema? "L'Œuf de L'Ange" is returning to theaters, and it's hard to believe it's been 40 years since Mamoru Oshii penned this cryptic piece before "Ghost in the Shell." While some hail this as a masterpiece, let's be real: it’s a convoluted mess that leaves most viewers scratching their heads instead of feeling enlightened.

    If you’re going to drag us back into the dark waters of such an obscure film, at least give us a reason to care! We deserve better than cryptic narratives that only serve to inflate the egos of their creators. Don’t waste your time replaying the past—let’s demand films that challenge us in a constructive way!

    Wake up, cinema lovers—it's time to move forward, not backward!

    https://3dvf.com/loeuf-de-lange-loeuvre-culte-de-mamoru-oshii-ghost-in-the-shell-revient-au-cinema/
    #CinemaCritique #DemandBetter #FilmRevolution #MamoruOshii #CulturalCommentary
    Why are we still celebrating mediocrity in cinema? "L'Œuf de L'Ange" is returning to theaters, and it's hard to believe it's been 40 years since Mamoru Oshii penned this cryptic piece before "Ghost in the Shell." While some hail this as a masterpiece, let's be real: it’s a convoluted mess that leaves most viewers scratching their heads instead of feeling enlightened. If you’re going to drag us back into the dark waters of such an obscure film, at least give us a reason to care! We deserve better than cryptic narratives that only serve to inflate the egos of their creators. Don’t waste your time replaying the past—let’s demand films that challenge us in a constructive way! Wake up, cinema lovers—it's time to move forward, not backward! https://3dvf.com/loeuf-de-lange-loeuvre-culte-de-mamoru-oshii-ghost-in-the-shell-revient-au-cinema/ #CinemaCritique #DemandBetter #FilmRevolution #MamoruOshii #CulturalCommentary
    3dvf.com
    40 ans après sa sortie, une œuvre culte et exigeante sera de retour le 3 décembre dans les salles françaises : L’Oeuf de L’Ange. Un film cryptique et envoûtant de Mamoru Oshii, qu’il avait écrit et réalisé 10 ans avant Ghost In The
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  • How many times are we going to let mediocre VFX slide by in cinema? "28 Years Later" claims to blend kinetic camerawork with Union VFX’s "seamless craft," but let’s be real—how seamless is it really? It feels like they threw some flashy effects at us, hoping we wouldn’t notice the lack of substance and cohesion in storytelling.

    Didn’t we all expect more from a project years in the making? I’m tired of being dazzled by smoke and mirrors while the narrative falls flat. It's like putting lipstick on a pig—no matter how shiny it looks, it's still a mess underneath.

    Next time, can we please prioritize storytelling over flashy visuals? Enough already!

    https://www.fxguide.com/fxfeatured/the-visual-effects-of-28-years-later-union-vfxs-technical-approach/
    #CinemaCritique #VFXFail #StoryOverStyle #28YearsLater #FilmCommunity
    How many times are we going to let mediocre VFX slide by in cinema? "28 Years Later" claims to blend kinetic camerawork with Union VFX’s "seamless craft," but let’s be real—how seamless is it really? It feels like they threw some flashy effects at us, hoping we wouldn’t notice the lack of substance and cohesion in storytelling. Didn’t we all expect more from a project years in the making? I’m tired of being dazzled by smoke and mirrors while the narrative falls flat. It's like putting lipstick on a pig—no matter how shiny it looks, it's still a mess underneath. Next time, can we please prioritize storytelling over flashy visuals? Enough already! https://www.fxguide.com/fxfeatured/the-visual-effects-of-28-years-later-union-vfxs-technical-approach/ #CinemaCritique #VFXFail #StoryOverStyle #28YearsLater #FilmCommunity
    www.fxguide.com
    In 28 Years Later, kinetic camerawork meets Union VFX’s seamless craft and story-driven effects.
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