Hi, friends! Welcome to Installer No. 85, your guide to the best and Verge-iest stuff in the world. (If you’re new here, welcome, sorry in advance that this week is a tiny bit politics-y, and also you can read all the old editions at the Installer homepage.) This week, I’ve been reading about Sean Evans and music fraud and ayahuasca, playing with the new Obsidian Bases feature, obsessing over every Cliche” more times than I’m proud of, installing some Elgato Key Lights to improve my WFH camera look, digging the latest beta of Artifacts, and downloading every podcast I can find because I have 20 hours of driving to do this weekend.I also have for you a very funny new movie about tech CEOs, a new place to WhatsApp, a great new accessory for your phone, a helpful crypto politics explainer, and much more. Short week this week, but still lots going on. Let’s do it.(As always, the best part of Installer is your ideas and tips. What are you reading / playing / watching / listening to / shopping for / doing with a Raspberry Pi this week? Tell me everything: installer@theverge.com. And if you know someone else who might enjoy Installer, tell them to subscribe here. And if you haven’t subscribed, you should! You’ll get every issue for free, a day early, in your inbox.)The DropMountainhead. I mean, is there a more me-coded pitch than “Succession vibes, but about tech bros?” It’s about a bunch of (pretty recognizable) billionaires who more or less run the world and are also more or less ruining it. You’ll either find this hilarious, way too close to home, or both. WhatsApp for iPad. I will never, ever understand why Meta hates building iPad apps. But it finally launched the most important one! The app itself is extremely fine and exactly what you’d think it would be, but whatever. It exists! DO INSTAGRAM NEXT.Post Games.Polygon, all about video games. It’s only a couple episodes deep, but so far I love the format: it’s really smart and extremely thoughtful, but it’s also very silly in spots. Big fan.The Popsockets Kick-Out Grip. I am a longtime, die-hard Popsockets user and evangelist, and the new model fixes my one gripe with the thing by working as both a landscape and portrait kickstand. $40 is highway robbery for a phone holder, but this is exactly the thing I wanted.“Dance with Sabrina.” A new, real-time competitive rhythm game inside of Fortnite, in which you try to do well enough to earn the right to actually help create the show itself. Super fun concept, though all these games are better with pads, guitars, or really anything but a normal controller.Lazy 2.0. Lazy is a stealthy but fascinating note-taking tool, and it does an unusually good job of integrating with files and apps. The new version is very AI-forward, basically bringing a personalized chatbot and all your notes to your whole computer. Neat!Elden Ring Nightreign. A multiplayer-heavy spinoff of the game that I cannot get my gamer friends to shut up about, even years after it came out. I’ve seen a few people call the game a bit small and repetitive, but next to Elden Ring I suppose most things are.The Tapo DL100 Smart Deadbolt Door Lock. A $70 door lock with, as far as I can tell, every feature I want in a smart lock: a keypad, physical keys, super long battery life, and lots of assistant integrations. It does look… huge? But it’s pretty bland-looking, which is a good thing.Implosion: The Titanic Sub Disaster. One of a few Titan-related documentaries coming this summer, meant to try and explain what led to the awful events of a couple years ago. I haven’t seen this one yet, but the reviews are solid — and the story seems even sadder and more infuriating than we thought.“The growing scandal of $TRUMP.” I love a good Zeke Faux take on crypto, whether it’s a book or a Search Engine episode. This interview with Ezra Klein is a great explainer of how the Trump family got so into crypto and how it’s being used to move money in deeply confusing and clearly corrupt ways. Cameron Faulkner isn’t technically new to The Verge, he’s just newly back at The Verge. In addition to being a commerce editor on our team, he also wrote one of the deepest dives into webcams you’ll ever find, plays a lot of games, has more thoughts about monitors than any reasonable person should, and is extremely my kind of person. Since he’s now so very back, I asked Cam to share his homescreen with us, as I always try to do with new people here. Here it is, plus some info on the apps he uses and why:The phone: Pixel 9 Pro.The wallpaper: It’s an “Emoji Workshop” creation, which is a feature that’s built into Android 14 and more recent updates. It mashes together emoji into the patterns and colors of your choosing. I picked this one because I like sushi, and I love melon / coral color tones.The apps: Google Keep, Settings, Clock, Phone, Chrome, Pocket Casts, Messages, Spotify.I haven’t downloaded a new app in ages. What’s shown on my homescreen has been there, unmoved, for longer than I can remember. I have digital light switches, a to-do list with the great (but paid) Stuff widget, a simple Google Fit widget to show me how much I moved today, and a couple Google Photos widgets of my lovely wife and son. I could probably function just fine if every app shuffled its location on my homescreen, except for the bottom row. That’s set in stone, never to be fiddled with.I also asked Cameron to share a few things he’s into right now. Here’s what he sent back:Righteous Gemstones on HBO Max. It’s a much smarter comedy than I had assumed (but it’s still dumb in the best ways), and I’m delighted to have four seasons to catch up on. I’m really digging Clair Obscur: Expedition 33, which achieves the feat of breakneck pacing (the game equivalent of a page-turner) and a style that rivals Persona 5, which is high praise. I have accrued well over a dozen Switch 2 accessories, and I’m excited to put them to the test once I get a console on launch day.CrowdsourcedHere’s what the Installer community is into this week. I want to know what you’re into right now, as well! Email installer@theverge.com or message me on Signal — @davidpierce.11 — with your recommendations for anything and everything, and we’ll feature some of our favorites here every week. For even more great recommendations, check out the replies to this post on Threads and this post on Bluesky.“The Devil’s Plan. This Netflix original South Korean reality show locks 14 contestants in a windowless living space that’s part mansion, part prison, part room escape, and challenges them to eliminate each other in a series of complicated tabletop games. (If this sounds familiar, it’s a spiritual successor to the beloved series The Genius from the mid-2010s.)” — Travis“If you’re a fan of Drive to Survive, I’m happy to report that the latest season of Netflix’s series on NASCAR is finally good, and a reasonable substitute for that show once you’ve finished it.” — Christopher“I switched to a Pixel 9 Pro XL and Pixel Watch 3 from an iPhone and Apple Watch about 6 months ago and found Open Bubbles, an open source alternative to BlueBubbles that does need a Mac but doesn’t need that Mac to remain on, You just need a one-time hardware identifier from it, then it gives you full iMessage, Find My, FaceTime, and iCloud shared albums on Android and Windows using an email address. So long as you can get your contacts to iMessage your email instead of your number, it works great.” — Tim“Playing Mario Kart 8 Deluxe for the last time before Mario Kart World arrives next week and takes over my life!” — Ravi“With Pocket being killed off I’ve started using my RSS reader — which is Inoreader — instead as a suitable replacement. I only switched over to Pocket after Omnivore shut down.” — James“I just got a Boox Go 10.3 for my birthday and love it. The lack of front lighting is the biggest downfall. It is also only on Android 12 so I cannot load a corporate profile. It feels good to write on just, almost as good as my cheaper fountain pen and paper. It is helping me organize multiple notebooks and scraps of paper.” — Sean“Giving Tweek a bit of a go, and for a lightweight weekly planner it’s beautiful. I also currently use Motion for project management of personal tasks and when I was doing my Master’s. I really like the Gantt view to map out long term personal and study projects. (I also got a student discount for Motion, but it’s still expensive.)” — Astrid“Might I suggest Elle Griffin’s work at The Elysian? How she’s thinking through speculative futures and a cooperative media system is fascinating.” — Zach“GeForce Now on Steam Deck!” — SteveSigning offOne of the reasons I like making this newsletter with all of you is that it’s a weekly reminder that, hey, actually, there’s a lot of awesome people doing awesome stuff out there on the internet. I spend a lot of my time talking to people who say AI is going to change everything, and we’re all going to just AI ourselves into oblivion and be thrilled about it — a theory I increasingly think is both wrong and horrifying.And then this week I read a blog post from the great Dan Sinker, who called this moment “the Who Cares Era, where completely disposable things are shoddily produced for people to mostly ignore.” You should read the whole thing, but here’s a bit I really loved:“Using extraordinary amounts of resources, it has the ability to create something good enough, a squint-and-it-looks-right simulacrum of normality. If you don’t care, it’s miraculous. If you do, the illusion falls apart pretty quickly. The fact that the userbase for AI chatbots has exploded exponentially demonstrates that good enough is, in fact, good enough for most people. Because most people don’t care.”I don’t think this describes everything and everyone, and neither does Sinker, but I do think it’s more true than it should be. And I increasingly think our job, maybe our method of rebellion, is to be people who care, who have taste, who like and share and look for good things, who read and watch and look at those things on purpose instead of just staring slackjawed at whatever slop is placed between the ads they hope we won’t really notice. I think there are a lot of fascinating ways that AI can be useful, but we can’t let it train us to accept slop just because it’s there. Sorry, this got more existential than I anticipated. But I’ve been thinking about it a lot, and I’m going to try and point Installer even more at the stuff that matters, made by people who care. I hope you’ll hold me to that.See you next week!See More:

The chief executive of the developer Antracit discusses her ambitions for the contest contest to retrofit and upgrade the former Palace Hotel in Ostrava, Czechia Zuzana Bajgarová inside the Palace Hotel Credit: Image by Vladimir Prycek Magazine Patriot Why are you holding an international contest for the renewal of the Palace Hotel in Ostrava? The former Palace Hotel building holds great historical and cultural significance for Ostrava. Since 1913, it has been an integral part of city life – fondly remembered by several generations, whether as a venue for cultural and social events or as a backdrop to everyday urban life. That’s why we are approaching its renewal with the utmost respect and openness to diverse architectural perspectives. We believe that an international competitive dialogue is the most effective way to arrive at a high-quality, sensitive solution that also aligns with the expectations of investors. We view the project as one of our company’s flagship initiatives – one that will shape the future appearance of Ostrava’s historic centre, in the Czech Republic’s third-largest city. What is your vision for the future of this important city centre building? Our vision is to transform the Palace Hotel into a vibrant, open space that seamlessly integrates into the everyday rhythm of city life. We believe it can offer the kind of amenities and services that Ostrava currently lacks. We aim to develop stylish, small-scale rental housing, complemented by services, community spaces, and potentially even a modern lifestyle hotel. A key priority is revitalizing the building’s ground floor as a dynamic public space and thoughtfully incorporating historical features into its renewed identity. This is a long-term investment focused on sustainability and on creating lasting value – not only for the people of Ostrava, but for the city as a whole. What sort of teams would you like to see step forward for this unique opportunity? We would like to invite teams that think beyond the immediate task – those with the courage to approach this project with both respect and vision. We value interdisciplinary collaboration that brings together architecture, urbanism, design, and experience in the transformation of historic buildings. Equally important to us is an understanding of urban life and the ability to design spaces that serve people naturally and intuitively. We are seeking a long-term partner – someone who will accompany us from concept through to successful implementation, and help restore the Palace Hotel to its rightful place on the map as a vibrant, confident presence in contemporary Ostrava. 2025-06-01 Merlin Fulcher Share

As the chill of June sets in, it's the perfect time to trade spreadsheets for screenplays. Instead of navigating the labyrinth of endless options across Australia's six major streaming platforms, we've curated a selection of standout films and series to warm your winter nights.Table of ContentsNew in June on Foxtel and BingeTV litter pick: Mix Tape – 12 Jun : Former teenage sweethearts reconnect decades later through shared musical memories, reigniting past emotions and questions about their future.Movie litter pick: Wicked – 26 Jun : Explores the origin story of Elphaba and Glinda, two witches whose friendship and destinies shape the Land of Oz.What notable movies are coming to Binge?Rewriting Trump – 1 JunSmile 2 – 4 JunAnora – 11 JunWicked – 26 JunWhat notable series are coming to Binge?Great Canadian Bake Off S8 – 3 JunMr Loverman – 4 JunBelow Deck S12 – 10 JunMix Tape – 12 JunRevival – 13 JunLove It Or List It NZ – 25 JunEva Longoria: Searching For Mexico – 27 JunBack to topNew in June on NetflixTV litter pick: Squid Game S03 – 27 Jun : An animated journey through Pharrell Williams' life, showcasing his musical evolution and creative milestones.Movie litter pick: Piece By Piece – 7 Jun : Contestants engage in deadly games for a cash prize, revealing human nature's darkest facets.What notable movies are coming to Netflix?Power Moves with Shaquille O’Neal – 4 JunPiece By Piece – 7 JunTitan: The Oceangate Disaster – 11 JunThe Waterfront – 19 JunKPop Demon Hunters – 20 JunWhat notable series are coming to Netflix?Ginny and Georgia S03 – 5 JunThe Survivors – 6 JunFubar S02 – 12 JunThe Fairly Oddparents: A New Wish S02 – 12 JunDallas Cowboy Cheerleaders S02 – 18 JunThe Ultimatum: Queer Love S02 – 25 JunSquid Game S03 – 27 JunBack to topNew in June on Disney+TV litter pick: The Bear S04 – 26 Jun : Chef Carmy and his team navigate the pressures of the culinary world, striving for excellence amidst chaos.Movie litter pick: Ironheart – 25 Jun : Teen genius Riri Williams builds her own advanced suit of armor, stepping into the superhero world.What notable movies are coming to Disney+?Predator: Killer of Killers – 6 JunOcean with David Attenborough – 8 JunCall Her Alex – 10 JunIronheart – 25 JunWhat notable series are coming to Disney+?Call Her Alex – 10 JunThe Bear S04 – 26 JunBack to topNew in June on Apple TV+TV litter pick: Stick – 4 Jun : A sports dramedy following a former hockey star's return to coaching, blending humor with heartfelt moments.Movie litter pick: Echo Valley – 13 Jun : A suspenseful thriller where a mother confronts dark secrets to protect her daughter from a dangerous past.What notable movies are on Apple TV+?Echo Valley – 13 JunWhat notable series are coming to Apple TV+?Stick – 4 JunThe Buccaneers S02 – 18 JunSmoke – 27 JunSign up for a free 7–day trial of Apple TV+Back to topNew in June on Amazon Prime VideoTV litter pick: Babygirl – 3 Jun : A provocative drama exploring a young woman's journey through love, betrayal, and self-discovery.Movie litter pick: Deep Cover – 12 Jun : An undercover agent infiltrates a drug cartel, facing moral dilemmas and identity crises.What notable movies are coming to Prime Video?Babygirl – 3 JunNascar to Le Mans – 12 JunDeep Cover – 12 JunBeyond After – 24 JunWhat notable series are coming to Prime Video?We Were Liars S01 – 18 JunCountdown S01 – 25 JunMarry My Husband – 27 JunBack to topNew in June on StanTV litter pick: This City Is Ours – 4 Jun : A gritty crime drama delving into power struggles and corruption within a city's law enforcement.Movie litter pick: The Surfer – 15 Jun : A psychological thriller featuring a man confronting his past while facing surreal challenges on a remote beach.What notable movies are coming to Stan?The Surfer – 15 JunJoh: The Last King of Queensland – 22 JunWhat notable series are coming to Stan?This City Is Ours – 4 JunBlack Mafia Family S04 – 6 JunThe Gold S02 – 9 JunAlone S12 – 13 JunHal and Harper – 26 JunBack to top IGN is now on Flash, live and on demand. Stream the latest and trending news for video games, interviews, videos, and wikis. Check it out here. Adam Mathew is our Aussie streaming savant. He also games on YouTube.

Posted on : May 28, 2025 By Tech World Times Business  Rate this post Starting a new business is exciting. But money is often the first big hurdle. Without funds, it’s hard to build products, hire staff, or run ads. That’s where Startup Funding becomes important. It helps entrepreneurs turn ideas into real businesses. In this article, we share the top 10 startup funding sources for new entrepreneurs in 2025. 1. Personal Savings Most founders start with their own money. It’s simple and quick. You don’t owe anyone else. Using savings shows you believe in your idea. But only use what you can afford to lose. Avoid risking your rent or emergency funds. 2. Friends and Family This is a common early funding source. People who know and trust you may help. They might give you money or offer loans. But always keep it professional. Write down terms and make repayment plans clear. It avoids confusion and protects relationships. 3. Angel Investors Angel investors are wealthy individuals who support startups. They often invest in early stages of business. They bring both money and advice. They usually take equity in return. Search platforms like AngelList or attend startup events to meet them. 4. Venture Capital (VC) VC firms invest big money in fast-growing startups. They look for high returns and innovation. VC funding is best for tech or scalable startups. They take equity and sometimes want a say. It’s competitive, so prepare strong pitch decks. 5. Business Incubators and Accelerators These programs help startups grow fast. They offer funding, training, and mentorship. Some popular examples are Y Combinator and Techstars. They often end with demo days to attract investors. You may give up a small equity share. 6. Crowdfunding Crowdfunding is when many people fund your idea online. Sites like Kickstarter and Indiegogo make this easy. You offer early access or rewards instead of equity. It works well for products people can see. Be sure to promote your campaign heavily. 7. Bank Loans Banks offer loans for startups and small businesses. They usually require a credit check and a business plan. Interest rates vary. Some banks need collateral. If approved, loans give quick access to funds. This option doesn’t dilute your ownership. 8. Government Grants Many governments support small businesses. They offer grants for innovation, research, or job creation. Grants don’t require repayment or equity. But they involve paperwork and clear guidelines. Search local government or small business websites. 9. Business Competitions Pitch competitions can offer funding and exposure. Entrepreneurs present their ideas to a panel of judges. Winners receive cash prizes or investment offers. Even if you don’t win, you gain feedback. Search for startup contests in your city or industry. 10. Corporate Venture Funds Big companies often invest in small startups. They want access to new ideas and technologies. These corporate funds work like VCs. But they may also offer partnerships or clients. Look for companies related to your industry. Tips for Choosing the Right Source Choosing the right Startup Funding source is important. Think about your business stage and goals. Do you need quick cash or long-term help? Can you give up equity or not? Always read the terms and plan your pitch. How to Get Ready for Funding Before applying for funding, get prepared. Make a clear business plan and pitch deck. Know your numbers: costs, sales, profits, and growth plans. Show why your idea is different or better. Practice your pitch until you feel confident. Pros and Cons of Funding Options Each Startup Funding source has pros and cons. Here’s a quick comparison for easy understanding: SourceProsConsSavingsFull controlRisk of personal lossFriends/FamilyEasy accessCan hurt relationshipsAngelsSmart moneyGive up equityVCsLarge fundsHigh pressure to growIncubatorsSupportiveEquity shareCrowdfundingNo equity neededNeeds marketingBank LoansKeep full ownershipInterest, credit checksGrantsFree moneySlow and competitiveCompetitionsWin fundingNo guaranteeCorporate FundsBig supportMight want exclusivity Choose what fits your situation best. Final Thoughts Finding Startup Funding takes effort, but it’s possible. Start small, and build trust with each step. Many successful companies began with tiny investments. You don’t need millions to get started. Pick the right funding source and stay focused. With patience and planning, your startup can grow. Keep learning, keep networking, and never stop pitching. Your big break might be one meeting away. Tech World TimesTech World Times (TWT), a global collective focusing on the latest tech news and trends in blockchain, Fintech, Development & Testing, AI and Startups. If you are looking for the guest post then contact at techworldtimes@gmail.com

Over the past few weeks, VMware customers holding onto their perpetual licenses, which are often unsupported and in limbo, have reportedly begun receiving formal cease-and-desist letters from Broadcom. The message is as blunt as it is unsettling: your support contract has expired, and you are to immediately uninstall any updates, patches, or enhancements released since that expiration date. Not only that, but audits could follow, with the possibility of “enhanced damages” for breach of contract. This is a sharp escalation in an effort to push perpetual license holders toward VMware’s new subscription-only model. For many, it signals the end of an era where critical infrastructure software could be owned, maintained, and supported on long-term, stable terms. Now, even those who bought VMware licenses outright are being told that support access is off the table unless they sign on to the new subscription regime. As a result, enterprises are being forced to make tough decisions about how they manage and support one of the most foundational layers of their IT environments. VMware isn’t just another piece of enterprise software. It’s the plumbing. The foundation. The layer everything else runs on top of, which is precisely why many CIOs flinch at the idea of running unsupported. The potential risk is too great. A vulnerability or failure in your virtual infrastructure isn’t the same as a bug in a CRM. It’s a systemic weakness. It touches everything. This technical risk is, without question, the biggest barrier to any organization considering support options outside of VMware’s official offering. And it’s a valid concern.  But technical risk isn’t black and white. It varies widely depending on version, deployment model, network architecture, and operational maturity. A tightly managed and stable VMware environment running a mature release with minimal exposure doesn’t carry the same risk profile as an open, multi-tenant deployment on a newer build. The prevailing assumption is that support equals security—and that operating unsupported equals exposure. But this relationship is more complex than it appears. In most enterprise environments, security is not determined by whether a patch is available. It’s determined by how well the environment is configured, managed, and monitored. Patches are not applied instantly. Risk assessments, integration testing, and change control processes introduce natural delays. And in many cases, security gaps arise not from missing patches but from misconfigurations: exposed management interfaces, weak credentials, overly permissive access. An unpatched environment, properly maintained and reviewed, can be significantly more secure than a patched one with poor hygiene. Support models that focus on proactive security—through vulnerability analysis, environment-specific impact assessments, and mitigation strategies—offer a different but equally valid form of protection. They don’t rely on patch delivery alone. They consider how a vulnerability behaves in the attack chain, whether it’s exploitable, and what compensating controls are available.  Read more about VMware security Hacking contest exposes VMware security: In what has been described as a historical first, hackers in Berlin have been able to demo successful attacks on the ESXi hypervisor. No workaround leads to more pain for VMware users: There are patches for the latest batch of security alerts from Broadcom, but VMware users on perpetual licences may not have access. This kind of tailored risk management is especially important now, as vendor support for older VMware versions diminishes. Many reported vulnerabilities relate to newer product components or bundled services, not the core virtualization stack. The perception of rising security risk needs to be balanced against the stability and maturity of the versions in question. In other words, not all unsupported deployments are created equal. Some VMware environments—particularly older versions like vSphere 5.x or 6.x—are already beyond the range of vendor patching. In these cases, the transition to unsupported status may be more symbolic than substantive. The risk profile has not meaningfully changed.  Others, particularly organisations operating vSphere 7 or 8 without an active support contract, face a more complex challenge. Some critical security patches remain accessible, depending on severity and version, but the margin of certainty is shrinking.   These are the cases where enterprises are increasingly turning to alternative support models to bridge the gap—ensuring continuity, maintaining compliance, and retaining access to skilled technical expertise. Third-party support is sometimes seen as a temporary fix—a way to buy time while organizations figure out their long-term plans. And it can serve that purpose well. But increasingly, it’s also being recognized as a strategic choice in its own right: a long-term solution for enterprises that want to maintain operational stability with a reliable support partner while retaining control over their virtualization roadmap.What distinguishes third-party support in this context isn’t just cost control, it’s methodology.   Risk is assessed holistically, identifying which vulnerabilities truly matter, what can be addressed through configuration, and when escalation is genuinely required. This approach recognises that most enterprises aren’t chasing bleeding-edge features. They want to run stable, well-understood environments that don’t change unpredictably. Third-party support helps them do exactly that, without being forced into a rapid, costly migration or a subscription contract that may not align with their business needs.  Crucially, it enables organisations to move on their own timeline. Much of the conversation around unsupported VMware environments focuses on technical risk. But the longer-term threat may be strategic. The end of perpetual licensing, the sharp rise in subscription pricing, and now the legal enforcement of support boundaries all points to a much bigger problem: a loss of control over infrastructure strategy.  Vendor-imposed timelines, licensing models, and audit policies are increasingly dictating how organizations use the very software they once owned outright. Third-party support doesn’t eliminate risk—nothing can. But it redistributes and controls it. It gives enterprises more agency over when and how they migrate, how they manage updates, and where they invest. In a landscape shaped by vendor agendas, that independence is increasingly critical.  Broadcom’s cease-and-desist letters represent a new phase in the relationship between software vendors and customers—one defined not by collaboration, but by contractual enforcement. And for VMware customers still clinging to the idea of “owning” their infrastructure, it’s a rude awakening: support is no longer optional, and perpetual is no longer forever. Organizations now face three paths: accept the subscription model, attempt a rapid migration to an alternative platform, or find a support model that gives them the stability to decide their future on their own terms.  For many, the third option is the only one that balances operational security with strategic flexibility.  The question now isn’t whether unsupported infrastructure is risky. The question is whether the greater risk is allowing someone else to dictate what happens next. 

You can trust VideoGamer. Our team of gaming experts spend hours testing and reviewing the latest games, to ensure you're reading the most comprehensive guide possible. Rest assured, all imagery and advice is unique and original. Check out how we test and review games here With the release of Marvel Rivals Season 2.5, NetEase is giving away more than 400,000 Units! This premium currency is extremely valuable and can be used to purchase cosmetic items from the in-game shop. If you are running low on it, you can enter the latest contest for a chance to add 8,000 Units to your account. The Marvel Rivals contest was announced on Saturday and runs until June 20, giving you three weeks to enter it. In total, 210 participants will get valuable rewards, ranging from 1,000 to 8,000 Units. How to win free Units in Marvel Rivals NetEase posted a contest on its website, where you can submit your entries and read the full rules. To enter, you need to capture either in-game photography or record short or long videos. Each of these three categories has 70 winners, giving you a unique opportunity to earn free Units for the content you create. Anyone can enter the contest, and here’s how the prize distribution works for each category: PlacementReward1st – 3rd Place8000 Units4th – 10th Place5000 Units11th – 20th Place2500 Units50 random participants1000 Units Celebrate Season 2.5 by capturing memorable moments and submitting them to the contest. Image by VideoGamer You have until June 20, 10 AM UTC to submit your entries. Once the submission period is over, NetEase will take two weeks to review them, and the winners will be announced in early July. If you intend to enter the contest, you have to create original and engaging content. For more rules, please visit the official contest page. If you’re not a fan of contests, don’t forget that you can unlock thousands of free Units in Marvel Rivals by simply playing the game. Furthermore, two new skins were released with the release of Season 2.5, Golden Ultron and Binary Hawkeye. You can also unlock a free Mister Fantastic skin from the Combat Chest. Marvel Rivals Platform(s): macOS, PC, PlayStation 5, Xbox Series S, Xbox Series X Genre(s): Fighting, Shooter Subscribe to our newsletters! By subscribing, you agree to our Privacy Policy and may receive occasional deal communications; you can unsubscribe anytime. Share

A competition is being held to rethink the Flemish Community Commission’s property portfolio in Brussels (Deadline: 17 June 2025) The competition – organised by the Brussels ‘Bouwmeester’ chief architect – will select a ‘multidisciplinary and transversal’ team to draw up a high-level vision for the commission’s estate which includes 64 buildings and campuses across the Brussels-Capital Region The winner of the €190,000 contract will create short (1–5 years), medium (5–15 years), and long term (15–30 years) strategies for the organisation which provides cultural, educational, well-being and health services to Flemings across the city. According to the brief: ‘The Flemish Community Commission (VGC) holds a significant public real estate portfolio in the Brussels-Capital Region, covering approximately 246,000m², of which around 94,000m² is under its direct management. ‘This property, consisting of 64 buildings and campuses operated under various models and real estate contracts, now requires a clear and structured long-term vision. The VGC aims to move beyond its current multi-year plan and develop a long-term strategy focused on sustainable and resilient infrastructure.’ Brussels is the capital of the French Community of Belgium and home to a Dutch-speaking Flemish community of around 240,000 people. The Flemish Community Commission was founded in 1989 to provide a range of community services to Flemings in Brussels. De Vaartkapoen in Sint-Jans-Molenbeek, Brussels is a venue run by the Flemish Community Commission Credit: Image by Lotte222 Creative Commons Attribution-Share Alike 4.0 International license The competition is the latest to be organised by the Bouwmeester, which has recently launched international contests for an upgrade of the Les Jardins d’Élise school, to retrofit and convert a European Commission office block, and for 25 new affordable homes in the Usquare development of Brussels. The latest project aims to identify a ‘range of sustainable, future-oriented’ solutions for the city’s many Flemish Community Commission buildings and their management. The study will be expected to take into account ‘programmatic, spatial, technical, and financial dimensions.’ Participating teams will be required to have expertise in spatial research including architecture, urban planning, and building services with knowledge of urban development, real estate, and socio-spatial issues. The competition language is Dutch and the winning team will work receive an estimated €190,000 contract. Non-winning teams who submit qualifying bids will each receive a €2,000 honorarium. How to apply Deadline: 11am local time, 17 June Competition funding source: Not supplied Project funding source: Not supplied Owner of site(s): Not suppliedVisit the competition website for more information

The Supreme Court handed down a very brief order on Friday, which effectively permits the Trump administration to strip half a million immigrants of their right to remain in the United States. The case is Noem v. Doe.Although the full Court did not explain why it reached this decision, Justice Ketanji Brown Jackson penned a dissenting opinion, which was joined by Justice Sonia Sotomayor. As Jackson explains, the case involves “nearly half a million Cuban, Haitian, Nicaraguan, and Venezuelan noncitizens” who are in the United States “after fleeing their home countries.” The Department of Homeland Security previously granted these immigrants “parole” status, which allows them to live in the United States for up to two years, and sometimes to work in this country lawfully. Shortly after Trump entered office, DHS issued a blanket order stripping these immigrants of their parole status, putting them at risk for removal. But, a federal district court blocked that order — ruling that DHS must decide whether each individual immigrant should lose their status on a case-by-case basis, rather than through an en masse order.Realistically, this district court order was unlikely to remain in effect indefinitely. In its brief to the justices, the Trump administration makes a strong argument that its decision to terminate these immigrants’ status is legal, or, at least, that the courts cannot second-guess that decision. Among other things, the brief points to a federal law which provides that “no court shall have jurisdiction to review” certain immigration-related decisions by the secretary of Homeland Security. And it argues that the secretary has the power to grant or deny parole because federal law gives them “discretion” over who receives parole.Notably, Jackson’s dissent does not question that the Trump administration is likely to prevail once this case is fully litigated. Instead, she argues that her Court’s decision to effectively strip these immigrants of their status is premature. “Even if the Government is likely to win on the merits,” Jackson writes, “in our legal system, success takes time and the stay standards require more than anticipated victory.”The primary disagreement between Jackson and her colleagues in the majority concerns the Court’s aggressive use of its “shadow docket” to benefit Trump and other conservative litigants. The shadow docket is a mix of emergency motions and other expedited matters that the justices decide without full briefing and oral argument. The Court typically only spends days or maybe a few weeks weighing whether to grant shadow docket relief, while it spends months or longer deciding cases on its ordinary docket.Since Jackson joined the Court in 2022, she’s become the Court’s most vocal internal critic of its frequent use of the shadow docket.As Jackson correctly notes in her Doe dissent, the Supreme Court has long said that a party seeking a shadow docket order blocking a lower court’s decision must do more than demonstrate that they are likely to prevail. That party must also show that “irreparable harm will befall them should we deny the stay.” When these two factors do not strongly tilt toward one party, the Court is also supposed to ask whether “the equities and public interest” favor the party seeking a stay.Jackson criticizes her colleagues in the majority for abandoning these requirements. As she argues, the Trump administration has not shown an “urgent need to effectuate blanket…parole terminations now.” She also argues that DHS “does not identify any specific national-security threat or foreign-policy problem that will result” if these immigrants remain in the country for a few more months. And, even under the lower court’s order, the government “retains the ability to terminate…parole on a case-by-case basis should such a particular need arise.”Although the Court has never formally repudiated the requirement that parties seeking to stay a lower court order must prove irreparable harm, it often hands down shadow docket decisions that don’t explicitly consider this requirement. Concurring in Labrador v. Poe (2024), Justice Brett Kavanaugh argued that, in many shadow docket cases, “this Court has little choice but to decide the emergency application by assessing likelihood of success on the merits.” So Kavanaugh, at least, has stated openly that there are some cases where he will rule solely based on which side he thinks should win, regardless of whether that side has proven irreparable harm. Kavanaugh’s concurring opinion was joined by Justice Amy Coney Barrett.In the short term, the Doe decision could lead to many immigrants losing their protections. Long term, the most significant aspect of the decision involves an internal dispute about how fast the Court may move when it disagrees with a lower court decision. No justice contested that the Trump administration is eventually likely to prevail in this case. But Jackson called for her Court to continue to apply procedural constraints that a majority of her colleagues appear to have abandoned. The upshot of this abandonment is that right-leaning litigants like Trump are likely to receive relief very quickly from the justices, because most of the justices are Republicans, while left-leaning litigants will remain bound by lower court orders.See More:

Michalina Janoszanka, “Motyl (Butterfly)” (ca. 1920s). Image courtesy of Public Domain Review June 2025 Opportunities: Open Calls, Residencies, and Grants for Artists May 30, 2025 Opportunities Colossal Every month, we share opportunities for artists and designers, including open calls, grants, fellowships, and residencies. Make sure you never miss out by joining our monthly Opportunities Newsletter. Innovate Grant awards two $1,800 grants each quarter to one visual artist and one photographer. In addition, twelve applicants will receive honorable mentions, be featured on the website, and join a growing community. International artists and photographers working in any medium are eligible.Deadline: 11:59 p.m. PST on June 26, 2025.Open Calls Artadia Awards (San Francisco Bay area) Artists receive unrestricted funds of $15,000, and honoraria will also be provided to finalists.Deadline: June 1, 2025.Artists are welcome to submit proposals for temporary, site-specific public art projects to be showcased throughout Nashville during the Artville festival weekend, September 26 to 28, 2025. Selected artists will be invited to accept a grant to bring their creative visions to life, plus the chance for a cash prize. Total cash prizes equal $10,000.Deadline: June 4, 2025.Women in Watercolor International Juried Competition (International)Deadline: June 8, 2025. The Vilcek Foundation will award six $50,000 prizes to young immigrants working in fashion curation, material innovation, makeup, hair, writing, curation, styling, design, and photography. Read more on Colossal.Deadline: June 9, 2025.Art Renewal Center Salon Competition (International)Deadline: 11:59 p.m. PST on June 12, 2025. Weather Photographer of the Year (International) Hosted by the Royal Meteorological Society, this competition showcases the world’s most striking weather and climate photographs and raises awareness about the environmental issues putting our planet at risk. Open to photographers of all ages and abilities, the contest offers a £5,000 cash prize.Deadline: June 19, 2025.AAP Magazine #49 B&W Photography Open Call (International) The contest is open to any interpretation of black-and-white photography. Winners will receive $1,000 and their winning image(s) or full portfolio published in AAP Magazine, vol. 49, There is a $35 entry fee for the first three images, plus $5 for each additional image.Deadline: June 24, 2025.Midwest Open (Illinois, Indiana, Michigan, Ohio, Wisconsin, Iowa, Kansas, Minnesota, Missouri, Nebraska, North Dakota, and South Dakota) The Midwest Open is Woman Made Gallery’s annual exhibition highlighting women and nonbinary artists living in the Midwest. All media and subject matter are eligible, and cash prizes range from $100 to $300. There is a $35 submission fee.Deadline: June 28, 2025.Makers, artists, and crafters are eligible to submit works that demonstrate technical mastery and a connection to cultural tradition through a singular, one-of-a-kind handcrafted piece. The winner will receive $25,000, and four finalists will also receive grant funding.Deadline: June 30, 2025.16th Epson International Pano Awards (International) This panoramic photography contest is open for entries and offering more than $50,000 in cash and prizes. There is an $18 entry fee.Deadline: July 21, 2025.Grants Art Fluent Evolution Grant (International) Art Fluent awards a $1,000 grant to one visual artist each cycle. The unrestricted funds may be applied toward any expense to enhance the artist’s ability to create work. There is a $35 entry fee.Deadline: June 6, 2025.Get Ready Grants provide craft artists with up to $1,000 for activities to safeguard their studios, protect their practices, and prepare for emergencies. Priority is given to applicants who have been underrepresented in the craft community, including BIPOC and folk/traditional artists.Deadline: June 10, 2025.Ian Potter Cultural Trust Emerging Artist Grants (Australia) Two funding rounds annually are open to individual artists working across disciplines who can apply for grants of up to AUD $15,000. This round funds travel or projects that commence after September 19, 2025.Deadline: June 17, 2025.Grants for Artists’ Progress (Washington State) This program offers 65 unrestricted grants of $1,500 for artists working in all disciplines across Washington State.Deadline: June 23, 2025.This $10,000 grant is designed to highlight an existing body of work by a Black trans woman visual artist. Four finalists will also receive $1,250.Deadline: July 2, 2025.Liu Shiming Art Foundation’s Artist Grants (International) Each year, the Liu Shiming Art Foundation selects up to five artists to receive a $5,000 grant. Visual artists working for at least two years (but not more than 10) are invited to apply for a grant in support of a current or new project.Deadline: August 21, 2025.Vital Impacts offers one $20,000 grant to an established environmental photographer, along with six $5,000 grants to emerging photographers from around the world. These funds are specifically earmarked for the development of documentary projects focusing on environmental stories.Deadline: September 15, 2025.The Adolf and Esther Gottlieb Emergency Grant (International) This program provides one-time financial assistance to qualified painters, printmakers, and sculptors whose needs resulted from an unforeseen catastrophic incident and who lack the resources to meet that situation. Awardees typically receive $5,000, up to $15,000.Deadline: Rolling.This fund commissions visual artists to create company projects on a rolling basis. Awardees will receive between $500 and $5,000.Deadline: Rolling.Pollock-Krasner Foundation Grant (International) The foundation welcomes applications from painters, sculptors, and artists working on paper, including printmakers. Grants are intended for one year and range up to $50,000. The artist’s circumstances determine the size of the grant, and professional exhibition history will be considered.Deadline: Rolling.Residencies, Fellowships, & More The Farm Margaret River Residency (International) This five- to eight-week residency is geared toward site-responsive projects and engagement with the land. Residents receive a $7,500 stipend, studio space, accommodations, and travel assistance.Deadline: 5 p.m. AWST on June 2, 2025.Wassaic Project 2026 Residency Program (International) Wassaic Project is accepting proposals for the 2026 summer and winter residencies. Artists receive a semi-private studio space; private room in a shared house (the Family program receives a private house); access to a wood shop, print shop, and kiln; staff support; and programming such as our visiting artist program, artist talks, studio visits, open studios, artist presentations, etc. The residency fee is $900, and fellowships are available. There is a $25 entry fee.Deadline: June 2, 2025.Headlands Center for the Art Artist-in-Residence (International) Residencies of four to ten weeks include studio space, chef-prepared meals, housing, travel, and living expenses. Artists selected for this program are at all career stages and work in all media, including drawing, painting, sculpture, photography, film, video, new media, installation, fiction and nonfiction writing, poetry, dance, music, interdisciplinary, social practice, arts professions, and architecture. There is a $45 application fee.Deadline: June 2, 2025.Banff Centre Artist in Residence – Winter 2026 (International) Individual and duo visual artists at any stage of their career are eligible for this residency, which offers focus in a supportive learning environment. During five weeks, participants are encouraged to self-direct their research and time and cultivate new directions. Studio space is provided.Deadline: June 11, 2025.Prairie Ronde Artist Residency (International) These five- to six-week residencies offer a $2,000 stipend, $500 travel grant, and housing to artists interested in interacting with the former Lee Paper Company mill in Vicksburg, Michigan. There is a $25 application fee.Deadline: June 15, 2025.Stove Works Residency (International) This program invites eight residents for one to three months. Six studios are designed for artists who require significant space in their practice, while the other two are for writers, curators, and academics. There is a $30 application fee. Deadline: June 15, 2025.Women’s Studio Workshop (International) WSW is accepting applications for two programs: A studio residency open to artists working in intaglio, letterpress, papermaking, screenprinting, darkroom photography, or ceramics; and an education residency for artists interested in working with local students. Both tracks offer studio space and housing.Deadline: June 15, 2025.Artists, ecological scientists, and scholars wanting to explore connections to nature, land conservation, historic preservation, agriculture, and community building are invited to apply for this program. Studio space, accommodations, a $200 per week stipend, and more are provided.Deadline: 5 p.m. PST on June 20, 2025.Peters Valley School of Craft Residency (International) This program is open to artists working in blacksmithing, ceramics, fibers, jewelry and fine metals, wood, and printmaking. Residents spend two weeks or one month in fully equipped studios, receive a $500 or $1,000 stipend, and are offered housing. There is a $10 application fee.Deadline: July 1, 2025.Penland School of Craft (International)Deadline: July 2, 2025. The Kyoto Retreat (International) Artists, curators, and writers are eligible for this four-week retreat in Kyoto for research, exploration, and inspiration. Chosen applicants receive a round-trip flight, a private bedroom, and $800 to supplement meals and local transportation.Deadline: July 15, 2025.If you’d like to list an opportunity, please contact [email protected]. Next article

An open international contest is being held to retrofit and upgrade the Brutalist-style Prior shopping centre in Most, Czechia (Deadline: 27 June) The two-stage competition – organised by the Centre for Central European Architecture (CCEA MOBA) on behalf of the City of Most – will select a design team to upgrade the 1973 complex located on a prominent site in the centre of the planned 1970s coal-mining settlement. The £750,000 (22.2 million CZK) ‘SuperMost – SuperPrior’ project will transform the landmark building – which is the centrepiece of a vast planned city designed by Václav Krejčí and constructed following the demolition of historic Most to make way for a lignite mine – into a new community and cultural hub for the settlement. Competition site: SuperPrior, Most According to the brief: ‘The city of Most is announcing its first competitive dialogue, SuperMost – SuperPrior. Prior, opened in 1976 as the city's main shopping centre, has the potential to become a community and cultural hub. ‘The aim is to design a new future for the former department store – a place for new functions, sharing, and meeting. The current building is to be reintegrated into the life of the city and offer meaningful use.’ Founded in mid-13th century, Most is a historic settlement of 63,000 inhabitants located in the Ústí nad Labem Region of Czechia close to Germany’s southern border. Most was demolished from 1965 to 1985 to make way for a lignite mine with a new planned settlement created in the Brutalist style featuring housing estates, a shopping centre, a culture centre, planetarium and an office skyscraper. The latest contest also comes shortly after CCEA MOBA launched a contest to retrofit and upgrade the former Palace Hotel in Ostrava. The ‘SuperMost – SuperPrior’ contest is the first part of a bigger programme of renewal drawn up by CCEA MOBA and the City of Most which will include an artistic intervention on the city hall and wider city centre renewal initiative. Competition site: SuperPrior, Most The project focuses on transforming the shopping centre into a new venue for film screenings and a gastronomy marketplace addressing the lack of similar facilities in the local area. Judges will include Marie Kašparová, director of Kultura Praha 3; Gerry Schwyter, architect at EM2N in Zurich; Marina Kounavi, founder of ANAGRAM in Athens; and the mayor of Most, Marek Hrvol. The contest language is Czech and English. Submissions will be judged on architectural quality including social-cultural value, aesthetic and functional quality; and technological solution comprising material and structural choices, environmental responsibility and energy performance. The overall winner will receive a £23,540 (CZK 700,000) prize while a second prize of £20,180 (CZK 600,000), third prize of £13,450 (CZK 400,000) and a fourth and fifth prize each worth £8,410 (CZK 250,000) will also be awarded. How to apply Deadline: 2pm local time, 27 June Competition funding source: Not supplied Project funding source: Not supplied Owner of site(s): Not supplied Contact details: karin@cceamoba.czVisit the competition website for more information