RoboCop: Rogue City – Unfinished Business preview: ‘We created something bigger than we expected’ Adam Starkey Published June 3, 2025 9:00am Stay out of trouble (Nacon) GameCentral goes hands-on with the standalone expansion of RoboCop: Rogue City, which dials up the action and gory splatter of 2023’s surprise hit. For a franchise that has arguably done nothing of worth since the early 90s, the future of RoboCop is looking surprisingly bright. Following Amazon’s acquisition of MGM, a new TV show is currently in the works, with rumbles of a new film as well. Whether this leads to a major rejuvenation for everyone’s favourite cyborg law enforcer remains to be seen, but the original source of any RoboCop redemption arc has to start with 2023’s RoboCop: Rogue City.  Developed by Polish studio Teyon, RoboCop: Rogue City was the kind of unexpected surprise you rarely get from licensed games. It recaptured the original’s wit and 80s aesthetic, but also found a way to deliver the fantasy of playing as the half-human cyborg without streamlining any of the character’s personality. The bloody action was built around his hulking, slow movement, dry one-liners were in abundance, and missions weren’t always reduced to mowing down thugs in corridors – you also handed people parking tickets, settled trivial civilian disputes, and, in one wonderfully mundane side mission, did the rounds in the office for a get well card.  The game became publisher Nacon’s ‘best ever launch’ with 435,000 players within two weeks. Now, a year and a half later, developer Teyon is back with a standalone expansion. Marketing around Unfinished Business has purposefully dodged the term *DLC*, but as explained by the studio’s communications manager, Dawid Biegun, it started out as exactly that.  ‘When we released RoboCop: Rogue City, we were thinking about, this story has many things [we can] do in the future,’ says Biegun. ‘We had many paths we could choose. So we basically started slowly developing some new storyline. The game was planned to be DLC but it grew out of control. It was a really rare situation where we created something bigger than we expected, so it became a standalone expansion from then.’ Unlike Rogue City, this expansion, which we’re told spans around eight hours on average, is centred around one location in the OmniTower. Like most things in the RoboCop realm created by OCP, this promised idyllic housing complex quickly goes south when a band of mercenaries assume control. To restore order, and after a creepy opening where an attack on the Detroit police station leaves several officers frozen solid, RoboCop is assigned to the case.  RoboCop has new moves at his disposal (Nacon) Unfinished Business wastes little time in throwing you into the action, and quickly amps up the chaos. For anyone who has played Rogue City, all the original tenets of the combat are here, albeit with a slight increase in difficulty. You’ll be looking for explosive cans to blast, illuminated panels to ricochet bullets off walls, and all the while trying not to expose yourself to too much gunfire. The combat purposefully doesn’t have the slick speed of Call Of Duty, but it is still aggressively punchy, with headshots resulting in satisfyingly bloody splatters and RoboCop’s famed Auto-9 machine pistol still having the kickback of a pocket pneumatic drill.  From the get-go, Unfinished Business pushes back in a way Rogue City never did. New enemies equipped with riot shields are a real nuisance if you don’t utilise the ricochet panels, while the ability to slow down time is a much bigger crutch to chip down the enemy numbers from a distance. Health pick-ups felt in shorter supply too, even on the normal difficulty, to the point where we barely scraped through several encounters.  While it’s unclear if this applies to the whole game, Unfinished Business feels like a gnarlier experience, when compared to the original. RoboCop has some new context sensitive finishing moves, like throwing enemy heads into concrete walls or vending machines, which is a satisfying addition to the melee arsenal. There’s greater enemy variety too, between fierce minigun heavyweights and flying drones, along with some neat action set pieces. In one standout, we had to operate a walkway bridge to deactivate a giant turret at the end of a room, dashing between cover as it rains down bullets and destroys the surrounding environment. Anyone who has played action games before will recognise all the mechanics at play in this scenario, but it was still well executed and effective. Another had a whiff of Star Wars, as you rush around shooting electrical panels to stop a trash compactor from crushing you via the descending ceiling. The action shift in Unfinished Business is best defined by a later sequence we got to play, where you take control of the franchise’s signature mech, ED-209. If the power fantasy of playing as RoboCop is tested in this expansion, ED-209’s section was pure mental catharsis, where you blast away enemy hordes with miniguns and rockets, and clean up any stragglers with a rigid, robotic stomp. The rush of piloting ED-209, with its cacophony of explosions and bullets, felt like a throwback to vehicle sections in a long lost Xbox 360 game – but in a good way.  While there’s a definite lean towards combat, rather than gift card signing, when compared to Rogue City, it hasn’t entirely abandoned the detective side. According to the developers, if Rogue City had a 60/40 percent split between guns and detective work, Unfinished Business ‘would be like 70/30, or 80/20’ in comparison. More Trending We saw some of this , with one memorable encounter seeing you quizzed by a RoboCop superfan who is unconvinced you’re the actual RoboCop, leading to a series of questions based on the history of the franchise. There is optional side missions too, although the time we had with our preview limited our chance to fully delve into them. The sales and positive reviews for RoboCop: Rogue City emboldened Teyon’s vision and scope for Unfinished Business – and that confidence shines through in what we played. Some might be disappointed by the steer towards action, and we were heading into this preview, but by the end, this felt like a welcome extension with its own unique flavour. This is RoboCop: Rogue City with its pedal to the floor, confined and concentrated into a lean, tightly focused machine.  As for the studio’s next steps, the success of RoboCop has only reaffirmed Teyon’s strengths and identity as a team. Between its three studios across Poland and Japan, with over 140 employees in total, Teyon wants to maintain its grip within the AA space. ‘We feel strong here in such games,’ Biegun said. ‘We wouldn’t want to grow like 200, 300, 400 people, because we’re going to lose our soul this way. We want to stay as we are right now.’ ED-209 needs be wary of stairs (Nacon) Email gamecentral@metro.co.uk, leave a comment below, follow us on Twitter, and sign-up to our newsletter. To submit Inbox letters and Reader’s Features more easily, without the need to send an email, just use our Submit Stuff page here. For more stories like this, check our Gaming page. Arrow MORE: How to get a Nintendo Switch 2 this week in the UK GameCentral Sign up for exclusive analysis, latest releases, and bonus community content. This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. Your information will be used in line with our Privacy Policy

DeepSeek's R1 update, plus the rest of the AI news this week. Credit: Thomas Fuller / SOPA Images / LightRocket / Getty Images This week, DeepSeek released an updated version of its R1 model on HuggingFace, reigniting the open-source versus closed-source competition. The updated version, called DeekSeek-R1-0528, has 685 billion parameters, an upgrade from January's version, which had 671 billion. Unlike OpenAI and Google's models, which are famously closed-source, DeepSeek's model weights are publicly available. According to the benchmarks, the R1-0528 update has improved reasoning and inference capabilities and is closing the gap with OpenAI's o3 and Google's Gemini 2.5 Pro. DeepSeek also introduced a distilled version of R1-0528 using Alibaba's Qwen3 8B model. This is an example of a lightweight model that is less capable but also requires less computing power. DeepSeek-R1-0528-Qwen3-8B outperforms both Google's latest lightweight model Gemini-2.5-Flash-Thinking-0520 and OpenAI's o3-mini in certain benchmarks. But the bigger deal is that DeekSeek's distilled model can reportedly run on a single GPU, according to TechCrunch. You May Also Like To… distill all this information, the Chinese rival is catching up to its U.S. competitors with an open-weight approach that's cheaper and more accessible. Plus, DeepSeek continues to prove that AI models may not require as much computing power as OpenAI, Google, and other AI heavyweights currently use. Suffice to say, watch this space.That said, DeepSeek's models also have their drawbacks. According to one AI developer (via TechCrunch), the new DeepSeek update is even more censored than its previous version when it comes to criticism of the Chinese government. Of course, a lot more happened in the AI world over the past few days. After last week's parade of AI events from Google, Anthropic, and Microsoft, this week was lighter on product and feature news. That's one reason DeepSeek's R1 update captured the AI world's attention this week. In other AI news, Anthropic finally gets voice mode, AI influencers go viral, Anthropic's CEO warns of mass layoffs, and an AI-generated kangaroo. Google's Veo 3 takes the internet by stormOn virtually every social media platform, users are freaking out about the new Veo 3, Google's new AI video model. The results are impressive, and we're already seeing short films made entirely with Veo 3. Not bad for a product that came out 11 days ago. Not to be outdone by AI video artists, a reporter from The Wall Street Journal made a short film about herself and a robot using Veo 3.Mashable's Tech Editor Timothy Werth recapped Veo's big week and had a simple conclusion: We're so cooked.More AI product news: Claude's new voice mode and the beginning of the agentic browser eraAfter last week's barrage, this week was lighter on the volume of AI news. But what was announced this week is no less significant.  Mashable Light Speed Want more out-of-this world tech, space and science stories? Sign up for Mashable's weekly Light Speed newsletter. By clicking Sign Me Up, you confirm you are 16+ and agree to our Terms of Use and Privacy Policy. Thanks for signing up! Anthropic finally introduced its own voice mode for Claude to compete with ChatGPT, Grok, and Gemini. The feature is currently in beta on mobile for the Claude app and will even be available to free plans with a limit of 20 to 30 voice conversations per day. Anthropic says you can ask Claude to summarize your calendar or read documents out loud. Paying subscribers can connect to Google Workspace for Calendar, Gmail, and Docs access. OpenAI is exploring the ability to sign into third-party apps with ChatGPT. We don't know much yet, but the company posted an interest form on its site for developers using Codex, its engineering agent, to add this capability to their own apps. It may not sound like a big deal, but it basically means users could easily link their personalized ChatGPT memories and settings to third-party apps, much like the way it works when you sign into a new app with your Google account.Opera announced a new agentic AI browser called Neon. "Much more than a place to view web pages, Neon can browse with you or for you, take action, and help you get things done," the announcement read. That includes a chatbot interface within the browser and the ability to fill in web forms for tasks like booking trips and shopping. The announcement, which included a promo video of a humanoid robot browsing the robot, which is scant on details but says Neon will be a "premium subscription product" and has a waitlist to sign up.The browser has suddenly become a new frontier for agentic AI, now that it's capable of automating web search tasks. Perplexity is working on a similar tool called Comet, and The Browser Company pivoted from its Arc browser to a more AI-centric browser called Dia. All of this is happening while Google might be forced to sell off Chrome, which OpenAI has kindly offered to take off its hands. Dario Amodei's prediction about AI replacing entry-level jobs is already starting to happenAnthropic CEO Dario Amodei warned in an interview with Axios that AI could "wipe out half of all entry-level white-collar jobs." Amodei's predictions might be spot on because a new study from VC firm SignalFire found that hiring for entry-level jobs is down to 7 percent from 25 percent in the previous year. Some of that is due to changes in the economic climate, but AI is definitely a factor since firms are opting to automate the less-technical aspects of work that would've been taken on by new hires.  Related Stories The latest in AI culture: That AI-generated kangaroo, Judge Judy, and everything elseGoogle wants you to know its AI overviews reach 1.5 billion people a month. They probably don't want you to know AI Overviews still struggles to count, spell, and know what year it is. As Mashable's Tim Marcin put it, would AI Overviews pass concussion protocol?The proposal of a 10-year ban on states regulating AI is pretty unpopular, according to a poll from Common Sense Media. The survey found that 57 percent of respondents opposed the moratorium, including half of the Republican respondents. As Mashable's Rebecca Ruiz reported, "the vast majority of respondents, regardless of their political affiliation, agreed that Congress shouldn't ban states from enacting or enforcing their own youth online safety and privacy laws."In the private sector, The New York Times signed a licensing deal with Amazon to allow their editorial content to be used for Amazon's AI models. The details are unclear, but from the outside, this seems like a change of tune from the Times, which is currently suing OpenAI for copyright infringement for allegedly using its content to train its models. That viral video of an emotional support kangaroo holding a plane ticket and being denied boarding? It's AI-generated, of course. Slightly more obvious, but no less creepy is another viral trend of using AI to turn public figures like Emmanuel Macron and Judge Judy into babies. These are strange AI-slop-infested times we're living in. AI has some positive uses too. This week, we learned about a new humanoid robot from HuggingFace called HopeJr (with engineering by The Robot Studio), which could be available for sale later this year for just $3,000.And to end this recap on a high note, the nonprofit Colossal Foundation has developed an AI algorithm to detect the bird calls of the near-extinct tooth-billed pigeon. Also known as the "little dodo," the tooth-billed pigeon is Samoa's national bird, and scientists are using the bioacoustic algorithm to locate and protect them. Want to get the latest AI news, from new product features to viral trends? Check back next week for another AI news recap, and in the meantime, follow @cecily_mauran and @mashable for more news.Disclosure: Ziff Davis, Mashable’s parent company, in April filed a lawsuit against OpenAI, alleging it infringed Ziff Davis copyrights in training and operating its AI systems. Topics OpenAI DeepSeek Cecily Mauran Tech Reporter Cecily is a tech reporter at Mashable who covers AI, Apple, and emerging tech trends. Before getting her master's degree at Columbia Journalism School, she spent several years working with startups and social impact businesses for Unreasonable Group and B Lab. Before that, she co-founded a startup consulting business for emerging entrepreneurial hubs in South America, Europe, and Asia. You can find her on X at @cecily_mauran.

Hell Is Us – not a Ubisoft adventure (Nacon) GameCentral goes hands-on with an original sci-fi action adventure where the emphasis is on unguided exploration, with some throwback Zelda inspirations. You might already have heard the name Hell Is Us, as the game was first announced way back in April 2022. We previewed the sci-fi tinged adventure title, developed by Rogue Factor, for the first time last year but now it’s now on the home-straight, with a launch slated for September 4, and it’s shaping up to be a peculiar but intriguing mix of influences and ideas. Our original preview covered the opening portion of the game, so we’ll avoid recycling the same beats here. But for the general gist, you play as a United Nations peacekeeper named Rémi who absconds to the war-torn country of Hadea to track down his parents. A stroll through the tutorial woods later, however, and you realise this isn’t your average civil war.  If you’re a fan of Alex Garland’s Annihilation, the strange, faceless alien from the film’s conclusion seems to have been a major influence here. The Hollow Walkers, as they’re called, are very creepy, as they lurch towards you unpredictably, with morphing limbs which give way to vivid, crystallised attacks or, in some cases, attached entities you have to kill first. Their glossy white exteriors act as a stark contrast to the muted eastern European landscapes and dungeons you explore.  As a game, Hell Is Us is somewhere between Bloodborne and The Elder Scrolls. Combat wise, it’s pulling from the former, as you manage a stamina bar, study enemy patterns for the best moment to strike, and rely on aggressive play to replenish a magic gauge for special skills. You also have access to a drone which has various uses tied to cooldown meters, between distracting enemies for crowd control andmaking a charging lunge to dash across the field.  Rogue Factor has stressed Hell Is Us isn’t a Soulslike though. You’re not scrambling for bonfires or any equivalent, but exploring and chatting with characters to piece together where you need to go next, discovering new places of interest, and encountering side objectives which bleed into the overall experience of navigating each semi-open world area. The ethos behind Hell Is Us is discovery and the organic feeling of finding your feet through clues in the world, rather than using obvious quest markers.  This might bring to mind acclaimed games like Elden Ring and The Legend Of Zelda: Breath Of The Wild, in their attempt to declutter open world exploration, but the game’s director, Jonathan Jacques-Belletête, believes the roots of what Hell Is Us is aiming for goes much further back. A cosmic horror vibe (Nacon) ‘Honestly, something like Zelda: A Link To The Past is much closer to what we’re doing now than a Breath Of The Wild,’ said Jacques-Belletête. ‘Sometimes people are like: ‘I really can’t put my finger on what kind of game it is, what is it?’ It’s just a bloody adventure game man. Look, you’ve got a combat system, you’ve got enemies, you’ve got a world to explore, there’s a mystery, you’re not exactly sure of this and that, there’s some secrets, there’s some dungeons, we did a game like that. It’s called an adventure game,’ he laughs. ‘There were even side-quests in A Link To The Past that didn’t tell you they were side-quests.’ Hell Is Us might have roots in classic adventure games but Jacques-Belletête, is keen to highlight the fatigue around Ubisoft style open world bloat, where checklists and quest markers are traditionally used in abundance. With the success of Elden Ring, there’s a sense many players are craving a return to the hands-off approach, where you discover and navigate without guidance – something which Hell Is Us is hoping to capitalise on after being in development for five years.  ‘It’s so much of the same thing,’ he says, when talking about Ubisoft style open worlds. ‘It loses all meaning. Things within these open worlds lose a lot of their taste because too much is like not enough. Do you know what I mean? You have to fill up these spaces with stuff and they just become a bit bland. Like once you’ve seen one, you’ve seen all of them.  ‘It’s not Assassin’s Creed, it’s not that, it’s all these things. We’ve all played them. I’ve got hundreds of hours in Elder Scrolls, all the Elder Scrolls, and that’s not the point. It’s not that I don’t like them. It’s just trends do their time and then you have other ideas. It’s a pendulum as well. Games used to be a lot more hardcore that way, we’re trying to go back to that.’ The crux of my time in Hell Is Us is spent in the Acasa Marshes, the second semi-open area where the game lets you off the leash. The swampy lands are crawling with Hollow Walkers in various forms, from hulking monstrosities to mage-like foes that hurl projectiles from clifftops. A swirling black vortex is a key focal point but it’s surrounded by enemies, while a settlement of villagers sits on a hill in the distance.  According to the developer, this area is one of the largest areas in the game, ‘if not the biggest one’, and it seems pretty expansive. We found ourselves heading towards the village, whose militaristic leader points you towards your main objective with only a vague mention of going ‘north east’. You have to dig out your compass to get a grasp on your position, as you try and navigate towards, and identify, the next location based on this information.  The lack of quest markers makes the experience more involving, as you have to pay more attention to your surroundings and what characters say, but I wasn’t entirely sold on the story or writing. It’s something which will hopefully become more engrossing as you get a better grasp of what’s going on, but I wish I was drawn to interact with the characters based on something beyond the need to progress.  When you are exploring aimlessly though, Hell Is Us offers some captivating chaos – even if some areas did appear to be gated off. We fought our way to the aforementioned swirling black vortex, encountering enemies beyond our skill level, only to find it was inaccessible due to not having a specific item. We later found an underground tunnel filled with enemies, where an individual connected to a side0quest was trapped at the other end.  Surprises lurk in the marshes (Nacon) Along with these open areas, Hell Is Us also offers dungeons built around puzzles and combat encounters. Aside from the opening introduction, we were shown a later example in the Lymbic Forge, which offered a nice dose of visual variety, with flowery gardens surrounding the boggy marshes. We didn’t get a whole lot of time to explore, but it did highlight the breadth of the combat upgrades and customisation with late-game weapons.  Hell Is Us is a melting pot of influences, and while we’re not sold on everything it’s trying to accomplish, it’s certainly another AA game with big, exciting ambitions – a trend amplified this year by the success of Clair Obscur: Expedition 33. For the game’s director, who has a long history in the AAA space working at Eidos Montreal, the jump to AA, with a smaller team and less financial pressure, means you have a better chance of striking gold.  More Trending ‘Look at what’s happened to the industry over the past few years,’ Jacques-Belletête said. ‘Everything is crumbling. The big ones are crumbling. It’s unsustainable. And the games are so bloody bland, man. Everything is starting to taste the same.  ‘I find there’s nothing worse than starting a game and right away, in the first two minutes, you know how everything’s going to work. You know how every single mechanic is going to work. They might have a little [extra] in how it’s going to feel, or this and that, the user interface will change a bit, but you’ve gone through the ropes a dozen times.  ‘A game has to occupy a space in your brain that your brain can’t really compute just yet. When you turn your console off and it stays there, that’s because something is going on. Your brain is processing. And I think that’s a lot easier to do in the AA space than the AAA.’ Formats: Xbox Series X/S, PlayStation 5, and PCPrice: £49.99Publisher: NaconDeveloper: Rogue FactorRelease Date: 4th September 2025Age Rating: 16 The combat it(Nacon) Email gamecentral@metro.co.uk, leave a comment below, follow us on Twitter, and sign-up to our newsletter. To submit Inbox letters and Reader’s Features more easily, without the need to send an email, just use our Submit Stuff page here. For more stories like this, check our Gaming page. GameCentral Sign up for exclusive analysis, latest releases, and bonus community content. This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. Your information will be used in line with our Privacy Policy

The Book Club gives their verdict on Larry Niven’s RingworldEugene Powers/Alamy It was quite an experience, moving from the technicolour magical realism of Michel Nieva’s wild dystopia, Dengue Boy, to Larry Niven’s slice of classic science fiction, Ringworld, first published in 1970 and very much redolent of the sci-fi writing of that era. Not a wholly bad experience, mind, but quite a jolting change of pace for the New Scientist Book Club. I was a teenager when I last read Ringworld, and a hugely uncritical sort of teenager at that, so I was keen to return to a novel I remembered fondly and see how it stood up to the test of time – and my somewhat more critical eye. The first thing to say is that many of the things I loved about Ringworld were very much still there. This is, for me, a novel that inspires awe – with the vastness of its imagination, the size of its megastructures, the distance it travels in space. I was reminded of that awe early on, when our protagonist Louis Wu (more on him later) recalls standing at the edge of Mount Lookitthat on a distant planet. “The Long Fall River, on that world, ends in the tallest waterfall in known space. Louis’s eyes had followed it down as far as they could penetrate the void mist. The featureless white of the void itself had grasped at his mind, and Louis Wu, half hypnotized, had sworn to live forever. How else could he see all there was to see?” Advertisement That hugeness, that desire for exploration and knowledge and discovery, is one of the main reasons why I love science fiction. What else is out there, and what can we find out about it? From that field of murderous sunflowers on the Ringworld – what a scene! – to Niven’s image of our crew in space, looking at the bottom of the Ringworld and the huge bulge of a deep ocean protruding towards them, Ringworld has this in spades, and I lapped it up. “A man can lose his soul among the white stars… They call it the far look. It is dangerous.” I also very much enjoyed how Niven makes us pick up the breadcrumbs of where we are in time and in technological developments; at one point, Freeman Dyson, he of the Dyson spheres that inspired the Ringworld, is described as “one of the ancient natural philosophers, pre-Belt, almost pre-atomic”. I find that sort of thing delightful, and I was also (largely) amused by Niven’s aliens, from the cowering terror of the Puppeteers to the brilliantly named Speaker-To-Animals (we, the aliens, are the animals). I pictured Speaker as a huge version of our large ginger cat, and rather liked him. As I wrote earlier, though, this is a piece of writing that feels very much of its time, in terms of the somewhat plodding prose and sexist overtones, even if it succeeds (for me) in the wonderful, star-spanning maths and physics of it all. Niven’s characters are pretty one-dimensional. Louis Wu is quite annoying. There could be so much more to Teela, our token woman. And once the crew are on the Ringworld, it all feels a bit “then they went here, then they went there”, rather than being tightly plotted. Join us in reading and discussing the best new science and science fiction books Sign up to newsletter There has been some intense discussion about this novel on our Facebook page, and many of you felt similarly. “While I enjoyed it very much, I kept getting pulled out of the interesting scientific aspects of the story as well as the rollicking adventure by the sexist, boys club aspects. It’s a little sad that Larry Niven’s view of the distant future didn’t involve any advancement in men’s views of women,” said Jennifer Marano. “It reminds me of early spy movies. Beautiful woman who hasn’t sense enough to not be enamored by less than interesting or intelligent male with pretty huge ego,” said Eliza Rose. Alan Perrett was even less impressed with Louis Wu’s behaviour: “I have to admit to finding Louis Wu absolutely creepy. He treats the woman that he professes to love with contempt. He laughs finding out that she’s the result of a eugenics experiment and then, when looking at her, sees her dismay and then keeps laughing. I hope when I’m 200 years old I’ve learned a little more empathy than that.” Gosia Furmanik grew up reading science fiction from Niven’s era because that was what was available – but “eventually, the sexism and lack of female/diverse protagonists put me off sci-fi for a good 15 years”. She only got back into sci-fi when she discovered “that nowadays it’s easy to find books of this genre written by non-white non-men that don’t have this pitfall”. “Ringworld brought me back, not in a good way,” Gosia writes. “While not as blatant as in some of its contemporaries, cringy sexism nevertheless seeps out of this book.” It’s definitely true that Teela’s character arc was the biggest issue for most of us with this book. “I loathed the ending of Teela’s story and the explanation of how her luck led her to come on the mission. It seems a woman can’t have a meaningful existence without a man!” wrote Samatha Lane. Samantha also makes a great point about how “the male human is the most perceptive creature in the universe” created by Niven. “This arrogance about the sheer cleverness of humans stems from traditional humanism which puts humans at the centre of everything – as rational, special, superior beings. Combine that with the recent conquest of space (man landed on the moon the year before) and it’s like a bonfire of the collective ego,” she writes. New Scientist book club Love reading? Come and join our friendly group of fellow book lovers. Every six weeks, we delve into an exciting new title, with members given free access to extracts from our books, articles from our authors and video interviews. Sign up Onto the positives, however: Niall Leighton “enjoyed the sheer scale of the novel” and thinks it hasn’t “dated as badly as much science fiction of this era”, while for Andy Feest, “the science was probably the most interesting thing” (he found the characters “unenjoyable” and the chauvinism “a bit jarring”). Some readers approved of Niven’s heavy hand with the maths – it “definitely added to my enjoyment”, wrote Linda Jones, while Darren Rumbold “especially liked” the Klemperer rosettes. It didn’t work for all of you, though: Phil Gurski “was excited to read this classic sci-fi novel and really, really wanted to enjoy it but the technobabble kept getting in the way. I found it hard to keep up.” Overall, I think the book club found it an interesting exercise to dig into this science fiction classic and hold it up to the light of today. I think we’ll do another classic soon enough, and I’m listening to suggestions from readers who have tipped books by Ursula K. Le Guin, N. K. Jemisin and Joanna Russ as possible palate cleansers. Next up, though, is something a little more modern: Kaliane Bradley’s bestselling time travel novel, The Ministry of Time. Yes, it has a woman as its protagonist, and yes, it passes the Bechdel test. You can read a piece by Kaliane here in which she explains why (and how) she wrote a novel about time travel, and you can check out this fun opener to the book here. Come and read along with us and tell us what you think on our Facebook page. 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Today I will discover the hidden world ... inside my large intestines.That’s because I’m about to venture forth on an epic culinary quest. It will take me all the way to a mystic land populated by Vikings and ruled by a just and righteous king who has prepared a succulent feast of victuals roasted by the infernal breath of dragons.Translation: I’m eating everything on the new How to Train Your Dragon menu at Burger King.I might have fudged the mystic land part a little. Technically, this Burger King is located in Windsor Terrace across the street from Green-Wood Cemetery. I like this particular BK because it’s clean and quiet, even around lunchtime. Also, the scenic views of the graveyard really help put one’s life choices into perspective.Mine increasingly revolve around the consumption of movie-inspired foods. Somehow that’s become a central part of my remit here at ScreenCrush. When a major Hollywood blockbuster teams with a fast food restaurant I must eat all of it, document the experience, and then schedule a checkup with my gastroenterologist at my earliest convenience.Mother's Day - HTTYD IMAGEBurger Kingloading...This is not my first experience with How to Train Your Dragon food. Just last week I visited Universal’s Epic Universe theme park, where there’s an entire land inspired by the franchise. Its themed restaurants sell mead, assorted meats that might appear in a Viking’s diet, plus a few that might not — like a bread cone filled with macaroni and cheese and several different proteins. (I don’t recall Gerard Butler chowing down on a mac and cheese bread cone while scolding his dragon-loving son, but those things were surprisingly tasty anyway, so I’ll allow it.)As for Burger King’s Dragon menu, they’ve got a “dragon flame-grilled” Whopper with a special bun, spicy mozzarella fries, plus a new drink and a sundae. (The horned Dragon Burger King crowns are also a nice touch.) Eating all that food and then taking a ride on old Toothless sounds like a great way to learn how to puke on your dragon. But let’s do it anyway and see what happens.I Ate Everything on Burger King’s ‘How to Train Your Dragon’ MenuIn honor of the live-action How to Train Your Dragon movie, Burger King now has an entire menu of “fiery” items. I ate all of them.READ MORE: A Brief History of Movie Tie-In FoodI Ate Everything on Burger King’s ‘Addams Family’ MenuIn honor of the five year old Addams Family animated movie, Burger King now has an entire menu of creepy, kooky items. Here’s what they are, and how they taste.Categories: Longform, Movie News

Category: GamesMay 30, 2025 Atomfall Story Expansion Arrives Next Week – Dare You Visit Wicked Isle? Ben Fisher, Head of Design, Rebellion For those of you who are new to the game, Atomfall is an action-survival mystery set in the UK. The story takes place five years after the real-life events of the 1957 Windscale Disaster in the North of England. In the world of Atomfall, a quarantine zone has been established around the Atom Plant and no one has been allowed in or out for five years. Life and society have changed and adapted under these trying circumstances and gangs of strange folk now wander the countryside. You wake up in a bunker with no idea who you are or how you got there. Given the circumstances you have little choice but to set out on a journey to discover what really happened at Windscale and maybe try to find out who you are in the process. The Wicked Isle expansion adds a whole new location, with its own set of characters and enemies as well as additional leads, weapons, skills, items and multiple new endings for the main game. What is the Wicked Isle? Surrounded by murky and perilous waters lies a wicked isle… a mysterious new region to explore, nestled off the Cumberland coast. They say there was a creepy old fishing village out there, but the locals haven’t seen anyone from there for years. The Wicked Isle is an entirely new area for players to explore in Atomfall, accessible by boat from the village of Wyndham. It’s a region that gave us an opportunity to really double down on the Folk Horror influences that you find throughout the game, as well as hints of sci-fi and cold war paranoia for good measure. When developing the Wicked Isle, there were two real-world locations that acted as key inspirations. The first was Lindisfarne – the “Holy Island” – which is a monastery on an island off the coast of Britain and was famously raided by Vikings in the 9th century. On the wicked isle, an Abbey towers over everything and constantly entices you to explore what secrets it holds within. The other major inspiration was Anthrax Island, a real-world island off the coast of Scotland that was used for military experiments during the Second World War. The entire island was quarantined until the 1990s as a result of the tests, and you might find evidence of similar experiments as you explore Wicked Isle. Explore the Isle’s Mysteries Shrouded by dense fog, this strange isle holds secrets that lead to the heart of the mystery of what really happened at the Windscale Plant. The Wicked Isle is located close to the Atom Plant and as a result, infection had spread rapidly and had a significant effect on the environment and the people that live there. You will have to tread carefully! As you investigate the island you will uncover new leads and story threads. While some of these are standalone stories, some leads link back to the overarching narrative of Atomfall as you seek to uncover what really happened. You will have to travel back to the mainland in search of clues and items which will in turn unlock multiple new potential endings for the main game. Uncover New Treasures While exploring you will find new items, weapons, and skills to help you as you survive in the Quarantine Zone. Deadly blunderbusses, upgraded metal detectors, and otherworldly abilities are just some of the things you’ll find on the isle. In creating these new weapons, we had an immediate and impactful opportunity to link to the key themes we were exploring in this story expansion – whether it be the Blunderbuss and Cutlass tying to the nautical history of the isle itself or some of the stranger ritualistic weapons used by the pagan druids who have made this their home. However, I’m most excited to see how people interact with the new abilities that the Wicked Isle brings. I don’t want to give any spoilers, but you’re going to find some pretty weird stuff going on out there. Face Fearsome Foes The inhabitants of the isle have not escaped the impact of the disaster. A deranged druid cult has become even more powerful through their pagan rituals; roaming bandits have embraced the island’s nautical past and strange creatures lurk in the watery depths. If you want to survive, you’ll need to be prepared to fight back. The response from the community to Atomfall has been incredible and we cannot wait for players to experience Wicked Isle. The stories and leads you uncover there and the people you will meet along the way add even greater depth to the mystery of Atomfall. Available from June 3, the Wicked Isle Story Expansion Pack can be bought separately and is also included in the Atomfall Deluxe Edition and Atomfall Deluxe Upgrade. Game Pass subscribers will also receive a 10% discount. We hope you enjoy visiting the dark and lonely waters. Atomfall: Story Expansion Pack Wicked Isle Rebellion ☆☆☆☆☆ ★★★★★ Get it now Surrounded by murky and perilous waters lies a wicked isle… a mysterious new region to explore, nestled off the Cumberland coast. They say there was a creepy old fishing village out there, but the locals haven’t seen anyone from there for years. There is a boat from the Wyndham Village shore for anyone brave enough to go and look for themselves. New mysteries, new supplies and new possibilities of escape could lie ahead for anyone who dares. The Atomfall story continues with the “Wicked Isle” Story Expansion Pack, introducing a new location, enemies, quests, characters, items, weapons, and more. Explore the isle’s mysteries Shrouded by dense fog, this strange isle holds secrets that lead to the heart of the mystery. Uncover leads that intertwine with the Atomfall narrative, expanding the story and unlocking new routes out of the Quarantine Zone. Uncover new treasures While exploring you will find new items, weapons, and skills to help you as you survive in the Quarantine Zone. Deadly blunderbusses, upgraded metal detectors, and otherworldly abilities are just some of the things you’ll find on the isle. Face fearsome foes The inhabitants of the isle have not escaped the impact of the disaster. A deranged druid cult has become even more powerful through their pagan rituals; roaming bandits have embraced the island’s nautical past and strange creatures lurk in the watery depths. If you want to survive, you’ll need to be prepared to fight back. Related Stories for “Atomfall Story Expansion Arrives Next Week – Dare You Visit Wicked Isle?” Category: ID@XboxA Little Roguelike Fun: Cryptmaster’s Deckbuilder in the Anniversary Update Category: ID@XboxGet Connected: Indie Selects for May 2025 Category: GamesFree Play Days – Call of Duty: Black Ops 6 (MP & Zombies Only), The Division 2, ARK: Survival Ascended, and More The post Atomfall Story Expansion Arrives Next Week – Dare You Visit Wicked Isle? appeared first on Xbox Wire.

From featuring weirdly sexual, even predatory scenes to just plain horrible effects, dated or immature jokes and awkward acting, not every film we watched during our childhood is as good as would like to remember.Based on more than 12,000 votes on films pulled from a Reddit thread asking, “What's a movie you loved as a child that you now consider to be cringe worthy?” Ranker compiled the top movies we watched when we were younger that make us wince when we think about them — or at least certain scenes — today.Sure, movies such as 1994’s Blank Check, 1984's Sixteen Candles and 2007’s Bee Movie were some of our favorite flicks growing up, but it’s clear they haven't aged so well.READ MORE: ’90s Classics That Could Never Get Made TodayAccording to Ranker voters, these are the top 11 movies we loved when we were kids that totally make us cringe with secondhand embarrassment today.Blank Check — Creepy for its blatant predatory vibes and that age gapHoward the Duck — Remembered for its bizarre acting and plain weird interspecies sex sceneSixteen Candles — Problematic in retrospect for the implied non-consensual assaultBee Movie — A human lady cheats on her boyfriend with a literal bee...The Master of Disguise — Fun as a kid, but just an atrocious film when watched as an adultThe Cat in the Hat — You'd be surprised how raunchy and kid-unfriendly this eyesore of a movie isMars Needs Moms — Uncanny valley centralThe Adventures of Sharkboy and Lavagirl — George Lopez is terrifying nightmare fuelCatwoman — It's very early 2000sDungeons & Dragons — A camp classic with spotty acting and cheesy special effectsBatman & Robin — The Batsuit has nipplesGet our free mobile appTV Shows We Used to Love That Are Cringe NowWe can't say why we liked these shows, but we can certainly say why we can't watch them now. Gallery Credit: Emma Stefansky

There are a lot of parallels between “Wish World” and last year’s “The Legend of Ruby Sunday.” They are both, of course, penultimate episodes of their respective seasons of Doctor Who. They are also both built around the return of a classic Doctor Who villain, and paying off a mystery that had played out throughout their respective seasons. Unfortunately they also both share a pretty fatal parallel: they’re both aimless waiting games that have little meat on their bones as they count down to a last minute cliffhanger reveal. “Wish World” has even more of a problem than “The Legend of Ruby Sunday,” however. That latter episode could at least hinge some tension and atmosphere on the fact that we didn’t already know that the last moments were building up to the reveal of Sutekh’s return (unless you read the rumors, that is). “Wish World,” for the most part (more on that later), is building up to a dramatic moment its audience already knows while its main character doesn’t: for the Doctor to encounter the returned Rani, and understand what that may mean. And that just makes it a very weird experience, even before you get to the mechanics of how Doctor Who is ticking down to that big reveal. The titular world of “Wish World” is a contemporary Earth before its apparently fated obliteration, except it’s a sideways version of it. Thanks to the help of a convenient magic baby the Rani goes and picks up in medieval Bavaria in the opening moments—the seventh son of a seventh son of a seventh son, which doesn’t feel very Evil Science Villainess of her, especially when the baby just essentially starts letting her bend reality in whatever way she wants—noted Utter Bastard Conrad from “Lucky Day” is the apparent benevolent dictator of the world, broadcasting from a bone palace upon high in London to decide the state of the world, weather, and creepily pleasant lives of everyone in it with a little help from this magic wunderkind. © BBC/Disney Those subjects include the Doctor and Belinda, who are now Mr. John Smith and his wife Belinda, living a retro-modern nuclear family dream with their baby daughter Poppy as Belinda revels in being a stay-at-home mom and Mr. Smith goes to work at UNIT, now a unified insurance team rather than a vanguard against alien threats. The creepy vibe of this overtly heteronormative existence is in part the point, it turns out: everyone makes very pointed acknowledgements about the role of women being good daughters, good wives, and then good mothers, and when “Mr. Smith” passingly describes a male co-worker (none other than Colonel Ibrahim, blissfully unaware of who he’s meant to be) as handsome, reality almost turns in on itself around him, as if the mere thought of something not cisgender or heterosexual is an affront to this world that Conrad has wished up for everyone. It turns out we can also add “Hates Disabled People” to the Bumper List of Conrad’s Shitty Bigotries, because aside from retrograde thoughts about women and queer people, his bigotry around disabled people has led to an underground society of disabled people who, because they are “unseen” by Conrad in so much that he doesn’t ever think or care about them, are practically invisible to the world around them… except Ruby Sunday, who’s likewise unaffected by what’s going on around her, letting her team up with Shirley and her friends in the disabled camp to start trying to figure out what’s going on. Good job Conrad really sucks in some very specific ways! © BBC/Disney This is just about where “Wish World” checks out of trying to tell much more of a story, which is a shame, because the weird creepy vibes are quite good, even if they also mean continued exposure to Conrad (again, no disrespect to Jonah Hauer-King, he’s just incredibly good at playing a man with utterly rancid vibes). After “Mr. Smith” has his brush with the curse of fatal compulsory heterosexuality (spurred on again by a wild, random returning cameo from Jonathan Groff’s Rogue, who gets a message out to the Doctor to help him doubt the nature of the Wish World by basically saying “I am gay and in a hell dimension but please remember that you like men!”), his entire role in the episode is to sit around swirling with doubt about the nature of his existence until he remembers that he’s the Doctor. After she links up with Shirley, Ruby’s “investigation” essentially slams the brakes on its own momentum so the two of them can basically look up from below the giant bone palace as it sits above London. And then there’s the Rani, or rather the Ranis plural, who are sitting up in that aforementioned bone palace, who are also largely just biding their time, as the latest incarnation of the renegade Time Lady practically begs the Doctor to figure out the world that she’s dominating through Conrad is a falsehood, so he can remember who he is, and more importantly, who she is. But it’s a weird vibe of the less intentional sort than those given off by Conrad’s Bigot Paradise. The episode is, essentially, ticking down until you get to that moment of realization between the Doctor and the Rani, even after she spends much of the third act of “Wish World” expositing to his face in an attempt to get the artifice to crumble around him once and for all. © BBC/Disney But because we already know that she’s the Rani, and that the Doctor is not an insurance salesman named John Smith, there’s no tension or mystery in what’s being built towards, you’re just a knowing audience waiting for the shoe to drop for the show’s protagonist, a shoe you’ve known all along is going to drop. At least “The Legend of Ruby Sunday” had the mystery of Susan Triad to build a sense of dread around, even if there wasn’t much more to the episode beyond that—all “Wish World” has is a compelling creepy concept it largely discards halfway through and then a literal ticking clock as we wait for the episode’s final moments. So it turns out “Wish World” needs to throw in another mystery reveal right at the last moment, because the Doctor realizing who the Rani is is not that much of an actual reveal to us any more. It turns out the Rani’s big ticking clock counting down to May 24 has been powered by collecting the doubts of anyone who’s questioned Conrad’s reality, the Doctor included, juicing up the Vindicator the Doctor and Belinda have charged throughout the season even further to rip a hole through Earth and reality itself… opening up a dimension where none other than Omega, the ancient, godlike co-founder of Time Lord society (well, Timeless Child stuff nonwithstanding!), awaits. © BBC/Disney Admittedly “Wish World” does get the leg up on “Legend of Ruby Sunday” by putting its “devastating destruction of pretty much everyone but our hero that will be inevitably undone next episode” moment before the cliffhanger this time, as we watch Earth splinter apart and collapse into the underverse, seemingly blipping everyone but the Doctor, Conrad, and the Ranis out of existence, Belinda included. But the Omega reveal is more confusing than it is shocking in the moment, because it feels like it comes out of nowhere after the episode builds towards an already dramatically compromised reveal. Sure, we don’t know why the Rani is doing all this weird stuff with Conrad and a magic baby, but the episode never treats that as a mystery to interrogate, it’s just ticking in the background while the Rani yearns for the Doctor to recognize her. So when Omega is invoked—we don’t see him, it’s just his name being dropped—what could’ve been something “Wish World” built to just largely comes out of left field (unless you already happened to see that Russell T Davies teased on Instagram last week that there was a mystery third party in the villainous mix between Conrad and the Ranis, but should you have to check the showrunner’s social media for suitable dramatic tension?). The Rani and the Doctor’s encounter is all that “Wish World” was building toward up to that point, and because it’s building up to it for all of its runtime, the moment itself doesn’t really get to sit beyond the climactic final minutes, robbing it of what little tension could remain. © BBC/Disney And so again, we’re left waiting to see if next week’s grand finale will retroactively make this week’s preparation feel worth the clock-ticking… and if we really needed the Rani’s return to herald Omega, and all the implications that then has for the Time Lords and Gallifrey at large beyond that. That feels like a lot to dig into, at least. Imagine if we’d gotten a two-part finale that actually leveraged its time to do just that? Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

Google's Smart Replies are getting an AI-themed, and to me, slightly creepy update. At its Google I/O 2025 keynote, Google announced a new feature called Personalized Smart Replies. This feature uses Gemini AI, alongside the data in your Gmail and Google Drive, to reply to emails in a way that sounds like you. Google promises is can write like you would, using your tone and writing style, as learned by your Gmail history.With this new update, the Smart Replies option that shows up when you reply to an email will be a lot more powerful and a lot more contextual. On stage, Google CEO Sundar Pichai used planning a trip as an example. Let's say a friend emails you asking for details about a trip you two are going on. To manually collate everything you need to send, like your hotel stays, driving plans, rest stops, and restaurant recommendations would take a lot of time.Instead, you can use the Personalized Smart Replies feature, which has access to all your emails, your Google Maps location history, and your photos and files in Google Drive, to do the work for you. It can collate hotel bookings from your email, locations from Google Drive history, and present it all in an email that matches your writing style. According to an interview with The Verge, Google Workspace’s VP of product, Blake Barnes, says that the new Smart Replies feature will be available in English at first, on the web, Android, and iOS. It will roll out in Alpha in Google Labs in July, and will be available for public use in Q3 of this year. Unfortunately, it will be only available for paid subscribers at first. Barnes sees the feature eventually rolling out to all Gmail users, but there's no timeline for that yet.Of course, like with all AI, there's a risk that what Gemini generates might have elements of hallucination, so I'd recommend checking your replies before sending them. Plus, the feature will definitely need access to a lot of personal data to work. I'll keep an eye out for how to protect your data as the feature comes out, and update accordingly.

Interested fans can now download a demo for Submersed 2 - The Hive, an upcoming horror game set in an underwater research facility. In Submersed 2 - The Hive, gamers will explore a mysterious facility while they try to survive against the horrors that live deep in the Atlantic Ocean, and PC players can already give the title a try before its May 29 release date.