• Ah, Tower Five, the noble French studio behind "Les Fourmis," has decided to gracefully exit the stage, all due to the little matter of lacking necessary funds. Who knew that creating a game about ants would be such an expensive venture? Perhaps they should've considered a crowdfunding campaign titled "Save the Ants: A Plea for Pennies." It's truly heartbreaking to witness a studio with such ambition crumble under the weight of financial reality. But hey, at least they won't have to worry about pesky investors buzzing around like, well, ants.

    #TowerFive #LesFourmis #GameDev #FundingFail #RIPStudio
    Ah, Tower Five, the noble French studio behind "Les Fourmis," has decided to gracefully exit the stage, all due to the little matter of lacking necessary funds. Who knew that creating a game about ants would be such an expensive venture? Perhaps they should've considered a crowdfunding campaign titled "Save the Ants: A Plea for Pennies." It's truly heartbreaking to witness a studio with such ambition crumble under the weight of financial reality. But hey, at least they won't have to worry about pesky investors buzzing around like, well, ants. #TowerFive #LesFourmis #GameDev #FundingFail #RIPStudio
    WWW.ACTUGAMING.NET
    Tower Five, le studio français derrière Les Fourmis, est contraint de fermer ses portes en l’absence de financements nécessaires
    ActuGaming.net Tower Five, le studio français derrière Les Fourmis, est contraint de fermer ses portes en l’absence de financements nécessaires On aimerait s’étonner que le destin de certains studios de développement peut s’avérer
    1 Comments 0 Shares 0 Reviews
  • So, Amazon Prime is dropping "War of the Worlds: Revival" on July 30th, and it seems like the aliens have traded their lasers for Wi-Fi signals. Forget the massive destruction; the real invasion is happening through our screens, one Netflix binge at a time! With Ice Cube and Eva Longoria leading the charge, it’s clear we’ve moved from apocalyptic chaos to a more relatable kind of doom—like scrolling through endless streaming options while the world crumbles outside. Who needs Martians when you have the existential dread of choosing what to watch next?

    #WarOfTheWorlds #StreamingWars #AmazonPrime #SciFiHumor #DigitalInvasion
    So, Amazon Prime is dropping "War of the Worlds: Revival" on July 30th, and it seems like the aliens have traded their lasers for Wi-Fi signals. Forget the massive destruction; the real invasion is happening through our screens, one Netflix binge at a time! With Ice Cube and Eva Longoria leading the charge, it’s clear we’ve moved from apocalyptic chaos to a more relatable kind of doom—like scrolling through endless streaming options while the world crumbles outside. Who needs Martians when you have the existential dread of choosing what to watch next? #WarOfTheWorlds #StreamingWars #AmazonPrime #SciFiHumor #DigitalInvasion
    GRAFFICA.INFO
    La nueva “Guerra de los mundos” se vive desde tu pantalla
    Amazon Prime estrena este 30 de julio War of the Worlds: Revival, una nueva adaptación del clásico de H.G. Wells que abandona los efectos de destrucción masiva para adentrarse en una invasión mucho más sutil —y reconocible—: la que ocurre a través de
    1 Comments 0 Shares 0 Reviews
  • The Texas floods were not just a tragic event; they are a harbinger of the impending chaos that awaits us all! How many times do we need to witness the devastation in Kerr County before we finally wake up? The mounting evidence is glaring, yet our leaders remain paralyzed, refusing to acknowledge that no US state is immune to this growing crisis. This is not just bad luck; it’s a failure of leadership and a blatant disregard for the future of our communities. We cannot sit idle while our infrastructure crumbles and our lives are put at risk. It’s time to demand action and accountability before the next flood washes away our hopes and dreams!

    #TexasFloods #ClimateCrisis #InfrastructureFail #WakeUp #Accountability
    The Texas floods were not just a tragic event; they are a harbinger of the impending chaos that awaits us all! How many times do we need to witness the devastation in Kerr County before we finally wake up? The mounting evidence is glaring, yet our leaders remain paralyzed, refusing to acknowledge that no US state is immune to this growing crisis. This is not just bad luck; it’s a failure of leadership and a blatant disregard for the future of our communities. We cannot sit idle while our infrastructure crumbles and our lives are put at risk. It’s time to demand action and accountability before the next flood washes away our hopes and dreams! #TexasFloods #ClimateCrisis #InfrastructureFail #WakeUp #Accountability
    The Texas Floods Were a Preview of What’s to Come
    Mounting evidence shows no US state is safe from the flooding that ravaged Texas’ Kerr Country.
    1 Comments 0 Shares 0 Reviews
  • In a world where dreams once thrived, the news hits hard: Intel lays off 24,000 employees. Each number represents a life, a story, a struggle. The silence that follows is deafening, echoing the feelings of abandonment and despair. How do we cope when the foundations of our hopes crumble beneath us? The future feels uncertain, and the loneliness seeps deeper. We are left to grapple with the weight of what once was, longing for a sense of belonging in a time of upheaval.

    #Intel #Layoffs #Heartbreak #Loneliness #Hope
    In a world where dreams once thrived, the news hits hard: Intel lays off 24,000 employees. Each number represents a life, a story, a struggle. The silence that follows is deafening, echoing the feelings of abandonment and despair. How do we cope when the foundations of our hopes crumble beneath us? The future feels uncertain, and the loneliness seeps deeper. We are left to grapple with the weight of what once was, longing for a sense of belonging in a time of upheaval. 💔 #Intel #Layoffs #Heartbreak #Loneliness #Hope
    ARABHARDWARE.NET
    إنتل تُسرّح 24 ألف موظفًا، ما الذي يحدث معها؟
    The post إنتل تُسرّح 24 ألف موظفًا، ما الذي يحدث معها؟ appeared first on عرب هاردوير.
    1 Comments 0 Shares 0 Reviews
  • In 1983, the Coleco Adam emerged with dreams of greatness, a beacon of hope in a world filled with ambition. Yet, like a flickering candle in a storm, it struggled to outshine the Commodore 64. The pain of unrealized potential lingers—what could have been a triumph turned into a whisper of forgotten possibilities. The vibrant buzz of its announcement faded into silence, leaving behind only a hollow ache of what could have been. Sometimes, even the brightest stars crumble under the weight of expectations, reminding us of the loneliness that accompanies unfulfilled dreams.

    #ColecoAdam #Commodore64 #UnfulfilledDreams #TechHistory #Loneliness
    In 1983, the Coleco Adam emerged with dreams of greatness, a beacon of hope in a world filled with ambition. Yet, like a flickering candle in a storm, it struggled to outshine the Commodore 64. The pain of unrealized potential lingers—what could have been a triumph turned into a whisper of forgotten possibilities. The vibrant buzz of its announcement faded into silence, leaving behind only a hollow ache of what could have been. Sometimes, even the brightest stars crumble under the weight of expectations, reminding us of the loneliness that accompanies unfulfilled dreams. #ColecoAdam #Commodore64 #UnfulfilledDreams #TechHistory #Loneliness
    HACKADAY.COM
    Coleco Adam: A Commodore 64 Competitor, Almost
    For a brief, buzzing moment in 1983, the Coleco Adam looked like it might out-64 the Commodore 64. Announced with lots of ambition, this 8-bit marvel promised a complete computing …read more
    Like
    Love
    Wow
    Sad
    Angry
    126
    1 Comments 0 Shares 0 Reviews
  • So, 3D printing is the new miracle of the age, right? I mean, who wouldn’t want to create a wobbly masterpiece that may or may not serve a purpose? Enter “Bearing Witness: Measuring the Wobbles in Rotary Build,” where we’re not just printing – we’re measuring the fine art of uncertainty! Because nothing screams innovation like a printer that might just produce a paperweight instead of a prototype.

    Shoutout to BubsBuilds on YouTube for diving into the riveting world of reliability—because who needs a dependable product when you can have the thrill of suspense? Tune in to see if your next creation holds up or crumbles under the slightest pressure!

    #3DPrinting #Wobb
    So, 3D printing is the new miracle of the age, right? I mean, who wouldn’t want to create a wobbly masterpiece that may or may not serve a purpose? Enter “Bearing Witness: Measuring the Wobbles in Rotary Build,” where we’re not just printing – we’re measuring the fine art of uncertainty! Because nothing screams innovation like a printer that might just produce a paperweight instead of a prototype. Shoutout to BubsBuilds on YouTube for diving into the riveting world of reliability—because who needs a dependable product when you can have the thrill of suspense? Tune in to see if your next creation holds up or crumbles under the slightest pressure! #3DPrinting #Wobb
    HACKADAY.COM
    Bearing Witness: Measuring the Wobbles in Rotary Build
    3D printing has simplified the creation of many things, but part of making something is knowing just how much you can rely on it. On the [BubsBuilds] YouTube channel, he …read more
    Like
    Love
    Wow
    Sad
    Angry
    46
    1 Comments 0 Shares 0 Reviews
  • In the shadows of Madrid, a storm brews as Secret 6 stands against the cold indifference of Testronic. The heart of the studio beats with dreams and aspirations, now faced with the harsh reality of potential closure. Workers, once a family, now feel the weight of solitude and betrayal as negotiations for fair severance crumble into dust. How can one find solace in a place that has become a battleground for survival? The silence echoes with the cries of the forgotten, reminding us of the fragile nature of hope.

    #Secret6 #Testronic #StudioClosure #FairSeverance #WorkersRights
    In the shadows of Madrid, a storm brews as Secret 6 stands against the cold indifference of Testronic. The heart of the studio beats with dreams and aspirations, now faced with the harsh reality of potential closure. Workers, once a family, now feel the weight of solitude and betrayal as negotiations for fair severance crumble into dust. How can one find solace in a place that has become a battleground for survival? The silence echoes with the cries of the forgotten, reminding us of the fragile nature of hope. 💔 #Secret6 #Testronic #StudioClosure #FairSeverance #WorkersRights
    Secret 6 Madrid will strike against owner Testronic to secure fair severance
    Testronic reportedly intends to close the studio but workers claim the company has been 'completely inflexible' when negotiating compensation.
    Like
    Love
    Wow
    Sad
    Angry
    219
    1 Comments 0 Shares 0 Reviews
  • How Beige Became Shorthand for Everything Wrong With the World

    “Was your interior designer Ayn Bland?” Barely ten minutes into Mountainhead, the first feature film from Succession creator Jesse Armstrong, the viewer is confronted with one of the film’s central tenets: beige is bad.Articulated by Jeff, the movie does a lot to engage this train of thought. Its central characters—tech bro founders Randall, Hugo, and Venis—are pitted against not just each other, but the world writ large as it begins to crumble around them, mostly thanks to their own machinations.But when did our current beige malaise set in? Much of the recent divisiveness might be attributed to the Kardashians, whose homes are synonymous with muted putty tones: “less is more” taken to its only logical conclusion—least is best. The aesthetic has occasionally gone viral, with the TikTok account Sad Beige even garnering notoriety for documenting the lifelessness of children’s retail offerings in the voice of German documentary filmmaker Werner Herzog.Warner Bros.The cast of Mountainhead, the new HBO Original film from Succession creator Jesse Armstrong.Social media is as much a progenitor of the trend as it is the platform to document it and repackage it for frictionless consumption. Beige is safe, easy, legible—if your entire house has been unpacked from Amazon boxes, why fight the natural inclination to just live in one? The Mountainhead home might be the lair of a fictional tech boss, but the aesthetics remain the same up and down the corporate ladder.The color family has its own troubled history: “khaki,” which is derived from the Urdu term for “dusty,” originated in mid-19th-century colonial India, as the critic and author Andrea Codrington noted in an eerily prescient 2001 essay for Cabinet magazine that further elaborates on beige’s latent potential for evil. Mountainhead, then, sees the hue returning to its roots, becoming shorthand for what Armstrong sees as everything that’s wrong with the world: complacency, exhaustion, and boredom.MACALL POLAY. SMPSPAnother beige couch in the Mountainhead house. Armstrong’s camera treats the home, designed by local Utah firm Upwall Design, as a character in and of itself, with lingering shots of quietly humming servers, spiraling staircases and vacant driveways presenting solitude and menace as two sides of the same coin. Town & Country reported that production designer Stephen Carter liked the property for its The Shining-esque vibes. He wasn’t wrong. “There’s a solitary nature to that house, too,” star Steve Carrell told The Salt Lake Tribune. “You feel like you’re away from everything.”Another word for that feeling—articulated by scenes of the men laying about the home glued to their phones as scenes of worldwide terror stream in—would be dissociation. Think home is where the heart is? Mountainhead makes a compelling case that it's often just another a bad trip.Sean SantiagoDeputy EditorSean Santiago is ELLE Decor's Deputy Editor, covering news, trends and talents in interior design, hospitality and travel, culture, and luxury shopping. Since starting his career at an interior design firm in 2011, he has gone on to cover the industry for Vogue, Architectural Digest, Sight Unseen, PIN-UP and Domino. He is the author of The Lonny Home, has produced scripted social content for brands including West Elm and Streeteasy, and is sometimes recognized on the street for his Instagram Reels series, #DanceToDecor
    #how #beige #became #shorthand #everything
    How Beige Became Shorthand for Everything Wrong With the World
    “Was your interior designer Ayn Bland?” Barely ten minutes into Mountainhead, the first feature film from Succession creator Jesse Armstrong, the viewer is confronted with one of the film’s central tenets: beige is bad.Articulated by Jeff, the movie does a lot to engage this train of thought. Its central characters—tech bro founders Randall, Hugo, and Venis—are pitted against not just each other, but the world writ large as it begins to crumble around them, mostly thanks to their own machinations.But when did our current beige malaise set in? Much of the recent divisiveness might be attributed to the Kardashians, whose homes are synonymous with muted putty tones: “less is more” taken to its only logical conclusion—least is best. The aesthetic has occasionally gone viral, with the TikTok account Sad Beige even garnering notoriety for documenting the lifelessness of children’s retail offerings in the voice of German documentary filmmaker Werner Herzog.Warner Bros.The cast of Mountainhead, the new HBO Original film from Succession creator Jesse Armstrong.Social media is as much a progenitor of the trend as it is the platform to document it and repackage it for frictionless consumption. Beige is safe, easy, legible—if your entire house has been unpacked from Amazon boxes, why fight the natural inclination to just live in one? The Mountainhead home might be the lair of a fictional tech boss, but the aesthetics remain the same up and down the corporate ladder.The color family has its own troubled history: “khaki,” which is derived from the Urdu term for “dusty,” originated in mid-19th-century colonial India, as the critic and author Andrea Codrington noted in an eerily prescient 2001 essay for Cabinet magazine that further elaborates on beige’s latent potential for evil. Mountainhead, then, sees the hue returning to its roots, becoming shorthand for what Armstrong sees as everything that’s wrong with the world: complacency, exhaustion, and boredom.MACALL POLAY. SMPSPAnother beige couch in the Mountainhead house. Armstrong’s camera treats the home, designed by local Utah firm Upwall Design, as a character in and of itself, with lingering shots of quietly humming servers, spiraling staircases and vacant driveways presenting solitude and menace as two sides of the same coin. Town & Country reported that production designer Stephen Carter liked the property for its The Shining-esque vibes. He wasn’t wrong. “There’s a solitary nature to that house, too,” star Steve Carrell told The Salt Lake Tribune. “You feel like you’re away from everything.”Another word for that feeling—articulated by scenes of the men laying about the home glued to their phones as scenes of worldwide terror stream in—would be dissociation. Think home is where the heart is? Mountainhead makes a compelling case that it's often just another a bad trip.Sean SantiagoDeputy EditorSean Santiago is ELLE Decor's Deputy Editor, covering news, trends and talents in interior design, hospitality and travel, culture, and luxury shopping. Since starting his career at an interior design firm in 2011, he has gone on to cover the industry for Vogue, Architectural Digest, Sight Unseen, PIN-UP and Domino. He is the author of The Lonny Home, has produced scripted social content for brands including West Elm and Streeteasy, and is sometimes recognized on the street for his Instagram Reels series, #DanceToDecor #how #beige #became #shorthand #everything
    WWW.ELLEDECOR.COM
    How Beige Became Shorthand for Everything Wrong With the World
    “Was your interior designer Ayn Bland?” Barely ten minutes into Mountainhead, the first feature film from Succession creator Jesse Armstrong, the viewer is confronted with one of the film’s central tenets: beige is bad.Articulated by Jeff (Ramy Youssef), the movie does a lot to engage this train of thought. Its central characters—tech bro founders Randall (Steve Carrell), Hugo (Jason Schwartzman), and Venis (Cory Michael Smith)—are pitted against not just each other, but the world writ large as it begins to crumble around them, mostly thanks to their own machinations.But when did our current beige malaise set in? Much of the recent divisiveness might be attributed to the Kardashians, whose homes are synonymous with muted putty tones: “less is more” taken to its only logical conclusion—least is best. The aesthetic has occasionally gone viral, with the TikTok account Sad Beige even garnering notoriety for documenting the lifelessness of children’s retail offerings in the voice of German documentary filmmaker Werner Herzog.Warner Bros.The cast of Mountainhead, the new HBO Original film from Succession creator Jesse Armstrong.Social media is as much a progenitor of the trend as it is the platform to document it and repackage it for frictionless consumption. Beige is safe, easy, legible—if your entire house has been unpacked from Amazon boxes, why fight the natural inclination to just live in one? The Mountainhead home might be the lair of a fictional tech boss, but the aesthetics remain the same up and down the corporate ladder.The color family has its own troubled history: “khaki,” which is derived from the Urdu term for “dusty,” originated in mid-19th-century colonial India, as the critic and author Andrea Codrington noted in an eerily prescient 2001 essay for Cabinet magazine that further elaborates on beige’s latent potential for evil. Mountainhead, then, sees the hue returning to its roots, becoming shorthand for what Armstrong sees as everything that’s wrong with the world: complacency, exhaustion, and boredom.MACALL POLAY. SMPSPAnother beige couch in the Mountainhead house. Armstrong’s camera treats the home, designed by local Utah firm Upwall Design, as a character in and of itself, with lingering shots of quietly humming servers, spiraling staircases and vacant driveways presenting solitude and menace as two sides of the same coin. Town & Country reported that production designer Stephen Carter liked the property for its The Shining-esque vibes. He wasn’t wrong. “There’s a solitary nature to that house, too,” star Steve Carrell told The Salt Lake Tribune. “You feel like you’re away from everything.”Another word for that feeling—articulated by scenes of the men laying about the home glued to their phones as scenes of worldwide terror stream in—would be dissociation. Think home is where the heart is? Mountainhead makes a compelling case that it's often just another a bad trip.Sean SantiagoDeputy EditorSean Santiago is ELLE Decor's Deputy Editor, covering news, trends and talents in interior design, hospitality and travel, culture, and luxury shopping. Since starting his career at an interior design firm in 2011, he has gone on to cover the industry for Vogue, Architectural Digest, Sight Unseen, PIN-UP and Domino. He is the author of The Lonny Home (Weldon Owens, 2018), has produced scripted social content for brands including West Elm and Streeteasy, and is sometimes recognized on the street for his Instagram Reels series, #DanceToDecor
    0 Comments 0 Shares 0 Reviews
  • ‘Doctor Who’ Plays a Weird Waiting Game for the Beginning of Its End

    There are a lot of parallels between “Wish World” and last year’s “The Legend of Ruby Sunday.” They are both, of course, penultimate episodes of their respective seasons of Doctor Who. They are also both built around the return of a classic Doctor Who villain, and paying off a mystery that had played out throughout their respective seasons. Unfortunately they also both share a pretty fatal parallel: they’re both aimless waiting games that have little meat on their bones as they count down to a last minute cliffhanger reveal. “Wish World” has even more of a problem than “The Legend of Ruby Sunday,” however. That latter episode could at least hinge some tension and atmosphere on the fact that we didn’t already know that the last moments were building up to the reveal of Sutekh’s return. “Wish World,” for the most part, is building up to a dramatic moment its audience already knows while its main character doesn’t: for the Doctor to encounter the returned Rani, and understand what that may mean. And that just makes it a very weird experience, even before you get to the mechanics of how Doctor Who is ticking down to that big reveal. The titular world of “Wish World” is a contemporary Earth before its apparently fated obliteration, except it’s a sideways version of it. Thanks to the help of a convenient magic baby the Rani goes and picks up in medieval Bavaria in the opening moments—the seventh son of a seventh son of a seventh son, which doesn’t feel very Evil Science Villainess of her, especially when the baby just essentially starts letting her bend reality in whatever way she wants—noted Utter Bastard Conrad from “Lucky Day” is the apparent benevolent dictator of the world, broadcasting from a bone palace upon high in London to decide the state of the world, weather, and creepily pleasant lives of everyone in it with a little help from this magic wunderkind.

    © BBC/Disney Those subjects include the Doctor and Belinda, who are now Mr. John Smith and his wife Belinda, living a retro-modern nuclear family dream with their baby daughter Poppy as Belinda revels in being a stay-at-home mom and Mr. Smith goes to work at UNIT, now a unified insurance team rather than a vanguard against alien threats. The creepy vibe of this overtly heteronormative existence is in part the point, it turns out: everyone makes very pointed acknowledgements about the role of women being good daughters, good wives, and then good mothers, and when “Mr. Smith” passingly describes a male co-workeras handsome, reality almost turns in on itself around him, as if the mere thought of something not cisgender or heterosexual is an affront to this world that Conrad has wished up for everyone. It turns out we can also add “Hates Disabled People” to the Bumper List of Conrad’s Shitty Bigotries, because aside from retrograde thoughts about women and queer people, his bigotry around disabled people has led to an underground society of disabled people who, because they are “unseen” by Conrad in so much that he doesn’t ever think or care about them, are practically invisible to the world around them… except Ruby Sunday, who’s likewise unaffected by what’s going on around her, letting her team up with Shirley and her friends in the disabled camp to start trying to figure out what’s going on. Good job Conrad really sucks in some very specific ways! © BBC/Disney This is just about where “Wish World” checks out of trying to tell much more of a story, which is a shame, because the weird creepy vibes are quite good, even if they also mean continued exposure to Conrad. After “Mr. Smith” has his brush with the curse of fatal compulsory heterosexuality, his entire role in the episode is to sit around swirling with doubt about the nature of his existence until he remembers that he’s the Doctor. After she links up with Shirley, Ruby’s “investigation” essentially slams the brakes on its own momentum so the two of them can basically look up from below the giant bone palace as it sits above London.

    And then there’s the Rani, or rather the Ranis plural, who are sitting up in that aforementioned bone palace, who are also largely just biding their time, as the latest incarnation of the renegade Time Lady practically begs the Doctor to figure out the world that she’s dominating through Conrad is a falsehood, so he can remember who he is, and more importantly, who she is. But it’s a weird vibe of the less intentional sort than those given off by Conrad’s Bigot Paradise. The episode is, essentially, ticking down until you get to that moment of realization between the Doctor and the Rani, even after she spends much of the third act of “Wish World” expositing to his face in an attempt to get the artifice to crumble around him once and for all. © BBC/Disney But because we already know that she’s the Rani, and that the Doctor is not an insurance salesman named John Smith, there’s no tension or mystery in what’s being built towards, you’re just a knowing audience waiting for the shoe to drop for the show’s protagonist, a shoe you’ve known all along is going to drop. At least “The Legend of Ruby Sunday” had the mystery of Susan Triad to build a sense of dread around, even if there wasn’t much more to the episode beyond that—all “Wish World” has is a compelling creepy concept it largely discards halfway through and then a literal ticking clock as we wait for the episode’s final moments.

    So it turns out “Wish World” needs to throw in another mystery reveal right at the last moment, because the Doctor realizing who the Rani is is not that much of an actual reveal to us any more. It turns out the Rani’s big ticking clock counting down to May 24 has been powered by collecting the doubts of anyone who’s questioned Conrad’s reality, the Doctor included, juicing up the Vindicator the Doctor and Belinda have charged throughout the season even further to rip a hole through Earth and reality itself… opening up a dimension where none other than Omega, the ancient, godlike co-founder of Time Lord society, awaits. © BBC/Disney Admittedly “Wish World” does get the leg up on “Legend of Ruby Sunday” by putting its “devastating destruction of pretty much everyone but our hero that will be inevitably undone next episode” moment before the cliffhanger this time, as we watch Earth splinter apart and collapse into the underverse, seemingly blipping everyone but the Doctor, Conrad, and the Ranis out of existence, Belinda included. But the Omega reveal is more confusing than it is shocking in the moment, because it feels like it comes out of nowhere after the episode builds towards an already dramatically compromised reveal. Sure, we don’t know why the Rani is doing all this weird stuff with Conrad and a magic baby, but the episode never treats that as a mystery to interrogate, it’s just ticking in the background while the Rani yearns for the Doctor to recognize her.

    So when Omega is invoked—we don’t see him, it’s just his name being dropped—what could’ve been something “Wish World” built to just largely comes out of left field. The Rani and the Doctor’s encounter is all that “Wish World” was building toward up to that point, and because it’s building up to it for all of its runtime, the moment itself doesn’t really get to sit beyond the climactic final minutes, robbing it of what little tension could remain. © BBC/Disney And so again, we’re left waiting to see if next week’s grand finale will retroactively make this week’s preparation feel worth the clock-ticking… and if we really needed the Rani’s return to herald Omega, and all the implications that then has for the Time Lords and Gallifrey at large beyond that. That feels like a lot to dig into, at least. Imagine if we’d gotten a two-part finale that actually leveraged its time to do just that? Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.
    #doctor #who #plays #weird #waiting
    ‘Doctor Who’ Plays a Weird Waiting Game for the Beginning of Its End
    There are a lot of parallels between “Wish World” and last year’s “The Legend of Ruby Sunday.” They are both, of course, penultimate episodes of their respective seasons of Doctor Who. They are also both built around the return of a classic Doctor Who villain, and paying off a mystery that had played out throughout their respective seasons. Unfortunately they also both share a pretty fatal parallel: they’re both aimless waiting games that have little meat on their bones as they count down to a last minute cliffhanger reveal. “Wish World” has even more of a problem than “The Legend of Ruby Sunday,” however. That latter episode could at least hinge some tension and atmosphere on the fact that we didn’t already know that the last moments were building up to the reveal of Sutekh’s return. “Wish World,” for the most part, is building up to a dramatic moment its audience already knows while its main character doesn’t: for the Doctor to encounter the returned Rani, and understand what that may mean. And that just makes it a very weird experience, even before you get to the mechanics of how Doctor Who is ticking down to that big reveal. The titular world of “Wish World” is a contemporary Earth before its apparently fated obliteration, except it’s a sideways version of it. Thanks to the help of a convenient magic baby the Rani goes and picks up in medieval Bavaria in the opening moments—the seventh son of a seventh son of a seventh son, which doesn’t feel very Evil Science Villainess of her, especially when the baby just essentially starts letting her bend reality in whatever way she wants—noted Utter Bastard Conrad from “Lucky Day” is the apparent benevolent dictator of the world, broadcasting from a bone palace upon high in London to decide the state of the world, weather, and creepily pleasant lives of everyone in it with a little help from this magic wunderkind. © BBC/Disney Those subjects include the Doctor and Belinda, who are now Mr. John Smith and his wife Belinda, living a retro-modern nuclear family dream with their baby daughter Poppy as Belinda revels in being a stay-at-home mom and Mr. Smith goes to work at UNIT, now a unified insurance team rather than a vanguard against alien threats. The creepy vibe of this overtly heteronormative existence is in part the point, it turns out: everyone makes very pointed acknowledgements about the role of women being good daughters, good wives, and then good mothers, and when “Mr. Smith” passingly describes a male co-workeras handsome, reality almost turns in on itself around him, as if the mere thought of something not cisgender or heterosexual is an affront to this world that Conrad has wished up for everyone. It turns out we can also add “Hates Disabled People” to the Bumper List of Conrad’s Shitty Bigotries, because aside from retrograde thoughts about women and queer people, his bigotry around disabled people has led to an underground society of disabled people who, because they are “unseen” by Conrad in so much that he doesn’t ever think or care about them, are practically invisible to the world around them… except Ruby Sunday, who’s likewise unaffected by what’s going on around her, letting her team up with Shirley and her friends in the disabled camp to start trying to figure out what’s going on. Good job Conrad really sucks in some very specific ways! © BBC/Disney This is just about where “Wish World” checks out of trying to tell much more of a story, which is a shame, because the weird creepy vibes are quite good, even if they also mean continued exposure to Conrad. After “Mr. Smith” has his brush with the curse of fatal compulsory heterosexuality, his entire role in the episode is to sit around swirling with doubt about the nature of his existence until he remembers that he’s the Doctor. After she links up with Shirley, Ruby’s “investigation” essentially slams the brakes on its own momentum so the two of them can basically look up from below the giant bone palace as it sits above London. And then there’s the Rani, or rather the Ranis plural, who are sitting up in that aforementioned bone palace, who are also largely just biding their time, as the latest incarnation of the renegade Time Lady practically begs the Doctor to figure out the world that she’s dominating through Conrad is a falsehood, so he can remember who he is, and more importantly, who she is. But it’s a weird vibe of the less intentional sort than those given off by Conrad’s Bigot Paradise. The episode is, essentially, ticking down until you get to that moment of realization between the Doctor and the Rani, even after she spends much of the third act of “Wish World” expositing to his face in an attempt to get the artifice to crumble around him once and for all. © BBC/Disney But because we already know that she’s the Rani, and that the Doctor is not an insurance salesman named John Smith, there’s no tension or mystery in what’s being built towards, you’re just a knowing audience waiting for the shoe to drop for the show’s protagonist, a shoe you’ve known all along is going to drop. At least “The Legend of Ruby Sunday” had the mystery of Susan Triad to build a sense of dread around, even if there wasn’t much more to the episode beyond that—all “Wish World” has is a compelling creepy concept it largely discards halfway through and then a literal ticking clock as we wait for the episode’s final moments. So it turns out “Wish World” needs to throw in another mystery reveal right at the last moment, because the Doctor realizing who the Rani is is not that much of an actual reveal to us any more. It turns out the Rani’s big ticking clock counting down to May 24 has been powered by collecting the doubts of anyone who’s questioned Conrad’s reality, the Doctor included, juicing up the Vindicator the Doctor and Belinda have charged throughout the season even further to rip a hole through Earth and reality itself… opening up a dimension where none other than Omega, the ancient, godlike co-founder of Time Lord society, awaits. © BBC/Disney Admittedly “Wish World” does get the leg up on “Legend of Ruby Sunday” by putting its “devastating destruction of pretty much everyone but our hero that will be inevitably undone next episode” moment before the cliffhanger this time, as we watch Earth splinter apart and collapse into the underverse, seemingly blipping everyone but the Doctor, Conrad, and the Ranis out of existence, Belinda included. But the Omega reveal is more confusing than it is shocking in the moment, because it feels like it comes out of nowhere after the episode builds towards an already dramatically compromised reveal. Sure, we don’t know why the Rani is doing all this weird stuff with Conrad and a magic baby, but the episode never treats that as a mystery to interrogate, it’s just ticking in the background while the Rani yearns for the Doctor to recognize her. So when Omega is invoked—we don’t see him, it’s just his name being dropped—what could’ve been something “Wish World” built to just largely comes out of left field. The Rani and the Doctor’s encounter is all that “Wish World” was building toward up to that point, and because it’s building up to it for all of its runtime, the moment itself doesn’t really get to sit beyond the climactic final minutes, robbing it of what little tension could remain. © BBC/Disney And so again, we’re left waiting to see if next week’s grand finale will retroactively make this week’s preparation feel worth the clock-ticking… and if we really needed the Rani’s return to herald Omega, and all the implications that then has for the Time Lords and Gallifrey at large beyond that. That feels like a lot to dig into, at least. Imagine if we’d gotten a two-part finale that actually leveraged its time to do just that? Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who. #doctor #who #plays #weird #waiting
    GIZMODO.COM
    ‘Doctor Who’ Plays a Weird Waiting Game for the Beginning of Its End
    There are a lot of parallels between “Wish World” and last year’s “The Legend of Ruby Sunday.” They are both, of course, penultimate episodes of their respective seasons of Doctor Who. They are also both built around the return of a classic Doctor Who villain, and paying off a mystery that had played out throughout their respective seasons. Unfortunately they also both share a pretty fatal parallel: they’re both aimless waiting games that have little meat on their bones as they count down to a last minute cliffhanger reveal. “Wish World” has even more of a problem than “The Legend of Ruby Sunday,” however. That latter episode could at least hinge some tension and atmosphere on the fact that we didn’t already know that the last moments were building up to the reveal of Sutekh’s return (unless you read the rumors, that is). “Wish World,” for the most part (more on that later), is building up to a dramatic moment its audience already knows while its main character doesn’t: for the Doctor to encounter the returned Rani, and understand what that may mean. And that just makes it a very weird experience, even before you get to the mechanics of how Doctor Who is ticking down to that big reveal. The titular world of “Wish World” is a contemporary Earth before its apparently fated obliteration, except it’s a sideways version of it. Thanks to the help of a convenient magic baby the Rani goes and picks up in medieval Bavaria in the opening moments—the seventh son of a seventh son of a seventh son, which doesn’t feel very Evil Science Villainess of her, especially when the baby just essentially starts letting her bend reality in whatever way she wants—noted Utter Bastard Conrad from “Lucky Day” is the apparent benevolent dictator of the world, broadcasting from a bone palace upon high in London to decide the state of the world, weather, and creepily pleasant lives of everyone in it with a little help from this magic wunderkind. © BBC/Disney Those subjects include the Doctor and Belinda, who are now Mr. John Smith and his wife Belinda, living a retro-modern nuclear family dream with their baby daughter Poppy as Belinda revels in being a stay-at-home mom and Mr. Smith goes to work at UNIT, now a unified insurance team rather than a vanguard against alien threats. The creepy vibe of this overtly heteronormative existence is in part the point, it turns out: everyone makes very pointed acknowledgements about the role of women being good daughters, good wives, and then good mothers, and when “Mr. Smith” passingly describes a male co-worker (none other than Colonel Ibrahim, blissfully unaware of who he’s meant to be) as handsome, reality almost turns in on itself around him, as if the mere thought of something not cisgender or heterosexual is an affront to this world that Conrad has wished up for everyone. It turns out we can also add “Hates Disabled People” to the Bumper List of Conrad’s Shitty Bigotries, because aside from retrograde thoughts about women and queer people, his bigotry around disabled people has led to an underground society of disabled people who, because they are “unseen” by Conrad in so much that he doesn’t ever think or care about them, are practically invisible to the world around them… except Ruby Sunday, who’s likewise unaffected by what’s going on around her, letting her team up with Shirley and her friends in the disabled camp to start trying to figure out what’s going on. Good job Conrad really sucks in some very specific ways! © BBC/Disney This is just about where “Wish World” checks out of trying to tell much more of a story, which is a shame, because the weird creepy vibes are quite good, even if they also mean continued exposure to Conrad (again, no disrespect to Jonah Hauer-King, he’s just incredibly good at playing a man with utterly rancid vibes). After “Mr. Smith” has his brush with the curse of fatal compulsory heterosexuality (spurred on again by a wild, random returning cameo from Jonathan Groff’s Rogue, who gets a message out to the Doctor to help him doubt the nature of the Wish World by basically saying “I am gay and in a hell dimension but please remember that you like men!”), his entire role in the episode is to sit around swirling with doubt about the nature of his existence until he remembers that he’s the Doctor. After she links up with Shirley, Ruby’s “investigation” essentially slams the brakes on its own momentum so the two of them can basically look up from below the giant bone palace as it sits above London. And then there’s the Rani, or rather the Ranis plural, who are sitting up in that aforementioned bone palace, who are also largely just biding their time, as the latest incarnation of the renegade Time Lady practically begs the Doctor to figure out the world that she’s dominating through Conrad is a falsehood, so he can remember who he is, and more importantly, who she is. But it’s a weird vibe of the less intentional sort than those given off by Conrad’s Bigot Paradise. The episode is, essentially, ticking down until you get to that moment of realization between the Doctor and the Rani, even after she spends much of the third act of “Wish World” expositing to his face in an attempt to get the artifice to crumble around him once and for all. © BBC/Disney But because we already know that she’s the Rani, and that the Doctor is not an insurance salesman named John Smith, there’s no tension or mystery in what’s being built towards, you’re just a knowing audience waiting for the shoe to drop for the show’s protagonist, a shoe you’ve known all along is going to drop. At least “The Legend of Ruby Sunday” had the mystery of Susan Triad to build a sense of dread around, even if there wasn’t much more to the episode beyond that—all “Wish World” has is a compelling creepy concept it largely discards halfway through and then a literal ticking clock as we wait for the episode’s final moments. So it turns out “Wish World” needs to throw in another mystery reveal right at the last moment, because the Doctor realizing who the Rani is is not that much of an actual reveal to us any more. It turns out the Rani’s big ticking clock counting down to May 24 has been powered by collecting the doubts of anyone who’s questioned Conrad’s reality, the Doctor included, juicing up the Vindicator the Doctor and Belinda have charged throughout the season even further to rip a hole through Earth and reality itself… opening up a dimension where none other than Omega, the ancient, godlike co-founder of Time Lord society (well, Timeless Child stuff nonwithstanding!), awaits. © BBC/Disney Admittedly “Wish World” does get the leg up on “Legend of Ruby Sunday” by putting its “devastating destruction of pretty much everyone but our hero that will be inevitably undone next episode” moment before the cliffhanger this time, as we watch Earth splinter apart and collapse into the underverse, seemingly blipping everyone but the Doctor, Conrad, and the Ranis out of existence, Belinda included. But the Omega reveal is more confusing than it is shocking in the moment, because it feels like it comes out of nowhere after the episode builds towards an already dramatically compromised reveal. Sure, we don’t know why the Rani is doing all this weird stuff with Conrad and a magic baby, but the episode never treats that as a mystery to interrogate, it’s just ticking in the background while the Rani yearns for the Doctor to recognize her. So when Omega is invoked—we don’t see him, it’s just his name being dropped—what could’ve been something “Wish World” built to just largely comes out of left field (unless you already happened to see that Russell T Davies teased on Instagram last week that there was a mystery third party in the villainous mix between Conrad and the Ranis, but should you have to check the showrunner’s social media for suitable dramatic tension?). The Rani and the Doctor’s encounter is all that “Wish World” was building toward up to that point, and because it’s building up to it for all of its runtime, the moment itself doesn’t really get to sit beyond the climactic final minutes, robbing it of what little tension could remain. © BBC/Disney And so again, we’re left waiting to see if next week’s grand finale will retroactively make this week’s preparation feel worth the clock-ticking… and if we really needed the Rani’s return to herald Omega, and all the implications that then has for the Time Lords and Gallifrey at large beyond that. That feels like a lot to dig into, at least. Imagine if we’d gotten a two-part finale that actually leveraged its time to do just that? Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.
    0 Comments 0 Shares 0 Reviews
CGShares https://cgshares.com