🎉 Exciting news, everyone! Autodesk has just released Flame 2026.1, and it's packed with amazing features! 🌟 This update enhances compositing, finishing, and effects capabilities like never before. With improved handling of OpenFX plugins, your creative possibilities are truly limitless! ✨ Imagine the stunning visuals you can create with this powerful tool at your fingertips! Let's embrace this innovation and take our projects to new heights! 🚀 Keep shining and creating magic! 💖 #Autodesk #Flame2026 #CreativeSoftware #VisualEffects #Innovation

In the depths of solitude, I find myself yearning for connection, yet all I feel is the weight of disappointment. The Project Dogwaffle team has unveiled Howler 2025.7, a beacon of creativity with its new expression engine. But as I explore these complex effects, a haunting reminder echoes in my heart... I am still alone. The vibrant colors dance before me, yet they can't fill the void of companionship I crave. Even in this digital masterpiece, the silence surrounds me, a cruel reminder of how isolated I truly am. #Loneliness #Heartbreak #DigitalArt #Howler2025 #EmotionalJourney

In the shadows of an empty room, I find myself staring at a curved screen, hoping to map the contours of my loneliness. Each tutorial on After Effects and Blender feels like a distant whisper, reminding me of the beauty I can’t grasp. The FT-UV Pass Pro plugin dances in my mind, yet it reflects nothing but the void that surrounds me. I sit here, longing for connection, but all I feel is an aching solitude. The art I once loved now feels like a cruel reminder of what I’ve lost. How can I create when my heart is so heavy? #Loneliness #Heartbreak #ArtisticExpression #EmotionalJourney #CurvedScreen

I feel a heavy weight in my heart today as I reflect on the recent changes within France VFX. The union that once stood strong for us, the artists and creators of visual effects, now feels distant and fragmented. 💔 As the new board takes shape, I can’t shake off this feeling of isolation. Are our voices truly being heard? Will our needs be addressed amidst the shifting priorities? The future seems uncertain, and the loneliness of this journey is suffocating. I long for a time when we felt united, fighting for a common cause, not just surviving in the shadows. 😔 #FranceVFX #VisualEffects #Loneliness #Artistry #Hope

Unigine 2.20 is out, and it adds support for 3D Gaussian Splatting. Not sure what that means, but I guess it’s nice for game devs or VFX folks. The update seems to have a bunch of features, but honestly, it’s just another day in the world of 3D engines. If you’re into indie games or need something for visual effects, this might be worth checking out. Anyway, it’s free, so that’s something. Not really feeling the excitement here. #Unigine #3DGaussianSplatting #IndieGames #VFX #GameDev

What a ridiculous mess we've stumbled upon with "The Substance"! This so-called film, directed by Coralie Fargeat, is nothing but a desperate attempt to cash in on the nostalgia of stars like Demi Moore and Margaret Qualley. The focus on VFX and practical effects is laughable when the story itself is a shallow portrayal of a star willing to inject herself with unpredictable substances just to regain her fame. It’s a reflection of our society's obsession with superficiality and the lengths people will go to for fleeting attention. Instead of celebrating talent, we glorify this toxic narrative. Are we really okay with this? It's time to demand better from our filmmakers and reject this garbage! #TheSubstance #VFX #FilmCritique #

animation schools, Lanimea, RECA, French animation, 2D animation, 3D animation, visual effects, animation education, Normandy, animation industry ## Introduction Exciting news is making waves in the world of animation education! The esteemed 2D/3D animation school, Lanimea, nestled in the beautiful region of Normandy, has officially joined the Réseau des Écoles Françaises de Cinéma d’Animation (RECA). This is a momentous occasion not just for Lanimea but for the entire animation industry in Fr...

It's time to call out the glaring flaws in the so-called "Latest Showreel" by the Compagnie Générale des Effets Visuels (CGEV). They tout their projects like a peacock showing off its feathers, but let's be honest: this is just a facade. The latest compilation, which includes work from films such as "The Substance," "Survivre," "Monsieur Aznavour," "Le Salaire de la Peur," and more, is nothing short of a desperate attempt to mask their shortcomings in the visual effects industry. First off, what are they thinking with the title "Mise à jour de showreel"? This isn't an update; it's a cry for help! The industry is moving at lightning speed, and CGEV seems to be stuck in the past, clinging to projects that are as outdated as a floppy disk. The world of visual effects is about innovation and pushing boundaries, yet here we have a company content with showcasing work that barely scratches the surface of creativity. And let’s talk about "Le Salaire de la Peur." If this is their crown jewel, then they are in serious trouble. The effects look amateurish at best, and it raises the question: are they even using the right technology? In an age where CGI can create stunning visuals that leave you breathless, CGEV’s work feels like a bad remnant of the early 2000s. It’s embarrassing to think that they believe this is good enough to represent their brand. Alain Carsoux, the director, needs to take a long, hard look in the mirror. Is he satisfied with this mediocrity? Because the rest of us definitely aren’t. The lack of originality and innovation in these projects is infuriating. Instead of pushing the envelope, they're settling for the bare minimum, and that’s an insult to both their talent and their audience. The sad reality is that CGEV is not alone in this trend. The entire industry seems to be plagued by a lack of ambition. They’re so focused on keeping the lights on that they’ve forgotten why they got into this business in the first place. It’s about passion, creativity, and daring to take risks. "Young Woman and the Sea" could have been a ground-breaking project, but instead, it’s just another forgettable title in an already saturated market. We need to demand more from these companies. We deserve visual effects that inspire, challenge, and captivate. CGEV needs to get its act together and start investing in real talent and cutting-edge technology. No more excuses! The audience is tired of being served mediocrity wrapped in flashy marketing. If they want to compete in the visual effects arena, they better step up their game or face the consequences of being forgotten. Let’s stop accepting subpar work from companies that should know better. The time for complacency is over. We need to hold CGEV accountable for their lack of innovation and creativity. If they continue down this path, they’ll be left behind in a world that demands so much more. #CGEV #VisualEffects #FilmIndustry #TheSubstance #Innovation

What on earth is going on with the VFX in Netflix's "The Snow Sister"? Seriously, it’s 2023, and we’re still being fed mediocre visual effects that are supposed to "wow" us but end up doing the exact opposite! The so-called "VFX breakdown" is nothing more than a slap in the face to anyone who actually appreciates the art of visual storytelling. Let’s get one thing straight: if the best VFX are indeed the ones you can’t spot, then how on earth did we end up with these glaringly obvious digital blunders? It’s like they threw a bunch of half-baked effects together and called it a day. Instead of stunning visuals that elevate the narrative, we get a distracting mess that pulls you right out of the experience. Who are they kidding? The creators of "The Snow Sister" clearly missed the memo that viewers today are not easily satisfied. We demand more than just passable effects; we want immersive worlds that captivate us. And yet, here we are, subjected to a barrage of poorly executed VFX that look like they belong in a low-budget production from the early 2000s. It’s frustrating to see Netflix, a platform that should be setting the gold standard in content creation, flounder so embarrassingly with something as fundamental as visual effects. What’s even more maddening is the disconnect between the promotional hype and the actual product. They tout the "creation" of these effects as if they’re groundbreaking, but in reality, they are a visual cacophony that leaves much to be desired. How can anyone take this seriously when the final product looks like it was hastily patched together? It’s not just a disservice to the viewers; it’s an insult to the talented artists who work tirelessly in the VFX industry. They deserve better than to have their hard work represented by subpar results that manage to undermine the entire project. Netflix needs to wake up and understand that audiences are becoming increasingly discerning. We’re not just mindless consumers; we have eyes, and we can see when something is off. The VFX in "The Snow Sister" is a glaring example of what happens when corners are cut and quality is sacrificed for the sake of quantity. We expect innovation, creativity, and, above all, professionalism. Instead, we are fed a half-hearted effort that leaves us shaking our heads in disbelief. In conclusion, if Netflix wants to maintain its position as a leader in the entertainment industry, it’s time to step up its game and give us the high-quality VFX that we deserve. No more excuses, no more mediocre breakdowns—just real artistry that enhances our viewing experience. Let’s hold them accountable and demand better! #VFX #Netflix #TheSnowSister #VisualEffects #EntertainmentIndustry

🚀✨ Are you ready to embark on an exciting journey into the world of freelance 3D artistry? 🌟 The possibilities are endless, and I'm here to tell you that this is the perfect time to dive into freelancing! Whether you're coming from animation, video games, architecture, or visual effects, the demand for talented 3D professionals is skyrocketing! 📈💥 Imagine waking up each day to work on projects that ignite your passion and creativity! 💖 Freelancing in the 3D industry allows you to embrace your artistic spirit and transform your visions into stunning visual realities. With studios and agencies increasingly outsourcing production stages, there has never been a better opportunity to carve out your niche in this vibrant field. 🌈 Let’s talk about the **5 essential tools** you can use to kickstart your freelancing career in 3D! 🛠️✨ 1. **Blender**: This powerful and free software is a game-changer! With its comprehensive features, you can create everything from animations to stunning visual effects. 🌌 2. **Autodesk Maya**: Elevate your skills with this industry-standard tool! Perfect for animators and modelers, Maya will help you bring your creations to life with professional finesse. 🎬 3. **Substance Painter**: Don’t underestimate the power of textures! This tool allows you to paint textures directly onto your 3D models, ensuring they look photorealistic and captivating. 🖌️ 4. **Unity**: If you’re interested in gaming or interactive content, Unity is your go-to platform! It lets you bring your 3D models into an interactive environment, giving you the chance to shine in the gaming world. 🎮 5. **Fiverr or Upwork**: These platforms are fantastic for freelancers to showcase their skills and connect with clients. Start building your portfolio and watch your network grow! 🌍 Freelancing isn't just about working independently; it’s about building a community and collaborating with other creatives to achieve greatness! 🤝💫 So, gather your tools, hone your craft, and don’t be afraid to put yourself out there. Every project is an opportunity to learn and grow! 🌱 Remember, the road may have its bumps, but your passion and determination will propel you forward. Keep believing in yourself, and don’t hesitate to take that leap of faith into the freelancing world. Your dream career is within reach! 🚀💖 #Freelance3D #3DArtistry #CreativeJourney #Freelancing #3DModeling