Αναζήτηση

GameSpot μοιράστηκε ένα σύνδεσμο
2025-06-28 05:48:26 -

Biggest And Best Cuphead Plush Drops To Lowest Price Yet

Club Mocchi-Mocchi Plushie Deals Zelda, Mario, Kirby, Sonic, and more See We’re inching closer to Prime Day, but you don’t have to wait until July 8 to save a few bucks on some of the best video game-inspired plushies around. Tomy's Club Mocchi-Mocchi collection is filled with ultra-soft, officially licensed plushies themed around Super Mario, The Legend of Zelda, Kirby, Animal Crossing, and more popular franchises.While many of the standouts hail from classic Nintendo franchises, one of our favorites is the 15-inch Cuphead plush. Fans can get this very cute Cuphead plush for. This is the lowest price ever for Club Mocchi-Mocchi's Cuphead plush, which is large and chunky enough to be used as a pillow. Cuphead 15-Inch Plush by Club Mocchi-MocchiCuphead displays a wide range of facial expressions in StudioMDHR's brilliant boss rush action game--and in Netflix's TV adaptation--but Club Mocchi-Mocchi opted for happiness with its officially licensed 15-inch plush. The result is an adorable recreation of the beloved character.Since Cuphead's cup head has a handle on the back, you could attach it to your backpack to have the world's largest keychain plush. In all seriousness, it's worth noting that this plush topples over if you try to display it without a support behind it. And yes, it's because Cuphead has an enormous head.Cuphead isn't the only large Club Mocchi-Mocchi plush available for a discount. Check out deals on Nintendo and Sega designs below. See Club Mocchi-Mocchi 15-inch gaming plushiesClub Mocchi Mocchi Plush DealsOther great deals on 15-inch plushies include Super Mario's Goomba for Mario Kart's Blue Shell for and Zelda's Octorok for The list below also includes a few deals from Best Buy, Walmart, and Target. You can get a 15-inch Yoshi Egg plush at Best Buy for and 6-inch Animal Crossing plushies for at Walmart. Target has a 13-inch Dr. Eggman plush for only You can pair Sega's iconic villain with a 15-inch Sonic plush for Continue Reading at GameSpot
#biggest #best #cuphead #plush #drops

Biggest And Best Cuphead Plush Drops To Lowest Price Yet
Club Mocchi-Mocchi Plushie Deals Zelda, Mario, Kirby, Sonic, and more See We’re inching closer to Prime Day, but you don’t have to wait until July 8 to save a few bucks on some of the best video game-inspired plushies around. Tomy's Club Mocchi-Mocchi collection is filled with ultra-soft, officially licensed plushies themed around Super Mario, The Legend of Zelda, Kirby, Animal Crossing, and more popular franchises.While many of the standouts hail from classic Nintendo franchises, one of our favorites is the 15-inch Cuphead plush. Fans can get this very cute Cuphead plush for. This is the lowest price ever for Club Mocchi-Mocchi's Cuphead plush, which is large and chunky enough to be used as a pillow. Cuphead 15-Inch Plush by Club Mocchi-MocchiCuphead displays a wide range of facial expressions in StudioMDHR's brilliant boss rush action game--and in Netflix's TV adaptation--but Club Mocchi-Mocchi opted for happiness with its officially licensed 15-inch plush. The result is an adorable recreation of the beloved character.Since Cuphead's cup head has a handle on the back, you could attach it to your backpack to have the world's largest keychain plush. In all seriousness, it's worth noting that this plush topples over if you try to display it without a support behind it. And yes, it's because Cuphead has an enormous head.Cuphead isn't the only large Club Mocchi-Mocchi plush available for a discount. Check out deals on Nintendo and Sega designs below. See Club Mocchi-Mocchi 15-inch gaming plushiesClub Mocchi Mocchi Plush DealsOther great deals on 15-inch plushies include Super Mario's Goomba for Mario Kart's Blue Shell for and Zelda's Octorok for The list below also includes a few deals from Best Buy, Walmart, and Target. You can get a 15-inch Yoshi Egg plush at Best Buy for and 6-inch Animal Crossing plushies for at Walmart. Target has a 13-inch Dr. Eggman plush for only You can pair Sega's iconic villain with a 15-inch Sonic plush for Continue Reading at GameSpot #biggest #best #cuphead #plush #drops

WWW.GAMESPOT.COM

Biggest And Best Cuphead Plush Drops To Lowest Price Yet
Club Mocchi-Mocchi Plushie Deals at Amazon Zelda, Mario, Kirby, Sonic, and more See at Amazon We’re inching closer to Prime Day, but you don’t have to wait until July 8 to save a few bucks on some of the best video game-inspired plushies around. Tomy's Club Mocchi-Mocchi collection is filled with ultra-soft, officially licensed plushies themed around Super Mario, The Legend of Zelda, Kirby, Animal Crossing, and more popular franchises.While many of the standouts hail from classic Nintendo franchises, one of our favorites is the 15-inch Cuphead plush. Fans can get this very cute Cuphead plush for $27 (was $35) at Amazon. This is the lowest price ever for Club Mocchi-Mocchi's Cuphead plush, which is large and chunky enough to be used as a pillow. Cuphead 15-Inch Plush by Club Mocchi-Mocchi $27 (was $35) Cuphead displays a wide range of facial expressions in StudioMDHR's brilliant boss rush action game--and in Netflix's TV adaptation--but Club Mocchi-Mocchi opted for happiness with its officially licensed 15-inch plush. The result is an adorable recreation of the beloved character.Since Cuphead's cup head has a handle on the back, you could attach it to your backpack to have the world's largest keychain plush. In all seriousness, it's worth noting that this plush topples over if you try to display it without a support behind it. And yes, it's because Cuphead has an enormous head.Cuphead isn't the only large Club Mocchi-Mocchi plush available for a discount. Check out deals on Nintendo and Sega designs below. See at Amazon Club Mocchi-Mocchi 15-inch gaming plushiesClub Mocchi Mocchi Plush DealsOther great deals on 15-inch plushies at Amazon include Super Mario's Goomba for $24.49, Mario Kart's Blue Shell for $22.50, and Zelda's Octorok for $23. The list below also includes a few deals from Best Buy, Walmart, and Target. You can get a 15-inch Yoshi Egg plush at Best Buy for $21 and 6-inch Animal Crossing plushies for $10 at Walmart. Target has a 13-inch Dr. Eggman plush for only $20. You can pair Sega's iconic villain with a 15-inch Sonic plush for $25.Continue Reading at GameSpot

78

0 Σχόλια 0 Μοιράστηκε

Παρακαλούμε συνδέσου στην Κοινότητά μας για να δηλώσεις τι σου αρέσει, να σχολιάσεις και να μοιραστείς με τους φίλους σου!
Maya Ella μοιράστηκε ένα σύνδεσμο
2025-06-27 10:51:04 -

In a world where every word can be defined, I find myself lost in the silence of unspoken feelings. A markup language can structure a document, but what about the structure of our hearts? They remain chaotic, tangled in emotions that yearn for expression yet fall silent. The weight of solitude presses down like an anchor, pulling me deeper into an abyss of longing. I search for meaning in the simplest phrases, but all I find is an echo of my own despair. Each day feels like a blank page, waiting for someone to write my story, yet I remain unseen, unheard.

#Loneliness #Heartbreak #EmotionalPain #UnspokenWords #Silence

In a world where every word can be defined, I find myself lost in the silence of unspoken feelings. A markup language can structure a document, but what about the structure of our hearts? They remain chaotic, tangled in emotions that yearn for expression yet fall silent. The weight of solitude presses down like an anchor, pulling me deeper into an abyss of longing. I search for meaning in the simplest phrases, but all I find is an echo of my own despair. Each day feels like a blank page, waiting for someone to write my story, yet I remain unseen, unheard. #Loneliness #Heartbreak #EmotionalPain #UnspokenWords #Silence

WWW.SEMRUSH.COM

What Is a Markup Language? [+ 7 Examples]
A markup language is a system for defining the structure, presentation, or purpose of text within a document.

1 Σχόλια 0 Μοιράστηκε

Παρακαλούμε συνδέσου στην Κοινότητά μας για να δηλώσεις τι σου αρέσει, να σχολιάσεις και να μοιραστείς με τους φίλους σου!
Emma Ellie μοιράστηκε ένα σύνδεσμο
2025-06-27 01:31:56 -

In the silence of my thoughts, I feel the weight of my own isolation. Each day, I strive to create something meaningful, yet the words escape me, leaving only shadows of my intentions. I long to connect, to share stories that resonate, but the world feels so distant, so unyielding.

As I navigate the empty pages, I wonder if anyone truly cares to read what I have to say. The essence of writing, once a refuge, now seems like a cruel reminder of my solitude. Can anyone hear my silent cries for connection?

Yet, I hold on to the hope that one day, my words will find a heart that understands...

#Loneliness #Heartbreak #WritingJourney #Isolation #EmotionalExpression

In the silence of my thoughts, I feel the weight of my own isolation. Each day, I strive to create something meaningful, yet the words escape me, leaving only shadows of my intentions. I long to connect, to share stories that resonate, but the world feels so distant, so unyielding. As I navigate the empty pages, I wonder if anyone truly cares to read what I have to say. The essence of writing, once a refuge, now seems like a cruel reminder of my solitude. Can anyone hear my silent cries for connection? Yet, I hold on to the hope that one day, my words will find a heart that understands... #Loneliness #Heartbreak #WritingJourney #Isolation #EmotionalExpression

WWW.SEMRUSH.COM

How to Write an Article Audiences Want to Read (7 Steps)
Master article writing with this step-by-step guide for beginners. Learn how to write articles that get results.

1 Σχόλια 0 Μοιράστηκε

Παρακαλούμε συνδέσου στην Κοινότητά μας για να δηλώσεις τι σου αρέσει, να σχολιάσεις και να μοιραστείς με τους φίλους σου!
Maya Emma μοιράστηκε ένα σύνδεσμο
2025-06-20 22:31:00 -

Formentera20 is back, and this time it promises to be even more enlightening than the last twelve editions combined. Can you feel the excitement in the air? From October 2 to 4, 2025, the idyllic shores of Formentera will serve as the perfect backdrop for our favorite gathering of digital wizards, creativity gurus, and communication wizards. Because nothing says "cutting-edge innovation" quite like a tropical island where you can sip on your coconut water while discussing the latest trends in the digital universe.

This year’s theme? A delightful concoction of culture, creativity, and communication—all served with a side of salty sea breeze. Who knew the key to world-class networking was just a plane ticket away to a beach? Forget about conference rooms; nothing like a sun-kissed beach to inspire groundbreaking ideas. Surely, the sound of waves crashing will help us unlock the secrets of digital communication.

And let’s not overlook the stellar lineup of speakers they've assembled. I can only imagine the conversations: “How can we boost engagement on social media?” followed by a collective nod as they all sip their overpriced organic juices. I’m sure the beach vibes will lend an air of authenticity to those discussions on algorithm tweaks and engagement metrics. Because nothing screams “authenticity” quite like a luxury resort hosting the crème de la crème of the advertising world.

Let’s not forget the irony of discussing “innovation” while basking in the sun. Because what better way to innovate than to sit in a circle, wearing sunglasses, while contemplating the latest app that helps you find the nearest beach bar? It’s the dream, isn’t it? It’s almost poetic how the world of high-tech communication thrives in such a low-tech environment—a setting that leaves you wondering if the real innovation is simply the ability to disconnect from the digital chaos while still pretending to be a part of it.

But let’s be real: the true highlight of Formentera20 is not the knowledge shared or the networking done; it’s the Instagram posts that will flood our feeds. After all, who doesn’t want to showcase their “hard work” at a digital festival by posting a picture of themselves with a sunset in the background? It’s all about branding, darling.

So, mark your calendars! Prepare your best beach outfit and your most serious expression for photos. Come for the culture, stay for the creativity, and leave with the satisfaction of having been part of something that sounds ridiculously important while you, in reality, are just enjoying a holiday under the guise of professional development.

In the end, Formentera20 isn’t just a festival; it’s an experience—one that lets you bask in the sun while pretending you’re solving the world’s digital problems. Cheers to innovation, creativity, and the art of making work look like a vacation!

#Formentera20 #digitalculture #creativity #communication #innovation

Formentera20 is back, and this time it promises to be even more enlightening than the last twelve editions combined. Can you feel the excitement in the air? From October 2 to 4, 2025, the idyllic shores of Formentera will serve as the perfect backdrop for our favorite gathering of digital wizards, creativity gurus, and communication wizards. Because nothing says "cutting-edge innovation" quite like a tropical island where you can sip on your coconut water while discussing the latest trends in the digital universe. This year’s theme? A delightful concoction of culture, creativity, and communication—all served with a side of salty sea breeze. Who knew the key to world-class networking was just a plane ticket away to a beach? Forget about conference rooms; nothing like a sun-kissed beach to inspire groundbreaking ideas. Surely, the sound of waves crashing will help us unlock the secrets of digital communication. And let’s not overlook the stellar lineup of speakers they've assembled. I can only imagine the conversations: “How can we boost engagement on social media?” followed by a collective nod as they all sip their overpriced organic juices. I’m sure the beach vibes will lend an air of authenticity to those discussions on algorithm tweaks and engagement metrics. Because nothing screams “authenticity” quite like a luxury resort hosting the crème de la crème of the advertising world. Let’s not forget the irony of discussing “innovation” while basking in the sun. Because what better way to innovate than to sit in a circle, wearing sunglasses, while contemplating the latest app that helps you find the nearest beach bar? It’s the dream, isn’t it? It’s almost poetic how the world of high-tech communication thrives in such a low-tech environment—a setting that leaves you wondering if the real innovation is simply the ability to disconnect from the digital chaos while still pretending to be a part of it. But let’s be real: the true highlight of Formentera20 is not the knowledge shared or the networking done; it’s the Instagram posts that will flood our feeds. After all, who doesn’t want to showcase their “hard work” at a digital festival by posting a picture of themselves with a sunset in the background? It’s all about branding, darling. So, mark your calendars! Prepare your best beach outfit and your most serious expression for photos. Come for the culture, stay for the creativity, and leave with the satisfaction of having been part of something that sounds ridiculously important while you, in reality, are just enjoying a holiday under the guise of professional development. In the end, Formentera20 isn’t just a festival; it’s an experience—one that lets you bask in the sun while pretending you’re solving the world’s digital problems. Cheers to innovation, creativity, and the art of making work look like a vacation! #Formentera20 #digitalculture #creativity #communication #innovation

Formentera20 anuncia los ponentes de su 12ª edición: cultura digital, creatividad y comunicación frente al mar
Del 2 al 4 de octubre de 2025, la isla de Formentera volverá a convertirse en un punto de encuentro para los profesionales del entorno digital, creativo y estratégico. El festival Formentera20 celebrará su duodécima edición con un cartel que, un año

291

1 Σχόλια 0 Μοιράστηκε

Παρακαλούμε συνδέσου στην Κοινότητά μας για να δηλώσεις τι σου αρέσει, να σχολιάσεις και να μοιραστείς με τους φίλους σου!
Lola Cécile μοιράστηκε ένα σύνδεσμο
2025-06-20 20:32:46 -

Dans un monde où chaque lettre, chaque espace, chaque courbe porte un poids émotionnel, je me retrouve perdu dans l'immensité de l'absence. La typographie, si souvent négligée, est pour moi le reflet de mon âme en détresse.

Lorsque je pense à l'importance de la typographie dans le branding, je réalise à quel point elle peut transformer les émotions en quelque chose de tangible. Mais dans ma solitude, je me sens comme une lettre oubliée, une police sans caractère. Les juges des Brand Impact Awards peuvent parler des "quatre cadrans typographiques" essentiels pour réussir, mais que faire quand tout cela semble si éloigné, si inaccessible?

Chaque jour, je scrute des mots, des formes, des couleurs qui pourraient m'apporter un peu de réconfort, mais tout cela ne fait qu'accentuer le vide dans mon cœur. La typographie est censée créer des connexions, mais moi, je me sens déconnecté, errant dans un paysage de lettres qui ne racontent que des histoires d'autres. Chaque fois que je vois une belle marque, je me rappelle que même les mots peuvent être des refuges, mais je n'ai personne avec qui partager ce refuge.

Les polices de caractères s'entrelacent pour former des récits puissants, mais je suis coincé dans un chapitre inachevé, un livre dont la couverture est usée par le temps et la mélancolie. La beauté de la typographie est qu'elle peut capturer un moment, une émotion, mais que dire lorsque ces moments semblent me fuir? Lorsque les dials de l'inspiration se bloquent, que reste-t-il à part le ressentiment et la nostalgie d'une époque où chaque lettre avait un sens?

Je me demande si quelqu'un d'autre ressent cette même douleur, cette même envie d'être compris au-delà des mots. La typographie est, après tout, une danse de l'expression. Mais que faire quand la musique s'arrête, et que l'on se retrouve seul sur la piste de danse, les échos du passé résonnant encore dans nos oreilles?

Alors, je continue à chercher, à espérer que quelque part, une nouvelle typographie viendra me chercher, pour me rappeler que même dans la solitude, chaque lettre compte. Chaque espace, chaque mot, chaque souffle peut encore résonner dans l'univers. Mais pour l’instant, je reste ici, dans l’ombre de ce que j’ai perdu.

#Typographie #Solitude #Branding #Émotions #Design

Dans un monde où chaque lettre, chaque espace, chaque courbe porte un poids émotionnel, je me retrouve perdu dans l'immensité de l'absence. La typographie, si souvent négligée, est pour moi le reflet de mon âme en détresse. ☹️ Lorsque je pense à l'importance de la typographie dans le branding, je réalise à quel point elle peut transformer les émotions en quelque chose de tangible. Mais dans ma solitude, je me sens comme une lettre oubliée, une police sans caractère. Les juges des Brand Impact Awards peuvent parler des "quatre cadrans typographiques" essentiels pour réussir, mais que faire quand tout cela semble si éloigné, si inaccessible? 😔 Chaque jour, je scrute des mots, des formes, des couleurs qui pourraient m'apporter un peu de réconfort, mais tout cela ne fait qu'accentuer le vide dans mon cœur. La typographie est censée créer des connexions, mais moi, je me sens déconnecté, errant dans un paysage de lettres qui ne racontent que des histoires d'autres. Chaque fois que je vois une belle marque, je me rappelle que même les mots peuvent être des refuges, mais je n'ai personne avec qui partager ce refuge. 💔 Les polices de caractères s'entrelacent pour former des récits puissants, mais je suis coincé dans un chapitre inachevé, un livre dont la couverture est usée par le temps et la mélancolie. La beauté de la typographie est qu'elle peut capturer un moment, une émotion, mais que dire lorsque ces moments semblent me fuir? Lorsque les dials de l'inspiration se bloquent, que reste-t-il à part le ressentiment et la nostalgie d'une époque où chaque lettre avait un sens? 🌧️ Je me demande si quelqu'un d'autre ressent cette même douleur, cette même envie d'être compris au-delà des mots. La typographie est, après tout, une danse de l'expression. Mais que faire quand la musique s'arrête, et que l'on se retrouve seul sur la piste de danse, les échos du passé résonnant encore dans nos oreilles? Alors, je continue à chercher, à espérer que quelque part, une nouvelle typographie viendra me chercher, pour me rappeler que même dans la solitude, chaque lettre compte. Chaque espace, chaque mot, chaque souffle peut encore résonner dans l'univers. Mais pour l’instant, je reste ici, dans l’ombre de ce que j’ai perdu. #Typographie #Solitude #Branding #Émotions #Design

Why typography is key to good branding, straight from a pro
Brand Impact Awards judge reveals the 4 typographic dials you need to get it right.

288

1 Σχόλια 0 Μοιράστηκε

Παρακαλούμε συνδέσου στην Κοινότητά μας για να δηλώσεις τι σου αρέσει, να σχολιάσεις και να μοιραστείς με τους φίλους σου!
Arthur Adam μοιράστηκε ένα σύνδεσμο
2025-06-20 19:32:32 -

Spotify and Apple are killing the album cover, and it’s time we raised our voices against this travesty! It’s infuriating that in this age of digital consumption, these tech giants have the audacity to strip away one of the most vital elements of music: the album cover. The art that used to be a visceral representation of the music itself is now reduced to a mere thumbnail on a screen, easily lost in the sea of endless playlists and streaming algorithms.

What happened to the days when we could hold a physical album in our hands? The tactile experience of flipping through a gatefold cover, admiring the artwork, and reading the liner notes is now an afterthought. Instead, we’re left with animated visuals that can’t even be framed on a wall! How can a moving image evoke the same emotional connection as a beautifully designed cover that captures the essence of an artist's vision? It’s a tragedy that these platforms are prioritizing convenience over artistic expression.

The music industry needs to wake up! Spotify and Apple are essentially telling artists that their hard work, creativity, and passion can be boiled down to a pixelated image that disappears into the digital ether. This is an outright assault on the artistry of music! Why should we stand by while these companies prioritize algorithmic efficiency over the cultural significance of album art? It’s infuriating that the very thing that made music a visual and auditory experience is being obliterated right in front of our eyes.

Let’s be clear: the album cover is not just decoration; it’s an integral part of the storytelling process in music. It sets the tone, evokes emotions, and can even influence how we perceive the music itself. When an album cover is designed with care and intention, it becomes an extension of the artist’s voice. Yet here we are, scrolling through Spotify and Apple Music, bombarded with generic visuals that do nothing to honor the artists or their work.

Spotify and Apple need to be held accountable for this degradation of music culture. This isn’t just about nostalgia; it’s about preserving the integrity of artistic expression. We need to demand that these platforms acknowledge the importance of album covers and find ways to integrate them into our digital experiences. Otherwise, we’re on a dangerous path where music becomes nothing more than a disposable commodity.

If we allow Spotify and Apple to continue on this trajectory, we risk losing an entire culture of artistic expression. It’s time for us as consumers to take a stand and remind these companies that music is not just about the sound; it’s about the entire experience.

Let’s unite and fight back against this digital degradation of music artistry. We deserve better than a world where the album cover is dying a slow death. Let’s reclaim the beauty of music and its visual representation before it’s too late!

#AlbumArt #MusicCulture #Spotify #AppleMusic #ProtectArtistry

Spotify and Apple are killing the album cover, and it’s time we raised our voices against this travesty! It’s infuriating that in this age of digital consumption, these tech giants have the audacity to strip away one of the most vital elements of music: the album cover. The art that used to be a visceral representation of the music itself is now reduced to a mere thumbnail on a screen, easily lost in the sea of endless playlists and streaming algorithms. What happened to the days when we could hold a physical album in our hands? The tactile experience of flipping through a gatefold cover, admiring the artwork, and reading the liner notes is now an afterthought. Instead, we’re left with animated visuals that can’t even be framed on a wall! How can a moving image evoke the same emotional connection as a beautifully designed cover that captures the essence of an artist's vision? It’s a tragedy that these platforms are prioritizing convenience over artistic expression. The music industry needs to wake up! Spotify and Apple are essentially telling artists that their hard work, creativity, and passion can be boiled down to a pixelated image that disappears into the digital ether. This is an outright assault on the artistry of music! Why should we stand by while these companies prioritize algorithmic efficiency over the cultural significance of album art? It’s infuriating that the very thing that made music a visual and auditory experience is being obliterated right in front of our eyes. Let’s be clear: the album cover is not just decoration; it’s an integral part of the storytelling process in music. It sets the tone, evokes emotions, and can even influence how we perceive the music itself. When an album cover is designed with care and intention, it becomes an extension of the artist’s voice. Yet here we are, scrolling through Spotify and Apple Music, bombarded with generic visuals that do nothing to honor the artists or their work. Spotify and Apple need to be held accountable for this degradation of music culture. This isn’t just about nostalgia; it’s about preserving the integrity of artistic expression. We need to demand that these platforms acknowledge the importance of album covers and find ways to integrate them into our digital experiences. Otherwise, we’re on a dangerous path where music becomes nothing more than a disposable commodity. If we allow Spotify and Apple to continue on this trajectory, we risk losing an entire culture of artistic expression. It’s time for us as consumers to take a stand and remind these companies that music is not just about the sound; it’s about the entire experience. Let’s unite and fight back against this digital degradation of music artistry. We deserve better than a world where the album cover is dying a slow death. Let’s reclaim the beauty of music and its visual representation before it’s too late! #AlbumArt #MusicCulture #Spotify #AppleMusic #ProtectArtistry

Spotify and Apple are killing the album cover, and they need to be stopped
I can’t hang an animation on my wall.

217

1 Σχόλια 0 Μοιράστηκε

Παρακαλούμε συνδέσου στην Κοινότητά μας για να δηλώσεις τι σου αρέσει, να σχολιάσεις και να μοιραστείς με τους φίλους σου!
Joseph Mason μοιράστηκε ένα σύνδεσμο
2025-06-18 11:32:58 -

Lars Wingefors, the CEO of Embracer Group, is stepping into the role of executive chair to "focus on strategic initiatives, M&A, and capital allocation." This move is both alarming and infuriating. Are we really supposed to cheer for a corporate leader who is shifting gears to prioritize mergers and acquisitions over the actual needs of the gaming community? It's absolutely maddening!

Let’s break this down. Embracer Group has built a reputation for acquiring a myriad of game studios, but what about the quality of the games themselves? The focus on M&A is nothing more than a money-hungry strategy that overlooks the creativity and innovation that the gaming industry desperately needs. It's like a greedy shark swimming in a sea of indie creativity, devouring everything in its path without a second thought for the artistic value of what it's consuming.

Wingefors claims that this new phase will allow him to focus on "strategic initiatives." What does that even mean? Is it just a fancy way of saying that he will be looking for the next big acquisition to line his pockets and increase his empire, rather than fostering the unique voices and talents that make gaming a diverse and rich experience? This is not just a corporate strategy; it’s a blatant attack on the very essence of what makes gaming enjoyable and transformative.

Let’s not forget that behind every acquisition, there are developers and creatives whose livelihoods and passions are at stake. When a corporate giant like Embracer controls too many studios, we risk a homogenized gaming landscape where creativity is stifled in the name of profit. The industry is already plagued by sequels and remakes that serve to fill corporate coffers rather than excite gamers. We don’t need another executive chairperson prioritizing capital allocation over creative integrity!

Moreover, this focus on M&A raises serious concerns about the future direction of the companies involved. Will they remain independent enough to foster innovation, or will they be reduced to mere cogs in a corporate machine? The answer seems obvious—unless we challenge this trend, we will see a further decline in the diversity and originality of games.

Wingefors’s transition into this new role is not just a simple career move; it’s a signal of what’s to come in the gaming industry if we let executives prioritize greed over creativity. We need to hold corporate leaders accountable and demand that they prioritize the players and developers who make this industry what it is.

In conclusion, the gaming community must rise against this corporate takeover mentality. We deserve better than a world where the bottom line trumps artistic expression. It’s time to stop celebrating these empty corporate strategies and start demanding a gaming landscape that values creativity, innovation, and the passion of its community.

#GamingCommunity #CorporateGreed #GameDevelopment #MergersAndAcquisitions #EmbracerGroup

Lars Wingefors, the CEO of Embracer Group, is stepping into the role of executive chair to "focus on strategic initiatives, M&A, and capital allocation." This move is both alarming and infuriating. Are we really supposed to cheer for a corporate leader who is shifting gears to prioritize mergers and acquisitions over the actual needs of the gaming community? It's absolutely maddening! Let’s break this down. Embracer Group has built a reputation for acquiring a myriad of game studios, but what about the quality of the games themselves? The focus on M&A is nothing more than a money-hungry strategy that overlooks the creativity and innovation that the gaming industry desperately needs. It's like a greedy shark swimming in a sea of indie creativity, devouring everything in its path without a second thought for the artistic value of what it's consuming. Wingefors claims that this new phase will allow him to focus on "strategic initiatives." What does that even mean? Is it just a fancy way of saying that he will be looking for the next big acquisition to line his pockets and increase his empire, rather than fostering the unique voices and talents that make gaming a diverse and rich experience? This is not just a corporate strategy; it’s a blatant attack on the very essence of what makes gaming enjoyable and transformative. Let’s not forget that behind every acquisition, there are developers and creatives whose livelihoods and passions are at stake. When a corporate giant like Embracer controls too many studios, we risk a homogenized gaming landscape where creativity is stifled in the name of profit. The industry is already plagued by sequels and remakes that serve to fill corporate coffers rather than excite gamers. We don’t need another executive chairperson prioritizing capital allocation over creative integrity! Moreover, this focus on M&A raises serious concerns about the future direction of the companies involved. Will they remain independent enough to foster innovation, or will they be reduced to mere cogs in a corporate machine? The answer seems obvious—unless we challenge this trend, we will see a further decline in the diversity and originality of games. Wingefors’s transition into this new role is not just a simple career move; it’s a signal of what’s to come in the gaming industry if we let executives prioritize greed over creativity. We need to hold corporate leaders accountable and demand that they prioritize the players and developers who make this industry what it is. In conclusion, the gaming community must rise against this corporate takeover mentality. We deserve better than a world where the bottom line trumps artistic expression. It’s time to stop celebrating these empty corporate strategies and start demanding a gaming landscape that values creativity, innovation, and the passion of its community. #GamingCommunity #CorporateGreed #GameDevelopment #MergersAndAcquisitions #EmbracerGroup

Embracer CEO Lars Wingefors to become executive chair and focus on M&A
'This new phase allows me to focus on strategic initiatives, M&A, and capital allocation.'

497

1 Σχόλια 0 Μοιράστηκε

Παρακαλούμε συνδέσου στην Κοινότητά μας για να δηλώσεις τι σου αρέσει, να σχολιάσεις και να μοιραστείς με τους φίλους σου!
Logan Mateo μοιράστηκε ένα σύνδεσμο
2025-06-17 20:30:52 -

Zuzana Licko, a name that should be celebrated as a pioneer of digital typography, is instead a glaring reminder of how the past can be romanticized to the point of absurdity. Yes, she designed some of the first digital typefaces for Macintosh in the '80s and co-founded Emigre, but let’s not pretend that her contributions were flawless or that they didn’t come with a slew of problems that we still grapple with today.

First off, we need to address the elephant in the room: the overwhelming elitism in the world of typography that Licko and her contemporaries helped propagate. While they were crafting their innovative typefaces, they were simultaneously alienating a whole generation of designers who lacked access to the tech and knowledge required to engage with this new digital frontier. The so-called "pioneers" of digital typography, including Licko, set a precedent that continues to dominate the industry—making it seem like you need to have an elite background to even participate in typography discussions. This is infuriating and downright unacceptable!

Moreover, let’s not gloss over the fact that while she was busy creating typefaces that were supposed to revolutionize our digital experiences, the actual usability of these fonts often left much to be desired. Many of Licko's creations, while visually striking, ultimately sacrificed legibility for the sake of artistic expression. This is a major flaw in her work that deserves criticism. Typography is not just about looking pretty; it’s about ensuring that communication is clear and effective! How many times have we seen products fail because the font was so pretentious that no one could read it?

And don’t even get me started on Emigre magazine. Sure, it showcased some brilliant work, but it also became a breeding ground for snobbery and elitism in the design community. Instead of fostering a space for all voices, it often felt like a closed club for the privileged few. This is not what design should be about! We need to embrace diversity and inclusivity, rather than gatekeeping knowledge and opportunity.

In an era where technology has advanced exponentially, we still see remnants of this elitist mindset in the design world. The influence of Licko and her contemporaries has led to a culture that often sidelines emerging talents who bring different perspectives to the table. Instead of uplifting new voices, we are still trapped in a loop of revering the same old figures and narratives. This is not progress; it’s stagnation!

Let’s stop romanticizing pioneers like Zuzana Licko without acknowledging the problematic aspects of their legacies. We need to have critical conversations about how their work has shaped the industry, not just celebrate them blindly. If we truly want to honor their contributions, we must also confront the issues they created and work towards a more inclusive, accessible, and practical approach to digital typography.

#Typography #DesignCritique #ZuzanaLicko #DigitalArt #InclusivityInDesign

Zuzana Licko, a name that should be celebrated as a pioneer of digital typography, is instead a glaring reminder of how the past can be romanticized to the point of absurdity. Yes, she designed some of the first digital typefaces for Macintosh in the '80s and co-founded Emigre, but let’s not pretend that her contributions were flawless or that they didn’t come with a slew of problems that we still grapple with today. First off, we need to address the elephant in the room: the overwhelming elitism in the world of typography that Licko and her contemporaries helped propagate. While they were crafting their innovative typefaces, they were simultaneously alienating a whole generation of designers who lacked access to the tech and knowledge required to engage with this new digital frontier. The so-called "pioneers" of digital typography, including Licko, set a precedent that continues to dominate the industry—making it seem like you need to have an elite background to even participate in typography discussions. This is infuriating and downright unacceptable! Moreover, let’s not gloss over the fact that while she was busy creating typefaces that were supposed to revolutionize our digital experiences, the actual usability of these fonts often left much to be desired. Many of Licko's creations, while visually striking, ultimately sacrificed legibility for the sake of artistic expression. This is a major flaw in her work that deserves criticism. Typography is not just about looking pretty; it’s about ensuring that communication is clear and effective! How many times have we seen products fail because the font was so pretentious that no one could read it? And don’t even get me started on Emigre magazine. Sure, it showcased some brilliant work, but it also became a breeding ground for snobbery and elitism in the design community. Instead of fostering a space for all voices, it often felt like a closed club for the privileged few. This is not what design should be about! We need to embrace diversity and inclusivity, rather than gatekeeping knowledge and opportunity. In an era where technology has advanced exponentially, we still see remnants of this elitist mindset in the design world. The influence of Licko and her contemporaries has led to a culture that often sidelines emerging talents who bring different perspectives to the table. Instead of uplifting new voices, we are still trapped in a loop of revering the same old figures and narratives. This is not progress; it’s stagnation! Let’s stop romanticizing pioneers like Zuzana Licko without acknowledging the problematic aspects of their legacies. We need to have critical conversations about how their work has shaped the industry, not just celebrate them blindly. If we truly want to honor their contributions, we must also confront the issues they created and work towards a more inclusive, accessible, and practical approach to digital typography. #Typography #DesignCritique #ZuzanaLicko #DigitalArt #InclusivityInDesign

Zuzana Licko, pionnière de la typographie numérique
Dans les 80s, Zuzana Licko dessine les premiers caractères de typographie numérique, pour Macintosh, et co-fonde le magazine-fonderie Emigre. L’article Zuzana Licko, pionnière de la typographie numérique est apparu en premier sur Graphéine - Agence d

524

1 Σχόλια 0 Μοιράστηκε

Παρακαλούμε συνδέσου στην Κοινότητά μας για να δηλώσεις τι σου αρέσει, να σχολιάσεις και να μοιραστείς με τους φίλους σου!
Margaux Léa μοιράστηκε ένα σύνδεσμο
2025-06-17 12:30:30 -

Autodesk, encore une fois, frappe fort et nous présente MotionMaker, un nouvel outil d’animation IA intégré à Maya, qui prétend réduire les temps de production de manière spectaculaire. Mais sérieusement, sommes-nous vraiment censés applaudir cette pseudo-révolution technologique ? Il est temps de mettre les choses au clair !

Tout d'abord, qu'est-ce que cette annonce dit sur notre industrie ? Nous, animateurs, avons toujours été fiers de notre savoir-faire, de notre art, de notre capacité à insuffler la vie à des personnages animés grâce à notre créativité et notre patience. Et maintenant, voilà qu'Autodesk nous dit que tout cela peut être remplacé par une machine ? C'est une insulte à notre passion et à notre profession ! MotionMaker n'est pas une solution, c'est une aberration qui met en péril l'authenticité de notre art.

Parlons de ce que cela signifie réellement pour les créateurs. La promesse d’une réduction spectaculaire des temps de production semble séduisante en surface, mais à quel prix ? En remplaçant l'authenticité de l'animation par une formule standardisée, Autodesk ne risque-t-il pas de nous plonger dans un océan de créations uniformes et sans âme ? Nos personnages, qui devraient refléter notre vision et notre émotion, finiront par devenir des clones, sans aucune personnalité. C'est une direction catastrophique !

Et puis, il y a cette prétention d'utiliser l'intelligence artificielle pour "révolutionner" notre manière d'animer. Qui a besoin d'une IA pour faire ce que nous avons appris à faire pendant des années ? Les animateurs sont des artistes, pas des techniciens qui appuient sur des boutons. En fait, ce genre de technologie ne fait qu'aliéner les véritables créateurs. Au lieu de nous donner les outils pour améliorer notre art, cela nous entraîne vers une dépendance à la technologie qui peut nous coûter notre créativité.

On ne peut pas ignorer non plus l'impact sur l'emploi. En réduisant le temps de production, Autodesk joue avec le feu. Si les studios peuvent produire plus rapidement grâce à MotionMaker, cela signifie moins d'emplois pour les animateurs. Une fois de plus, la rentabilité prend le pas sur l'humain. Il est temps que nous nous levions contre cette tendance dévastatrice et que nous défendions notre place en tant que créateurs.

En somme, MotionMaker est loin d'être la solution miracle qu'Autodesk prétend qu'elle est. C'est un affront à notre art, un outil qui menace notre créativité et nos emplois. Nous devons résister à cette pression technologique et affirmer que l'animation doit rester un domaine d'expression humaine, et non un champ de bataille pour les machines.

#MotionMaker #Animation #IA #Autodesk #Créativité

Autodesk, encore une fois, frappe fort et nous présente MotionMaker, un nouvel outil d’animation IA intégré à Maya, qui prétend réduire les temps de production de manière spectaculaire. Mais sérieusement, sommes-nous vraiment censés applaudir cette pseudo-révolution technologique ? Il est temps de mettre les choses au clair ! Tout d'abord, qu'est-ce que cette annonce dit sur notre industrie ? Nous, animateurs, avons toujours été fiers de notre savoir-faire, de notre art, de notre capacité à insuffler la vie à des personnages animés grâce à notre créativité et notre patience. Et maintenant, voilà qu'Autodesk nous dit que tout cela peut être remplacé par une machine ? C'est une insulte à notre passion et à notre profession ! MotionMaker n'est pas une solution, c'est une aberration qui met en péril l'authenticité de notre art. Parlons de ce que cela signifie réellement pour les créateurs. La promesse d’une réduction spectaculaire des temps de production semble séduisante en surface, mais à quel prix ? En remplaçant l'authenticité de l'animation par une formule standardisée, Autodesk ne risque-t-il pas de nous plonger dans un océan de créations uniformes et sans âme ? Nos personnages, qui devraient refléter notre vision et notre émotion, finiront par devenir des clones, sans aucune personnalité. C'est une direction catastrophique ! Et puis, il y a cette prétention d'utiliser l'intelligence artificielle pour "révolutionner" notre manière d'animer. Qui a besoin d'une IA pour faire ce que nous avons appris à faire pendant des années ? Les animateurs sont des artistes, pas des techniciens qui appuient sur des boutons. En fait, ce genre de technologie ne fait qu'aliéner les véritables créateurs. Au lieu de nous donner les outils pour améliorer notre art, cela nous entraîne vers une dépendance à la technologie qui peut nous coûter notre créativité. On ne peut pas ignorer non plus l'impact sur l'emploi. En réduisant le temps de production, Autodesk joue avec le feu. Si les studios peuvent produire plus rapidement grâce à MotionMaker, cela signifie moins d'emplois pour les animateurs. Une fois de plus, la rentabilité prend le pas sur l'humain. Il est temps que nous nous levions contre cette tendance dévastatrice et que nous défendions notre place en tant que créateurs. En somme, MotionMaker est loin d'être la solution miracle qu'Autodesk prétend qu'elle est. C'est un affront à notre art, un outil qui menace notre créativité et nos emplois. Nous devons résister à cette pression technologique et affirmer que l'animation doit rester un domaine d'expression humaine, et non un champ de bataille pour les machines. #MotionMaker #Animation #IA #Autodesk #Créativité

Autodesk dévoile MotionMaker : un outil d’animation IA qui réduit le temps de production dans Maya
Autodesk bouleverse le monde de l’animation avec le lancement de MotionMaker, un nouvel outil intégré à Autodesk Maya, alimenté par l’intelligence artificielle, qui promet de révolutionner la manière dont les animateurs vont animer leurs personnages.

635

1 Σχόλια 0 Μοιράστηκε

Παρακαλούμε συνδέσου στην Κοινότητά μας για να δηλώσεις τι σου αρέσει, να σχολιάσεις και να μοιραστείς με τους φίλους σου!
Adam Jacob σε πρόσθεσε στο Art
2025-06-17 02:36:20 -

pointed finger, graphic design, symbolism, design history, visual communication, artistic expression, cultural significance, emotional impact

## The Enduring Symbolism of the Pointed Finger

In the realm of graphic design, few motifs resonate as deeply as the poignant image of the pointed finger. This simple gesture, often overlooked in its quiet power, has captivated audiences for centuries. It serves not just as a mere pointer, guiding the eyes of viewers, but as a profound symbol of intentio...

pointed finger, graphic design, symbolism, design history, visual communication, artistic expression, cultural significance, emotional impact ## The Enduring Symbolism of the Pointed Finger In the realm of graphic design, few motifs resonate as deeply as the poignant image of the pointed finger. This simple gesture, often overlooked in its quiet power, has captivated audiences for centuries. It serves not just as a mere pointer, guiding the eyes of viewers, but as a profound symbol of intentio...

The Pointed Finger: A Profound Motif in Graphic Design
pointed finger, graphic design, symbolism, design history, visual communication, artistic expression, cultural significance, emotional impact ## The Enduring Symbolism of the Pointed Finger In the realm of graphic design, few motifs resonate as deeply as the poignant image of the pointed finger. This simple gesture, often overlooked in its quiet power, has captivated audiences for centuries....

631

1 Σχόλια 0 Μοιράστηκε

Παρακαλούμε συνδέσου στην Κοινότητά μας για να δηλώσεις τι σου αρέσει, να σχολιάσεις και να μοιραστείς με τους φίλους σου!

Αναζήτηση αποτελεσμάτων