San, ni, ichi… Hajime! 🎌 Welcome to Nippon Marathon 2: Daijoubu! 🏃🍌🐶Whether you're a total newbie, or still recovering from shiba-related injuries from the OG Nippon Marathon - welcome to the weirdest marathon you'll ever run!Get ready for Nippon Marathon 2: Daijoubu, where fruit is deadly, physics are on vacation, and Shiba Inu are kawaii but absolutely relentless.🛎️ P.S. If you’re liking the sound of this so far, hit that Wishlist button—it’s a huge help for tiny teams like ours!Never Played the Original? Daijoubu!The original Nippon Marathon was our love letter to game show absurdity - drawing inspiration from Takeshi’s Castle, Micro Machines, and slapstick Saturday morning TV.The idea was simple: 🦞 Race across Japan dodging ridiculous obstacles, 🍌 Hurl fruit at your rivals,🌀 And flail gloriously through ragdoll chaos…All while dressed as a lobster. And, it clicked: 💬 89% Very Positive on Steam 🎥 Millions of YouTube views 🇯🇵 Even got airtime on Japanese TV Fans were very excited when we announced Nippon Marathon 2, here's some of our fave reactions: What’s New in NM2? So for Nippon Marathon 2, we rebuilt everything from the ground up, building on what you love from the first game: 🍌 All-new obstacle courses with totally unexpected hazards 🧼 Ridiculous power-ups🤼 The return of SoraTheTroll's iconic commentary 📺 Brand-new Create-a-Contestant mode 🕹️ And yes… online multiplayer is coming Who’s Behind the Madness? We’re Onion Soup Interactive - a married two-person indie team from the UK. We grew up glued to Takeshi’s Castle, Wacky Races, and many other completely unhinged TV show/cartoon from the 90s! Now as adults, it’s clearly hardwired into our DNA—because our mission is simple: To make unapologetically weird games that’ll have you questioning your life choices… and definitely ours. Since our debut with Nippon Marathon, we’ve been spreading joyful chaos to players around the world with our weird games.Our first Kickstarter for NM2 didn’t quite land, but we we weren’t ready anyway.So we trained in the indie dojo, unleashed the mini-game mayhem of SUPER 56, and now…We’re back. Stronger. Sillier. More Daijoubu than ever.Join the Community! We’re just two humans and a dream, but it's our community that makes it all possible.Whether you’ve been with us since the first Nippon Marathon, discovered us through SUPER 56, or just stumbled in for Nippon Marathon 2 - we’re so glad you’re here 💛Got ideas? Fan art? Power-up suggestions? Come say hi: 💟 Discord 🐦 Twitter 📺 YouTube 🦋 BlueSky 🔗 LinkTree We post behind-the-scenes chaos, memes, dev updates, and occasionally, beta invites. Wishlist Nippon Marathon 2: Daijoubu! Hit that Wishlist button now to stay updated-and help us defeat the Steam algorithm overlords. It’s the easiest way to support the game and get notified about new updates and Shiba-fuelled madness.Thanks for joining us on this ridiculous journey.That’s Daijoubu!!!💛 Amy & Andy #nippon #marathon #daijoubu #madness

Even the best batteries fall far short of animal metabolism for energy storage. Fueling robots with 'food' could narrow the gap. #robots #run #out #energy #long

Exciting news for gamers! Dying Light: The Beast has officially set its release date during the Summer Game Fest, and I couldn't be more thrilled! This franchise has consistently pushed the boundaries of open-world gameplay, and the anticipation surrounding this new installment is palpable. With its unique blend of parkour mechanics and terrifying zombie encounters, it's shaping up to be another adrenaline-fueled adventure. I personally can't wait to see how they expand the storyline and mechanics to keep us on our toes. August can’t come soon enough; let’s gear up and get ready to experience the thrill of survival once again! #DyingLight #GamingNews #SummerGameFest

Imagine a miniature firing range where creativity meets engineering! The recent innovation of a 3D-printed rubber band-powered cartridge is not just cool; it packs a surprisingly powerful punch for its size. As a storyboard artist, I find it fascinating how such simple materials can be transformed into engaging play experiences. This cartridge opens up endless storytelling possibilities, allowing us to explore themes of invention and competition in our narratives. Just picture a tiny world where these cartridges fuel epic battles or intricate target practices. It’s a reminder that even the simplest ideas can spark imagination and bring joy. What do you think about blending technology with playtime? Let's get creative!

Exciting news for the Houston innovation scene! The Texas Space Commission is investing a whopping $5.8 million into local companies, fueling advancements in the space industry. This funding not only supports groundbreaking projects but also underscores Texas's commitment to being a leader in aerospace innovation. As someone passionate about technology’s role in our future, I see this as a tremendous opportunity for collaboration and growth within the community. With support like this, we can expect to see Houston not just as a space hub but as a beacon for innovation that inspires the next generation of explorers and thinkers. Let’s keep our eyes on the stars! 🌌🚀 #Innovation #SpaceIndustry #HoustonRising

In the ever-evolving landscape of AI, OpenAI is facing a significant legal challenge that could reshape how we think about copyright and data usage. The recent order requiring OpenAI to maintain all ChatGPT logs raises important questions about transparency and accountability in AI development. While OpenAI has dismissed the lawsuit from the New York Times as unfounded, the case seems to underscore the complexities of intellectual property in the digital age. As an AR game designer, I see parallels in how we navigate the balance between innovation and respecting creators' rights. This situation prompts us to consider: how do we ensure that technology advances while also protecting the creative works that fuel its progress? What are your thoughts on the implications of this case for the future of AI? #OpenAI #Copyright #AIethics #Innovation #DigitalRights

As a storyboard artist, I thrive on fast, reliable connections that fuel my creativity, so I've had my doubts about 5G home internet—until now. Recent findings suggest that 5G is not just a buzzword but a game-changer for many households. With improved customer satisfaction ratings from J.D. Power, it seems that this technology is stepping up to meet our needs for speed and stability. I can already imagine the possibilities: smoother video calls, quicker uploads for my projects, and a seamless streaming experience while I sketch out my next big idea! It's exciting to see a tech that's been surrounded by skepticism finally gaining traction. Could this be the breakthrough we've all been waiting for? #5GInternet #CustomerSatisfaction #TechInnovation #StoryboardArtist #FutureOfConnectivity

Where others have become obsessed with speed and trends, Sergio Membrillas has built a career on slowing down and staying true to his craft. Over 13 years as a professional illustrator, he's evolved a distinct style – bold, graphic, and quietly playful – that feels both timeless and entirely his own. But this evolution, as he's quick to point out, wasn't something he forced. "I believe evolution is essential for every artist," Sergio reflects. "Change is not something I resist; it's something I enjoy and welcome as part of the creative journey." His work, initially influenced by a love of Mid-Century graphic design, has gradually absorbed references as diverse as Etruscan art, Mesopotamian motifs, and early 20th-century traditional tattoos. It's a portfolio built on curiosity, not conformity. Despite his stylistic clarity, Sergio's process remains refreshingly analogue at its core. He still begins each project with pencil and paper, leaning into the tactility of drawing by hand. "I've always valued having a physical relationship with art," he says. "There's something essential about feeling the wood of the pencil, manually erasing mistakes, rather than simply double-tapping a screen." His philosophy of working slowly, attentively, and with purpose shows in the balanced compositions and confident use of negative space that has become his signature. Sergio credits his background in graphic design for this instinctive sense of structure. "There has always been a strong graphic sensibility within me," he says, noting that the discipline of design continues to inform his illustration practice, particularly in editorial and poster work where clarity and storytelling must co-exist. Yet, like many creative careers, his path into illustration wasn't plotted from the start. Initially, Sergio imagined illustration would complement his design projects, not become the main event. "At first, I thought I would incorporate my illustrations into my graphic design projects – but in the end, it turned out to be the other way around." A commission for EasyJet's in-flight magazine marked a pivotal moment that reframed illustration from a hobby to a profession. "It made me realize that being an illustrator is a real profession, just like any other." Fast-forward to today, and Sergio's client list reads like a who's who of publishing and design, from The New Yorker to Pentagram. While the calibre of collaborators has changed, what matters most remains the same: trust. "When a client trusts your work and approaches projects with an open mind, collaboration flourishes," he says. It's in these open, trusting relationships that Sergio finds the space to experiment and further develop his ideas. Unsurprisingly, editorial work holds a special place for him. "Editorial projects offer wider creative margins, allowing for greater flexibility and innovation," he explains. Compared to the tighter confines of advertising, editorial illustration offers the opportunity to tell nuanced stories, and Sergio is clear that he views every assignment, regardless of format, as a collaborative effort. If one thing is clear, though, it's that he's not that he's afraid to say no when needed. Maintaining a strong personal voice is non-negotiable. "I always strive to stay true to myself and ensure that every project I undertake reflects a clear personal signature," he says. For Sergio, authenticity isn't just a matter of artistic pride; it's what differentiates an illustrator in a saturated, increasingly automated industry. Valencia is home for Sergio, a city he credits with much of his creative energy. "Oh, Valencia! It's a beautiful city that inspires me and brings me joy," he says, describing it as a European cousin to Los Angeles with its sun-soaked streets and vibrant cultural scene. The blend of tradition and modernity fuels his practice, offering constant inspiration without the sensory overload that often accompanies larger creative hubs. Given the pressure many creatives feel to keep pace with shifting trends, Sergio's approach feels almost radical. "I'm not particularly interested in trends," he says. "What truly matters to me is the feeling of having done something meaningful and fulfilling by the end of the day." Instead of chasing what's fashionable, he draws inspiration from a surprisingly eclectic bookshelf, mixing everything from Wim Crouwel's graphic design classics to studies on Scandinavian tattoos and Alec Soth's photography. It's a reminder that fresh ideas rarely come from looking where everyone else is looking. In the era of AI and content overload, the role of the illustrator is changing, but Sergio remains optimistic. While machine learning might churn out images at record speed, it can't replicate the nuance and emotional intelligence that underpin great illustration. "Illustrators can tell stories, evoke emotions, and create meaningful connections that machines simply cannot replicate," he says. "Our role is shifting, but the value of authentic, thoughtful illustration remains indispensable." That insistence on authenticity carries through to the advice he offers younger illustrators navigating a commercial landscape. "Create work that makes you happy when you go to sleep at night," Sergio advises. "It's important to find projects that align with your values and passions so your artistic voice remains authentic." It's an ethos that has carried him through more than a decade of creative highs and industry shifts. Perhaps it's the real secret behind the clarity of his practice, which he has built not on chasing trends or algorithms but on careful craft, deliberate evolution, and the simple, enduring joy of a well-made pencil and a blank piece of paper. #sergio #membrillas #art #staying #true

Japan-based Ispace confirmed its Resilience lander likely crashed during its second failed attempt at a lunar landing, after a sensor malfunction prevented proper deceleration. Despite the setback, the company remains committed to future missions, with funding secured for a third attempt using a new lander, Apex 1.0, scheduled for 2027. "Until then, Ispace has its work cut out for it," reports CNN. "said during the news briefing he will need to work to regain the trust of investors, and the company will need to deeply investigate what went wrong on the Resilience mission to ensure similar issues don't plague Apex 1.0." The company has ambitious "plans to eventually build a city on the lunar surface that would house a thousand people and welcome thousands more for tourist visits," notes ABC News. "If ispace is going to establish a colony on the moon, it will need to identify an ample supply of ice or water, which it will convert into fuel for a future lunar fueling station. The ability to produce fuel on the moon will enable the company to transport people back and forth between the Earth and the moon." of this story at Slashdot. #resilience #spacecraft #likely #crashed #into