Ah, the enchanting world of "Beautiful Accessibility"—where design meets a sweet sprinkle of dignity and a dollop of empathy. Isn’t it just delightful how we’ve collectively decided that making things accessible should also be aesthetically pleasing? Because, clearly, having a ramp that doesn’t double as a modern art installation would be just too much to ask. Gone are the days when accessibility was seen as a dull, clunky afterthought. Now, we’re on a quest to make sure that every wheelchair ramp looks like it was sculpted by Michelangelo himself. Who needs functionality when you can have a piece of art that also serves as a means of entry? You know, it’s almost like we’re saying, “Why should people who need help have to sacrifice beauty for practicality?” Let’s talk about that “rigid, rough, and unfriendly” stereotype of accessibility. Sure, it’s easy to dismiss these concerns. Just slap a coat of trendy paint on a handrail and voilà! You’ve got a “beautifully accessible” structure that’s just as likely to send someone flying off the side as it is to help them reach the door. But hey, at least it’s pretty to look at as they tumble—right? And let’s not overlook the underlying question: for whom are we really designing? Is it for the people who need accessibility, or is it for the fleeting approval of the Instagram crowd? If it’s the latter, then congratulations! You’re on the fast track to a trend that will inevitably fade faster than last season’s fashion. Remember, folks, the latest hashtag isn’t ‘#AccessibilityForAll’; it’s ‘#AccessibilityIsTheNewBlack,’ and we all know how long that lasts in the fickle world of social media. Now, let’s sprinkle in some empathy, shall we? Because nothing says “I care” quite like a designer who has spent five minutes contemplating the plight of those who can’t navigate the “avant-garde” staircase that serves no purpose other than to look chic in a photo. Empathy is key, but please, let’s not take it too far. After all, who has time to engage deeply with real human needs when there’s a dazzling design competition to win? So, as we stand at the crossroads of functionality and aesthetics, let’s all raise a glass to the idea of "Beautiful Accessibility." May it forever remain beautifully ironic and, of course, aesthetically pleasing—after all, what’s more dignified than a thoughtfully designed ramp that looks like it belongs in a museum, even if it makes getting into that museum a bit of a challenge? #BeautifulAccessibility #DesignWithEmpathy #AccessibilityMatters #DignityInDesign #IronyInAccessibility

Here's what we looked at this week:When marketing trumps product design: A digital camera with fake analog controls becomes a crowdfunding smash. This ATMO drone from Caltech smoothly transitions from flight to four-wheeling. In Germany, in-curb EV chargers have been rolled out in a pilot program. They're 99% reliable.This unique recessed handrail feature, designed by Adjaye Associates.Industrial design firm No Picnic makes even telecommunications gear look good.The Archibald, by industrial designer Leo Salzedo, is a convoluted towel radiator made from a single steel tube.Whirlpool's retrofittable, rotating lower-level dishwasher rack improves accessibility.Industrial designer Nik Bentel's Loopy Chair, inspired by bike racks.Sky View's smart design feature makes transparent stargazing tents practical.Architect turned product designer develops the Kara Pod, a countertop air-to-water device that also makes coffee.Engineer Patrick Schlott fixes old payphones, re-installs them in public places and provides free calls.Japanese specialty woodworking tools: A Knot Remover kit.Far cheaper, pellet-based industrial 3D printing from Pollen AM.Square's new handheld reader, created in collaboration with industrial design firm Huge Design.Peter Donder's mysterious and beautiful robotic chicken feet.The Macaron, Mavimatt's quirky furniture piece with a hidden table surface.This heavy-duty steel media cart is by Modern Industrial Furniture, founded by a tech worker turned furniture designer.Hyundai's incredible WIA autonomous robot parking valets.Industrial design case study: Y Studios designs a laptop privacy shield. #core77 #weekly #roundup

Saudi Arabia is currently building the largest urban park in the world. At six square miles the King Salman Park, which should be completed around 2026, will be five times the size of New York's Central Park. The Visitor's Centre was erected last year. Designed by Adjaye Associates, the firm headed by Ghanaian-British architect Sir David Adjaye, the structure features rammed-earth walls precisely placed to create passive cooling. What really caught my eye is this handrail detail that I've never seen before:I poked around and found a couple other examples of recessed handrails. This is at Bloomberg's Hong Kong office, designed by Neri & Hu: And this is at a private residence in Toronto, designed by PLANT Architect Inc.: I prefer Adjaye's design over the other two. There's something decidedly unfriendly about the right angle corner the latter two designs present you with. #this #unique #recessed #handrail #feature

Mich Mich Bakery / entre escalasSave this picture!© Pedro KokStore•São Paulo, Brazil Architects: entre escalas Area Area of this architecture project Area:  117 m² Year Completion year of this architecture project Year:  2024 Manufacturers Brands with products used in this architecture project Manufacturers:  Deca, Pedras Coimbra, REKA, São Rafael, Toldos Granja Viana Lead Architect: Marina Panzoldo Canhadas More SpecsLess Specs this picture! Text description provided by the architects. The small semi-detached house in the Pompeia neighborhood of São Paulo has been transformed into a small bread factory, with seating areas for the public and production areas for the products.this picture!The architectural project for the Mich Mich Bakery was based on the premise of visually connecting the public with production. New openings were created to establish these visual relationships, as well as providing continuity from the sidewalk to the internal courtyard. this picture!this picture!The first floor has service areas on the front terrace, in the central hall and in the courtyard at the back. In addition to the kitchen with all the equipment needed to run an industrial kitchen, there is also a freight elevator that makes the vertical connection between the kitchen and the upper floor.this picture!The upper floor, which is restricted to the public, houses another production area that includes a refrigerated room for producing specific low-temperature pasta, a cold room, a storage room and a staff bathroom. this picture!Some pre-existing architectural elements have been retained, such as the archway, wooden doors, staircase and wooden handrail. The walls have been stripped bare, revealing not only the original construction technique, but also the passage of time. this picture!The service counter and wooden showcase were designed to receive and display the breads produced daily to the public. this picture!As part of the kitchen invades the central hall, a new metallic closure with glass in earthy tones was proposed, reinforcing the visual relationship between the public and the production. this picture!this picture!this picture!New materials were proposed, such as Portuguese mosaic flooring in the outdoor areas, giving continuity from the sidewalk to the area in front of the bakery, in a kind of extended public area, with a new fixed concrete bench. this picture! Project gallerySee allShow less Project locationAddress:São Paulo, BrazilLocation to be used only as a reference. It could indicate city/country but not exact address.About this officeentre escalasOffice••• MaterialBrickMaterials and TagsPublished on May 30, 2025Cite: "Mich Mich Bakery / entre escalas"30 May 2025. ArchDaily. Accessed . < ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream #mich #bakery #entre #escalas

The Split House / Collage Architecture StudioSave this picture!© Harshan Thomson, Abhishek ChavhanHouses•Bengaluru, India Architects: Collage Architecture Studio Area Area of this architecture project Area:  578 m² Year Completion year of this architecture project Year:  2024 Photographs Photographs:Harshan Thomson, Abhishek Chavhan Lead Architects: Swapnil Valvatkar, Arunkumar Deivanayagam, Adwitha Suvarna More SpecsLess Specs this picture! Located in the Sunny Brooks community of Bengaluru, the Split-House by Collage Architecture Studio is designed for a family of four. It brings together nature and privacy through a simple but powerful design idea: a central split. Rather than dividing, this split connects the house with light, air, and greenery, while clearly separating public and private areas.this picture!this picture!this picture!this picture!Set on an 80x83.5-foot plot, the house works around existing trees and blends with the natural surroundings. The west-facing site has both pedestrian and vehicle entries in the northwest corner. A parking space for two cars sits behind a wall, and a clear walkway leads to the front door. Staff have a separate entry from the southeast corner, giving them direct access to the utility and service areas.this picture!The entrance steps lead to a south-facing main door. Inside, a stairwell next to a planter acts as a calm, welcoming space. A bird sculpture on the wall adds a quiet artistic touch. From here, the living room opens up on the left. It's a bright and airy space with two glazed walls—one of which slides open to connect directly to a deck. The interiors use a simple palette: white walls, wood finishes, brown accents, and green views.this picture!this picture!this picture!At the center of the house is the split—a gravel bed between two built volumes, with a granite slab that acts as a stepping stone. A glass wall bends into a skylight, bringing in light. Three slender trees grow from this gravel bed, and a white puja room anchors the core. A bridge above links both volumes, with a curved teak ceiling adding warmth. Nearby, the dining area sits between greenery, with a teak table that seats eight.this picture!this picture!The private wing houses the kitchen, which is efficient and clean, with all utility spaces hidden. Next to it is the master bedroom on the ground floor, with large windows and a sliding door opening to the garden. It includes a dressing area and an elegant bathroom.this picture!The sculptural staircase leads to the upper level. Made of cantilevered concrete treads with a teak handrail, it feels light and open. The second master bedroom above the first follows a similar layout and opens to a west-facing balcony with granite louvers and a swing. The mother's room is also on this level, with its own balcony and a view into the puja and dining areas below. A bridge leads to the second volume, where a family room opens to a terrace and a guest suite has its own balcony and twin vanities.this picture!The terrace level includes a flexible lounge, Jacuzzi, steam room, and shaded deck on one side. The other side is left open to the sky, used for events, gatherings, or stargazing. A narrow bridge at the back connects the two volumes. The Split-House is a calm, clear, and functional home. It brings together family life and nature in a way that feels natural and easy to live in.this picture! Project gallerySee allShow less About this office Published on May 30, 2025Cite: "The Split House / Collage Architecture Studio" 30 May 2025. ArchDaily. Accessed . < ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream #split #house #collage #architecture #studio

Metallic finishes are taking centre stage in interior design, from the warm glow of brass and copper to the minimalist look of chrome. These reflective materials infuse any space with texture, depth, and a sense of understated luxury. When thoughtfully incorporated in different areas of the home, these metals introduce a dynamic play of light and dimension, enhancing the look of contemporary and classic interiors. If you want to add glamour to any space, metallic accents in gold, silver, and copper can be incorporated into your home decor with these few simple tips: 1. Choose the Right Metal Brass and copper add a warm, inviting feel, making them ideal for smaller spaces or as striking accents. In contrast, chrome delivers a sleek, modern look that can either take centre stage or provide a cool counterpoint to warmer tones. To incorporate metallic accents effectively, be clear about the style and mood you want to accomplish. This clarity will guide your choice of finishes and the scale of each piece. Metallic finishes not only elevate the sophistication of a space but also enhance brightness and openness through their reflective nature, creating a more uplifting atmosphere. Inspired by the Japanese art of ikebana, the Modular Flower Tubes offer a contemporary interpretation rooted in simplicity and elegance. At the heart of this piece are slender copper tubes of varying heights, which can be freely repositioned within a solid wooden base. The design encourages experimentation, allowing users to create ever-changing floral compositions that reflect personal style and seasonal shifts. Click Here to Buy Now: The standout feature is the copper finish, which evolves beautifully over time. As the metal ages, it develops a rich patina that adds depth, texture, and a sense of living history to the arrangement. This transformation honours the wabi-sabi philosophy, like appreciating beauty in imperfection and transience. The warm metallic tones contrast gently with the natural wood base, creating a harmonious balance of materiality. Together, they elevate floral display into a sculptural experience, blending traditional reverence for nature with modern, modular functionality. 2. Start with a Statement Metal Choose a primary metal, such as a brass bed frame or centre table, and then complement it with one or two additional metals like chrome lamps to add depth and visual interest. Mixing metals intentionally adds elegance and depth to a space, while sticking to one finish can make it feel flat and one-dimensional. Note that an excess of metal mixing can make a space feel cluttered. Therefore, it is best to stick to one or two metals in smaller rooms and no more than two to three in larger spaces. Make sure to select one dominant metal to carry the room, using the others as accents. This brass vase concept reimagines the traditional purpose of flower vases, shifting focus from preservation to celebrating beauty at every stage of a plant’s life. Rather than simply holding flowers, it embraces the concept of aging gracefully, with the brass developing a unique patina over time. This natural process adds character and individuality to the piece, reflecting the beauty of imperfection and the retro aesthetic that is so prevalent today. The vase’s form breaks from tradition, featuring a ribbon-like metal strip that curves into a knot, eliminating the need for a water-holding receptacle. Its minimalist design allows dried flowers to be showcased just as elegantly as fresh ones, prolonging their aesthetic value. By emphasizing the beauty in the natural process of aging, this vase encourages a shift away from the obsession with “new,” proving that even the passage of time can add to the beauty and significance of design. 3. Versatile and Functional Uses Incorporate metals throughout the space in various ways, such as choosing lamps with brass bases, chandeliers with chrome details, or pendant lights with copper finishes. You can also update hardware like door knobs, cabinet handles, or drawer pulls with metallic finishes such as gold, silver, or copper. Beyond accessories and accents, metals can be introduced through furniture by selecting pieces with metal accents, such as coffee tables, side tables, or decorative objects. Add brass or copper elements through light fixtures, faucets, and accessories, and use brass-framed mirrors to introduce warmth and texture. This striking stool uses a single sheet of steel, bent to mimic soft fabric draped over wooden rods, creating a stunning visual illusion. At first glance, the flowing curves resemble suspended textile in linen or canvas frozen mid-air, yet the piece is entirely metal. This illusion is achieved through precision bending and minimal waste, showcasing metal’s versatility and the elegance of simplicity in modern design. The brushed steel finish enhances the illusion, capturing light and shadow like real fabric folds while maintaining structural strength. Contrasting maple rods anchor the design, evoking ancient scrolls and adding warmth. One elevated edge functions as a handy side table, blending form with utility. This stool exemplifies how contemporary furniture can merge metal’s industrial edge with sculptural grace, offering tactile richness and visual intrigue in equal measure. 4. Balance Warm and Cool Tones Metals play a key role in shaping the temperature and lighting of a room. Combining warm metals like brass or copper with cool tones like chrome or stainless steel creates a striking contrast, while pairing them with natural materials like wood or stone adds balance and harmony. For instance, the soft glow of brass is especially highlighted by candlelight, and introducing copper accents into chrome-dominated interiors adds a striking contrast in larger spaces. In smaller spaces, metals not only serve as decorative elements but also reflect light, making the room appear brighter and more embellished. Waxy Design Studio’s Pearl Chandelier reimagines elegance through a refined interplay of metal and light. Comprising 20 curved metal sconces arranged in a circular frame, each conceals a pearl-shaped bulb, evoking the image of oysters cradling precious gems. Available in black or white exteriors, the chandelier contrasts beautifully with its rich golden metal interiors and frame, creating a luxurious, jewel-like effect. The gold finish amplifies the light’s warmth, turning the fixture into a glowing statement piece that recalls a necklace suspended from the ceiling. The metal finish plays a pivotal role in the chandelier’s visual impact. Its smooth, reflective surfaces capture and scatter light both upward and downward, adding dimension and atmosphere to any space. The combination of precision-cut metal sheets and warm metallic tones not only ensures structural elegance but also elevates the chandelier from functional lighting to sculptural art. It’s a sophisticated fusion of craftsmanship, material contrast, and ambient beauty. 5. Styling Metals by Design Contrasting metals bring depth and visual interest to interiors, complementing a variety of design styles and colour schemes. Classic décor often includes gold, bronze, and brass in elements like lamps and mirror frames, while modern spaces favour the sleek appeal of chrome and stainless steel. Vintage styles mix brass and copper with wood to create a warm, rustic charm. Incorporating metals into architectural details such as handrails, wall or ceiling panels, and skirting boards offers a subtle yet impactful way to introduce luxury and modernity. Blending these metallic elements with the interiors ensures a cohesive and well-balanced look while adding texture and sophistication to any space. This sculptural chair stands out as a fusion of art and furniture design, instantly commanding attention with its bold, golden finish and raw, textured surface. More than a functional object, it serves as a visual statement, blending the rustic unpredictability of geological formations with the elegance of molten metal. Its irregular, chiseled form rejects traditional symmetry, evoking the look of a throne carved from natural elements. This dramatic aesthetic challenges conventional design, making the piece both avant-garde and timeless. Crafted with meticulous attention to detail, the chair appears to be made from metal – possibly aluminium or a lightweight alloy – treated with a gold finish through leafing, metallic paint, or plating. The deep textures suggest hand-hammering or casting techniques, showcasing the craftsmanship behind its rugged elegance. Symbolically, the piece evokes power and presence, turning any space into a stage for bold expression. It’s a striking example of how furniture can transcend utility and become a powerful form of artistic narrative. Using these approaches, interior designers have shifted from the uniform use of minimalistic chrome to blending metals for a more organic and luxurious feel. This method of layering of metals brings a sense of timeless comfort and elegance into the interior decor.The post 5 Ways To Transform Your Home with Warm Metallics: The Interior Design Trend That’s Here to Stay first appeared on Yanko Design. #ways #transform #your #home #with

The overall winner has been named as oo office. Its winning concept ‘Proudspeaker’ has been designed as a monumental megaphone intended to amplify LGBTQIA+ voices and stories in public spaces. ‘The form of the Proudspeaker is composed of individual stories, gathered and woven together in a magpie-like process,’ said practice co-founders Rania Francis, Karl Mok and Oleg Sevelkov. ‘It becomes speech made visible – an act of joy, pride and protest.’ The competition was open to students, emerging architects and representatives from established firms. It sought innovative proposals for a float in the annual festival and parade, which will be held in the capital on 5 July.Advertisement The project – backed by Brookfield Properties – will celebrate the contributions of LGBTQIA+ architects to the built environment. Proposals were required to respond to this year’s LFA theme of ‘Voices’ by expressing identity, inclusion and creativity while demonstrating a commitment to sustainability and the circular economy. Rosa Rogina, LFA director, said: ‘Architecture doesn’t just shape our buildings, it shapes our communities, our conversations and our sense of belonging. Proudspeaker is a defiant, joyful, and beautifully conceived response to our 2025 theme. It honours queer creativity and boldly asserts that LGBTQIA+ voices not only belong in the built environment – they are fundamental to it.’ Founded in 1972, the annual Pride parade and festival is the largest LGBTQIA+ event in the UK and the seventh largest in the world, attracting around 1 million people. The London event, traditionally held in July, features a large performance area in Trafalgar Square, with a procession of floats and walking groups. Hawkins\Brown won LFA’s inaugural contest for a float representing LGBTQIA+ architects at 2018’s London Pride. Raw Architecture Workshop won LFA’s 2019 contest for a float at Pride in London and Manchester. In 2021, a group of early-career architects working at Foster + Partners won an open call for a £10,000 installation representing LGBTQIA+ architects at St Anne’s Church in Soho.Advertisement The latest contest sought ‘safe, structurally sound, and suitable’ proposals for a float installation that will be mounted on a 7.5-tonne dropside truck during the annual parade. Concepts had to include handrails, space for speakers and weather-resistant materials. The winning design will now work closely with production specialists to bring their vision to life in time for the parade. #winner #pride #float #contest #revealed

Woodbury House / Of ArchitectureSave this picture!© Lorenzo ZandriHouses, Refurbishment•Barnet, United Kingdom Architects: Of Architecture Area Area of this architecture project Area:  130 m² Year Completion year of this architecture project Year:  2025 Photographs Photographs:Lorenzo Zandri Manufacturers Brands with products used in this architecture project Manufacturers:  Accoya, Furness Bricks, Particular Kitchens, VMZINC, VelfacMore SpecsLess Specs this picture! Text description provided by the architects. 1. What were the inspirations and key concepts for the development of the project? Woodbury Residence drew inspiration from decalcomania—the art technique of creating mirrored patterns through folded paint. We applied this concept architecturally, not as literal replication but as thoughtful dialogue between old and new. The project's core concept emerged from our octogenarian client Kathryn's pioneering spirit. Rather than aging amongst accumulated memories, she embraced change through architectural transformation. Her approach echoed modernist architects' philosophy: curating select meaningful elements from the past—handwoven shawls, Edwardian furniture, her late husband's handcrafted rosewood table—while creating a contemporary living environment suited to her evolving needs.this picture!this picture!this picture!2. What were the difficulties or first setbacks encountered? The primary challenge was balancing preservation with transformation. Creating a continuous thermal envelope while maintaining the character of the Edwardian property required meticulous planning. Designing for an elderly client presented another challenge—ensuring accessibility without institutional aesthetics. The natural site levels in Barnet demanded creative solutions to maintain flow between spaces. Additionally, preserving meaningful elements from the original structure while meeting modern energy efficiency standards required innovative approaches to material reuse and thermal performance.this picture!this picture!3. What were the construction techniques and the principal materials used in the project? The project employed Passivhaus construction principles to achieve exceptional environmental performance. Key techniques included: *Creating a continuous thermal envelope with mineral wool insulation, *Installing mechanical ventilation heat recovery systems, *Incorporating an air source heat pump and photovoltaic panels, *Strategic cross-ventilation for natural temperature regulation. Principal materials were selected for both continuity and sustainability: *Handmade burgundy bricks from Cumbria that visually connect with the existing house, *Rosemary terracotta tiles salvaged from the demolished music room, *Elm floorboards from the original structure, repurposed as kitchen cabinetry, *A bespoke ecclesiastical oak screen in the stairwell, paying homage to Kathryn's husband, who designed the local church, *Utilitarian stainless steel brackets for the stair handrail, referencing Aalto's designs.this picture!this picture!this picture!4. Explain briefly: spatial configuration and main reasons. How was it accomplished? The spatial configuration prioritizes accessibility, light, and flow. The ground floor follows the natural site levels, housing an accessible bedroom and bathroom for Kathryn, essential for aging in place. Living spaces flow naturally between cooking and dining areas, creating rooms with light from multiple aspects. At the entrance foyer, a slender oak screen creates visual interest while concealing a study alcove beneath the stairs—a private retreat for Kathryn. This screen simultaneously divides and connects spaces, allowing filtered views between areas—a physical manifestation of the project's conceptual approach. We accomplished this configuration through careful spatial planning that honored the existing structure while introducing new elements. The ground floor layout responds to accessibility needs, while the upper levels maintain connection through thoughtful sightlines and material continuity. This approach creates a home that supports Kathryn's next chapter while honoring her past, proving that architecture can facilitate embracing change at any age.this picture! Project gallerySee allShow less About this office MaterialBrickMaterials and TagsPublished on May 14, 2025Cite: "Woodbury House / Of Architecture" 14 May 2025. ArchDaily. Accessed . < ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream #woodbury #house #architecture