• Invisible Need, Visible Care: Beaverton Heights, Beaverton, Ontario

    Standard modular construction was given a softened appearance with the addition of residential wood truss roofs and the introduction of shorter modules in select locations to create courtyards. Photo by doublespace photography
    PROJECT Durham Modular Transitional Housing, Beaverton, Ontario
    ARCHITECT Montgomery Sisam Architects Inc.
    In cities, homelessness can be painfully visible, in the form of encampments or people sleeping rough. But in rural areas, people experiencing homelessness are often hidden away.
    It’s this largely invisible but clearly present need that led to the construction of Beaverton Heights, a 47-unit transitional housing residence about 100 kilometres from Toronto that serves the northern part of the Regional Municipality of Durham. The region had run a pilot project for transitional housing in Durham during the Covid pandemic, out of a summer camp property—so when provincial and federal funding became available for modular, rapidly delivered transitional housing, they were quick to apply.
    Montgomery Sisam Architects is no stranger to modular supportive housing, or to the site, for that matter. 15 years ago, they designed Lakeview Manor, a 200-bed long-term care facility for the region, on an adjoining parcel of land. At the time that they took on Beaverton Heights, they had completed two modular supportive housing projects for the City of Toronto. 
    The initial Toronto projects were done on a massively compressed timeline—a mere eight months from design to the move-in date for the first, and nine months for the second. “So we knew that’s as tight as you can crunch it—and that’s with all the stars aligned,” says Montgomery Sisam principal Daniel Ling. 
    As transitional housing, the Beaverton facility is designed to help residents overcome their barriers to housing. To achieve this, the program not only includes residential units, but communal spaces, including a double-height dining room and lounge that occupy the western half of the project. This part of the complex can also be used independently, such as for community activities and health supports. To create the needed volume, Montgomery Sisam decided to prefabricate the community structure in steel: the entire west half of the project was constructed and assembled in a factory to ensure that it would fit together as intended, then disassembled and reassembled on site.
    The double-height community space includes a reading room, terrace, administrative areas, and communal dining room served by a full commercial kitchen. The building can also be used for community-wide functions, such as medical clinics. A cluster of columns marks the area where the dining area’s eight steel modular units join together. Photo by Tom Ridout
    For both the steel community structure and its wood residential counterpart, the prefabrication process was extensive, and included the in-factory installation of plumbing, electrical and mechanical systems, interior and exterior finishes, and even furnishings in each module. “Basically, just remove the plastic from the mattress and take the microwave from the box that’s already in the unit,” says Jacek Sochacki, manager of facilities design, construction, and asset management at the works department of the Regional Municipality of Durham. Within the building, the most extensive on-site work was in the hallways, where the modules met: building systems needed to connect up, and flooring and finishes needed to be completed over the joints after the modules were installed.
    One of the most surprising aspects of the project is how un-modular it looks. Montgomery Sisam’s previous experience with modular construction allowed them to find leeway in the process—small tweaks that would change the look of the project, without affecting the construction cost. The long site allowed the architects to use a single module as a glazed hallway, connecting the two buildings, and creating generous courtyards on its two sides. In two other areas, shorter modules are specified to transform the massing of the building. The resulting cut-outs serve as an entry forecourt and as a dining terrace. Instead of flat roofs, the team used residential trusses—“the same wood trusses you would see in subdivisions,” says Ling—to create sloped roof forms. From the outside, the windows of the residential units are slightly recessed behind a frame of wood cladding, adding further dimension to the façade. 
    Photo by doublespace photography
    Since it was a design-build process, all of these decisions were vetted through the builder for their cost effectiveness. “It wasn’t hard to convince them, we’re going to use some shorter modules—you are going to build less there,” recalls Ling. “These are things that actually don’t cost a lot of money.”
    The resulting massing is intentionally lower towards the front of the property, where the community space faces residential neighbours, and doubles to four storeys towards the back. As you approach the project, the courtyards and cut-outs give it the appearance of smaller discrete masses, rather than a single volume.
    Topping the project is the region’s largest solar panel array, which provides 35 to 40 percent of the all-electric building’s energy needs. Modular construction aided in airtightness and performance—in its first months of operation, it delivered an EUI of 102 kWh/m2/year.  
    Balancing between independence and community was an important principle for the program, and for the design. To this end, each studio is designed to function as a self-sufficient dwelling, with its own kitchen, full washroom, and heat pump with independent temperature control. Small spatial nudges—like daylight at both ends of corridors, seating nooks with built-in benches throughout the project, and generous common rooms—aim to coax residents outside of their units. The property is bracketed by the dining area at the front, and an outdoor basketball court at the rear. A long storage shed holds some of the facility’s mechanical equipment along with bikes—an easy way to get into town for residents who may not have cars. 
    Located between the residences and the community building, a semi-private courtyard offers a quiet place for clients to rest or socialize with others. Photo by doublespace photography
    The building looks so good that, had the finishes be chosen for luxury rather than durability, it could easily pass as a family resort. But is that too nice? Often, government-funded buildings—especially for a stigmatized program such as transitional housing—come under criticism if they appear to be too fancy. 
    I put this to Sochacki, who replies: “There’s this misnomer that if the building looks good or unique, it costs a lot of money. I think we proved that it doesn’t.” Apart from a wood surround for the fireplace, the components of the building are utilitarian and basic, he says. “It’s just like: how do you make the most out of common materials? It costs us exactly the same, but we’re doing things that are actually nice.”
    Screenshot
    That niceness is not just a perk, but essential to the core purpose of helping people experiencing homelessness to make their way back into society. “Making it nice is important,” says Sochacki. “Nice lighting, nice windows, nice places to sit, nice spaces that people enjoy being at—because that’s what’s going to make the difference.” 
    “If you build a place that people just want to spend all their time in their room and they don’t come out, that’s not going to help them with transitioning back to a sustainable, permanent housing lifestyle,” he adds. “You’ve got to create a place where they feel welcome and that they want to spend time in—they want to meet other people and they want to get the support, because there’s a place and space for it, and it’s successful for them to get the support.”
    A terrace adjoins the reading lounge and dining area, inviting outdoor barbecues and gatherings in warm weather. The cut-out was created by using a shorter module in this section of the building, minimizing the impact to construction costs and logistics. Photo by Tom Ridout
    CLIENT Regional Municipality of Durham | ARCHITECT TEAM Daniel Ling, Enda McDonagh, Kevin Hutchinson, Sonja Storey-Fleming, Mateusz Nowacki, Zheng Li, Grace Chang, Jake Pauls Wolf, Mustafa Munawar, Paul Kurti, William Tink, Victoria Ngai, Kavitha Jayakrishnan, Max Veneracion, Megan Lowes | STRUCTURAL/MECHANICAL/ELECTRICAL Design Works Engineering | LANDSCAPE Baker Turner | INTERIORS Montgomery Sisam Architects | CONTRACTOR NRB Modular Solutions | CIVIL Design Works Engineering | CODE Vortex Fire | FOOD SERVICES Kaizen Foodservice Planning & Design | ENERGY MODELlING Design Work Engineering | SPECIFICATIONS DGS Consulting Services | AREA 3,550 m2 | COMPLETION October 2024
    ENERGY USE INTENSITY101.98 kWh/m2/year 

     As appeared in the June 2025 issue of Canadian Architect magazine 

    The post Invisible Need, Visible Care: Beaverton Heights, Beaverton, Ontario appeared first on Canadian Architect.
    #invisible #need #visible #care #beaverton
    Invisible Need, Visible Care: Beaverton Heights, Beaverton, Ontario
    Standard modular construction was given a softened appearance with the addition of residential wood truss roofs and the introduction of shorter modules in select locations to create courtyards. Photo by doublespace photography PROJECT Durham Modular Transitional Housing, Beaverton, Ontario ARCHITECT Montgomery Sisam Architects Inc. In cities, homelessness can be painfully visible, in the form of encampments or people sleeping rough. But in rural areas, people experiencing homelessness are often hidden away. It’s this largely invisible but clearly present need that led to the construction of Beaverton Heights, a 47-unit transitional housing residence about 100 kilometres from Toronto that serves the northern part of the Regional Municipality of Durham. The region had run a pilot project for transitional housing in Durham during the Covid pandemic, out of a summer camp property—so when provincial and federal funding became available for modular, rapidly delivered transitional housing, they were quick to apply. Montgomery Sisam Architects is no stranger to modular supportive housing, or to the site, for that matter. 15 years ago, they designed Lakeview Manor, a 200-bed long-term care facility for the region, on an adjoining parcel of land. At the time that they took on Beaverton Heights, they had completed two modular supportive housing projects for the City of Toronto.  The initial Toronto projects were done on a massively compressed timeline—a mere eight months from design to the move-in date for the first, and nine months for the second. “So we knew that’s as tight as you can crunch it—and that’s with all the stars aligned,” says Montgomery Sisam principal Daniel Ling.  As transitional housing, the Beaverton facility is designed to help residents overcome their barriers to housing. To achieve this, the program not only includes residential units, but communal spaces, including a double-height dining room and lounge that occupy the western half of the project. This part of the complex can also be used independently, such as for community activities and health supports. To create the needed volume, Montgomery Sisam decided to prefabricate the community structure in steel: the entire west half of the project was constructed and assembled in a factory to ensure that it would fit together as intended, then disassembled and reassembled on site. The double-height community space includes a reading room, terrace, administrative areas, and communal dining room served by a full commercial kitchen. The building can also be used for community-wide functions, such as medical clinics. A cluster of columns marks the area where the dining area’s eight steel modular units join together. Photo by Tom Ridout For both the steel community structure and its wood residential counterpart, the prefabrication process was extensive, and included the in-factory installation of plumbing, electrical and mechanical systems, interior and exterior finishes, and even furnishings in each module. “Basically, just remove the plastic from the mattress and take the microwave from the box that’s already in the unit,” says Jacek Sochacki, manager of facilities design, construction, and asset management at the works department of the Regional Municipality of Durham. Within the building, the most extensive on-site work was in the hallways, where the modules met: building systems needed to connect up, and flooring and finishes needed to be completed over the joints after the modules were installed. One of the most surprising aspects of the project is how un-modular it looks. Montgomery Sisam’s previous experience with modular construction allowed them to find leeway in the process—small tweaks that would change the look of the project, without affecting the construction cost. The long site allowed the architects to use a single module as a glazed hallway, connecting the two buildings, and creating generous courtyards on its two sides. In two other areas, shorter modules are specified to transform the massing of the building. The resulting cut-outs serve as an entry forecourt and as a dining terrace. Instead of flat roofs, the team used residential trusses—“the same wood trusses you would see in subdivisions,” says Ling—to create sloped roof forms. From the outside, the windows of the residential units are slightly recessed behind a frame of wood cladding, adding further dimension to the façade.  Photo by doublespace photography Since it was a design-build process, all of these decisions were vetted through the builder for their cost effectiveness. “It wasn’t hard to convince them, we’re going to use some shorter modules—you are going to build less there,” recalls Ling. “These are things that actually don’t cost a lot of money.” The resulting massing is intentionally lower towards the front of the property, where the community space faces residential neighbours, and doubles to four storeys towards the back. As you approach the project, the courtyards and cut-outs give it the appearance of smaller discrete masses, rather than a single volume. Topping the project is the region’s largest solar panel array, which provides 35 to 40 percent of the all-electric building’s energy needs. Modular construction aided in airtightness and performance—in its first months of operation, it delivered an EUI of 102 kWh/m2/year.   Balancing between independence and community was an important principle for the program, and for the design. To this end, each studio is designed to function as a self-sufficient dwelling, with its own kitchen, full washroom, and heat pump with independent temperature control. Small spatial nudges—like daylight at both ends of corridors, seating nooks with built-in benches throughout the project, and generous common rooms—aim to coax residents outside of their units. The property is bracketed by the dining area at the front, and an outdoor basketball court at the rear. A long storage shed holds some of the facility’s mechanical equipment along with bikes—an easy way to get into town for residents who may not have cars.  Located between the residences and the community building, a semi-private courtyard offers a quiet place for clients to rest or socialize with others. Photo by doublespace photography The building looks so good that, had the finishes be chosen for luxury rather than durability, it could easily pass as a family resort. But is that too nice? Often, government-funded buildings—especially for a stigmatized program such as transitional housing—come under criticism if they appear to be too fancy.  I put this to Sochacki, who replies: “There’s this misnomer that if the building looks good or unique, it costs a lot of money. I think we proved that it doesn’t.” Apart from a wood surround for the fireplace, the components of the building are utilitarian and basic, he says. “It’s just like: how do you make the most out of common materials? It costs us exactly the same, but we’re doing things that are actually nice.” Screenshot That niceness is not just a perk, but essential to the core purpose of helping people experiencing homelessness to make their way back into society. “Making it nice is important,” says Sochacki. “Nice lighting, nice windows, nice places to sit, nice spaces that people enjoy being at—because that’s what’s going to make the difference.”  “If you build a place that people just want to spend all their time in their room and they don’t come out, that’s not going to help them with transitioning back to a sustainable, permanent housing lifestyle,” he adds. “You’ve got to create a place where they feel welcome and that they want to spend time in—they want to meet other people and they want to get the support, because there’s a place and space for it, and it’s successful for them to get the support.” A terrace adjoins the reading lounge and dining area, inviting outdoor barbecues and gatherings in warm weather. The cut-out was created by using a shorter module in this section of the building, minimizing the impact to construction costs and logistics. Photo by Tom Ridout CLIENT Regional Municipality of Durham | ARCHITECT TEAM Daniel Ling, Enda McDonagh, Kevin Hutchinson, Sonja Storey-Fleming, Mateusz Nowacki, Zheng Li, Grace Chang, Jake Pauls Wolf, Mustafa Munawar, Paul Kurti, William Tink, Victoria Ngai, Kavitha Jayakrishnan, Max Veneracion, Megan Lowes | STRUCTURAL/MECHANICAL/ELECTRICAL Design Works Engineering | LANDSCAPE Baker Turner | INTERIORS Montgomery Sisam Architects | CONTRACTOR NRB Modular Solutions | CIVIL Design Works Engineering | CODE Vortex Fire | FOOD SERVICES Kaizen Foodservice Planning & Design | ENERGY MODELlING Design Work Engineering | SPECIFICATIONS DGS Consulting Services | AREA 3,550 m2 | COMPLETION October 2024 ENERGY USE INTENSITY101.98 kWh/m2/year   As appeared in the June 2025 issue of Canadian Architect magazine  The post Invisible Need, Visible Care: Beaverton Heights, Beaverton, Ontario appeared first on Canadian Architect. #invisible #need #visible #care #beaverton
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    Invisible Need, Visible Care: Beaverton Heights, Beaverton, Ontario
    Standard modular construction was given a softened appearance with the addition of residential wood truss roofs and the introduction of shorter modules in select locations to create courtyards. Photo by doublespace photography PROJECT Durham Modular Transitional Housing, Beaverton, Ontario ARCHITECT Montgomery Sisam Architects Inc. In cities, homelessness can be painfully visible, in the form of encampments or people sleeping rough. But in rural areas, people experiencing homelessness are often hidden away. It’s this largely invisible but clearly present need that led to the construction of Beaverton Heights, a 47-unit transitional housing residence about 100 kilometres from Toronto that serves the northern part of the Regional Municipality of Durham. The region had run a pilot project for transitional housing in Durham during the Covid pandemic, out of a summer camp property—so when provincial and federal funding became available for modular, rapidly delivered transitional housing, they were quick to apply. Montgomery Sisam Architects is no stranger to modular supportive housing, or to the site, for that matter. 15 years ago, they designed Lakeview Manor, a 200-bed long-term care facility for the region, on an adjoining parcel of land. At the time that they took on Beaverton Heights, they had completed two modular supportive housing projects for the City of Toronto. (They have since completed four more.)  The initial Toronto projects were done on a massively compressed timeline—a mere eight months from design to the move-in date for the first, and nine months for the second. “So we knew that’s as tight as you can crunch it—and that’s with all the stars aligned,” says Montgomery Sisam principal Daniel Ling.  As transitional housing, the Beaverton facility is designed to help residents overcome their barriers to housing. To achieve this, the program not only includes residential units, but communal spaces, including a double-height dining room and lounge that occupy the western half of the project. This part of the complex can also be used independently, such as for community activities and health supports. To create the needed volume, Montgomery Sisam decided to prefabricate the community structure in steel: the entire west half of the project was constructed and assembled in a factory to ensure that it would fit together as intended, then disassembled and reassembled on site. The double-height community space includes a reading room, terrace, administrative areas, and communal dining room served by a full commercial kitchen. The building can also be used for community-wide functions, such as medical clinics. A cluster of columns marks the area where the dining area’s eight steel modular units join together. Photo by Tom Ridout For both the steel community structure and its wood residential counterpart, the prefabrication process was extensive, and included the in-factory installation of plumbing, electrical and mechanical systems, interior and exterior finishes, and even furnishings in each module. “Basically, just remove the plastic from the mattress and take the microwave from the box that’s already in the unit,” says Jacek Sochacki, manager of facilities design, construction, and asset management at the works department of the Regional Municipality of Durham. Within the building, the most extensive on-site work was in the hallways, where the modules met: building systems needed to connect up, and flooring and finishes needed to be completed over the joints after the modules were installed. One of the most surprising aspects of the project is how un-modular it looks. Montgomery Sisam’s previous experience with modular construction allowed them to find leeway in the process—small tweaks that would change the look of the project, without affecting the construction cost. The long site allowed the architects to use a single module as a glazed hallway, connecting the two buildings, and creating generous courtyards on its two sides. In two other areas, shorter modules are specified to transform the massing of the building. The resulting cut-outs serve as an entry forecourt and as a dining terrace. Instead of flat roofs, the team used residential trusses—“the same wood trusses you would see in subdivisions,” says Ling—to create sloped roof forms. From the outside, the windows of the residential units are slightly recessed behind a frame of wood cladding, adding further dimension to the façade.  Photo by doublespace photography Since it was a design-build process, all of these decisions were vetted through the builder for their cost effectiveness. “It wasn’t hard to convince them, we’re going to use some shorter modules—you are going to build less there,” recalls Ling. “These are things that actually don’t cost a lot of money.” The resulting massing is intentionally lower towards the front of the property, where the community space faces residential neighbours, and doubles to four storeys towards the back. As you approach the project, the courtyards and cut-outs give it the appearance of smaller discrete masses, rather than a single volume. Topping the project is the region’s largest solar panel array, which provides 35 to 40 percent of the all-electric building’s energy needs. Modular construction aided in airtightness and performance—in its first months of operation, it delivered an EUI of 102 kWh/m2/year.   Balancing between independence and community was an important principle for the program, and for the design. To this end, each studio is designed to function as a self-sufficient dwelling, with its own kitchen, full washroom, and heat pump with independent temperature control. Small spatial nudges—like daylight at both ends of corridors, seating nooks with built-in benches throughout the project, and generous common rooms—aim to coax residents outside of their units. The property is bracketed by the dining area at the front, and an outdoor basketball court at the rear. A long storage shed holds some of the facility’s mechanical equipment along with bikes—an easy way to get into town for residents who may not have cars.  Located between the residences and the community building, a semi-private courtyard offers a quiet place for clients to rest or socialize with others. Photo by doublespace photography The building looks so good that, had the finishes be chosen for luxury rather than durability, it could easily pass as a family resort. But is that too nice? Often, government-funded buildings—especially for a stigmatized program such as transitional housing—come under criticism if they appear to be too fancy.  I put this to Sochacki, who replies: “There’s this misnomer that if the building looks good or unique, it costs a lot of money. I think we proved that it doesn’t.” Apart from a wood surround for the fireplace, the components of the building are utilitarian and basic, he says. “It’s just like: how do you make the most out of common materials? It costs us exactly the same, but we’re doing things that are actually nice.” Screenshot That niceness is not just a perk, but essential to the core purpose of helping people experiencing homelessness to make their way back into society. “Making it nice is important,” says Sochacki. “Nice lighting, nice windows, nice places to sit, nice spaces that people enjoy being at—because that’s what’s going to make the difference.”  “If you build a place that people just want to spend all their time in their room and they don’t come out, that’s not going to help them with transitioning back to a sustainable, permanent housing lifestyle,” he adds. “You’ve got to create a place where they feel welcome and that they want to spend time in—they want to meet other people and they want to get the support, because there’s a place and space for it, and it’s successful for them to get the support.” A terrace adjoins the reading lounge and dining area, inviting outdoor barbecues and gatherings in warm weather. The cut-out was created by using a shorter module in this section of the building, minimizing the impact to construction costs and logistics. Photo by Tom Ridout CLIENT Regional Municipality of Durham | ARCHITECT TEAM Daniel Ling (FRAIC), Enda McDonagh, Kevin Hutchinson, Sonja Storey-Fleming, Mateusz Nowacki, Zheng Li, Grace Chang, Jake Pauls Wolf, Mustafa Munawar, Paul Kurti, William Tink, Victoria Ngai, Kavitha Jayakrishnan, Max Veneracion, Megan Lowes | STRUCTURAL/MECHANICAL/ELECTRICAL Design Works Engineering | LANDSCAPE Baker Turner | INTERIORS Montgomery Sisam Architects | CONTRACTOR NRB Modular Solutions | CIVIL Design Works Engineering | CODE Vortex Fire | FOOD SERVICES Kaizen Foodservice Planning & Design | ENERGY MODELlING Design Work Engineering | SPECIFICATIONS DGS Consulting Services | AREA 3,550 m2 | COMPLETION October 2024 ENERGY USE INTENSITY (operational) 101.98 kWh/m2/year   As appeared in the June 2025 issue of Canadian Architect magazine  The post Invisible Need, Visible Care: Beaverton Heights, Beaverton, Ontario appeared first on Canadian Architect.
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  • Our Top 15 Favorite Designers From WANTED 2025

    WANTED, the International Contemporary Furniture Fair’sshow-within-a-show, has grown almost exponentially since its first iteration as WantedDesign circa 2011, evolving so much so that the platform – with its iconic yellow walls nestled into the Javits Center – has become one of America’s go-to platforms to find emerging talent, tap into an intimate creative network, and discover trends ahead of the commercial industry. The 2025 showcase provided a wealth of inspiring design, we had to share a roundup all its own…

    Mockinbird Studio
    Epic in proportion, masterfully constructed, and officially record-making. The Farsala-based Mockinbird Studio showcased their most ambitious project to date: a monumental space divider. It is the largest – and arguably most beguiling – piece of contemporary marquetry artwork in existence, entirely designed and handcrafted in their Greece studio using traditional techniques. The object blends functionality with a narrative-driven, highly-aesthetic composition for the perfect piece of collectible design.

    Cuff Studio
    Cuff Studio presented their first solo exhibition, entitled “Within,” and unveiled select pieces from their Spring 2025 furniture collection of the same name. The C Back Lounge Chair – a trade exclusive – distills some of their favorite design gestures into an elegant, barely-their structural frame then paired with a sculptural waterfall seat and back cushion. Of note are the protruding curves that seemingly reach out for a handshake and the textural, pink upholstery seen here, which echoes triangular forms used across their broader portfolio.

    Mary Ratcliffe Studio + Anony
    Presenting together for their fourth ICFF, Mary Ratcliffe Studioand Anony collaborated on a booth filled with sleek and sculptural, architecturally-inspired design objects. Their work is elementally complementary, which lent themselves to a more honest, fulsome showcase. MRS’s monumental furniture pieces are inspired by the physicality of material play, while Anony’s lighting takes inspiration from architectural gestures.

    Ready To Hang
    Mirrored surfaces are hard to resist, especially when their design makes you feel seen – figuratively speaking. Ready To Hang’s fashionable, ready-to-wear-inspired furnishings feel like fun accessories and an extension of personal style as they approach home decor through concepts found in styling for apparel. This year marked their ICFF debut with a highly curated showcase mixing classic pieces with a few concepts yet to come.

    UWU Studios
    Typically driven by a human-centered design ethos, multidisciplinary UWU Studios has expanded their scope to include the feline experience. Their UNU Cat Dreams product is equal parts pet play and collectible design, sure to please all parties. Even aesthetes without a furry friend can still appreciate its composition, blending surfaces, textures, colors, and forms for quite unique sculptural compositions. It’s an exemplary approach that elevates everyday objects to the venerable.

    Estudio PM
    Racking up multiple awards during the show – and rightfully so – Estudio PM demonstrated how fabric waste and unwanted textiles can be recontextualized within the realms of art and home furnishings. The duo behind the initiative created totems and garment-inspired side tables with the careful layering of reclaimed cloth.

    Noiro Studio
    Hand-blown glass lamps stood on various podiums in a curious display of artisanal lighting comprising colorful bases dotted with glass and stone orbs. Each globe’s curvature represented the fabric of spacetime, with precious objects are suspended within the glass shades – a steady reminder of our weight, and also insignificance, of our existence in the world. Noiro Studio plays with themes of heft and weightlessness, continuing to keep things relative.

    Ridezign
    Ridezign offers an ode to New York City. The Tesser Collection resembles skyscrapers in miniature blocks constructing cantilevered forms in multiple configurations and colors. These lamps leverage additive manufacturing making every piece made-to-order, reducing overstock, and ultimately eliminating the need for storage. The warm diffusion of the subsequent layers of material create lovely channels of light, adding to the spectacle of the city.

    Koba Furniture
    Koba Furniture is proud to create all elements for Series 02 within their Baltimore studio – except for the drawer pulls, shares designer Sam Acuff – a testament to the respect for craft that is clearly shown here. Jauntily stocky feet meet tiny tube legs, with a nicely balanced drawer set on top. Extra points for the elevated milk crate; it adds such a nice feel to the booth.

    9 & 19
    9 & 19 is back this year with organic shapes and cheeky details. Who doesn’t love an easter egg in design? From inlaid squiggles to handmade tiling, this collection offers a unique blend of customization and utility while remaining approachable and fun.

    Hannah Via
    Hannah Via brings some highly welcome fiber arts representation to WANTED, her tufted lamps bringing a sense of whimsy and possibility to the show. Sporting pops of scarlet, cobalt, and bronze, a light peach background acts as a pendant for a singular Edison bulb, which cases a cozy glow in an elegant connection to the warmth of the yarn it rests upon.

    Sawyer Made
    Lovingly crafted in Woodbury, Vermont, Sawyer Made is a second-generation family of woodworkers honoring the classic stance and build of a Windsor chair, but with a few modern updates. As the arm meets the back, the angle rotates 90 degrees offering a beautiful detail absent from most traditional Windsors. Like ballet, a combination of experienced craft and innate knowledge makes the hardest work look easy.

    Ora House
    Cobalt is back in a big way with Ora House, as evidenced by their removable upholstery panels that can be switched out to reflect any style or change in local decor. Playful, soft, and sturdy, the ottoman, bench, and hutch offer a fun way to sit, stay, and store.

    Daniel Gruetter
    Daniel Gruetter is a woodworker based in Toronto, Canada. Showing an elegant credenza created entirely out of the discarded offcuts from his practice, he upends what is considered valuable on a platform that inherently places value on everything. Employing wooden hinges takes the project to another level, letting a singular material do the talking through expert craftsmanship.

    Reces NYC
    With a nod to the cobalt we spotted around the show, Reces NYC wraps up our top picks for WANTED this year with a gestural upholstered piece. Elements extend in a satisfyingly solid manner to create an interesting and distinctly luxurious look users could get lost in.
    Check out out the rest of Design Milk’s NYCxDESIGN coverage here!
    #our #top #favorite #designers #wanted
    Our Top 15 Favorite Designers From WANTED 2025
    WANTED, the International Contemporary Furniture Fair’sshow-within-a-show, has grown almost exponentially since its first iteration as WantedDesign circa 2011, evolving so much so that the platform – with its iconic yellow walls nestled into the Javits Center – has become one of America’s go-to platforms to find emerging talent, tap into an intimate creative network, and discover trends ahead of the commercial industry. The 2025 showcase provided a wealth of inspiring design, we had to share a roundup all its own… Mockinbird Studio Epic in proportion, masterfully constructed, and officially record-making. The Farsala-based Mockinbird Studio showcased their most ambitious project to date: a monumental space divider. It is the largest – and arguably most beguiling – piece of contemporary marquetry artwork in existence, entirely designed and handcrafted in their Greece studio using traditional techniques. The object blends functionality with a narrative-driven, highly-aesthetic composition for the perfect piece of collectible design. Cuff Studio Cuff Studio presented their first solo exhibition, entitled “Within,” and unveiled select pieces from their Spring 2025 furniture collection of the same name. The C Back Lounge Chair – a trade exclusive – distills some of their favorite design gestures into an elegant, barely-their structural frame then paired with a sculptural waterfall seat and back cushion. Of note are the protruding curves that seemingly reach out for a handshake and the textural, pink upholstery seen here, which echoes triangular forms used across their broader portfolio. Mary Ratcliffe Studio + Anony Presenting together for their fourth ICFF, Mary Ratcliffe Studioand Anony collaborated on a booth filled with sleek and sculptural, architecturally-inspired design objects. Their work is elementally complementary, which lent themselves to a more honest, fulsome showcase. MRS’s monumental furniture pieces are inspired by the physicality of material play, while Anony’s lighting takes inspiration from architectural gestures. Ready To Hang Mirrored surfaces are hard to resist, especially when their design makes you feel seen – figuratively speaking. Ready To Hang’s fashionable, ready-to-wear-inspired furnishings feel like fun accessories and an extension of personal style as they approach home decor through concepts found in styling for apparel. This year marked their ICFF debut with a highly curated showcase mixing classic pieces with a few concepts yet to come. UWU Studios Typically driven by a human-centered design ethos, multidisciplinary UWU Studios has expanded their scope to include the feline experience. Their UNU Cat Dreams product is equal parts pet play and collectible design, sure to please all parties. Even aesthetes without a furry friend can still appreciate its composition, blending surfaces, textures, colors, and forms for quite unique sculptural compositions. It’s an exemplary approach that elevates everyday objects to the venerable. Estudio PM Racking up multiple awards during the show – and rightfully so – Estudio PM demonstrated how fabric waste and unwanted textiles can be recontextualized within the realms of art and home furnishings. The duo behind the initiative created totems and garment-inspired side tables with the careful layering of reclaimed cloth. Noiro Studio Hand-blown glass lamps stood on various podiums in a curious display of artisanal lighting comprising colorful bases dotted with glass and stone orbs. Each globe’s curvature represented the fabric of spacetime, with precious objects are suspended within the glass shades – a steady reminder of our weight, and also insignificance, of our existence in the world. Noiro Studio plays with themes of heft and weightlessness, continuing to keep things relative. Ridezign Ridezign offers an ode to New York City. The Tesser Collection resembles skyscrapers in miniature blocks constructing cantilevered forms in multiple configurations and colors. These lamps leverage additive manufacturing making every piece made-to-order, reducing overstock, and ultimately eliminating the need for storage. The warm diffusion of the subsequent layers of material create lovely channels of light, adding to the spectacle of the city. Koba Furniture Koba Furniture is proud to create all elements for Series 02 within their Baltimore studio – except for the drawer pulls, shares designer Sam Acuff – a testament to the respect for craft that is clearly shown here. Jauntily stocky feet meet tiny tube legs, with a nicely balanced drawer set on top. Extra points for the elevated milk crate; it adds such a nice feel to the booth. 9 & 19 9 & 19 is back this year with organic shapes and cheeky details. Who doesn’t love an easter egg in design? From inlaid squiggles to handmade tiling, this collection offers a unique blend of customization and utility while remaining approachable and fun. Hannah Via Hannah Via brings some highly welcome fiber arts representation to WANTED, her tufted lamps bringing a sense of whimsy and possibility to the show. Sporting pops of scarlet, cobalt, and bronze, a light peach background acts as a pendant for a singular Edison bulb, which cases a cozy glow in an elegant connection to the warmth of the yarn it rests upon. Sawyer Made Lovingly crafted in Woodbury, Vermont, Sawyer Made is a second-generation family of woodworkers honoring the classic stance and build of a Windsor chair, but with a few modern updates. As the arm meets the back, the angle rotates 90 degrees offering a beautiful detail absent from most traditional Windsors. Like ballet, a combination of experienced craft and innate knowledge makes the hardest work look easy. Ora House Cobalt is back in a big way with Ora House, as evidenced by their removable upholstery panels that can be switched out to reflect any style or change in local decor. Playful, soft, and sturdy, the ottoman, bench, and hutch offer a fun way to sit, stay, and store. Daniel Gruetter Daniel Gruetter is a woodworker based in Toronto, Canada. Showing an elegant credenza created entirely out of the discarded offcuts from his practice, he upends what is considered valuable on a platform that inherently places value on everything. Employing wooden hinges takes the project to another level, letting a singular material do the talking through expert craftsmanship. Reces NYC With a nod to the cobalt we spotted around the show, Reces NYC wraps up our top picks for WANTED this year with a gestural upholstered piece. Elements extend in a satisfyingly solid manner to create an interesting and distinctly luxurious look users could get lost in. Check out out the rest of Design Milk’s NYCxDESIGN coverage here! #our #top #favorite #designers #wanted
    DESIGN-MILK.COM
    Our Top 15 Favorite Designers From WANTED 2025
    WANTED, the International Contemporary Furniture Fair’s (ICFF) show-within-a-show, has grown almost exponentially since its first iteration as WantedDesign circa 2011, evolving so much so that the platform – with its iconic yellow walls nestled into the Javits Center – has become one of America’s go-to platforms to find emerging talent, tap into an intimate creative network, and discover trends ahead of the commercial industry. The 2025 showcase provided a wealth of inspiring design, we had to share a roundup all its own… Mockinbird Studio Epic in proportion, masterfully constructed, and officially record-making. The Farsala-based Mockinbird Studio showcased their most ambitious project to date: a monumental space divider. It is the largest – and arguably most beguiling – piece of contemporary marquetry artwork in existence, entirely designed and handcrafted in their Greece studio using traditional techniques. The object blends functionality with a narrative-driven, highly-aesthetic composition for the perfect piece of collectible design. Cuff Studio Cuff Studio presented their first solo exhibition, entitled “Within,” and unveiled select pieces from their Spring 2025 furniture collection of the same name. The C Back Lounge Chair – a trade exclusive – distills some of their favorite design gestures into an elegant, barely-their structural frame then paired with a sculptural waterfall seat and back cushion. Of note are the protruding curves that seemingly reach out for a handshake and the textural, pink upholstery seen here, which echoes triangular forms used across their broader portfolio. Mary Ratcliffe Studio + Anony Presenting together for their fourth ICFF, Mary Ratcliffe Studio (MRS) and Anony collaborated on a booth filled with sleek and sculptural, architecturally-inspired design objects. Their work is elementally complementary, which lent themselves to a more honest, fulsome showcase. MRS’s monumental furniture pieces are inspired by the physicality of material play, while Anony’s lighting takes inspiration from architectural gestures. Ready To Hang Mirrored surfaces are hard to resist, especially when their design makes you feel seen – figuratively speaking. Ready To Hang’s fashionable, ready-to-wear-inspired furnishings feel like fun accessories and an extension of personal style as they approach home decor through concepts found in styling for apparel. This year marked their ICFF debut with a highly curated showcase mixing classic pieces with a few concepts yet to come. UWU Studios Typically driven by a human-centered design ethos, multidisciplinary UWU Studios has expanded their scope to include the feline experience. Their UNU Cat Dreams product is equal parts pet play and collectible design, sure to please all parties. Even aesthetes without a furry friend can still appreciate its composition, blending surfaces, textures, colors, and forms for quite unique sculptural compositions. It’s an exemplary approach that elevates everyday objects to the venerable. Estudio PM Racking up multiple awards during the show – and rightfully so – Estudio PM demonstrated how fabric waste and unwanted textiles can be recontextualized within the realms of art and home furnishings. The duo behind the initiative created totems and garment-inspired side tables with the careful layering of reclaimed cloth. Noiro Studio Hand-blown glass lamps stood on various podiums in a curious display of artisanal lighting comprising colorful bases dotted with glass and stone orbs. Each globe’s curvature represented the fabric of spacetime, with precious objects are suspended within the glass shades – a steady reminder of our weight, and also insignificance, of our existence in the world. Noiro Studio plays with themes of heft and weightlessness, continuing to keep things relative. Ridezign Ridezign offers an ode to New York City. The Tesser Collection resembles skyscrapers in miniature blocks constructing cantilevered forms in multiple configurations and colors. These lamps leverage additive manufacturing making every piece made-to-order, reducing overstock, and ultimately eliminating the need for storage. The warm diffusion of the subsequent layers of material create lovely channels of light, adding to the spectacle of the city. Koba Furniture Koba Furniture is proud to create all elements for Series 02 within their Baltimore studio – except for the drawer pulls, shares designer Sam Acuff – a testament to the respect for craft that is clearly shown here. Jauntily stocky feet meet tiny tube legs, with a nicely balanced drawer set on top. Extra points for the elevated milk crate; it adds such a nice feel to the booth. 9 & 19 9 & 19 is back this year with organic shapes and cheeky details. Who doesn’t love an easter egg in design? From inlaid squiggles to handmade tiling, this collection offers a unique blend of customization and utility while remaining approachable and fun. Hannah Via Hannah Via brings some highly welcome fiber arts representation to WANTED, her tufted lamps bringing a sense of whimsy and possibility to the show. Sporting pops of scarlet, cobalt, and bronze, a light peach background acts as a pendant for a singular Edison bulb, which cases a cozy glow in an elegant connection to the warmth of the yarn it rests upon. Sawyer Made Lovingly crafted in Woodbury, Vermont, Sawyer Made is a second-generation family of woodworkers honoring the classic stance and build of a Windsor chair, but with a few modern updates. As the arm meets the back, the angle rotates 90 degrees offering a beautiful detail absent from most traditional Windsors. Like ballet, a combination of experienced craft and innate knowledge makes the hardest work look easy. Ora House Cobalt is back in a big way with Ora House, as evidenced by their removable upholstery panels that can be switched out to reflect any style or change in local decor. Playful, soft, and sturdy, the ottoman, bench, and hutch offer a fun way to sit, stay, and store. Daniel Gruetter Daniel Gruetter is a woodworker based in Toronto, Canada. Showing an elegant credenza created entirely out of the discarded offcuts from his practice, he upends what is considered valuable on a platform that inherently places value on everything. Employing wooden hinges takes the project to another level, letting a singular material do the talking through expert craftsmanship. Reces NYC With a nod to the cobalt we spotted around the show, Reces NYC wraps up our top picks for WANTED this year with a gestural upholstered piece. Elements extend in a satisfyingly solid manner to create an interesting and distinctly luxurious look users could get lost in. Check out out the rest of Design Milk’s NYCxDESIGN coverage here!
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  • Switch 2 UK General Discussion Thread: 2 weeks out - add some cheese to your beans

    Heazy
    IT Tech
    Verified

    Oct 28, 2017

    4,643

    London, UK

    Nintendo Switch 2 UK £395.99 / £429.99original screenshot dead

    From Nintendo UK site 

    Last edited: Apr 11, 2025

    NippleViking
    Member

    May 2, 2018

    4,702

    Jesus. AUD then?
     

    Doctor_Thomas
    Member

    Oct 27, 2017

    11,467

    Ooof.
     

    raspberrymousse
    Member

    Mar 19, 2021

    5,302

    Cheaper than I thought
     

    Stitch AU
    Member

    Oct 29, 2017

    581

    Brisbane, Australia

    What the fuck, thats AU for the mario kart edition.
     

    Type VII
    Member

    Oct 31, 2017

    2,977

    I was expecting £425 so not too bad. At least we know when the preorders go live.
     

    CasuallyDressed
    Member

    Jan 13, 2020

    1,497

    Eek.
     

    Helix
    Mayor of Clown Town
    Member

    Jun 8, 2019

    27,003

    i thought it was going to be 50 quid cheaper
     

    xendless
    Teyvat Traveler
    Member

    Jan 23, 2019

    13,720

    Nintendo UK store crashed already it's utterly fucked when preorders drop
     

    Fevaweva
    Member

    Oct 30, 2017

    7,589

    That is about what I expected to be quite honest.
     

    Hutchie
    Member

    Oct 27, 2017

    1,791

    London

    Decent but will wait n see how much cex sell em so can get rid of my remaining voucher
     

    Charlie0108
    Member

    Oct 29, 2017

    4,600

    I have £460 set aside for it so ok for me but I was expecting it to be about £50 cheaper.
     

    discogs
    Member

    Oct 28, 2017

    516

    London

    When are UK preorders coming?
     

    xendless
    Teyvat Traveler
    Member

    Jan 23, 2019

    13,720

    Hutchie said:

    Decent but will wait n see how much cex sell em so can get rid of my remaining voucher

    Click to expand...
    Click to shrink...

    On the Switch 1 launch it was way above rrp

    discogs said:

    When are UK preorders coming?

    Click to expand...
    Click to shrink...

    The OP image dude.... 

    Swarming1182
    Member

    Jan 14, 2018

    534

    Hell yeah.
     

    Hutchie
    Member

    Oct 27, 2017

    1,791

    London

    xendless said:

    Only Switch 1 launch it was way above rrp

    Click to expand...
    Click to shrink...

    Looks like im waiting 6 months 

    DECK’ARD
    Creator of Worms
    Verified

    Nov 26, 2017

    7,157

    UK

    What I was expecting.

    Now open the preorders someone! 

    ItsBradazHD
    Member

    Nov 21, 2018

    835

    35 quid extra for mario kart is crazy value
     

    J Snow
    Member

    Oct 25, 2017

    452

    About what I expected

    Hutchie said:

    Decent but will wait n see how much cex sell em so can get rid of my remaining voucher

    Click to expand...
    Click to shrink...

    I was thinking this but I went in today and they're selling second hand games more expensive than Argos a few doors down, I would really love to know what "algorithm" they use to calculate pricing
     

    Tora
    The Enlightened Wise Ones
    Member

    Jun 17, 2018

    8,983

    Easily justifiable
     

    Ara63
    Member

    Nov 21, 2023

    1,185

    Given the other pricing news, if you care about Mario Kart at all buying that UK bundle is likely the cheapest deal for anyone worldwide.
     

    Lowrys
    Member

    Oct 25, 2017

    14,664

    London

    discogs said:

    When are UK preorders coming?

    Click to expand...
    Click to shrink...

    8 April. Gives all the scalpers and bots time to get ready ans vacuum them all up. Ridiculous. Just make them live now and let consumers have a chance.
     

    Hutchie
    Member

    Oct 27, 2017

    1,791

    London

    Anyone got software prices? Apparently mario kart is €90 physical
     

    Raiden
    Member

    Nov 6, 2017

    3,032

    Okay i'll take it. Do we have a official release date?
     

    Axe
    Member

    Oct 27, 2017

    3,590

    United Kingdom

    I honestly was bracing for worse pricing for us.
     

    geehepea
    Member

    Aug 5, 2024

    358

    about what I expected
     

    Byron Hinson
    Member

    Nov 14, 2017

    1,361

    UK

    It'll be the cart pricing that's the killer
     

    Swarming1182
    Member

    Jan 14, 2018

    534

    Annoyed they chose to delay pre-orders. it just lets scalpers and bots grab them.

    The price is incredibly reasonable given the evident horsepower of this device, and especially with the Mario Kart World bundle, crazy good value. 

    Gowans
    Moderator

    Oct 27, 2017

    5,833

    North East, UK

    What about UK games prices?
     

    Helix
    Mayor of Clown Town
    Member

    Jun 8, 2019

    27,003

    ngl though i'm not keen on getting MK World, it's crazy not to get that bundle cuz MK is just expensive on its own lol
     

    harry the spy
    Member

    Oct 25, 2017

    3,376

    Do we know where we will be able to preorder from
     

    Mutedpenguin
    Member

    Dec 5, 2017

    1,392

    Obviously I'll get the Mario Kart bundle...but I feel it would be a much easier sell to the masses, if it was £399 including the game.
     

    GovernWort
    Prophet of Truth
    Member

    Feb 20, 2020

    1,093

    Gowans said:

    What about UK games prices?

    Click to expand...
    Click to shrink...

    View:
     

    Bishop89
    What Are Ya' Selling?
    Member

    Oct 25, 2017

    42,772

    Melbourne, Australia

    Stitch AU said:

    What the fuck, thats AU for the mario kart edition.

    Click to expand...
    Click to shrink...

    More than a ps5, crazy.
     

    Willy
    Member

    Oct 27, 2017

    402

    I said £379 at the lowest previously so I wasn't far off. Honestly, not the worst price if you want Mario Kart World in the bundle. I think I'll be waiting for more first party games to come out though.

    edit - £75 physical games. Ouch. 

    cursed beef
    Member

    Jan 3, 2021

    946

    so physical is just dead dead huh? nintendo said fuck families
     

    Gowans
    Moderator

    Oct 27, 2017

    5,833

    North East, UK

    Thank you, £75 seems wild esspecially in an age of cheap PC games and Game Pass. 

    GovernWort
    Prophet of Truth
    Member

    Feb 20, 2020

    1,093

    This is on the Nintendo UK site.

    Pro controller is £75 and the GC controller is £59 

    IIFloodyII
    Member

    Oct 26, 2017

    27,432

    Was expecting 400 so not too bad ther. But they can absolutely fuck off with the £75 for games.
     

    Helix
    Mayor of Clown Town
    Member

    Jun 8, 2019

    27,003

    75 quid for flagship Nintendo games?…..
     

    geehepea
    Member

    Aug 5, 2024

    358

    Prices for all accessories and software announced in the direct

    Edit: also noticed this smallprint on the page

    Pre-orders for Nintendo Switch 2 digital games, upgrade packs and amiibo will open on My Nintendo Store from 24/04. 

    Koukalaka
    Member

    Oct 28, 2017

    10,399

    Scotland

    ItsBradazHD said:

    35 quid extra for mario kart is crazy value

    Click to expand...
    Click to shrink...

    Yeah, I expect the bundle will fly off the shelves considering it's a £30 saving 

    Snarfington
    Avenger

    Oct 25, 2017

    3,154

    GovernWort said:

    This is on the Nintendo UK site.

    Pro controller is £75 and the GC controller is £59
    Click to expand...
    Click to shrink...

    Hmm I think I qualify but will have to check on the emails, wonder where I can do that? Hope it's not some rando newsletter 

    GokouD
    Member

    Oct 30, 2017

    1,348

    Game prices could be worse really, given the euro/dollar prices. And that's from the Nintendo store, you can probably knock £10 off or Smyths.
     

    shadowman16
    Member

    Oct 25, 2017

    41,549

    Not super happy about the prices... but Im a fool and will be getting DK and MK for sure... ANd Yakuza and SF...
     

    jazzfunkgreats
    Member

    Oct 7, 2019

    307

    I fit the criteria for the invitation thing on playtime and subscription length but I've only just turned on newsletters now, so I'm not expecting much. I knew I should have just embraced the spam
     

    JayCB64
    Member

    Oct 25, 2017

    11,418

    Wales

    Honestly I thought it would be a little worse lol
     

    IDreamOfHime
    Member

    Oct 27, 2017

    16,363

    I don't actually mind that price, especially the Mario Kart bundle price.

    Hoping to buy from Amazon....kept my Xmas gift vouchers for this.

    My plan this gen is digital only, I don't have the space for boxes anymore. 

    Ocarina_117
    Member

    Oct 26, 2017

    9,887

    Not as angry as others with this pricing to be honest.

    I get a tonne of time out of Nintendo games and their first party releases are spaced out nicely. 

    LewieP
    Member

    Oct 26, 2017

    19,822

    I was expecting £399 for the system to saved a cool £4.
     
    #switch #general #discussion #thread #weeks
    Switch 2 UK General Discussion Thread: 2 weeks out - add some cheese to your beans
    Heazy IT Tech Verified Oct 28, 2017 4,643 London, UK Nintendo Switch 2 UK £395.99 / £429.99original screenshot dead From Nintendo UK site  Last edited: Apr 11, 2025 NippleViking Member May 2, 2018 4,702 Jesus. AUD then?   Doctor_Thomas Member Oct 27, 2017 11,467 Ooof.   raspberrymousse Member Mar 19, 2021 5,302 Cheaper than I thought   Stitch AU Member Oct 29, 2017 581 Brisbane, Australia What the fuck, thats AU for the mario kart edition.   Type VII Member Oct 31, 2017 2,977 I was expecting £425 so not too bad. At least we know when the preorders go live.   CasuallyDressed Member Jan 13, 2020 1,497 Eek.   Helix Mayor of Clown Town Member Jun 8, 2019 27,003 i thought it was going to be 50 quid cheaper   xendless Teyvat Traveler Member Jan 23, 2019 13,720 Nintendo UK store crashed already it's utterly fucked when preorders drop   Fevaweva Member Oct 30, 2017 7,589 That is about what I expected to be quite honest.   Hutchie Member Oct 27, 2017 1,791 London Decent but will wait n see how much cex sell em so can get rid of my remaining voucher   Charlie0108 Member Oct 29, 2017 4,600 I have £460 set aside for it so ok for me but I was expecting it to be about £50 cheaper.   discogs Member Oct 28, 2017 516 London When are UK preorders coming?   xendless Teyvat Traveler Member Jan 23, 2019 13,720 Hutchie said: Decent but will wait n see how much cex sell em so can get rid of my remaining voucher Click to expand... Click to shrink... On the Switch 1 launch it was way above rrp discogs said: When are UK preorders coming? Click to expand... Click to shrink... The OP image dude....  Swarming1182 Member Jan 14, 2018 534 Hell yeah.   Hutchie Member Oct 27, 2017 1,791 London xendless said: Only Switch 1 launch it was way above rrp Click to expand... Click to shrink... Looks like im waiting 6 months  DECK’ARD Creator of Worms Verified Nov 26, 2017 7,157 UK What I was expecting. Now open the preorders someone!  ItsBradazHD Member Nov 21, 2018 835 35 quid extra for mario kart is crazy value   J Snow Member Oct 25, 2017 452 About what I expected Hutchie said: Decent but will wait n see how much cex sell em so can get rid of my remaining voucher Click to expand... Click to shrink... I was thinking this but I went in today and they're selling second hand games more expensive than Argos a few doors down, I would really love to know what "algorithm" they use to calculate pricing   Tora The Enlightened Wise Ones Member Jun 17, 2018 8,983 Easily justifiable   Ara63 Member Nov 21, 2023 1,185 Given the other pricing news, if you care about Mario Kart at all buying that UK bundle is likely the cheapest deal for anyone worldwide.   Lowrys Member Oct 25, 2017 14,664 London discogs said: When are UK preorders coming? Click to expand... Click to shrink... 8 April. Gives all the scalpers and bots time to get ready ans vacuum them all up. Ridiculous. Just make them live now and let consumers have a chance.   Hutchie Member Oct 27, 2017 1,791 London Anyone got software prices? Apparently mario kart is €90 physical   Raiden Member Nov 6, 2017 3,032 Okay i'll take it. Do we have a official release date?   Axe Member Oct 27, 2017 3,590 United Kingdom I honestly was bracing for worse pricing for us.   geehepea Member Aug 5, 2024 358 about what I expected   Byron Hinson Member Nov 14, 2017 1,361 UK It'll be the cart pricing that's the killer   Swarming1182 Member Jan 14, 2018 534 Annoyed they chose to delay pre-orders. it just lets scalpers and bots grab them. The price is incredibly reasonable given the evident horsepower of this device, and especially with the Mario Kart World bundle, crazy good value.  Gowans Moderator Oct 27, 2017 5,833 North East, UK What about UK games prices?   Helix Mayor of Clown Town Member Jun 8, 2019 27,003 ngl though i'm not keen on getting MK World, it's crazy not to get that bundle cuz MK is just expensive on its own lol   harry the spy Member Oct 25, 2017 3,376 Do we know where we will be able to preorder from   Mutedpenguin Member Dec 5, 2017 1,392 Obviously I'll get the Mario Kart bundle...but I feel it would be a much easier sell to the masses, if it was £399 including the game.   GovernWort Prophet of Truth Member Feb 20, 2020 1,093 Gowans said: What about UK games prices? Click to expand... Click to shrink... View:   Bishop89 What Are Ya' Selling? Member Oct 25, 2017 42,772 Melbourne, Australia Stitch AU said: What the fuck, thats AU for the mario kart edition. Click to expand... Click to shrink... More than a ps5, crazy.   Willy Member Oct 27, 2017 402 I said £379 at the lowest previously so I wasn't far off. Honestly, not the worst price if you want Mario Kart World in the bundle. I think I'll be waiting for more first party games to come out though. edit - £75 physical games. Ouch.  cursed beef Member Jan 3, 2021 946 so physical is just dead dead huh? nintendo said fuck families   Gowans Moderator Oct 27, 2017 5,833 North East, UK Thank you, £75 seems wild esspecially in an age of cheap PC games and Game Pass.  GovernWort Prophet of Truth Member Feb 20, 2020 1,093 This is on the Nintendo UK site. Pro controller is £75 and the GC controller is £59  IIFloodyII Member Oct 26, 2017 27,432 Was expecting 400 so not too bad ther. But they can absolutely fuck off with the £75 for games.   Helix Mayor of Clown Town Member Jun 8, 2019 27,003 75 quid for flagship Nintendo games?…..   geehepea Member Aug 5, 2024 358 Prices for all accessories and software announced in the direct Edit: also noticed this smallprint on the page Pre-orders for Nintendo Switch 2 digital games, upgrade packs and amiibo will open on My Nintendo Store from 24/04.  Koukalaka Member Oct 28, 2017 10,399 Scotland ItsBradazHD said: 35 quid extra for mario kart is crazy value Click to expand... Click to shrink... Yeah, I expect the bundle will fly off the shelves considering it's a £30 saving  Snarfington Avenger Oct 25, 2017 3,154 GovernWort said: This is on the Nintendo UK site. Pro controller is £75 and the GC controller is £59 Click to expand... Click to shrink... Hmm I think I qualify but will have to check on the emails, wonder where I can do that? Hope it's not some rando newsletter  GokouD Member Oct 30, 2017 1,348 Game prices could be worse really, given the euro/dollar prices. And that's from the Nintendo store, you can probably knock £10 off or Smyths.   shadowman16 Member Oct 25, 2017 41,549 Not super happy about the prices... but Im a fool and will be getting DK and MK for sure... ANd Yakuza and SF...   jazzfunkgreats Member Oct 7, 2019 307 I fit the criteria for the invitation thing on playtime and subscription length but I've only just turned on newsletters now, so I'm not expecting much. I knew I should have just embraced the spam   JayCB64 Member Oct 25, 2017 11,418 Wales Honestly I thought it would be a little worse lol   IDreamOfHime Member Oct 27, 2017 16,363 I don't actually mind that price, especially the Mario Kart bundle price. Hoping to buy from Amazon....kept my Xmas gift vouchers for this. My plan this gen is digital only, I don't have the space for boxes anymore.  Ocarina_117 Member Oct 26, 2017 9,887 Not as angry as others with this pricing to be honest. I get a tonne of time out of Nintendo games and their first party releases are spaced out nicely.  LewieP Member Oct 26, 2017 19,822 I was expecting £399 for the system to saved a cool £4.   #switch #general #discussion #thread #weeks
    WWW.RESETERA.COM
    Switch 2 UK General Discussion Thread: 2 weeks out - add some cheese to your beans
    Heazy IT Tech Verified Oct 28, 2017 4,643 London, UK Nintendo Switch 2 UK £395.99 / £429.99 (w/ Mario Kart World) original screenshot dead From Nintendo UK site  Last edited: Apr 11, 2025 NippleViking Member May 2, 2018 4,702 Jesus. $800 AUD then?   Doctor_Thomas Member Oct 27, 2017 11,467 Ooof.   raspberrymousse Member Mar 19, 2021 5,302 Cheaper than I thought   Stitch AU Member Oct 29, 2017 581 Brisbane, Australia What the fuck, thats $880AU for the mario kart edition.   Type VII Member Oct 31, 2017 2,977 I was expecting £425 so not too bad. At least we know when the preorders go live.   CasuallyDressed Member Jan 13, 2020 1,497 Eek.   Helix Mayor of Clown Town Member Jun 8, 2019 27,003 i thought it was going to be 50 quid cheaper   xendless Teyvat Traveler Member Jan 23, 2019 13,720 Nintendo UK store crashed already it's utterly fucked when preorders drop   Fevaweva Member Oct 30, 2017 7,589 That is about what I expected to be quite honest.   Hutchie Member Oct 27, 2017 1,791 London Decent but will wait n see how much cex sell em so can get rid of my remaining voucher   Charlie0108 Member Oct 29, 2017 4,600 I have £460 set aside for it so ok for me but I was expecting it to be about £50 cheaper.   discogs Member Oct 28, 2017 516 London When are UK preorders coming?   xendless Teyvat Traveler Member Jan 23, 2019 13,720 Hutchie said: Decent but will wait n see how much cex sell em so can get rid of my remaining voucher Click to expand... Click to shrink... On the Switch 1 launch it was way above rrp discogs said: When are UK preorders coming? Click to expand... Click to shrink... The OP image dude....  Swarming1182 Member Jan 14, 2018 534 Hell yeah.   Hutchie Member Oct 27, 2017 1,791 London xendless said: Only Switch 1 launch it was way above rrp Click to expand... Click to shrink... Looks like im waiting 6 months  DECK’ARD Creator of Worms Verified Nov 26, 2017 7,157 UK What I was expecting. Now open the preorders someone!  ItsBradazHD Member Nov 21, 2018 835 35 quid extra for mario kart is crazy value   J Snow Member Oct 25, 2017 452 About what I expected Hutchie said: Decent but will wait n see how much cex sell em so can get rid of my remaining voucher Click to expand... Click to shrink... I was thinking this but I went in today and they're selling second hand games more expensive than Argos a few doors down, I would really love to know what "algorithm" they use to calculate pricing   Tora The Enlightened Wise Ones Member Jun 17, 2018 8,983 Easily justifiable   Ara63 Member Nov 21, 2023 1,185 Given the other pricing news, if you care about Mario Kart at all buying that UK bundle is likely the cheapest deal for anyone worldwide.   Lowrys Member Oct 25, 2017 14,664 London discogs said: When are UK preorders coming? Click to expand... Click to shrink... 8 April. Gives all the scalpers and bots time to get ready ans vacuum them all up. Ridiculous. Just make them live now and let consumers have a chance.   Hutchie Member Oct 27, 2017 1,791 London Anyone got software prices? Apparently mario kart is €90 physical   Raiden Member Nov 6, 2017 3,032 Okay i'll take it. Do we have a official release date?   Axe Member Oct 27, 2017 3,590 United Kingdom I honestly was bracing for worse pricing for us.   geehepea Member Aug 5, 2024 358 about what I expected   Byron Hinson Member Nov 14, 2017 1,361 UK It'll be the cart pricing that's the killer   Swarming1182 Member Jan 14, 2018 534 Annoyed they chose to delay pre-orders. it just lets scalpers and bots grab them. The price is incredibly reasonable given the evident horsepower of this device, and especially with the Mario Kart World bundle, crazy good value.  Gowans Moderator Oct 27, 2017 5,833 North East, UK What about UK games prices?   Helix Mayor of Clown Town Member Jun 8, 2019 27,003 ngl though i'm not keen on getting MK World, it's crazy not to get that bundle cuz MK is just expensive on its own lol   harry the spy Member Oct 25, 2017 3,376 Do we know where we will be able to preorder from   Mutedpenguin Member Dec 5, 2017 1,392 Obviously I'll get the Mario Kart bundle(if I can)...but I feel it would be a much easier sell to the masses, if it was £399 including the game.   GovernWort Prophet of Truth Member Feb 20, 2020 1,093 Gowans said: What about UK games prices? Click to expand... Click to shrink... View: https://imgur.com/yzDDQ4Y   Bishop89 What Are Ya' Selling? Member Oct 25, 2017 42,772 Melbourne, Australia Stitch AU said: What the fuck, thats $880AU for the mario kart edition. Click to expand... Click to shrink... More than a ps5, crazy.   Willy Member Oct 27, 2017 402 I said £379 at the lowest previously so I wasn't far off. Honestly, not the worst price if you want Mario Kart World in the bundle. I think I'll be waiting for more first party games to come out though. edit - £75 physical games. Ouch.  cursed beef Member Jan 3, 2021 946 so physical is just dead dead huh? nintendo said fuck families   Gowans Moderator Oct 27, 2017 5,833 North East, UK Thank you, £75 seems wild esspecially in an age of cheap PC games and Game Pass.  GovernWort Prophet of Truth Member Feb 20, 2020 1,093 This is on the Nintendo UK site. Pro controller is £75 and the GC controller is £59  IIFloodyII Member Oct 26, 2017 27,432 Was expecting 400 so not too bad ther. But they can absolutely fuck off with the £75 for games.   Helix Mayor of Clown Town Member Jun 8, 2019 27,003 75 quid for flagship Nintendo games?…..   geehepea Member Aug 5, 2024 358 Prices for all accessories and software announced in the direct Edit: also noticed this smallprint on the page Pre-orders for Nintendo Switch 2 digital games, upgrade packs and amiibo will open on My Nintendo Store from 24/04.  Koukalaka Member Oct 28, 2017 10,399 Scotland ItsBradazHD said: 35 quid extra for mario kart is crazy value Click to expand... Click to shrink... Yeah, I expect the bundle will fly off the shelves considering it's a £30 saving  Snarfington Avenger Oct 25, 2017 3,154 GovernWort said: This is on the Nintendo UK site. Pro controller is £75 and the GC controller is £59 Click to expand... Click to shrink... Hmm I think I qualify but will have to check on the emails, wonder where I can do that? Hope it's not some rando newsletter  GokouD Member Oct 30, 2017 1,348 Game prices could be worse really, given the euro/dollar prices. And that's from the Nintendo store, you can probably knock £10 off at Amazon or Smyths.   shadowman16 Member Oct 25, 2017 41,549 Not super happy about the prices... but Im a fool and will be getting DK and MK for sure... ANd Yakuza and SF...   jazzfunkgreats Member Oct 7, 2019 307 I fit the criteria for the invitation thing on playtime and subscription length but I've only just turned on newsletters now, so I'm not expecting much. I knew I should have just embraced the spam   JayCB64 Member Oct 25, 2017 11,418 Wales Honestly I thought it would be a little worse lol   IDreamOfHime Member Oct 27, 2017 16,363 I don't actually mind that price, especially the Mario Kart bundle price. Hoping to buy from Amazon....kept my Xmas gift vouchers for this. My plan this gen is digital only, I don't have the space for boxes anymore.  Ocarina_117 Member Oct 26, 2017 9,887 Not as angry as others with this pricing to be honest. I get a tonne of time out of Nintendo games and their first party releases are spaced out nicely.  LewieP Member Oct 26, 2017 19,822 I was expecting £399 for the system to saved a cool £4.  
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  • 4 New York City Contemporary Art Fairs Deliver 8 Surprises

    For one week in May, New York City is a scheduling race for contemporary art lovers, with multimillion dollar auction previews at both Christie’s & Sotheby’s, over eight major art fairs, and over a 100 peak gallery openings. In the scheduling competition to see it all, it’s no small feat for an artwork to pull you back for a second view or a longer pause. Below are the two most “paused” artworks from my visits to the four biggest fairs in New York this spring.
    FRIEZE NEW YORK
    Frieze New York, the fair at the center of it all, was again located at The Shed in Hudson Yards, bringing more than 65 leading galleries from over 25 countries across three floors. Frieze New York has a wonderful crowd energy and this year was a great reminder that the most famous contemporary artists working today continue to dream and produce the unbelievable.
    Jeff Koons at Gagosian Gallery
    Jeff Koons. Frieze New York, 2025, installation view. Artwork © Jeff Koons, Incredible Hulk , and © Marvel. All rights reserved. Photo: Maris Hutchinson. Courtesy Gagosian
    Jeff Koons. Hulk, 2004-2018. © Jeff Koons, Incredible Hulk , and © Marvel. All rights reserved. Photo: Ela Bialkowska, OKNOstudio. Courtesy Palazzo Strozzi and Gagosian
    This year, Gagosian Gallery presented a crowd-gathering trio of Jeff Koons’ “Hulk” sculptures in a booth fully designed and conceived by the artist. Though each appears to be store-bought vinyl inflatables, all are made from heavy polychromed bronze. “Hulk, 2004-2018”includes a functional brass multi-belled tuba, while another was imbedded with real organ parts. about the works and the history of the Hulk Elvis series on the gallery’s page or watch a performance on the functional instruments on Jeff Koons’ Instagram.
    Jeff Koons. Hulk, 2004-2018. Photo: David Behringer
     
    Lorna Simpson at Hauser & Wirth Gallery
    Hauser & Wirth Gallery presented an incredible selection of gallery artists, including these brand new works on paper by Lorna Simpson. Continuing her series of small collages that combine images cut from advertisements in vintage Ebony and Jet magazines with surreal expressive ink washes – each is a celebration and questioning of representation, history, and culture.
    Lorna Simpson. Walking Glare, 2025. © Lorna Simpson, Courtesy the artist & Hauser & Wirth. Photo: James Wang
    Lorna Simpson. Amplified. 2025. © Lorna Simpson, Courtesy the artist & Hauser & Wirth. Photo: James Wang
     
    TEFAF Art Fair
    TEFAFoccupied the entirety of the historic Park Avenue Armory. The fair is known for its museum-quality presentation with works that span from ancient Rome, Contemporary Art and world-class design – a unique and must-visit experience all its own.
    View of art fair from above with visitors and booths.
     
    George Condo at Gladstone Gallery
    The mixing of historical weight and contemporary art at TEFAF is the perfect setting for an amazing collection of George Condo drawings. Presented by Gladstone Gallery in a deep red “salon-style” hanging, the early works all range from 1984-1986, a critical moment of Condo’s artistic development. Each gives the sense that we’re watching an idea being born – images and individuals being pulled between representation and abstraction.
    Installation view, TEFAF New York 2025, New York, May 9 – 13, 2025. Courtesy of Gladstone. Photo: David Regen
    George Condo. Untitled, 1986. © George Condo / Artists Rights Society, NY. Courtesy of the artist and Gladstone. Photo: David Regen
    George Condo. Untitled, 1985. © George Condo / Artists Rights Society, NY. Courtesy of the artist and Gladstone. Photo: David Regen
     
    Yeesookyung at Massimo De Carlo Gallery
    One of the best exhibitions at The Metropolitan Museum of Art this summer is Monstrous Beauty – a must-see show that features these massive sculptures in a sunlit atrium by South Korean artist Yeesookyung.
    So it was such a gift at TEFAF to see several smaller works by the artist at two different gallery booths. Works were spotted at The Page Gallery from South Korea and at Massimo De Carlo Gallery. Continuing her use of broken pottery shards to build organic forms using the Japanese technique of kintsugi, the new forms and combinations are most surprising as you circle them – always beautiful but never predictable.
    Yeesookyung, Translated Vase 2020 TVG 13, 2020. Presented by Massimo De Carlo
    Yeesookyung, Translated Vase 2020 TVG 13, 2020. Presented by Massimo De Carlo
     
    INDEPENDENT Art Fair
    INDEPENDENT was hosted again this year at the super modern and sunlight-filled “Spring Studios” in Tribeca where over 118 artists were presented by 82 international galleries and nonprofit organizations. My personal favorites this year celebrated process and material with a joyful wonder and high level of craft.
    Maximilian Schubert at Off Paradise
    Off Paradise installation at INDEPENDENT art fair. Photo: Marc Tatti
    Presented by Off Paradise, Maximilian Schubert’s ethereal “paintings” are not what they appear to be – created from solid pigmented urethane resin that has been cast from a mold of a real paintingand painted only on the sides to mimic canvas and tacks/staples. The object is heavy and solid, allowing Schubert to create ethereal color transitions with multiple layers of resin pours. Even from close examination, everything about them looks like paint on canvas and yet they emit something psychically different – a sustained aura of intrigue that never expires.
    Maximilian Schubert, Untitled, 2024. Photo: Marc Tatti
    Maximilian Schubert, Untitled 2025, Photo:  Marc Tatti
    Maximilian Schubert, Untitled 2025 
    Terran Last Gun at Diane Rosenstein Gallery
    This was my first time seeing Terran Last Gun’s incredible work that uses antique ledger paperwith the addition of colorful geometric forms in ink and colored pencil. Presented by Diane Rosenstein Gallery, the artist is based in Santa Fe, and an enrolled citizen of the Piikani Nationof Montana. The work feels like a dance across time – a complex conversation with material and traditions, past and present. Learn more about his work and its history on the gallery webpage.
    Terran Last Gun, Stop For A Moment And Appreciate, 2025. Courtesy the artist and Diane Rosenstein Gallery, Los Angeles. Photo: Robert Wedemeyer
    Terran Last Gun, Gathering Of Distinguished Knowledge Holders, 2025. Courtesy the artist and Diane Rosenstein Gallery, Los Angeles. Photo: Robert Wedemeyer
     
    NADA ART FAIR
    The NADA Art Fairwas hosted for the first time at The Starrett-Lehigh Building in the very heart of the Chelsea gallery district. My favorite works were an intelligent mix of whimsy and grit that resulted in many great conversations and new revelations on how to see the world.
    Jaime Pitarch at Spencer Brownstone Gallery
    Jaime Pitarch. Calderilla, 2025. Courtesy of the artist & Spencer Brownstone Gallery
    After seeing an number of great Calder works up for auction this season, Jaime Pitarch’s whimsical reference to Calder was both joyous and profound. Presented by Spencer Brownstone Gallery, this 7-foot hanging work is titled “Calderilla” – a reference to both the Spanish word for “pocket change” AND the name Alexander Calder. Made from the real coins found in the artist’s pocket, it continues the artist’s long practice of re-presenting everyday objects to create sustained curiosities and beautiful artworks. Here metal currency is literally elevated – both in gravity and function, questioning ideas of value, craft, art, and perhaps the future of physical money itself.
    Jaime Pitarch. Calderilla, 2025. Courtesy of the artist & Spencer Brownstone Gallery
     
    Alexandria Tarver at Et al. Gallery
    The most time was spent with these quietly mysterious pairings by Alexandria Tarver, presented by San Francisco-based gallery Et al. Each frame holds two works on paper: a larger colorful painting and a small sketch on a ripped out page of note paper. The pencil sketches were produced on a visit to Baja California where the artist used the only “drawing materials” available to capture seascapes and landscapes. They each feel as if they are recording enough information for the artist to remember a precise moment – a necessary speed of transcription that perhaps captures a particular ocean wave or an ephemeral breeze. That tiny notepad was then used as a reference to create the larger colorful paintings – a second translation into something different but still emotionally connected. Here too we play witness to the evolution of a memory and idea, sharing a feeling of a place and time.
    Alexandria Tarver. questions, TS 2, 2025. Courtesy the artist & Ed al. Gallery
    Alexandria Tarver. questions, TS 5, 2025. Courtesy the artist & Ed al. Gallery
    I highly recommend signing up on any/all art fair newsletters or creating a login for any of the below. The emails they send out are not too much, and are perfect reminders when the next fair/events will take place. See you there!
    FRIEZE NEW YORK
    TEFAF NEW YORK
    INDEPENDENT
    NADA 
    #new #york #city #contemporary #art
    4 New York City Contemporary Art Fairs Deliver 8 Surprises
    For one week in May, New York City is a scheduling race for contemporary art lovers, with multimillion dollar auction previews at both Christie’s & Sotheby’s, over eight major art fairs, and over a 100 peak gallery openings. In the scheduling competition to see it all, it’s no small feat for an artwork to pull you back for a second view or a longer pause. Below are the two most “paused” artworks from my visits to the four biggest fairs in New York this spring. FRIEZE NEW YORK Frieze New York, the fair at the center of it all, was again located at The Shed in Hudson Yards, bringing more than 65 leading galleries from over 25 countries across three floors. Frieze New York has a wonderful crowd energy and this year was a great reminder that the most famous contemporary artists working today continue to dream and produce the unbelievable. Jeff Koons at Gagosian Gallery Jeff Koons. Frieze New York, 2025, installation view. Artwork © Jeff Koons, Incredible Hulk , and © Marvel. All rights reserved. Photo: Maris Hutchinson. Courtesy Gagosian Jeff Koons. Hulk, 2004-2018. © Jeff Koons, Incredible Hulk , and © Marvel. All rights reserved. Photo: Ela Bialkowska, OKNOstudio. Courtesy Palazzo Strozzi and Gagosian This year, Gagosian Gallery presented a crowd-gathering trio of Jeff Koons’ “Hulk” sculptures in a booth fully designed and conceived by the artist. Though each appears to be store-bought vinyl inflatables, all are made from heavy polychromed bronze. “Hulk, 2004-2018”includes a functional brass multi-belled tuba, while another was imbedded with real organ parts. about the works and the history of the Hulk Elvis series on the gallery’s page or watch a performance on the functional instruments on Jeff Koons’ Instagram. Jeff Koons. Hulk, 2004-2018. Photo: David Behringer   Lorna Simpson at Hauser & Wirth Gallery Hauser & Wirth Gallery presented an incredible selection of gallery artists, including these brand new works on paper by Lorna Simpson. Continuing her series of small collages that combine images cut from advertisements in vintage Ebony and Jet magazines with surreal expressive ink washes – each is a celebration and questioning of representation, history, and culture. Lorna Simpson. Walking Glare, 2025. © Lorna Simpson, Courtesy the artist & Hauser & Wirth. Photo: James Wang Lorna Simpson. Amplified. 2025. © Lorna Simpson, Courtesy the artist & Hauser & Wirth. Photo: James Wang   TEFAF Art Fair TEFAFoccupied the entirety of the historic Park Avenue Armory. The fair is known for its museum-quality presentation with works that span from ancient Rome, Contemporary Art and world-class design – a unique and must-visit experience all its own. View of art fair from above with visitors and booths.   George Condo at Gladstone Gallery The mixing of historical weight and contemporary art at TEFAF is the perfect setting for an amazing collection of George Condo drawings. Presented by Gladstone Gallery in a deep red “salon-style” hanging, the early works all range from 1984-1986, a critical moment of Condo’s artistic development. Each gives the sense that we’re watching an idea being born – images and individuals being pulled between representation and abstraction. Installation view, TEFAF New York 2025, New York, May 9 – 13, 2025. Courtesy of Gladstone. Photo: David Regen George Condo. Untitled, 1986. © George Condo / Artists Rights Society, NY. Courtesy of the artist and Gladstone. Photo: David Regen George Condo. Untitled, 1985. © George Condo / Artists Rights Society, NY. Courtesy of the artist and Gladstone. Photo: David Regen   Yeesookyung at Massimo De Carlo Gallery One of the best exhibitions at The Metropolitan Museum of Art this summer is Monstrous Beauty – a must-see show that features these massive sculptures in a sunlit atrium by South Korean artist Yeesookyung. So it was such a gift at TEFAF to see several smaller works by the artist at two different gallery booths. Works were spotted at The Page Gallery from South Korea and at Massimo De Carlo Gallery. Continuing her use of broken pottery shards to build organic forms using the Japanese technique of kintsugi, the new forms and combinations are most surprising as you circle them – always beautiful but never predictable. Yeesookyung, Translated Vase 2020 TVG 13, 2020. Presented by Massimo De Carlo Yeesookyung, Translated Vase 2020 TVG 13, 2020. Presented by Massimo De Carlo   INDEPENDENT Art Fair INDEPENDENT was hosted again this year at the super modern and sunlight-filled “Spring Studios” in Tribeca where over 118 artists were presented by 82 international galleries and nonprofit organizations. My personal favorites this year celebrated process and material with a joyful wonder and high level of craft. Maximilian Schubert at Off Paradise Off Paradise installation at INDEPENDENT art fair. Photo: Marc Tatti Presented by Off Paradise, Maximilian Schubert’s ethereal “paintings” are not what they appear to be – created from solid pigmented urethane resin that has been cast from a mold of a real paintingand painted only on the sides to mimic canvas and tacks/staples. The object is heavy and solid, allowing Schubert to create ethereal color transitions with multiple layers of resin pours. Even from close examination, everything about them looks like paint on canvas and yet they emit something psychically different – a sustained aura of intrigue that never expires. Maximilian Schubert, Untitled, 2024. Photo: Marc Tatti Maximilian Schubert, Untitled 2025, Photo:  Marc Tatti Maximilian Schubert, Untitled 2025  Terran Last Gun at Diane Rosenstein Gallery This was my first time seeing Terran Last Gun’s incredible work that uses antique ledger paperwith the addition of colorful geometric forms in ink and colored pencil. Presented by Diane Rosenstein Gallery, the artist is based in Santa Fe, and an enrolled citizen of the Piikani Nationof Montana. The work feels like a dance across time – a complex conversation with material and traditions, past and present. Learn more about his work and its history on the gallery webpage. Terran Last Gun, Stop For A Moment And Appreciate, 2025. Courtesy the artist and Diane Rosenstein Gallery, Los Angeles. Photo: Robert Wedemeyer Terran Last Gun, Gathering Of Distinguished Knowledge Holders, 2025. Courtesy the artist and Diane Rosenstein Gallery, Los Angeles. Photo: Robert Wedemeyer   NADA ART FAIR The NADA Art Fairwas hosted for the first time at The Starrett-Lehigh Building in the very heart of the Chelsea gallery district. My favorite works were an intelligent mix of whimsy and grit that resulted in many great conversations and new revelations on how to see the world. Jaime Pitarch at Spencer Brownstone Gallery Jaime Pitarch. Calderilla, 2025. Courtesy of the artist & Spencer Brownstone Gallery After seeing an number of great Calder works up for auction this season, Jaime Pitarch’s whimsical reference to Calder was both joyous and profound. Presented by Spencer Brownstone Gallery, this 7-foot hanging work is titled “Calderilla” – a reference to both the Spanish word for “pocket change” AND the name Alexander Calder. Made from the real coins found in the artist’s pocket, it continues the artist’s long practice of re-presenting everyday objects to create sustained curiosities and beautiful artworks. Here metal currency is literally elevated – both in gravity and function, questioning ideas of value, craft, art, and perhaps the future of physical money itself. Jaime Pitarch. Calderilla, 2025. Courtesy of the artist & Spencer Brownstone Gallery   Alexandria Tarver at Et al. Gallery The most time was spent with these quietly mysterious pairings by Alexandria Tarver, presented by San Francisco-based gallery Et al. Each frame holds two works on paper: a larger colorful painting and a small sketch on a ripped out page of note paper. The pencil sketches were produced on a visit to Baja California where the artist used the only “drawing materials” available to capture seascapes and landscapes. They each feel as if they are recording enough information for the artist to remember a precise moment – a necessary speed of transcription that perhaps captures a particular ocean wave or an ephemeral breeze. That tiny notepad was then used as a reference to create the larger colorful paintings – a second translation into something different but still emotionally connected. Here too we play witness to the evolution of a memory and idea, sharing a feeling of a place and time. Alexandria Tarver. questions, TS 2, 2025. Courtesy the artist & Ed al. Gallery Alexandria Tarver. questions, TS 5, 2025. Courtesy the artist & Ed al. Gallery I highly recommend signing up on any/all art fair newsletters or creating a login for any of the below. The emails they send out are not too much, and are perfect reminders when the next fair/events will take place. See you there! FRIEZE NEW YORK TEFAF NEW YORK INDEPENDENT NADA  #new #york #city #contemporary #art
    DESIGN-MILK.COM
    4 New York City Contemporary Art Fairs Deliver 8 Surprises
    For one week in May, New York City is a scheduling race for contemporary art lovers, with multimillion dollar auction previews at both Christie’s & Sotheby’s, over eight major art fairs, and over a 100 peak gallery openings. In the scheduling competition to see it all, it’s no small feat for an artwork to pull you back for a second view or a longer pause. Below are the two most “paused” artworks from my visits to the four biggest fairs in New York this spring. FRIEZE NEW YORK Frieze New York, the fair at the center of it all, was again located at The Shed in Hudson Yards, bringing more than 65 leading galleries from over 25 countries across three floors. Frieze New York has a wonderful crowd energy and this year was a great reminder that the most famous contemporary artists working today continue to dream and produce the unbelievable. Jeff Koons at Gagosian Gallery Jeff Koons. Frieze New York, 2025, installation view. Artwork © Jeff Koons, Incredible Hulk , and © Marvel. All rights reserved. Photo: Maris Hutchinson. Courtesy Gagosian Jeff Koons. Hulk (Tubas), 2004-2018. © Jeff Koons, Incredible Hulk , and © Marvel. All rights reserved. Photo: Ela Bialkowska, OKNOstudio. Courtesy Palazzo Strozzi and Gagosian This year, Gagosian Gallery presented a crowd-gathering trio of Jeff Koons’ “Hulk” sculptures in a booth fully designed and conceived by the artist. Though each appears to be store-bought vinyl inflatables, all are made from heavy polychromed bronze. “Hulk (Tubas), 2004-2018” (above) includes a functional brass multi-belled tuba, while another was imbedded with real organ parts. Read more about the works and the history of the Hulk Elvis series on the gallery’s page or watch a performance on the functional instruments on Jeff Koons’ Instagram. Jeff Koons. Hulk (Tubas), 2004-2018. Photo: David Behringer   Lorna Simpson at Hauser & Wirth Gallery Hauser & Wirth Gallery presented an incredible selection of gallery artists, including these brand new works on paper by Lorna Simpson. Continuing her series of small collages that combine images cut from advertisements in vintage Ebony and Jet magazines with surreal expressive ink washes – each is a celebration and questioning of representation, history, and culture. Lorna Simpson. Walking Glare, 2025. © Lorna Simpson, Courtesy the artist & Hauser & Wirth. Photo: James Wang Lorna Simpson. Amplified. 2025. © Lorna Simpson, Courtesy the artist & Hauser & Wirth. Photo: James Wang   TEFAF Art Fair TEFAF (The European Fine Art Foundation) occupied the entirety of the historic Park Avenue Armory. The fair is known for its museum-quality presentation with works that span from ancient Rome, Contemporary Art and world-class design – a unique and must-visit experience all its own. View of art fair from above with visitors and booths.   George Condo at Gladstone Gallery The mixing of historical weight and contemporary art at TEFAF is the perfect setting for an amazing collection of George Condo drawings. Presented by Gladstone Gallery in a deep red “salon-style” hanging, the early works all range from 1984-1986, a critical moment of Condo’s artistic development. Each gives the sense that we’re watching an idea being born – images and individuals being pulled between representation and abstraction. Installation view, TEFAF New York 2025, New York, May 9 – 13, 2025. Courtesy of Gladstone. Photo: David Regen George Condo. Untitled (NYC 38th St.), 1986. © George Condo / Artists Rights Society (ARS), NY. Courtesy of the artist and Gladstone. Photo: David Regen George Condo. Untitled, 1985. © George Condo / Artists Rights Society (ARS), NY. Courtesy of the artist and Gladstone. Photo: David Regen   Yeesookyung at Massimo De Carlo Gallery One of the best exhibitions at The Metropolitan Museum of Art this summer is Monstrous Beauty – a must-see show that features these massive sculptures in a sunlit atrium by South Korean artist Yeesookyung. So it was such a gift at TEFAF to see several smaller works by the artist at two different gallery booths. Works were spotted at The Page Gallery from South Korea and at Massimo De Carlo Gallery (below). Continuing her use of broken pottery shards to build organic forms using the Japanese technique of kintsugi, the new forms and combinations are most surprising as you circle them – always beautiful but never predictable. Yeesookyung, Translated Vase 2020 TVG 13, 2020. Presented by Massimo De Carlo Yeesookyung, Translated Vase 2020 TVG 13, 2020. Presented by Massimo De Carlo   INDEPENDENT Art Fair INDEPENDENT was hosted again this year at the super modern and sunlight-filled “Spring Studios” in Tribeca where over 118 artists were presented by 82 international galleries and nonprofit organizations. My personal favorites this year celebrated process and material with a joyful wonder and high level of craft. Maximilian Schubert at Off Paradise Off Paradise installation at INDEPENDENT art fair. Photo: Marc Tatti Presented by Off Paradise, Maximilian Schubert’s ethereal “paintings” are not what they appear to be – created from solid pigmented urethane resin that has been cast from a mold of a real painting (also created by the artist) and painted only on the sides to mimic canvas and tacks/staples. The object is heavy and solid, allowing Schubert to create ethereal color transitions with multiple layers of resin pours. Even from close examination, everything about them looks like paint on canvas and yet they emit something psychically different – a sustained aura of intrigue that never expires. Maximilian Schubert, Untitled (Over New York), 2024. Photo: Marc Tatti Maximilian Schubert, Untitled 2025, Photo:  Marc Tatti Maximilian Schubert, Untitled 2025 (detail)   Terran Last Gun at Diane Rosenstein Gallery This was my first time seeing Terran Last Gun’s incredible work that uses antique ledger paper (most over 100 years old) with the addition of colorful geometric forms in ink and colored pencil. Presented by Diane Rosenstein Gallery, the artist is based in Santa Fe, and an enrolled citizen of the Piikani Nation (Blackfeet) of Montana. The work feels like a dance across time – a complex conversation with material and traditions, past and present. Learn more about his work and its history on the gallery webpage. Terran Last Gun, Stop For A Moment And Appreciate, 2025. Courtesy the artist and Diane Rosenstein Gallery, Los Angeles. Photo: Robert Wedemeyer Terran Last Gun, Gathering Of Distinguished Knowledge Holders, 2025. Courtesy the artist and Diane Rosenstein Gallery, Los Angeles. Photo: Robert Wedemeyer   NADA ART FAIR The NADA Art Fair (New Art Dealers Alliance) was hosted for the first time at The Starrett-Lehigh Building in the very heart of the Chelsea gallery district. My favorite works were an intelligent mix of whimsy and grit that resulted in many great conversations and new revelations on how to see the world. Jaime Pitarch at Spencer Brownstone Gallery Jaime Pitarch. Calderilla, 2025. Courtesy of the artist & Spencer Brownstone Gallery After seeing an number of great Calder works up for auction this season, Jaime Pitarch’s whimsical reference to Calder was both joyous and profound. Presented by Spencer Brownstone Gallery, this 7-foot hanging work is titled “Calderilla” – a reference to both the Spanish word for “pocket change” AND the name Alexander Calder. Made from the real coins found in the artist’s pocket, it continues the artist’s long practice of re-presenting everyday objects to create sustained curiosities and beautiful artworks. Here metal currency is literally elevated – both in gravity and function, questioning ideas of value, craft, art, and perhaps the future of physical money itself. Jaime Pitarch. Calderilla, 2025. Courtesy of the artist & Spencer Brownstone Gallery   Alexandria Tarver at Et al. Gallery The most time was spent with these quietly mysterious pairings by Alexandria Tarver, presented by San Francisco-based gallery Et al. Each frame holds two works on paper: a larger colorful painting and a small sketch on a ripped out page of note paper. The pencil sketches were produced on a visit to Baja California where the artist used the only “drawing materials” available to capture seascapes and landscapes. They each feel as if they are recording enough information for the artist to remember a precise moment – a necessary speed of transcription that perhaps captures a particular ocean wave or an ephemeral breeze. That tiny notepad was then used as a reference to create the larger colorful paintings – a second translation into something different but still emotionally connected. Here too we play witness to the evolution of a memory and idea, sharing a feeling of a place and time. Alexandria Tarver. questions, TS 2, 2025. Courtesy the artist & Ed al. Gallery Alexandria Tarver. questions, TS 5, 2025. Courtesy the artist & Ed al. Gallery I highly recommend signing up on any/all art fair newsletters or creating a login for any of the below. The emails they send out are not too much, and are perfect reminders when the next fair/events will take place. See you there! FRIEZE NEW YORK TEFAF NEW YORK INDEPENDENT NADA 
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  • How Do Doctors Treat ‘Aggressive’ Prostate Cancer like Joe Biden’s?

    May 19, 20254 min readHow Do Doctors Treat ‘Aggressive’ Prostate Cancer like Joe Biden’s?What we know about Joe Biden’s cancer, prognosis and treatment optionsBy Clara Moskowitz edited by Dean VisserPresident Joe Biden speaks onstage during the first day of the Democratic National Convention at the United Center on August 19, 2024 in Chicago, Illinois. Brandon Bell/Getty ImagesFormer president Joe Biden has been diagnosed with prostate cancer, his office announced on Sunday. The 82-year-old has what is described as an “aggressive form” of cancer that has already spread to his bones. Though his disease is serious, there are promising treatment options, and Biden could potentially live for years with the diagnosis.What is a Gleason score, and what does Biden’s mean?Biden has a Gleason score—a benchmark ranking of prostate cancer severity—of 9 out of 10, his office revealed. This puts him in a category called Gleason Grade Group 5. The numbers represent the proportion of prostate cells that look malignant rather than normal under a microscope; a higher number represents a more serious, faster-spreading cancer. Biden’s score suggests that a large portion of his cells look abnormal and that his cancer is relatively high-risk: “He has the most aggressive Gleason pattern,” says oncologist Marc B. Garnick, a professor of medicine at Harvard Medical School and Beth Israel Deaconess Medical Center in Boston.On supporting science journalismIf you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today.In Biden’s case, the cancer has already become metastatic, meaning it has moved beyond its origin point in the prostate and reached his bones. “Unfortunately, I’d say it is a very serious condition when prostate cancer spreads outside of the prostate and goes to distant places like the bone,” says Peter Nelson, vice president of precision oncology at the Fred Hutchinson Cancer Center in Seattle and head of the prostate cancer research program at the Fred Hutch/University of Washington/Seattle Children’s Cancer Consortium. “Essentially it’s not a curable cancer.”Just how serious the situation is depends on the details of the cancer’s spread to the bones. “The critical question is: How many bone metastases does he have, and what is the anatomic location of the metastases?” Garnick says. “This is a situation where the devil is in the details.”What are Biden’s treatment options?The treatment for Biden’s form of cancer, called metastatic hormone sensitive prostate cancer, is likely to be what’s known as doublet therapy—a combination of two drugs that target the production and activity of testosterone. This hormone is key to the situation because it fuels the growth of prostate cancer cells. Its active form, called dihydrotestosterone, interacts with a cell part called the androgen receptor. This receptor then tells the cell to proliferate and grow.David CheneyBiden could possibly be prescribed a drug such as leuprolideor relugolix, both of which shut off the signal in the brain that tells the testicles to make testosterone. In addition, he’ll probably take a second drug, such as apalutamide, enzalutamide, darolutamide or abiraterone. These agents inhibit the cells’ androgen receptors to block the action of testosterone.The drugs, taken as a combination of injections and pills, can work together to shrink the prostate gland and bone lesions. If Biden responds well to the treatment, it’s likely that he won’t need chemotherapy.“I would say he has a more than 90 percent chance of responding to the treatment and likely has at least several years of predicted response to that therapy,” Nelson says. “The problem is: it’s not a cure, and eventually the prostate cancer becomes resistant to that type of therapy.” This treatment can also lead to side effects such as loss of muscle mass and strength, deterioration of bone health and metabolic effects. “Testosterone is a very important hormone for men, so when you suppress it, you can have these side effects,” Nelson adds.Still, Biden’s prospects are much more promising than they would have been even a decade ago, thanks to advances in treatment research. “In the past, the median duration of survival of someone presenting with bone metastasesprostate cancer was two and a half years,” Garnick says. “We now have patients living five, 10 and 15 years because of the new modalities available.”What else can doctors do?In addition to prescribing hormone therapy, Biden’s doctors will likely test the former president’s tumor to see if he has any mutations in certain cancer genes that would suggest specialized treatments were called for.For instance, some prostate cancers end up being genetically linked to other cancers such as breast and ovarian cancer, through the presence of the genes BRCA1 or BRCA2. “Those are genomic abnormalities that can exist that can increase the likelihood of prostate cancer,” Garnick says. If that’s the case for Biden, he could receive specific drugs, such as polypolymerase, or PARP, inhibitors, that target the type of prostate cancer he has.How bad is prostate cancer in general?Prostate cancer is among the most common forms of cancer in older men. The American Cancer Society estimates there will be about 313,780 new diagnoses of the condition and 35,770 deaths attributed to it in the U.S. in 2025.“It’s not surprising that a man in his 60s to 80s would have a diagnosis like this—affects one in eight men in the U.S.,” Nelson says. “The ironic part is: Biden did so much to emphasize the importance of biomedical research in addressing our cancer burden. But he should benefit from that investment in making improvements in understanding cancer and how we can better develop therapies for it.”Biden’s successor, President Donald Trump, has shifted course since beginning his second term. His administration has made significant cuts to funding for cancer research and has eliminated thousands of jobs in the Department of Health and Human Services, including hundreds of employees at the National Institutes of Health, the world’s largest funder of cancer research. “My plea is not to turn our back on the tremendous progress that’s being made,” Nelson says. “We still have a long way to go because we’re not curing advanced prostate cancer, even though we’re extending men’s lives. We still need major investments in biomedical research to develop true cures.”
    #how #doctors #treat #aggressive #prostate
    How Do Doctors Treat ‘Aggressive’ Prostate Cancer like Joe Biden’s?
    May 19, 20254 min readHow Do Doctors Treat ‘Aggressive’ Prostate Cancer like Joe Biden’s?What we know about Joe Biden’s cancer, prognosis and treatment optionsBy Clara Moskowitz edited by Dean VisserPresident Joe Biden speaks onstage during the first day of the Democratic National Convention at the United Center on August 19, 2024 in Chicago, Illinois. Brandon Bell/Getty ImagesFormer president Joe Biden has been diagnosed with prostate cancer, his office announced on Sunday. The 82-year-old has what is described as an “aggressive form” of cancer that has already spread to his bones. Though his disease is serious, there are promising treatment options, and Biden could potentially live for years with the diagnosis.What is a Gleason score, and what does Biden’s mean?Biden has a Gleason score—a benchmark ranking of prostate cancer severity—of 9 out of 10, his office revealed. This puts him in a category called Gleason Grade Group 5. The numbers represent the proportion of prostate cells that look malignant rather than normal under a microscope; a higher number represents a more serious, faster-spreading cancer. Biden’s score suggests that a large portion of his cells look abnormal and that his cancer is relatively high-risk: “He has the most aggressive Gleason pattern,” says oncologist Marc B. Garnick, a professor of medicine at Harvard Medical School and Beth Israel Deaconess Medical Center in Boston.On supporting science journalismIf you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today.In Biden’s case, the cancer has already become metastatic, meaning it has moved beyond its origin point in the prostate and reached his bones. “Unfortunately, I’d say it is a very serious condition when prostate cancer spreads outside of the prostate and goes to distant places like the bone,” says Peter Nelson, vice president of precision oncology at the Fred Hutchinson Cancer Center in Seattle and head of the prostate cancer research program at the Fred Hutch/University of Washington/Seattle Children’s Cancer Consortium. “Essentially it’s not a curable cancer.”Just how serious the situation is depends on the details of the cancer’s spread to the bones. “The critical question is: How many bone metastases does he have, and what is the anatomic location of the metastases?” Garnick says. “This is a situation where the devil is in the details.”What are Biden’s treatment options?The treatment for Biden’s form of cancer, called metastatic hormone sensitive prostate cancer, is likely to be what’s known as doublet therapy—a combination of two drugs that target the production and activity of testosterone. This hormone is key to the situation because it fuels the growth of prostate cancer cells. Its active form, called dihydrotestosterone, interacts with a cell part called the androgen receptor. This receptor then tells the cell to proliferate and grow.David CheneyBiden could possibly be prescribed a drug such as leuprolideor relugolix, both of which shut off the signal in the brain that tells the testicles to make testosterone. In addition, he’ll probably take a second drug, such as apalutamide, enzalutamide, darolutamide or abiraterone. These agents inhibit the cells’ androgen receptors to block the action of testosterone.The drugs, taken as a combination of injections and pills, can work together to shrink the prostate gland and bone lesions. If Biden responds well to the treatment, it’s likely that he won’t need chemotherapy.“I would say he has a more than 90 percent chance of responding to the treatment and likely has at least several years of predicted response to that therapy,” Nelson says. “The problem is: it’s not a cure, and eventually the prostate cancer becomes resistant to that type of therapy.” This treatment can also lead to side effects such as loss of muscle mass and strength, deterioration of bone health and metabolic effects. “Testosterone is a very important hormone for men, so when you suppress it, you can have these side effects,” Nelson adds.Still, Biden’s prospects are much more promising than they would have been even a decade ago, thanks to advances in treatment research. “In the past, the median duration of survival of someone presenting with bone metastasesprostate cancer was two and a half years,” Garnick says. “We now have patients living five, 10 and 15 years because of the new modalities available.”What else can doctors do?In addition to prescribing hormone therapy, Biden’s doctors will likely test the former president’s tumor to see if he has any mutations in certain cancer genes that would suggest specialized treatments were called for.For instance, some prostate cancers end up being genetically linked to other cancers such as breast and ovarian cancer, through the presence of the genes BRCA1 or BRCA2. “Those are genomic abnormalities that can exist that can increase the likelihood of prostate cancer,” Garnick says. If that’s the case for Biden, he could receive specific drugs, such as polypolymerase, or PARP, inhibitors, that target the type of prostate cancer he has.How bad is prostate cancer in general?Prostate cancer is among the most common forms of cancer in older men. The American Cancer Society estimates there will be about 313,780 new diagnoses of the condition and 35,770 deaths attributed to it in the U.S. in 2025.“It’s not surprising that a man in his 60s to 80s would have a diagnosis like this—affects one in eight men in the U.S.,” Nelson says. “The ironic part is: Biden did so much to emphasize the importance of biomedical research in addressing our cancer burden. But he should benefit from that investment in making improvements in understanding cancer and how we can better develop therapies for it.”Biden’s successor, President Donald Trump, has shifted course since beginning his second term. His administration has made significant cuts to funding for cancer research and has eliminated thousands of jobs in the Department of Health and Human Services, including hundreds of employees at the National Institutes of Health, the world’s largest funder of cancer research. “My plea is not to turn our back on the tremendous progress that’s being made,” Nelson says. “We still have a long way to go because we’re not curing advanced prostate cancer, even though we’re extending men’s lives. We still need major investments in biomedical research to develop true cures.” #how #doctors #treat #aggressive #prostate
    WWW.SCIENTIFICAMERICAN.COM
    How Do Doctors Treat ‘Aggressive’ Prostate Cancer like Joe Biden’s?
    May 19, 20254 min readHow Do Doctors Treat ‘Aggressive’ Prostate Cancer like Joe Biden’s?What we know about Joe Biden’s cancer, prognosis and treatment optionsBy Clara Moskowitz edited by Dean VisserPresident Joe Biden speaks onstage during the first day of the Democratic National Convention at the United Center on August 19, 2024 in Chicago, Illinois. Brandon Bell/Getty ImagesFormer president Joe Biden has been diagnosed with prostate cancer, his office announced on Sunday. The 82-year-old has what is described as an “aggressive form” of cancer that has already spread to his bones. Though his disease is serious, there are promising treatment options, and Biden could potentially live for years with the diagnosis.What is a Gleason score, and what does Biden’s mean?Biden has a Gleason score—a benchmark ranking of prostate cancer severity—of 9 out of 10, his office revealed. This puts him in a category called Gleason Grade Group 5. The numbers represent the proportion of prostate cells that look malignant rather than normal under a microscope; a higher number represents a more serious, faster-spreading cancer. Biden’s score suggests that a large portion of his cells look abnormal and that his cancer is relatively high-risk: “He has the most aggressive Gleason pattern,” says oncologist Marc B. Garnick, a professor of medicine at Harvard Medical School and Beth Israel Deaconess Medical Center in Boston.On supporting science journalismIf you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today.In Biden’s case, the cancer has already become metastatic, meaning it has moved beyond its origin point in the prostate and reached his bones. “Unfortunately, I’d say it is a very serious condition when prostate cancer spreads outside of the prostate and goes to distant places like the bone,” says Peter Nelson, vice president of precision oncology at the Fred Hutchinson Cancer Center in Seattle and head of the prostate cancer research program at the Fred Hutch/University of Washington/Seattle Children’s Cancer Consortium. “Essentially it’s not a curable cancer.”Just how serious the situation is depends on the details of the cancer’s spread to the bones. “The critical question is: How many bone metastases does he have, and what is the anatomic location of the metastases?” Garnick says. “This is a situation where the devil is in the details.”What are Biden’s treatment options?The treatment for Biden’s form of cancer, called metastatic hormone sensitive prostate cancer, is likely to be what’s known as doublet therapy—a combination of two drugs that target the production and activity of testosterone. This hormone is key to the situation because it fuels the growth of prostate cancer cells. Its active form, called dihydrotestosterone, interacts with a cell part called the androgen receptor. This receptor then tells the cell to proliferate and grow.David CheneyBiden could possibly be prescribed a drug such as leuprolide (Lupron) or relugolix, both of which shut off the signal in the brain that tells the testicles to make testosterone. In addition, he’ll probably take a second drug, such as apalutamide, enzalutamide, darolutamide or abiraterone. These agents inhibit the cells’ androgen receptors to block the action of testosterone.The drugs, taken as a combination of injections and pills, can work together to shrink the prostate gland and bone lesions. If Biden responds well to the treatment, it’s likely that he won’t need chemotherapy.“I would say he has a more than 90 percent chance of responding to the treatment and likely has at least several years of predicted response to that therapy,” Nelson says. “The problem is: it’s not a cure, and eventually the prostate cancer becomes resistant to that type of therapy.” This treatment can also lead to side effects such as loss of muscle mass and strength, deterioration of bone health and metabolic effects. “Testosterone is a very important hormone for men, so when you suppress it, you can have these side effects,” Nelson adds.Still, Biden’s prospects are much more promising than they would have been even a decade ago, thanks to advances in treatment research. “In the past, the median duration of survival of someone presenting with bone metastases [from] prostate cancer was two and a half years,” Garnick says. “We now have patients living five, 10 and 15 years because of the new modalities available.”What else can doctors do?In addition to prescribing hormone therapy, Biden’s doctors will likely test the former president’s tumor to see if he has any mutations in certain cancer genes that would suggest specialized treatments were called for.For instance, some prostate cancers end up being genetically linked to other cancers such as breast and ovarian cancer, through the presence of the genes BRCA1 or BRCA2. “Those are genomic abnormalities that can exist that can increase the likelihood of prostate cancer,” Garnick says. If that’s the case for Biden, he could receive specific drugs, such as poly (ADP-ribose) polymerase, or PARP, inhibitors, that target the type of prostate cancer he has.How bad is prostate cancer in general?Prostate cancer is among the most common forms of cancer in older men. The American Cancer Society estimates there will be about 313,780 new diagnoses of the condition and 35,770 deaths attributed to it in the U.S. in 2025.“It’s not surprising that a man in his 60s to 80s would have a diagnosis like this—[prostate cancer] affects one in eight men in the U.S.,” Nelson says. “The ironic part is: Biden did so much to emphasize the importance of biomedical research in addressing our cancer burden. But he should benefit from that investment in making improvements in understanding cancer and how we can better develop therapies for it.”Biden’s successor, President Donald Trump, has shifted course since beginning his second term. His administration has made significant cuts to funding for cancer research and has eliminated thousands of jobs in the Department of Health and Human Services, including hundreds of employees at the National Institutes of Health, the world’s largest funder of cancer research. “My plea is not to turn our back on the tremendous progress that’s being made,” Nelson says. “We still have a long way to go because we’re not curing advanced prostate cancer, even though we’re extending men’s lives. We still need major investments in biomedical research to develop true cures.”
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  • Sierra made the games of my childhood. Are they still fun to play?

    Sludge Vohaul!

    Sierra made the games of my childhood. Are they still fun to play?

    Get ready for some nostalgia.

    Nate Anderson



    May 17, 2025 7:00 am

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    My Ars colleagues were kicking back at the Orbital HQ water cooler the other day, and—as gracefully aging gamers are wont to do—they began to reminisce about classic Sierra On-Line adventure games. I was a huge fan of these games in my youth, so I settled in for some hot buttered nostalgia.
    Would we remember the limited-palette joys of early King's Quest, Space Quest, or Quest for Glory titles? Would we branch out beyond games with "Quest" in their titles, seeking rarer fare like Freddy Pharkas: Frontier Pharmacist? What about the gothic stylings of The Colonel's Bequest or the voodoo-curious Gabriel Knight?
    Nope. The talk was of acorns.acorns, in fact!
    The scene in question came from King's Quest III, where our hero Gwydion must acquire some exceptionally desiccated acorns to advance the plot. It sounds simple enough. As one walkthrough puts it, "Go east one screen and north one screen to the acorn tree. Try picking up acorns until you get some dry ones. Try various spots underneath the tree." Easy! And clear!
    Except it wasn't either one because the game rather notoriously won't always give you the acorns, even when you enter the right command. This led many gamers to believe they were in the wrong spot, when in reality, they just had to keep entering the "get acorns" command while moving pixel by pixel around the tree until the game finally supplied them. One of our staffers admitted to having purchased the King's Quest III hint book solely because of this "puzzle."This wasn't quite the "fun" I had remembered from these games, but as I cast my mind back, I dimly began to recall similar situations. Space Quest II: Vohaul's Revenge had been my first Sierra title, and after my brother and I spent weeks on the game only to get stuck and die repeatedly in some pitch-dark tunnels, we implored my dad to call Sierra's 1-900 pay hint line. He thought about it. I could see it pained him because he had never beforecalled a 1-900 number in his life. In this case, the call cost a piratical 75 cents for the first minute and 50 cents for each additional minute. But after listening to us whine for several days straight, my dad decided that his sanity was worth the fee, and he called.

    Much like with the acorn example above, we had known what to do—we had just not done it to the game's rather exacting and sometimes obscure standards. The key was to use a glowing gem as a light source, which my brother and I had long understood. The problem was the text parser, which demanded that we "put gem in mouth" to use its light in the tunnels. There was no other place to put the gem, no other way to hold or attach it.No other attempts to use the light of this shining crystal, no matter how clear, well-intentioned, or succinctly expressed, would work. You put the gem in your mouth, or you died in the darkness.
    Returning from my reveries to the conversation at hand, I caught Ars Senior Editor Lee Hutchinson's cynical remark that these kinds of puzzles were "the only way to make 2–3 hours of 'game' last for months." This seemed rather shocking, almost offensive. How could one say such a thing about the games that colored my memories of childhood?
    So I decided to replay Space Quest II for the first time in 35 years in an attempt to defend my own past.
    Big mistake.

    We're not on Endor anymore, Dorothy.

    Play it again, Sam
    In my memory, the Space Quest series was filled with sharply written humor, clever puzzles, and enchanting art. But when I fired up the original version of the game, I found that only one of these was true. The art, despite its blockiness and limited colors, remained charming.
    As for the gameplay, the puzzles were not so much "clever" as "infuriating," "obvious," or"rather obscure."
    Finding the glowing gem discussed above requires you to swim into one small spot of a multi-screen river, with no indication in advance that anything of importance is in that exact location. Trying to "call" a hunter who has captured you does nothing… until you do it a second time. And the less said about trying to throw a puzzle at a Labian Terror Beast, typing out various word permutations while death bears down upon you, the better.

    The whole game was also filled with far more no-warning insta-deaths than I had remembered. On the opening screen, for instance, after your janitorial space-broom floats off into the cosmic ether, you can walk your character right off the edge of the orbital space station he is cleaning. The game doesn't stop you; indeed, it kills you and then mocks you for "an obvious lack of common sense." It then calls you a "wing nut" with an "inability to sustain life." Game over.
    The game's third screen, which features nothing more to do than simply walking around, will also kill you in at least two different ways. Walk into the room still wearing your spacesuit and your boss will come over and chew you out. Game over.
    If you manage to avoid that fate by changing into your indoor uniform first, it's comically easy to tap the wrong arrow key and fall off the room's completely guardrail-free elevator platform. Game over.

    Do NOT touch any part of this root monster.

    Get used to it because the game will kill you in so, so many ways: touching any single pixel of a root monster whose branches form a difficult maze; walking into a giant mushroom; stepping over an invisible pit in the ground; getting shot by a guard who zips in on a hovercraft; drowning in an underwater tunnel; getting swiped at by some kind of giant ape; not putting the glowing gem in your mouth; falling into acid; and many more.
    I used the word "insta-death" above, but the game is not even content with this. At one key point late in the game, a giant Aliens-style alien stalks the hallways, and if she finds you, she "kisses" you. But then she leaves! You are safe after all! Of course, if you have seen the films, you will recognize that you are not safe, but the game lets you go on for a bit before the alien's baby inevitably bursts from your chest, killing you. Game over.

    This is why the official hint book suggests that you "save your game a lot, especially when it seems that you're entering a dangerous area. That way, if you die, you don't have to retrace your steps much." Presumably, this was once considered entertaining.
    When it comes to the humor, most of it is broad.Sometimes it is condescending.Or it might just be potty jokes.My total gameplay time: a few hours.
    "By Grabthar's hammer!" I thought. "Lee was right!"

    When I admitted this to him, Lee told me that he had actually spent time learning to speedrun the Space Quest games during the pandemic. "According to my notes, a clean run of SQ2 in 'fast' mode—assuming good typing skills—takes about 20 minutes straight-up," he said. Yikes.

    What a fiendish plot!

    And yet
    The past was a different time. Computer memory was small, graphics capabilities were low, and computer games had emerged from the "let them live just long enough to encourage spending another quarter" arcade model. Mouse adoption took a while; text parsers made sense even though they created plenty of frustration. So yes—some of these games were a few hours of gameplay stretched out with insta-death, obscure puzzles, and the sheer amount of time it took just to walk across the game's various screens.Let's get off this rock.

    Judged by current standards, the Sierra games are no longer what I would play for fun.
    All the same, I loved them. They introduced me to the joy of exploring virtual worlds and to the power of evocative artwork. I went into space, into fairy tales, and into the past, and I did so while finding the games' humor humorous and their plotlines compelling.If the games can feel a bit arbitrary or vexing today, my child-self's love of repetition was able to treat them as engaging challenges rather than "unfair" design.
    Replaying Space Quest II, encountering the half-remembered jokes and visual designs, brought back these memories. The novelist Thomas Wolfe knew that you can't go home again, and it was probably inevitable that the game would feel dated to me now. But playing it again did take me back to that time before the Internet, when not even hint lines, insta-death, and EGA graphics could dampen the wonder of the new worlds computers were capable of showing us.

    Literal bathroom humor.

    Space Quest II, along with several other Sierra titles, is freely and legally available online at sarien.net—though I found many, many glitches in the implementation. Windows users can buy the entire Space Quest collection through Steam or Good Old Games. There's even a fan remake that runs on macOS, Windows, and Linux.

    Nate Anderson
    Deputy Editor

    Nate Anderson
    Deputy Editor

    Nate is the deputy editor at Ars Technica. His most recent book is In Emergency, Break Glass: What Nietzsche Can Teach Us About Joyful Living in a Tech-Saturated World, which is much funnier than it sounds.

    14 Comments
    #sierra #made #games #childhood #are
    Sierra made the games of my childhood. Are they still fun to play?
    Sludge Vohaul! Sierra made the games of my childhood. Are they still fun to play? Get ready for some nostalgia. Nate Anderson – May 17, 2025 7:00 am | 14 Story text Size Small Standard Large Width * Standard Wide Links Standard Orange * Subscribers only   Learn more My Ars colleagues were kicking back at the Orbital HQ water cooler the other day, and—as gracefully aging gamers are wont to do—they began to reminisce about classic Sierra On-Line adventure games. I was a huge fan of these games in my youth, so I settled in for some hot buttered nostalgia. Would we remember the limited-palette joys of early King's Quest, Space Quest, or Quest for Glory titles? Would we branch out beyond games with "Quest" in their titles, seeking rarer fare like Freddy Pharkas: Frontier Pharmacist? What about the gothic stylings of The Colonel's Bequest or the voodoo-curious Gabriel Knight? Nope. The talk was of acorns.acorns, in fact! The scene in question came from King's Quest III, where our hero Gwydion must acquire some exceptionally desiccated acorns to advance the plot. It sounds simple enough. As one walkthrough puts it, "Go east one screen and north one screen to the acorn tree. Try picking up acorns until you get some dry ones. Try various spots underneath the tree." Easy! And clear! Except it wasn't either one because the game rather notoriously won't always give you the acorns, even when you enter the right command. This led many gamers to believe they were in the wrong spot, when in reality, they just had to keep entering the "get acorns" command while moving pixel by pixel around the tree until the game finally supplied them. One of our staffers admitted to having purchased the King's Quest III hint book solely because of this "puzzle."This wasn't quite the "fun" I had remembered from these games, but as I cast my mind back, I dimly began to recall similar situations. Space Quest II: Vohaul's Revenge had been my first Sierra title, and after my brother and I spent weeks on the game only to get stuck and die repeatedly in some pitch-dark tunnels, we implored my dad to call Sierra's 1-900 pay hint line. He thought about it. I could see it pained him because he had never beforecalled a 1-900 number in his life. In this case, the call cost a piratical 75 cents for the first minute and 50 cents for each additional minute. But after listening to us whine for several days straight, my dad decided that his sanity was worth the fee, and he called. Much like with the acorn example above, we had known what to do—we had just not done it to the game's rather exacting and sometimes obscure standards. The key was to use a glowing gem as a light source, which my brother and I had long understood. The problem was the text parser, which demanded that we "put gem in mouth" to use its light in the tunnels. There was no other place to put the gem, no other way to hold or attach it.No other attempts to use the light of this shining crystal, no matter how clear, well-intentioned, or succinctly expressed, would work. You put the gem in your mouth, or you died in the darkness. Returning from my reveries to the conversation at hand, I caught Ars Senior Editor Lee Hutchinson's cynical remark that these kinds of puzzles were "the only way to make 2–3 hours of 'game' last for months." This seemed rather shocking, almost offensive. How could one say such a thing about the games that colored my memories of childhood? So I decided to replay Space Quest II for the first time in 35 years in an attempt to defend my own past. Big mistake. We're not on Endor anymore, Dorothy. Play it again, Sam In my memory, the Space Quest series was filled with sharply written humor, clever puzzles, and enchanting art. But when I fired up the original version of the game, I found that only one of these was true. The art, despite its blockiness and limited colors, remained charming. As for the gameplay, the puzzles were not so much "clever" as "infuriating," "obvious," or"rather obscure." Finding the glowing gem discussed above requires you to swim into one small spot of a multi-screen river, with no indication in advance that anything of importance is in that exact location. Trying to "call" a hunter who has captured you does nothing… until you do it a second time. And the less said about trying to throw a puzzle at a Labian Terror Beast, typing out various word permutations while death bears down upon you, the better. The whole game was also filled with far more no-warning insta-deaths than I had remembered. On the opening screen, for instance, after your janitorial space-broom floats off into the cosmic ether, you can walk your character right off the edge of the orbital space station he is cleaning. The game doesn't stop you; indeed, it kills you and then mocks you for "an obvious lack of common sense." It then calls you a "wing nut" with an "inability to sustain life." Game over. The game's third screen, which features nothing more to do than simply walking around, will also kill you in at least two different ways. Walk into the room still wearing your spacesuit and your boss will come over and chew you out. Game over. If you manage to avoid that fate by changing into your indoor uniform first, it's comically easy to tap the wrong arrow key and fall off the room's completely guardrail-free elevator platform. Game over. Do NOT touch any part of this root monster. Get used to it because the game will kill you in so, so many ways: touching any single pixel of a root monster whose branches form a difficult maze; walking into a giant mushroom; stepping over an invisible pit in the ground; getting shot by a guard who zips in on a hovercraft; drowning in an underwater tunnel; getting swiped at by some kind of giant ape; not putting the glowing gem in your mouth; falling into acid; and many more. I used the word "insta-death" above, but the game is not even content with this. At one key point late in the game, a giant Aliens-style alien stalks the hallways, and if she finds you, she "kisses" you. But then she leaves! You are safe after all! Of course, if you have seen the films, you will recognize that you are not safe, but the game lets you go on for a bit before the alien's baby inevitably bursts from your chest, killing you. Game over. This is why the official hint book suggests that you "save your game a lot, especially when it seems that you're entering a dangerous area. That way, if you die, you don't have to retrace your steps much." Presumably, this was once considered entertaining. When it comes to the humor, most of it is broad.Sometimes it is condescending.Or it might just be potty jokes.My total gameplay time: a few hours. "By Grabthar's hammer!" I thought. "Lee was right!" When I admitted this to him, Lee told me that he had actually spent time learning to speedrun the Space Quest games during the pandemic. "According to my notes, a clean run of SQ2 in 'fast' mode—assuming good typing skills—takes about 20 minutes straight-up," he said. Yikes. What a fiendish plot! And yet The past was a different time. Computer memory was small, graphics capabilities were low, and computer games had emerged from the "let them live just long enough to encourage spending another quarter" arcade model. Mouse adoption took a while; text parsers made sense even though they created plenty of frustration. So yes—some of these games were a few hours of gameplay stretched out with insta-death, obscure puzzles, and the sheer amount of time it took just to walk across the game's various screens.Let's get off this rock. Judged by current standards, the Sierra games are no longer what I would play for fun. All the same, I loved them. They introduced me to the joy of exploring virtual worlds and to the power of evocative artwork. I went into space, into fairy tales, and into the past, and I did so while finding the games' humor humorous and their plotlines compelling.If the games can feel a bit arbitrary or vexing today, my child-self's love of repetition was able to treat them as engaging challenges rather than "unfair" design. Replaying Space Quest II, encountering the half-remembered jokes and visual designs, brought back these memories. The novelist Thomas Wolfe knew that you can't go home again, and it was probably inevitable that the game would feel dated to me now. But playing it again did take me back to that time before the Internet, when not even hint lines, insta-death, and EGA graphics could dampen the wonder of the new worlds computers were capable of showing us. Literal bathroom humor. Space Quest II, along with several other Sierra titles, is freely and legally available online at sarien.net—though I found many, many glitches in the implementation. Windows users can buy the entire Space Quest collection through Steam or Good Old Games. There's even a fan remake that runs on macOS, Windows, and Linux. Nate Anderson Deputy Editor Nate Anderson Deputy Editor Nate is the deputy editor at Ars Technica. His most recent book is In Emergency, Break Glass: What Nietzsche Can Teach Us About Joyful Living in a Tech-Saturated World, which is much funnier than it sounds. 14 Comments #sierra #made #games #childhood #are
    ARSTECHNICA.COM
    Sierra made the games of my childhood. Are they still fun to play?
    Sludge Vohaul! Sierra made the games of my childhood. Are they still fun to play? Get ready for some nostalgia. Nate Anderson – May 17, 2025 7:00 am | 14 Story text Size Small Standard Large Width * Standard Wide Links Standard Orange * Subscribers only   Learn more My Ars colleagues were kicking back at the Orbital HQ water cooler the other day, and—as gracefully aging gamers are wont to do—they began to reminisce about classic Sierra On-Line adventure games. I was a huge fan of these games in my youth, so I settled in for some hot buttered nostalgia. Would we remember the limited-palette joys of early King's Quest, Space Quest, or Quest for Glory titles? Would we branch out beyond games with "Quest" in their titles, seeking rarer fare like Freddy Pharkas: Frontier Pharmacist? What about the gothic stylings of The Colonel's Bequest or the voodoo-curious Gabriel Knight? Nope. The talk was of acorns. [Bleeping] acorns, in fact! The scene in question came from King's Quest III, where our hero Gwydion must acquire some exceptionally desiccated acorns to advance the plot. It sounds simple enough. As one walkthrough puts it, "Go east one screen and north one screen to the acorn tree. Try picking up acorns until you get some dry ones. Try various spots underneath the tree." Easy! And clear! Except it wasn't either one because the game rather notoriously won't always give you the acorns, even when you enter the right command. This led many gamers to believe they were in the wrong spot, when in reality, they just had to keep entering the "get acorns" command while moving pixel by pixel around the tree until the game finally supplied them. One of our staffers admitted to having purchased the King's Quest III hint book solely because of this "puzzle." (The hint book, which is now online, says that players should "move around" the particular oak tree in question because "you can only find the right kind of acorns in one spot.") This wasn't quite the "fun" I had remembered from these games, but as I cast my mind back, I dimly began to recall similar situations. Space Quest II: Vohaul's Revenge had been my first Sierra title, and after my brother and I spent weeks on the game only to get stuck and die repeatedly in some pitch-dark tunnels, we implored my dad to call Sierra's 1-900 pay hint line. He thought about it. I could see it pained him because he had never before (and never since!) called a 1-900 number in his life. In this case, the call cost a piratical 75 cents for the first minute and 50 cents for each additional minute. But after listening to us whine for several days straight, my dad decided that his sanity was worth the fee, and he called. Much like with the acorn example above, we had known what to do—we had just not done it to the game's rather exacting and sometimes obscure standards. The key was to use a glowing gem as a light source, which my brother and I had long understood. The problem was the text parser, which demanded that we "put gem in mouth" to use its light in the tunnels. There was no other place to put the gem, no other way to hold or attach it. (We tried them all.) No other attempts to use the light of this shining crystal, no matter how clear, well-intentioned, or succinctly expressed, would work. You put the gem in your mouth, or you died in the darkness. Returning from my reveries to the conversation at hand, I caught Ars Senior Editor Lee Hutchinson's cynical remark that these kinds of puzzles were "the only way to make 2–3 hours of 'game' last for months." This seemed rather shocking, almost offensive. How could one say such a thing about the games that colored my memories of childhood? So I decided to replay Space Quest II for the first time in 35 years in an attempt to defend my own past. Big mistake. We're not on Endor anymore, Dorothy. Play it again, Sam In my memory, the Space Quest series was filled with sharply written humor, clever puzzles, and enchanting art. But when I fired up the original version of the game, I found that only one of these was true. The art, despite its blockiness and limited colors, remained charming. As for the gameplay, the puzzles were not so much "clever" as "infuriating," "obvious," or (more often) "rather obscure." Finding the glowing gem discussed above requires you to swim into one small spot of a multi-screen river, with no indication in advance that anything of importance is in that exact location. Trying to "call" a hunter who has captured you does nothing… until you do it a second time. And the less said about trying to throw a puzzle at a Labian Terror Beast, typing out various word permutations while death bears down upon you, the better. The whole game was also filled with far more no-warning insta-deaths than I had remembered. On the opening screen, for instance, after your janitorial space-broom floats off into the cosmic ether, you can walk your character right off the edge of the orbital space station he is cleaning. The game doesn't stop you; indeed, it kills you and then mocks you for "an obvious lack of common sense." It then calls you a "wing nut" with an "inability to sustain life." Game over. The game's third screen, which features nothing more to do than simply walking around, will also kill you in at least two different ways. Walk into the room still wearing your spacesuit and your boss will come over and chew you out. Game over. If you manage to avoid that fate by changing into your indoor uniform first, it's comically easy to tap the wrong arrow key and fall off the room's completely guardrail-free elevator platform. Game over. Do NOT touch any part of this root monster. Get used to it because the game will kill you in so, so many ways: touching any single pixel of a root monster whose branches form a difficult maze; walking into a giant mushroom; stepping over an invisible pit in the ground; getting shot by a guard who zips in on a hovercraft; drowning in an underwater tunnel; getting swiped at by some kind of giant ape; not putting the glowing gem in your mouth; falling into acid; and many more. I used the word "insta-death" above, but the game is not even content with this. At one key point late in the game, a giant Aliens-style alien stalks the hallways, and if she finds you, she "kisses" you. But then she leaves! You are safe after all! Of course, if you have seen the films, you will recognize that you are not safe, but the game lets you go on for a bit before the alien's baby inevitably bursts from your chest, killing you. Game over. This is why the official hint book suggests that you "save your game a lot, especially when it seems that you're entering a dangerous area. That way, if you die, you don't have to retrace your steps much." Presumably, this was once considered entertaining. When it comes to the humor, most of it is broad. (When you are told to "say the word," you have to say "the word.") Sometimes it is condescending. ("You quickly glance around the room to see if anyone saw you blow it.") Or it might just be potty jokes. (Plungers, jock straps, toilet paper, alien bathrooms, and fouling one's trousers all make appearances.) My total gameplay time: a few hours. "By Grabthar's hammer!" I thought. "Lee was right!" When I admitted this to him, Lee told me that he had actually spent time learning to speedrun the Space Quest games during the pandemic. "According to my notes, a clean run of SQ2 in 'fast' mode—assuming good typing skills—takes about 20 minutes straight-up," he said. Yikes. What a fiendish plot! And yet The past was a different time. Computer memory was small, graphics capabilities were low, and computer games had emerged from the "let them live just long enough to encourage spending another quarter" arcade model. Mouse adoption took a while; text parsers made sense even though they created plenty of frustration. So yes—some of these games were a few hours of gameplay stretched out with insta-death, obscure puzzles, and the sheer amount of time it took just to walk across the game's various screens. (Seriously, "walking around" took a ridiculous amount of the game's playtime, especially when a puzzle made you backtrack three screens, type some command, and then return.) Let's get off this rock. Judged by current standards, the Sierra games are no longer what I would play for fun. All the same, I loved them. They introduced me to the joy of exploring virtual worlds and to the power of evocative artwork. I went into space, into fairy tales, and into the past, and I did so while finding the games' humor humorous and their plotlines compelling. ("An army of life insurance salesmen?" I thought at the time. "Hilarious and brilliant!") If the games can feel a bit arbitrary or vexing today, my child-self's love of repetition was able to treat them as engaging challenges rather than "unfair" design. Replaying Space Quest II, encountering the half-remembered jokes and visual designs, brought back these memories. The novelist Thomas Wolfe knew that you can't go home again, and it was probably inevitable that the game would feel dated to me now. But playing it again did take me back to that time before the Internet, when not even hint lines, insta-death, and EGA graphics could dampen the wonder of the new worlds computers were capable of showing us. Literal bathroom humor. Space Quest II, along with several other Sierra titles, is freely and legally available online at sarien.net—though I found many, many glitches in the implementation. Windows users can buy the entire Space Quest collection through Steam or Good Old Games. There's even a fan remake that runs on macOS, Windows, and Linux. Nate Anderson Deputy Editor Nate Anderson Deputy Editor Nate is the deputy editor at Ars Technica. His most recent book is In Emergency, Break Glass: What Nietzsche Can Teach Us About Joyful Living in a Tech-Saturated World, which is much funnier than it sounds. 14 Comments
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  • The strange fascination with Jordon Hudson and Bill Belichick, explained

    When we look at the relationship between 73-year-old legendary football coach Bill Belichick and his girlfriend and business partner, 24-year-old Jordon Hudson, it’s hard to know exactly what we’re seeing. Two grown-ups in love forging a dynamic business partnership? Elder abuse, as some have wildly speculated? Or is it, as the vitriolic comments in Hudson’s social media posts would have it, good old-fashioned gold digging? Gold digging is a misogynistic and retro term, but this scandal is a retro one. It’s a bizarre, slightly off-putting mystery that fits remarkably well into our current age of newly regressive gender politics.Hudson and Belichick, the six-time Super Bowl-winning former NFL coach, met on a flight in 2021 and went public with their relationship last December. While their nearly 50-year age gap has raised eyebrows amid observers, the scandal has only grown as Hudson has taken on an increasingly central role in Belichick’s professional world. It’s a bizarre, slightly off-putting mystery that fits remarkably well into our current age of newly regressive gender politics.Belichick requested Hudson be cc’ed on all publicity and media emails about him at the University of North Carolina at Chapel Hill, where he is now a college football coach. In public records, she’s listed as the manager of several companies that appear to be tied to Belichick. Insider accounts say she essentially cast herself in a Dunkin Donuts commercial in which Belichick appeared, and that she blocked a docuseries about Belichick’s career. But speculation around the relationship reached a fever pitch when Hudson interrupted during Belichick’s interview on CBS Sunday Morning in April. “How did you guys meet?” host Tony Dokoupil asked Belichick, referring to Hudson. “We’re not talking about this,” Hudson cut in tersely from off-camera. “Jordon was a constant presence during our interview,” Dokoupil informs viewers in voiceover, in a moment that launched a thousand TikTok reaction videos. In the midst of this controversy, the couple has been manufacturing social media content about their relationship that isn’t alarming so much as it is lightly uncanny, especially given Belichick’s famously gruff public persona. On Hudson’s Instagram account, she has posted beachside pictures of herself balancing athletically on Belichick’s outstretched legs, and of Belichick, dressed as a fisherman, reeling in a mermaid-tailed Hudson from the surf.A few have defended the relationship between Belichick and Hudson. Sports media personality Colin Cowherd has said that Hudson’s choice to hop into Belichick’s interview was normal for PR directors, if “kind of a cringy thing.” Right-wing sports outlet The Outkick has rallied to Hudson’s side on the grounds that she triggers the libs, saying, “If Jordon wants to spend her weekends at Bill’s house on Nantucket, soaking up the sun and enjoying Cisco Brewery on Bill’s dime, I say GO FOR IT.” But the most common reaction to the spectacle of Hudson and Belichick’s relationship is the one outlined by sports media personality Katie Nolan on a podcast in February: This is weird and seems like it has sinister undertones.“We’re already going, ‘You’re how much younger than him?’ And then you show up in a commercial. And then you hear that she’s in charge in his career.” Nolan said. “It seems like you could be taking advantage of the guy. And he’s obviously taking advantage of the girl.” Notably, it doesn’t appear to be much of a head-scratcher why a powerful septuagenarian would choose to be with a recent college graduate and pageant contestant. But the nefarious reason implied about why Hudson wants to be with Belichick is the one people are misogynistically and freely throwing around: gold digger.The resurgence of the gold digger I don’t know anything about Hudson and Belichick’s private relationship, and most likely, neither do you. I don’t want to make any claims about who is using whom or what their private life is like. But as a feminist pop culture critic, I am interested to see the term “gold digger” swim back up from the collective unconsciousness again, ready and willing to go to work. There’s something almost old-fashioned about it. The last time “gold digger” was thrown around in pop culture so much was when teenager Courtney Stodden skyrocketed to fame in 2011 after they got married at age 16 to 51-year-old actor Doug Hutchison. Stodden would later describe their marriage as one characterized by grooming and sexual assault. Before that, the great pop culture gold digger was Anna Nicole Smith, the model turned paparazzi obsession who married oil tycoon J. Howard Marshall II in 1994. Since Smith’s untimely death in 2007, she’s found a place in the pantheon of wronged women of the 1990s, someone we came to believe over the last decade was publicly mistreated — in part by her tarring as a gold digger. “It’s a bit provincial to look down one’s nose at a woman wanting something from a man and give a pass to a man who arguably would have never given her a second glance had she not been a beautiful, blonde Playboy Playmate,” essayist and sex work activist Laura LeMoon argued in 2023, writing about Smith in Salon. “Rather than singling out and condemning Anna Nicole Smith, we should be pointing our fingers at the inequities and systemic failures that put people like me and Smith in positions where obtaining money and resources from men, directly or indirectly, is our best option for survival.”“Gold digger” is a euphemism that allows us as a culture to talk around those systemic failures. It’s a way to deride women when they take seriously the idea that their financial well-being should depend on their relationships with men. So it’s odd to see the term becoming so popular during a moment when popular culture has become rather infatuated with the idea that life is most pleasant, simple, and straightforward when women’s finances do depend on romantic relationships with men.TikTok is full of tradwives explaining how their lives became better once they got out of the 9-to-5 grind to make cereal from scratch for their children and let their husbands do the breadwinning.Or there are the stay-at-home girlfriends cooing over how taking care of their boyfriends without even the financial safety net of a marriage contract has been their ticket to the soft life. The gold digger is the tradwife as seen through a funhouse mirror: a woman living off her ability to attract a man, only here done crassly.Meanwhile, some of President Donald Trump’s most vocal supporters are arguing that his tariffs will force women out of the workforce and make them once again financially dependent on men, either through marriage or through sex work, life paths these men treat as equivalent. Trump’s appeal to the dream of a lost American manufacturing economy is a nostalgic one. It’s an appealing fantasy to some of his more incel-adjacent fans: that under this economy, the sexes will revert to an older, allegedly more natural economic relationship, one in which women trade their sexuality and childrearing capabilities to men in exchange for financial security. The gold digger is the tradwife as seen through a funhouse mirror: a woman living off her ability to attract a man, only here done crassly, without the show of love to soften the crude edges of the transaction. The gold digger is simply a figure we can blame for how uncomfortable this dynamic makes us feel, without having to think through just what is so uncomfortable about it. So if we’re angry at Jordon Hudson, it’s worth asking the question: Are we angry with her, or with the fact that powerful people want to make gold digging one of a woman’s most viable career paths again?See More:
    #strange #fascination #with #jordon #hudson
    The strange fascination with Jordon Hudson and Bill Belichick, explained
    When we look at the relationship between 73-year-old legendary football coach Bill Belichick and his girlfriend and business partner, 24-year-old Jordon Hudson, it’s hard to know exactly what we’re seeing. Two grown-ups in love forging a dynamic business partnership? Elder abuse, as some have wildly speculated? Or is it, as the vitriolic comments in Hudson’s social media posts would have it, good old-fashioned gold digging? Gold digging is a misogynistic and retro term, but this scandal is a retro one. It’s a bizarre, slightly off-putting mystery that fits remarkably well into our current age of newly regressive gender politics.Hudson and Belichick, the six-time Super Bowl-winning former NFL coach, met on a flight in 2021 and went public with their relationship last December. While their nearly 50-year age gap has raised eyebrows amid observers, the scandal has only grown as Hudson has taken on an increasingly central role in Belichick’s professional world. It’s a bizarre, slightly off-putting mystery that fits remarkably well into our current age of newly regressive gender politics.Belichick requested Hudson be cc’ed on all publicity and media emails about him at the University of North Carolina at Chapel Hill, where he is now a college football coach. In public records, she’s listed as the manager of several companies that appear to be tied to Belichick. Insider accounts say she essentially cast herself in a Dunkin Donuts commercial in which Belichick appeared, and that she blocked a docuseries about Belichick’s career. But speculation around the relationship reached a fever pitch when Hudson interrupted during Belichick’s interview on CBS Sunday Morning in April. “How did you guys meet?” host Tony Dokoupil asked Belichick, referring to Hudson. “We’re not talking about this,” Hudson cut in tersely from off-camera. “Jordon was a constant presence during our interview,” Dokoupil informs viewers in voiceover, in a moment that launched a thousand TikTok reaction videos. In the midst of this controversy, the couple has been manufacturing social media content about their relationship that isn’t alarming so much as it is lightly uncanny, especially given Belichick’s famously gruff public persona. On Hudson’s Instagram account, she has posted beachside pictures of herself balancing athletically on Belichick’s outstretched legs, and of Belichick, dressed as a fisherman, reeling in a mermaid-tailed Hudson from the surf.A few have defended the relationship between Belichick and Hudson. Sports media personality Colin Cowherd has said that Hudson’s choice to hop into Belichick’s interview was normal for PR directors, if “kind of a cringy thing.” Right-wing sports outlet The Outkick has rallied to Hudson’s side on the grounds that she triggers the libs, saying, “If Jordon wants to spend her weekends at Bill’s house on Nantucket, soaking up the sun and enjoying Cisco Brewery on Bill’s dime, I say GO FOR IT.” But the most common reaction to the spectacle of Hudson and Belichick’s relationship is the one outlined by sports media personality Katie Nolan on a podcast in February: This is weird and seems like it has sinister undertones.“We’re already going, ‘You’re how much younger than him?’ And then you show up in a commercial. And then you hear that she’s in charge in his career.” Nolan said. “It seems like you could be taking advantage of the guy. And he’s obviously taking advantage of the girl.” Notably, it doesn’t appear to be much of a head-scratcher why a powerful septuagenarian would choose to be with a recent college graduate and pageant contestant. But the nefarious reason implied about why Hudson wants to be with Belichick is the one people are misogynistically and freely throwing around: gold digger.The resurgence of the gold digger I don’t know anything about Hudson and Belichick’s private relationship, and most likely, neither do you. I don’t want to make any claims about who is using whom or what their private life is like. But as a feminist pop culture critic, I am interested to see the term “gold digger” swim back up from the collective unconsciousness again, ready and willing to go to work. There’s something almost old-fashioned about it. The last time “gold digger” was thrown around in pop culture so much was when teenager Courtney Stodden skyrocketed to fame in 2011 after they got married at age 16 to 51-year-old actor Doug Hutchison. Stodden would later describe their marriage as one characterized by grooming and sexual assault. Before that, the great pop culture gold digger was Anna Nicole Smith, the model turned paparazzi obsession who married oil tycoon J. Howard Marshall II in 1994. Since Smith’s untimely death in 2007, she’s found a place in the pantheon of wronged women of the 1990s, someone we came to believe over the last decade was publicly mistreated — in part by her tarring as a gold digger. “It’s a bit provincial to look down one’s nose at a woman wanting something from a man and give a pass to a man who arguably would have never given her a second glance had she not been a beautiful, blonde Playboy Playmate,” essayist and sex work activist Laura LeMoon argued in 2023, writing about Smith in Salon. “Rather than singling out and condemning Anna Nicole Smith, we should be pointing our fingers at the inequities and systemic failures that put people like me and Smith in positions where obtaining money and resources from men, directly or indirectly, is our best option for survival.”“Gold digger” is a euphemism that allows us as a culture to talk around those systemic failures. It’s a way to deride women when they take seriously the idea that their financial well-being should depend on their relationships with men. So it’s odd to see the term becoming so popular during a moment when popular culture has become rather infatuated with the idea that life is most pleasant, simple, and straightforward when women’s finances do depend on romantic relationships with men.TikTok is full of tradwives explaining how their lives became better once they got out of the 9-to-5 grind to make cereal from scratch for their children and let their husbands do the breadwinning.Or there are the stay-at-home girlfriends cooing over how taking care of their boyfriends without even the financial safety net of a marriage contract has been their ticket to the soft life. The gold digger is the tradwife as seen through a funhouse mirror: a woman living off her ability to attract a man, only here done crassly.Meanwhile, some of President Donald Trump’s most vocal supporters are arguing that his tariffs will force women out of the workforce and make them once again financially dependent on men, either through marriage or through sex work, life paths these men treat as equivalent. Trump’s appeal to the dream of a lost American manufacturing economy is a nostalgic one. It’s an appealing fantasy to some of his more incel-adjacent fans: that under this economy, the sexes will revert to an older, allegedly more natural economic relationship, one in which women trade their sexuality and childrearing capabilities to men in exchange for financial security. The gold digger is the tradwife as seen through a funhouse mirror: a woman living off her ability to attract a man, only here done crassly, without the show of love to soften the crude edges of the transaction. The gold digger is simply a figure we can blame for how uncomfortable this dynamic makes us feel, without having to think through just what is so uncomfortable about it. So if we’re angry at Jordon Hudson, it’s worth asking the question: Are we angry with her, or with the fact that powerful people want to make gold digging one of a woman’s most viable career paths again?See More: #strange #fascination #with #jordon #hudson
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    The strange fascination with Jordon Hudson and Bill Belichick, explained
    When we look at the relationship between 73-year-old legendary football coach Bill Belichick and his girlfriend and business partner, 24-year-old Jordon Hudson, it’s hard to know exactly what we’re seeing. Two grown-ups in love forging a dynamic business partnership? Elder abuse, as some have wildly speculated? Or is it, as the vitriolic comments in Hudson’s social media posts would have it, good old-fashioned gold digging? Gold digging is a misogynistic and retro term, but this scandal is a retro one. It’s a bizarre, slightly off-putting mystery that fits remarkably well into our current age of newly regressive gender politics.Hudson and Belichick, the six-time Super Bowl-winning former NFL coach, met on a flight in 2021 and went public with their relationship last December. While their nearly 50-year age gap has raised eyebrows amid observers, the scandal has only grown as Hudson has taken on an increasingly central role in Belichick’s professional world. It’s a bizarre, slightly off-putting mystery that fits remarkably well into our current age of newly regressive gender politics.Belichick requested Hudson be cc’ed on all publicity and media emails about him at the University of North Carolina at Chapel Hill, where he is now a college football coach. In public records, she’s listed as the manager of several companies that appear to be tied to Belichick. Insider accounts say she essentially cast herself in a Dunkin Donuts commercial in which Belichick appeared, and that she blocked a docuseries about Belichick’s career. But speculation around the relationship reached a fever pitch when Hudson interrupted during Belichick’s interview on CBS Sunday Morning in April. “How did you guys meet?” host Tony Dokoupil asked Belichick, referring to Hudson. “We’re not talking about this,” Hudson cut in tersely from off-camera. “Jordon was a constant presence during our interview,” Dokoupil informs viewers in voiceover, in a moment that launched a thousand TikTok reaction videos. In the midst of this controversy, the couple has been manufacturing social media content about their relationship that isn’t alarming so much as it is lightly uncanny, especially given Belichick’s famously gruff public persona. On Hudson’s Instagram account, she has posted beachside pictures of herself balancing athletically on Belichick’s outstretched legs, and of Belichick, dressed as a fisherman, reeling in a mermaid-tailed Hudson from the surf. (“Ouucchhhh!!!” goes the caption on that one.)A few have defended the relationship between Belichick and Hudson. Sports media personality Colin Cowherd has said that Hudson’s choice to hop into Belichick’s interview was normal for PR directors, if “kind of a cringy thing.” Right-wing sports outlet The Outkick has rallied to Hudson’s side on the grounds that she triggers the libs, saying, “If Jordon wants to spend her weekends at Bill’s house on Nantucket, soaking up the sun and enjoying Cisco Brewery on Bill’s dime, I say GO FOR IT.” But the most common reaction to the spectacle of Hudson and Belichick’s relationship is the one outlined by sports media personality Katie Nolan on a podcast in February: This is weird and seems like it has sinister undertones.“We’re already going, ‘You’re how much younger than him?’ And then you show up in a commercial. And then you hear that she’s in charge in his career.” Nolan said. “It seems like you could be taking advantage of the guy. And he’s obviously taking advantage of the girl.” Notably, it doesn’t appear to be much of a head-scratcher why a powerful septuagenarian would choose to be with a recent college graduate and pageant contestant. But the nefarious reason implied about why Hudson wants to be with Belichick is the one people are misogynistically and freely throwing around: gold digger.The resurgence of the gold digger I don’t know anything about Hudson and Belichick’s private relationship, and most likely, neither do you. I don’t want to make any claims about who is using whom or what their private life is like. But as a feminist pop culture critic, I am interested to see the term “gold digger” swim back up from the collective unconsciousness again, ready and willing to go to work. There’s something almost old-fashioned about it. The last time “gold digger” was thrown around in pop culture so much was when teenager Courtney Stodden skyrocketed to fame in 2011 after they got married at age 16 to 51-year-old actor Doug Hutchison. Stodden would later describe their marriage as one characterized by grooming and sexual assault. Before that, the great pop culture gold digger was Anna Nicole Smith, the model turned paparazzi obsession who married oil tycoon J. Howard Marshall II in 1994. Since Smith’s untimely death in 2007, she’s found a place in the pantheon of wronged women of the 1990s, someone we came to believe over the last decade was publicly mistreated — in part by her tarring as a gold digger. “It’s a bit provincial to look down one’s nose at a woman wanting something from a man and give a pass to a man who arguably would have never given her a second glance had she not been a beautiful, blonde Playboy Playmate,” essayist and sex work activist Laura LeMoon argued in 2023, writing about Smith in Salon. “Rather than singling out and condemning Anna Nicole Smith, we should be pointing our fingers at the inequities and systemic failures that put people like me and Smith in positions where obtaining money and resources from men, directly or indirectly, is our best option for survival.”“Gold digger” is a euphemism that allows us as a culture to talk around those systemic failures. It’s a way to deride women when they take seriously the idea that their financial well-being should depend on their relationships with men. So it’s odd to see the term becoming so popular during a moment when popular culture has become rather infatuated with the idea that life is most pleasant, simple, and straightforward when women’s finances do depend on romantic relationships with men.TikTok is full of tradwives explaining how their lives became better once they got out of the 9-to-5 grind to make cereal from scratch for their children and let their husbands do the breadwinning. (That the most successful of the tradwife influencers are actually the primary breadwinners in their homes is an irony the influencers themselves seldom discuss.) Or there are the stay-at-home girlfriends cooing over how taking care of their boyfriends without even the financial safety net of a marriage contract has been their ticket to the soft life. The gold digger is the tradwife as seen through a funhouse mirror: a woman living off her ability to attract a man, only here done crassly.Meanwhile, some of President Donald Trump’s most vocal supporters are arguing that his tariffs will force women out of the workforce and make them once again financially dependent on men, either through marriage or through sex work, life paths these men treat as equivalent. Trump’s appeal to the dream of a lost American manufacturing economy is a nostalgic one. It’s an appealing fantasy to some of his more incel-adjacent fans: that under this economy, the sexes will revert to an older, allegedly more natural economic relationship, one in which women trade their sexuality and childrearing capabilities to men in exchange for financial security. The gold digger is the tradwife as seen through a funhouse mirror: a woman living off her ability to attract a man, only here done crassly, without the show of love to soften the crude edges of the transaction. The gold digger is simply a figure we can blame for how uncomfortable this dynamic makes us feel, without having to think through just what is so uncomfortable about it. So if we’re angry at Jordon Hudson, it’s worth asking the question: Are we angry with her, or with the fact that powerful people want to make gold digging one of a woman’s most viable career paths again?See More:
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  • Birds Are Dying Mysterious, Violent Deaths in This Northern California Neighborhood—and No One Can Explain Why

    Birds Are Dying Mysterious, Violent Deaths in This Northern California Neighborhood—and No One Can Explain Why
    Residents of Richmond, a city in the Bay Area, say they have watched dozens of birds drop dead in recent months

    Mourning doves, European starlings, crows and other common backyard species have been found dead on a residential street in Richmond, California, in recent months.
    Pixabay

    Residents of a Northern California neighborhood are growing increasingly concerned about a string of mysterious—and often violent—bird deaths that seem to have no obvious explanation.
    In recent months, at least 50 birds have died along a residential street in Richmond, a city on the east side of San Francisco Bay. The deaths all seem to follow a similar pattern: After a bird lands on a specific stretch of power line, residents hear a loud popping sound, akin to a firecracker, reports KGO-TV’s Dion Lim. Then, they see the creature’s body fall to the pavement. A doorbell camera captured one of the strange fatalities on video, too.
    The inexplicable incidents have killed mourning doves, European starlings, crows and other common backyard species.
    “It’s pretty freaky and disturbing and very sad,” says Mark Hoehner, a 64-year-old marketing designer who lives in the neighborhood, to the San Francisco Chronicle’s Sarah Ravani.
    Officials with the Pacific Gas and Electric Company, which is responsible for the power lines in the neighborhood, say the birds are not being electrocuted and that they haven’t found any issues with the electrical equipment.
    Inspectors found the neighborhood’s power equipment to be “in good condition,” according to a statement from Tamar Sarkissian, a spokesperson for PG&E, as reported by the San Francisco Chronicle.
    “The pole at issue is compliant with avian safe guidance,” established by the Avian Power Line Interaction Committee, Sarkissian says in the statement.

    Birds dying at alarming rate in Bay Area neighborhood
    Watch on

    PG&E sent two bird bodies to the California Department of Fish and Wildlife for closer study. After conducting necropsies, department officials say they found no evidence that the birds had been electrocuted, per ABC News’ Bill Hutchinson.
    Instead, the birds’ injuries appear to have been caused by a pellet gun, BB gun or a slingshot. Photos of other dead birds found in the neighborhood also showed injuries consistent with trauma. The department also noted, however, that “the exact cause of the trauma to all of these birds could not be determined.”
    The idea that the birds are dropping dead from foul play doesn’t sit right with some residents.
    “I can’t fathom somebody could be that accurate all the time,” Jan Solomon tells KGO-TV.
    The California Department of Fish and Wildlife says its wildlife officers are continuing to investigate. John Gioia, an elected official who represents the city of Richmond on the Contra Costa Board of Supervisors, tells the San Francisco Chronicle his office also plans to send public works staffers to the neighborhood.
    “We just want it solved at the end of the day,” resident Maximilian Bolling tells KGO-TV.

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    #birds #are #dying #mysterious #violent
    Birds Are Dying Mysterious, Violent Deaths in This Northern California Neighborhood—and No One Can Explain Why
    Birds Are Dying Mysterious, Violent Deaths in This Northern California Neighborhood—and No One Can Explain Why Residents of Richmond, a city in the Bay Area, say they have watched dozens of birds drop dead in recent months Mourning doves, European starlings, crows and other common backyard species have been found dead on a residential street in Richmond, California, in recent months. Pixabay Residents of a Northern California neighborhood are growing increasingly concerned about a string of mysterious—and often violent—bird deaths that seem to have no obvious explanation. In recent months, at least 50 birds have died along a residential street in Richmond, a city on the east side of San Francisco Bay. The deaths all seem to follow a similar pattern: After a bird lands on a specific stretch of power line, residents hear a loud popping sound, akin to a firecracker, reports KGO-TV’s Dion Lim. Then, they see the creature’s body fall to the pavement. A doorbell camera captured one of the strange fatalities on video, too. The inexplicable incidents have killed mourning doves, European starlings, crows and other common backyard species. “It’s pretty freaky and disturbing and very sad,” says Mark Hoehner, a 64-year-old marketing designer who lives in the neighborhood, to the San Francisco Chronicle’s Sarah Ravani. Officials with the Pacific Gas and Electric Company, which is responsible for the power lines in the neighborhood, say the birds are not being electrocuted and that they haven’t found any issues with the electrical equipment. Inspectors found the neighborhood’s power equipment to be “in good condition,” according to a statement from Tamar Sarkissian, a spokesperson for PG&E, as reported by the San Francisco Chronicle. “The pole at issue is compliant with avian safe guidance,” established by the Avian Power Line Interaction Committee, Sarkissian says in the statement. Birds dying at alarming rate in Bay Area neighborhood Watch on PG&E sent two bird bodies to the California Department of Fish and Wildlife for closer study. After conducting necropsies, department officials say they found no evidence that the birds had been electrocuted, per ABC News’ Bill Hutchinson. Instead, the birds’ injuries appear to have been caused by a pellet gun, BB gun or a slingshot. Photos of other dead birds found in the neighborhood also showed injuries consistent with trauma. The department also noted, however, that “the exact cause of the trauma to all of these birds could not be determined.” The idea that the birds are dropping dead from foul play doesn’t sit right with some residents. “I can’t fathom somebody could be that accurate all the time,” Jan Solomon tells KGO-TV. The California Department of Fish and Wildlife says its wildlife officers are continuing to investigate. John Gioia, an elected official who represents the city of Richmond on the Contra Costa Board of Supervisors, tells the San Francisco Chronicle his office also plans to send public works staffers to the neighborhood. “We just want it solved at the end of the day,” resident Maximilian Bolling tells KGO-TV. Get the latest stories in your inbox every weekday. #birds #are #dying #mysterious #violent
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    Birds Are Dying Mysterious, Violent Deaths in This Northern California Neighborhood—and No One Can Explain Why
    Birds Are Dying Mysterious, Violent Deaths in This Northern California Neighborhood—and No One Can Explain Why Residents of Richmond, a city in the Bay Area, say they have watched dozens of birds drop dead in recent months Mourning doves, European starlings, crows and other common backyard species have been found dead on a residential street in Richmond, California, in recent months. Pixabay Residents of a Northern California neighborhood are growing increasingly concerned about a string of mysterious—and often violent—bird deaths that seem to have no obvious explanation. In recent months, at least 50 birds have died along a residential street in Richmond, a city on the east side of San Francisco Bay. The deaths all seem to follow a similar pattern: After a bird lands on a specific stretch of power line, residents hear a loud popping sound, akin to a firecracker, reports KGO-TV’s Dion Lim. Then, they see the creature’s body fall to the pavement. A doorbell camera captured one of the strange fatalities on video, too. The inexplicable incidents have killed mourning doves, European starlings, crows and other common backyard species. “It’s pretty freaky and disturbing and very sad,” says Mark Hoehner, a 64-year-old marketing designer who lives in the neighborhood, to the San Francisco Chronicle’s Sarah Ravani. Officials with the Pacific Gas and Electric Company (PG&E), which is responsible for the power lines in the neighborhood, say the birds are not being electrocuted and that they haven’t found any issues with the electrical equipment. Inspectors found the neighborhood’s power equipment to be “in good condition,” according to a statement from Tamar Sarkissian, a spokesperson for PG&E, as reported by the San Francisco Chronicle. “The pole at issue is compliant with avian safe guidance,” established by the Avian Power Line Interaction Committee, Sarkissian says in the statement. Birds dying at alarming rate in Bay Area neighborhood Watch on PG&E sent two bird bodies to the California Department of Fish and Wildlife for closer study. After conducting necropsies, department officials say they found no evidence that the birds had been electrocuted, per ABC News’ Bill Hutchinson. Instead, the birds’ injuries appear to have been caused by a pellet gun, BB gun or a slingshot. Photos of other dead birds found in the neighborhood also showed injuries consistent with trauma. The department also noted, however, that “the exact cause of the trauma to all of these birds could not be determined.” The idea that the birds are dropping dead from foul play doesn’t sit right with some residents. “I can’t fathom somebody could be that accurate all the time,” Jan Solomon tells KGO-TV. The California Department of Fish and Wildlife says its wildlife officers are continuing to investigate. John Gioia, an elected official who represents the city of Richmond on the Contra Costa Board of Supervisors, tells the San Francisco Chronicle his office also plans to send public works staffers to the neighborhood. “We just want it solved at the end of the day,” resident Maximilian Bolling tells KGO-TV. Get the latest stories in your inbox every weekday.
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  • 7 Thrift Store Finds That Channel the Grandma Chic Look

    If whiling away your day in the gardenor decorating exclusively with brown furniture is your idea of a good time, then I’ve got some news for you: it’s time to embrace your inner grandma. Yes, 2025 is the year of the grandma, and the grandma-chic look has never been, well, chicer. Not only is it wildly affordable to decorate like your grandma, but it’s also an easy way to ensure your home exudes timeless warmth. Below, I share what the grandma chic aesthetic actually is and the tips of a few expert thrifters about how you can bring the look home on a budget.Related StoriesWhat Is the Grandma-Chic Aesthetic? ALUN CALLENDERTimeless rose motifs add grandma-approved cottage charm to any room.Somewhere between grandmillennial, cottagecore, and a hefty appreciation for antiques sits the grandma-chic aesthetic. “It’s really just about comfort and familiarity,” says Margo Roth, founder of House of Margo. Overstuffed cushions, timeless textiles, classic wood furniture, and a sense of come-as-you-are ease are foundations to the aesthetic. Look for faded floral motifs, painterly stripes, woven textures, and other twee touches to bring the look home. Just be sure to approach the aesthetic with authenticity. “A grandmother’s home has been slowly curated and decorated over decades,” says expert thrifter Riley Wigington. “You can’t go buy a bunch of floral prints from one store and call it ‘grandma-chic.’ You need to infuse your own personality into your selections and ensure a variety of patterns, textures, and colors in your decor.”Grandma-Chic Pieces to Look for at Thrift Stores While the grandma aesthetic is as wide ranging as it is cozy, there are a few key elements that exemplify the happily homespun look. Below, Riley and Margo share their must-haves to look for on your next trip out thrifting: BasketsCARLOS GARCIAWoven baskets of all shapes and sizes stand at the ready in this home from British designer Carlos Garcia.Both Riley and Margo say wicker baskets are the ultimate must-have Grandma-chic item. “I firmly believe you can never have too many,” says Margo. They offer instant texture and are often found at local thrift stores for under “Look for varying shapes and sizes,” says Riley. “Bonus points if they can hold something practical, like blankets or your latest knitting project.” Margo also loves using one in her garden as a stylish vegetable trug. “They are the perfect example of functional beauty,” she says. Related StoryPieced Quilts Buff Strickland for Country LivingIn designer Claire Zinnecker’s Texas farmhouse, an antique wedding ring quilt adds a comforting layer of nostalgia to her guest bedroom.Blankets and throws are a given in any grandma-adjacent space as they encourage the cozy, laze-about vibe associated with grandma’s house. Quilts of all kinds are encouraged, especially pieced quilts, which are prized for their handcrafted charm. Look for quilts in good condition with even, tight stitching to ensure their longevity. When cleaning older textiles, use gentle detergents and hang them to dry. You can also spritz them with a 1:1 mix of water and vodka to remove any lingering smells. Patterned Plates Courtesy of Deborah ArendsFruit- and flower-themed dinnerware adds homespun charm to any plate wall.Calling all majolica and Burleigh Pottery fans: This is your permission to thrift even more patterned and transferware plates. “Hang them on your wall for a true grandma-chic look,” says Riley. Collected plate walls, which have long been a staple of formal dining rooms and cottage kitchens alike, offer a sense of lived-in flair at a relatively low price point. Stick to one pattern or color palette, or mix shapes, styles, and colors for a happily hodgepodge look. Related StoryDark Wood Furniture COURTESY OF TIM SALISBURY/ANNA SPIRO DESIGNThis antique mahogany dresser doubles as a bedside table in this pattern-filled room by Anna Spiro.Dark wood furniture—think mahogany or walnut—was once the standard. While it may have fallen out of fashion in the last 30 years, its timeless appeal remains, and it has experienced a slow revival in recent years. Choose utility pieces with personality, such as a hutch or china cabinet, for the ultimate statement. Related StoryPyrex Becky Luigart-Stayner for Country LivingPatterned Pyrex is prized amongst in-the-know collectors and can fetch a pretty penny on the market.There’s a pretty good chance that your grandmother exclusively used Pyrex to store her leftovers. The colorful dishware’s inherent nostalgia and cheerful disposition make it one of the most sought-after antiques on the market these days. Stay on the hunt long enough and you might just find yourself invited to an exclusive Pyrex swap.Related Story Cozy Armchairs David A. Land for Country LivingNew upholstered furniture is notoriously expensive, making thrifting a much more affordable way to achieve the same look. While thrifting upholstery may conjure up imagesof bedbugs or other unseemly tag-alongs, it doesn’t have to. “If the item is clean or can be cleaned, has a slipcover, or is practically unused, go for it,” says Margo. Like caring for vintage quilts, cleaning upholstery is easier than it seems. Sprinkle baking soda over the piece and vacuum it off, or simply spray it with the same 1:1 mixture of water and vodka mentioned above. Riley suggests looking for unexpected fabric patterns in either stripes or florals to infuse your space with a little personality. And, if you find a piece with good bones, but less than “chic” fabric, it may still be worth buying and having reupholstered. For a chance at high-end designer fabrics, skip the thrift store and check out a local estate sale for a well-loved arm chair in need of a second life. Related StoriesGardening Tools Kate Sears for Country LivingFrom lawn sprinklers to watering cans, vintage gardening tools add easy patina to any space.Grandma hobbies, also known as the useful pastoral pursuits that were once integral to everyday living, are experiencing a resurgence, with gardening taking center stage. Whether they’re useful pieces salvaged from Grandma’s potting shed or totally decorative finds that add patina to a bloom room or entryway, vintage gardening tools are full of charm and an affordable way to infuse any space with rustic texture. Related StoriesAnna LoganSenior Homes & Style EditorAnna Logan is the Senior Homes & Style Editor at Country Living, where she has been covering all things home design, including sharing exclusive looks at beautifully designed country kitchens, producing home features, writing everything from timely trend reports on the latest viral aesthetic to expert-driven explainers on must-read topics, and rounding up pretty much everything you’ve ever wanted to know about paint, since 2021. Anna has spent the last seven years covering every aspect of the design industry, previously having written for Traditional Home, One Kings Lane, House Beautiful, and Frederic. She holds a degree in journalism from the University of Georgia. When she’s not working, Anna can either be found digging around her flower garden or through the dusty shelves of an antique shop. Follow her adventures, or, more importantly, those of her three-year-old Maltese and official Country Living Pet Lab tester, Teddy, on Instagram.
     
    #thrift #store #finds #that #channel
    7 Thrift Store Finds That Channel the Grandma Chic Look
    If whiling away your day in the gardenor decorating exclusively with brown furniture is your idea of a good time, then I’ve got some news for you: it’s time to embrace your inner grandma. Yes, 2025 is the year of the grandma, and the grandma-chic look has never been, well, chicer. Not only is it wildly affordable to decorate like your grandma, but it’s also an easy way to ensure your home exudes timeless warmth. Below, I share what the grandma chic aesthetic actually is and the tips of a few expert thrifters about how you can bring the look home on a budget.Related StoriesWhat Is the Grandma-Chic Aesthetic? ALUN CALLENDERTimeless rose motifs add grandma-approved cottage charm to any room.Somewhere between grandmillennial, cottagecore, and a hefty appreciation for antiques sits the grandma-chic aesthetic. “It’s really just about comfort and familiarity,” says Margo Roth, founder of House of Margo. Overstuffed cushions, timeless textiles, classic wood furniture, and a sense of come-as-you-are ease are foundations to the aesthetic. Look for faded floral motifs, painterly stripes, woven textures, and other twee touches to bring the look home. Just be sure to approach the aesthetic with authenticity. “A grandmother’s home has been slowly curated and decorated over decades,” says expert thrifter Riley Wigington. “You can’t go buy a bunch of floral prints from one store and call it ‘grandma-chic.’ You need to infuse your own personality into your selections and ensure a variety of patterns, textures, and colors in your decor.”Grandma-Chic Pieces to Look for at Thrift Stores While the grandma aesthetic is as wide ranging as it is cozy, there are a few key elements that exemplify the happily homespun look. Below, Riley and Margo share their must-haves to look for on your next trip out thrifting: BasketsCARLOS GARCIAWoven baskets of all shapes and sizes stand at the ready in this home from British designer Carlos Garcia.Both Riley and Margo say wicker baskets are the ultimate must-have Grandma-chic item. “I firmly believe you can never have too many,” says Margo. They offer instant texture and are often found at local thrift stores for under “Look for varying shapes and sizes,” says Riley. “Bonus points if they can hold something practical, like blankets or your latest knitting project.” Margo also loves using one in her garden as a stylish vegetable trug. “They are the perfect example of functional beauty,” she says. Related StoryPieced Quilts Buff Strickland for Country LivingIn designer Claire Zinnecker’s Texas farmhouse, an antique wedding ring quilt adds a comforting layer of nostalgia to her guest bedroom.Blankets and throws are a given in any grandma-adjacent space as they encourage the cozy, laze-about vibe associated with grandma’s house. Quilts of all kinds are encouraged, especially pieced quilts, which are prized for their handcrafted charm. Look for quilts in good condition with even, tight stitching to ensure their longevity. When cleaning older textiles, use gentle detergents and hang them to dry. You can also spritz them with a 1:1 mix of water and vodka to remove any lingering smells. Patterned Plates Courtesy of Deborah ArendsFruit- and flower-themed dinnerware adds homespun charm to any plate wall.Calling all majolica and Burleigh Pottery fans: This is your permission to thrift even more patterned and transferware plates. “Hang them on your wall for a true grandma-chic look,” says Riley. Collected plate walls, which have long been a staple of formal dining rooms and cottage kitchens alike, offer a sense of lived-in flair at a relatively low price point. Stick to one pattern or color palette, or mix shapes, styles, and colors for a happily hodgepodge look. Related StoryDark Wood Furniture COURTESY OF TIM SALISBURY/ANNA SPIRO DESIGNThis antique mahogany dresser doubles as a bedside table in this pattern-filled room by Anna Spiro.Dark wood furniture—think mahogany or walnut—was once the standard. While it may have fallen out of fashion in the last 30 years, its timeless appeal remains, and it has experienced a slow revival in recent years. Choose utility pieces with personality, such as a hutch or china cabinet, for the ultimate statement. Related StoryPyrex Becky Luigart-Stayner for Country LivingPatterned Pyrex is prized amongst in-the-know collectors and can fetch a pretty penny on the market.There’s a pretty good chance that your grandmother exclusively used Pyrex to store her leftovers. The colorful dishware’s inherent nostalgia and cheerful disposition make it one of the most sought-after antiques on the market these days. Stay on the hunt long enough and you might just find yourself invited to an exclusive Pyrex swap.Related Story Cozy Armchairs David A. Land for Country LivingNew upholstered furniture is notoriously expensive, making thrifting a much more affordable way to achieve the same look. While thrifting upholstery may conjure up imagesof bedbugs or other unseemly tag-alongs, it doesn’t have to. “If the item is clean or can be cleaned, has a slipcover, or is practically unused, go for it,” says Margo. Like caring for vintage quilts, cleaning upholstery is easier than it seems. Sprinkle baking soda over the piece and vacuum it off, or simply spray it with the same 1:1 mixture of water and vodka mentioned above. Riley suggests looking for unexpected fabric patterns in either stripes or florals to infuse your space with a little personality. And, if you find a piece with good bones, but less than “chic” fabric, it may still be worth buying and having reupholstered. For a chance at high-end designer fabrics, skip the thrift store and check out a local estate sale for a well-loved arm chair in need of a second life. Related StoriesGardening Tools Kate Sears for Country LivingFrom lawn sprinklers to watering cans, vintage gardening tools add easy patina to any space.Grandma hobbies, also known as the useful pastoral pursuits that were once integral to everyday living, are experiencing a resurgence, with gardening taking center stage. Whether they’re useful pieces salvaged from Grandma’s potting shed or totally decorative finds that add patina to a bloom room or entryway, vintage gardening tools are full of charm and an affordable way to infuse any space with rustic texture. Related StoriesAnna LoganSenior Homes & Style EditorAnna Logan is the Senior Homes & Style Editor at Country Living, where she has been covering all things home design, including sharing exclusive looks at beautifully designed country kitchens, producing home features, writing everything from timely trend reports on the latest viral aesthetic to expert-driven explainers on must-read topics, and rounding up pretty much everything you’ve ever wanted to know about paint, since 2021. Anna has spent the last seven years covering every aspect of the design industry, previously having written for Traditional Home, One Kings Lane, House Beautiful, and Frederic. She holds a degree in journalism from the University of Georgia. When she’s not working, Anna can either be found digging around her flower garden or through the dusty shelves of an antique shop. Follow her adventures, or, more importantly, those of her three-year-old Maltese and official Country Living Pet Lab tester, Teddy, on Instagram.   #thrift #store #finds #that #channel
    WWW.COUNTRYLIVING.COM
    7 Thrift Store Finds That Channel the Grandma Chic Look
    If whiling away your day in the garden (preferably while wearing something flowy) or decorating exclusively with brown furniture is your idea of a good time, then I’ve got some news for you: it’s time to embrace your inner grandma. Yes, 2025 is the year of the grandma, and the grandma-chic look has never been, well, chicer. Not only is it wildly affordable to decorate like your grandma, but it’s also an easy way to ensure your home exudes timeless warmth. Below, I share what the grandma chic aesthetic actually is and the tips of a few expert thrifters about how you can bring the look home on a budget.Related StoriesWhat Is the Grandma-Chic Aesthetic? ALUN CALLENDERTimeless rose motifs add grandma-approved cottage charm to any room.Somewhere between grandmillennial, cottagecore, and a hefty appreciation for antiques sits the grandma-chic aesthetic. “It’s really just about comfort and familiarity,” says Margo Roth, founder of House of Margo. Overstuffed cushions, timeless textiles, classic wood furniture, and a sense of come-as-you-are ease are foundations to the aesthetic. Look for faded floral motifs, painterly stripes, woven textures, and other twee touches to bring the look home. Just be sure to approach the aesthetic with authenticity. “A grandmother’s home has been slowly curated and decorated over decades,” says expert thrifter Riley Wigington. “You can’t go buy a bunch of floral prints from one store and call it ‘grandma-chic.’ You need to infuse your own personality into your selections and ensure a variety of patterns, textures, and colors in your decor.”Grandma-Chic Pieces to Look for at Thrift Stores While the grandma aesthetic is as wide ranging as it is cozy, there are a few key elements that exemplify the happily homespun look. Below, Riley and Margo share their must-haves to look for on your next trip out thrifting: BasketsCARLOS GARCIAWoven baskets of all shapes and sizes stand at the ready in this home from British designer Carlos Garcia.Both Riley and Margo say wicker baskets are the ultimate must-have Grandma-chic item. “I firmly believe you can never have too many,” says Margo. They offer instant texture and are often found at local thrift stores for under $10. “Look for varying shapes and sizes,” says Riley. “Bonus points if they can hold something practical, like blankets or your latest knitting project.” Margo also loves using one in her garden as a stylish vegetable trug. “They are the perfect example of functional beauty,” she says. Related StoryPieced Quilts Buff Strickland for Country LivingIn designer Claire Zinnecker’s Texas farmhouse, an antique wedding ring quilt adds a comforting layer of nostalgia to her guest bedroom.Blankets and throws are a given in any grandma-adjacent space as they encourage the cozy, laze-about vibe associated with grandma’s house. Quilts of all kinds are encouraged, especially pieced quilts, which are prized for their handcrafted charm. Look for quilts in good condition with even, tight stitching to ensure their longevity. When cleaning older textiles, use gentle detergents and hang them to dry. You can also spritz them with a 1:1 mix of water and vodka to remove any lingering smells. Patterned Plates Courtesy of Deborah ArendsFruit- and flower-themed dinnerware adds homespun charm to any plate wall.Calling all majolica and Burleigh Pottery fans: This is your permission to thrift even more patterned and transferware plates. “Hang them on your wall for a true grandma-chic look,” says Riley. Collected plate walls, which have long been a staple of formal dining rooms and cottage kitchens alike, offer a sense of lived-in flair at a relatively low price point. Stick to one pattern or color palette, or mix shapes, styles, and colors for a happily hodgepodge look. Related StoryDark Wood Furniture COURTESY OF TIM SALISBURY/ANNA SPIRO DESIGNThis antique mahogany dresser doubles as a bedside table in this pattern-filled room by Anna Spiro.Dark wood furniture—think mahogany or walnut—was once the standard. While it may have fallen out of fashion in the last 30 years, its timeless appeal remains, and it has experienced a slow revival in recent years. Choose utility pieces with personality, such as a hutch or china cabinet, for the ultimate statement. Related StoryPyrex Becky Luigart-Stayner for Country LivingPatterned Pyrex is prized amongst in-the-know collectors and can fetch a pretty penny on the market.There’s a pretty good chance that your grandmother exclusively used Pyrex to store her leftovers. The colorful dishware’s inherent nostalgia and cheerful disposition make it one of the most sought-after antiques on the market these days. Stay on the hunt long enough and you might just find yourself invited to an exclusive Pyrex swap. (Expert collectors recommend checking Facebook for Pyrex swap groups in your area.) Related Story Cozy Armchairs David A. Land for Country LivingNew upholstered furniture is notoriously expensive, making thrifting a much more affordable way to achieve the same look. While thrifting upholstery may conjure up images (read: nightmares) of bedbugs or other unseemly tag-alongs, it doesn’t have to. “If the item is clean or can be cleaned, has a slipcover, or is practically unused, go for it,” says Margo. Like caring for vintage quilts, cleaning upholstery is easier than it seems. Sprinkle baking soda over the piece and vacuum it off, or simply spray it with the same 1:1 mixture of water and vodka mentioned above. Riley suggests looking for unexpected fabric patterns in either stripes or florals to infuse your space with a little personality. And, if you find a piece with good bones, but less than “chic” fabric, it may still be worth buying and having reupholstered (or tackling a DIY reupholstering project). For a chance at high-end designer fabrics, skip the thrift store and check out a local estate sale for a well-loved arm chair in need of a second life. Related StoriesGardening Tools Kate Sears for Country LivingFrom lawn sprinklers to watering cans, vintage gardening tools add easy patina to any space.Grandma hobbies, also known as the useful pastoral pursuits that were once integral to everyday living, are experiencing a resurgence, with gardening taking center stage. Whether they’re useful pieces salvaged from Grandma’s potting shed or totally decorative finds that add patina to a bloom room or entryway, vintage gardening tools are full of charm and an affordable way to infuse any space with rustic texture. Related StoriesAnna LoganSenior Homes & Style EditorAnna Logan is the Senior Homes & Style Editor at Country Living, where she has been covering all things home design, including sharing exclusive looks at beautifully designed country kitchens, producing home features, writing everything from timely trend reports on the latest viral aesthetic to expert-driven explainers on must-read topics, and rounding up pretty much everything you’ve ever wanted to know about paint, since 2021. Anna has spent the last seven years covering every aspect of the design industry, previously having written for Traditional Home, One Kings Lane, House Beautiful, and Frederic. She holds a degree in journalism from the University of Georgia. When she’s not working, Anna can either be found digging around her flower garden or through the dusty shelves of an antique shop. Follow her adventures, or, more importantly, those of her three-year-old Maltese and official Country Living Pet Lab tester, Teddy, on Instagram.  
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