You lied.I once interviewed someone who completely falsified their skillset. I asked them to do a drawing test, and it turned out that they didn’t have the skills they purported to have. You can only fake it for so long. Never pretend you’re someone you ’re not. —Jeff DeGraw, DeGraw and DeHaan ArchitectsAnd During the ChatYou’re too detail-oriented.The biggest mistake I’ve witnessed repeatedly: candidates who spend way too much time walking us through every tiny detail of their portfolios. It feels like it goes on forever. —Lauren Buxbaum Gordon, Nate Berkus AssociatesYou didn’t ask questions.At the end of every interview I ask candidates if they have any questions and appreciate when someone has insightful ones, not just what time they can take lunch. —Elizabeth Lawrence, Williams LawrenceYou forgot the basic rules of human interaction.Eye contact is essential. I always prefer someone who appears calm and confident. —Alex Papachristidis, Alex Papachristidis InteriorsHow to Create a Portfolio When You’re Just Starting OutFresh out of design school? In the middle of a career change? We quiz industry insiders on how to best present yourselfI pay attention to the small stuff—it tends to amplify on a day-to-day level. It could be a handshake or a perfume [choice]. I don’t want to say that it breaks getting a job in my office, but it [could be] a signifier for compatibility—and if we are compatible, chances are we are going to work well together. —Miles Redd, Redd KaihoiYou missed the memo.There is always a technical aptitude I am looking for a candidate to possess, but beyond that, and perhaps even more importantly, I very much pay attention to communication skills and a candidate’s ability to quickly think on his/her feet. A large part of what we do as designers is problem-solve, so I really want to understand a candidate’s agility. —Maureen Ursino, Ursino InteriorsYou’re just copycatting.We look for individuality that will become a great addition to our team. We receive so many inquiries where the prospective hire says they want to “be me.” Although flattering, it’s uninspiring. —Alison Rose, Alison Rose New YorkYou kept yourself under wraps.I get really excited when a portfolio has photos of the person’s own home or something they had helped work on for a friend or family member. It doesn’t have to be completely finished or professional photos. It’s a nice insight into what they are doing and thinking about for themselves. As a result, you usually learn a lot about them, and sometimes it is just the thing that puts that person ahead of others. —Elizabeth Lawrence, Williams LawrenceEverything You Need to Know About Interior Design Jobs and Their SalariesLooking to start or advance your interior design career? Here’s your guide to the interior design jobs to look out for—and what they payYou’re not a team player.We look for a certain kind of character in candidates that fits with the distinctive spirit of our studio. Exhibiting basic skills and clear communication are, of course, essential; however, of even greater value is finding talent innately capable of positive contribution to Yabu Pushelberg’s culture of working collaboratively within and between teams, fostering an environment of both learning and teaching. —George Yabu and Glenn Pushelberg, Yabu PushelbergYour focus is too narrow.It’s important for a candidate to be dedicated to design, even obsessed with it. I am impressed when candidates have clearly researched historical furniture designers and have a sense of the various design periods. I want my team to be functional and successful with a project regardless of what style a client desires. —Margaret Naeve Parker, M.NaeveYou didn’t sell yourself.I once interviewed a candidate whose portfolio wasn’t the strongest—the work samples they provided weren’t what we were used to seeing. On paper, they might not have stood out, but as soon as the interview began, their personality took center stage. They were engaging and warm, with a genuine enthusiasm for the role. They didn’t try to overcompensate for their portfolio; instead, they openly acknowledged where they were in their career and shared stories about their journey. We decided to give them a chance, and they ended up exceeding expectations, quickly growing into a strong contributor who brought a fresh perspective and energy to our culture. —Caroll Conway, Hoerr SchaudtAPPLY NOWGrow your business with the AD PRO DirectoryArrow

The first thing you need to know about Honey O’Donahue is that she is a fabulous movie detective. Now you might be saying to yourself right now, “That just means she’s a great detective, right? A master solver of mysteries?” And sure. Maybe. Honestly, it’s a bit open to debate after watching Ethan Coen and Tricia Cooke’s new slinky potboiler, Honey, Don’t! But more important than the crime-stopping is how she pieces together the mystery of what it means to be a proper movie detective. She knows, for instance, that when a jealous spouse offers you money to confirm his husband is having an affair, you should kindly but firmly recommend he spend it instead on a romantic dinner that ends in candid conversation. She also recognizes the necessity of being not only smarter than the local dick on the police force, but able to remind him of this fact with snappy put-downs. She is a detective you simply enjoy watching drink, smoke, and carouse her way through the wreckage of a case, one dead body—or for that matter, a live one in her bed—at a time. And as played by Margaret Qualley with an authentic Carolina lilt, she ascends in Honey Don’t!’s best moments into becoming a kind of Southern-fried, queer Marlowe; a detective whose investigations are nearly impenetrable to follow, but like Bogie or Mitchum before her, you’re just happy to vibe in the patter of her day-to-day rigamarole. She is, in other words, a great creation for Qualley and the not-so-secret weapon in a character piece that sizzles despite the film’s deliberately (and perhaps too) shaggy plot. That plot, of course, involves dead bodies and criminal conspiracies-within-conspiracies on the outskirts of sunny Bakersfield, California. It’s there that local private eye Honey O’Donahue begins looking into the apparent death by car accident of a lonely woman in the community. She keeps her reasons to herself when the police gumshoe (Charlie Day) asks what her interest in the case is, just as she keeps him at further distance when he presses if she wants to discuss the case over drinks. “Book club,” she answers curtly. But didn’t she just tell him she had a book club meeting two days ago? “Dostoevsky, we’re really struggling with it.” The truth of course is Honey has eyes more for the likes of M.G. (Aubrey Plaza), the no-nonsense cop in charge of the station’s evidence locker, than she does for members of the male persuasion. But it’s fair to wonder if her real passion is for verbally sparring with almost anyone who crosses her path. That includes the local fuzz, as well as her sister and a wayward teenage niece, who both have a habit of not wanting Honey’s advice while implicitly yearning for her approval; it likewise pertains to the paranoid client (Billy Eichner) who wants to disgrace his husband at any cost; and you can sure as hell bet she saves her most scathing witticisms for the likes of a pastor at a local church who calls himself Reverend Drew (Chris Evans). Drew has big used car salesman energy, and the more Honey breathes it in, the more his congregation looks like a cult. All parties wind up involved in ways great or small in a scheme that proves more intricate than one might guess. But the key element that really gives momentum to the whole web is the perpetually bemused smile on Qualley’s face, which can simultaneously appear both empathetic and contemptuous in an unblinking glance. It’s a part clearly written toward Qualley’s talents by Coen and Cooke, who after working previously as director and editor on films like The Big Lebowski and O Brother, Where Art Thou? have combined forces as writers and film editors. And like last year’s Drive Away Dolls, the pair imagine Honey Don’t! to be part of a “lesbian B-movie trilogy,” a film which leans lightly into the exploitation of grindhouse cinema while also offering a frothier narrative for LGBTQ cinema than, say, the tragedies that Oscar voters so love. Honey Don’t! is intentionally slight and sleight of hand while setting up the type of boneheaded criminal conspirators who populated so many Coen movies of yore, back when Ethan was writing with Joel. I would also say that despite its happy desire to titillate and objectify, the film feels closer in line with the original film noir movement of the 1940s and ‘50s with its most base pleasures coming from dialogue and performance. Qualley is again the charismatic sun around which everything else orbits, but Plaza also gets plenty of room to build a character miles apart from her frequent Parks and Rec type. To be sure, M.G. has a deadpan about her too, but it’s more bitter, deadly variety—the kind of hard edge that can only come from being sharpened by a lifetime spent as the other in a small, Christian town. Meanwhile Evans is having fun as another creep, although six years on from hanging up Captain America’s shield, and then trying on the sleazebag sweater in Knives Out, it’s fair to wonder if he is now typecast in the other direction. Reverend Drew is a bit more one-note than Knives Out’s Ransom, but it works for the arch and typically dimwitted criminal comedy that Ethan and Joel began their directing career fixated on. Drew is at the focal point of an underworld rife in sex, drugs, and murder, but the mechanics of it—and how it intersects with Honey’s other investigations—is obscure. If one sits down and thinks about it, there seems to really be a greater narrative plotted out by Cooke and Coen left teasingly off-screen, and which would make it all snap into place. But as they appear determined to draw on films famous for their “plot doesn’t matter” legacies, the writers elect to keep Honey and audiences somewhat in the dark all the way to the end credits. The choice benefits from what a gem of a role the title character is for Qualley, funneling all of the film’s attention toward Honey O’Donahue’s swaggering hips and gait. However, it also makes the film slightly frothier and fleeting than it probably needed to be. The writers and star have built such a great character, you want to see her utilized for more than the B-movie aspirations set before her. Yet while working within the purposeful confines of this box, the creatives have succeeded in crafting a merry little murder yarn full of style and devastating zingers. This might be the second part of a thematic trilogy, but one leaves also hoping it’s the first part in a series of cases, and next time Qualley and Honey get to sink their teeth into a larger Coen crime syndicate. Join our mailing list Get the best of Den of Geek delivered right to your inbox! Honey Don’t! premieres at the Cannes Film Festival on May 24 and in theaters on Aug. 22.

Want something sexy, silly, and scandalous? Then you'll treasure Honey Don't!, the latest collaboration between married filmmakers Ethan Coen and Tricia Cooke. The pair, who've been collaborating since the 1990 Coen Bros movie Miller's Crossing, brought audiences the madcap mayhem of Drive-Away DollsDrive-Away Dolls star Margaret Qualley reunites with Coen and Cooke, playing a title character once more. Honey O'Donahue is a small-town private eye who keeps her cards close to her chest. When a new client turns up dead in a suspicious car crash, she quips to the crumpled police detective on the scene (Charlie Day, perfectly cast as an affable dope), but won't give up a single observation. Unspoken, this is her mystery to solve. Over the course of this murder investigation, she'll cross paths with a moped-riding femme fatale (Lera Abova), a surly sapphic cop (Aubrey Plaza), and an ultra-vain cult leader (Chris Evans). It's a wild ride with twists, sex, and murder!  You May Also Like Margaret Qualley is dynamite in Honey Don't!While this is the second offering in Coen and Cooke's proposed lesbian trilogy, Honey Don't! doesn'tDrive-Away Dolls. The key to both films is Qualley, who sets the tone. In the first film, she was a chaotically comical masc with a Southern accent as thick as molasses and a libido as powerful as the sun. The movie followed her frenzied energy through pacing and plotting, taking wild turns with madcap energy. In Honey Don't!, click-clacking heels, pencil skirts or tailored flowing slacks with tidy but never bland dress shirts — reflects these old-school inspirations. So does her frankness; she carries a Katharine Hepburn attitude without the Mid-Atlantic accent. So when the aforementioned police detective flirts with her, she says, smooth as butter, "I like girls." (To which Day replies with a cheery bemusement, "You always say that!") Whether playing the cool gay aunt to a small army of nieces and nephews, uncovering a kinky clue, or hooking up with a one-night stand, Honey is suave and sharp, but also warm. This temperament sets her apart from the fleets of male detectives who've come before her, all swagger and steely glares. Plus, her attitude reflects the atmosphere of Honey Don't!'s setting: Bakersfield, California, a sunny place with a dark appetite.   Mashable Top Stories Stay connected with the hottest stories of the day and the latest entertainment news. Sign up for Mashable's Top Stories newsletter By clicking Sign Me Up, you confirm you are 16+ and agree to our Terms of Use and Privacy Policy. Thanks for signing up! Honey Don't! is a raw and refreshing caper.  Writer Tricia Cooke, actor Margaret Qualley and writer/director Ethan Coen on the set of their film "Honey Don't!" Credit: Karen Kuehn / © 2025 FOCUS FEATURES LLC The screenplay by Coen and Cooke is committed to dark humor, offering gleeful jokes about kinky sex, gruesome death, and the general idiocy of crooks and con men. As Coen directs Honey Don't!, it's tempting to look for comparisons in his shared filmography with his brother, Joel. Is Honey Don't! more Raising Arizona or The Big Lebowski? Burn After Reading or No Country for Old Men? But engaging in this debate risks overlooking the exciting exploration of crime stories that Coen and Cooke are building with their trilogy. Her stamp is clear and important here as the film's co-writer, producer, and editor. Yes, Honey Don't! pulls from film noir inspirations, as do several previous Coen Bros movies… and hundreds of other movies before that. But this crusty California setting gives fresh air to tropes like the femme fatale or the double cross. Where Drive-Away Dolls dug into the rich Americana and queer culture to be found in road trip attractions and lesbian bars, Honey Don't! embraces a less-familiar clutch of gnarly characters, sunbaked and deranged. Chris Evans is hilarious, freed from Disney constraints. Thank goodness that Chris Evans' MCU era has ended. Now the actor who has proven to be a sensational bastard in Knives Out can cut loose with characters who aren't remotely role models.  Related Stories In Honey Don't!, he plays Reverend Drew, a preacher who leads a congregation of dedicated minions who will grant any wish of sex or violence his twisted heart desires. Honey Don't! offers an array of beloved character actors, like Plaza, Day, Billy Eichner, and acclaimed theater performer Gabby Beans. And they are all game for whatever damned thing Cooke and Coen throw their way. Where Qualley plays the straight man to this cluster of kooky clowns, Evans is a ringmaster of his own circus. From the moment he flashes a comically insincere smile, there's a thrill of excitement. Playing punchlines with a gleeful obliviousness, Evans creates a sharp satire of a certain brand of religious leader who believes too much in his own bullshit. His physicality is suitably absurd. Whether he's barking orders in the nude or giving the most hysterical delivery of the word "oui" ever committed to screen, he moves like a cartoon caricature of an arrogant buffoon. Props to Evans for finding a new and fantastic way to continue being America's ass. What's most thrilling about Honey Don't! is perhaps also what's most frustrating about it. Coen and Cooke set up a mystery with a form that seems vaguely familiar at the start. But as Honey chases down the suspects and confounding clues, this story is anything but what you'd expect. And that comes down to the finale, which is sure to divide critics and audiences. Personally, I relished the final surprise of the film, as it suggests this story is bigger than one movie and maybe even one setting can contain. Instead of closure, Honey Don't! offers a taste of something sweet and wild, with the potential for more. And I'm not mad at that. Honey Don't! was reviewed out of the Cannes Film Festival. It will open in theaters on Aug. 22. Topics Film

The Cocoanuts is a 1929 pre-Code musical comedy film starring the Marx Brothers (Groucho, Harpo, Chico, and Zeppo). Produced for Paramount Pictures by Walter Wanger, who is not credited, the film also stars Mary Eaton, Oscar Shaw, Margaret Dumont and Kay Francis. The first sound film to credit more than one director (Robert Florey and Joseph Santley), it was adapted to the screen by Morrie Ryskind from the musical play by George S. Kaufman. Five of the film's tunes were composed by Irving Berlin, including "When My Dreams Come True", sung by Oscar Shaw and Mary Eaton. Principal photography began on February 4, 1929, at Paramount’s Astoria studio, and it premiered on May 23, 1929, at the Rialto Theatre in New York. Film credit: Robert Florey and Joseph Santley Recently featured: In the Loge Black-crowned barwing Rhina Aguirre Archive More featured pictures

There are many romanceable characters in Kingdom Come: Deliverance 2, including those seeking quick flings and partners in long-drawn-out love stories alike. The possible romance with Margaret falls somewhere between the two, but more because it takes a fair bit of effort on the player's part. In fact, Margaret is an entirely missable character, so she is likely one of the least romanced in the entire game.

A New Exhibition Brings Fresh Recognition to a Groundbreaking But Largely Forgotten Surrealist At London’s Tate Britain, a major retrospective takes a long look at the work of Margaret Ithell Colquhoun Connections between the natural world, the divine and the erotic were a favorite theme for Colquhoun, who described Earth Process, 1940, as an “image from a half-conscious experience.” Tate, presented by the National Trust 2016. © Tate. Photo © Tate (Sam Day) British artist and writer Margaret Ithell Colquhoun was a pioneer of Surrealist “automatism,” creating images from charcoal shavings or letting her unconscious take charge of a pen. Such methods had a “divinatory power,” she explained, comparing them to “the practices of clairvoyants who use … tea leaves and coffee grounds to set in motion their telepathic faculty.” While she traveled in the same circles as household names like Salvador Dalí, Colquhoun broke with Surrealism in 1940 to focus on the occult, a move that may have contributed to her relative obscurity by the time of her death in 1988. This month, however, a major retrospective of Colquhoun’s work will open at London’s Tate Britain, after a stint at the museum’s Cornwall branch. It’s the first since her rediscovery by a new generation of artists drawn to her explorations of women’s sexuality, spirituality and the natural world. “Over the years I have followed the path blazed by Colquhoun,” writes the British artist Linder Sterling, in an essay about the show, and felt “her encouragement from beyond the grave.”    Gorgon, Ithell Colquhoun, 1946. Private Collection © Spire Healthcare, © Noise Abatement Society, © Samaritans Ages of Man, Ithell Colquhoun, 1944. Tate, Presented by the National Trust 2016, accessioned 2022 © Tate. Photo © Tate (Joe Humphrys) Alcove, Ithell Colquhoun, 1946. Private Collection © Spire Healthcare, © Noise Abatement Society, © Samaritans Subscribe to Smithsonian magazine now for just $19.99 This article is a selection from the June 2025 issue of Smithsonian magazine Get the latest Travel & Culture stories in your inbox. More about: Art Art History Artists Modern Art Surrealism

Chester Cathedral is a cathedral of the Church of England and the mother church of the Diocese of Chester. It is located in the city of Chester, Cheshire, England. The cathedral, formerly the abbey church of a Benedictine monastery dedicated to Saint Werburgh, is dedicated to Christ and the Blessed Virgin Mary. Since 1541, it has been the seat of the Bishop of Chester. This photograph shows the interior of the Lady Chapel at Chester Cathedral, built between 1265 and 1290 in the Early English Gothic style. It contains the Shrine of St Werburgh, dating from the 14th century, and also has a sedilia and a piscina. It is decorated with carved roof bosses representing the Trinity, the Madonna and Child, and the murder of Thomas Becket. Photograph credit: David Iliff Recently featured: El Tatio Short-beaked echidna Margaret Hamilton Archive More featured pictures

SepTerminator “It will find you” Oblivion Remastered’s modded Sean Bean-hunting Terminator wouldn’t exist without Resident Evil and a magical NPC that’s been ambushing newbies since 2006 “I love the idea of something big and scary chasing you down while you're already crushed under the pressure of saving the world.” Image credit: VG247/NaiadGirl News by Mark Warren Senior Staff Writer Published on May 17, 2025 Oblivion Remastered modders continue to drop more and more interesting mods by the day, with an ever-advancing set of tools at their disposal to pull off whatever tweaks or additions strike their fancy. There’s a deluge of interesting stuff arriving as the boundaries continue to be pushed, and depending on what you’re looking for, different stuff will catch your eye. To see this content please enable targeting cookies. One of the mods that made me personally do a double take when I came across it on Oblivion Remastered’s Nexus Mods page earlier this week was NaiadGirl’s ‘Martin Septim and the Terminator Gambit’, for obvious reasons. It’s a mod that sees you and Sean Bean be pursued wherever you go by a killer level 70 Terminator. From the moment you leave the sewers, there’s a murderous machine which only becomes defeatable once you finish the main quest right on your tail. I was curious how much work had gone into pulling such a cool concept off at this still relatively early stage of Oblivion Remastered modding, so reached out to NaiadGirl. We talked Terminators and how she's been finding modding the remaster as she's made this mod and also tackled making the game’s iconic Oblivion gate battles and goblin wars more dynamic. Here’s my conversation with her: VG247: What drew you to modding Oblivion Remastered? Did you have any previous experience modding classic Oblivion or other games? NaiadGirl's been venturing into those pesky gates for a good while. | Image credit: NaiadGirl NaiadGirl: I've been a fan of Oblivion since I was a little girl, and the same goes for my wife. At first, we were skeptical about the remaster, but soon, we couldn't help but be drawn in. I've been modding Bethesda games casually for over a decade now, but only recently took to making mods myself. My only previous modding experience was with Deep Rock Galactic, another game that involves Unreal. My wife, on the other hand, has been making mods for years now! Since we both love Oblivion so much, we took to making mods for the remaster. VG247: How have you generally found modding the remaster so far and getting to grips with tools like UE4SS and TesSyncMapInjector? NaiadGirl: Modding the remaster has been a rollercoaster of emotions, with highs and lows. The old tools still work, more or less, but there are limitations. There are many features we still can't work on or with, due to the lack of a proper modding toolkit for this new version of Oblivion. UE4SS, OBSE64, TesSyncMapInjector; I can go on about the awesome tools people in the community have made. They're all insanely impressive, and they make things possible that wouldn't have been without them. I wish some of them had more in-depth documentation, but what can you do? Modding has always been a challenge, and part of the fun is hunting down answers to problems. The last thing you ever see...provided you don't make good use of that new sprint button. | Image credit: NaiadGirl VG247: What inspired the premise for your Martin Septim Terminator mod and what was the process of putting it together like? Were there any elements of it that proved tricky to pull off, or anything you had to cut? NaiadGirl: My inspiration for my Martin Terminator mod came from a game series I hold close to my heart: Resident Evil. It was originally going to just be the Pursuer itself, its name being ‘Nemesis’. I love the idea of something big and scary chasing you down while you're already crushed under the pressure of saving the world. Eventually, I switched gears, and made it into a mod that included Martin. What's better than just you getting hunted by something scary? You and a friend getting hunted by something scary. Terminator rocks (at least two of them do), so I came up with the idea that Mehrunes Dagon had sent back in time a killer to save his butt at the end of the game. Putting it together had me looking at the code for the Conjurer that chases you down at the start of the [OG Oblivion] Spell Tomes DLC. After I had made a new NPC with the help of UE4SS and TesSyncMapInjector, I put together AI packages & two quest scripts to watch over everything. Modding is a constant learning experience, and it's so much fun, even if you can run into walls at times. Frustration quickly gives way to new inspiration. In the end, I didn't have to cut anything! It's a simple mod at the end of the day, but one that was incredibly fun to put together. VG247: Aside from cheesing and running away, is there any other advice you’d give to players trying to beat the Septim Terminator challenge, even if it’s just to invest in spare underpants? The thread of prophecy has been severed. | Image credit: NaiadGirl NaiadGirl: I've been doing a lot of messing around with the Terminator in my latest playthrough. It's tough, but not impossible to defeat (at least after the MQ is over!). Until you beat Dagon, you have to always be one step ahead of this machine marvel. It doesn't care where you might be, because it will find you. I was doing the Mythic Dawn Shrine quest, and by the time I had cut my way through the dungeon, freed the prisoner, and slept an hour to level up, there it was. The Argonian I worked so hard to protect was dead at its cold feet. I had no choice but to cut my losses and run. Plan your journey, hit stores up when you can, and always keep moving. It will kill indiscriminately if it finds you! Once you finish the main quest, you have a few options: Dungeon traps, boss NPCs, crowds, or a duel to the death! You need to be at a fairly high level to defeat it! I would think there's feasibility in taking it on at around level 25 on, if you plan your build well. The Terminator regens health, so always keep the damage on it! You'll need powerful equipment or a massive numbers advantage. I'm thinking I'll slay my dragon at Cloud Ruler Temple, the place I have been keeping it away from at all costs. The Blades and I will make a final stand against Oblivion! I wish only the best of luck to would-be challengers. I love to hear stories about this fella. VG247: What’s the Oblivion Remastered modding scene been like community-wise from your perspective so far? Have you had any interactions with other modders where you’ve gotten any helpful support/feedback on your mods or learned things you might otherwise not have? NaiadGirl: The modding scene is filled with incredibly talented people. Many are willing to offer a helping hand, in my experience (within reason, of course!). Getting feedback on my mods is always greatly appreciated, and seeing the kind things people have said makes my day that much brighter. Like I've touched on, modding is a constant learning experience, and you're always finding something new that you didn't quite know yet. Margaret, my wife, has quite a bit of Bethesda modding experience, and even she learns things through me as we work together. Modding is a beautiful, delicate dance, and it's not one to be rushed. Take your time, do your research, and make something amazing with the community at your side! We could end up dealing with even more terrifying modded threats than this, Grandmaster. | Image credit: VG247 VG247: What are your personal and general hopes for Oblivion Remastered modding going forwards? Are there any complex mod ideas you’re keen to try and make or any tools you’re hoping will pop up to make certain things easier/possible? NaiadGirl: I have immense hopes for the modding scene going forward. Bethesda may be saying that mods aren't officially supported, but I still hold onto the hope that we may one day get a proper Creation Set for Oblivion Remastered. They haven't dropped the ball yet, and I would hope they wouldn't now, with one of their all-time best creations. I truly believe a new kit is on the way, sooner or later. If we do get official tools, modding is going to really pop off. You look at what we have now, and it's only going to get bigger, and more accessible to the masses. Access to official tools will make a world of difference, and change things for the better. I'm hoping for an expansion on the Oblivion Remastered Script Extender (OBSE64) if the official tools give way. That won't stop me from trying to make something crazy, though. My next mod is focused on a pandemic outbreak. I'm very excited to continue my work on it, and share it with the world. I'm even more excited to see what the rest of the community can cook up. The community is insanely resourceful, and official tools or not, we'll be making something beautiful together. Never stop making what you love.

El Tatio is a geothermal field with many geysers located in the Andes Mountains of northern Chile at 4,320 metres (14,170 ft) above mean sea level. It is the third-largest geyser field in the world and the largest in the Southern Hemisphere. The geothermal field has many geysers, hot springs, and associated sinter deposits. These hot springs eventually form the Rio Salado, a major tributary of the Rio Loa, and are a major source of arsenic pollution in the river. The vents are sites of populations of extremophile microorganisms such as hyperthermophiles, and El Tatio has been studied as an analogue for the early Earth and possible past life on Mars. Photograph credit: Diego Delso Recently featured: Short-beaked echidna Margaret Hamilton Kiwifruit Archive More featured pictures

The short-beaked echidna (Tachyglossus aculeatus) is one of four living species of echidna. It is covered in fur and spines, has a distinctive snout to help detect its surroundings, and uses a specialized tongue to catch insects. Its extremely strong front limbs and claws allow it to burrow quickly. It repels predators by curling into a ball and deters them with its spines. During the Australian winter, it goes into deep torpor and hibernation. As the temperature increases, it emerges to mate. Female echidnas lay one egg a year and the mating period is the only time the solitary animals meet. A newborn echidna grows rapidly on mother's milk and is expelled into the mother's burrow when it grows too large for the pouch. It leaves the burrow when it is around six months old. The species is found throughout Australia and in coastal and highland regions of eastern New Guinea. It is not threatened with extinction, but human activities have reduced its distribution in Australia. This photograph shows a Tasmanian short-beaked echidna (T. a. setosus), a subspecies of the short-beaked echidna, near Scottsdale, Tasmania. Photograph credit: Charles J. Sharp Recently featured: Margaret Hamilton Kiwifruit Lysander Spooner Archive More featured pictures