From the heart of Germany’s automotive sector to manufacturing hubs across France and Italy, Europe is embracing industrial AI and advanced AI-powered robotics to address labor shortages, boost productivity and fuel sustainable economic growth. Robotics companies are developing humanoid robots and collaborative systems that integrate AI into real-world manufacturing applications. Supported by a billion investment initiative and coordinated efforts from the European Commission, Europe is positioning itself at the forefront of the next wave of industrial automation, powered by AI. This momentum is on full display at Automatica — Europe’s premier conference on advancements in robotics, machine vision and intelligent manufacturing — taking place this week in Munich, Germany. NVIDIA and its ecosystem of partners and customers are showcasing next-generation robots, automation and AI technologies designed to accelerate the continent’s leadership in smart manufacturing and logistics. NVIDIA Technologies Boost Robotics Development  Central to advancing robotics development is Europe’s first industrial AI cloud, announced at NVIDIA GTC Paris at VivaTech earlier this month. The Germany-based AI factory, featuring 10,000 NVIDIA GPUs, provides European manufacturers with secure, sovereign and centralized AI infrastructure for industrial workloads. It will support applications ranging from design and engineering to factory digital twins and robotics. To help accelerate humanoid development, NVIDIA released NVIDIA Isaac GR00T N1.5 — an open foundation model for humanoid robot reasoning and skills. This update enhances the model’s adaptability and ability to follow instructions, significantly improving its performance in material handling and manufacturing tasks. To help post-train GR00T N1.5, NVIDIA has also released the Isaac GR00T-Dreams blueprint — a reference workflow for generating vast amounts of synthetic trajectory data from a small number of human demonstrations — enabling robots to generalize across behaviors and adapt to new environments with minimal human demonstration data. In addition, early developer previews of NVIDIA Isaac Sim 5.0 and Isaac Lab 2.2 — open-source robot simulation and learning frameworks optimized for NVIDIA RTX PRO 6000 workstations — are now available on GitHub. Image courtesy of Wandelbots. Robotics Leaders Tap NVIDIA Simulation Technology to Develop and Deploy Humanoids and More  Robotics developers and solutions providers across the globe are integrating NVIDIA’s three computers to train, simulate and deploy robots. NEURA Robotics, a German robotics company and pioneer for cognitive robots, unveiled the third generation of its humanoid, 4NE1, designed to assist humans in domestic and professional environments through advanced cognitive capabilities and humanlike interaction. 4NE1 is powered by GR00T N1 and was trained in Isaac Sim and Isaac Lab before real-world deployment. NEURA Robotics is also presenting Neuraverse, a digital twin and interconnected ecosystem for robot training, skills and applications, fully compatible with NVIDIA Omniverse technologies. Delta Electronics, a global leader in power management and smart green solutions, is debuting two next-generation collaborative robots: D-Bot Mar and D-Bot 2 in 1 — both trained using Omniverse and Isaac Sim technologies and libraries. These cobots are engineered to transform intralogistics and optimize production flows. Wandelbots, the creator of the Wandelbots NOVA software platform for industrial robotics, is partnering with SoftServe, a global IT consulting and digital services provider, to scale simulation-first automating using NVIDIA Isaac Sim, enabling virtual validation and real-world deployment with maximum impact. Cyngn, a pioneer in autonomous mobile robotics, is integrating its DriveMod technology into Isaac Sim to enable large-scale, high fidelity virtual testing of advanced autonomous operation. Purpose-built for industrial applications, DriveMod is already deployed on vehicles such as the Motrec MT-160 Tugger and BYD Forklift, delivering sophisticated automation to material handling operations. Doosan Robotics, a company specializing in AI robotic solutions, will showcase its “sim to real” solution, using NVIDIA Isaac Sim and cuRobo. Doosan will be showcasing how to seamlessly transfer tasks from simulation to real robots across a wide range of applications — from manufacturing to service industries. Franka Robotics has integrated Isaac GR00T N1.5 into a dual-arm Franka Research 3robot for robotic control. The integration of GR00T N1.5 allows the system to interpret visual input, understand task context and autonomously perform complex manipulation — without the need for task-specific programming or hardcoded logic. Image courtesy of Franka Robotics. Hexagon, the global leader in measurement technologies, launched its new humanoid, dubbed AEON. With its unique locomotion system and multimodal sensor fusion, and powered by NVIDIA’s three-computer solution, AEON is engineered to perform a wide range of industrial applications, from manipulation and asset inspection to reality capture and operator support. Intrinsic, a software and AI robotics company, is integrating Intrinsic Flowstate with  Omniverse and OpenUSD for advanced visualization and digital twins that can be used in many industrial use cases. The company is also using NVIDIA foundation models to enhance robot capabilities like grasp planning through AI and simulation technologies. SCHUNK, a global leader in gripping systems and automation technology, is showcasing its innovative grasping kit powered by the NVIDIA Jetson AGX Orin module. The kit intelligently detects objects and calculates optimal grasping points. Schunk is also demonstrating seamless simulation-to-reality transfer using IGS Virtuous software — built on Omniverse technologies — to control a real robot through simulation in a pick-and-place scenario. Universal Robots is showcasing UR15, its fastest cobot yet. Powered by the UR AI Accelerator — developed with NVIDIA and running on Jetson AGX Orin using CUDA-accelerated Isaac libraries — UR15 helps set a new standard for industrial automation. Vention, a full-stack software and hardware automation company, launched its Machine Motion AI, built on CUDA-accelerated Isaac libraries and powered by Jetson. Vention is also expanding its lineup of robotic offerings by adding the FR3 robot from Franka Robotics to its ecosystem, enhancing its solutions for academic and research applications. Image courtesy of Vention. Learn more about the latest robotics advancements by joining NVIDIA at Automatica, running through Friday, June 27.  #nvidia #partners #highlight #nextgeneration #robotics

In a world filled with vibrant colors and stunning visuals, I find myself lost in the shadows of solitude. Maxon's release of Red Giant 2025.5 shines a light on the beauty of motion graphics and VFX, yet here I stand, yearning for a spark of connection. The latest features promise creativity and innovation, but all I feel is the weight of loneliness pressing down on my heart. How can something so beautiful remind me of what I lack? In a realm of endless possibilities, I remain untouched, adrift in my silent sorrow. 💔 #Loneliness #Heartbreak #Maxon #RedGiant2025 #EmotionalPain

Maxon has released Redshift 2025.5, and honestly, it's about time! But let's not sugarcoat it; the hype around new features like USDZ file rendering and point cloud support in Blender feels like a desperate attempt to keep up with competitors. Why does every release come with the same old promises? Users are tired of half-baked updates that don't address the real issues plaguing GPU rendering. Instead of flashy features, how about focusing on stability and performance? It’s infuriating to see companies chase trends while neglecting the core functionalities that truly matter. Enough with the marketing gimmicks—deliver real improvements or don’t bother at all! #Maxon #Redshift2025 #GPURendering #Blender #Tech

In the quiet moments, when the world feels heavy and my heart is an echo of the past, I find myself drawn into the realm of Endless Legend 2. Just like the characters that roam through its beautifully crafted landscapes, I too wander through my own desolate terrains of disappointment and solitude. 🖤 In an age where connections are just a click away, I feel an overwhelming wave of loneliness wash over me. It's as if the colors of my life have faded into shades of grey, much like the emptiness that lingers in the air. I once believed in the promise of adventure and the thrill of exploration, but now I’m left with the haunting reminder of dreams unfulfilled. The anticipation for Endless Legend 2, scheduled for early access on August 7, is bittersweet. It stirs a deep longing within me for the days when joy was effortlessly abundant. Jean-Maxime Moris, the creative director of Amplitude Studios, speaks of worlds to conquer, of stories to tell. Yet, each word feels like a distant whisper, a reminder of the tales I used to weave in my mind. I once imagined myself as a brave hero, surrounded by friends who would join me in battle. Now, I sit alone, the flickering light of my screen the only companion in this vast expanse of isolation. 🌧️ Every character in the game resonates with pieces of my own soul, reflecting my fears and hopes. The intricate design of Endless Legend 2 mirrors the complexity of my emotions; beautiful yet deeply fraught with the struggle of existence. I yearn for the laughter of companions and the warmth of camaraderie, yet here I am, cloaked in shadows, fighting battles that are often invisible to the outside world. As I read about the game, I can almost hear the distant armies clashing, feel the pulse of a story waiting to unfold. But reality is stark; the realms I traverse are not just virtual landscapes but the silent corridors of my mind, echoing with the sounds of my own solitude. I wish I could escape into that world, to feel the thrill of adventure once more, to connect with others who understand the weight of these unspoken burdens. But for now, all I have are the remnants of hope, the flickering flames of what could be. And as the countdown to Endless Legend 2 continues, I can’t help but wonder if the game will offer me a reprieve from this loneliness or merely serve as a reminder of the connections I yearn for. 🖤 #EndlessLegend2 #Loneliness #Heartbreak #GamingCommunity #Solitude

Beat Saber a décidé de couper les mises à jour sur PSVR. Voilà, c'est fait. Plus d'améliorations, plus de nouvelles chansons, rien du tout. C’est un peu comme le bruit d’un ventilateur qui tourne en arrière-plan, tu sais ? Ça fait du bruit, mais au final, ça ne change rien. Il y avait une époque où les joueurs attendaient avec impatience chaque mise à jour, espérant des surprises ou des nouveautés. Maintenant, on est là, à se demander ce qu'il reste à faire sur PSVR. C'est un peu triste, mais aussi un peu ennuyeux. On dirait que le jeu a atteint son maximum, ou peut-être qu'il a juste décidé de se reposer. Les développeurs ont sûrement leurs raisons, mais honnêtement, ça ne nous concerne plus vraiment. On peut juste rester là, à regarder l’interface du jeu tourner, sans trop savoir quoi faire. Les joueurs de PSVR, qui avaient investi du temps et de l’énergie dans Beat Saber, vont devoir chercher ailleurs. C’est comme si on avait été mis à la porte sans préavis. Peut-être que certains vont essayer de trouver des alternatives, mais la vérité, c’est que la plupart des gens vont juste continuer leur vie. Qu’est-ce qu’on peut faire d’autre ? On ne peut pas forcer un jeu à se mettre à jour. On attend souvent des miracles qui ne viennent jamais. Donc, voilà, Beat Saber coupe les mises à jour et PSVR est mis à la porte. La fin d'une ère, si on peut dire. C’est un peu décevant, mais la vie continue, n'est-ce pas ? On trouvera probablement autre chose à faire, même si ça ne nous excite pas vraiment. #BeatSaber #PSVR #MisesÀJour #JeuxVidéo #RéalitéVirtuelle

Autodesk a décidé de mettre à jour sa collection d'outils 3D pour 2026. Ça sonne plutôt bien, je suppose. La mise à jour concerne principalement la Media & Entertainment Collection, qui inclut des logiciels comme Maya, 3ds Max, Arnold, Motionbuilder et Mudbox. En gros, rien de très nouveau ici. Il y a aussi une quinzaine de nodes Bifrost, mais qui s’en soucie vraiment ? Ah oui, et Golaem fait son entrée dans la collection. C'est un plugin pour Maya, apparemment. Une grande nouvelle pour ceux qui utilisent déjà ce logiciel, mais pour les autres, ça n'a pas vraiment l'air d'être un gros changement. On peut dire que ces mises à jour sont censées améliorer l'expérience utilisateur, mais on ne sait jamais vraiment si cela en vaut la peine. On espère juste que ça ne causera pas trop de bugs. Qui a vraiment le temps de s’ennuyer avec ça ? Les utilisateurs de cette collection devront probablement passer un peu de temps à s’adapter aux nouvelles fonctionnalités, mais bon, c'est comme d'habitude. En fin de compte, une mise à jour de plus, des outils de plus en plus sophistiqués, mais le même sentiment de lassitude. On se demande si tout cela en vaut vraiment la peine. Alors, bonne chance à ceux qui vont plonger dans cette version 2026. Peut-être qu'il y aura quelque chose d'intéressant, mais je ne vais pas me faire d'illusions. #Autodesk #Maya #3dsMax #Golaem #MiseÀJour

Oh, IMAX, the grand illusion of reality turned up to eleven! Who knew that watching a two-hour movie could feel like a NASA launch, complete with a symphony of surround sound that could wake the dead? For those who haven't had the pleasure, IMAX is not just a cinema; it’s an experience that makes you feel like you’re inside the movie—right before you realize you’re just trapped in a ridiculously oversized chair, too small for your popcorn bucket. Let’s talk about those gigantic screens. You know, the ones that make your living room TV look like a postage stamp? Apparently, the idea is to engulf you in the film so much that you forget about the existential dread of your daily life. Because honestly, who needs a therapist when you can sit in a dark room, surrounded by strangers, with a screen larger than your future looming in front of you? And don’t get me started on the “revolutionary technology.” IMAX is synonymous with larger-than-life images, but let's face it—it's just fancy pixels. I mean, how many different ways can you capture a superhero saving the world at this point? Yet, somehow, they manage to convince us that we need to watch it all in the world’s biggest format, because watching it on a normal screen would be akin to watching it through a keyhole, right? Then there’s the sound. IMAX promises "the most immersive audio experience." Yes, because nothing says relaxation like feeling like you’re in the middle of a battle scene with explosions that could shake the very foundations of your soul. You know, I used to think my neighbors were loud, but now I realize they could never compete with the sound of a spaceship crashing at full volume. Thanks, IMAX, for redefining the meaning of “loud neighbors.” And let’s not forget the tickets. A small mortgage payment for an evening of cinematic bliss! Who needs to save for retirement when you can experience the thrill of a blockbuster in a seat that costs more than your last three grocery bills combined? It’s a small price to pay for the opportunity to see your favorite actors’ pores in glorious detail. In conclusion, if you haven’t yet experienced the wonder that is IMAX, prepare yourself for a rollercoaster of emotions and a potential existential crisis. Because nothing says “reality” quite like watching a fictional world unfold on a screen so big it makes your own life choices seem trivial. So, grab your credit card, put on your 3D glasses, and let’s dive into the cinematic abyss of IMAX—where reality takes a backseat, and your wallet weeps in despair. #IMAX #CinematicExperience #RealityCheck #MovieMagic #TooBigToFail

Ah, the AirPods Max – those luxurious little orbs of sound that promise to elevate your auditory experience to heavenly heights. But wait, let’s pause for a moment before we dive headfirst into that Labor Day deal that boasts the lowest price ever – because we all know that’s just a fancy way of saying, "Hey, here’s your chance to pay a premium for something that’ll make you look particularly stylish while ignoring the world around you!" First, let’s talk about the design. Oh, the design! They’re like the love child of a spaceship and a pair of earmuffs you’d find at your grandma’s house. Who wouldn’t want to sport that look while strolling down the street, desperately trying to convince everyone that you’re both hip and excessively wealthy? But really, when you put them on, it's not just about sound quality; it’s about transforming into an audio-engineering superhero, ready to save the world from mediocre bass and treble. Now, let’s address the elephant in the room: the price. Yes, they’re on sale for the lowest price ever. It’s almost like saying, “Look, we’ve slashed the price of your next existential crisis!” Because let’s be honest, do you really need headphones that are priced higher than your monthly grocery budget? Sure, you’ll be able to hear every single whisper of the universe, but will you also be able to afford rent? It’s a fine balance between living your best life and living in your parents’ basement. And how about that "noise cancellation"? It’s almost magical! You’ll be so immersed in your own world that you won’t hear your friends trying to communicate with you. Remember socializing? That’s out the window. You’ll be too busy basking in the glory of your overpriced headphones to notice that your social life is slowly fading away. But hey, at least you’ll have great sound quality while binge-watching that show you promised you’d watch with your friends three months ago! Let’s not forget about the battery life. They say it lasts long enough to get you through a full workday. But let’s be real: if you’re using them all day, are you even working? Or are you just pretending to be busy while actually listening to your secret playlist of 90s boy bands? Either way, you’ll be the picture of productivity, even if your productivity is strictly limited to singing along to “I Want It That Way.” In conclusion, while the AirPods Max may be your favorite headphones, maybe just maybe, you should save your hard-earned cash for something a little less extravagant. After all, there’s a fine line between enjoying life’s luxuries and being the punchline in a “what was I thinking?” story. So go ahead, indulge in that Labor Day deal, but don’t say I didn’t warn you when you find yourself hiding from your friends in the corner of your apartment, cranking up the volume on your guilt over your questionable financial decisions. #AirPodsMax #Headphones #LuxuryLifestyle #TechHumor #SmartSpending

Je suis furieux ! Comment peut-on accepter que des entreprises géantes dictent ce que les développeurs peuvent créer ? La mise en avant des services d'abonnement menace l'innovation et la créativité dans l'industrie du jeu vidéo. Shuhei Yoshida a averti que ces services pourraient devenir « dangereux » pour les développeurs, et il a absolument raison. Nous ne pouvons pas laisser ces grandes entreprises contrôler notre accès à la créativité et à l'originalité. Ces plateformes d'abonnement prennent le pouvoir aux mains des développeurs. Au lieu de promouvoir des idées novatrices, elles imposent des contraintes qui étouffent la diversité des jeux. Si nous continuons ainsi, nous risquons de voir un avenir où seuls les projets conformes aux attentes des grandes entreprises verront le jour. Cela ne fait qu'empirer la situation ! Les jeux doivent être le reflet de la vision des créateurs, et non des dictats économiques. Regardez où nous en sommes aujourd'hui ! Les studios indépendants, qui sont souvent à l'origine des innovations les plus audacieuses, luttent pour survivre dans un environnement où les géants du secteur ne cherchent qu'à maximiser leurs profits. Ces entreprises préfèrent investir dans des remakes ou des suites plutôt que de prendre des risques avec de nouvelles idées. Et pourquoi ? Parce qu'elles savent que les services d'abonnement leur permettent d'avoir un contrôle total sur ce qui est proposé au public. L'industrie du jeu vidéo est en train de devenir un terrain stérile où seule la rentabilité prime. On ne parle plus de passion, de créativité ou d'art. On parle uniquement de chiffres et de profits. C'est une véritable honte ! Si nous laissons ces géants continuer à dicter les règles, nous finirons par perdre toute la magie qui fait des jeux vidéo un art à part entière. Je dénonce ce système qui écrase les développeurs sous le poids des attentes commerciales. Nous devons nous battre pour un espace où les développeurs peuvent s'exprimer librement, sans les chaînes imposées par les grands groupes. Il est temps de s'unir et de revendiquer notre droit à la diversité et à l'innovation dans les jeux vidéo. Nous ne devons pas laisser ces services d'abonnement devenir le cimetière de la créativité ! #IndustrieDuJeu #Innovation #Créativité #JeuxVidéo #ServicesAbonnement