In a confident nod to the enduring power of print, Glasgow-based Newspaper Club has launched The Printing Press, its first-ever self-published newspaper. Known for helping designers, brands, and artists print their own publications, Newspaper Club is now telling its own story through a medium it knows best. "We're always sharing the brilliant things people print with us – usually online, through our blog and Instagram," explains CMO Kaye Symington. "Our customers have some great stories behind their projects, and it just made sense for a newspaper printing company to have a newspaper of its own!" Teaming up with their brilliant design partner Euan Gallacher at D8 Studio, Kaye said they also wanted to show what's possible with the format: "A lot of people just think of newspapers as something for breaking news, but there's so much more you can do with them." The tabloid-style publication explores the creative resurgence of newspapers as branding tools and storytelling devices, which is music to our ears. Inside, readers will find thoughtful features on how modern brands are embracing print, including interviews with Papier's head of brand on narrative design, Cubitts' in-house designer on developing a tactile, analogue campaign, and Vocal Type's Tré Seals on transforming a museum exhibition into a printed experience. Why the mighty turnaround? "There's just nothing quite like newsprint," says Kaye. "It slows you down in the best way, especially when there's so much competing for your attention online. A newspaper isn't trying to go viral, which is refreshing." She adds: "Putting together a newspaper makes you think differently. It's scrappy and democratic, which makes it a great space to play around and tell stories more creatively. And at the end of it, you've got something real to hand someone instead of just sending them a link." To celebrate this almighty launch, Newspaper Club is going beyond the page with a striking national ad campaign. In partnership with Build Hollywood, the company has installed billboards in Glasgow, Birmingham, Brighton, and Cardiff, all proudly showcasing the work of Newspaper Club customers. These include colourful pieces from artist Supermundane and independent homeware designer Sophie McNiven, highlighting the creative range of projects that come to life through their press. In London, the celebration continues with a special collaboration with News & Coffee at Holborn Station. For two weeks, the kiosk has been transformed into a shrine to print — complete with stacks of The Printing Press and complimentary coffee for the first 20 early birds each weekday until 17 June. The timing feels deliberate. As digital fatigue sets in, social media continues to disappoint, and brands look for fresh ways to stand out in a 'post-search' world, newspapers are experiencing a quiet renaissance. But they're being used not just for news but also as limited-edition catalogues, keepsakes for events, and props in photo shoots. It's this playful, flexible nature of newsprint that The Printing Press aims to explore and celebrate. Since 2009, Newspaper Club has built its reputation on making newspaper printing accessible to all — from major brands like Adobe and Spotify to indie creators, students and storytellers. This campaign marks a new chapter: a chance to turn the lens inward, shine a spotlight on the creative possibilities of print, and reassert the joy of ink on paper. As Kaye puts it, "We want people to see that newspapers can be a really creative format. It might be a traditional medium, but that's exactly what makes it stand out in a digital world. "Sometimes the hardest part is just knowing where to start with a new project, so we hope this campaign helps spark ideas and inspire people to print something they're excited about!" As The Printing Press hits streets and kiosks across the UK, one thing is clear: print isn't dead. It's just getting started.

The Book Club gives their verdict on Larry Niven’s RingworldEugene Powers/Alamy It was quite an experience, moving from the technicolour magical realism of Michel Nieva’s wild dystopia, Dengue Boy, to Larry Niven’s slice of classic science fiction, Ringworld, first published in 1970 and very much redolent of the sci-fi writing of that era. Not a wholly bad experience, mind, but quite a jolting change of pace for the New Scientist Book Club. I was a teenager when I last read Ringworld, and a hugely uncritical sort of teenager at that, so I was keen to return to a novel I remembered fondly and see how it stood up to the test of time – and my somewhat more critical eye. The first thing to say is that many of the things I loved about Ringworld were very much still there. This is, for me, a novel that inspires awe – with the vastness of its imagination, the size of its megastructures, the distance it travels in space. I was reminded of that awe early on, when our protagonist Louis Wu (more on him later) recalls standing at the edge of Mount Lookitthat on a distant planet. “The Long Fall River, on that world, ends in the tallest waterfall in known space. Louis’s eyes had followed it down as far as they could penetrate the void mist. The featureless white of the void itself had grasped at his mind, and Louis Wu, half hypnotized, had sworn to live forever. How else could he see all there was to see?” Advertisement That hugeness, that desire for exploration and knowledge and discovery, is one of the main reasons why I love science fiction. What else is out there, and what can we find out about it? From that field of murderous sunflowers on the Ringworld – what a scene! – to Niven’s image of our crew in space, looking at the bottom of the Ringworld and the huge bulge of a deep ocean protruding towards them, Ringworld has this in spades, and I lapped it up. “A man can lose his soul among the white stars… They call it the far look. It is dangerous.” I also very much enjoyed how Niven makes us pick up the breadcrumbs of where we are in time and in technological developments; at one point, Freeman Dyson, he of the Dyson spheres that inspired the Ringworld, is described as “one of the ancient natural philosophers, pre-Belt, almost pre-atomic”. I find that sort of thing delightful, and I was also (largely) amused by Niven’s aliens, from the cowering terror of the Puppeteers to the brilliantly named Speaker-To-Animals (we, the aliens, are the animals). I pictured Speaker as a huge version of our large ginger cat, and rather liked him. As I wrote earlier, though, this is a piece of writing that feels very much of its time, in terms of the somewhat plodding prose and sexist overtones, even if it succeeds (for me) in the wonderful, star-spanning maths and physics of it all. Niven’s characters are pretty one-dimensional. Louis Wu is quite annoying. There could be so much more to Teela, our token woman. And once the crew are on the Ringworld, it all feels a bit “then they went here, then they went there”, rather than being tightly plotted. Join us in reading and discussing the best new science and science fiction books Sign up to newsletter There has been some intense discussion about this novel on our Facebook page, and many of you felt similarly. “While I enjoyed it very much, I kept getting pulled out of the interesting scientific aspects of the story as well as the rollicking adventure by the sexist, boys club aspects. It’s a little sad that Larry Niven’s view of the distant future didn’t involve any advancement in men’s views of women,” said Jennifer Marano. “It reminds me of early spy movies. Beautiful woman who hasn’t sense enough to not be enamored by less than interesting or intelligent male with pretty huge ego,” said Eliza Rose. Alan Perrett was even less impressed with Louis Wu’s behaviour: “I have to admit to finding Louis Wu absolutely creepy. He treats the woman that he professes to love with contempt. He laughs finding out that she’s the result of a eugenics experiment and then, when looking at her, sees her dismay and then keeps laughing. I hope when I’m 200 years old I’ve learned a little more empathy than that.” Gosia Furmanik grew up reading science fiction from Niven’s era because that was what was available – but “eventually, the sexism and lack of female/diverse protagonists put me off sci-fi for a good 15 years”. She only got back into sci-fi when she discovered “that nowadays it’s easy to find books of this genre written by non-white non-men that don’t have this pitfall”. “Ringworld brought me back, not in a good way,” Gosia writes. “While not as blatant as in some of its contemporaries, cringy sexism nevertheless seeps out of this book.” It’s definitely true that Teela’s character arc was the biggest issue for most of us with this book. “I loathed the ending of Teela’s story and the explanation of how her luck led her to come on the mission. It seems a woman can’t have a meaningful existence without a man!” wrote Samatha Lane. Samantha also makes a great point about how “the male human is the most perceptive creature in the universe” created by Niven. “This arrogance about the sheer cleverness of humans stems from traditional humanism which puts humans at the centre of everything – as rational, special, superior beings. Combine that with the recent conquest of space (man landed on the moon the year before) and it’s like a bonfire of the collective ego,” she writes. New Scientist book club Love reading? Come and join our friendly group of fellow book lovers. Every six weeks, we delve into an exciting new title, with members given free access to extracts from our books, articles from our authors and video interviews. Sign up Onto the positives, however: Niall Leighton “enjoyed the sheer scale of the novel” and thinks it hasn’t “dated as badly as much science fiction of this era”, while for Andy Feest, “the science was probably the most interesting thing” (he found the characters “unenjoyable” and the chauvinism “a bit jarring”). Some readers approved of Niven’s heavy hand with the maths – it “definitely added to my enjoyment”, wrote Linda Jones, while Darren Rumbold “especially liked” the Klemperer rosettes. It didn’t work for all of you, though: Phil Gurski “was excited to read this classic sci-fi novel and really, really wanted to enjoy it but the technobabble kept getting in the way. I found it hard to keep up.” Overall, I think the book club found it an interesting exercise to dig into this science fiction classic and hold it up to the light of today. I think we’ll do another classic soon enough, and I’m listening to suggestions from readers who have tipped books by Ursula K. Le Guin, N. K. Jemisin and Joanna Russ as possible palate cleansers. Next up, though, is something a little more modern: Kaliane Bradley’s bestselling time travel novel, The Ministry of Time. Yes, it has a woman as its protagonist, and yes, it passes the Bechdel test. You can read a piece by Kaliane here in which she explains why (and how) she wrote a novel about time travel, and you can check out this fun opener to the book here. Come and read along with us and tell us what you think on our Facebook page. 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Sergey Nivens - Stock.Adobe.com News The Security Interviews: David Faugno, 1Password David Faugno, co-CEO of 1Password, discusses how his background led to him joining the company and why maintaining profitability is a key factor in overcoming the challenges of switching markets. By Peter Ray Allison Published: 16 May 2025 12:15 Although companies may embrace emerging technologies to remain competitive, they can be risk averse, especially when it comes to changing their customer base. However, this shift in focus is what 1Password did when it moved from being consumer focused to providing enterprise grade security solutions. In 2006, the company 1Password developed a password manager of the same name for the Windows, Android, iOS and Linux platforms. Since then, it has earned a reputation for being a secure method for protecting sensitive user information. Software licenses and other sensitive information can also be securely stored in a virtual vault on their servers, which is locked with a password-based key derivation function (PBKDF2) guarded master password (a password storage algorithm that is designed for deterring brute force attacks by making them computationally expensive). David Faugno had previously been enjoying a semi-retirement, working as a board member and adviser for various companies, including 1Password. As his interest in the company grew, he soon became increasingly impressed with its collaborative approach and transparency. He was invited to join the company as its president and chief operating officer in September 2023, before becoming co-CEO just over a year later. Faugno had previously spent more than 10 years with security and storage provider Barracuda Networks as its chief finance officer. Faugno’s experience with Barracuda Networks gave him a broad understanding of the security landscape, as well as a unique perspective for solving security problems facing organisations of all sizes. When Faugno joined 1Password, the world was emerging from the Covid-19 pandemic. Covid transformed the way companies operate by accelerating remote working technologies and encouraging people to work from home and, since then, hybrid working has become the norm in many sectors. “The world was fundamentally changing. The way people worked and the tools that businesses had provided to their employees to stay safe and secure, and create a secure perimeter, no longer really existed,” says Faugno. “This got accelerated pretty dramatically during the pandemic, which is right at the point in the time when we first invested and got involved.” As a consequence of the proliferation of remote working, the security perimeter for an organisation also expanded. Previously, the security perimeter had been at the endpoints of the corporate network, but now it has extended into homes of employees. Most cyber security incidents are due to compromised credentials, such as stolen, weak or reused passwords. Consequently, employees who use weak identification systems at home may inadvertently expose corporate networks to attack. It is therefore essential for maintaining security of a corporate network security that the cyber security of devices in the employees’ home is also protected. One method for achieving this is to provide each employee with a free family license for a cyber security package. Balancing security and data privacy against accessibility and usability can be challenging as these aspects can often be at odds with each other. Faugno acknowledges that uncompromised security may cause friction with setup and account recovery, however, 1Password took a decision early in the product development cycle to focus on ensuring that the most secure way was also the easiest. This led to a rapid uptake of its password manager, which resulted in it being adopted into thousands of businesses. Faugno soon noted that although 1Password was primarily a consumer-focused product at the time, it was becoming increasingly used in the enterprise sector. “When the work environment started to change and people started to get access to resources that were not being necessarily centrally controlled through their SSO, or through the tools that the company had put behind the firewall, these security-centric folks in business thought, ‘Oh, I can use 1Password for this’,” says Faugno. “We got pulled into thousands of business environments by these people. That’s when our awakening happened – the battlefield had moved from the building walls to where the end user was, wherever they were, with whatever tools they were using.” One of the first things Faugno did when he joined 1Password was to hire a finance leader. By having a sales team engage with enterprise clients to understand their needs, such as administrative controls or additional reporting functionality, 1Password was able to develop its existing platform and market an enterprise service to the business community. “When we first made the investment in 1Password in 2019, the company had zero salespeople and pretty much zero accountants,” says Faugno. “It was nothing but developers, building a great product, and support people. Those use cases would organically come, but what we weren’t doing is interfacing with the chief information security officers at large enterprises to share how our platform fits into their overall security architecture.” 1Password started building infrastructure around enterprise level support and billing capabilities, as well as sales and post-sales implementation capabilities, to allow it to engage with the business sector. Any change to a company carries with it a certain level of risk and expense, especially when it involves adapting to a changing market. It has taken four years, but 1Password’s core business model has created solid foundation for the company to build on. Despite the absence of salespeople and accountants, 1Password’s cash flow had remained profitable. This strong position allowed 1Password the opportunity for forward investment (investing in a company to improve a return on investment) without sacrificing profitability. Although maintaining durability of growth is essential for financial sustainability, it can be challenging. Unless an organisation has a financially stable core product, significant resources can be spent promoting a product that causes a sudden growth curve, but the growth will stop as soon as the money is used up if it was not sustainable. 1Password had the opportunity to invest in itself while remaining profitable in the different sectors, ensuring a durable growth. Instead of optimising for profitability, 1Password is forward investing across several areas without the need to pay off debt from a private equity transaction. “Over 75% of our sales are to companies, but so many people think of us as a consumer business, because either they know us personally or they’ve seen the legacy of us over the 20 years,” says Faugno.  The cyber security sector is a constantly evolving market, with an ongoing war of attrition between hackers and security teams: what is cutting edge now could be obsolete in six months’ time. Not only must security companies have a solid product, but they must also constantly update it in response to emerging threats. Soon, one of the key challenges that cyber security teams will need robust solutions for is protecting their communications in a post-quantum world. Quantum computers can process vast amounts of information in a fraction of the time that classical computers would take, including today’s supercomputers. This will have massive implications for cyber security as quantum computers will be able quickly break current encryption systems. There are various technologies already being developed that are described as quantum resistant, but testing of these is still ongoing. Rather than focusing on a specific technology, 1Password has teams researching emerging challenges. The future security challenge presented by quantum computing necessitate a multifaceted security strategy – 2FA/MFA, passkeys and federation (authentication across networked systems). “We have teams that are engaged deeply in thinking about what’s not only the next step, but two steps ahead,” says Faugno. “The world is changing across a number of dimensions, and quantum computing represents one. Passkeys are going to help, but the pathway to passwordlesss is a journey that’s going to take decades.   “Our view is that you have to start with the visibility of everything that exists and move everything on the continuum to passwordlesss. Today, that is having strong and unique passwords and encrypted vaults, adding multi-factor authentication, using passkeys where they’re available, and ultimately moving to federation.” Reputation is essential, especially in security. If a tool has proven itself to be viable and effective protection against attacks in the wild, then that will over carry into the business sector and naturally generate interest from organisations. “If you can build that level of endearment to the end user at the individual level, then what you can do for the business user is very similar,” concludes Faugno. “You can satisfy the most robust and hard-to-crack use case for making someone feel like this tool is helping them be secure and productive.”  Read more from the Security Interviews Series Armis CEO Yevgeny Dibrov talks about how his military service and intelligence work opened the door into the world of cyber security entrepreneurship. Okta regional chief security officer for EMEA sits down with Dan Raywood to talk about how Okta is pivoting to a secure-by-design champion. Threat intel expert and author Martin Lee, EMEA technical lead for security research at Cisco Talos, joins Computer Weekly to mark the 35th anniversary of the first ever ransomware attack. In The Current Issue: UK MoJ crime prediction algorithms raise serious concerns Interview: Markus Schümmelfeder, CIO, Boehringer Ingelheim Download Current Issue GraphQL as an ‘essential protocol’ for AI-API orchestration – CW Developer Network Mind the insight-to-impact gap, Qlik captures analytics ‘in the moment’ – CW Developer Network View All Blogs

Pictured above: A media room designed by Robin Henry, featuring an RT Facts lamp with custom shade.Let’s be honest: lampshades don’t always get the love they deserve. But this small design detail can totally transform the look and feel of a room. The right shade can elevate a lamp from basic to brilliant, soften a space with warm ambient light, or make a bold statement all on its own. And now that lampscaping—the idea of using multiple lamps (table, floor, and task) to layer light throughout a space instead of relying on harsh overheads—is officially a thing, knowing how to pick the best shade for your lamp feels more essential than ever. It's all about creating ambiance and mood, and it starts with choosing the right topper.Whether you're going classic, playful, minimalist, or maximalist, there’s a shade out there just waiting to light up your life. (See what we did there?) Don’t be afraid to mix and match lamp bases and shades for a custom, curated look. A sculptural base with a pleated or patterned shade? Yes, please. A sleek brass lamp with a bold-colored linen shade? Instant upgrade. Lampshades are an easy, affordable way to refresh your decor without a full-on overhaul—so have fun with it. Just don’t forget to consider size, shape, and material to make sure your lamp’s glow-up is as good as it gets. We asked interior designers to enlighten us (we really couldn’t help ourselves) on how to pick the perfect lampshade and ensure the scale is on point.Related StoriesChoose a SizeNicolas GourguechonFollowing the rule of thumb, the shade-to-base ratio of this entryway lamp in designer Devin Kirk’s own home is perfectly balanced.Amy NeunsingerTwo light sources mean two different shades and fittings in the Quadrille Arbre de Matisse adorned guest room of this home designed by Mark D. Sikes.Size definitely matters—at least when it comes to lampshades. First things first: proportions. A too-small shade looks awkward, and a too-large one can overwhelm the base. As a rule of thumb, according to interior designer and author Lauren Liess, "a lampshade should be roughly two-fifths of the total height of the full lamp, including the shade." So, if your lamp is 30 inches tall, aim for a 20-inch shade. That said, “there’s always an exception,” Liess adds. Retro styles often play with scale and can look fantastic with oversized or unusually shaped shades. A tall shade on a short, squat base? Totally works—just embrace the proportions. Width-wise, the shade should typically match the height of the base. And yes, it should always cover the bulb socket and any hardware. This is not the time for exposed necks. Speaking of hardware, not all shades work with all lamps, so fittings matter. The most common is a spider fitter, which works with lamps that have a harp and finial. If your lamp doesn’t have a harp, try an UNO fitter (it attaches directly to the socket). And for chandeliers or small accent lamps, clip-on shades are a quick and easy option. Just make sure whatever you use sits level and snug—wobbly lamp syndrome is never chic.Related StoryChoose a ShapeNathan SchroderA crisp white drum adorns a statement lamp base, making it stand out against the charcoal draperies in the dining room of this Dallas home designed by Studio Thomas James.Eric PiaseckiA stark white sculptural base paired with a simple tapered shade stands out while still letting the faux moiré painted walls shine in this Westchester County, NY, farmhouse designed by Robin Henry.Lampshades come in all shapes, and each one sets a different tone. Drum shades—those modern cylindrical beauties—are perfect for both contemporary and midcentury styles. “The drum is versatile enough for both modern and traditional interiors,” says Liess. Whitney Tingle, director of interior design at Christopher Architecture & Interiors, loves using oversize drum shades in linen to soften bold, sculptural bases with understated texture. Empire, coolie, and other tapered shade styles, which slope from a narrow top to a wide base, are timeless and elegant. Liess recommends them for chunkier, rounder lamp bases—think genie bottles or spherical silhouettes. For something romantic and soft, look no further than bell shades. Their graceful curves bring a vintage-inspired, feminine touch to more traditional spaces. Nicolas GourguechonFor his own home, designer Devin Kirk matched a square lamp shade with a vintage, metallic base of similar shape for an impactful lighting detail in this sophisticated family room.Lisa Romerein/Otto"In one of my favorite master bedrooms, this patterned shade adds dimension and an unexpected wit while staying traditional." — Michael S. SmithOn the other end of the spectrum, square and rectangular shades lend structure and sharpness, and they’re best used on lamps that also have a square or rectangular shape, according to Liess. Short on space? Oval shades are a smart solution. They’re ideal for lamps with distinct front-and-back silhouettes and add a polished feel without taking up extra room. And then, there are pleated shades—the darlings of traditional design. “They make a space feel decorated,” says Liess, who calls them an “old-guard designers’ staple.” Tingle recommends customizing pleated shades with color and pattern for maximum personality, especially when paired with a simple brass base.Related StoryChoose a MaterialFrancesco Lagnese"Zuber wallpaper is too expensive to not use every square inch of it, so we made shades from leftover scraps." — Tom ScheererBrie WilliamsBasic white lampshades were swapped for custom Euro-style “skirted” versions in a striped pattern that echoes the ridges of the lamp base in this primary bedroom by Heidi Woodman.Material doesn’t just determine the look of your shade—it defines the quality and style of the light itself. Paper shades are minimal and clean, often found in Scandinavian and Japandi-inspired interiors. They're especially charming in pendant or hanging styles. Designer Tom Scheerer has even used leftover wallpaper to create custom paper shades, giving his space a "surrealist touch." Fabric shades—linen, cotton, or silk—are the most versatile. Linen and cotton diffuse light beautifully, making any space feel soft and inviting. Silk ups the drama, casting a flattering, luxe glow that's perfect for bedrooms or formal living areas. These materials can work with virtually any shape or lamp style. Lampshade skirts, like those seen in interior designer Heidi Woodman's space, are also a fun option when using fabric for shades.Want something a little more modern and edgy? Metal shades cast directional light that's great for task lighting—perfect on a desk or reading lamp. Just a heads up from Liess: Metal shades can heat up, so skip them in nurseries or kid-centric zones. Or you can add unexpected texture and an instant coastal feel with a shade made out of rattan. Related StoryChoose a Color and PatternStephen KarlischIn her own home, designer Shazalynn Cavin-Winfrey used Coquette fabric by Kelly Wearstler on the walls, bed, and lampshades for the lighting on the bookshelf, while the bedside lamps are paired with custom lampshades from Shades from the Midnight Sun.Simon Watson"I love Pierre Frey’s Le Manach Balmoral and, inspired by French bedrooms, I used it all over. Custom-covered shades add so much." — Ellen NivenThis is where you get to play. If your lamp base is doing most of the talking, stick with a neutral shade—think white, beige, or soft gray. These tones complement almost everything without drawing too much attention. But if you want your shade to be the star, don’t hold back. Patterned or brightly colored shades can instantly energize a room. Want to go full-on, pattern-drenching maximalist? Try matching your shade fabric to drapery, pillows, or even wallpaper. “It becomes more than just a lighting element,” says Tingle. “It transforms into a cohesive design feature, seamlessly tying into the overall narrative of the space.” Frank Frances StudioDesigner Courtney McLeod paired a Broome lampshade with a Wildwood lamp for this sultry primary bedroom in her clients’ downtown New York apartment.And yes, we’re here for the moody, sexy glow of a dark shade too. It’s perfect for intimate nooks or elegant bedrooms where atmosphere is everything.Follow House Beautiful on Instagram and TikTok.