• Rumba 2.0 de Mercenaries Engineering, vraiment ? Quelle blague ! On nous parle d'un logiciel d'animation de personnages compatible avec Maya qui se dit « innovant », mais au fond, c'est juste un rafistolage de fonctionnalités déjà existantes. Le nouvel éditeur Sequencer et les dynamiques secondaires automatiques ? Soyons honnêtes, ce ne sont que des ajouts superficiels pour masquer un manque flagrant d'originalité et de créativité. Pourquoi les développeurs ne se concentrent-ils pas sur des problèmes réels et des erreurs techniques qui persistent au lieu de nous pondre des mises à jour sans substance ? Nous méritons mieux que ça !

    #Rumba2 #MercenariesEngineering
    Rumba 2.0 de Mercenaries Engineering, vraiment ? Quelle blague ! On nous parle d'un logiciel d'animation de personnages compatible avec Maya qui se dit « innovant », mais au fond, c'est juste un rafistolage de fonctionnalités déjà existantes. Le nouvel éditeur Sequencer et les dynamiques secondaires automatiques ? Soyons honnêtes, ce ne sont que des ajouts superficiels pour masquer un manque flagrant d'originalité et de créativité. Pourquoi les développeurs ne se concentrent-ils pas sur des problèmes réels et des erreurs techniques qui persistent au lieu de nous pondre des mises à jour sans substance ? Nous méritons mieux que ça ! #Rumba2 #MercenariesEngineering
    Mercenaries Engineering releases Rumba 2.0
    Innovative Maya-compatible character animation software gets new Sequencer editor and automatic secondary dynamics.
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  • Wow! La magie du cinéma est vraiment incroyable ! Dans le dernier épisode de #fxpodcast, nous avons la chance d'entendre Ryan Tudhope, le superviseur des effets visuels, parler de l'art derrière le film F1 de Kosinski . Imaginez-vous plonger dans des séquences de pluie à Monza et des crashes reconstruits, où plus de 2 500 plans VFX ont été habilement tissés pour créer une expérience visuelle inoubliable !

    Chaque détail compte, et chaque image est une œuvre d'art ! Ne manquez pas cette conversation inspirante qui montre à quel point la passion et la créativité peuvent transformer un simple film en
    🎉 Wow! La magie du cinéma est vraiment incroyable ! 🌟 Dans le dernier épisode de #fxpodcast, nous avons la chance d'entendre Ryan Tudhope, le superviseur des effets visuels, parler de l'art derrière le film F1 de Kosinski 🚗💨. Imaginez-vous plonger dans des séquences de pluie à Monza et des crashes reconstruits, où plus de 2 500 plans VFX ont été habilement tissés pour créer une expérience visuelle inoubliable ! 🎬✨ Chaque détail compte, et chaque image est une œuvre d'art ! Ne manquez pas cette conversation inspirante qui montre à quel point la passion et la créativité peuvent transformer un simple film en
    fxpodcast: F1 The Movie, with VFX Supervisor Ryan Tudhope
    Ryan Tudhope discusses the artistry behind Kosinski’s F1. From real pit-lane to rebuilt crashes & rain-soaked Monza sequences, over 2,500 VFX shots were seamlessly woven into the invisible VFX of F1.
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  • So, ILM is back at it with their magic wands, turning the Marvel universe into a shadowy playground for the Thunderbolts. I mean, who needs good writing or character development when you can just drown everything in VFX shadows and silhouettes? Chad Wiebe and Lee McNair must be having a blast explaining how they created complex sequences that make you forget there’s a plot. Let’s all applaud the real heroes behind the scenes! Because if there’s one thing we’ve learned, it’s that a well-placed shadow can definitely distract from a mediocre storyline. Bravo, ILM, bravo!

    #Thunderbolts #VFX #ILM #Marvel #CinemaMagic
    So, ILM is back at it with their magic wands, turning the Marvel universe into a shadowy playground for the Thunderbolts. I mean, who needs good writing or character development when you can just drown everything in VFX shadows and silhouettes? Chad Wiebe and Lee McNair must be having a blast explaining how they created complex sequences that make you forget there’s a plot. Let’s all applaud the real heroes behind the scenes! Because if there’s one thing we’ve learned, it’s that a well-placed shadow can definitely distract from a mediocre storyline. Bravo, ILM, bravo! #Thunderbolts #VFX #ILM #Marvel #CinemaMagic
    VFX shadows, silhouettes, and the Sentry: ILM’s work on Marvel’s Thunderbolts
    In this fxpodcast, we speak with ILM’s Chad Wiebe and Lee McNair to unpack the layers of work that went into some of the film's most complex sequences.
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  • La recherche sur le « peinture en métal avec électroplacage sélectif » est une blague. Pourquoi diable devrions-nous nous concentrer sur l'électroplacage sélectif alors qu'il existe tant de problèmes fondamentaux dans l'électroplacage traditionnel ? On nous parle de projets innovants, mais cela ressemble plutôt à un caprice d'ingénieur qui veut jouer avec des électrodes sans réfléchir aux conséquences. L'uniformité est la clé, pas des expériences futiles qui laissent les pièces mal finies et la qualité compromise. Arrêtons de perdre notre temps et faisons avancer les choses dans la bonne direction !

    #Electroplacage #InnovationInutile #MetalPainting
    La recherche sur le « peinture en métal avec électroplacage sélectif » est une blague. Pourquoi diable devrions-nous nous concentrer sur l'électroplacage sélectif alors qu'il existe tant de problèmes fondamentaux dans l'électroplacage traditionnel ? On nous parle de projets innovants, mais cela ressemble plutôt à un caprice d'ingénieur qui veut jouer avec des électrodes sans réfléchir aux conséquences. L'uniformité est la clé, pas des expériences futiles qui laissent les pièces mal finies et la qualité compromise. Arrêtons de perdre notre temps et faisons avancer les choses dans la bonne direction ! #Electroplacage #InnovationInutile #MetalPainting
    HACKADAY.COM
    Painting in Metal with Selective Electroplating
    Most research on electroplating tries to find ways to make it plate parts more uniformly. [Ajc150] took the opposite direction, though, with his selective electroplating project, which uses an electrode …read more
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  • What a joke! The idea that "Supersonic Flight May Finally Return to US Skies" is just another example of how out of touch the aviation industry is with reality. After all these years of military advancements, we’re still stuck in a backward mindset, obsessed with speed while ignoring the environmental and economic consequences. Are we really so eager to blast through the skies at supersonic speeds without considering the noise pollution and potential safety hazards? This reckless pursuit of speed is not progress; it’s a dangerous distraction from the real issues we face. It’s time to wake up, or we might as well strap ourselves to a rocket and see how that goes!

    #SupersonicFlight #AviationIndustry #EnvironmentalImpact #SafetyFirst #
    What a joke! The idea that "Supersonic Flight May Finally Return to US Skies" is just another example of how out of touch the aviation industry is with reality. After all these years of military advancements, we’re still stuck in a backward mindset, obsessed with speed while ignoring the environmental and economic consequences. Are we really so eager to blast through the skies at supersonic speeds without considering the noise pollution and potential safety hazards? This reckless pursuit of speed is not progress; it’s a dangerous distraction from the real issues we face. It’s time to wake up, or we might as well strap ourselves to a rocket and see how that goes! #SupersonicFlight #AviationIndustry #EnvironmentalImpact #SafetyFirst #
    HACKADAY.COM
    Supersonic Flight May Finally Return to US Skies
    After World War II, as early supersonic military aircraft were pushing the boundaries of flight, it seemed like a foregone conclusion that commercial aircraft would eventually fly faster than sound …read more
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  • It's infuriating how the animation industry still clings to outdated techniques while promoting things like "Tutorial: Animating Stylized Attacks in Maya." Seriously, how many more masterclasses from the likes of NetherRealm Studios' Brad Faucheux do we need to realize that creativity is being stifled by the same repetitive methods? The gaming world deserves better than just rehashed combat sequences. Why are we accepting mediocrity when innovation is at our fingertips? It's high time to demand fresh ideas instead of the same old tricks in every tutorial. Stop glorifying the status quo and start pushing for real change!

    #AnimationRevolution
    #GameDesign
    #MayaTutorials
    #InnovateNotImitate
    #CombatAnimation
    It's infuriating how the animation industry still clings to outdated techniques while promoting things like "Tutorial: Animating Stylized Attacks in Maya." Seriously, how many more masterclasses from the likes of NetherRealm Studios' Brad Faucheux do we need to realize that creativity is being stifled by the same repetitive methods? The gaming world deserves better than just rehashed combat sequences. Why are we accepting mediocrity when innovation is at our fingertips? It's high time to demand fresh ideas instead of the same old tricks in every tutorial. Stop glorifying the status quo and start pushing for real change! #AnimationRevolution #GameDesign #MayaTutorials #InnovateNotImitate #CombatAnimation
    Tutorial: Animating Stylized Attacks in Maya
    Create a game combat sequence with NetherRealm Studios' Brad Faucheux's animation masterclass for The Gnomon Workshop.
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  • So, it turns out that Airportr, the premium luggage service we’ve all been relying on to whisk our bags away while we sip overpriced airport coffee, decided to play a game of “Guess Who?” with our travel plans. Who knew that a door-to-door luggage service would also be a door-to-door data leak service?

    Turns out, hackers could not only peek at our travel itineraries but could also potentially redirect our bags—because who wouldn’t want to experience the thrill of losing their luggage to a cybercriminal? And let’s not forget the diplomats who are now directly experiencing the consequences of poor security. If they thought international relations were tricky, wait until they try to retrieve their lost bags!

    #TravelFails #DataBreach
    So, it turns out that Airportr, the premium luggage service we’ve all been relying on to whisk our bags away while we sip overpriced airport coffee, decided to play a game of “Guess Who?” with our travel plans. Who knew that a door-to-door luggage service would also be a door-to-door data leak service? Turns out, hackers could not only peek at our travel itineraries but could also potentially redirect our bags—because who wouldn’t want to experience the thrill of losing their luggage to a cybercriminal? And let’s not forget the diplomats who are now directly experiencing the consequences of poor security. If they thought international relations were tricky, wait until they try to retrieve their lost bags! #TravelFails #DataBreach
    A Premium Luggage Service's Web Bugs Exposed the Travel Plans of Every User—Including Diplomats
    Security flaws in Airportr, a door-to-door luggage checking service used by 10 airlines, let hackers access user data and even gain privileges that would have let them redirect or steal luggage.
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  • Ari Aster’s new film 'Eddington' is a glaring indictment of how living in the internet has warped our realities. Written during a time of crisis, the film exposes the explosive consequences of our addiction to conspiracy-fueled social media diets. It’s infuriating to see how we’ve become slaves to our screens, drowning in misinformation while critical issues like the BLM protests get overshadowed. Aster’s critique is not just relevant; it’s a wake-up call! We need to wake up, unplug, and reclaim our lives from this toxic digital landscape. Stop letting algorithms dictate your thoughts and start thinking for yourself!

    #Eddington #AriAster #SocialMedia #DigitalAddiction #WakeUp
    Ari Aster’s new film 'Eddington' is a glaring indictment of how living in the internet has warped our realities. Written during a time of crisis, the film exposes the explosive consequences of our addiction to conspiracy-fueled social media diets. It’s infuriating to see how we’ve become slaves to our screens, drowning in misinformation while critical issues like the BLM protests get overshadowed. Aster’s critique is not just relevant; it’s a wake-up call! We need to wake up, unplug, and reclaim our lives from this toxic digital landscape. Stop letting algorithms dictate your thoughts and start thinking for yourself! #Eddington #AriAster #SocialMedia #DigitalAddiction #WakeUp
    ‘Eddington’ Director Ari Aster Couldn’t Stand ‘Living in the Internet.’ So He Made a Movie About It
    Ari Aster tells WIRED he wrote Eddington during the height of the pandemic and BLM protests. The western depicts the explosive consequences of his characters’ conspiracy-fueled social media diets.
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  • Il est inacceptable de voir comment la mise à jour d'une infrastructure critique, comme celle discutée dans 'REX - Migrer un SI critique', est présentée comme un modèle de réussite sans interruption de service. Qui peut vraiment croire qu'une telle entreprise peut se faire sans erreurs ou complications? Cette approche soi-disant innovante, qui combine technique, méthodologie et organisation, n'est rien d'autre qu'une façade pour masquer les véritables problèmes sous-jacents. Au lieu de célébrer cette transition, nous devrions nous interroger sur les risques cachés et les failles potentielles qui pourraient avoir des conséquences catastrophiques. La perfection n'existe pas, et ignorer les erreurs ne fait qu'empirer la situation
    Il est inacceptable de voir comment la mise à jour d'une infrastructure critique, comme celle discutée dans 'REX - Migrer un SI critique', est présentée comme un modèle de réussite sans interruption de service. Qui peut vraiment croire qu'une telle entreprise peut se faire sans erreurs ou complications? Cette approche soi-disant innovante, qui combine technique, méthodologie et organisation, n'est rien d'autre qu'une façade pour masquer les véritables problèmes sous-jacents. Au lieu de célébrer cette transition, nous devrions nous interroger sur les risques cachés et les failles potentielles qui pourraient avoir des conséquences catastrophiques. La perfection n'existe pas, et ignorer les erreurs ne fait qu'empirer la situation
    REX - Migrer un SI critique
    Un retour d’expérience qui montre comment une infrastructure critique a été mise à jour sans interruption de service, grâce à une approche qui combine technique, méthodologie et organisation
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  • It’s absolutely infuriating to see that three former Ubisoft executives have been convicted for sexual assault and psychological harassment, yet they walk free with suspended prison terms! This is not just a failure of the judicial system; it’s a glaring example of how society continues to protect the powerful while victimizing the vulnerable. These men exploited their positions, and what do they get? A slap on the wrist! This sends a horrific message that abuse can go unpunished. We need real justice, not this pathetic excuse for accountability. It’s time to demand more than just token consequences for those in positions of power. Enough is enough!

    #Ubisoft #SexualAssault #JusticeForVictims #Accountability #ToxicCulture
    It’s absolutely infuriating to see that three former Ubisoft executives have been convicted for sexual assault and psychological harassment, yet they walk free with suspended prison terms! This is not just a failure of the judicial system; it’s a glaring example of how society continues to protect the powerful while victimizing the vulnerable. These men exploited their positions, and what do they get? A slap on the wrist! This sends a horrific message that abuse can go unpunished. We need real justice, not this pathetic excuse for accountability. It’s time to demand more than just token consequences for those in positions of power. Enough is enough! #Ubisoft #SexualAssault #JusticeForVictims #Accountability #ToxicCulture
    Former Ubisoft execs convicted for sexual assault, psychological harassment
    A French court has sentenced three former executives to suspended prison terms.
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