Pros Excellent cooling performanceBrilliantly designed front fan bracketsBeautiful lighting effects in tested Ambience Pro RGB versionElaborate, web-accessible software controls for lighting, fans Cons Only minimal dust filtrationHigh price for our Ambience Pro test model Fractal Design Meshify 3 Specs 120mm or 140mm Fan Positions 6 120mm to 200mm Fans Included 3 Dimensions (HWD) 20.1 by 9.1 by 17.2 inches Fan Controller Included? Front Panel Ports HD Audio Front Panel Ports USB 3.2 Gen 1 Type-A (2) Front Panel Ports USB 3.2 Gen 2 Type-C Included Fan Lighting Color Addressable RGB Internal 2.5-Inch Bays 6 Internal 3.5-Inch Bays 2 Internal Chassis Lighting Color None Maximum CPU Cooler Height 173 Maximum GPU Length 349 Motherboard Form Factors Supported ATX Motherboard Form Factors Supported MicroATX Motherboard Form Factors Supported Mini-ITX PCI Expansion Slot Positions 7 Power Supply Form Factor Supported ATX Power Supply Maximum Length 180 Power Supply Mounting Location Bottom Side Window(s)? Yes (Tempered Glass) Weight 20.2 All Specs Fractal Design boosts its latest Meshify PC case with a trio of 140mm ARGB fans behind its now-iconic “crumpled mesh” front face. Starting at a mid-market $139.99 for its base model, the Meshify 3 also comes in upgraded versions with nifty extras that creep up the price. These include items like ARGB fan trim, ARGB side panel lighting, an ARGB strip surrounding the face panel, and even an ARGB controller that connects to the web. Taken together, all that can bump the price as high as the $219.99 MSRP for the deluxe, spectacular Ambience Pro RGB version of the case we tested. Whatever the feature mix you opt for, the case’s robust cooling performance shines. At the high end of the range, though, factor in the case’s biggest shortfall—its lack of inlet-air dust filtration—given what competitors deliver in $200-plus cases. Our current ATX tower favorite, the NZXT H7 Flow, isn't much better equipped with filters and isn't as striking as the Ambience Pro case in all its lit glory, but it costs much less.Design: A Crumpled ClassicPC-case feature trends have changed a bit in the eight years that Fractal Design has been putting its signature crumpled-mesh faces on classic mid-tower cases. (The aesthetic crumpling is easier to see in photos of the shinier black finish, such as the Meshify 2 we reviewed in 2021.) This latest version adds an air deflector at the front of the power supply shroud to force a bit more airflow past your hot graphics card. This Ambience Pro RGB variant’s feature set, as noted, has a USB-based ARGB controller, as well as lighting around the front face, along the bottom of the left side panel’s window, and on the three fans. Buyers willing to forgo most of the lit-up bling can get the basic “RGB” version with just the fan lighting for $159.99, and those willing to give up even that helping of ARGB can get the base “TG” version for $139.99. Our sample was in white; all three models are also available in black, and buyers who yearn for further simplification will find an additional “Solid” variant sold exclusively in black, with a painted steel panel on the left side in place of the window.Fractal Design has merged the headphone and microphone jacks of previous versions into a single four-pole connector on the Meshify 3. This connector functions as a normal headphone jack when one is plugged in; the extra pole serves the monaural microphone of a combined headset plug. Fractal also ditched the reset button of previous cases, but kept the twin USB 3 Type-A and a single Type-C port. And, this time around, the lighted power-on indicator ring that surrounds the power button is ARGB.(Credit: Thomas Soderstrom)Though the mesh that covers the face and top panel could potentially filter out some inbound dust, the only part of the Meshify 3 that’s explicitly designed as a dust trap is under the power supply’s air inlet. Sliding out from the case’s side, it’s partially disguised as a portion of the rear case foot.(Credit: Thomas Soderstrom)The Meshify 3’s back panel features a pattern of vent slots spaced to allow a fan to be screwed directly into the slots. Also back here are surface-mounted PCI Express expansion-card slots with replaceable covers, a plastic screw-tab cover with a built-in push tab at the bottom to ease its removal, and a removable power supply bracket that’s secured with two large knurled screws. Power supply insertion is through the case’s rear panel; the design lacks the space to slide in the power supply from the side.(Credit: Thomas Soderstrom)Both side panels are secured at the top with snaps, and Fractal Design added a pair of tabs to make that task a little easier. Those tabs also have screw holes, enabling you to further secure your side panels against accidental removal.A nylon pull tab at the center of the top panel’s back edge serves a similar function. To release that panel and lift it off, you must first slide it back a quarter inch or so.(Credit: Thomas Soderstrom)The front ARGB fans have 140mm frames, but there’s too little space behind them to mount a 420mm-format radiator vertically. That’s because radiator end caps tend to extend the total size by around 40mm (give or take 6mm).(Credit: Thomas Soderstrom)On the other hand, those really motivated to place a radiator behind the front panel’s fans will find that a 360mm-format unit will work, but only by removing the 140mm fans and flipping the fan-mount brackets over. (They are visible in the image below.) Fractal Design’s brilliance shines through with these very basic sheet-metal brackets that flip to support either 120mm or 140mm fans without hindering airflow.(Credit: Thomas Soderstrom)The top panel is fully removable to ease radiator installation and removal, but it does not benefit from the front panel’s design wizardry. While its straight-edged brackets will cover a portion of the fan’s blades when fans are mounted directly on them, its 330mm-plus of length is sufficient to support every 280mm-format radiator we can think of.Also, notice the removable cable shroud running up and down the case near the front. It is adjustable to fit motherboards up to 10.9 inches deep. That is less than the 13-inch max depth of Extended ATX, but it’s still sufficient to fit the slightly oversized enthusiast-class motherboard models that sometimes still get called EATX.(Credit: Thomas Soderstrom)The lower front fan’s air deflector is removable and sits far enough above the case’s floor to be used in conjunction with a pair of 2.5-inch drive bays hidden beneath it. (We don’t even want to think about how we’d manage the cables in that configuration, however.)We removed the cable shroud for a clearer shot of this area. Keen observers might note the mounting slot for its lower edge at the top of the photo.(Credit: Thomas Soderstrom)Two drive trays, three push-in cable clips, and the ARGB controller are all found behind the motherboard tray. The card bracket’s removable covers and the removable power supply bracket are shown in the image below detached and in front of the case, and the photo also shows the gap beneath the removable front fan duct into which some builders may want to install a pair of 2.5-inch drives.Recommended by Our Editors(Credit: Thomas Soderstrom)More drive storage is visible here on the back of the motherboard tray. Configured from the factory to hold two 3.5-inch drives, these brackets on the back of the motherboard tray can be repositioned to hold four 2.5-inch drives instead.(Credit: Thomas Soderstrom)Held in place by a hook-and-loop Velcro-style strap, the included ARGB controller has USB and PWM input on the top, proprietary combination connectors on the side, and an old-fashioned SATA power connector on its bottom to power it up.(Credit: Thomas Soderstrom)Note that Fractal designed special outer shells on the proprietary ARGB/PWM combo connectors. This design is to prevent them from being mistakenly connected to anything USB Type-C, from which they appear to borrow their form. As with several others, this photo again shows the 10mm gap between the bottom panel’s 2.5-inch drive mounts and the underside of the front fan’s air guide.(Credit: Thomas Soderstrom)As for the controller box itself, here’s a shot of the connectors that we couldn’t see in the ARGB controller’s previous photos, including the SATA power inlet.(Credit: Thomas Soderstrom)Of the two output cables we did see, one is for the case's chain of fans, and the other is for this version of the case’s “Ambience Pro” lighting. Four telescoping contact pins allow the front panel’s portion to separate easily from the rest of that latter cable without an awkward tether.(Credit: Thomas Soderstrom)Building With the Fractal Design Meshify 3: Perfect Parts PacksFractal's accessory kits are hard to top in terms of neatness and clear labeling. Start with the screws: The Meshify 3 includes 24 M3 mounting screws, nine #6-32 screws to attach the motherboard to case standoffs, four #6-32 screws with hex/Phillips combo heads for power supply installation, and eight #6-32 shoulder screws for mounting 3.5-inch drives on damping grommets. (Credit: Thomas Soderstrom)You also get eight damping grommets, four cable ties, and an extra motherboard standoff. (But no extra screw for it! Such is life.) Our case being the Ambience Pro RGB version, it also includes a breakout cable that goes from the case’s proprietary ARGB/PWM connector to a standard ARGB strip and a standard PWM fan, along with an extension cable for the proprietary connector.Connecting the case to our motherboard are a power-button lead, an HD Audio header cable for the headset combo jack, a 19-pin USB 3.x for the Type-A ports, and a Gen 2x2 Type-E internal cable for the single Type-C external port. The case’s RGB controller also connects to one our motherboard’s USB 2.0 breakout headers and one of its PWM fan headers.(Credit: Thomas Soderstrom)The white version of the Meshify 3 includes chrome hardware, but since our standard Asus ATX test motherboard is black, I flexed my design chops and used black screws to attach it. I can also divulge that I initially forgot to reinstall the cable shroud, which required me later in the build to remove the graphics card, install the shroud, and reinstall the card. Oops!(Credit: Thomas Soderstrom)The RGB controller uses a web interface to select its various lighting and fan modes, rather than forcing users to install software, and it stores those settings on the controller rather than leaving components in the OS. You can dictate a "startup" lighting effect separately from the regular run of lighting that the case cycles through. Using it allowed us to switch from the case’s soft blue default to something a little more, shall we say, festive.(Credit: Thomas Soderstrom)(Credit: Thomas Soderstrom)(Credit: Thomas Soderstrom)(Credit: Thomas Soderstrom)The light controller’s “Sunset” mode looked like a softer variation of our CPU cooler’s Rainbow mode in this test. Nice.(Credit: Thomas Soderstrom)Testing the Fractal Design Meshify 3: Cool It, ManToday’s build leverages the ATX hardware from our most recent case evaluation platform, including its full-sized Cooler Master GX III Gold 850W power supply and mid-size Corsair iCue H100i RGB Pro XT CPU cooler.Apparently, that little scoop that pushes air upward from the lower of the three front fans does have some positive effect on overall case temperature. Our CPU, motherboard (voltage-regulator), and GPU numbers all show slightly lower temperatures than its five most closely-matched recently reviewed rivals. (These include the Corsair Frame 4000D, the SilverStone Fara 514X, and the MSI Velox 300R.)And just in case you thought that Fractal Design might have gotten its high score by overspeeding its fans a bit…it didn’t. Fan noise is tied for second place in this test group, behind the Super Flower Zillion Direct.The biggest nit we can pick is that some of the Meshify 3’s airflow enhancement might be due to its lack of flow-restricting dust filters.

Best of the rest Research roundup: 7 stories we almost missed Also: drumming chimpanzees, picking styles of two jazz greats, and an ancient underground city's soundscape Jennifer Ouellette – May 31, 2025 5:37 pm | 4 Time lapse photos show a new ping-pong-playing robot performing a top spin. Credit: David Nguyen, Kendrick Cancio and Sangbae Kim Time lapse photos show a new ping-pong-playing robot performing a top spin. Credit: David Nguyen, Kendrick Cancio and Sangbae Kim Story text Size Small Standard Large Width * Standard Wide Links Standard Orange * Subscribers only   Learn more It's a regrettable reality that there is never time to cover all the interesting scientific stories we come across each month. In the past, we've featured year-end roundups of cool science stories we (almost) missed. This year, we're experimenting with a monthly collection. May's list includes a nifty experiment to make a predicted effect of special relativity visible; a ping-pong playing robot that can return hits with 88 percent accuracy; and the discovery of the rare genetic mutation that makes orange cats orange, among other highlights. Special relativity made visible Credit: TU Wien Perhaps the most well-known feature of Albert Einstein's special theory of relativity is time dilation and length contraction. In 1959, two physicists predicted another feature of relativistic motion: an object moving near the speed of light should also appear to be rotated. It's not been possible to demonstrate this experimentally, however—until now. Physicists at the Vienna University of Technology figured out how to reproduce this rotational effect in the lab using laser pulses and precision cameras, according to a paper published in the journal Communications Physics. They found their inspiration in art, specifically an earlier collaboration with an artist named Enar de Dios Rodriguez, who collaborated with VUT and the University of Vienna on a project involving ultra-fast photography and slow light. For this latest research, they used objects shaped like a cube and a sphere and moved them around the lab while zapping them with ultrashort laser pulses, recording the flashes with a high-speed camera. Getting the timing just right effectively yields similar results to a light speed of 2 m/s. After photographing the objects many times using this method, the team then combined the still images into a single image. The results: the cube looked twisted and the sphere's North Pole was in a different location—a demonstration of the rotational effect predicted back in 1959. DOI: Communications Physics, 2025. 10.1038/s42005-025-02003-6  (About DOIs). Drumming chimpanzees A chimpanzee feeling the rhythm. Credit: Current Biology/Eleuteri et al., 2025. Chimpanzees are known to "drum" on the roots of trees as a means of communication, often combining that action with what are known as "pant-hoot" vocalizations (see above video). Scientists have found that the chimps' drumming exhibits key elements of musical rhythm much like humans, according to  a paper published in the journal Current Biology—specifically non-random timing and isochrony. And chimps from different geographical regions have different drumming rhythms. Back in 2022, the same team observed that individual chimps had unique styles of "buttress drumming," which served as a kind of communication, letting others in the same group know their identity, location, and activity. This time around they wanted to know if this was also true of chimps living in different groups and whether their drumming was rhythmic in nature. So they collected video footage of the drumming behavior among 11 chimpanzee communities across six populations in East Africa (Uganda) and West Africa (Ivory Coast), amounting to 371 drumming bouts. Their analysis of the drum patterns confirmed their hypothesis. The western chimps drummed in regularly spaced hits, used faster tempos, and started drumming earlier during their pant-hoot vocalizations. Eastern chimps would alternate between shorter and longer spaced hits. Since this kind of rhythmic percussion is one of the earliest evolved forms of human musical expression and is ubiquitous across cultures, findings such as this could shed light on how our love of rhythm evolved. DOI: Current Biology, 2025. 10.1016/j.cub.2025.04.019  (About DOIs). Distinctive styles of two jazz greats Jazz lovers likely need no introduction to Joe Pass and Wes Montgomery, 20th century guitarists who influenced generations of jazz musicians with their innovative techniques. Montgomery, for instance, didn't use a pick, preferring to pluck the strings with his thumb—a method he developed because he practiced at night after working all day as a machinist and didn't want to wake his children or neighbors. Pass developed his own range of picking techniques, including fingerpicking, hybrid picking, and "flat picking." Chirag Gokani and Preston Wilson, both with Applied Research Laboratories and the University of Texas, Austin, greatly admired both Pass and Montgomery and decided to explore the underlying the acoustics of their distinctive playing, modeling the interactions of the thumb, fingers, and pick with a guitar string. They described their research during a meeting of the Acoustical Society of America in New Orleans, LA. Among their findings: Montgomery achieved his warm tone by playing closer to the bridge and mostly plucking at the string. Pass's rich tone arose from a combination of using a pick and playing closer to the guitar neck. There were also differences in how much a thumb, finger, and pick slip off the string:  use of the thumb (Montgomery) produced more of a "pluck" compared to the pick (Pass), which produced more of a "strike." Gokani and Wilson think their model could be used to synthesize digital guitars with a more realistic sound, as well as helping guitarists better emulate Pass and Montgomery. Sounds of an ancient underground city Credit: Sezin Nas Turkey is home to the underground city Derinkuyu, originally carved out inside soft volcanic rock around the 8th century BCE. It was later expanded to include four main ventilation channels (and some 50,000 smaller shafts) serving seven levels, which could be closed off from the inside with a large rolling stone. The city could hold up to 20,000 people and it  was connected to another underground city, Kaymakli, via tunnels. Derinkuyu helped protect Arab Muslims during the Arab-Byzantine wars, served as a refuge from the Ottomans in the 14th century, and as a haven for Armenians escaping persecution in the early 20th century, among other functions. The tunnels were rediscovered in the 1960s and about half of the city has been open to visitors since 2016. The site is naturally of great archaeological interest, but there has been little to no research on the acoustics of the site, particularly the ventilation channels—one of Derinkuyu's most unique features, according to Sezin Nas, an architectural acoustician at Istanbul Galata University in Turkey.  She gave a talk at a meeting of the Acoustical Society of America in New Orleans, LA, about her work on the site's acoustic environment. Nas analyzed a church, a living area, and a kitchen, measuring sound sources and reverberation patterns, among other factors, to create a 3D virtual soundscape. The hope is that a better understanding of this aspect of Derinkuyu could improve the design of future underground urban spaces—as well as one day using her virtual soundscape to enable visitors to experience the sounds of the city themselves. MIT's latest ping-pong robot Robots playing ping-pong have been a thing since the 1980s, of particular interest to scientists because it requires the robot to combine the slow, precise ability to grasp and pick up objects with dynamic, adaptable locomotion. Such robots need high-speed machine vision, fast motors and actuators, precise control, and the ability to make accurate predictions in real time, not to mention being able to develop a game strategy. More recent designs use AI techniques to allow the robots to "learn" from prior data to improve their performance. MIT researchers have built their own version of a ping-pong playing robot, incorporating a lightweight design and the ability to precisely return shots. They built on prior work developing the Humanoid, a small bipedal two-armed robot—specifically, modifying the Humanoid's arm by adding an extra degree of freedom to the wrist so the robot could control a ping-pong paddle. They tested their robot by mounting it on a ping-pong table and lobbing 150 balls at it from the other side of the table, capturing the action with high-speed cameras. The new bot can execute three different swing types (loop, drive, and chip) and during the trial runs it returned the ball with impressive accuracy across all three types: 88.4 percent, 89.2 percent, and 87.5 percent, respectively. Subsequent tweaks to theirrystem brought the robot's strike speed up to 19 meters per second (about 42 MPH), close to the 12 to 25 meters per second of advanced human players. The addition of control algorithms gave the robot the ability to aim. The robot still has limited mobility and reach because it has to be fixed to the ping-pong table but the MIT researchers plan to rig it to a gantry or wheeled platform in the future to address that shortcoming. Why orange cats are orange Credit: Astropulse/CC BY-SA 3.0 Cat lovers know orange cats are special for more than their unique coloring, but that's the quality that has intrigued scientists for almost a century. Sure, lots of animals have orange, ginger, or yellow hues, like tigers, orangutans, and golden retrievers. But in domestic cats that color is specifically linked to sex. Almost all orange cats are male. Scientists have now identified the genetic mutation responsible and it appears to be unique to cats, according to a paper published in the journal Current Biology. Prior work had narrowed down the region on the X chromosome most likely to contain the relevant mutation. The scientists knew that females usually have just one copy of the mutation and in that case have tortoiseshell (partially orange) coloring, although in rare cases, a female cat will be orange if both X chromosomes have the mutation. Over the last five to ten years, there has been an explosion in genome resources (including complete sequenced genomes) for cats which greatly aided the team's research, along with taking additional DNA samples from cats at spay and neuter clinics. From an initial pool of 51 candidate variants, the scientists narrowed it down to three genes, only one of which was likely to play any role in gene regulation: Arhgap36. It wasn't known to play any role in pigment cells in humans, mice, or non-orange cats. But orange cats are special; their mutation (sex-linked orange) turns on Arhgap36 expression in pigment cells (and only pigment cells), thereby interfering with the molecular pathway that controls coat color in other orange-shaded mammals. The scientists suggest that this is an example of how genes can acquire new functions, thereby enabling species to better adapt and evolve. DOI: Current Biology, 2025. 10.1016/j.cub.2025.03.075  (About DOIs). Not a Roman "massacre" after all Credit: Martin Smith In 1936, archaeologists excavating the Iron Age hill fort Maiden Castle in the UK unearthed dozens of human skeletons, all showing signs of lethal injuries to the head and upper body—likely inflicted with weaponry. At the time, this was interpreted as evidence of a pitched battle between the Britons of the local Durotriges tribe and invading Romans. The Romans slaughtered the native inhabitants, thereby bringing a sudden violent end to the Iron Age. At least that's the popular narrative that has prevailed ever since in countless popular articles, books, and documentaries. But a paper published in the Oxford Journal of Archaeology calls that narrative into question. Archaeologists at Bournemouth University have re-analyzed those burials, incorporating radiocarbon dating into their efforts. They concluded that those individuals didn't die in a single brutal battle. Rather, it was Britons killing other Britons over multiple generations between the first century BCE and the first century CE—most likely in periodic localized outbursts of violence in the lead-up to the Roman conquest of Britain. It's possible there are still many human remains waiting to be discovered at the site, which could shed further light on what happened at Maiden Castle. DOI: Oxford Journal of Archaeology, 2025. 10.1111/ojoa.12324  (About DOIs). Jennifer Ouellette Senior Writer Jennifer Ouellette Senior Writer Jennifer is a senior writer at Ars Technica with a particular focus on where science meets culture, covering everything from physics and related interdisciplinary topics to her favorite films and TV series. Jennifer lives in Baltimore with her spouse, physicist Sean M. Carroll, and their two cats, Ariel and Caliban. 4 Comments

We may earn a commission from links on this page. Deal pricing and availability subject to change after time of publication.Language learning apps usually fall into two camps—either they’re too rigid and boring, or they gamify things so much that you stop learning and start guessing. Qlango tries to find the middle ground, and right now, you can grab a lifetime subscription for $34.97 from StackSocial (down from $119.99), which gives you access to all 50+ supported languages. That includes the big ones like Spanish, French, and German, plus less common ones like Georgian, Tatar, and even Latin. Whether you're prepping for a trip, brushing up your vocabulary, or just trying to keep your brain busy, it’s a lot of content for not a lot of money.What makes Qlango different is how it forces you to use your target language actively. You don’t spend time translating back into your native tongue—everything you do, from dictation to sentence-building to multiple choice, is centered around the language you’re learning. It uses spaced repetition, so if you miss something, it’ll keep coming back until it sticks. And while that might sound annoying, it’s actually one of the most effective ways to build long-term memory. You can also pick the learning style that suits you best—go slow with word matching, or dive into full sentence translations if you’re up for it.That said, the app’s design isn’t as polished as something like Duolingo, and if you’re someone who needs visual bells and whistles to stay motivated, it might feel a bit barebones. But the real value here is in how flexible it is—you can set your own weekly goals, skip the guilt trips for missing a day, and focus on what actually helps you learn. You can hear the pronunciation of each word, learn nouns with their articles (super helpful for gendered languages), and build a vocabulary that’s actually useful. If you’ve bounced off other language apps in the past because they either felt too childish or too intense, Qlango might be the middle path you’ve been looking for. And at this price, it’s not a huge risk to find out.

Paramount+ has a lighter lineup of original content in June, though the platform will stream the live broadcast of the 78th annual Tony Awards from Radio City Music Hall in New York City. The show, hosted by Wicked's Cynthia Erivo, will air live on June 8 for Paramount+ With Showtime subscribers—other viewers can watch on-demand the next day. Other content available for Paramount+ With Showtime users is Love Me (June 16), a post-apocalyptic romance starring Kristen Steward and Steven Yeun, and Noah's Arc: The Movie (June 20), 20 years after the titular show first debuted. Darryl Stephens, Rodney Chester, Doug Spearman, Christian Vincent, Jensen Atwood, and Wilson Cruz are set to reprise their roles. Here’s everything else coming to the service in June. Note that titles with an asterisk are exclusive to Paramount+ With Showtime; everything else is also available to subscribers on the ad-supported plan. Those with two asterisks are available to Paramount+ With Showtime users streaming live on CBS and to all subscribers the following day.Paramount+ Originals and premieres coming in June 2025Available June 8The 78th Annual Tony Awards**Available June 16Love Me*Available June 20Noah's Arc: The Movie,* premiereTV shows coming to Paramount+ in June 2025Available June 4SpongeBob SquarePants (season 14) Available June 11The Really Loud House (season 2) Available June 22Nickelodeon Kids' Choice Awards (on-demand) Available June 25The Patrick Star Show (season 3) Ice Airport Alaska (season 5) The Last Cowboy (season 5) Movies coming to Paramount+ in June 2025Available June 13:10 to Yuma*12 Years a Slave Bad News Bears BlacKkKlansmanBoogie NightsBut I'm a CheerleaderCall Me By Your NameCarolCarriersCenter StageChanging LanesChasing AmyCloverfieldCrawlspaceDaddy Day CampDance FlickDog Day AfternoonDouble Jeopardy Eagle Eye ElfEnemy at the Gates EuroTripEverybody's Fine ExtractFirst Blood HeatwaveHow She MoveHow to Lose a Guy in 10 Days Imagine That In & OutIndiana Jones and the Kingdom of the Crystal SkullIndiana Jones and the Last CrusadeIndiana Jones and the Raiders of the Lost Ark Indiana Jones and the Temple of DoomJawbreakerKinky BootsLaw of DesireLayer Cake Light of My LifeLike a BossMarathon ManMastermindsMilitary Wives*Naked Gun 33 1/3: The Final InsultNo Country for Old MenOrange CountyOverdrivePretty In PinkPulp Fiction Racing with the MoonRambo IIIRambo: First Blood Part II RED* Reservoir Dogs Risky Business Road Trip Run & Gun Saturday Night FeverSave the Last Dance School Ties Scouts Guide to the Zombie Apocalypse She's All That Sky Captain and the World of Tomorrow Stand By Me Teen Titans GO! To the Movies The Autopsy of Jane Doe* The Crossing Guard The Dictator The Fighting Temptations The GamblerThe General's DaughterThe Girl Next Door The Godfather The Godfather Part II The Godfather Coda: The Death of Michael Corleone The Hunt for Red OctoberThe Ides of March The Kings of SummerThe Last Samurai The Lovely Bones The Naked Gun 2 1/2: The Smell of FearThe Naked Gun: From The Files of Police Squad! The Nice Guys The Other Woman* The People vs. Larry Flynt The Running ManThe ShootistThe Space Between Us* The Untouchables Tigerland Tommy BoyTootsie Total Recall (1990) True Grit Whiplash Without a Paddle xXxZola Available June 5Lions for Lambs*

In this article:See more ▼Post may contain affiliate links which give us commissions at no cost to you.When you’re racing down the highway at 80 mph, you’ve got about 3 seconds to grab someone’s attention with your billboard. In those crucial moments, your font choice can make or break your entire advertising campaign. As a designer who’s worked on countless outdoor advertising campaigns, I can tell you that billboard fonts are a completely different beast from what works on your laptop screen. What looks stunning in your design software might be completely illegible from 500 feet away. Billboard typography isn’t just about being big and bold—though that certainly helps. It’s about creating maximum impact with minimal reading time, ensuring your message cuts through visual noise, and making split-second connections with drivers who are focused on the road. In this comprehensive guide, we’ll explore the art and science of billboard fonts. From the towering sans-serifs that dominate Times Square to the custom letterforms that make brands unforgettable, we’ll break down exactly what makes a font work at highway speeds. 👋 Psst... Did you know you can get unlimited downloads of 59,000+ fonts and millions of other creative assets for just $16.95/mo? Learn more »The Ultimate Collection of Billboard-Ready Fonts Not all fonts are created equal when it comes to outdoor advertising. I’ve compiled the most effective billboard fonts that deliver maximum readability and impact from distances that matter. Here are the champions: METZLER METZLER is a minimal sans-serif typeface that embodies simplicity and clarity. Its clean lines and balanced proportions make it ideal for modern design projects, especially in digital environments where readability is crucial.Qualivite Qualivite is a bold serif font that combines vintage charm with contemporary flair. Its strong character and elegant serifs make it perfect for creating impactful headlines and adding a touch of sophistication to design projects.Get 300+ Fonts for FREEEnter your email to download our 100% free "Font Lover's Bundle". For commercial & personal use. No royalties. No fees. No attribution. 100% free to use anywhere. Carientz Carientz is a modern, minimal, and bold sans-serif font that exudes confidence and strength. Its clean, geometric shapes and thick strokes make it an excellent choice for branding, logos, and striking headlines in contemporary designs.Glofin Glofin is a modern and soft bold font that bridges the gap between vintage and contemporary styles. Its rounded edges and bold presence create a friendly yet impactful impression, suitable for a wide range of design applications.RNS Guaire RNS Guaire is a modern and elegant sans-serif font that exudes sophistication. Its refined lines and balanced proportions make it perfect for high-end branding, editorial design, and projects that require a touch of class.Space Space is a minimalist sans-serif font that embraces simplicity and functionality. Its clean, uncluttered design makes it highly legible and versatile, ideal for modern web design, user interfaces, and minimalist branding projects.Lonzies Lonzies is a display sans-serif font with a soft bold style that uniquely combines Christmas and graffiti influences. Its playful yet bold character makes it suitable for creating eye-catching headlines and designs with a urban, festive twist.Boldy Grotesque Boldy Grotesque is a condensed sans-serif font that embodies minimalism and strength. Its narrow letterforms, similar to the popular font Impact, and clean lines make it excellent for creating impactful headlines and efficient use of space in various design contexts.Harlet Harlet is a modern sans-serif font designed with headlines and fashion in mind. Its sleek, contemporary appearance and balanced proportions make it perfect for creating stylish designs in fashion magazines, posters, and branding materials.Alaska Alaska is an adventure-inspired sans-serif typeface that combines minimalism with a nostalgic feel. Its clean lines and subtle vintage touches make it ideal for outdoor-themed designs, travel branding, and projects that aim to evoke a sense of exploration.NORD NORD is a minimal display typeface designed for headlines and logos. Its clean, geometric forms and versatile character make it an excellent choice for modern branding projects, creating impactful headlines, and designing memorable logos.MARXURE MARXURE is a bold headline typeface with a modern edge. Its strong presence and contemporary design make it perfect for creating attention-grabbing headlines in web design, posters, and other media where impact is crucial.Girast Girast is a modern condensed font that combines boldness with efficiency. Its narrow letterforms and contemporary style make it ideal for designs where space is at a premium, such as in packaging, posters, and responsive web design.Bondie Slab Bondie Slab is a condensed slab serif font that combines strength with elegance. Its sturdy serifs and narrow proportions make it excellent for creating impactful headlines and adding a touch of sophistication to various design projects.Roadway Country Roadway Country is a sans-serif font inspired by highway and street signage. Its bold, clear design makes it highly legible and perfect for creating designs with a road trip theme or projects that require a strong, directional feel.JUST Sans JUST Sans is a clean, modern, and minimal geometric typeface. Its simple forms and balanced design make it highly versatile, suitable for a wide range of applications from branding to user interface design where clarity and simplicity are key.BERLIN Rounded BERLIN Rounded is a sans-serif display typeface featuring soft, rounded edges. Its friendly appearance and good readability make it ideal for creating welcoming designs, particularly in branding, packaging, and digital interfaces.CRUX CRUX is a minimal display typeface designed for headlines and logos. Its clean, geometric forms and distinctive character make it perfect for creating memorable branding elements and impactful headlines in modern design projects.Glacier Glacier is a clean and minimal font family that embodies simplicity and elegance. Its crisp lines and balanced proportions make it highly versatile, suitable for both body text and headlines in projects that prioritize clarity and modern aesthetics.Prinles Prinles is a bold font that exudes strength and confidence. Its thick strokes and solid presence make it ideal for creating powerful headlines, impactful logos, and designs that need to make a strong statement.Bensoud Bensoud is a sans-serif font that combines modern simplicity with subtle character. Its clean lines and balanced design make it versatile for various applications, from body text to headlines, especially in projects that require a contemporary yet approachable feel.Quicksed Quicksed is a condensed sans display font designed for efficiency and impact. Its narrow letterforms and clean design make it excellent for headlines, posters, and designs where space is limited but visual impact is crucial.Valeno Valeno is a decorative display font that blends sans-serif simplicity with subtle serif-like details. Its unique character makes it stand out in headlines and logos, perfect for creating distinctive branding and eye-catching designs.Pinnid Pinnid is a modern font that combines sans-serif and serif elements. Its hybrid nature gives it a unique character, making it versatile for various design applications, from contemporary branding to editorial design where a touch of sophistication is desired.Tactico Tactico is a bold font that blends vintage charm with modern boldness. Its strong presence and subtle retro touches make it ideal for creating impactful headlines, logos, and designs that need to combine strength with a hint of nostalgia.NOAH NOAH is a minimalist font that seamlessly blends sans-serif and serif styles. Its clean, versatile design makes it suitable for a wide range of applications, from body text to headlines, especially in projects that require a modern yet timeless aesthetic. What Makes a Font Billboard-Ready? Designing for billboards is like designing for the visually impaired—everything needs to be bigger, bolder, and more contrasted than you think. But there’s more nuance to it than just cranking up the size. Maximum Contrast is your best friend. Billboard fonts need thick strokes and generous white space. Think of fonts like Impact or Bebas Neue—letterforms that create strong silhouettes against any background. Thin, delicate fonts simply disappear at highway viewing distances. Wide Character Spacing prevents letters from bleeding together visually. What looks perfectly spaced on your monitor becomes an illegible blob from 300 feet away. Billboard fonts often feature naturally wide spacing, or you’ll need to manually increase tracking significantly. Simplified Letterforms eliminate visual confusion. Fancy serifs, decorative flourishes, and intricate details get lost in the distance. The most effective billboard fonts strip away everything non-essential, leaving only the core structure of each letter. Consistent Weight Distribution ensures every part of every letter maintains visibility. Fonts with extreme thick-to-thin variations might look elegant up close, but those delicate thin strokes vanish when viewed from afar. Size Matters: Typography at Scale Here’s something that might surprise you: the biggest billboard fonts aren’t necessarily the most readable. There’s actually a science to sizing typography for outdoor advertising. The rule of thumb? For every 10 feet of viewing distance, you need at least 1 inch of letter height. So if drivers will see your billboard from 250 feet away, your main headline needs to be at least 25 inches tall. But that’s just the starting point. Consider the viewing angle too. A billboard positioned perpendicular to traffic gets viewed straight-on, while one at an angle requires larger text to compensate for the distorted perspective. Highway billboards also need larger fonts than city billboards since viewing time is much shorter. Hierarchy becomes critical at billboard scale. Your main message might be 30 inches tall, but secondary information should drop to maybe 15 inches, and fine print shouldn’t go below 8 inches if you expect anyone to read it. Color and Contrast: The Billboard Font’s Best Friends Even the perfect billboard font can fail spectacularly with poor color choices. High contrast isn’t just recommended—it’s absolutely essential for highway visibility. Black on white remains the gold standard for readability, but it’s not always the most eye-catching combination. Dark blue on yellow, white on deep red, or black on bright yellow all deliver excellent contrast while adding visual punch. Avoid color combinations that create vibration effects—like red text on blue backgrounds—which become even more problematic when viewed through car windshields or in varying light conditions. Remember, your billboard needs to work in bright sunlight, during golden hour, and under streetlights. Background considerations matter enormously. A font that’s perfectly readable on a solid background might disappear when placed over a busy photograph or gradient. Many successful billboards use solid color blocks behind text to ensure consistent readability. The Psychology of Highway Typography Billboard fonts don’t just communicate words—they communicate emotions and brand personality in milliseconds. The psychology behind font choice becomes amplified when you’re designing for split-second attention spans. Sans-serif fonts dominate billboard advertising because they project modernity, clarity, and straightforwardness. Brands like Apple, Nike, and Google use clean sans-serifs on their billboards because these fonts align with their contemporary, no-nonsense brand personalities. Bold display fonts work when you want to project energy, excitement, or urgency. Think movie posters, event announcements, or retail sales promotions. These fonts scream for attention—literally and figuratively. Custom lettering helps brands stand out in a sea of standard fonts. Coca-Cola’s distinctive script, McDonald’s golden arches typography, or Disney’s magical letterforms are instantly recognizable from highway distances because they’re completely unique. Digital vs. Traditional Billboard Considerations The rise of digital billboards has changed the font game entirely. Static billboards have one shot to communicate your message, while digital boards can cycle through multiple messages, each with different typographic approaches. Digital billboards allow for animated text, which can help with readability—but it can also become distracting. Simple animations like fading in or sliding can help direct attention, while complex animations often reduce legibility. Digital displays also deal with pixel density limitations. Fonts that look crisp in print might appear pixelated or blurry on LED screens, especially when viewed from angles. Sans-serif fonts generally translate better to digital displays than serif fonts. Brightness and contrast work differently on digital billboards. These displays can achieve much higher contrast ratios than printed billboards, but they also compete with ambient light conditions that change throughout the day. Common Billboard Font Mistakes to Avoid I’ve seen enough billboard design disasters to fill a horror movie. Here are the most common mistakes that turn potentially effective advertising into roadside illegible art. Script fonts might look elegant in wedding invitations, but they’re billboard poison. Cursive letterforms, decorative swashes, and connecting characters become unreadable mush from highway distances. Save the scripts for intimate applications. Thin fonts simply vanish. What looks sophisticated and minimalist on your computer screen becomes invisible on the highway. If you wouldn’t use a font for an eye chart, don’t use it for a billboard. Too many fonts create visual chaos. Stick to one or two fonts maximum. Using three or more fonts on a billboard usually results in a confused, amateur-looking design that fails to communicate effectively. Insufficient contrast between text and background kills readability faster than anything else. That subtle gray text on white background might look trendy, but it’s useless for outdoor advertising. Industry Secrets from Billboard Designers After years in the outdoor advertising industry, I’ve picked up some insider knowledge about what really works for billboard typography. Test at distance before finalizing your design. Print out your billboard concept at a much smaller size and view it from across a large room. If you can’t read it easily from that distance, it won’t work on an actual billboard. Consider viewing conditions beyond just distance. Will drivers see your billboard while going uphill or downhill? Are there trees or buildings that might partially obstruct the view? These factors influence font size and placement decisions. Design for the worst-case scenario. If your billboard is readable during a rainstorm at dusk with dirty windshields, it’ll definitely work under optimal conditions. This usually means going bigger and bolder than your initial instincts suggest. Prioritize the primary message. Your billboard should communicate one main idea instantly. Supporting information can be smaller, but your core message needs to hit like a typographic freight train. The Future of Billboard Typography Billboard fonts continue evolving alongside technology and changing urban landscapes. Digital displays, augmented reality integration, and responsive outdoor advertising are reshaping how we think about highway typography. Variable fonts are starting to appear on digital billboards, allowing designs to adapt based on viewing distance, time of day, or even traffic speed. Imagine fonts that automatically adjust their weight and spacing based on current highway conditions. Interactive elements are becoming more common, with QR codes and social media handles requiring specific typographic treatment to remain scannable at highway speeds. Environmental consciousness is influencing font choices too. Some advertising companies are choosing fonts that require less ink or energy to display, proving that even typography can be sustainable. Making Your Billboard Font Choice Choosing the right font for your billboard campaign requires balancing readability, brand personality, and practical constraints. Start with your message and audience, then work backward to typography that serves both. Consider your brand first. A law firm and a music festival require completely different typographic approaches, even when advertising on the same highway. Your font choice should reinforce brand personality while maintaining highway-speed readability. Think about context. Urban billboards can often use slightly more complex fonts than rural highway signs because viewing distances are shorter and speeds are lower. Location matters as much as message. Test ruthlessly. The most beautiful font in the world is worthless if drivers can’t read your message. When in doubt, choose readability over artistry—your advertising budget depends on it. Billboard fonts represent typography at its most challenging and most impactful. These fonts don’t just carry messages—they deliver them at 70 mph, fighting for attention in a world of visual noise. Master the art of billboard typography, and you’ll master the art of communication itself. So the next time you’re cruising down the highway, pay attention to the fonts flying past your windshield. Notice which ones grab your attention and which ones blend into the background. That’s the difference between typography that works and typography that simply exists. Your billboard has seconds to make an impression. Make sure your font choice makes those seconds count.

Brought to you by: Architect: BNIMCompletion Date:2024Location: Johnston, IowaIn the human cardiovascular system blood, oxygen, and the heart can’t function without one another. At LifeServe Blood Center, a laboratory and blood donation center in Iowa, the building’s integrated design operates the same way: If you take away any component, it doesn’t work as it should. BNIM Architects designed the facility in Johnston, Iowa, to account for privacy, where needed, while also delivering a building that puts its life-saving vocation front and center. LifeServe previously operated out of a former bank downtown. Age, a lack of parking logistics, and a separation of spaces within the building were among the challenges. For its new headquarters it was apparent LifeServe needed a space that wholeheartedly reflected its mission to support long, healthy lives. Horizontally oriented shading devices were implemented on the south- and west-faces. (Kendall McCaugherty) “Being an institution that supports life in the way that they do, the whole idea of well-being was important to them, also longevity in terms of being responsible with regards to materials and building a facility that would last,” Rod Kruse, principal at BNIM, told AN. LifeServe’s new site is located in a suburban setting with easy access to the interstate. The move addressed the need for parking and easy access to its distribution network. For BNIM, working on LifeServe was a real “discovery process,” according to Kruse, which required understanding how the company’s services operate and how a new facility could make these processes more efficient. The 56,290-square-foot building serves myriad purposes: as corporate headquarters, donor center, blood processing laboratory, and as a garage for a fleet of commercial vehicles. The site allows for ease of traffic flow for LifeServe’s fleet of vehicles. (Kendall McCaugherty) The long, linear site spans from east to west; this orientation informed the building’s programming and its facade system. Public-oriented spaces were largely placed to the south side, while support areas such as the bus traffic and lot occupy the north and west faces. The massing comprises two long, horizontal volumes set off from one another in plan. An opening for bus traffic flow was located between the building and the garage area. A primary goal of the facade system was to deliver comfort without compromising character. A robust shading scheme installed over the large spans of glazing was the best solution. BNIM’s design considered glare and heat gain. The firm opted for horizontal shading fins, as solar studies found a horizontal orientation worked better than vertical on the south-, east-, and west-facing elevations. Studies also informed the ideal spacing for the blades, so as to control the amount of light entering the building. They were spaced to also afford views out toward the tree-lined landscape. While typically laboratories are dark, internal spaces with little to no natural light, at LifeServe they were located to take advantage of natural light. Inside, shading devices, like daylight and glare sensors, also keep solar gain at bay. Inside, so that new equipment could be added, ducting and mechanics were systemized on the ceiling. (Kendall McCaugherty) “The facade system basically becomes the architecture and the character of the building,” Kruse added. “It’s a functional element that really results in the architectural expression.” Corten steel was applied on the facade sparingly to leave room for large spans of glass. The shading devices installed on the glazed portions of the building were specified with a similar reddish-brown hue. Precast concrete is largely enveloped by the exterior shading devices but left exposed to face the bus stalls and garage facilities. A diagram shows the installation of the shading system and screens. (Courtesy BNIM) To conceal the bus lot, at the north end, a custom-designed screen serves as an organizational device. It completes the building visually, while also projecting its identity. The pattern on the metal paneling was inspired by blood cells viewed under a microscope. Using imagery, BNIM developed the pattern in its own software. Inside, flexibility was key. To accommodate changing technologies LifeServe needed lab space that could adapt to new equipment. Power distribution was run through the floor, and all the ducting and mechanics were systemized on the ceiling, allowing for future upgrades. Much like the facade, and the human body itself, the interiors operate as an integrated system where aesthetics drive functionality—or perhaps the other way around. Project Specifications Design Architect: BNIM Architect of Record: BNIM Landscape Architect: Confluence Client: LifeServe Blood Centers Contractor: Hansen Company Client Representative: Formation Group Structural Engineer: Raker Rhodes Engineering Lighting Design: MODUS Civil Engineer: Civil Design Advantage Facade System: Tubelite Cladding: Tekko Steel, Petrarch, PDM Precast, David Bear Glass: Vitro Windows: Kingspan, Solatube Doors: Tubelight, Wayne Dalton, Stanley, Uniq-Wall, VT Industries Interior Finishes: Mannington, Delta, Autex, Linea, Bradley, Tarkett, Concreteworks East, Nevamar, Corian, Cambria Fixtures: Waldinger

Heazy IT Tech Verified Oct 28, 2017 4,643 London, UK Nintendo Switch 2 UK £395.99 / £429.99 (w/ Mario Kart World) original screenshot dead From Nintendo UK site  Last edited: Apr 11, 2025 NippleViking Member May 2, 2018 4,702 Jesus. $800 AUD then?   Doctor_Thomas Member Oct 27, 2017 11,467 Ooof.   raspberrymousse Member Mar 19, 2021 5,302 Cheaper than I thought   Stitch AU Member Oct 29, 2017 581 Brisbane, Australia What the fuck, thats $880AU for the mario kart edition.   Type VII Member Oct 31, 2017 2,977 I was expecting £425 so not too bad. At least we know when the preorders go live.   CasuallyDressed Member Jan 13, 2020 1,497 Eek.   Helix Mayor of Clown Town Member Jun 8, 2019 27,003 i thought it was going to be 50 quid cheaper   xendless Teyvat Traveler Member Jan 23, 2019 13,720 Nintendo UK store crashed already it's utterly fucked when preorders drop   Fevaweva Member Oct 30, 2017 7,589 That is about what I expected to be quite honest.   Hutchie Member Oct 27, 2017 1,791 London Decent but will wait n see how much cex sell em so can get rid of my remaining voucher   Charlie0108 Member Oct 29, 2017 4,600 I have £460 set aside for it so ok for me but I was expecting it to be about £50 cheaper.   discogs Member Oct 28, 2017 516 London When are UK preorders coming?   xendless Teyvat Traveler Member Jan 23, 2019 13,720 Hutchie said: Decent but will wait n see how much cex sell em so can get rid of my remaining voucher Click to expand... Click to shrink... On the Switch 1 launch it was way above rrp discogs said: When are UK preorders coming? Click to expand... Click to shrink... The OP image dude....  Swarming1182 Member Jan 14, 2018 534 Hell yeah.   Hutchie Member Oct 27, 2017 1,791 London xendless said: Only Switch 1 launch it was way above rrp Click to expand... Click to shrink... Looks like im waiting 6 months  DECK’ARD Creator of Worms Verified Nov 26, 2017 7,157 UK What I was expecting. Now open the preorders someone!  ItsBradazHD Member Nov 21, 2018 835 35 quid extra for mario kart is crazy value   J Snow Member Oct 25, 2017 452 About what I expected Hutchie said: Decent but will wait n see how much cex sell em so can get rid of my remaining voucher Click to expand... Click to shrink... I was thinking this but I went in today and they're selling second hand games more expensive than Argos a few doors down, I would really love to know what "algorithm" they use to calculate pricing   Tora The Enlightened Wise Ones Member Jun 17, 2018 8,983 Easily justifiable   Ara63 Member Nov 21, 2023 1,185 Given the other pricing news, if you care about Mario Kart at all buying that UK bundle is likely the cheapest deal for anyone worldwide.   Lowrys Member Oct 25, 2017 14,664 London discogs said: When are UK preorders coming? Click to expand... Click to shrink... 8 April. Gives all the scalpers and bots time to get ready ans vacuum them all up. Ridiculous. Just make them live now and let consumers have a chance.   Hutchie Member Oct 27, 2017 1,791 London Anyone got software prices? Apparently mario kart is €90 physical   Raiden Member Nov 6, 2017 3,032 Okay i'll take it. Do we have a official release date?   Axe Member Oct 27, 2017 3,590 United Kingdom I honestly was bracing for worse pricing for us.   geehepea Member Aug 5, 2024 358 about what I expected   Byron Hinson Member Nov 14, 2017 1,361 UK It'll be the cart pricing that's the killer   Swarming1182 Member Jan 14, 2018 534 Annoyed they chose to delay pre-orders. it just lets scalpers and bots grab them. The price is incredibly reasonable given the evident horsepower of this device, and especially with the Mario Kart World bundle, crazy good value.  Gowans Moderator Oct 27, 2017 5,833 North East, UK What about UK games prices?   Helix Mayor of Clown Town Member Jun 8, 2019 27,003 ngl though i'm not keen on getting MK World, it's crazy not to get that bundle cuz MK is just expensive on its own lol   harry the spy Member Oct 25, 2017 3,376 Do we know where we will be able to preorder from   Mutedpenguin Member Dec 5, 2017 1,392 Obviously I'll get the Mario Kart bundle(if I can)...but I feel it would be a much easier sell to the masses, if it was £399 including the game.   GovernWort Prophet of Truth Member Feb 20, 2020 1,093 Gowans said: What about UK games prices? Click to expand... Click to shrink... View: https://imgur.com/yzDDQ4Y   Bishop89 What Are Ya' Selling? Member Oct 25, 2017 42,772 Melbourne, Australia Stitch AU said: What the fuck, thats $880AU for the mario kart edition. Click to expand... Click to shrink... More than a ps5, crazy.   Willy Member Oct 27, 2017 402 I said £379 at the lowest previously so I wasn't far off. Honestly, not the worst price if you want Mario Kart World in the bundle. I think I'll be waiting for more first party games to come out though. edit - £75 physical games. Ouch.  cursed beef Member Jan 3, 2021 946 so physical is just dead dead huh? nintendo said fuck families   Gowans Moderator Oct 27, 2017 5,833 North East, UK Thank you, £75 seems wild esspecially in an age of cheap PC games and Game Pass.  GovernWort Prophet of Truth Member Feb 20, 2020 1,093 This is on the Nintendo UK site. Pro controller is £75 and the GC controller is £59  IIFloodyII Member Oct 26, 2017 27,432 Was expecting 400 so not too bad ther. But they can absolutely fuck off with the £75 for games.   Helix Mayor of Clown Town Member Jun 8, 2019 27,003 75 quid for flagship Nintendo games?…..   geehepea Member Aug 5, 2024 358 Prices for all accessories and software announced in the direct Edit: also noticed this smallprint on the page Pre-orders for Nintendo Switch 2 digital games, upgrade packs and amiibo will open on My Nintendo Store from 24/04.  Koukalaka Member Oct 28, 2017 10,399 Scotland ItsBradazHD said: 35 quid extra for mario kart is crazy value Click to expand... Click to shrink... Yeah, I expect the bundle will fly off the shelves considering it's a £30 saving  Snarfington Avenger Oct 25, 2017 3,154 GovernWort said: This is on the Nintendo UK site. Pro controller is £75 and the GC controller is £59 Click to expand... Click to shrink... Hmm I think I qualify but will have to check on the emails, wonder where I can do that? Hope it's not some rando newsletter  GokouD Member Oct 30, 2017 1,348 Game prices could be worse really, given the euro/dollar prices. And that's from the Nintendo store, you can probably knock £10 off at Amazon or Smyths.   shadowman16 Member Oct 25, 2017 41,549 Not super happy about the prices... but Im a fool and will be getting DK and MK for sure... ANd Yakuza and SF...   jazzfunkgreats Member Oct 7, 2019 307 I fit the criteria for the invitation thing on playtime and subscription length but I've only just turned on newsletters now, so I'm not expecting much. I knew I should have just embraced the spam   JayCB64 Member Oct 25, 2017 11,418 Wales Honestly I thought it would be a little worse lol   IDreamOfHime Member Oct 27, 2017 16,363 I don't actually mind that price, especially the Mario Kart bundle price. Hoping to buy from Amazon....kept my Xmas gift vouchers for this. My plan this gen is digital only, I don't have the space for boxes anymore.  Ocarina_117 Member Oct 26, 2017 9,887 Not as angry as others with this pricing to be honest. I get a tonne of time out of Nintendo games and their first party releases are spaced out nicely.  LewieP Member Oct 26, 2017 19,822 I was expecting £399 for the system to saved a cool £4.  

This German Town Carefully Reconstructed a 5,500-Year-Old Megalithic Monument After years of excavation and study, archaeologists have restored the Küsterberg burial site to its original layout to celebrate the annual European Day of Megalithic Culture Volunteers and archaeologists rebuilt the tomb site, lifting massive stones with modern excavation tools. Saxony-Anhalt State Office for Monument Preservation and Archaeology / Barbara Fritsch The Haldensleben forest in the German state of Saxony-Anhalt is home to more than 80 megalithic tombs from the Neolithic period—the largest concentration of such structures in central Europe. While some remain in fair condition, others have fallen victim to hazards ranging from ancient invasions to modern development. But instead of awaiting further decay, the town of Haldensleben has rebuilt a prominent 5,500-year-old tomb site known as Küsterberg to celebrate the European Day of Megalithic Culture, an annual holiday on the last Sunday of April. Archaeologists first excavated Küsterberg, located in a field southeast of Haldensleben, between 2010 and 2013, according to a statement from the Saxony-Anhalt State Office for Monument Preservation and Archaeology. Based on their findings, they were able to create a detailed plan of the site’s original layout. The semicircular site includes layers of rings around a central burial chamber, which is oriented from east to west. Saxony-Anhalt State Office for Monument Preservation and Archaeology / Anja Lochner-Rechta With the help of modern surveying equipment, excavators and a group of volunteers, archaeologists moved the massive granite megaliths stone by stone. In late April, the team unveiled the site, which has been transformed into an approximation of its original Neolithic layout. Like many Neolithic burial sites, Küsterberg is oriented from east to west. Some scholars speculate that this practice was meant to link the path of the sun to the course of a human life, according to Artnet’s Richard Whiddington. With an opening on the southern side, the semi-circular interior burial chamber once measured nearly 40 feet long and about 6.5 feet wide. It featured 19 orthostats—upright stone slabs—with seven capstones on top. Neolithic masons filled the gaps between individual stones with shards of greywacke, a type of sandstone that also lined the chamber floor. The reconstruction was based on years of measurements and careful study of the site's original layout. Saxony-Anhalt State Office for Monument Preservation and Archaeology / Barbara Fritsch The burial chamber was surrounded by 16 megaliths spaced about 6.5 feet apart. These gaps were also filled with greywacke. The complex was ringed by an earthen mound, which archaeologists suspect was built with dirt taken from a nearby hill. The reason for the abundance of burial sites in the region is the dense population that once lived in the forests, as Johannes Müller, an archaeologist at the University of Kiel, tells the German TV station MDR-Fernsehen. He adds that scholars have identified ten settlements nearby, and every family may have built their own gravesite. Barbara Fritsch, an archaeologist with the State Office for Monument Preservation and Archaeology, tells MDR-Fernsehen that the site was built around 3600 B.C.E., when migrants from northwestern Europe settled in the area. An aerial view of the reconstructed Küsterberg site Saxony-Anhalt State Office for Monument Preservation and Archaeology / Barbara Fritsch However, some 3,000 years ago—around the transition from the Bronze Age to the Iron Age—newcomers to the area disturbed the burial site by removing parts of the mound and displacing stones. Much later, agriculture and road construction caused additional damage to sites like Küsterberg throughout central Europe. Last year, archaeologists uncovered a Neolithic burial landscape, including burial mounds and cattle sacrifices, as they excavated the site of a proposed Intel semiconductor fabrication plant in Magdeburg, Germany, per Artnet. Now reconstructed and preserved, the Küsterberg site will join Megalithic Routes, a network of European archaeological sites from the Neolithic period, per a statement from the University of Kiel. Researchers hope it will “inspire visitors with enthusiasm for the region and its long history.” Get the latest stories in your inbox every weekday.

Pictured Above: Designer Annie Anderson's Colonial home in Kansas City.Jump to:Colonial-style homes belong to one of the most recognizable residential architectural styles in the United States. It originated during the European colonization of the Americas in the 17th and 18th centuries—British, Dutch, Spanish, and French settlers brought with them building traditions from their home countries, which were then adapted to suit local climates using local materials. As a result, Colonial-style architecture encompasses various subtypes based on the country of origin and regional adaptations within the U.S.Of course, there are many overlaps between these variations in Colonial-style architecture. In general, Colonial-style homes are most easily recognized for their symmetrical façades, gabled roofs, and closed-concept interiors. While Colonial-style homes have evolved over the centuries—their modern interpretation is the Colonial Revival style—they remain one of the most popular residential architectural styles in the U.S. today. Here's what you need to know about their historical design.Related StoriesKey Features of a Colonial-Style HouseThomas LoofA center hall Colonial home built in 1790 on five acres in Bedford, New York.Most Colonial-style homes share a number of key characteristics.Symmetrical façades: Colonial-style homes most commonly have a balanced, rectangular shape with a centered front door and evenly spaced windows.Two or more stories: Traditional Colonial-style homes are typically two or three stories tall, with living spaces on the first floor and bedrooms on upper floors.Gabled roofs: These homes commonly have gabled roofs with steep pitches.Central chimney or double chimneys: Early Colonial-style homes usually feature a large central chimney, though later variations may have pairs of chimneys, one located on each side of the house.Double-hung windows: Double-hung windows with multiple panes are evenly spaced across the façade of Colonial-style homes. They often, but not always, have shutters.Wood, brick or stone exteriors: Traditional exterior materials include clapboard siding, brick, and stone, depending on regional influences.Minimal embellishments: Colonial-style homes feature simpler design choices, particularly on their exteriors.Types of Colonial HomesColonial-style homes can be found across the U.S., with various regions featuring different adaptations. But the most dominant factor in determining subtypes is the architectural style's country of origin.FOTOGRAFIA INC.//Getty ImagesBritish Colonial: The most common subtype of Colonial-style homes, British Colonial architecture emphasizes symmetry and simplicity. On their exteriors, they often have brick or wood façades, shuttered windows, and central doorways. Interiors are compartmentalized, typically with a central hallway flanked by formal living and dining rooms.Johnrob//Getty ImagesDutch Colonial: Dutch Colonial-style homes are easily identified by their gambrel roofs, which make them look like classic barns. These homes were originally constructed by Dutch settlers in the Northeast and may also feature flared eaves, dormer windows, and broad porches.csfotoimages//Getty ImagesSpanish Colonial: Found primarily in the American Southwest and parts of California, Spanish Colonial-style homes are the most distinctive type of Colonial-style architecture, veering away from East Coast styles. Often a single story and built around a courtyard or patio, they are typically constructed with white stucco walls, red clay tile roofs, and arched entryways.TerryJ//Getty ImagesFrench Colonial: Popular in Louisiana and along the Mississippi River, French Colonial-style homes are known for their square profiles, wide porches, hipped roofs, and high-ceilinged floors.VELEZGREENE//Getty ImagesGeorgian: Georgian Colonial-style homes emphasize proportion and symmetry to a high degree—they will always have perfectly symmetrical façades. Common characteristics include paneled front doors with pilasters, brick exteriors, and dual chimneys. They were most popular during the reign of Britain's first four King Georges, or roughly from the early 18th to early 19th centuries.John Penney//Getty ImagesSaltbox: A subtype of Colonial architecture specific to New England, the saltbox house has two stories in the front and one story in the back. Its most distinctive trait is a long, pitched roof that slopes down from front to back, creating a distinctive asymmetrical profile. Originally developed as a way to add space without constructing a full addition, saltbox houses are usually wood-framed with clapboard siding and often feature a large central chimney.Advantages of Colonial-Style HomesJared KuziaInterior of a Boston Colonial Revival home, designed by Cecilia Casagrande.Colonial-style homes offer numerous benefits that continue to appeal to modern homeowners.Classic curb appeal: Their symmetrical design and timeless style are attractive to many homeowners.Defined spaces: Separate rooms in the closed-concept plan provide privacy and noise reduction, which can be ideal for families or remote work.Easy to expand: The simple rectangular floor plan makes it relatively straightforward to add extensions.Strong resale value: Their enduring appeal and association with tradition often make them desirable in the real estate market.Related StoryDisadvantages of Colonial-Style HousesThough Colonial-style homes are admired for their beauty, they do come with a few drawbacks, depending on personal preferences. Closed-concept layout: If you're interested in open floor plans, a traditional Colonial-style home might not be for you. Plus, some spaces, such as kitchens, may be smaller than you're accustomed to.Multi-floor living: Because Colonial-style homes almost always have multiple floors, they're not ideal for those with decreased mobility.Traditional style: Some might find the very traditional aesthetic of Colonial-style homes to feel boring or cookie-cutter.Renovation costs: Updating a Colonial-style home to modern standards—especially in terms of HVAC, plumbing, or electrical systems—can be costly due to the home's age and structure.Related StoryWhat's the Difference Between Colonial-Style and Colonial Revival Homes?ferrantraite//Getty ImagesWhile Colonial-style and Colonial Revival homes share many similarities, there are important distinctions between the two. Colonial-style homes were built during the 17th and 18th centuries by European settlers in the Americas. Colonial Revival homes, on the other hand, emerged in the late 19th and early 20th centuries as a nostalgic reinterpretation of these earlier designs. While Colonial Revival homes mimic the symmetry and styling of historic Colonial architecture, they are often designed with updated amenities, including open floor plans, larger windows, and improved insulation.Follow House Beautiful on Instagram and TikTok.

In May 2023, Chinese astronauts swabbed several surfaces of their space station Tiangong (Mandarin for "Heavenly Place"), then sent the samples back to Earth for analysis. The results are now in: the sample contained one bacterium never before seen, according to a report in the International Journal of Systemic and Evolutionary Microbiology.New Bacteria in Space Station The samples were taken, according to the paper, to help keep astronauts healthy in subsequent missions. “Understanding the characteristics of microbes during long-term space missions is essential for safeguarding the health of astronauts and maintaining the functionality of spacecraft,” according to the paper.There are multiple plausible explanations for both the bacteria’s presence and novelty. It could have hitch-hiked with the astronauts and remained more or less the same (although thousands have been identified, there are potentially billions of unknown bacterium on our planet). It could have taken that same route, but mutated and evolved. Or it could be a strain only found in space.Bacteria Similarities and AbilitiesTo get a better picture of the possibilities, it might be best to parse the knowns from the unknowns. First, and perhaps most importantly, it is not completely novel. The bacteria shares enough genetic similarities (two significant stretches of DNA match or are conserved) with Niallia circulans for it to be considered the same genus. Therefore, the authors named it Niallia tiangongensis.Its general appearance also doesn’t appear to be completely out of this world. The paper described it as an “[…] aerobic, spore-forming, rod-shaped strain.”It does appear to have some interesting abilities, though. According to the paper, it shows “a unique ability to hydrolyse gelatin.” This means it can break down some compounds and add components of water to them, perhaps as a way to feed themselves in an environment with little available food.Adaptations to SpaceDifferences in two proteins that resemble those in its cousin hint that it has evolved enhanced abilities to protect itself from some conditions specific to space. Those include tools to create a biofilm it could perhaps hide beneath, and the means to repair damage from radiation, among other abilities.Its terrestrial cousin has one concerning ability. It can cause infection — even sepsis. Knowing whether N. tiangongensis can do the same, and if so, at what level, will likely be the subject of further investigation, since such understanding is a key part of the China Space Station Habitation Area Microbiome Program (CHAMP) that led to its collection, return, and analysis.Article SourcesOur writers at Discovermagazine.com use peer-reviewed studies and high-quality sources for our articles, and our editors review for scientific accuracy and editorial standards. Review the sources used below for this article:International Journal of Systemic and Evolutionary Microbiology. Niallia tiangongensis sp. nov., isolated from the China Space Station Before joining Discover Magazine, Paul Smaglik spent over 20 years as a science journalist, specializing in U.S. life science policy and global scientific career issues. He began his career in newspapers, but switched to scientific magazines. His work has appeared in publications including Science News, Science, Nature, and Scientific American.