People Can Fly, announced that the company has suspended development on two games -- Project Gemini and Project Bifrost.

CD Projekt RED’s The Witcher 3: Wild Hunt recently celebrated its tenth anniversary, with the developer confirming one final update this year to add cross-platform mod support. In the latest AnsweRED, the studio reflected on its learnings over the years and how it needs to be “razor-sharp and focused” on its “niche,” per studio co-founder Marcin Iwiński (transcription via GamesRadar). “In all that we’re doing, we’ve learned that we have to be razor-sharp, focused. We cannot do so many things we would love to do, that we are tempted to do. We tried, and it didn’t work out.” As a result, it needs “to focus on what we are good at and really put 100% into it.” As a result, Joint CEO Adam Badowski noted, the studio opted to develop multiple projects. “That’s why we switched from a single project company to a multiple project company. But everything is in our strategy.” “We’re gonna develop AAA RPG, open-world narrative-driven games, and this is our – let’s say – niche. So the focus is there.” While it sounds simple in practice, Iwiński highlighted how challenging it can be, especially when other developers are working on cool things. “When you’re growing, it’s hard because there are all these temptations, and these people are doing this stuff online, and it’s so cool, and we love to play it, and – you think, ‘Okay, no, let’s take a deep breath and come back to what we’re doing,’ because if we spread ourselves too thin, we’ll not deliver.” CD Projekt RED recently announced that Project Orion has entered the pre-production phase, and based on the developer’s past projects, it may take four to five years to finish. Of course, the Cyberpunk 2 name stood out, but PR manager Ola Sondej clarified that it means “another game” in the universe rather than the official title. The Witcher 4 is also in development, and though it received a cinematic trailer at The Game Awards 2024, a release date, platforms, and gameplay have yet to be announced.

Call of Duty: Black Ops 6 now shows you microtransaction ads when you swap weapons "Actively witnessing Call of Duty become the Krusty Krab." Image credit: Eurogamer / Activision / u/whambampl News by Vikki Blake Contributor Published on June 1, 2025 Eagle-eyed Call of Duty: Black Ops 6 players have spotted a new feature on the weapon selection menu. Right at the top there now sits advertisements promoting premium weapons and skins, so players get exposed to ads for microtransactions in-game. As some players point out, it's not an advert in the classic sense, and no one's trying to flog you a cheeseburger or a pair of jeans every time you swap a weapon. Nonetheless, it's a new and insidious addition that we haven't seen in Call of Duty games before. Call of Duty: Black Ops 6 Opening Scene and Gameplay (4K).Watch on YouTube "One of the unwelcome changes I’ve noticed with Season 4 is that they’ve now inserted a new ad spot at the top of the list of your weapon specifics builds," wrote one player. "So now every time you toggle between weapon builds you get to stare at ads for $20-$30 skins. I’m sure the Activision developer who suggested this terrible feature is very proud of themselves. "This change is especially unneeded because you could already toggle from Builds to Shop on any given weapon and apparently not being thrown directly in our faces didn’t make them enough money. Many of us payed [sic] $60-$100 for a feature game and don’t want to be bombarded with additional ads." "Actively witnessing Call of Duty become [SpongeBob SquarePants'] the Krusty Krab," replied another. Season 4 brings new ad spot in game for weapons byu/whambampl inblackops6 To see this content please enable targeting cookies. "Well guys looks like COD can suck a fat one," replied someone else. "This ad mess is ridiculous. They make huge bank already for them to even do this should be illegal. I've never been done with a COD this fast ever. But she's getting deleted. You can't scrounge people for money and not have a decent game. I'm not asking for a great game, just not a buggy game." In a separate thread that's been upvoted almost a thousand times, one player opined: "I wouldn't even be mad if this was just in warzone, a free game, but putting it in a pay-to-play premium title, with how expensive they're getting?" "Agree 100%, it really feels like one of those free cell phone games from a tiny indie studio begging you for money at every turn. Pathetic for a full price, stand alone game from a huge developer," replied another. Earlier this year, in a update shared on social media, developer Treyarch said it recognised cheaters "are frustrating and severely impact the experience for our community" but insisted it was addressing the issue, and will continue to do so "throughout 2025". At the same time, it confirmed 136,000 ranked play accounts were banned for cheating across both Call of Duty: Black Ops 6 and Warzone.

Nichols Canyon cuts through the south side of the Hollywood Hills, stretching from Hollywood Boulevard in the south up to Mulholland Drive in the north. Made famous by David Hockney, whose 1980 painting of the canyon sold for just over $41M in 2020, the area remains a thriving artist's community. What better place for Elle Decor A-List designer Oliver Furth to build a "creative cottage" for his partner, The Culture Creative founder Sean Yashar?Furth and Yashar, who've been together 14 years, met in the industry and purchased their home 7 years ago. When the lot next door—a pines-filled acre with a tiny house on it—came up for sale, the couple jumped at the chance to buy. "Anyone else would've torn it down and built something bigger," says Furth. "We replaced the windows and redid the kitchen and bathrooms, but we leaned into its size." Now drenched in Yashar's signature "eau de nil" pastel tones, the cottage embraces the character of its original 1940s structure while serving as a cutting-edge space for creativity.Kort HavensIn the sitting room, a Philippe Starck chrome side table from the original Royalton Hotel, from 1988, holds a place of pride with a group of Peter Shire and Ron Arad vintage chairs and a Rachel Shillander pyramidal lamp. Art includes greats of LA’s past and present: a Laddie John Dill mixed media, a Sam Falls tapestry, a Tom Holland metal relief, and a Strauss Bourque-LaFrance painting."All of my work is really portraiture." —Oliver Furth"My clients are all muses to me," says Yashar, who provides consulting services for designers. "I have to be a good listener and understand who the client is and how they connect to decorative arts history, so I spend a lot of time researching. How else can I be an authority?"To that end, the space is designed to provide a moment to reflect and the fodder to rev into high gear in equal measures; to facilitate rest as much as the chance to recharge. Following in the footsteps of Albert Hadley and Tony Duquette (who once declared malachite a neutral), Furth color-drenched the space in a mint green. "That color is the envelope—that's what I call it," says Furth. "We kept it very tight by lacquering the floors, the walls, and the ceiling in that color. Even the cabinetry and the appliances are in that mint. It allows us to have this object-driven interior space by unifying everything with color."Kort HavensA vintage Joe D’Urso for Knoll desk, Sam Maloof desk chair, Christopher Prinz stool and felt-clad speaker by Studio AHEAD create a sleek composition under an Ingo Mauer chandelier in the office. Art includes a triptych of photographs by David Benjamin Sherry, and framed magazine ads from Yashar’s parents’ furniture store, Moda Italia, from 1990.The seafoam hue unites not only the interior, but also decades of decorative history: Yashar found that the architect Paul Williams, who worked in LA in the 1940's and 50's, used a similar shade in many projects. "There's a lot of history and narrative within this color that maybe not everyone will be able to know, but hopefully everyone can feel," says Yashar. Clocking in at roughly 1,000-square-feet, the interior is now a mixture of millennial aesthetics, showcasing Yashar's love for design culture icons like Mario Buatta and Saul Bass. The entry sets the tone with its metal-and-glass Dutch door. A mixed-use meeting room offers a blend of contrasts, from Buatta-inspired shades in a Dickies-esque khaki twill to antique Chippendale chairs juxtaposed with 1990s Marc Newson tables. "All of my work is really portraiture," says Furth, "so this was an opportunity to help create this sort of portrait of Sean and his business." "Sometimes things just resonate...you just know when it's right." —Sean YasharThe sitting room features iconic design pieces, including a worn black leather sofa from the 1980s and a Philippe Starck table from the Royalton Hotel. Peter Shire and Ron Arad chairs are paired with conceptual furniture inspired by Dan Friedman. The kitchen celebrates postwar and ’80s influences with Smeg appliances and works by Soft Baroque and Patrick Nagel, grounded by a custom table from Studio MUKA. "A lot of people know me for my interest in eighties and nineties design culture," says Yashar. "But when I think eighties or nineties, I don't think of one thing. I don't want to choose. So I want to have Joe D'Urso high-tech track lighting, and I want it against these Mario Buatta-style balloon shades. I like that duality."Outside, a Persian-inspired courtyard nods to Yashar's heritage while offering dining and lounging areas that showcase rare 1980s furniture, including a Peter Lane ceramic table and one-off mint-colored Richard Schultz seating. The courtyard’s natural and faux vine murals create a satirical trompe-l’oeil effect, celebrating real-versus-virtual artistry. "I think we're both big believers in feeling," says Yashar. "Sometimes things just resonate. You can't really put your finger on it, but you just know that it's right."Sean SantiagoDeputy EditorSean Santiago is ELLE Decor's Deputy Editor, covering news, trends and talents in interior design, hospitality and travel, culture, and luxury shopping. Since starting his career at an interior design firm in 2011, he has gone on to cover the industry for Vogue, Architectural Digest, Sight Unseen, PIN-UP and Domino. He is the author of The Lonny Home (Weldon Owens, 2018), has produced scripted social content for brands including West Elm and Streeteasy, and is sometimes recognized on the street for his Instagram Reels series, #DanceToDecor

Build A Rocket Boy’s Leslie Benzies has spoken about MindsEye and how the studio plans to offer a value-for-money experience without any filler. However, it’s only the first step in a longer game, which includes a “big overarching ten-year plan.” While speaking to GamesIndustry.biz, Benzies reiterated that the title would continue receiving new content. “Some of the content, like races, are made just for fun. But [with] most of the content, we’ll try and incorporate it into the story. So once you’ve played the big overarching ten-year plan, you’ll have a very good idea of what this universe looks like.” There are plans for multiplayer and a fully open world, but it’s also looking at “what players are creating and incorporating that into our plans. Given the ease of the tools, we think there will be a high percentage of players who will jump in and give it a try, see how it feels, and then decide. Hopefully, some will create compelling content we can then promote and make that part of our plans to push to other players.” Interestingly, the story of MindsEye is “bang in the middle” of the greater narrative that Build A Rocket Boy wants to tell. “So, we’re going to go back 10,000 years, then we’re going to go forward a certain amount of time. It’s the relevant piece of the puzzle that will have players asking questions of what the bigger story is,” said Benzies. This is the reason why the studio hasn’t showcased footage for “huge parts” of the experience. The studio wants to avoid spoilers, but he does tease that the story takes some “unusual twists.” As for multiplayer, Benzies said, “The dream from the building side is to allow players the opportunity to create their own multiplayer open-world games with ease. Anyone could pick up the game, jump in, drive around, stop at a point where they saw something of interest, build a little mission, jump back in the car, drive again, and build another mission. Once you’ve built a couple of hundred of these, you’ve built your own open-world game. So, that’s the build side.” However, Build A Rocket Boy also wants to develop “a place where people can socialise, play together, and engage in the stories that we build.” As such, an open-world multiplayer title is planned for next year, unfolding one year after the events of MindsEye. You can also expect an open-world free-roam title to bridge the gap between the two releases. “All of these stories interconnect in a fairly unique and original way, which I think players like these days. They like the complexity of deeper stories.” MindsEye launches on June 10th for Xbox Series X/S, PS5, and PC. Check out the overview trailer and post-launch roadmap.

Electronic Arts’ recent cancellation of Black Panther and the closure of Cliffhanger Games are the latest for the publisher as it looks to focus on key franchises like The Sims, Apex Legends, etc. However, its partnership with Marvel continues, which makes Black Panther’s cancellation that much more mysterious. Bloomberg’s Jason Schreier spoke to sources familiar with the project, and it was alleged to still be in the pre-production phase since starting development about four years prior. It led to frustration among leadership, even though Black Panther passed a “gate,” EA’s term for “a development milestone where executives review a game’s progress and decide whether to continue production.” Cliffhanger was founded in 2021, and building up the studio alongside the title proved challenging, and an “elongated” ideation period, combined with high salaries due to the studio’s base in Kirkland, Washington, didn’t help. The team reportedly began scaling up only recently (some layoffs were only there for a few weeks) to create a vertical slice. EA isn’t completely done with Marvel titles, though, as development on Motive’s Iron Man continues. Stay tuned for more updates in the meantime.

Polish game developer People Can Fly has confirmed the cancelation of two projects and announced plans to substantially scale down its teams. The Warsaw-based studio cited communication breakdowns with publishers and financial pressures as the cause of the decision, marking People Can Fly's second round of layoffs in just under six months.

In our June issue Our June issue looks at the housing spectrum, with a particular focus on non-market and affordable housing. Odile Hénault starts our journey in Montreal, where two shelters—Le Christin by Atelier Big City and Les Studios du PAS by L. McComber in collaboration with Inform—offer dignity to people experiencing homelessness. We next travel to Beaverton Heights, a transitional housing project in the Region of Durham, Ontario. Designed by Montgomery Sisam Architects, the complex addresses the often-invisible homelessness of a rural area, and expands the aesthetic possibilities of modular construction. In Toronto, we visit Gerrard Healthy Housing by Atkinson Architect, which aims to add gentle density to an established neighbourhood. We also tour Anduhuaun, LGA Architectural Partners’ shelter for Indigenous women, which offers a place of nurture and grounding for its clients. LGA Architectural Partners is the coordinating firm behind the new Canadian Housing Catalogue, a repository of designs for multi-family homes. John Lorinc examines the catalogue’s potential for widespread uptake. Our long-read this month is a report by Yellowknife-based Kristel Derkowski on the driving factors behind the Northern housing crisis—and ways to start addressing it. In this month’s AIA Canada Society Journal, a quartet of Canadian educators explore how architecture schools are contributing to addressing the housing affordability crisis through research, studios, and hands-on initiatives. On the other end of the housing spectrum, Adele Weder visits Revery Architecture’s The Butterfly and First Baptist Church. She looks at how the striking landmark delivers tangible benefits for both residents and the wider public. Our issue is rounded out by an obituary for Dick Mah Sai-Chew (1928-2025), and reviews of books on the history of the barrack, James Strutt’s round houses, and sustainable housing in a circular economy. -Elsa Lam, editor The post June 2025 appeared first on Canadian Architect.

UPDATE 6.07pm: FromSoft has issued a follow up suggestion for players still struggling with matchmaking on Elden Ring Neightreign. In a post on X/Twitter, the developer said: "If you have difficulty matchmaking on PS4 & PS5, please check your NAT type. NAT type 3 may affect matchmaking on PSN. "Check your NAT type with the following steps: Home > Settings > Network > Connection Status > Check Connection Status. "Thank you for your support." Original story follows. ORIGINAL STORY: If you're jumping into Elden Ring Nightreign this weekend and are struggling to find a Player 2 - and/or a Player 3 - you're not alone. In a brief statement posted to official Elden Ring social media accounts about an hour ago (Saturday, 31st May), developer FromSoftware is recommending players "restart the matchmaking process" if they're struggling to find a co-op partner. To see this content please enable targeting cookies. Elden Ring Nightreign For Dummies: Basics For EVERYTHING You Need to Know (But Were Afraid to Ask).Watch on YouTube "Nightfarers. If you encounter issues finding other players when launching an expedition in To see this content please enable targeting cookies. It may not quite fix the issue for all players, however; as one commenter asked in the replies: "How often am I supposed to restart it? Yesterday I spend [sic] several hours restarting it on PS5 to not even play one match…" Finding a co-op partner is pretty important for Nightreign players. As Ed wrote yesterday, he wouldn't recommend Nightreign as a solo game at this point as it's clearly not the intended way to play. However, it seems FromSoftware is aiming to respond to the current backlash to make solo play more feasible, with the studio previously stated it was considering a two-player option post-launch, acknowledging it was "something that was overlooked during development". "FromSoftware's multiplayer spin-off is an exhilarating rush and a celebration of the studio's prior achievements Souls veterans will devour," Ed wrote in our Elden Ring Nightreign review.

Build A Rocket Boy’s MindsEye has had quite the journey in the past week, from finally showcasing extensive gameplay at last to its co-CEO believing that those with negative reactions are “100 percent” financed by “someone.” Nevertheless, studio founder and director Leslie Benzies believes in the game’s vision and offering value for money without the filler. Speaking to GamesIndustry, Benzies said, “I don’t think you can have filler content in games. I think people want the meat and they want the potatoes. We’ve tried to make as much meat as we can if that makes sense.” Though MindsEye’s story was previously touted as requiring about 15 hours to finish, Benzies has since noted that it will take “20ish” hours, which is a “good length for a game.” “What you also find through data is that [with] big games, people don’t play them all. The majority of people – 60% or 70% of people – don’t actually play games to the end.” “So when you’re making something, I would prefer – I’m sure the team would say the same – [that] you had the whole experience from start to finish and not create this 200-hour game. Create something that is finishable but has some side things that will fill out the universe. A lot of the side missions on the play side of MindsEye do fill out the characters’ back stories or fill out what was happening in the world.” As for the price, which is $60, Benzies said, “The world’s in a funny place. People are worried about the price of eggs. So value for money, I think people appreciate that when times are difficult.” The discussion is interesting since titles like Clair Obscur: Expedition 33 and The Elder Scrolls 4: Oblivion Remastered have received praise for offering so much at $49.99. Whether MindsEye can aspire to the same quality of content in its runtime remains to be seen. It launches on June 10th worldwide for Xbox Series X/S, PS5, and PC, but the journey only starts there, with a post-launch roadmap announced. Check it out here.