• So, you’ve decided to embark on your epic journey in Monster Hunter Wilds, and what’s the first thing on your to-do list? Nope, not slaying fearsome beasts – it’s mining for iron ore! Because nothing screams "fantasy adventure" like whacking rocks for shiny metals, right?

    Let’s face it, without iron, your weapons and armor might as well be made of wet cardboard. It’s almost poetic how we’re out here fighting dragons with iron bars we dug up ourselves. So, if you’re looking for that precious mineral, just remember: every swing of your pickaxe is a swing toward mediocrity in a world where everyone else is wielding fire-breathing swords.

    Happy hunting, and
    So, you’ve decided to embark on your epic journey in Monster Hunter Wilds, and what’s the first thing on your to-do list? Nope, not slaying fearsome beasts – it’s mining for iron ore! Because nothing screams "fantasy adventure" like whacking rocks for shiny metals, right? Let’s face it, without iron, your weapons and armor might as well be made of wet cardboard. It’s almost poetic how we’re out here fighting dragons with iron bars we dug up ourselves. So, if you’re looking for that precious mineral, just remember: every swing of your pickaxe is a swing toward mediocrity in a world where everyone else is wielding fire-breathing swords. Happy hunting, and
    www.realite-virtuelle.com
    Dans Monster Hunter Wilds, le fer, c’est la base. Sans lui, vos armes et armures […] Cet article Où trouver le minerai de fer dans Monster Hunter Wilds ? a été publié sur REALITE-VIRTUELLE.COM.
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  • Zet je schrap, want op 28 augustus komt er een gloednieuwe RTS in vroegtijdige toegang! Ja, je leest het goed. Nog een spel dat je moet "ontdekken" in de wereld van gemengde realiteit. Want wie heeft er nou niet genoeg van die eindeloze stapel onvoltooide games?

    Terwijl de echte wereld in chaos verkeert, kunnen we ons weer verliezen in een virtuele fantasie waarin alles mogelijk is - behalve misschien het bereiken van je dagelijkse doelen. Laat de hype maar komen! We weten allemaal dat we het toch weer zullen vergeten zodra de volgende 'must-have' game uitkomt.

    Dus, wie komt er op 28 augustus? Misschien een avatar die
    Zet je schrap, want op 28 augustus komt er een gloednieuwe RTS in vroegtijdige toegang! Ja, je leest het goed. Nog een spel dat je moet "ontdekken" in de wereld van gemengde realiteit. Want wie heeft er nou niet genoeg van die eindeloze stapel onvoltooide games? Terwijl de echte wereld in chaos verkeert, kunnen we ons weer verliezen in een virtuele fantasie waarin alles mogelijk is - behalve misschien het bereiken van je dagelijkse doelen. Laat de hype maar komen! We weten allemaal dat we het toch weer zullen vergeten zodra de volgende 'must-have' game uitkomt. Dus, wie komt er op 28 augustus? Misschien een avatar die
    www.realite-virtuelle.com
    Le monde de la réalité mixte s’apprête à accueillir un nouveau RTS prometteur. Banners & […] Cet article Vous ne devinerez jamais qui débarque en accès anticipé le 28 août a été publié sur REALITE-VIRTUELLE.COM.
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  • So, it seems that James Gunn has decided to take a break from redefining the superhero genre to tackle something a bit more pedestrian: bringing Superman back to life with the help of Wētā FX. Because, you know, what's a superhero movie without some epic Kaiju battles and cube rivers?

    I mean, who doesn’t want to see a guy in tights battling gigantic monsters while floating down a river made of cubes? Apparently, VFX Supervisor Guy Williams is the mastermind behind this visual feast, because clearly, we needed more chaos in our lives.

    Can't wait to see how they justify this with a straight face!

    #Superman #WētāFX #Kaiju #VFX #JamesGunn
    So, it seems that James Gunn has decided to take a break from redefining the superhero genre to tackle something a bit more pedestrian: bringing Superman back to life with the help of Wētā FX. Because, you know, what's a superhero movie without some epic Kaiju battles and cube rivers? I mean, who doesn’t want to see a guy in tights battling gigantic monsters while floating down a river made of cubes? Apparently, VFX Supervisor Guy Williams is the mastermind behind this visual feast, because clearly, we needed more chaos in our lives. Can't wait to see how they justify this with a straight face! #Superman #WētāFX #Kaiju #VFX #JamesGunn
    www.fxguide.com
    VFX Supervisor Guy Williams joins the fxpodcast to reveal how his team brought Kaiju battles, cube rivers, and incredible oners to life for James Gunn’s Superman.
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  • So, I stumbled upon this revolutionary concept: the Pi Pico Powers Parts-Bin Audio Interface. You know, for those times when you want to impress your friends with your "cutting-edge" audio technology but your wallet is emptier than a politician's promise. Apparently, if you dig deep enough into your parts bin—because who doesn’t have a collection of random electronic components lying around?—you can whip up an audio interface that would make even the most budget-conscious audiophile weep with joy.

    Let’s be real for a moment. The idea of “USB audio is great” is like saying “water is wet.” Sure, it’s true, but it’s not exactly breaking news. What’s truly groundbreaking is the notion that you can create something functional from the forgotten scraps of yesterday’s projects. It’s like a DIY episode of “Chopped” but for tech nerds. “Today’s mystery ingredient is a broken USB cable, a suspiciously dusty Raspberry Pi, and a hint of desperation.”

    The beauty of this Pi Pico-powered audio interface is that it’s perfect for those of us who find joy in frugality. Why spend hundreds on a fancy audio device when you can spend several hours cursing at your soldering iron instead? Who needs a professional sound card when you can have the thrill of piecing together a Frankenstein-like contraption that may or may not work? The suspense alone is worth the price of admission!

    And let’s not overlook the aesthetic appeal of having a “custom” audio interface. Forget those sleek, modern designs; nothing says “I’m a tech wizard” quite like a jumble of wires and circuit boards that look like they came straight out of a 1980s sci-fi movie. Your friends will be so impressed by your “unique” setup that they might even forget the sound quality is comparable to that of a tin can.

    Of course, if you’re one of those people who doesn’t have a parts bin filled with modern-day relics, you might just need to take a trip to your local electronics store. But why go through the hassle of spending money when you can just live vicariously through those who do? It’s all about the experience, right? You can sit back, sip your overpriced coffee, and nod knowingly as your friend struggles to make sense of their latest “innovation” while you silently judge their lack of resourcefulness.

    In the end, the Pi Pico Powers Parts-Bin Audio Interface is a shining beacon of hope for those who love to tinker, save a buck, and show off their questionable engineering skills. So, gather your components, roll up your sleeves, and prepare for an adventure that might just end in either a new hobby or a visit to the emergency room. Let the audio experimentation begin!

    #PiPico #AudioInterface #DIYTech #BudgetGadgets #FrugalInnovation
    So, I stumbled upon this revolutionary concept: the Pi Pico Powers Parts-Bin Audio Interface. You know, for those times when you want to impress your friends with your "cutting-edge" audio technology but your wallet is emptier than a politician's promise. Apparently, if you dig deep enough into your parts bin—because who doesn’t have a collection of random electronic components lying around?—you can whip up an audio interface that would make even the most budget-conscious audiophile weep with joy. Let’s be real for a moment. The idea of “USB audio is great” is like saying “water is wet.” Sure, it’s true, but it’s not exactly breaking news. What’s truly groundbreaking is the notion that you can create something functional from the forgotten scraps of yesterday’s projects. It’s like a DIY episode of “Chopped” but for tech nerds. “Today’s mystery ingredient is a broken USB cable, a suspiciously dusty Raspberry Pi, and a hint of desperation.” The beauty of this Pi Pico-powered audio interface is that it’s perfect for those of us who find joy in frugality. Why spend hundreds on a fancy audio device when you can spend several hours cursing at your soldering iron instead? Who needs a professional sound card when you can have the thrill of piecing together a Frankenstein-like contraption that may or may not work? The suspense alone is worth the price of admission! And let’s not overlook the aesthetic appeal of having a “custom” audio interface. Forget those sleek, modern designs; nothing says “I’m a tech wizard” quite like a jumble of wires and circuit boards that look like they came straight out of a 1980s sci-fi movie. Your friends will be so impressed by your “unique” setup that they might even forget the sound quality is comparable to that of a tin can. Of course, if you’re one of those people who doesn’t have a parts bin filled with modern-day relics, you might just need to take a trip to your local electronics store. But why go through the hassle of spending money when you can just live vicariously through those who do? It’s all about the experience, right? You can sit back, sip your overpriced coffee, and nod knowingly as your friend struggles to make sense of their latest “innovation” while you silently judge their lack of resourcefulness. In the end, the Pi Pico Powers Parts-Bin Audio Interface is a shining beacon of hope for those who love to tinker, save a buck, and show off their questionable engineering skills. So, gather your components, roll up your sleeves, and prepare for an adventure that might just end in either a new hobby or a visit to the emergency room. Let the audio experimentation begin! #PiPico #AudioInterface #DIYTech #BudgetGadgets #FrugalInnovation
    hackaday.com
    USB audio is great, but what if you needed to use it and had no budget? Well, depending on the contents of your parts bin, you might be able to …read more
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  • Wētā FX’s expansion to Melbourne is being hailed as a major win in an industry riddled with closures and financial turmoil. But let’s not kid ourselves here—this is not a savior story; it’s a slap in the face to countless talented artists and technicians who are being left behind as the corporate machine churns on. While Wētā FX flaunts its 7 Oscars and 15 scientific and technical Oscars as if they’re badges of honor, the reality is that this expansion might just be another ploy to exploit cheaper labor and maximize profits at the expense of quality and creativity.

    In a time when studios are shutting down left and right, it’s baffling that Wētā FX thinks it’s a good idea to stretch its reach into Melbourne without addressing the glaring issues within its own operations. This is not a victory for the industry; it’s a desperate attempt to keep the lights on while ignoring the systemic problems that plague the visual effects sector. The industry is facing a crisis, and instead of addressing the root causes—overwork, underpayment, and the relentless pressure of unrealistic deadlines—Wētā FX is just trying to grab a bigger piece of the pie.

    Why are we celebrating an expansion that could potentially lead to more instability in the job market? Wētā FX’s move to Melbourne could mean more jobs, yes, but at what cost? What about the existing employees who are already stretched thin? What about the mounting pressure on creative professionals who are forced to churn out blockbuster effects at breakneck speed? This isn’t about creating a sustainable work environment; it’s about profit margins and shareholder satisfaction.

    The problem is not just with Wētā FX; it’s a symptom of a much larger issue within the film and visual effects industry. The constant churn of studios coming and going, along with the relentless demands placed on creative teams, reflects a broken system that prioritizes profits over people. We should be holding companies accountable rather than just cheering for their expansions. If we don’t start demanding change, we’ll continue to see a cycle of burnout, layoffs, and a steady decline in the quality of work that audiences expect.

    And let's talk about the so-called "innovation" that Wētā FX touts. What innovation can we expect when the focus is on expanding to new locations rather than investing in the workforce? New studios don’t equate to new ideas or better working conditions. It’s time to wake up and realize that this is a business-first mentality that’s doing nothing but harming the very fabric of creativity that the industry claims to uphold.

    In conclusion, while Wētā FX makes headlines for its expansion to Melbourne, we should be questioning the motives behind such moves. This isn’t a time for celebration; it’s a time for scrutiny. If we want to see real progress in the industry, we must demand more than just superficial growth. We need to advocate for a system that values the people behind the effects, not just the awards they rack up.

    #WētāFX #VisualEffects #IndustryCritique #JobMarket #CreativeProfessionals
    Wētā FX’s expansion to Melbourne is being hailed as a major win in an industry riddled with closures and financial turmoil. But let’s not kid ourselves here—this is not a savior story; it’s a slap in the face to countless talented artists and technicians who are being left behind as the corporate machine churns on. While Wētā FX flaunts its 7 Oscars and 15 scientific and technical Oscars as if they’re badges of honor, the reality is that this expansion might just be another ploy to exploit cheaper labor and maximize profits at the expense of quality and creativity. In a time when studios are shutting down left and right, it’s baffling that Wētā FX thinks it’s a good idea to stretch its reach into Melbourne without addressing the glaring issues within its own operations. This is not a victory for the industry; it’s a desperate attempt to keep the lights on while ignoring the systemic problems that plague the visual effects sector. The industry is facing a crisis, and instead of addressing the root causes—overwork, underpayment, and the relentless pressure of unrealistic deadlines—Wētā FX is just trying to grab a bigger piece of the pie. Why are we celebrating an expansion that could potentially lead to more instability in the job market? Wētā FX’s move to Melbourne could mean more jobs, yes, but at what cost? What about the existing employees who are already stretched thin? What about the mounting pressure on creative professionals who are forced to churn out blockbuster effects at breakneck speed? This isn’t about creating a sustainable work environment; it’s about profit margins and shareholder satisfaction. The problem is not just with Wētā FX; it’s a symptom of a much larger issue within the film and visual effects industry. The constant churn of studios coming and going, along with the relentless demands placed on creative teams, reflects a broken system that prioritizes profits over people. We should be holding companies accountable rather than just cheering for their expansions. If we don’t start demanding change, we’ll continue to see a cycle of burnout, layoffs, and a steady decline in the quality of work that audiences expect. And let's talk about the so-called "innovation" that Wētā FX touts. What innovation can we expect when the focus is on expanding to new locations rather than investing in the workforce? New studios don’t equate to new ideas or better working conditions. It’s time to wake up and realize that this is a business-first mentality that’s doing nothing but harming the very fabric of creativity that the industry claims to uphold. In conclusion, while Wētā FX makes headlines for its expansion to Melbourne, we should be questioning the motives behind such moves. This isn’t a time for celebration; it’s a time for scrutiny. If we want to see real progress in the industry, we must demand more than just superficial growth. We need to advocate for a system that values the people behind the effects, not just the awards they rack up. #WētāFX #VisualEffects #IndustryCritique #JobMarket #CreativeProfessionals
    3dvf.com
    Alors que les nouvelles de fermetures de studios et de redressements judiciaires se multiplient, certaines entreprises parviennent à tirer leur épingle du jeu. C’est le cas de Wētā FX, le studio d’effets visuels aux 7 Oscars et 15 Oscars
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  • associative crossroads, Festival d’Annecy, round tables, Les Intervalles, 2025 events, community engagement, film festival, networking, associations

    ## Introduction

    Ah, the Festival d’Annecy, that magical time of the year when filmmakers and animation enthusiasts gather to celebrate the beauty of animated cinema. But wait, there’s more! This year, in 2025, we’re not just diving into the whimsical world of animation; we’re also getting our feet wet in the sea of associations at the beloved **Ca...
    associative crossroads, Festival d’Annecy, round tables, Les Intervalles, 2025 events, community engagement, film festival, networking, associations ## Introduction Ah, the Festival d’Annecy, that magical time of the year when filmmakers and animation enthusiasts gather to celebrate the beauty of animated cinema. But wait, there’s more! This year, in 2025, we’re not just diving into the whimsical world of animation; we’re also getting our feet wet in the sea of associations at the beloved **Ca...
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