- Rift Mode A rhythmic battle against streams of monsters pouring out of the Rift!- Mini Game Mode Help Cadence overcome the challenges of the modern world via rhythmic mini games!- Boss Battles Mode Defeat powerful bosses using a one-two punch, to the rhythm of the beat!- A brand new soundtrack from Danny Baranowsky and collaborators!- Mod support, online leaderboards, and more!

Image: Nintendo, UniversalEarlier this month, Nintendo finally lifted the lid on Super Nintendo World's expansion Donkey Kong Country. It's scheduled to open next month on 11th December 2024 and ahead of the big launch, Universal has revealed the entrance and welcomed the first guests to the park.As highlighted by our friends at VGC, some of the park's "highest tier annual pass holders" have had the opportunity to visit the park early. Here's a look at these guests entering this new section and the new entrance (which was not featured in the official Nintendo Direct broadcast earlier this month).Donkey Kong Country is an extension of Super Nintendo World, where you'll be able to explore an area themed around the Donkey Kong series. This includes food, games, rides and merchandise exclusive to this area. There are also Donkey Kong-themed Power-Up Bands!You can see more of Super Nintendo World's Donkey Kong Country expansion in our gallery. Below are few shots (featuring Shigeru Miyamoto) of what it looks like entering this tunnel and also what you'll see on the other end when you exit it:Images: Nintendo, Universal The doors open this DecemberAre you eager to check out this new section of Super Nintendo World? Let us know in the comments.[source videogameschronicle.com]Share:381 Liam is a news writer and reviewer for Nintendo Life and Pure Xbox. He's been writing about games for more than 15 years and is a lifelong fan of Mario and Master Chief. Hold on there, you need to login to post a comment...Related ArticlesMario & Luigi's Future In Doubt As A Potential Sony Acquisition EmergesUpdate: Kadokawa acknowledges Sony's offerLatest 'Switch 2' Rumour Suggests Nintendo Is Preparing For An Enormous LaunchInitial shipments could dwarf previous systems133 Games You Should Pick Up In Nintendo's 'Cyber Deals' Switch eShop Sale (North America)Every game we scored 9/10 or higherNew Switch Emulator Devs Are Jumping Through Hoops To Avoid A Nintendo TakedownNinjas in 3... 2... 1...62 Switch Games You Should Pick Up In Nintendo's Black Friday Sale (Europe)Every Switch game on sale that we rated 9/10+

Raspberry Pi is better known for its single-board computer with a ton of ports sticking out. The most recent of which is the Raspberry Pi 5, which was introduced in September 2023.These small computers are perfect for the education market and for tech enthusiasts looking for a cheap computing device to power an interactive dashboard, create a retro game console, and more.On Wednesday Raspberry Pi is introducing a new product, the Compute Module 5. These system-on-module variants are more compact single-board computers without any traditional ports. That makes them particularly well suited for embedded applications.Many companies are using Raspberry Pi Compute Modules in commercial products. In 2023, the enthusiasts and education segment represented 28% of the companys single-board computer and Compute Module sales, while the industrial and embedded segment accounted for 72% of sales.The new Compute Module 5 starts at $45 and shares many of the specifications of the Raspberry Pi 5, starting with the quad-core Arm Cortex-A76 processor, support for two 4K displays with a 60Hz refresh rate, Gigabit Ethernet, Wi-Fi, and Bluetooth connectivity.Just as with the Compute Module 4, there are a ton of options. You can choose Compute Modules with or without wireless technologies; with 2GB, 4GB or 8GB of RAM; and with up to 64GB of on-board flash storage.The most expensive Compute Module now costs $95. Raspberry Pi also offers an optional passive heatsink that covers the entire Compute Module for $5.Image Credits:Raspberry PiAnd if youre working with the Compute Module 5, you can buy an IO board for $20 that lets you take advantage of all its interfaces and start developing. You can also turn the Compute Module 5 into a small desktop computer with a metal case that protects the Module hardware and the IO board.Now, lets see if Raspberry Pi plans to update the Raspberry Pi 400 next. That device is essentially a keyboard with a built-in Raspberry Pi computer based on the Raspberry Pi 4 and its extremely cute.Image Credits:Raspberry Pi

Helping consumers find the perfect glasses is a booming global business, spawning giants like Warby Parker in the U.S. and Lenskart in India. In the Middle East, this market is producing its own rising powerhouse: Eyewa.Eyewa, based in Dubai and Riyadh, sells a wide range of eyewear products, including prescription glasses, sunglasses, blue light glasses, and contact lenses, through a DTC e-commerce and retail platform across five Mideast markets.Now, the company has raised $100 million Series C round. The round, led by global growth investor General Atlantic, brings Eyewas total funding to $130 million since its 2017 launch.Founded by Anass Boumediene, Mehdi Oudghiri, and Abdullah AlRugaib all former Bain & Company consultants Eyewa initially entered the eyewear market as an e-commerce retailer for third-party brands. However, the company soon launched its own brands after identifying unmet needs in the Middle East.Between 2015 and 2017, co-CEOs Boumediene and Oudghiri led Foodpandas regional operations under Rocket Internet and DeliveryHero ownership. Their experience scaling the food-delivery business which they claim to have grown 50x in three years and taken to profitability motivated them to start their own company.After our time with Foodpanda, we were hooked on entrepreneurship and knew we wanted to start something of our own, shared co-CEO Boumediene on a call with TechCrunch. We wanted to find the right problem to solve, so we started exploring ideas and comparing challenges we saw across different regions.From delivering food to selling eyeglassesThe founders brainstormed 87 ideas, and after filtering options with a list of 15 criteria and conducting a six-month evaluation, they landed on the eyewear market, a vastly different industry from food delivery. They discovered demand for eyewear was growing significantly, but the supply wasnt keeping up. Myopia was rising in the regions relatively young population (one study shows that the prevalence of myopia and high myopia in the UAE is around 27%). In addition, local eyewear companies were focused on in-store sales, rarely did any e-commerce, and their brands werent affordable or tailored to the mass market.With no prior experience in the eyewear industry, Eyewa started by selling eyewear brands, including Ray-Ban, Gucci, Prada, and Johnson & Johnson, online for two years.By then, it had enough data on customer behavior, including cart additions, website searches, and purchase patterns, to design and launch its own in-house brands. Now, Eyewa has nine proprietary brands for diverse preferences, from older customers seeking functional eyewear to younger buyers looking for trendy options. Currently, 96% of Eyewas revenue comes from these in-house brands, which, according to the company, has been key to keeping prices affordable for the mass market, including smaller cities across Saudi Arabia, the UAE, Kuwait, Bahrain, and Oman.Eyewa markets its eyeglasses, even the prescription ones, as fashion accessories, unlike traditional retailers, who tend to treat customers as patients, selling expensive brands like Prada in sterile settings.We kind of turned around the way we look at the eyewear experience, where fashion is the thing that customers really care about from a choice perspective, co-CEO Oudghiri commented on the call. So thats what we focus on in the retail experience and the health care aspect, we take care of it. Were going to give you very high-quality lenses and exhaustive eye tests, and well make sure that you have the best health quality for the eyewear that you buy. But what we want to push in the retail experience is the fashion.Eyewa also keeps prices low: In the Gulf states, Eyewas entry-level eyeglasses, including lenses, are priced around $100, approximately 50% less than similar products available in traditional stores.Scaling its omnichannel experienceAs an e-commerce platform, Eyewa exclusively served customers who already had prescriptions and knew the glasses they wanted. But thats not exactly a mass market. So it began opening retail stores in December 2020 as Covid lockdowns slowly lifted.The move allowed it to reach a broader customer base, as most eyewear shoppers still prefer in-store experiences to try on frames and complete their purchases. This also allowed Eyewa to own the full customer journey by providing eye examinations, which could only happen in physical stores equipped with optometrists and exam rooms.Eyewa raised a $21 million Series B from several investors, including Nuwa Capital and Endeavor Catalyst, in 2021 to scale this effort, and since then, it has grown to 150 stores, all wholly owned and operated no franchises. The startup, which now employs 1,300 people, claims to be the largest eyewear brand in Saudi Arabia by store count and the fastest-growing eyewear retailer globally.To put this growth into perspective: global benchmarks like Warby Parker took seven years to grow from their first store to 100, and Lenskart in India took about six years to achieve the same milestone.Were the fastest growing globally, but even across categories in the GCC, no other retailer in any other vertical did one store to 100 in less than four years. So we really executed super fast, Boumediene remarked.Boumediene declined to disclose how much eyewear the company has sold since its launch but did say Eyewa is profitable and growing at over 50% year-over-year in revenues. The company intends to add at least 100 more stores across six countries, including Qatar, its next market, in 2025; it will also open a production facility and fulfillment centre in Riyadh next quarter, said the executive.With this round, General Atlantic joins a growing list of U.S. investors deepening their presence in the GCC by backing startups and establishing local teams, after receiving capital from the regions sovereign wealth funds. It seems there is a lot of newfound global interest in the region. Weve had the VC ecosystem develop in the last five years, and many investments happen in early stage, commented Mehdi. But its great to see now more established growth and private equity funds starting to look at the region and the likes of General Atlantic coming, and hopefully many more that will follow.Badwa Capital and Turmeric Capital also participated in the round.

In this weeks fxpodcast, we sit down with Alexandra Castin, head of Adobes Firefly generative AI team, to discuss the evolution of generative AI, Adobes unique approach to ethical content creation, and the groundbreaking work behind Firefly.This podcast is not sponsored, but is based on research done for thenew Field Guide to Generative AI. fxguides Mike Seymour was commissioned by NVIDIA to unpack the impact of generative AI on the media and entertainment industries, offering practical applications, ethical considerations, and a roadmap for the future.The Field Guide is free and can be downloaded here: Field Guide to Generative AI. From GANs to Multimodal ModelsAs you will hear in the fxpodcast, Adobes journey with generative AI began in 2020, when Adobe introduced Neural Filters in Photoshop. At the time, the focus was on using GANs (Generative Adversarial Networks) to generate new pixels for creative edits. Today, Adobes scope has expanded dramatically to include Diffusion Models, Transformers, and cutting-edge architectures.For me, the core principle of generative AI hasnt changedits about the computer understanding user intent and synthesizing responses from training data, Alexandra explains. The models have evolved to not only understand and generate text but also create and enhance images, videos, audio, and even 3D assets.Adobe is uniquely positioned in this space, as its product portfolio spans nearly every creative medium. With Firefly, theyve embraced multimodal generative AI to create tools that cater to text, images, audio, video, and beyond.All these images are generated with Adobe Firefly from text alone, with no other input.FireflyFirefly is Adobes flagship generative AI platform, now integrated into industry-leading tools like Photoshop, Illustrator, and Premiere Pro. According to Alexandra, Fireflys strength lies in its training data: At its core is a set of high-quality data we have the right to train on. Thats what sets Firefly apartits both powerful and safe for commercial use.One standout feature is Photoshops Generative Fill, which Alexandra describes as a co-pilot for creatives. Users can guide Photoshop with text prompts, allowing Firefly to generate precise visual results. The technology has democratized generative AI, making it accessible and practical for VFX professionals and enthusiasts alike.Ensuring Ethical AIAdobe has been a staple of the creative community for over four decades, and with Firefly, theyve prioritized respecting artists rights and intellectual property. Alexandra points to Adobes commitment to clean training material as foundational to Fireflys strategy.Weve implemented guide rails to guarantee that Firefly wont generate recognizable characters, trademarks, or logos, she says. This safeguard ensures that users work remains free from unintentional infringementa critical consideration in the commercial space.The C2PA Initiative: Building Trust in MediaOne of Adobes most significant contributions to the generative AI landscape is its leadership in the Coalition for Content Provenance and Authenticity (C2PA). Launched in 2018 from Adobe Research, the initiative addresses the growing concern around misinformation and content authenticity.Think of it like a nutrition label for digital media, Alexandra explains. The goal is to provide transparency about how a piece of content was created, so users can make informed decisions about what theyre consuming.The initiative has attracted over 3,000 organizations, including camera manufacturers, media companies, and AI model creators. By embedding content credentials into outputs, the C2PA aims to establish a universal standard for verifying authenticitya crucial step as generative content continues to explode.Looking AheadAs the generative AI landscape evolves, Firefly represents Adobes commitment to balancing innovation with ethical responsibility. By building tools that empower creators while protecting intellectual property, Adobe is aiming to build a future where generative AI becomes an indispensable part of creative workflows.Join us on this weeks fxpodcast as we dive deeper with Alexandra Castin into the future of generative AI, Adobes strategic plans, and the lessons learned along the way.

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For years, Khalil Gibran International Academy (KGIA)a public school known for offering the first Arabic-English dual-language program in New York Cityhas been sited in a handsome brick school building at the intersection of 3rd Avenue, Schermerhorn Street, and Flatbush Avenue in Downtown Brooklyn. Every day, KGIA students spill out onto a tree-lined triangular plaza overlooking Williamsburgh Savings Bank Tower by Halsey, McCormack & Helmer. KGIAs old building was designed by C. B. J. Snyder, an architect who served as superintendent of New York public schools between 1891 and 1923. During his tenure, Snyder built more than 400 schools in the Beaux Arts, Flemish Renaissance revival, and collegiate gothic styles. The New York Landmarks Conservancy has called Snyder an unsung hero of the city for his efforts.Now, KGIA students and faculty enjoy a new building sandwiched between Flatbush Avenue and State Streetright next to KGIAs old buildingwhich it shares with P.S. 456, or the Elizabeth Jennings School for Bold Explorers. But the design by Architecture Research Office (ARO) isnt far off from the creations Snyder ideated in the century past, albeit with a contemporary twist, and state-of-the-art passive house systems. This is all to say that, in short, the new school by ARO is meant to last.The primary schools pickup and drop-off area is on State Street. (James Ewing/JBSA)They told us, the building had to last 100 years, Stephen Cassell, a principal at ARO, told me one afternoon in November, referring to an early client meeting in 2016 with the New York City School Construction Authority (NYCSCA). We were touring AROs recently completed school building at Alloy Block, together with Adam Yarinsky, a fellow ARO principal. After turning a corner, we noticed that children had taken pink chalk to one of the new buildings exterior walls made of Ironspot brick, with colors that shift in the light, prompting a smile from Cassell and Yarinsky. Seeing kids use the building is really the most rewarding thing, Yarinsky said. We were here a few weeks ago when we met a woman who had just dropped her daughter off. Someone told her that we were the architects, and she unsolicitedly said people are loving the building. Its all been so satisfying.For the KidsYarinsky and Cassell both teach studios at MIT. There, they task students with considering spaces for early childhood education in Boston. ARO has worked on campus projects for some time now, too, including a recently completed hall at University of Washington Tacoma, and an ongoing one for business students at Rice University.ARO is also currently renovating an old bank in Brooklyn Heights that will soon host classrooms for St. Anns, the illustrious school founded by Stanley Bosworth. The Brooklyn offices recently completed school building at Alloy Block was its first for NYCSCA. But it was also the first New York school building that uses passive house principals more broadly. Local Law 31 of 2016, which mandated city-owned capital projects to be built to consume less energy than buildings built under current standards, meant that the playbook had to essentially be rewritten for the school, a challenge ARO responded to with enthusiasm and vigor.The school has a terrace designed by Nelson Byrd Woltz Landscape Architects overlooking Flatbush Avenue. (James Ewing/JBSA)At Alloy Block, the high school (KGIA) and elementary school (P.S. 465) each have dedicated classrooms, libraries, stairwells, and terraces, but share two gymnasiums/auditoriums, and kitchen facilities. The cooking area is sandwiched in between the dining areas, which dont touch. There are also two exterior spaces designed by Nelson Byrd Woltz Landscape Architects: One on the ground floor State Street side, and the other on Flatbush Avenue, one story above the sidewalk level retail space. The lobbies each have bespoke installations by Alfruz Amighi and Wendy Letven, one of which references KGIAs namesake, Khalil Gibran, a Lebanese-American poet. The building they share touches 505 State Street, known as New York Citys first all-electric tower, designed by Alloy, an architecture and development company. Alloy was AROs partner on the school project; it also owns the retail space that spreads into parts of the schools ground floor.A rooftop play area for primary school students is located on the State Street side. (James Ewing/JBSA)The school building and its accompanying tower sit just across from Atlantic Terminal, within walking distance from AROs Downtown Brooklyn office. It impressively uses less than one-third the amount of energy that other New York City school buildings use on average, ARO shared. This will make it the first New York City school building to meet efficiency standards set by Passive Houses Institute US (PHI) when its certification process completes before the year is over. To achieve PHI certification, architects kept super-insulation, airtightness, and heat recovery in mind. All windows are triple-paned, not unlike the recent rehab by Bruner/Cott at Harvard GSDs Gund Hall. Spectacular VernacularInside, the material selection is attractive and economical: The furniture is made of white oak, blue and yellow subway tile lines much of the walls, and the vast stairwells are coated in yellow. The thoughtful interior finishes, matched with Ironspot brick outside, makes the building feel modern and timeless, much like Snyders earlier works all over the city that still stand to this day.Economical materials were selected throughout the school, including blue and yellow subway tiles. (James Ewing/JBSA)The site ARO was given ultimately yielded a thoughtful floorplan, where essentially two volumes meet at a pinch point. Subway lines bustle below grade, necessitating a careful structural grid. Also, a second tower by Alloy will soon go up in the void behind the school, the old Snyder building, and the new all-electric tower. ARO leveraged this floorplate by creating dynamic, angled, corridor spaces that contrast nicely with the typical rectilinear ones from yesteryears that dont perform well for neurodiverse students.Floors four and five host 500 primary school students. Floors six and seven are for 350 high school students. The primary and high schools each have their own vertical circulation infrastructure (stairwells and elevators) to make for ease of passage. For safe pickup and drop-off, the primary schools entry is on State Street, a quiet brownstone-lined road. The high school, meanwhile, is off of Flatbush Avenue, bounded by 3rd and 4th Avenues.State Street and Flatbush Avenue have different energies, so the facades were designed accordingly. The former is serene and has low audio volume; and the latter is typically clogged with traffic, but looks out onto Downtown Brooklyn.A typical high school classroom (James Ewing/JBSA)The dining area for high school students is faced with floor-to-ceiling windows. (James Ewing/JBSA)Repetitive inset windows match the rhythm of the schools neighbors on State Street. Meanwhile, the Flatbush Avenue sides ground plane is lined with glass, and passersby can see into the retail space adjacent to the school building. On the State Street side, the facade shifts in and out just enough to create dynamic shadow lines, offering reliefs. The envelope is made of concrete block back up, a fair amount of insulation, and brick hangers that are longer than normal. These hangers tie the brick to steel, creating deeper windows than your standard new building. Theres a fair amount of detailing that went into the envelope, Cassell said. The windows are actually this subtle green and black hue, something we thought went nicely with the neighboring brownstones.The new schools Ironspot brick was selected to match the context. (James Ewing/JBSA)In the end, these kinds of projects are the most rewarding for us, Yarinsky shared. Its going to be in the city for a long time and theres so much it offers in terms of equity, and supporting very different neighborhoods from all over the city.

Avant BasicA new generation of postmodern design plays into similar 70s pastiche, but without the political teethByElizabeth Goodspeed November 26, 2024Design (Elizabeth Goodspeed)SHAREYou cant step into a millennials apartment today without tripping over a piece of furniture with wiggly lines. From the resurgence of neobaroque furniture to the playful, almost cartoonish typography on product packaging, postmodernism is back, yet again. Once a rebellious movement that sought to undermine the coldness of modernism with irony and eclecticism, postmodernism, or PoMo for short, has mellowed into something a bit more cheerful and accessible, with the focus on visual delight rather than intellectual depth. But theres a reason this trend is sometimes called Avant Basicits avant-garde aesthetics stripped of their edge for the mainstream. Of course, the new millennium has already seen one rehash of postmodernism: the Memphis Groupinspired aesthetics of the Indie Sleaze 2000s. In 2012, mixtapes and graphic tees alike indulged in clashing colors, squiggles, and geometric typefaces like Babyteeth (first made famous in a Bob Dylan poster by Milton Glaser, later resurrected on a 2006 album for the Rapture). But as the word sleaze may suggest, this second pass at Memphis Milano brought much of the same cynicism and cheeky bad taste as its predecessors. While 20th-century postmodernism used irony to question rigidity and dogmatism in modern design, Indie Sleaze PoMo widened its aperture to lambast the prosperity promised by the digital age and consumer-driven culture.Read more on aninteriormag.com. Furniture DesignPostmodernism

The Paris and Brusselsbased practice challenges the colonial authority of the global north, inprojects both close to home and further afieldNew South was shortlisted in the AR Emerging awards 2024. Read about the full shortlist hereIn 1992, Meriem Chabani relocated from Algiers to Paris, where she would grow up holding on to the dream of one day moving back home, a dream that has yet to come true. The experience of living between a nation in the global south and its colonial counterpart in the global north informs New South, the Paris and Brusselsbased architecture practice that Chabani runs with John Edom. New South grew out of a research collective including other members from the diaspora, all united, according to Chabani, by the desire to reset the global south as a locus of knowledge and a centre of contemporary architecture.These principles are realised in built form in the Swann Arr cultural centre in the rural township of Taungdwingyi, Myanmar, designed in collaboration with the architect Franois Le Pivain. The architects were approached by a group of local businessmen looking to support cultural development in the area. The clients wanted a flashy symbol for the town, la Bilbao, an idea that was at odds with New Souths desire for a project rooted in its cultural and material context. This kicked off a yearlong process of refining the brief and convincing the clients of the viability of local precedents; their instinct was to build with brick rather than concrete and steel due to its use in local vernacular architecture and the ability to produce it nearby. The architects then engaged in a process of community consultation and workshops with the clients, local residents and their families. Through this process, New South developed the participatory, researchbased methodology that has become the bedrock of the practices work; it is central to projects currently in construction, including the transformation of the Jacques Franck Square in Brussels, as well as their ongoing refurbishment of the offices of Paris Habitat (Pariss largest social housing landlord).Construction of the Swann Arr cultural centre began in 2019, surviving the Covid19 pandemic and a military coup (during which one of the clients was imprisoned), and was completed in early 2022. The building comprises a cinema, market, exhibition space, multipurpose rooms, offices, caf and media library, its floors connected by a wide, wraparound staircase. The facade at ground level is lined with bamboo shutter doors, which open onto the street, allowing the covered market to spill out.New South are currently in the early stages of another public project in a different context: a mosque and cultural centre in Pariss historically workingclass but now heavily gentrified 11th arrondissement. Once completed, the centre will accommodate up to 1,200 visitors in a series of flexible prayer spaces that will double up as rooms for sport, teaching, meeting and study. This blending of the sacred with the profane ensures that money can be generated from commercial uses, and ties in with the practices ongoing research into how sacred spaces can inform sustainable practices and counter the financialisation of the construction industry.Produced for the 2023 Venice Architecture Biennale, Mediterranean Queendoms is a carpet capturing the history of Meriem Chabanis Algerian family across the Mediterranean. Queendoms are the domestic spaces ruled over by women, across many homes and continentsCredit:New SouthArtistic production is also a key part of New Souths work. Mediterranean Queendoms, a handtufted carpet displayed at the 2023 Venice Architecture Biennale, chronicles domesticity across the Mediterranean, as told through the lens of the matriarchs in Chabanis Algerian family. Chabani wanted to explore a form of storytelling that doesnt borrow from the tools of architectural discourse; instead, New South created a carpet, in reference to the ways North African cultures embed stories in domestic objects through weaving.The practice is currently engaging in the lengthy process of gaining approval and support from the state for the mosque against the backdrop of rising nationalist sentiments, notably demonstrated by the farright National Rally party gaining ground in the 2024 French elections, and the recent passing of the covertly antiMuslim legislation known as the loi sparatisme (separatism law). If realised, the mosque will be the second largest purposebuilt mosque in Paris. The project will bring visibility to Muslim practices that have too often existed at the citys margins.