screencrush.com
There are two great performances in Robert EggersNosferatu.One is by BillSkarsgrd, who is truly terrifying and altogether inhuman as the title character. The other is by Eggers camera, which pans, tilts, swoops, and glides with the uncanny grace of a supernatural being. It works in concert with Skarsgards Count Orlok to stalk and torture the characters and to showeraudience members in dread.The story Eggers tells here is nearly as old ascinema itself; it contains very few surprises for anyone whos seen the prior films that share its title or the ones named after Nosferatus formerly copyrighted cousin, Dracula. The reason to see thisNosferatu anyway is its handsomelydetailed production, which issoaked in gothic atmosphere thanks to incredible design, cinematography, and that creepy Skarsgard performance.Eggers avoided any temptations to update the classic tale, which was first adapted (in unauthorized fashion) from Bram Stokers Draculaby German expressionist director F.W. Murnau in his 1922 silent horror film Nosferatu. Instead, he findscontemporary resonances in the tale of a society besieged bya monstrous plague; swarms of rats follow SkarsgrdsOrlok wherever he goes, bringing with them a veritable pandemic of disease and decay. As the main story involving this undead bloodsucker proceeds in the foreground, the background fills upwith the bodies of the sick and the dying. IfOrlok himself doesnt get you, Eggers suggests, somethingmuch more mundane will and possibly quicker than the vampire.FocusFocusloading...READ MORE: The Best Elevated Horror MoviesNot thatSkarsgrds Orlok presents himself as a stereotypical cinematic vampire, with the cape and the slicked hair and suave Eastern European accent. In Eggers construction, hes more likethe personification of all thats unholy; at one point he refers to himself as An Appetite, nothing more. At his best, he looks sort of like the mascot of a German metal band: Big furry coat, enormous mustache, pointed nose, spindly fingers with enormous clawed nails.At his worst like any good vampire, his form is mutable Orlok looks like hes barely even human, and while hell chomp down on any part of a warm body thats available, his preference is to hunch over a victim, distend his jaw, and chomp straight to the source. (The sound effects that accompany these moments are ... very wet.)No one working today can create a complete horror villain quite likeSkarsgrd (who previously put this skill to very good use in twoItmovies.) He and Eggers made a lot of big choices here: Aguttural growl of avoice, breaths that come in low and unsettling wheezes, shuffling movements, dead-eyed stares. They all paid off. This Orlock is unforgettable.In just about every variation on Dracula and Nosferatu, the count targets a sensuous young woman. In Eggers version, that is Lily-Rose Depps Ellen. Years before the main narrative, a young Ellen prayed for a guardian angel. Instead, she awoke Orlok from some sort of eternal slumber, creating a psychic connection between them that grows even stronger after she marries handsome and ambitious real estate agent Thomas Hutter (Nicholas Hoult).Thomas boss, Herr Knock (Simon McBurney), sendshim off to Transylvania to sell the count a property in their small Germantown. While hes gone, Ellen experiences strange convulsions and terrible nightmares involving the count. Her conditions worsen to the point that Ellens physician Dr. Sievers (Ralph Ineson) calls in reinforcements: His former mentor Professor Eberhart Von Franz (Willem Dafoe).FocusFocusloading...Ellens friend Anna (Emma Corrin) becomes one of Orlocks potential targets as well, helped in part by the fact that Annas husband Friedrich (Aaron Taylor-Johnson) refuses to believe the plague decimating their village bears some larger supernatural origin, even after Dafoes professorshows upto educate the other characters about the occult.(We must know evil to be able to destroy it!says Dafoe at one point,uttering a line that feels like it could be spoken by at least 60 percent of all characters Willem Dafoe has ever played.)You must surely know the rest.Orlok travels there to sample the local cuisine with a special interest in Ellen.Most ofNosferatusset up feels extremely familiar. How could it not, after countless iterations of this story in nearly as many different artistic mediums? What starts to makeNosferatusizzle and shine, even in the shadowy moonlight of a cold German evening, are Eggers stylistic flourishes. In movies likeThe WitchandThe Lighthouse, he displayed a uniquegift for period horror that feels fresh without resorting to modern gimmicky or irony.His moviesplay like they could be the films their characters would have watched in cinemas, had film existed in their time periods in the first place.The same can be said forNosferatu. Although his camera moves in ways Murnaus never could100 years ago, EggersNosferatustill bears manyvisual echoes of the earlier film, especially in its use ofmovingshadows to suggest Orlock prowling through Friedrich and Thomas homes. Throw in some really disgusting practical goreand a couple big jump scares, and you have an extremely effective, extremely old school horror film; made for 2020s tastes but steeped in a tradition thats unnerved fans for over a century.RATING: 8/10FocusFocusloading...Get our free mobile app10 Horror Movies So Extreme They Made People Physically SickDon't watch these movies if you have a weak stomach!Gallery Credit: Emma Stefansky