PRESS RELEASE Digitoonz and Citrus Ink Studio launch DGX, a new disruptive venture in VFX, Animation and GamingDGX is set as a global leading hub to reshape the future of entertainmentNoida, Uttar Pradesh, 3rd December 2024 Digitoonz Media & Entertainment and Citrus Ink Studios proudly announce the launch of their new venture, DGX, a game-changing VFX studio set to push the boundaries of digital creativity and innovation in the entertainment industry. Operating from its primary base in Noida, DGX aims to harness the full potential of VFX leading projects of global reach and delivering unique visual experiences that elevate storytelling across animation, films, television, streaming platforms, and gaming.Under the leadership of Vikas Kumar, Founder and CEO of Digitoonz, and Vrinda Sood, CEO of Citrus Ink Studios, the new venture combines Digitoonzs global production expertise with Citrus Inks renowned creative vision and technological leadership. At its core, DGX focuses on providing premium VFX services tailored to international clients, while leveraging Indias competitive tax incentives, combining financial efficiency with creative excellence.DGX is already engaged in multiple projects and actively planning further international expansions, supported by Digitoonzs growing global presence, including its established office in the USA and recent launch in Spain to strengthen its reach in European markets.Beyond VFX, the studio plans to expand into complementary verticals, including the creation of an Animation Academy to nurture the next generation of talents, the development of original IPs tailored for global audiences, and the enhancement of game design through a cutting-edge approach in order to create immersive, interactive experiences.In this joint venture, both Digitoonz and Citrus Ink Studios bring their respective strengths to the table. Digitoonz, with its large experience and industry expertise, will oversee the day-to-day operations and manage the full production pipeline. On the other hand, Citrus Ink Studios, known for its visionary leadership and creative direction, will play a crucial role in strategic management.DGX represents a bold new chapter for both Digitoonz and Citrus Ink Studios, said Vikas Kumar, CEO of Digitoonz. Our vision is to create a dynamic studio where creativity meets technology, allowing us to craft unparalleled visual experiences. By combining the operational expertise of Digitoonz with the creative leadership of Citrus Ink, we believe DGX will not only deliver exceptional VFX and animation services but also become a key player in the entertainment landscape.Vrinda Sood, CEO of Citrus Ink Studios, added: We are thrilled to join forces with Digitoonz and to combine our extensive expertises in launching DGX. By merging Digitoonzs global production network with Citrus Inks creative excellence and technological innovation, we aim to establish DGX as an international leader, setting new standards in creativity and innovation while making a lasting impact on the global entertainment landscape.Together, Digitoonz and Citrus Ink aim to establish DGX as a dynamic global hub for creativity and innovation. By blending top-tier talent, cutting-edge technology, and forward-thinking strategies, the studio is primed to meet the increasing demand for high-quality entertainment content worldwide.ABOUT DIGITOONZ MEDIA & ENTERTAINMENT PVT. LTD.Digitoonz, founded in 2009, is one of Indias largest animation studios, with studios in New Delhi and Kolkata, as well as offices in Los Angeles, USA, and Madrid, Spain, employing around 600 artists. The company has produced dozens of animated TV series and feature films over the years and continues to expand its offerings across international markets.Website: www.digitoonz.comABOUT CITRUS INK STUDIOSCitrus Ink Studios is a dynamic creative production house specializing in animation, VFX, and digital content development. Known for its innovative storytelling and artistic precision, the studio has produced high-quality visual content for films, television, OTT platforms, and advertising. With a talented team and a forward-thinking approach, Citrus Ink seamlessly blends traditional artistry with cutting-edge technology.Website: Citrus Ink StudiosThe post DGX: Digitoonz and Citrus Ink Studios Join Forces to Launch Premier VFX, Animation, and Gaming Hub in Noida appeared first on Vfxexpress.

When most people hear TikTok features, theres usually some eye-rolling involved. But after 17 years of helping companies navigate digital transformation, Ive noticed something more profound happening. When working with leaders in financial services, real estate, and healthcare, weve consistently discovered that consumers dont want different experiences for different parts of their liveswhether ordering groceries, planning trips, or buying homes. What looks like feature copying actually signals a fundamental shift in how digital products evolve.Think about whats happening across platforms right now. Microsoft, Google, and Apple are integrating generative AI into core functionality. Social feeds appear in professional tools. Search boxes and our code editors anticipate what well type next. Microsoft Edge now includes Copilot in the browser. It sits in the sidebar suggesting content, answering questions, and helping users write. The point isnt just that browsers offer AI help; its that AI writing assistance is becoming as standard as spell check. When every text box can help compose your message, the feature itself stops being special.The age of platform convergenceThis isnt random copying. These features spread because users expect them everywhere. When LinkedIn members can scroll through short videos like they do on TikTok, when Outlook suggests email responses like Gmails, when Slack predicts your messages like iMessages, thats convergence in action.Professional networks didnt embrace casual social tools on a whim. They watched their users switch between apps, bringing expectations with them. That LinkedIn scroll should feel just as engaging as the evenings entertainment. Features that once sparked product owner envy are now standard fare.Beyond borrowing featuresZillow read the room perfectly. Climate impact data belongs next to square footage. Modern homebuyers factor environmental risk into their decisions. Flood zones tell their own stories, just like school districts.Duolingo reimagined learning entirely. Beyond badges and points, the company built an entertainment ecosystem where education feels natural. Its success pushed other serious platforms to really rethink engagementfrom the ground up.The New York Times spotted a different opportunity. Its Games platform bridges news and entertainment, creating a new category of intellectual engagement. Print puzzles walked so Wordle could run.We saw this firsthand, creating a platform that protects and simplifies real estate transactions. Receiving a Fast Company Innovation by Design Awards honor for the platform validated how merging categories creates breakthrough solutions.Where real innovation happensThese category crossovers point to something bigger for 2025. Standard featuresAI writing, social feeds, personalized recommendationswont turn heads for too long. The real action happens when platforms mix unexpected ingredients.The pattern repeats across industries. Healthcare apps are adding gaming elements to serious medical tracking. Investment platforms add social features for retail traders. Education software borrows entertainment mechanics from streaming services.The signs are everywhere. Project management tools integrate social recognition systems. Meditation apps hire sports influencers. Next years innovators wont play safe within category lines.Take Pinterests evolution as a signal of whats coming. When they added shopping tools, they redefined the category. Newer features allow users to search for products via AI/ML models. Now they are catering to creators with tools that let you take their photos and use them to create boards. When every image becomes shoppable and every space becomes redesignable, the boundary between browsing and buying disappears completely.What users are teaching usThis shift runs deeper than feature sets. It changes user behavior fundamentally. Eventually any gap between seeing and doing will feel like unnecessary friction.What drives this change? Users bounce between apps all day, and their expectations travel with them. A seamless experience in one categorylike booking a restaurant reservationshapes what they expect elsewhere. When one process becomes frictionless, clunky experiences in other categories become more apparent.Watch where users get frustrated. Theyll tell you what crosses over next. Why should scheduling a mammogram feel clunkier than reserving a restaurant table? What can expense reports learn from recipe apps? These are the kinds of questions we ask when thinking about how to improve digital products. Theres a friction here that can lead to something seamless in our everyday lives. Every pain point marks an opportunity for differentiation.The 2025 playbookWhen considering your playbook for 2025, think beyond features. The boldest innovations will dare to ask: What if we stopped thinking about what our product should be and started imagining what it could become?Smart companies spot these signals early. Success wont come from chasing features but from understanding how user expectations in one category can transform another.By 2025, the best digital products wont just cross categories. Theyll erase and redefine them entirely.Brad Weber is the founder and president of InspiringApps.

California is leading the way in housing innovation with the recent passage of SB 1211, a landmark bill that updates and enhances current accessory dwelling unit (ADU) regulations. Authored by Senator Nancy Skinner and backed by housing advocates such as California YIMBY and the Casita Coalition, this new legislation promises to reshape the way multifamily properties can increase their ADU potential, creating a blueprint that other states and countries should consider adopting as well.What does SB 1211 do?ADUs, commonly known as granny flats or backyard homes, are already prevalent as an effective solution for increasing Californias affordable housing. Over the past 7 years, California homeowners have constructed more than 80,000 ADUs under supportive policies that legalized and streamlined their development. SB 1211 moves the needle further, with greater flexibility for multifamily properties that have been constrained by prior regulations.Under previous laws, multifamily properties could build as many as two detached ADUs. Additional units were only allowed if they were built within the homes existing footprint, such as in a basement or a converted garage. This limited the ADU growth potential on many properties that had available space due to the caps. But SB 1211 opens the path to substantial new growth by allowing as many as eight detached ADUs per property, depending on the existing number of housing units on the site. For communities and property owners, the shift enables better use of underutilized spaces such as parking lots, vacant land, and open areas, paving the way for more housing opportunities without displacing current residents.Address the housing crisis through pragmatic solutionsBrian Hanlon, CEO of pro-housing organization California YIMBY, applauded SB 1211, noting on its website, By legalizing ADUs across the state, the Legislature has enabled tens of thousands of Californians to benefit from more affordable housing.Everybody wins, as the shift is a significant step in addressing Californias housing shortage while promoting affordable options for residents. By removing prior barriers, SB 1211 empowers property owners to make more efficient use of their land, boosts the availability of affordable housing, and creates new revenue opportunities.The benefits of replicating Californias approach to ADUs are clear. ADUs are a scalable solution to higher housing density without altering neighborhood character. It also contributes to economic growth through rental income opportunities for owners. The approach ensures that land is used efficiently and affordably, while offering a practical means to address housing deficits, with a goal of balancing increased housing supply with sustainable urban development and equitable community growth.A path forwardAs housing shortages persist globally, solutions such as Californias SB 1211 can serve as a model for effective reform. By embracing flexible and ADU-friendly policies, regions can better meet the demands of modern housing markets while also answering the desire for more inclusive, affordable and aesthetically beautiful spaces. In this instance, Californias example shows that with thoughtful legislation and visionary leadership, progress is not only possibleits achievable for the benefit of all.Gene Eidelman and Ross Maguire are the cofounders of Azure Printed Homes.

Design agency Wedge drew on the aesthetic of Danish brand Frama when creating Wedge House, its office in Montreal, which features a dusty-pastel colour palette and custom-made furniture.Wedge founders Sarah Di Domenico and Justin Lortie transformed a 185-square-metre (2,000-square-feet) brick house in Montreal into an office for their studio.Wedge House is located in a brick house in MontrealThe husband and wife duo merged two addresses to create the office, which is spread over two floors."The original house was completely gutted including a total tear down of the rear wall and a merge of two separate addresses a 1980s hair salon below and an apartment run by cats above that we combined into one space for new life," Di Domenico told Dezeen.The studio was designed to have a communal feelingShe and Lortie were inspired by the atmosphere at Frama, whose Copenhagen showroom also houses offices upstairs."Seeing the staff prepare and enjoy lunch together all around a table had an effect that stuck, the European way and culture," Lortie told Dezeen."We wanted to create that sense of connection and community for our team in the most natural sense, while having separate rooms for intimacy at the same time."The private office spaces feature carpeted floorsTo emulate this communal feeling, Di Domenico and Lortie designed Wedge House with a ground floor that would feel more like a studio and workspace, including a private office for the studio founders, whereas the first floor would have a more homely feel.Wedge focused on creating a material palette that would give visitors and the twelve studio team members who work from the house a sense of calm."The main three materials are all Justin's calm and utility: aluminium, oak, and soft whites for a softer somatic experience that run throughout the house as a narrative, a thread," Di Domenico said.Danish studio Frama informed the design aestheticThe house is divided into a library, kitchen, living room and atelier and also has its own garden.Wedge used a colour palette of dusty, pale pastel colours such as blue and yellow throughout Wedge House, as well as some stronger splashes of colour.Read: Diandra Maselli Architect renovates historic red-brick home in Montreal"The palette is all Sarah's joy, inspired by places we love in Copenhagen, initially Apollo Bar where we sat one summer night and imagined what Wedge House could be," Lortie said."For example, the red rust 12-foot kitchen table, yellow double doors, and blue seats are an ode, a love letter."Wedge designed wooden benches for the gardenDi Domenico and Lortie also designed their own furniture for the studio, including wooden benches for the garden space. It also created a custom-made sofa, which was specially designed to fit into the living room space."We couldn't find the perfect fit so we designed it," Lortie said. "Inspired by the Pine Sofa by Yngve Ekstrm and Judd's sofa at his Marfa home."A custom-made wooden sofa sits at the centre of the living roomThe duo worked with their friend, furniture designer Thom Fougere, on the sofa design."Sarah requested a frame that wraps around the whole piece and acts as a ledge where you can place a book, a cup of coffee, a glass of wine," Lortie explained."I did a first sketch and cardboard prototype, then invited friend and furniture designer Thom Fougere to finalize the proportions and drawing for build. We made a few modifications to the cushions, but don't tell Thom!"Blue and yellow pastel colours were used throughout the spaceDi Domenica originally wanted the entire house to be carpeted, but the snowy Canadian winters meant this wasn't possible. Instead, Wedge chose to use carpeting in just Lortie and Di Domenico's private office.Other design touches include the yellow living room doors, which came from a 100-year-old home and were reused for Wedge House.The designers added doors from a century-old homeOverall, the designers aimed to capture the studio's "philosophy of creative hospitality" under one roof."Feeling at ease, gathering around a table, connection, inspiration and feeling good these are human principles that set the environment to do and create great things," Di Domenico said.Other recent projects in Montreal include the renovation of a historic brick home and the retrofitting of an office interior in an IM Pei building.The photography is courtesy of Wedge.The post Wedge references "European way and culture" for design of own studio in Montreal appeared first on Dezeen.

In collaboration with architect Alberto Latorre, artist Carlos Betancourt has installed a series of 3D-printed stars along the shore of Miami Beach for Miami art week, models of structures that will eventually be placed underwater to act as a "hybrid coral reef".Miami Reef Star is part of a multi-phase rollout of ReefLine, a 15-acre underwater sculpture park master-planned by OMA and ReefLine founder Ximena Caminos that will encompass a variety of installations meant to act as replacement for marine environment lost to climate change.Carlos Betancourt and Alberto Latorre have created a series of 3D-printed modules for the underwater sculpture park ReefLine"Placed in 15-20 feet (4.5 to 6 metres) of water and within swimming distance from the shore, the ReefLine will feature environmentally functional artworks, incorporating proprietary materials that will act as hybrid coral reefs, and offer the community a free opportunity to engage directly with Miami's marine biodiversity and underwater public art," said the team.The installation by Betancourt and Latorre consists of 46 different star-shaped modules arranged in a larger star shape that was fabricated at the University of New Hampshire.The installation will eventually be installed underwater. The photo is by Ben DreithThey range in size and design, with some resembling starfish and others, floral motifs.Each module features openings or small holes, and for the Miami art week debut, lights were placed in and around the objects to create an illuminated installation.The pieces were displayed at Mid-Beach in Miami Beach. The photo is by Ben DreithLike the other installations as part of the future ReefLine, the final "stars" will likely be made of CarbonXinc, a material developed by artist Petroc Sesti, pending approval by Miami-Dade County Department of Environmental Resources.According to the New York Times, the material is a "zero-cement geopolymer concrete with mineralized carbon dioxide gas that captures carbon destined for the atmosphere and stores it for an indefinite amount of time".Read: OMA designs underwater sculpture park The ReefLine for Miami BeachThe various installations will also utilise Coral Lok, a device that aids in coral out-planting, or growing coral in a lab environment before planting it in the wild.Displayed on the beach at Miami Beach's Mid-Beach coastline for art week, the entire installation will eventually be submerged underwater as part of ReefLine, where it will stretch 90 feet (27 metre) in diameter and be viewable from airplanes above.They are intended to replace underwater habitats lost to climate changeOther installations set to submerge will include "life-size concrete car sculptures" by artist Leandro Erlich and a staircase sculpture by OMA partner Shohei Shigematsu."The ReefLine seeks to perform a unique kind of 'marine acupuncture,' blending art and innovative blue technology to target vital pressure points in the ocean," said Caminos.The installation will be part of the 15-acre, 7-mile-long (11 kilometres) ReefLine"Our goal is to unlock their regenerative potential, ultimately restoring what has been lost to the devastating effects of climate change while fostering community engagement and awareness."ReefLine is slated to "break water" in Spring 2025, while it was originally announced in 2020. Previously, OMA, Charlotte Taylor and Nicholas Praud created NFT artwork to help promote the project.Miami Reef Star will be de-installed at the end of the city's art week.Other installations and exhibits on view around the city are Alcova Miami and a kinetic sculpture made of bioplastic by Crafting Plastics.The photography is by Ilai Belaustegui unless otherwise stated.Miami Reef Star is on view on the Mid-Beach coastline from 3 to 8 December as part of Miami art week. For more global events in architecture and design visitDezeen Events Guide.The post Carlos Betancourt and Alberto Latorre create series of 3D-printed stars to be installed underwater appeared first on Dezeen.

Here's what we looked at this week:Simple, elegant product design from DJI: Their Mic Mini wireless mic and receiver set. This low-maintenance, corrosion-proof RCYL bike is made out of 90% plastic.Hyundai and Kia's user-friendly upper body exoskeleton, designed with heavy user research.There needs to be a product design version of this Corporate Nonsense Generator.Yea or Nay? Sunglasses with individually adjustable lenses.Xiaomi's alternative take on the air conditioner.With the Type 00 concept, Jaguar unveils their new "Exuberant Modernism" design language.This chunky, funky, rotomolded Limbo Chair is by Icelandic industrial designer Hlynur Atlason.Eye-catching package design: This La Petite Victoire Bottle by Stranger & Stranger, a package design firm with a reputation for tripling sales.At the intersection of camping and the MoMA Store: The Lucaya Kopak, a designey spork and knife set.An app called Brick My World turns photos of real-world objects into Lego plans.The Gnargo Bike Co. makes electric cargo bikes from discarded bike frames.The Tibetus Technical Bridge-Console, by Snaidero, is an overhead rail system for kitchen islands.Industrial Design case study: A baby formula quick dose dispenser, by Shark Design.

This Tipsy Flipsy Top infant formula quick dose dispenser is by global ID consultancy Shark Design. The design is rather complicated, with the intent of making the parents' job easier: It offers a streamlined and hygienic method to store and dispense your infant's formula efficiently. Here's how it works: Fill the container with up to 800g/28oz of formula, adjust the chamber to match the grams per scoop recommended for your infant's formula, assemble the components, and attach the top securely. When ready, simply remove the cap, TIP the container to dispense formula directly into the bottle hands-free, and FLIP it back uprightit's that simple! Rotate the lever to dispense each scoop as per your infant's feeding instructions, reducing cross-contamination by eliminating the need for traditional hand scoopers found in canned formula containers. The product packaging is designed for both simplicity and effectiveness, featuring sturdy cardboard for durability and an integrated see-through window that enhances functionality and appeal to customers, all while maintaining cost-effectiveness.You can see more of Shark Design's work here.

Bjarke Ingels Group always manages to come up with something exciting and innovative. They always manage to come up with something high-profile but this time their latest creation is something quite simple and humble a tent. Designed in collaboration with cabin manufacturer Nokken, and dubbed Softshell, this tent is a glamping-style shelter that offers outdoor luxury spanning over two floors. It is made to resemble a safari tent out in the wild outdoors!Designer: Bjarke Ingles Group x NokkenThe Softshell can be used as a garden studio, personal retreat, or guest accommodation. It includes a timber frame and a fabric that can be selected from a variety of colors with a weather-resistant canvas. The fabric is supposed to be hardwearing, but an insulation layer can be installed to deal with cold climates. It also comes with an optional exterior deck with some seating.The interior occupies around 193 sq ft and looks quite spacious and simple. The layout comprises a sofa bed and a compact wood-burning stove on the ground floor. It also includes a storage area and a bedside table. A ladder offers access to the optional upper floor which is netted. This section can be utilized as a hangout area, as a sleeping loft, or for storage. The tent seems to be intended for hotels and glamping sites, although it could be great for personal use too.With the Softshell, were offering the hospitality industry something that stands apart from traditional tented structures, said Nokken co-founder James Van Tromp. It merges the design sophistication of permanent architecture with the flexibility of a temporary solution, catering to guests who want to be immersed in nature, but with the design aesthetic and level of comfort they would expect in a luxury hotel.The Softshell offers a luxury glamping experience that is truly unlike any other, hence the price tag also justifies it. It isnt like other typical tents on the market, and it is available for preorder from US$22,500. Deliveries will be made by mid-2025, and were excited to see Softshell make a wave in the glamping world.The post BIG Unveils A Luxurious Two-Storey Tent To Make Your Upcoming 2025 Glamping Dreams Come True first appeared on Yanko Design.

Talk about hand-rolled cigars filled with eminently aged tobacco and you cant fail to name Arturo Fuente Cigar Factory. The company that is celebrating the 25th anniversary of OpusX its finest cigars, also considered the best in the world. To mark the occasion, the cigar factory has in collaboration with Hublot created one of the most intricately designed watches dubbed the Classic Fusion Chronograph Arturo Fuente King Gold.The word gold in the name is not just symbolic. The watch really uses King Gold in the case and the bezel. Notably the first to do it. If you are wondering how the two exceptional brands in their own niches have come together for a watch; this is surely not their first outing together. Hublot and Arturo Fuente have had numerous fruitful partnerships since 2012, which has extended beyond just watches; their collaboration has also been toward supporting charitable initiatives in the Dominican Republic.Designer: HublotClassic Fusion ChronographArturo Fuente Cigar Factory x Hublots latest collaborative timepiece, the Classic Fusion Chronograph Arturo Fuente King Gold, is sixth Hublot and Arturo Fuente special edition watch. It has been delt with an inspiring gold and green theme that radiates the celebratory aesthetic imperative of the significant milestone in the journey of the most delectable cigar.To that accord, the Classic Fusion Chronograph Arturo Fuente King Gold is strictly limited to only 50 examples, which would be available through Hublot boutiques and the watch brands authorized retailers. The 42mm Classic Fusion Chronograph case features a bezel laser-engraved with motif of tobacco leaves. Both the case and the bezel are made from king gold while the dial features vibrant, emerald green hue covered by two subdials at 9 and 3 oclock, the hands, and indices. Even though its sunray finish and gradient fume effect darkening toward the bezel creates a magical effect.Special feature only for the ownerThe Hublot logo at 12 oclock and the OpusX anniversary version logo behind the seconds hand in the subdial at 3 oclock complete the branding on the dial. The watch is powered by a HUB1153 automatic chronograph calibre that offers 48-hour power reserve. The special aspect of the timepiece is the collaboration and it is excessively reserved for the owner on the caseback.The Classic Fusion Chronograph Arturo Fuente King Gold features one elaborately done caseback. It is made from 18k King Gold and is engraved with OpusX 25th anniversary graphics. The interesting watch is paired with a matching green alligator leather or rubber strap, and it comes packed in green lacquered watch box that doubles as a cigar humidor. This must have watch for a cigar connoisseurs costs CHF 36,900 ($42,000).The post Hublot Classic Fusion Chronograph Arturo Fuente King Gold is celebratory blend of gold and emerald green first appeared on Yanko Design.

Style: Mid-Century Modern with Warm MinimalismColor Combination: rich cognac leather, walnut wood, brass accents, soft grayWho is it for: Perfect for vintage design lovers who want a modern take on classic mid-century style. Ideal for spaces which have original mid-century features like exposed beams, large windows, built-in shelving, or terrazzo flooring.Budget: $-$$Mid-Century Warm Living Room Shopping ListBelow we present a curated list of products presented on the board:1. HIFIT Sofa2. Dark Grey Pillow Covers3. Knitted Beige Throw Blanket4. Leather Accent Chairs5. Area Rug6. Hadulcet Round Side Table7. BAMEOS Nesting Coffee Tables8. Brightech LED Floor Lamp9. Live Indoor Plant10. Plant Stand11. Artificial Greenery Potted Plants12. Abbittar Ceramic Vase Set13. 6-Light Gold Sputnik Chandelier14. Canvas Print Wall Art15. Solid Wood SideboardTips and suggestionsColors That Work Together: Cognac leather sofa and chair create a warm foundation, complemented by rich wood tones. Gray accents and white ceramics add contemporary freshness.Wall Details: Abstract neutral triptych artwork brings softness to the strong furniture lines, while gold frames echo the rooms metallic elements.Furniture Picks: Classic mid-century credenza with cane details, sculptural leather sofa and armchair, nested coffee tables with hairpin legs. Each piece celebrates iconic mid-century design elements.Lighting: Statement brass sputnik chandelier adds drama, while the floor lamp gives extra functionality, ie if you need that extra reading light for the corner.Greenery & Decor: Monstera plant and small potted herbs add organic elements. Modern ceramic vases and vintage-inspired accessories create thoughtful styling moments.Designer Tips:Mix wood tones with confidenceDo not hesitate to add colors art walls and variations of rugs are safe to do soEmphasize architectural details if your space has original mid-century features, make them focal points rather than hiding themLayer different metal finishesWhen adding decor, think like a mid-century collector: choose fewer, more significant piecesAdd texture through natural materialsInclude both vintage and modern pieces to add characterBalance angles with organic shapesThe Final Note: Mid-century style proves that good design never goes out of fashion, and is one of the best options if you want the place to stay timeless. Sometimes the best rooms are the ones that just make you want to sit down and stay awhile.