Hollywood is infamous for celebrity excess, but Tinseltown strictly controls one scandalous indulgence: swearing.Director Scott Mann encountered these constraints after shooting the thriller Fall. Movie giant Lionsgate best-known for the John Wick, Saw, and Hunger Games franchises wanted to release the film in the US. But the studio had big problems. Thirty-six of them, to be precise.They said it had too many f*cks, Mann tells TNW on a video call from LA.All those f-bombs were pushing Fall towards an R rating, which would slash the potential audience. To secure the PG-13 needed to extend the reach, those profanitieshad to go.Easier said than done. Reshoots would cost a bomb and post-production magic couldnt scrub the dirty words. Thankfully, Mann had another trick up his sleeve. Quietly, the British filmmaker had been building a startup called Flawless that develops AI video editing tools. Fall provided a new field test: swapping f-bombsfor gentler epithets.The of EU techThe latest rumblings from the EU tech scene, a story from our wise ol' founder Boris, and some questionable AI art. It's free, every week, in your inbox. Sign up now!Mann asked the cast to record cleaner verbiage. Once the audio was ready, the Flawless system went to work. The software first converted the actors faces into 3D models. Neural networks then analysed and reconstructed the performances. Facial expressionsand lip movements were synchronised with the new dialogue.The experiment proved successful. All 36 f-bombs were replaced without a trace. Well, nearly all of them. I did one f*ck in the end, Mann says. Im allowed one f*ck, apparently.Satisfied by his restraint, the ratings board gave Fall the coveted PG-13. The film became a sleeper hit, grossing a reported $21 million against a budget of just $3 million. A sequel is now shooting in Thailand.Buoyed by his success, Mann began commercialising the software. The latest iteration is DeepEditor, an AI tool that refines dialogue and performances.The studio systemDeepEditor can trim lines, insert pauses, or re-time delivery. It can even copy and paste performances from one shot to another. All the outputs offer Hollywood-grade 4K resolution, 16-bit colour depth, and ACES colour spaces.Early access applications for the tool are now open. A full product release is slated for the first half of this year.Its already altering where people are shooting, says Mann. And as it extends out, I think its going to completely transform how we make movies.Its also not the only tool that Mann wants to transform movies. Around a decade ago, he began developing another AI system for filmmaking. Like DeepEditor, it began life on a Hollywood set.The big breakAfter progressing through film school, British TV, and short films, Mann got his big Hollywood break in 2014. Lionsgate had offered him the directors chair for the crime thriller Heist. An all-star cast led by Robert De Niro was also on board.Mann relished the experience. It was a complete privilege. We were very close on the movie and really happy with the English language version. But then I saw a foreign translation of the movie.Mann was horrified by the dubbing. His script had been rewritten and the actors gestures had mutated. The culprit, he discovered, pervaded across the industry.The problem stemmed from Hollywoods established translation process. When films are dubbed, the scripts are typically rewritten to fit the original mouth movements. If the new lines still dont match the old gestures, voice actors try to synchronise the two by twisting their delivery in unnatural directions. The results range from amusing to infuriating.Its really bad for the filmmakers and the actors, because its not the authentic representation of their work, Mann says. And as an experience, youre not immersed if its not in synchronicity.Mann began investigating novel dubbing techniques. He explored head scans, but the rendering lacked realism. The dubbing merely moved from one uncanny valley to another.Losing faith in established VFX, Mann started searching beyond the film industry. He soon stumbled upon a promising alternative: Deep Video Portraits.Hollywood meets GenAIUnveiled in 2018, Deep Video Portraits was a big breakthrough for the nascent generative AI sector. The technique enables photo-realistic reanimation of faces using just an input video. Each facial gesture and lip movement can then be synchronised with speech.The life-like results stunned observers including Mann. It blew my mind, he says.Mann reached out to the research team. They agreed to collaborate on a new technical test: making De Niros character speak German.The transformation, Mann says, was like magic.It was really understanding how a certain actor might say a certain line You retain the performance, but you can alter the synchronicity.Expressions are digitally transferred from one person to another. Credit: Kim et al.Mann believed the technique was ideal for Hollywood. To build the idea into a business, he sought advice from Nick Lynes, a tech industry veteran. Together, the duo co-founded Flawless in 2018.The startups first product was TrueSync, a dubbing tool that studios are applying to Hollywood movies. Among them is Venom: The Last Dance, a Marvel blockbuster released last year.Flawless also showcased a sizzle reel of AI-translated trailers at this years Cannes Film Festival. Still, not every client is ready to brag about the results.Threatening actsAs the premiere of Fall approached, Lionsgate became anxious. GenAI was still a novel term back then, but unions were already concerned about the threats to performers. The studio feared the films visual dubbing would spark a backlash.They were going to pull the release if this wasnt cleared up with Screen Actors Guild and there were mega nerves, Mann recalls. But luckily, we had planned for the consent workflows and [rights protections] early on.Flawless built the plan on several pillars. All the data would be legitimately sourced rather than scraped without permission like so many GenAI firms do. Every output would be fully rights-cleared. The acting would remain true to the original performances. Any significant changes would require additional consent.The startup also restricted the systems operations. We often call our models narrow models, says Mann. Theyre large, but theyre focused on a specific aspect and curated for purpose. Theyre very targeted and based on clean data that can be used for that purpose.Flawless presented the plan to the Screen Actors Guild (SAG). They gave it the thumbs up, says Mann. In August 2022, Fall was released theatrically in the US. The film and the dubbing were big successes.Just a few months later, GenAI exploded into the mainstream. The trigger was the November launch of ChatGPT. A wave of image, text and audio generators followed closely in its wake. Suddenly, AIs threats to actors, artists and copyrights had become public concerns.Another takeIn July 2023, the SAG-AFTRA actors union began the longest strike in its history. One of the guilds prime concerns was the threat posed by AI.After months of intense negotiations, the union reached a deal with Hollywoods top companies. Under the agreement, any digital alterations would require explicit consent unless theyre substantially as scripted, performed, and/or recorded.Mann welcomed the terms. They wouldnt curb lip synchronisation for foreign-language dubbing, but would enforce strict consent requirements for any meaningful changes to script or performances.The new rules presented business opportunities for Flawless. By supporting union regulations, the startup hopes to rapidly gain traction in Hollywood.Mann has made rights for actors a central tenet of the Flawless product line. Credit: FlawlessA month after the SAG-AFTRA strike began, Flawless unveiled a new rights management platform. Named the Artistic Rights Treasury (A.R.T.), the system shares AI-generated edits with performers. If the actor approves the changes, they can consent within the app. If they dont like the new versions, they can submit their own takes.A.R.T has now been baked into DeepEditor. Mann believes the blend of AI editing and safeguards creates a unique product. DeepEditor will be the first legitimate enterprise AI solution on the market, he says. Everything else is laced with controversy and rights issues.A better future for Hollywood?Over time, Mann expects GenAI tounleash endless opportunities for filmmakers. He envisions shrinking costs, less drudgery, and lower barriers to entry. If all goes to plan, Hollywood will regain an appetite for originality.The key to this industry thriving is innovating and embracing innovation responsibly, Mann says.Yet even he has lessons to learn about working responsibly. During production for the Fall sequel, Mann has run into a familiar problem.I accidentally have written far too many f*cks again, he sighs. We had to have a conversation: were allowed one f*k so lets use it wisely. Story by Thomas Macaulay Managing editor Thomas is the managing editor of TNW. He leads our coverage of European tech and oversees our talented team of writers. Thomas also reports (show all) Thomas is the managing editor of TNW. He leads our coverage of European tech and oversees our talented team of writers. Thomas also reports on developments across the ecosystem. Away from work, he enjoys playing chess (badly) and the guitar (even worse). Get the TNW newsletterGet the most important tech news in your inbox each week.Also tagged with

In the 1977 Star Wars film A New Hope, theres an iconic scene where the beloved droid R2-D2 casts a beam of light to create a hologram of Princess Leia pleading for the help of Obi-Wan Kenobi.Sadly, almost 50 years on, were not much closer to the true holograms science fiction promised us, let alone the teleportation devices and flying cars.Yes, we have AR and VR headsets like Microsofts HoloLens or Apples Vision Pro, but those simply use transparent screens to give the effect of a hologram. Even Tupacs famous live Coachella performance 16 years after his death was pulled off using a trick of light called Peppers ghost. Nope, not a real hologram folks.Real holograms bend light to create 3D images that hover in the air and are visible from every angle a bit like how Princess Leia was depicted all those years ago. Holography is a burgeoning field, and there are a few companies that have plans to commercialise the technology. One of them is Swave.The of EU techThe latest rumblings from the EU tech scene, a story from our wise ol' founder Boris, and some questionable AI art. It's free, every week, in your inbox. Sign up now!Swave spun out from Belgiums Imec, one of the worlds foremost research facilities on nanoelectronics, in 2022. The company claims its Holographic eXtended Reality (HXR) display tech is the first to achieve true holography by sculpting lightwaves into 3D life-likeimages.Swave recently secured 27mn in a funding round led by Belgian wealth fund SFPIM and imec.xpand, a deep tech-focused venture capital spinoff from Imec. The fresh capital follows a 10mn seed round in 2023, bringing the startups total raised to 37mn.This round will accelerate Swaves product introductions as we continue to solve the challenges of todays AR experiences through true holography, said Mike Noonen, Swaves CEO.Swaves first product is set to be a pair of lightweight smart glasses that could blow the current state-of-the-art out of the water. The glasses have a special display that uses phase-change materials to steer light and sculpt 3D images that you can see from all angles.The company claims to have developed the worlds smallest pixels (less than 300nm) that help produce clear, high-quality images without straining the eyes. The founders ultimate goal is to create applications that can pass the visual Turing test, where virtual reality is indistinguishable from real-world images.To create full colour, the glasses use a spatial colour system. Instead of using multiple panels or fast switching, it arranges colour filters in a pattern on a single display panel. This system reduces visual artefacts and improves battery life, making the glasses more efficient, said Swave.The company believes the smart glasses, which are still in testing, will deliver a better depth of field and wider field of view than equivalent headsets while being much smaller and lighter.Swaves glasses could also solve some common problems for AR and VR. Users could adjust holograms to their eyesight without the need for bulky gear. They could also dynamically switch their focus and change the distances of digital objects, which would reduce side effects such as nausea, eye fatigue, and headaches.Fuelled by the fresh funding, Swave now has its sights set on a product launch.With Series A funding secured and silicon running at our partner fabs, we are on track to introduce product development kits and soon thereafter production devices, said Dmitri Choutov, Swaves co-founder and COO.Swave is also working on Heads Up Displays (HUDs) for vehicles as well as a so-called spatial light modulator. This device would create holograms without the need for glasses at all. Now thats something that might come close to R2-D2s wizardry or perhaps even better. Story by Sin Geschwindt Sin is a climate and energy reporter at TNW. From nuclear fusion to escooters, he covers the length and breadth of Europe's clean tech ecos (show all) Sin is a climate and energy reporter at TNW. From nuclear fusion to escooters, he covers the length and breadth of Europe's clean tech ecosystem. He's happiest sourcing a scoop, investigating the impact of emerging technologies, and even putting them to the test. Sin has five years journalism experience and holds a dual degree in media and environmental science from the University of Cape Town, South Africa. Get the TNW newsletterGet the most important tech news in your inbox each week.Also tagged with

As someone whos been using Satechi products for years, Ive always admired their sleek designs and focus on functionality. At this years Pepcom event, I had a chance to go hands-on with their latest OntheGo collection a lineup of premium travel chargers that make staying powered up on the move easier than ever. From power banks with built-in stands to versatile wireless chargers, Satechi continues to deliver practical, beautifully crafted tech accessories.Heres everything you need to know about the new OntheGo lineup:OntheGO Power BankSatechis OntheGo Power Banks (available in 10,000mAh and 5,000mAh capacities) are designed to keep your devices charged no matter where you are.Key features include: Wireless and wired Charging: Supports 15W fast wireless charging for iPhones, AirPods, and Android devices via a magnetic connection. Simultaneous charging: Charge two devices at once using both the wireless pad and the USB-C port. Pass-Through charging: Keep devices powered up even while the power bank itself is charging ideal for long video calls or binge sessions. Built-in adjustable stand: A premium vegan-leather stand offers up to 120 viewing angles for both portrait and landscape modes, perfect for StandBy mode or media playback.OntheGO Qi2 Wireless ChargersSatechis OntheGo Wireless Chargers are designed for travelers who need to power multiple devices at once without compromising on style.Available in 2-in-1 and 3-in-1 configurations, these chargers offer: Qi2 technology for faster, more reliable wireless charging. 15W charging for iPhone and 5W for AirPods. 3-in-1 model includes Apple Watch fast charging (for Series 7 and later). Single cable solution to reduce clutter.These chargers feature a lightweight circular design with premium vegan-leather accents and easily fit into a pocket or carry-on. Adjustable functionality supports StandBy mode, Nightstand mode, and more.Hands-On impressionsAt Pepcom, I had a chance to see these chargers in action, and they feel every bit as premium as youd expect from Satechi. The built-in stands are sturdy and convenient, especially when using features like StandBy mode on iOS. I was particularly impressed by how lightweight and portable the chargers are, making them perfect for frequent travelers. The vegan-leather details give the products a polished, modern look that matches Satechis reputation for stylish accessories.Pricing & availability The OntheGo collection will be available in Q2 2025 on Satechi.net, with prices ranging from $69.99 to $99.99. Customers can sign up for email alerts to be notified once the products are available.Satechis OntheGo collection is shaping up to be a must-have for anyone who needs a reliable, travel-friendly charging solution. Whether youre working remotely or simply want to keep your devices powered up during a long day out, these chargers deliver performance, style, and convenience.Add 9to5Mac to your Google News feed. FTC: We use income earning auto affiliate links. More.Youre reading 9to5Mac experts who break news about Apple and its surrounding ecosystem, day after day. Be sure to check out our homepage for all the latest news, and follow 9to5Mac on Twitter, Facebook, and LinkedIn to stay in the loop. Dont know where to start? Check out our exclusive stories, reviews, how-tos, and subscribe to our YouTube channel

Apple has a wave of new beta software ready. Beta 2 is rolling out now for visionOS 2.3, tvOS 18.3, watchOS 11.3, and more. Beta 2 arrives today for Apples winter releasesApple shipped its last wave of big software updates in mid-December, and followed it up with a fresh array of betas.Now, following a brief hiatus over the holiday break, Apple has released developer beta 2 for many of its platforms. These include:visionOS 2.3tvOS 18.3watchOS 11.3HomePod 18.3plus iOS 18.3, iPadOS 18.3, and macOS 15.3If you have a developer account, you can find each beta 2 update inside your devices Software Update screen in Settings.The first betas for these updates were particularly light on new features.Outside of Genmoji coming to the Mac, the main addition is robot vacuum support inside the Home app.This will ultimately, when compatible devices ship, make it possible to control your robot vacuum not only inside Apples Home app but also via Siri across platforms like HomePod, Apple TV 4K, and more.Heres hoping Apple has some new additions for todays beta 2 releases, whether thats in visionOS 2.3, tvOS 18.3, or the other updates. Well be sure to keep you posted on anything and everything new we discover.Have you installed todays beta 2 updates? Found anything new? Let us know in the comments.Best Apple TV and Home accessoriesAdd 9to5Mac to your Google News feed. FTC: We use income earning auto affiliate links. More.Youre reading 9to5Mac experts who break news about Apple and its surrounding ecosystem, day after day. Be sure to check out our homepage for all the latest news, and follow 9to5Mac on Twitter, Facebook, and LinkedIn to stay in the loop. Dont know where to start? Check out our exclusive stories, reviews, how-tos, and subscribe to our YouTube channel

After a three-week break for the holidays, Apple has kickstarted the iOS 18.3 beta train once more. iOS 18.3 beta 2 is now available to developer beta testers ahead of its expected release later this month. iOS 18.3 beta 2 features the build number 22D5040d. Apple hasnt yet released a new public beta, but were expecting that to change as soon as later today.There werent many new features or changes in iOS 18.3 beta 1, and I wouldnt expect iOS 18.3 beta 2 to be any different. The update focuses on bug fixes and performance improvements and includes no new Apple Intelligence features.Robot vacuum support in the Home appTweaked icon for the Image Playground appBug fixes for the Writing Tools API and GenmojiYou can now log in to the Feedback app using Face ID or Touch IDThe icon for the Camera Control menu in the Accessibility page of Settings now supports dark modeIf you spot anything new in iOS 18.3 beta 2, let us know in the comments below, onTwitter @9to5MacandThreads @9to5Mac. Stay tuned for our full hands-on coverage with the new releases right here at9to5Mactoday and throughout the rest of the week.My favorite iPhone accessories: Add 9to5Mac to your Google News feed. FTC: We use income earning auto affiliate links. More.Youre reading 9to5Mac experts who break news about Apple and its surrounding ecosystem, day after day. Be sure to check out our homepage for all the latest news, and follow 9to5Mac on Twitter, Facebook, and LinkedIn to stay in the loop. Dont know where to start? Check out our exclusive stories, reviews, how-tos, and subscribe to our YouTube channel

In an astonishing feat of laziness, Amazon Prime Video service has adorned the iconic 1922 horror film "Nosferatu" with a slapdash poster that was obviously generated using AI.The poster first discovered by eagle-eyed netizens last falland resurfaced as Robert Eggers' remake of the beloved classic wows critics in theaters turns the vampire Count Orlok's monstrous visage into a yassified rendition with a strangely slender body, his harrowing appearance replaced with an aesthetic straight out of a "Twilight" movie.To add suck further blood out of the original's legacy, its iconic use of typography was exchanged for a font that closely resembles Papyrus, a typeface so widely hated that it spawned its own series of "Saturday Night Live" sketches.In other words, it's exactly the kind of uninspired slop you'd expect an AI image generator to spit out. It's a sign of the times highlighting a worrying trend as companies like Amazon continue to undermine the work of human artists by leaning into cheapo AI.The online reaction to the insipid art was resoundingly negative."A horrible one-two punch of anti-art sentiment," tweeted podcast host Danny Vegito."Amazon Prime is using generative AI to replace movie posters for iconic films that already exist and already have posters they could use," artist Jon Neimeister, who worked on the hit video game "Hearthstone," wrote in a Bluesky post earlier this week. "Not only are we forced to see this shit everywhere, but they're overwriting art history with it."Other users pointed out that despite years of technological advancements in the generative AI space, the image is riddled with conspicuous technical issues."God, that looks horrible," another Bluesky user responded. "His finger is melting into his clothing. Three years of hype and it still CAN'T DO FINGERS."Other users pointed out that the oversized Moon in the background mysteriously blocks the clouds behind it.A stark line that runs vertically through the background also suggests a lazy Photoshop job unbefitting for a movie of such repute.Worse yet, as plenty of others argued, the 1922 classic has its own highly creative and original marketing material that could've been used or adapted instead.There's a good chance Amazon was trying to cash in on the hype surrounding the most recent interpretation of "Nosferatu," which stars Bill Skarsgrd as Count Orlok. A quick scan on an Amazon Prime section titled "Horror movies" shows the sloppy poster featured prominently, suggesting the tech giant was attempting to fit the vintage movie in with B-level drivelor trick users into thinking they were looking at the new version.The kerfuffle is particularly ironic considering that the original 1922 film was itself accused of being an unauthorized adaptation of Bram Stoker's 1897 novel "Dracula." The minor changes, such as renaming Count Dracula to Count Orlok, were glaring to the point that Stoker's widow sued the makers of the 1922 movie for copyright violation.But in spite of efforts to destroy remaining prints, the movie's eerie qualities were undeniable, and it became a classic in its own right (like "Dracula" before it, the film fell into the public domain several years ago.)One thing's for sure: Amazon's tacky poster is unlikely to ever attain the cachet of "Nosferatu" and its iconic imagery unless it's reappropriated by future screenings in a mocking fashion, that is.As the use of generative AI continues to encroach on virtually every aspect of our daily lives, we should expect to encounter more bargain-basement reskins like this one at least until consumers rebel at human creativity being buried under a deluge of AI slop.More on generative AI: Facebook Planning to Flood Platform with AI-Powered UsersShare This Article

"No wonder this algorithm is so messed up."FUbarIn a run-of-the-mill fight on social media you know, the type that the ultra-wealthy used to remain aloof from Elon Musk deployed an appalling slur against disabled people."F u r*tard," the 53-year-old billionaire quipped on X-formerly-Twitter after a user accused him of spreading disinformation on the platform he owns.That childish retort is, it seems, one of the Donald Trump advisor's favorite words. A quick analysis of Musk's tweets reveals that over the past year, he's repeatedly used the disability-denigrating slur. He seemed particularly in its thrall in Decemeber, when he dished it out at least six times half of which came on a single day, December 18.Derived from the antiquated "mental retardation" terminology to describe people with intellectual disabilities, the so-called "r-word" has increased in popularity over the past few years as right-wing, fascist rhetoric has gained a greater foothold both online and in real life.Along with Musk, folks that populate what used to be known as the "alt-right" like fellow traveler Laura Loomer have also embraced the term as a catch-all for those who support ideas they oppose. Last year, for instance, the "proud Islamophobe" directed it at "Thrift Shop" artist Macklemore after he released a video supporting Palestine, calling him a "straight-up r*tard."Positivity, PleaseBeyond the ableist term's gross resurgence, it's also ironic that Musk has lobbed it so repeatedly given that in recent weeks, the site's owner has called for less "negative" rhetoric and even announced that he plans to change X's algorithm to promote "positivity."After first issuing his plea for pleasantry on December 30, folks on the platform and its increasingly popular competitor, Bluesky, clowned on Musk for failing to embody his own newfound ideal. With his penchant for slur usage once again going on main, those jabs only continued."No wonder this algorithm is so messed up," tweeted one observer."So does this come under 'positive', or 'informative'?" pondered another, quote-tweeting Musk's "F u" tweet.For all his terrible rhetoric, flinging this horrendous slur is yet another jarring mask-off moment for Musk that reminds us who he really is. When it comes to negativity on X, the call is clearly coming from inside the house.More on Muskian missives: Elon Musk Endorses Nazi-Linked German Party, Even Though It Opposed Teslas GigafactoryShare This Article

Shane Snider, Senior Writer, InformationWeekJanuary 7, 20252 Min ReadBorka Kiss via Alamy Stock The United Kingdoms antitrust watchdog on Tuesday said it would launch investigations into three areas of digital activity as the new Digital Markets, Competition and Consumers (DMCC) Act comes into full force -- giving regulatory power over major players like Apple and Google.While the Competition and Markets Authority (CMA) did not specify which companies would be investigated, under its strict strategic market status (SMS) designation, only the largest tech firms would be considered.The announcement says two investigations would begin immediately and a third would begin in about six months. Once a company receives SMS designation, the CMA would have the authority to curtail practices like using access to customer data to gain unfair advantage, make it easier for consumers to switch providers, and more.A CMA report released in November called out Apple and Googles dominant market positions in mobile as potential investigation targets, saying a revenue-sharing agreement between the two companies stifled competition.We are committed to implementing the regime in a way that is predictable and proportionate, moving at pace whilst respecting fair process, CMA Chief Executive Sarah Cardell said in a statement. The process for designing any interventions will also be participative and transparent, with the aim of keeping innovation-led markets open and bringing firms on the journey with us.Related:The investigations will be complete within the statutory limit of nine months, the CMA said. Significant fines -- up to 10% of the companys global turnover -- could be levied if the CMA finds a breach in consumer protection law.US tech firms are facing increasing scrutiny from regulators abroad. The EUs Digital Markets Act is also taking aim at antitrust concerns, with probes targeting Apple, Google, and Amazon in March. Possible fines could also reach 10% of those companies global turnover, potentially costing the companies billions of dollars.CMAs Impact on M&A, and US Firm FocusIn a blog post, lawyers with Morgan Lewis said the UKs new rules could have a profound impact on potential mergers and acquisitions for the worlds leading tech companies.The UK CMA has gained a reputation in recent years as an aggressive and impactful antitrust enforcer, lawyers Joshua Goodman, Omar Shah, R. Ryan Hoak, and Jack Ashfield wrote. The UK DMCC only bolsters its powers and as such it is more relevant that ever to consider the role of and approach to the UK SMA as part of the global merger review process.Related:Critics of newly granted antitrust regulation powers like DMCC say the rules discriminate against US firms and jeopardize investment and cooperation between countries. Given that the United Kingdoms digital sector accounted for nearly 1.9 million jobs in 2022 and contributed over [$174 billion] to the UK economy in 2020, the UK government should tread carefully, writes Meredith Broadbent, a senior adviser at the Center for Strategic & International Studies, in a post.InformationWeek has reached out to Google and Apple for comment and will update with any response.Read more about:RegulationAntitrustAbout the AuthorShane SniderSenior Writer, InformationWeekShane Snider is a veteran journalist with more than 20 years of industry experience. He started his career as a general assignment reporter and has covered government, business, education, technology and much more. He was a reporter for the Triangle Business Journal, Raleigh News and Observer and most recently a tech reporter for CRN. He was also a top wedding photographer for many years, traveling across the country and around the world. He lives in Raleigh with his wife and two children.See more from Shane SniderNever Miss a Beat: Get a snapshot of the issues affecting the IT industry straight to your inbox.SIGN-UPYou May Also LikeWebinarsMore WebinarsReportsMore Reports

Are you sitting down? You should be sitting down for this. Make sure youre sitting down.1975 is now 50 years ago.To put this in perspective, when the biggest film of1975 a humble little horror thriller about a shark that gets hunted down by a trio of alcoholics because the poor fish committed the unforgivable crime of being very hungry initially opened in theaters, the big movie from 50 yearsago was Charlie ChaplinsThe Gold Rush.Thats right.Jawsis as old now as silent movies were whenJaws came out. (I told you you should be sitting down for this.)If you were alive for 1975 or even if you just remember watching the movies of 1975 as a kid in the 1980s or 90s this can be a very tough pill to swallow. But we have no choice. We have to accept it. Time marches on.And for the 25 movies below, which run the gamut from huge blockbusters to arty classicsto big awards movies to the tiny indie debuts of some of the 20th centurysbiggest filmmakers,time has marched on to such a degree that they are now all half a century old. Every single one. Old old old. Sigh.Still sitting down?The movies that came out in the year 2000 are now 25 years old. 2000 was a quarter century ago.None of this makes any sense.Regardless, here are 25 movies turning 50 years old in 2025.25 Movies Turning 50 in 20251975 was a big year for movies all of which are now 50 years old.READ MORE: 10 70s Movies That Could Never Be Made TodayThe Most Anticipated Movies of 202520 movies we cant wait to see in 25.

Time zones: CST (UTC -6), MST (UTC -7), PST (UTC -8)What drives you? Working on something you believe in? At Discogs, we believe in sharing music with the world. Our technical teams build a product that opens the doors to discovery for millions of music lovers. The Senior Full Stack Software Engineer for the Marketplace - Inventory Management team will be responsible for building a robust inventory management system using modern React, Python, and GraphQL.LocationThis is a remote position. Open to candidates located in OR, WA, CA, CO, TX, ILCompensationStarting Base Salary Range: $125,000 - $132,000 yearlyWho Were Looking ForThe Senior Full Stack Engineer acts as a senior member of a group of passionate engineers to help us create software and services for the Discogs product. As a technical subject matter expert, this role is instrumental in driving our technology vision forward and evangelizing development and testing practices that drives Discogs transformation and growth strategies. Requires great ability to multi-task across projects as well as to adapt to different areas of the code where previous knowledge, skills, and experience may not exist. This role provides strong technical leadership and mentorship to develop the capabilities of other team members. This role motivates and fosters collaboration across the teams.What Youll AccomplishReasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.Plan, develop, and deploy server-side and client-side software in sprint cycles.Observe, debug and optimize production systems with thousands of concurrent users.Research new frontiers, prototype implementations and share knowledge.Communicate openly and collaborate frequently with Product and Engineering teams to quickly deliver high quality products that maximize value to the Discogs ecosystem.Take responsibility over large, complex features from concept to design to delivery with no guidance.Maintain, rebuild and adapt legacy codebases alongside modernizing our stack.Assists team with estimation and prioritization of development efforts.Coaches and mentors other engineers by providing recommendations, technical oversight, code reviews and feedback.Other duties as assigned.What Youll ContributeMinimum Experience and EducationMust Have:5+ years of experience developing software solutionsBuilding, operating, troubleshooting and optimizing production systems under load.Delivered software using Python and JavaScript with frameworks.Interface with relational databases using SQL.Using Git and conducting code reviews within a sprint SDLC.Familiarity with Build systems, DevOps and CI/CD procedures.Familiarity with cloud services.Possess advanced knowledge in your specialization to be able to guide and mentor team members.Experience designing and leading a software project from requirements to delivery with no guidance.Experience completing a significant refactor of an existing software project.Experience independently researching and leading technical discussions with peers.Thoroughly understands the business vision, mission, and strategy and how their code supports and affects business outcomes.Ability to effectively present information and respond to questions from key stakeholders and decision makers.Working knowledge of taking a large complex project, breaking it down into sub-tasks, and completing those tasks as required.Shows initiative and seeks evidence in data to support ideas.Bachelor's degree (BA/BS) from four-year college or university in math\computer science related field, or equivalent work experience.Great to have:eCommerce experienceCompleted large-scale systems migrations.Use of containerization and orchestration technologies, Docker and Kubernetes.FastAPI, Adriane, React, GraphQL, Kafka, React Native, Flask, Gherkin, PlaywrightAWS, DataDog, Sentry, CloudflareServerless functions, distributed/edge systems and event driven architectures.ADA / WCAG Compliance