• Marvel's Spider-Man studio boss Ted Price announces retirement from games industry
    www.eurogamer.net
    Marvel's Spider-Man studio boss Ted Price announces retirement from games industryAfter 30 years at company.Image credit: Sony/Eurogamer News by Matt Wales News Reporter Published on Jan. 22, 2025 Ted Price, the founder and CEO of Ratchet & Clank and Marvel's Spider-Man developer Insomniac Games, has announced his retirement from the games industry, saying he "felt it was simply time to step aside and let others pave the way for our team."Price founded Insomniac (then known as Xtreme Software) in 1994, and the studio released its debut title - first-person shooter Disruptor - two years later. Soon after, the studio embarked on a run of releases that would cement its position in the video game hall of fame, establishing beloved franchises including Spyro the Dragon, Ratchet & Clank, and Resistance.Insomniac's close relationship with PlayStation eventually led to Sony's acquisition of the studio in 2019, after which it saw continued success across three Marvel's Spider-Man games.Marvels Wolverine announcement teaser.Watch on YouTubeNow though, after 30 years steering Insomniac, founder and CEO Ted Price is stepping down. "After having been incredibly fortunate to enjoy such a fulfilling career in games," he wrote on the Sony Interactive website, "I'll be retiring from the industry at the end of March.""I actually made this decision last year," Price continued. "For me, after over 30 years of leading Insomniac, I felt it was simply time to step aside and let others pave the way for our team."Price added a "succession plan that I know will provide the continuity, stability and strong leadership necessary to deliver more of what our fans cherish over the next several decades" has been in the works for some time. As a result, Chad Dezern, Ryan Schneider, and Jen Huang have been announced as Insomniac Games' new co-studio heads."I want to thank every Insomniac for having a positive and lasting impact on my life," Price concluded. "Working side by side...for so many years has been a gift that I'll cherish for the rest of my days. I also want to thank our fans who, for three decades, have shared their enthusiasm, their encouragement and their support - inspiring us to take every game farther than the last. We do what we do for you. And I can assure you that we won't be slowing down."Insomniac is currently developing Marvel's Wolverine, which still doesn't have a release date despite previous reports it was targeting 2025. Footage of an unannounced live-service Spider-Man game also surfaced last year following a major security breach - but it's believed that project, alongside a host of other first-party PlayStation live-service titles, is now cancelled.
    0 Kommentare ·0 Anteile ·129 Ansichten
  • TikTok Says Its Not Censoring Free Palestine Comments. Users See Something Different
    www.404media.co
    On Monday, a day after TikTok came back online for the U.S., people started noticing that the app would not let them comment free palestine.Several TikTok users posted screenshots on X and Bluesky showing the message they received after trying to comment free palestine under other peoples posts. TikTok users started reporting this on Sunday, following a tense few hours where the app blocked U.S. users from access ahead of a potential ban, displaying instead a notification sucking up to then-incoming president Donald Trump.I tried this myself on Tuesday morning, using two different throwaway TikTok accounts. Using one account, I could comment free palestine without a problem, and that comment is still up as of Wednesday morning. Using another, my free palestine comments were immediately removed repeatedly, and I received a notification that I had violated the TikTok Community Guidelines. I could comment with a nonsense phrase (free shavacado) using that same account, however, and TikTok didnt remove it.A screenshot showing two comments: "free Palestine" and "free shavacado" Using the account that kept getting comments removed, I could post a video with the caption free palestine #freepalestine on Tuesday without a problem.A spokesperson for TikTok told 404 Media that the platforms policies and algorithms did not change over the weekend, adding that theyre working on restoring U.S. operations back to normal. Theyre expecting some temporary instability as services are restored, they said, which could affect some features or access. They said that TikTok does not have a policy against people saying free palestine, and pointed me to the platforms community guidelines, transparency report, and moderation approach pages.There have been a few noteworthy instances in the last few years of social media users claiming that pro-Palestine content was being censored or downranked, only for the platforms involved to blame the issue on bugs or deny it was happening. In October 2023, 48 organizations, including 7amleh, the Arab Centre for Social Media Advancement, which advocates for digital rights of Palestinian and Arab civil society, issued a statement urging tech companies to respect Palestinian digital rights during the ongoing war, Al Jazeera reported.We are [concerned] about significant and disproportionate censorship of Palestinian voices through content takedowns and hiding hashtags, amongst other violations, the statement said. These restrictions on activists, civil society and human rights defenders represent a grave threat to freedom of expression and access to information, freedom of assembly, and political participation.Also in October 2023, on Instagram, using the see translation feature in bios about Palestine inserted the word terrorist. In March 2024, Googles Gemini AI would not answer questions like where is Palestine? or what is Palestine? but would answer questions like where is Israel? or what is Israel? And in October 2024, Twitch admitted to temporarily blocking new users in Israel and Palestine from creating new accounts to prevent them from uploading graphic material.There is a lot of weird stuff going on with social media platforms right now, to put it as mildly as possible. One minute, TikTok is gone; the next, its back. One minute, people are outraged because they think theyre being forced to follow Trump on Facebook; the next, its obvious that the administrations accounts have simply changed hands. All of it makes people constantly doubt, second-guess, and argue about what they see with their own eyes.In a lot of ways, this constant, roiling turmoil of navigating what can and cant be said, what might get you banned, and what app is even still accessible to you anymore is exactly what a lot of marginalized peopleincluding, especially, sex workershave always gone through. That disparity and confusion is baked into the algorithms we are forced to coexist with online. Its why when I wrote about getting a bizarre search result from Googles AI Overview, the companys spokesperson couldnt even replicate it themselves. And now that TikTok has bent the knee to the Trump administration in a very public wayincluding CEO Shou Chew posting a personal message thanking the president for his commitment to work with us to find a solution that keeps TikTok available in the United States, everyone online is on the highest alert possible, looking for every sign and symbol that their social media platform of choice might be falling into fascist censorship. This is, as marginalized communities online have been showing us for years and as we said when Trump was elected, always the way its been.Sam Cole is writing from the far reaches of the internet, about sexuality, the adult industry, online culture, and AI. She's the author of How Sex Changed the Internet and the Internet Changed Sex.More from Samantha Cole
    0 Kommentare ·0 Anteile ·135 Ansichten
  • New study shows radical-right populists are fueling a misinformation epidemic
    www.zmescience.com
    AI-generated image.Misinformation has long been a scourge of democracy, undermining public trust in institutions and fostering division. Whether its a pandemic, elections, or simply current events, modern misinformation affects all of us in more ways than we imagine.We tend to think of misinformation as a universal problem, with all sides of the political spectrum equally guilty of bending the truth or spreading falsehoods. A new study shows otherwise. According to the study, carried out by researchers in the Netherlands, radical-right populists are far more likely to spread falsehoods than their counterparts. The study also points to the creation of an alternative media ecosystem by far-right groups. Here they try to recreate reality and create an echo chamber that reinforces their worldview.Populism, left-wing populism, and right-wing politics are not linked to the spread of misinformation. We find that radical-right populism is the strongest determinant for the propensity to spread misinformation, the researchers note.Misinformation and PopulismPopulism is, in a strict sense, not the same as misinformation. Populism is a political approach that divides society into the pure people and the corrupt elite. Populists would say that regular people are disregarded and abused by elite groups. This can be (and unfortunately is) true in many instances, but populists want to use this to their own advantage.Meanwhile, misinformation involves the spread of false or misleading information. When populists pit the people against the elite, they often use misinformation as a strategy to reinforce their narratives. However, not all populists are equally guilty of spreading misinformation.Unlike left-wing populists, who focus on economic grievances and critique corporate elites, radical-right populists usually weaponize cultural fears like immigration, globalization, or political correctness. The study makes a critical distinction: while populism on both sides is often associated with anti-elitism and distrust in institutions, the radical right takes this to an extreme.Right + populism = misinformationThe study, led by Petter Trnberg and Juliana Chueri, analyzed a dataset of over 32 million tweets by 8,200 parliamentarians across 26 countries. Its the first large-scale, cross-national analysis of how different political ideologies influence misinformation.The dataset spans the period 2017-2022, before Twitter was Musk-ified and turned into the platform now beloved by the far right. The results suggest that neither political ideology nor populism are sufficient to explain misinformation on Twitter. Its only when the right and populism intersect that misinformation starts to boom.The research points to another key aspect: radical-right supporters often believe they are better informed than others, even when they are being misinformed. This makes them much more susceptible to misinformation that aligns with their worldview, creating a feedback loop where misinformation fuels distrust, which in turn amplifies the effectiveness of false narratives.Populist, far-right politicians understand this well. They seem to have incorporated misinformation into a strategy. This strategy serves multiple purposes:Undermining trust in mainstream media.Strengthening their base by reinforcing fears and grievances.Distracting from policy scrutiny by dominating the media agenda with provocative content.Why this works so well in the current environmentRadical-right populists thrive in the current media ecosystem, which prioritizes engagement over accuracy. The clickbait media model, driven by algorithms that amplify sensational content, provides fertile ground for these actors. By bypassing traditional media gatekeepers, they create and disseminate their own narratives through alternative media platforms.There appears to be a symbiotic relationship between these populists and the clickbait media model. The attention economy promotes content that captures and retains user interest, often measured in terms of likes, shares, comments, and overall engagement. Radical right populists have been effective in creating and utilizing alternative media ecosystems that amplify their viewpoints, the researchers addThe effects of this approach are what we see around us today. Misinformation contributes to the erosion of democratic institutions. By spreading falsehoods, radical-right populists aim to delegitimize elections, discredit opponents, and destabilize governance. Its whats happening in countries from the US to Europe to South Korea.The researchers even go one step further, calling far-right populism and misinformation two sides of the same coin.Misinformation and radical-right populism must hence be understood as inextricable and synergistictwo expressions of the same political moment.An important wake-up callThe researchers acknowledge the limitations of their study. Firstly, Twitter no longer allows researchers to access data, so the database stops in 2022 and is not updated anymore. Secondly, platforms like Facebook, YouTube, and TikTok, which cater to different demographics, remain unexplored. The study is limited to 26 mostly Western democracies, so the findings should mostly be considered for this geography.Furthermore, the study uses a broad definition of misinformation, encompassing both intentional (disinformation) and unintentional (misinformation) falsehoods. This makes it difficult to discern whether radical-right populists are knowingly spreading lies or are themselves misled. It also assumes that the behavior of parliamentarians on Twitter reflects broader party strategies, which may not always be true.Despite all these limitations, however, the study paints a compelling picture. Radical-right populist parties have uniquely weaponized misinformation as a political strategy. Unlike other groups, these actors rely heavily on falsehoods to exploit cultural fears, undermine democratic norms, and galvanize their base, making them the dominant drivers of todays misinformation crisis.Understanding this imbalance is crucial for addressing the root causes of the problem and restoring trust in democratic processes.The study was published in the International Journal of Press/Politics.
    0 Kommentare ·0 Anteile ·148 Ansichten
  • Dexter sequel series Resurrection looks like it's out to Kill Bill, as it adds Uma Therman to the cast
    www.vg247.com
    Here We Go AgainDexter sequel series Resurrection looks like it's out to Kill Bill, as it adds Uma Therman to the castNot who I would have guessed, but a strong addition.Image credit: Miramax/ Paramount News by Oisin Kuhnke Contributor Published on Jan. 22, 2025 Dexter: Resurrection is looking like it's shaping up quite nicely, as none other than Uma Thurman has apparently joined the cast.It feels a bit surprising to think that somehow Dexter is still going after all these years, and yet here we are with some casting news about the next series to come chronologically. As reported by Variety, Uma Therman, best known for roles like The Bride in the Kill Bill series, as well as in other films like in Pulp Fiction, Batman and Robin, and a whole lot more, will be joining the sequel series Dexter: Resurrection. According to Variety she'll be playing a series regular called Charley, who is described as "the Head of Security for mysterious billionaire Leon Prater. A former Special Ops officer, Charley worked various high-level private security jobs before taking on her position as the resourceful and meticulous right-hand woman for Prater."To see this content please enable targeting cookies. She'll be joining Michael C. Hall who is reprising his titular original role of Dexter, who we last saw in the 2021 series New Blood. That one was a 10 episode long miniseries that followed Dexter 10 years after he faked his death at the end of the original show, and all of the drama that comes from his estranged song rocking up with his own motives. New Blood itself ends on a bit of a cliffhanger, and somewhat leads into the currently airing prequel series Dexter: Original Sin, so it's possible the ending of this one will then tie back into Resurrection. Sounds like if you're desperate to stay up to date with Dexter you've got some homework to do.Other cast members in Resurrection include David Zayas, James Remar and Jack Alcott, who'll be reprising their roles as Detective Angel Batista, Harry Morgan, and Harrison Morgan respectively as series regulars. An official synopsis hasn't been revealed just yet, so we'll have to wait until there's more officially (or unofficially) revealed.
    0 Kommentare ·0 Anteile ·121 Ansichten
  • Samsung Unpacked: Samsungs Galaxy S25 will support Content Credentials to identify AI-generated images
    techcrunch.com
    Another tidbit just dropped following Wednesdays Samsung Unpacked event. This one comes courtesy of Adobe, which notes that the new Galaxy S25 line will be the first handsets to support the Content Credentials standard, aimed at labeling AI-generated content as such.The Coalition for Content Provenance and Authenticity (C2PA) group of which Samsung is now officially a part describes the standard as a nutrition label for digital content. The information presented includes how the content was generated and edited, as well as if any generative AI technologies were used in the process.The standard arrives amid increasing concern around AIs ability to propagate fake news and other misinformation. In addition to its presence in still images, it will be extended to include video, audio, and documents.Content Credentials can be found in an image using Adobes Content Authenticity tool, which is now in beta.Along with Samsung and Adobe, the C2PA includes some top names from media, social media, AI, and hardware, including Google, Intel, Microsoft, OpenAI, Amazon, BBC, Meta, Sony, Publicis, and Truepic.The Galaxy S25 line is now up for preorder and set to start shipping February 7.
    0 Kommentare ·0 Anteile ·123 Ansichten
  • This Week in AI: OpenAI gains an invaluable infrastructure advantage
    techcrunch.com
    Hiya, folks, welcome to TechCrunchs regular AI newsletter. If you want this in your inbox every Wednesday, sign uphere.OpenAI is making gains at the expense of its chief rivals. On Tuesday, the company announced the Stargate Project, a new joint venture involving Japanese conglomerate SoftBank, Oracle,and others to build AI infrastructure for OpenAI in the U.S. Stargate could attract up to $500 billion in funding for AI data centers over the next four years, should all proceed according to plan.The news was surely to the chagrin of OpenAI competitors like Anthropic and Elon Musks xAI, which will see no comparable enormous infrastructure investment. xAI intends to expand its data center in Memphis to 1 million GPUs, while Anthropic recently signed a deal with Amazon Web Services (AWS), Amazons cloud computing division, to use and refine the companys custom AI chips. But its difficult to imagine that either AI company can outpace Stargate, even, as in the case of Anthropic, with Amazons vast resources.Granted, Stargate may not deliver on its promises. Other tech infrastructure projects in the U.S. havent. Recall that, in 2017, Taiwanese manufacturer Foxconn pledged and subsequently failed to spend $10 billion for a plant near Milwaukee.But Stargate has more backers and momentum, from what it seems at this juncture behind it. The first data center to be funded by the effort has already broken ground in Abilene, Texas. And the companies participating in Stargate have promised to invest $100 billion at the outset.Indeed, Stargate seems poised to cement OpenAIs incumbency in the exploding AI sector. OpenAI has more active users 300 million weekly than any other AI venture. And it has more customers. Over 1 million businesses are paying for OpenAIs services.OpenAI had first-mover advantage. Now it could have infrastructure supremacy. Rivals will have to be smart if they hope to compete. Brute force wont be a viable option.NewsImage Credits:Jakub Porzycki/NurPhoto / Getty ImagesMicrosoft exclusivity no more: Microsoft was once the exclusive provider of data center infrastructure for OpenAI to train and run its AI models. No longer. Now the company only has a right of first refusal.Perplexity launches an API: AI-powered search engine Perplexity has launched an API service called Sonar, allowing enterprises and developers to build the startups generative AI search tools into their own applications.AI speeding the kill chain: My colleague Max interviewed the Pentagons chief digital and AI officer, Radha Plumb. Plumb said that the Department of Defense is using AI to gain a significant advantage in identifying, tracking, and assessing threats.Benchmarks in question: An organization developing math benchmarks for AI didnt disclose that it had received funding from OpenAI until relatively recently, drawing allegations of impropriety from some in the AI community.DeepSeeks new model: Chinese AI lab DeepSeek has released an open version of DeepSeek-R1, its so-called reasoning model, that it claims performs as well as OpenAIso1on certain AI benchmarks.Research paper of the weekImage Credits:MicrosoftLast week, Microsoft spotlighted a pair of AI-powered tools, MatterGen and MatterSim, which it claims could help design advanced materials.MatterGen predicts potential materials with unique properties, grounded in scientific principles. As described in a paper published in the journal Nature, MatterGen generates thousands of candidates with user-defined constraints proposing new materials that meet highly specific needs. As for MatterSim, it predicts which of MatterGens proposed materials are stable and viable. Microsoft says that a team at the Shenzhen Institute of Advanced Technology was able to use MatterGen to synthesize a new material. The material wasnt flawless. But Microsoft has released the source code of MatterGen, and the company says it plans to work with other outside collaborators to further develop the tech.Model of the weekGoogle has released a new version of its experimental reasoning model, Gemini 2.0 Flash Thinking Experimental. The company claims it performs better than the original on math, science, and multimodal reasoning benchmarks.Reasoning models like Gemini 2.0 Flash Thinking Experimental effectively fact-check themselves, whichhelps them to avoid some of thepitfallsthat normally trip up models. As a consequence, reasoning models take a little longer usually seconds to minutes longer to arrive at solutions compared to a typical non-reasoning model. The new Gemini 2.0 Flash Thinking also has a 1 million token context window, meaning it can analyze long documents such as research studies and policy papers. One million tokens is equivalent to about 750,000 words, or 10 average-length books.Grab bagImage Credits:GameFactoryAn AI project called GameFactory shows that its possible to generate interactive simulations by training a model on Minecraft videos and then extending that model to different domains.The researchers behind GameFactory, most of whom hail from the University of Hong Kong and Kuaishou, a Chinese company thats partially state-owned, published a few examples of the simulations on the projects website. They leave something to be desired, but the concept is still an interesting one: a model that can generate worlds in endless styles and themes.
    0 Kommentare ·0 Anteile ·128 Ansichten
  • Mickey 17
    www.artofvfx.com
    From the visionary director of Parasite, Bong Joon Ho brings us Mickey 17, a sci-fi epic like no other. Check out the gripping new trailer and get ready for a cinematic experience that will blow your mind!The VFX are made by:DNEG (VFX Supervisor: Chris McLaughlin)Framestore (VFX Supervisor: Stuart Penn)Rising Sun Pictures (VFX Supervisor: Guido Wolter)Turncoat Pictures (VFX Supervisor: Ryan Urban)The Production VFX Supervisor is Dan Glass.The Production VFX Producers are Whitney Gearin and Nicky Coats.Director: Bong Joon HoRelease Date: March 7, 2025 (USA) Vincent Frei The Art of VFX 2025The post Mickey 17 appeared first on The Art of VFX.
    0 Kommentare ·0 Anteile ·138 Ansichten
  • Dennis Crompton of Archigram dies at 89
    www.archpaper.com
    The inimitable Dennis Crompton, cofounder of Archigram, died on January 20, 2025. He was 89. News of his passing was confirmed by his daughter, Catherine, and his longtime friend and collaborator Sir Peter Cook, who called Crompton the Archigram keeper of the Flame.Few architects influenced more late20th century imaginations than Archigram, an ethos Crompton helped sustain as the groups primary archivist. Crompton was also a friend of The Architects Newspaper, and AN cofounder Bill Menking. Crompton and Menking first met in London decades ago and became close. Menking later contributed to Concerning Archigram, a title that was edited by Crompton and published in 1999.More recently, Archigram contributed signed editions of its artworks as the awards forANs Best of Design Awards.Diana Darling, CEO/creative director of AN Media Group, shared, As I reflect on the the more then 30 years of knowing Dennis and the Archigram crew, families, and friends, the memories come flooding back. I remember the historical times spent with Dennis in London and in the U.S. It was fun to work with him each year on the Archigram Best of Design print that we distributed to our top design winners. He was a kind, patient man who held the group together and kept them organized all of these years. Rest in Peace.Finding the Archigram GuysCrompton was born on June 29, 1935, in the northern England city of Blackpool. He later told Hans Ulrich Obrist that as a fairly young child I decided I wanted to be an architect, about the age of twelve. He said it was around that time when he used to take apart his mothers washing machine because I liked to know how things worked, which was an important part of Archigram.As a teenager, Crompton studied mathematics, physics, and art at college in Blackpool. He was accepted into architecture programs at University of Liverpool and University of Manchester, but he chose Manchester because the department there was more technical. He said Steen Eiler Rasmussens book Town and Buildings was a major early influence. After leaving Manchester, he went to work for the planning wing of the London County Council (LCC) on the South Bank development, where he met Ron Herron, who eventually introduced him to Warren Chalk. It was at the LCC where Crompton said he started thinking about concepts like total planning and systems design.Then in his twenties, he cofounded a magazine called Archigram in 1961 with Cook, Herron, Chalk, Michael Webb, and David Greene. The first magazine edition was raw: It was 2-pages long and made with an electric typewriter.That magazine eventually snowballed into the architecture group, Archigram, we know today. We decided something had to be said about the terrible state of English architecture at that time, Crompton noted in describing why he cofounded the magazine. We eventually became known as the Archigram guys, so thats what we went with as a group, Crompton said. At the age of 30, he started teaching at the Architectural Association (AA) in London, where he worked closely with Alvin Boyarsky in the AAs communications department. Later, Crompton would teach at institutions like the Bartlett School of Architecture and lecture widely.Archigram won its first competition in 1969 for a project in Montecarlo, which required them to form an official office. The group set up shop at 53 Endell Street in London. Among the groups best known works were its Plug-In City and contraptions, dubbed things that go bang in the night.Archival FeverIn 1975, Crompton left Archigram because of a national economic meltdown, where offices could only work three days a week due to power shortages, Crompton said. That year, he established the Archigram Archives, which he maintained his entire life.Herron and Crompton curated an Archigram retrospective in Vienna, Austria, in 1994. Crompton kept teaching at the AA and Bartlett his entire career and lectured widely. Concerning Archigram was published in 1999. Later, Crompton digitized Archigrams archives. Menking remained a close friend, so when the group launched the online version of its archive in 2010, Webb and Crompton did so from Menkings Tribeca loft. The online version was hosted by the University of Westminster but is no longer accessible.Michael Webb (back) and Dennis Crompton (front) in the loft of Bill Menking and Diana Darling during the 2010 launch of the Archigram archive. (Courtesy AN)Though Archigram didnt build buildings, its techno-obsessed antics inspired generations of architects. Without the groups countercultural provocations, there would be no gizmo-fancying folks like Norman Foster, Rem Koolhaas, and Richard Rogers. Geoff Manaugh, writing in BLDG BLOGabout the online archive when it was announced, said that Archigrams ideas seem unbuilteven unbuildablebut those ideas actually lend themselves surprisingly well to the environment in which we now live, full of extreme suburbs, drive-in everything, KFC-supplied army bases in the middle of foreign deserts, robot bank tellers, and huge, HVAC-dependent wonderlands on the exurban fringe. He continued: The irony, for me, is that Archigrams ideas have, in many ways, actually been constructedbut in most cases it was for the wrong reasons, in the wrong ways, and by the wrong people.In 2011, Crompton joined Menking to honor Michael Webb at a benefit party for the Storefront for Art and Architecture.Menking (left) and Crompton (right) with Webb (center) on the mic during a 2011 event for Storefront. (Dillon DeWaters/Courtesy Storefront for Art and Architecture)Later, Crompton designed a book in 2016 for artist Nancy Goldring and writer Peter Lamborn Wilson. It was published by Spuyten Duyvil. Crompton also editedArchigram: The Book, which was published in 2018. Todd Gannon reviewed the title forAN, with mention of the critique of the groups antics: Archigram unapologetically privileged pleasure over politics and rarely bothered to unpack theoretical propositions beyond pithy captions. Its reluctance to address head-on the thornier sociopolitical implications of its work left its members exposed to searing criticism, particularly in the early 1970s.Archigram TenArchigrams archive was ultimately sold in 2019 to M+ in Hong Kong. After pandemic delays, a portion of the collection was on view in the exhibitionArchigram Citiesin 2020, along with an accompanying series of hybrid events. Archigrams publications were numbered like comic books. After issue nine, published in 1970, there was a half-issue in 1974, and then silence. Until now: Archigram Ten was just released earlier this month. At its core, Archigram 10 aims to reaffirm the groups commitment to imagining architecture beyond the confines of tradition, looking to challenge practitioners to rethink the limits of their discipline, just as the group did over half a century ago, according to coverage in Architecture Today. Contributors include Hitoshi Abe, Odile Decq, Elizabeth Diller, Thom Mayne, and Eric Owen Moss. Additional engagement with the title is forthcoming in AN.
    0 Kommentare ·0 Anteile ·137 Ansichten
  • Beguiling Botanicals Fluoresce in Tom Leightons Otherworldly Photographs
    www.thisiscolossal.com
    When it comes to foliage, theres a reason its called greenery. But for Cornwall-based photographer Tom Leighton, common plants take on otherworldly dimensions when rendered in unexpected hues.The artists latest series, Fabled Gardens II, focuses predominantly on giant rhubarb, ferns, and rhododendrons, highlighting the captivating patterns and layers of leaves, fronds, and flowers. Leighton illuminates the botanicals at night, setting crisp outlines against dark backgrounds. Leightons photographs (previously) emphasize what he describes as the forces that shape the natural world, tapping into the power of light and color to illustrate dynamic biological processes like photosynthesis, reproduction, growth, and decay.The artist is currently preparing for forthcoming print releases. Follow updates on Instagram, and explore more on his website and Behance.Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Beguiling Botanicals Fluoresce in Tom Leightons Otherworldly Photographs appeared first on Colossal.
    0 Kommentare ·0 Anteile ·135 Ansichten
  • Samsung Galaxy S25 hands-on: 3 compelling reasons I'd settle with this model
    www.zdnet.com
    The Samsung Galaxy S25 and Galaxy S25 Plus aren't groundbreaking by any means, but the refinements and polish make them easy to recommend.
    0 Kommentare ·0 Anteile ·128 Ansichten