As of Sunday in the European Union, the blocs regulators can ban the use of AI systems they deem to pose unacceptable risk or harm.February 2 is the first compliance deadline for the EUs AI Act, the comprehensive AI regulatory framework that the European Parliament finally approved last March after years of development. The act officially went into force August 1; whats now following is the first of the compliance deadlines.The specifics are set out in Article 5, but broadly, the Act is designed to cover a myriad of use cases where AI might appear and interact with individuals, from consumer applications through to physical environments.Under theblocs approach, there are four broad risk levels: (1) Minimal risk (e.g., email spam filters) will face no regulatory oversight; (2) limited risk, which includes customer service chatbots, will have a light-touch regulatory oversight; (3) high risk AI for healthcare recommendations is one example will face heavy regulatory oversight; and (4) unacceptable risk applications the focus of this months compliance requirements will be prohibited entirely. Some of the unacceptable activities include:AI used for social scoring (e.g., building risk profiles based on a persons behavior).AI that manipulates a persons decisions subliminally or deceptively.AI that exploits vulnerabilities like age, disability, or socioeconomic status.AI that attempts to predict people committing crimes based on their appearance.AI that uses biometrics to infer a persons characteristics, like their sexual orientation.AI that collects real time biometric data in public places for the purposes of law enforcement.AI that tries to infer peoples emotions at work or school.AI that creates or expands facial recognition databases by scraping images online or from security cameras.Companies that are found to be using any of the above AI applications in the EU will be subject to fines, regardless of where they are headquartered. They could be on the hook for up to 35 million (~$36 million), or 7% of their annual revenue from the prior fiscal year, whichever is greater.The fines wont kick in for some time, noted Rob Sumroy, head of technology at the British law firm Slaughter and May, in an interview with TechCrunch.Organizations are expected to be fully compliant by February 2, but the next big deadline that companies need to be aware of is in August, Sumroy said. By then, well know who the competent authorities are, and the fines and enforcement provisions will take effect.Preliminary pledgesThe February 2 deadline is in some ways a formality. Last September, over 100 companies signed the EU AI Pact, a voluntary pledgeto start applying the principles of theAI Actahead of its entry into application. As part of the Pact, signatories which included Amazon, Google, and OpenAI committed to identifying AI systems likely to be categorized as high risk under the AI Act.Some tech giants, notably Meta and Apple, skipped the Pact. French AI startup Mistral, one of the AI Acts harshest critics, also opted not to sign. That isnt to suggest that Apple, Meta, Mistral, or others who didnt agree to the Pact wont meet their obligations including the ban on unacceptably risky systems. Sumroy points out that, given the nature of the prohibited use cases laid out, most companies wont be engaging in those practices anyway.For organizations, a key concern around the EU AI Act is whether clear guidelines, standards, and codes of conduct will arrive in time and crucially, whether they will provide organizations with clarity on compliance, Sumroy said. However, the working groups are, so far, meeting their deadlines on the code of conduct for developers.Possible exemptionsThere are exceptions to several of the AI Acts prohibitions.For example, the Act permits law enforcement to use certain systems that collect biometrics in public places if those systems help perform a targeted search for, say, an abduction victim, or to help prevent a specific, substantial, and imminent threat to life. This exemption requires authorization from the appropriate governing body, and the Act stresses that law enforcement cant make a decision that produces an adverse legal effect on a person solely based on these systems outputs.The Act also carves out exceptions for systems that infer emotions in workplaces and schools where theres a medical or safety justification, like systems designed for therapeutic use.The European Commission, the executive branch of the EU, said that it would release additional guidelines in early 2025, following a consultation with stakeholders in November. However, those guidelines have yet to be published.Sumroy said its also unclear how other laws on the books might interact with the AI Acts prohibitions and related provisions. Clarity may not arrive until later in the year, as the enforcement window approaches.Its important for organizations to remember that AI regulation doesnt exist in isolation, Sumroy said. Other legal frameworks, such as GDPR, NIS2, and DORA, will interact with the AI Act, creating potential challenges particularly around overlapping incident notification requirements. Understanding how these laws fit together will be just as crucial as understanding the AI Act itself.

House of Culture | Wotjek GurakThe House of Culture (Kulttuuritalo) in Helsinki, completed in 1958, is a significant example of Alvar Aaltos architectural mastery. Designed for the Finnish Communist Party, the building reflects the socio-political currents of post-war Finland, a period of ideological shifts and cultural expansion. It was conceived as a space for artistic expression and intellectual discourse, embodying political and civic aspirations.House of Culture Technical InformationArchitects1-2: Alvar AaltoLocation: Sturenkatu 4, Alppila, Helsinki, FinlandClient: Finnish Communist PartyProject Year: 1955 1958Photographs: Wotjek Gurak, Hannu RytkyBuilding art is a synthesis of life in materialised form. We should try to bring in under the same hat not a splintered way of thinking, but all in harmony together. Alvar Aalto 3House of Culture Photographs Hannu Rytky Hannu Rytky Wotjek Gurak Josep Maria Torra Wotjek Gurak Maija Holma Hannu Rytky Hannu Rytky Hannu Rytky Maija Holma Hannu Rytky Maija HolmaArchitectural Design and Spatial OrganizationAaltos work consistently defies rigid modernist orthodoxy, favoring a humanistic approach that integrates function, materiality, and spatial fluidity. His organic modernism, deeply influenced by nature and vernacular traditions, is evident in the House of Culture. This project showcases Aaltos ability to reconcile sculptural form with civic purpose, advancing architectural dialogues around public space and cultural institutions.The House of Culture comprises three primary elements: the large auditorium, administrative offices, and auxiliary cultural spaces. These are arranged asymmetrically, yet their relationships create a balanced architectural composition. Aaltos sensitivity to urban form is evident in how the building engages with its surroundings, maintaining a human scale while asserting a distinctive presence.The focal point of the designs auditorium features a striking curved roof that lends the structure its sculptural dynamism. This sweeping gesture defines the exterior silhouette and enhances acoustic performance within. The administrative wing, by contrast, is more restrained, employing rectilinear forms that ground the composition. Aaltos spatial strategybalancing monumentality with intimacyexemplifies his nuanced approach to public architecture.Aaltos material choices in the House of Culture are pivotal to its architectural language. The extensive use of red brick establishes a tactile connection with Helsinkis historic urban fabric, lending the building a sense of permanence and contextual sensitivity. The curvature of the auditorium roof is accentuated by an exposed copper finish, which has aged to a rich patina over time.Internally, Aalto orchestrates a warm and inviting atmosphere through wood paneling, custom-designed light fixtures, and carefully modulated natural light. The contrast between raw and refined materials underscores his ability to craft expressive and functional spaces.The House of Culture is a study of spatial movement and sensory engagement. Visitors are drawn in through a subtly recessed entrance, leading to a dynamic interior sequence. The auditoriums sweeping ceiling creates an immersive spatial experience, fostering an intimate relationship between the performer and the audience.Externally, the interplay of brick masses and curved surfaces generates a complex visual rhythm. Modifying solid and void elements ensures that the building remains visually permeable despite its substantial form. Aaltos light, texture, and circulation orchestration transforms the House of Culture into a dynamic architectural organism rather than a static monument.House of Culture Architectural MeritsOne of Aaltos most notable achievements in the House of Culture is his synthesis of structural logic and organic expression. The auditoriums undulating roof exemplifies an early experimentation with freeform structures, a precursor to later explorations by architects such as Jrn Utzon and Eero Saarinen.Acoustics plays a defining role in the design. The curvature of the roof and the finely detailed interior surfaces ensure optimal sound distribution, demonstrating Aaltos meticulous attention to sensory experience. Moreover, his commitment to human-centered modernism is reflected in carefully calibrating seating arrangements and sightlines.The House of Culture can be seen as an experimental counterpart to Aaltos later civic projects. While Finlandia Hall (1971) refines the expressive language introduced here, the House of Culture remains unique in its combination of sculptural ambition and programmatic specificity. It also shares material affinities with Aaltos earlier brick-clad buildings, such as the Baker House Dormitory at MIT (1949), though it explores a more dynamic interplay of mass and curvature.Legacy and Contemporary RelevanceToday, the House of Culture continues to function as a venue for cultural events, concerts, and public gatherings. Despite political and institutional affiliations shifts, its architectural integrity remains largely intact. Recent preservation efforts have sought to maintain Aaltos original vision while adapting the building for contemporary use.Aaltos House of Culture offers valuable insights for architects who design public and cultural spaces. Its integration of materiality, acoustics, and human experience underscores the enduring relevance of Aaltos approach. In an era increasingly dominated by digital formalism, the building serves as a reminder of the importance of craftsmanship, contextual sensitivity, and sensory engagement.House of Culture PlansFloor Plan | Alvar AaltoElevation | Alvar AaltoSection | Alvar AaltoHouse of Culture Image GalleryAbout Alvar AaltoAlvar Aalto (18981976) was a Finnish architect and designer renowned for his humanistic approach to modernism. A pioneer of organic architecture, Aalto seamlessly integrated form, function, and materiality, creating spaces prioritizing human experience. His works, including Viipuri Library, Villa Mairea, and the House of Culture, showcase his mastery of natural materials, sculptural forms, and innovative spatial compositions. Beyond architecture, Aaltos furniture and lighting designs remain influential, reflecting his belief in a holistic design philosophy. His legacy inspires architects worldwide, bridging modernist principles with warmth and contextual sensitivity.Credits and Additional NotesArchitect: Alvar AaltoCollaborators: Aino Aalto (spouse and design partner), Elissa Aalto (second spouse and collaborator)Aino + Alvar Aalto: A Life TogetherbyHeikki Aalto-Alanen

Located just north of and in stark contrast to the ornate Neo-Gothic 1932 Administration Building of Elms College, the schools main library building showcases how much architecture styles changed in just 40 years. The colleges library was long in the main Administration building, but was outgrown in the latter half of the 20th century. The two-story steel and cast-concrete library building was built in 1973 with exterior details in red brick and concrete, a nod to the historic materials of the older campus buildings. Unapologetically Modern, and somewhat Brutalist, the building has complex geometry of sunken voids and solid sections, broken up by a horizontal band of windows with concrete fins to mitigate sunlight. The building was designed by Boston architects, Carroll & Greenfield, and recently celebrated its 50th anniversary.

The SwitchBot Air Purifier Table would sound like a gimmick if it didn't actually work so well.

Everything suddenly changes for TikTokNurPhoto via Getty ImagesThere is something poetically ironic about the news this weekend, that DeepSeek and Huawei have teamed up as Chinas newest and oldest U.S. tech adversaries target home advantage. The most recent Chinese security threat to trigger much handwringing in Washington, with the OG that kicked off the whole U.S. versus China tech war in the first place.Interestingly, thats exactly how the South China Morning Post framed this latest news: Tech war: Huawei cloud unit powers DeepSeek models in Chinas bid for AI autonomy. If youre in America, this will not directly impact you. This is more about what happens in China. But as ever with the Chinese tech industry, its very interlaced and all these collaborations foster competitive advantage on foreign soil.Which brings us to TikTok. While we still await news on which suitor will win the viral video prize, and the platforms U.S. business changes hands to maintain its right to operate. Absent that, as things stand, and the ban kicks in (again) and those 170 million users lose access (again). Everything has changed though whether politicians like it or not. DeepSeek has admitted many of the data accusations leveled at and denied byTikTok. Here your data really does end up in China. Period.MORE FOR YOUThere are some parallels between TikTok and DeepSeek. Just as TikTok seems a new U.S. ownership structure, DeepSeek technology is being made (safely) available via Microsoft, Amazon and others. But the app has not been banned, despite the risks and it soaring to top the App Store and Play Store download charts. And clearly there is no onus on U.S. players behind the scenes to stop working with the platform, as Oracle and did with TikTok to comply with the ban.The threat of a new (or re-enforced, to be exact) TikTok ban hands over the company and its users, and the current ban has prevented the app from being installed afresh or updated from either Apples or Googles stores. But its hard to see how such a ban would figure now against this new backdrop, with serious DeepSeek-inspired AI warnings hanging in the air. The politics have changed, and I suspect (if tested) the legal case would present very differently as well.The irony here should come across as stark. China cares about Huawei (its tech champion) and DeepSeek (its primary Silicon Valley disruptor) in a way it has never cared for ByteDance or TikTok. Per SCMP, the move to launch DeepSeeks models on a home-grown hardware backbone highlights Chinas progress in cutting dependency on foreign technology and bolstering its domestic AI industry amid growing efforts by the U.S. to choke off Chinas access to high-end chips that the U.S. government said could be used to advance military aims.Which brings us to the final final irony. All this is happening just as President Trump retakes office. The first time around was interesting on China tech. Were barely a fortnight into the sequel, and it looks we havent seen anything yet.

Gmail has changedhere's what you need to do.NurPhoto via Getty ImagesBe warned if you dont get on top of the AI being stitched through your apps and platforms, you will have no control over what data is being shared and who its being shared with. Thats behind the raft of new Gmail warnings, with millions of users now caught in a new world that few understand and that seemingly evades controls. Heres what you need to do now.With Googles recent upgrade to add default AI settings to key Workspace apps first and foremost Gmail, those wanting to safeguard their data are looking for easy-button controls. But right now, thats a major issue. As 9to5Google explains, as Gemini is now readily available to Google Workspace subscribers, admins have found that the ability to disable the new AI features is hidden behind a conversation with Google support. Not good.Data leakage through AI engines is now headline news courtesy of DeepSeek, Chinas answer to Gemini and ChatGPT. And while that example is clearly acute, with user data and tracking heading to China by default and weak security controls, Gemini has also come in for criticism. Opting out of Gmails Gemini AI summaries is a mess, 404Media has warned, advising users heres how to do it, we think. Again, not good.As one Redditor complained, I was annoyed by the new Gemini for Workspace features. In the admin page --> generative AI --> Gemini for Workspace, there were no settings to toggle on / off. I chatted with customer support, and at my request they ADDED the settings, after which I was able to toggle off all Gemini for Workspace settings (gmail, etc.).MORE FOR YOU9to5Google explains that its quite frustrating that, for a number of Workspace admins, the ability to turn off Gemini AI features appears to just not exist by default. Google, on a support page, says that the ability to manage access to Gemini features in Workspace services is only available to Enterprise Standard and Enterprise Plus accounts. That appears to be true, as a number of admins have found that the Workspace Admin Dashboard shows no option to turn off Gemini features. Some Enterprise users claim to not have these settings at all too Customer support representatives apparently have the ability to enable a new menu of settings which can be used to turn off Gemini on the Google Workspace Admin Console.The AI data leakage was behind the DeepSeek scare, when the security industry pointed out that all the data shared with Chinas disruptive AI engine was (unsurprisingly) heading straight for China. But as I have said before, while the Chinese angle has intensified the debate, it didnt create it. The risk is still there, even with U.S. and other western engines.Harmonic Security warns in a new report that generative AI tools "come [with] significant risks related to data security. Despite their potential, many organizations hesitate to fully adopt Al tools due to concerns about sensitive data being inadvertently shared and possibly used to train these systems. Organizations risk losing their competitive edge if they expose sensitive data. Yet at the same time, they also risk losing out if they dont adopt GenAl and fall behind.This is not isolated to enterprise users. The entire AI ecosystem now being added to the critical platforms and services we use needs a clear set of controls and policies. Instead it is evolving in real-time with little consistency. As 404Media says, while some users will love the new AI features, others are going to want to run away from it as quickly as possible. Many peopleincluding usare already furious that they were automatically opted into it. Turns out, disabling it isnt straightforward.And so, whether youre a home or enterprise user, take some time to decide whats right for you (or those youre responsible for) and adjust your settings accordingly. Dont be bounced into taking risks youre not comfortable with by a mix of hype and FOMO. Harmonic Security says more than 80% of companies now worry about sensitive information leaking via GenAI.I have reached out to Google for their thoughts and advice.

Throughout his long and storied career, Guy Pearce has been in a number of acclaimed movies. FromL.A. Confidentialall the way toThe Brutalist, hes proven his skill and versatility as a performer. When it comes to his performance in Christopher Nolans Memento, though, Pearce said that he isnt too pleased with his work.Im having an existential crisis, Pearceexplained in an interviewwith the U.K.sThe Times. I watchedMementothe other day and Im still depressed. Im s in that movie. Id never thought that before, but I did this Q&A ofMementoearlier this month and decided to actually watch the film again. But while it was playing I realized I hate what I did.Pearce even elaborated, explaining exactly what went wrong with the performance. was trying to do a flippant attitude, but it was all wrong, the actor said. John Gielgud once said, You can be good in a good movie, good in a bad movie, bad in a bad movie, but never be bad in a good movie. Yet I watched Mementoand realized Im bad in a good movie. F.Recommended VideosPearce also clarified that he doesnt hate watching all of his early performances. Look, Im pleased withL.A. Confidential, but I look at this and go, Oof! Nails on a chalkboard!' he said ofMemento.If I reckon my performance in Neighboursis two out of ten,Mementois a five.Please enable Javascript to view this contentMementowas a breakthrough for Nolan, helping him to become the name-brand director he is today. Pearce added that he believes his performance inMementois the reason Nolan hasnt called for any future projects.All this stuff about an exec at Warners being why Ive not worked with Chris again? It came crashing down, he said. I know why I didnt work with Chris again its because Im no good in Memento.Pearce had previously suggested that the reason Nolan never worked with him again was because of an executive at Warner Bros. who swore to never employ him as an actor. Regardless of the reason, though, its been more than two decades since the two have collaborated.Editors Recommendations

html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd" As the world waits for the official release of Samsungs next generation of flagship smartphones, its no surprise that the best phone deals for Samsung Galaxy S25 Plus preorders are from Samsung itself. Originally priced at $1,000 for the 256GB model and at $1,120 for the 512GB model, you can get up to $700 off if you trade in an eligible device. Buying the 256GB model also comes with $100 of Samsung Credit, while the 512GB model is currently $100 off. That means youll technically pay as low as $200 for the 256GB version and $320 for the 512GB version. Those prices are extremely hard to beat.The Samsung Galaxy S25 Plus, which was announced at Samsung Unpacked 2025 and is slated to launch on February 7, is the middle option in the brands new lineup of smartphones between the Samsung Galaxy S25 and Samsung Galaxy S25 Ultra. The differences between the Samsung Galaxy S25 Plus versus Samsung Galaxy S25 are more than just their sizes the Samsung Galaxy S25 Plus has a 6.7-inch QHD+ AMOLED display with 1440 x 3120 resolution and 513 ppi, while the Samsung Galaxy S25 has a 6.2-inch FHD+ AMOLED display at 1080 x 2340 pixel resolution and 416 pixels per inch. The Samsung Galaxy S25 Plus also has base storage of 256GB, double that of 128GB for the Samsung Galaxy S25, with the former also sporting a 4,900 mAh battery with up to 45W charging speed compared to the latters 4,000 mAh battery with up to 25W charging speed.Powered by the Qualcomm Snapdragon 8 Elite and 12GB of RAM, the Samsung Galaxy S25 Plus promises topnotch performance, with new features as part of the Android 15-based One UI 7. The smartphone is also equipped at the back with a 50MP main camera, a 12MP ultrawide camera, and a 10MP telephoto camera, plus a 12MP selfie camera at the front.RelatedThe Samsung Galaxy S25 Plus isnt even out yet, but its already part of some amazing Samsung Galaxy deals. Samsung is offering up to $700 in trade-in credit for both 256GB and 512GB variants, the 256GB version comes with $100 of Samsung Credit, and the 512GB version is $100 off. Instead of $1,000, youll technically pay as low as $200 for the 256GB model, and instead of $1,120, just $320 for the 512GB model. Its still several days before the Samsung Galaxy S25 Plus rolls out, but we recommend securing your preorder of the smartphone as soon as possible.Editors Recommendations

Georgie Noble is a 51-year-old from Porepunkah, Australia. Her granddaughter was born when she was just 41, and she loves that she's a young grandmother.She has a lot of energy to keep up and feels being young helps her relate better.This as-told-to essay is based on a conversation with Georgie Noble, a 51-year-old grandma from Porepunkah, Australia. It has been edited for length and clarity.I had my daughter Alisha when I was 16 years old. I actually didn't find out I was pregnant until I was four months along.There's no doubt that becoming a mother at such a young age was challenging, but Alisha was a pretty easy kid, so I was so lucky in that regard. When Alisha turned 16, and I was 32, I had my second child, Tai.One of the perks of being a young mom meant that when my daughter had a child of her own, I was also a young grandma. I'll never forget when Alisha broke the news to me that she was pregnant. I was 41 at the time.Alisha has always referred to my mom as "GB," which stands for "Granny Bett." Mom became a grandma at 46 and never wanted to be called "Nana," so we came up with the nickname for her. One day, Alisha called me out of the blue and said, "Mom, guess what? You're going to be a GG Granny Georgie."I was so excited. Being a grandparent is wonderful because you get to enjoy another little one, but you can also hand them back at the end of the day. Georgie Noble with her granddaughter Lacey when she was a newborn. Courtesy of Georgie Noble I spent time with my daughter after she gave birthAs Alisha's due date approached in December of 2014, I flew from my home in Porepunkah, Australia, to Brisbane, where Alisha lives, so that I could be there for the birth. When she went into labor, I was with her at the start supporting her through the contractions.It's difficult to watch your daughter in labor because you remember what it was like yourself. You also know which stages of labor they're at, and when they're not even close to the final stage, and they're in pain, it can be hard to watch. I didn't want to give her false hope.Alisha ended up having a C-section due to complications. My beautiful granddaughter was born at 12.22 a.m. on December 12. She certainly liked the number '12'.The first time I saw her, I was overwhelmed with love. She was such a sweet little baby. Alisha called her Lacey, and though it took a while for the name to catch on, I soon realized that it suited her to a tee.I stayed with Alisha and her partner for about six weeks, cooking and caring for the baby. After the C-section, Alisha couldn't drive, and she really needed my support. She also felt lightheaded in the bathroom one day, and I was glad I was there with her. Georgie Noble, right, bonded with her granddaughter Lacey immediately. Courtesy of Georgie Noble I bonded with my granddaughter immediatelyIt was a lovely bonding time with my granddaughter. That newborn phase is so special, when they're all new and smell gorgeous. It felt different from when I had my own children I didn't have the pain to deal with, for starters. When the time came for me to fly back home, I was sad to say goodbye.As Lacey grew, she and I became very close. She was so much fun. As a grandma, I wanted to enjoy her; to eat her up and do as much as I could with her.When she'd come down to visit me, we'd make playdough and do crafts together. We'd FaceTime on the phone and play games together on Snapchat. Being a younger grandma meant that I was reasonably tech-savvy, so I could communicate with Lacey in ways that she understood and enjoyed.You can relate to your grandkids a bit more when you're a younger grandparent. You're closer in age to that generation, which means you're a bit more aware of what's going on in their world.You also have a lot more energy to keep up with your grandkids. Now that Lacey is 10 and I'm 51, I can happily swim in the pool with her for hours, pick blackberries together, then take the dog for a walk, and still have energy to spare at the end of the day.Nowadays, Lacey's more of a mommy's girl. She and Alisha are super close. She'll still have a chat with me on the phone, but then she's off. I don't get to see her that often because we live in different states, but when I do see her, I love our time together. She's the light of my life.

Beyonc has confirmed the "Cowboy Carter" tour is happening.The singer is going on the road in 2025, but has yet to share dates or when tickets will go on sale.Her last tour, the Renaissance World Tour, wrapped in late 2023.The wait is over, Beyhive Beyonc has finally confirmed the "Cowboy Carter" tour is set to go ahead.The star made the announcement in a pair of social media posts early Sunday morning, nearly a year after the country-inspired record was released.The first post featured a video of a light-up sign flashing the words: "COWBOY CARTER TOUR."The second showed an image of Beyonc alongside a caption that said the tour would take place in 2025.The tour announcement was preceded by several hints that Beyonc was gearing up to make a major announcement.The singer performed songs from "Cowboy Carter" for the first time at the Christmas Day NFL game Halftime show, which was streamed live on Netflix under the title "Beyonc Bowl." The announcement of the tour comes after Beyonc's Christmas Day Halftime performance during the NFL game streamed on Netflix. Netflix Following the performance, the singer dropped a now-deleted video that teased an announcement on the date "1.14.25" with the caption, "Look at that horse," referring to the lyric in her song "Sweet Honey Buckiin'."Fans quickly began to speculate that either a tour announcement or a new album was on its way. But Beyonc chose to postpone the announcement due to the wildfires that were devastating the Los Angeles area at the time.Then, on Sunday, Netflix shared a post directing viewers to revisit the "Beyonc Bowl." An audio-less clip from the performance was captioned: "Tonight seems like the perfect night to rewatch Beyonc Bowl on Netflix."Beyonc's own announcement followed. It's unclear when the singer will release more details regarding the tour, such as dates, locations, and when tickets will go on sale.The announcement came as the music industry gears up for the Grammy Awards, where Beyonc is nominated for 11 awards the most nominations of any artist this year. Among the awards she is in the running for is album of the year, an award the 43-year-old artist has yet to take home.Fans have speculated online that Beyonc may share further details about the tour during or after the awards ceremony, depending on how the night goes.Alternatively, the Super Bowl could offer her another chance to make an announcement. She first teased "Cowboy Carter" in a Verizon commercial during last year's game. Beyonc performing during her 2023 "Renaissance" world tour. Kevin Mazur/Getty Images Many believed that Beyonc was going to announce the "Cowboy Carter" tour in 2024.However, as fans will know from the documentary concert film "Renaissance: A Film by Beyonc," which chronicled the creative process behind bringing her 2023 world tour to life, a Beyonc tour is not something that happens overnight.As the singer revealed in the documentary, the tour was the culmination of four years of planning and dedication.The "Renaissance" world tour saw Beyonc perform 56 shows across Europe and North America.