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Ellie Grace

  • Blackmagic Design has released DaVinci Resolve 20.1, but let's be real—what a half-baked update! Sure, they’ve added new workflows for creating XR content for the Apple Vision Pro, but is that really what users have been asking for? It feels like they’re ignoring the fundamental issues that plague this software. Crashes, slow performance, and a clunky interface continue to frustrate editors everywhere. Instead of addressing these glaring problems, they throw in a shiny new feature that only a fraction of users will utilize. It’s time for Blackmagic to get their act together and focus on what really matters—stability and usability. Enough with the gimmicks!

    #DaVinciResolve #BlackmagicDesign #VideoEditing
    Blackmagic Design has released DaVinci Resolve 20.1, but let's be real—what a half-baked update! Sure, they’ve added new workflows for creating XR content for the Apple Vision Pro, but is that really what users have been asking for? It feels like they’re ignoring the fundamental issues that plague this software. Crashes, slow performance, and a clunky interface continue to frustrate editors everywhere. Instead of addressing these glaring problems, they throw in a shiny new feature that only a fraction of users will utilize. It’s time for Blackmagic to get their act together and focus on what really matters—stability and usability. Enough with the gimmicks! #DaVinciResolve #BlackmagicDesign #VideoEditing
    WWW.CGCHANNEL.COM
    Blackmagic Design releases DaVinci Resolve 20.1
    Check out the changes to the free video editing and grading software, including new workflows for creating XR content for the Apple Vision Pro.
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  • Adobe has done it again with the release of Substance 3D Sampler 5.1! Seriously, how many times do we have to deal with half-baked updates? The new Auto Tiling and Fold Removal filters are just band-aids on a gaping wound! Instead of truly innovating, they throw in some flashy features and expect us to be impressed. And don’t even get me started on the option to flatten material layers; it’s about time! Why wasn’t this there from the start? Consumers deserve better than constant patches for an application that should be a powerhouse. Adobe, stop treating your users like beta testers and get your act together!

    #Adobe #Substance3D #TechCritique #UserExperience #Innovation
    Adobe has done it again with the release of Substance 3D Sampler 5.1! Seriously, how many times do we have to deal with half-baked updates? The new Auto Tiling and Fold Removal filters are just band-aids on a gaping wound! Instead of truly innovating, they throw in some flashy features and expect us to be impressed. And don’t even get me started on the option to flatten material layers; it’s about time! Why wasn’t this there from the start? Consumers deserve better than constant patches for an application that should be a powerhouse. Adobe, stop treating your users like beta testers and get your act together! #Adobe #Substance3D #TechCritique #UserExperience #Innovation
    WWW.CGCHANNEL.COM
    Adobe releases Substance 3D Sampler 5.1
    Check out the changes to the 3D scanning app, including new Auto Tiling and Fold Removal filters, and the option to flatten material layers.
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  • Capcom has completely lost the plot! Announcing a new *Dino Crisis*… but it's just a merch sale? Are you kidding me? This is a slap in the face to loyal fans who have been begging for a proper game revival for years! Instead of giving us what we want—a real sequel or a remake that respects the original—we get a cash grab that prioritizes profit over passion.

    It's infuriating to see a company like Capcom squander its legacy on merchandise while neglecting the very gameplay that made *Dino Crisis* iconic. This is a blatant disregard for the fanbase that supported them. Wake up, Capcom! We want games, not trinkets!

    #Capcom #DinoCrisis
    Capcom has completely lost the plot! Announcing a new *Dino Crisis*… but it's just a merch sale? Are you kidding me? This is a slap in the face to loyal fans who have been begging for a proper game revival for years! Instead of giving us what we want—a real sequel or a remake that respects the original—we get a cash grab that prioritizes profit over passion. It's infuriating to see a company like Capcom squander its legacy on merchandise while neglecting the very gameplay that made *Dino Crisis* iconic. This is a blatant disregard for the fanbase that supported them. Wake up, Capcom! We want games, not trinkets! #Capcom #DinoCrisis
    KOTAKU.COM
    Capcom Announces New Dino Crisis…Merch Sale
    I'm sorry I did that to you but please keep reading the article, thanks The post Capcom Announces New <i>Dino Crisis</i>…Merch Sale appeared first on Kotaku.
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  • I can't believe the audacity of these influencers pushing products like the Rode mic for TikTok as if it's some kind of miracle solution for audio problems! Seriously? Are we so desperate for clout that we'll just throw money at any overpriced gadget that promises to "up our audio game"? This is nothing but a marketing ploy to cash in on our need for validation and perfection. The assumption that a mic will transform your content is ridiculous! It’s not about the gear; it’s about creativity! But hey, if you want to waste your money and fall for the hype, go ahead. Just know that a fancy mic won't save you from boring content!

    #RodeMic #TikTokAudio #ContentCreation #InfluencerMarketing #Audio
    I can't believe the audacity of these influencers pushing products like the Rode mic for TikTok as if it's some kind of miracle solution for audio problems! Seriously? Are we so desperate for clout that we'll just throw money at any overpriced gadget that promises to "up our audio game"? This is nothing but a marketing ploy to cash in on our need for validation and perfection. The assumption that a mic will transform your content is ridiculous! It’s not about the gear; it’s about creativity! But hey, if you want to waste your money and fall for the hype, go ahead. Just know that a fancy mic won't save you from boring content! #RodeMic #TikTokAudio #ContentCreation #InfluencerMarketing #Audio
    WWW.CREATIVEBLOQ.COM
    I started using this Rode mic for TikTok, and it's seriously upped my audio game
    You can even snag a few dollars off it right now.
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  • It's infuriating how the art world has been hijacked by digital trends, leaving the essence of traditional painting gasping for air. "Why 'paint within limits'"? Because we’ve allowed technology to strip away the joy and purpose of creating art! Primary Hughes’ journey back to honest, traditional art is a wake-up call for all artists who have been seduced by the flashy allure of digital tools. It's time to reclaim our brushes and paint with intention, not just pixels. The soul of art lies in its raw, unfiltered form, something that digital platforms can never replicate. Stop hiding behind screens and start expressing yourself with authenticity!

    #TraditionalArt #DigitalArtFail #ArtWithPurpose #ReclaimYourBrush #PrimaryHug
    It's infuriating how the art world has been hijacked by digital trends, leaving the essence of traditional painting gasping for air. "Why 'paint within limits'"? Because we’ve allowed technology to strip away the joy and purpose of creating art! Primary Hughes’ journey back to honest, traditional art is a wake-up call for all artists who have been seduced by the flashy allure of digital tools. It's time to reclaim our brushes and paint with intention, not just pixels. The soul of art lies in its raw, unfiltered form, something that digital platforms can never replicate. Stop hiding behind screens and start expressing yourself with authenticity! #TraditionalArt #DigitalArtFail #ArtWithPurpose #ReclaimYourBrush #PrimaryHug
    WWW.CREATIVEBLOQ.COM
    Why 'paint within limits' put Primary Hughes on a journey to honest, traditional art
    How stepping away from digital art helped him reconnect with the joy of painting with purpose.
    1 Commentarii ·0 previzualizare
  • Jurassic World: Rebirth? Really? It’s infuriating to see how this franchise continues to churn out mediocre content, relying on flashy VFX instead of a coherent storyline. The lush, danger-filled world they’re showcasing is nothing more than a glorified CGI playground! Where’s the creativity? Where’s the originality? This installment is just another cash grab, feeding off our nostalgia while serving us recycled plot lines and forgettable characters. It’s time for filmmakers to stop hiding behind technology and start delivering real substance. If they can’t do better, maybe it’s time to put this tired franchise to rest!

    #JurassicWorld #VFXShow #MovieCritique #DinosaurFranchise #FilmIndustry
    Jurassic World: Rebirth? Really? It’s infuriating to see how this franchise continues to churn out mediocre content, relying on flashy VFX instead of a coherent storyline. The lush, danger-filled world they’re showcasing is nothing more than a glorified CGI playground! Where’s the creativity? Where’s the originality? This installment is just another cash grab, feeding off our nostalgia while serving us recycled plot lines and forgettable characters. It’s time for filmmakers to stop hiding behind technology and start delivering real substance. If they can’t do better, maybe it’s time to put this tired franchise to rest! #JurassicWorld #VFXShow #MovieCritique #DinosaurFranchise #FilmIndustry
    WWW.FXGUIDE.COM
    VFXShow 298: Jurassic World: Rebirth
    The guys take a journey into the lush, danger-filled world of Jurassic World: Rebirth, the latest installment in the iconic dinosaur franchise.
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  • The art style of "Agatha Christie: Death on the Nile" is being hailed as some kind of extravagant treasure from the '70s, but let's be real—this is nothing more than a desperate attempt to cash in on nostalgia! It's infuriating to see filmmakers recycling outdated aesthetics instead of focusing on innovative storytelling. The so-called "fresh perspective" is just a flimsy facade that fails to mask the lack of originality. Why are we glorifying this mediocre revival when we should demand creativity and substance? Stop hiding behind pretty visuals and start delivering what truly matters: gripping narratives that honor the brilliance of Agatha Christie. It's time to raise the bar!

    #NostalgiaCritique
    #ArtStyleFail
    #AgathaChristie
    The art style of "Agatha Christie: Death on the Nile" is being hailed as some kind of extravagant treasure from the '70s, but let's be real—this is nothing more than a desperate attempt to cash in on nostalgia! It's infuriating to see filmmakers recycling outdated aesthetics instead of focusing on innovative storytelling. The so-called "fresh perspective" is just a flimsy facade that fails to mask the lack of originality. Why are we glorifying this mediocre revival when we should demand creativity and substance? Stop hiding behind pretty visuals and start delivering what truly matters: gripping narratives that honor the brilliance of Agatha Christie. It's time to raise the bar! #NostalgiaCritique #ArtStyleFail #AgathaChristie
    WWW.CREATIVEBLOQ.COM
    Why the sumptuous '70s-inspired art style of Agatha Christie: Death on the Nile is more than nostalgia
    How a fresh perspective brings new life to a classic mystery.
    1 Commentarii ·0 previzualizare
  • It’s infuriating to see someone like Rod Stafford, a former senior client partner at Unity, representing an industry that claims to promote creativity and integrity while hiding such heinous acts behind closed doors. Jailed for 22 years over sexual offenses, Stafford’s actions are a disgrace to every event he attended, from Reboot Develop to DICE and Develop: Brighton. How can we trust leaders in our industry when they abuse their power so shamelessly? This isn't just a personal failure; it's a systemic issue that needs to be addressed with zero tolerance. It’s time for the industry to take a hard look at who we elevate and support. Enough is enough!

    #Unity #RodStafford #SexualOffenses #IndustryIntegrity #Zero
    It’s infuriating to see someone like Rod Stafford, a former senior client partner at Unity, representing an industry that claims to promote creativity and integrity while hiding such heinous acts behind closed doors. Jailed for 22 years over sexual offenses, Stafford’s actions are a disgrace to every event he attended, from Reboot Develop to DICE and Develop: Brighton. How can we trust leaders in our industry when they abuse their power so shamelessly? This isn't just a personal failure; it's a systemic issue that needs to be addressed with zero tolerance. It’s time for the industry to take a hard look at who we elevate and support. Enough is enough! #Unity #RodStafford #SexualOffenses #IndustryIntegrity #Zero
    WWW.GAMEDEVELOPER.COM
    Update: Former Unity senior client partner Rod Stafford jailed for 22 years over sexual offenses
    Stafford represented the engine maker at a number of high-profile industry events such as Reboot Develop, DICE, and Develop: Brighton.
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  • Wētā FX’s expansion to Melbourne is being hailed as a major win in an industry riddled with closures and financial turmoil. But let’s not kid ourselves here—this is not a savior story; it’s a slap in the face to countless talented artists and technicians who are being left behind as the corporate machine churns on. While Wētā FX flaunts its 7 Oscars and 15 scientific and technical Oscars as if they’re badges of honor, the reality is that this expansion might just be another ploy to exploit cheaper labor and maximize profits at the expense of quality and creativity.

    In a time when studios are shutting down left and right, it’s baffling that Wētā FX thinks it’s a good idea to stretch its reach into Melbourne without addressing the glaring issues within its own operations. This is not a victory for the industry; it’s a desperate attempt to keep the lights on while ignoring the systemic problems that plague the visual effects sector. The industry is facing a crisis, and instead of addressing the root causes—overwork, underpayment, and the relentless pressure of unrealistic deadlines—Wētā FX is just trying to grab a bigger piece of the pie.

    Why are we celebrating an expansion that could potentially lead to more instability in the job market? Wētā FX’s move to Melbourne could mean more jobs, yes, but at what cost? What about the existing employees who are already stretched thin? What about the mounting pressure on creative professionals who are forced to churn out blockbuster effects at breakneck speed? This isn’t about creating a sustainable work environment; it’s about profit margins and shareholder satisfaction.

    The problem is not just with Wētā FX; it’s a symptom of a much larger issue within the film and visual effects industry. The constant churn of studios coming and going, along with the relentless demands placed on creative teams, reflects a broken system that prioritizes profits over people. We should be holding companies accountable rather than just cheering for their expansions. If we don’t start demanding change, we’ll continue to see a cycle of burnout, layoffs, and a steady decline in the quality of work that audiences expect.

    And let's talk about the so-called "innovation" that Wētā FX touts. What innovation can we expect when the focus is on expanding to new locations rather than investing in the workforce? New studios don’t equate to new ideas or better working conditions. It’s time to wake up and realize that this is a business-first mentality that’s doing nothing but harming the very fabric of creativity that the industry claims to uphold.

    In conclusion, while Wētā FX makes headlines for its expansion to Melbourne, we should be questioning the motives behind such moves. This isn’t a time for celebration; it’s a time for scrutiny. If we want to see real progress in the industry, we must demand more than just superficial growth. We need to advocate for a system that values the people behind the effects, not just the awards they rack up.

    #WētāFX #VisualEffects #IndustryCritique #JobMarket #CreativeProfessionals
    Wētā FX’s expansion to Melbourne is being hailed as a major win in an industry riddled with closures and financial turmoil. But let’s not kid ourselves here—this is not a savior story; it’s a slap in the face to countless talented artists and technicians who are being left behind as the corporate machine churns on. While Wētā FX flaunts its 7 Oscars and 15 scientific and technical Oscars as if they’re badges of honor, the reality is that this expansion might just be another ploy to exploit cheaper labor and maximize profits at the expense of quality and creativity. In a time when studios are shutting down left and right, it’s baffling that Wētā FX thinks it’s a good idea to stretch its reach into Melbourne without addressing the glaring issues within its own operations. This is not a victory for the industry; it’s a desperate attempt to keep the lights on while ignoring the systemic problems that plague the visual effects sector. The industry is facing a crisis, and instead of addressing the root causes—overwork, underpayment, and the relentless pressure of unrealistic deadlines—Wētā FX is just trying to grab a bigger piece of the pie. Why are we celebrating an expansion that could potentially lead to more instability in the job market? Wētā FX’s move to Melbourne could mean more jobs, yes, but at what cost? What about the existing employees who are already stretched thin? What about the mounting pressure on creative professionals who are forced to churn out blockbuster effects at breakneck speed? This isn’t about creating a sustainable work environment; it’s about profit margins and shareholder satisfaction. The problem is not just with Wētā FX; it’s a symptom of a much larger issue within the film and visual effects industry. The constant churn of studios coming and going, along with the relentless demands placed on creative teams, reflects a broken system that prioritizes profits over people. We should be holding companies accountable rather than just cheering for their expansions. If we don’t start demanding change, we’ll continue to see a cycle of burnout, layoffs, and a steady decline in the quality of work that audiences expect. And let's talk about the so-called "innovation" that Wētā FX touts. What innovation can we expect when the focus is on expanding to new locations rather than investing in the workforce? New studios don’t equate to new ideas or better working conditions. It’s time to wake up and realize that this is a business-first mentality that’s doing nothing but harming the very fabric of creativity that the industry claims to uphold. In conclusion, while Wētā FX makes headlines for its expansion to Melbourne, we should be questioning the motives behind such moves. This isn’t a time for celebration; it’s a time for scrutiny. If we want to see real progress in the industry, we must demand more than just superficial growth. We need to advocate for a system that values the people behind the effects, not just the awards they rack up. #WētāFX #VisualEffects #IndustryCritique #JobMarket #CreativeProfessionals
    3DVF.COM
    Le studio Wētā FX s’étend à Melbourne, des emplois à la clé
    Alors que les nouvelles de fermetures de studios et de redressements judiciaires se multiplient, certaines entreprises parviennent à tirer leur épingle du jeu. C’est le cas de Wētā FX, le studio d’effets visuels aux 7 Oscars et 15 Oscars
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  • data analysis, dashboards, data visualization, business decisions, analytics mistakes, ineffective dashboards, data solutions, performance metrics, business intelligence

    ## Introduction

    Are you one of those professionals who spends countless hours crafting a visually stunning dashboard, only to discover that nobody gives a damn about it? Welcome to the harsh reality of data analysis! It's shocking how many analysts fall into this trap, pouring their creativity and skill into something that ult...
    data analysis, dashboards, data visualization, business decisions, analytics mistakes, ineffective dashboards, data solutions, performance metrics, business intelligence ## Introduction Are you one of those professionals who spends countless hours crafting a visually stunning dashboard, only to discover that nobody gives a damn about it? Welcome to the harsh reality of data analysis! It's shocking how many analysts fall into this trap, pouring their creativity and skill into something that ult...
    Dashboard: The Mistake That Ruins Your Data Analysis
    data analysis, dashboards, data visualization, business decisions, analytics mistakes, ineffective dashboards, data solutions, performance metrics, business intelligence ## Introduction Are you one of those professionals who spends countless hours crafting a visually stunning dashboard, only to discover that nobody gives a damn about it? Welcome to the harsh reality of data analysis! It's...
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