OMA / David Gianotten Wins Competition to Transform Tirana’s Selman Stërmasi StadiumSave this picture!Selman Stërmasi Stadium. Image © OMAOMA/David Gianotten, has won the competition to revitalize the historic Selman Stërmasi Stadium and its surrounding area in central Tirana, Albania. Originally built in 1956, the stadium is now being redesigned to not only expand the existing football grounds but also to foster stronger links between surrounding neighborhoods in Tirana. With the revitalization, the stadium aims to be a key connector between the Blloku and Komune a Parisit neighborhoods. The design expands the existing football park into a dynamic, mixed-use development that blends new architecture with generous public spaces. Inspired by Albania's mountainous terrain, the project introduces a layered composition of buildings and landscapes that form a contemporary civic destination. Save this picture! Football is a cornerstone of urban culture and national identity across Europe and around the world, and we feel it especially intensely here in Tirana. Our design is meant to accelerate the exciting changes taking place in the city, while fostering closer bonds within and between neighborhoods and communities here. - Architect David Gianotten, OMA Managing Partner Related Article Foster + Partners Unveils Design of New Manchester United Stadium in the Reimagined Old Trafford Neighborhood At the heart of the plan is the refurbished stadium, whose seating capacity will increase from 9,500 to 15,000. A newly designed arena bowl enhances the spectator experience by offering clear sightlines and reducing the distance between stands and the pitch. Framing the stadium are new residential units of various sizes, along with a hotel, office spaces, retail, and food and beverage outlets.Save this picture!A triangular plaza at the stadium's entrance will act as a flexible social hub, serving as a fan zone during match days and an active public space throughout the week. The new urban block takes cues from the ancient Stadium of Amantia, an Illyrian structure from the third century BCE known for its stacked stone construction and dramatic mountain setting. Reflecting this heritage, the new buildings are clad in natural stone and arranged to create peaks and terraces, evoking the topography of the original site in a modern context.Save this picture!The winning proposal is a collaboration between OMA, LOLA Landscape Architects, Royal Haskoning DHV, and Petrit Halilaj, with design leadership from David Gianotten and Kees van Casteren.Other recent projects by OMA include the New Museum expansion set to open in Fall 2025, the exhibition scenography for the Islamic Arts Biennale in Jeddah, Saudi Arabia, the renovation of the Gallery of the Kings in Museo Egizio, and the renovation of the Perth Concert Hall in Australia in collaboration with Perth-based WITH Architecture Studio. Image gallerySee allShow less About this authorReyyan DoganAuthor••• Cite: Reyyan Dogan. "OMA / David Gianotten Wins Competition to Transform Tirana’s Selman Stërmasi Stadium" 08 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028888/oma-david-gianotten-wins-competition-to-transform-tiranas-selman-stermasi-stadium&gt ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

River Bend Repair / Vaughan Howard Architects with InPlaceSave this picture!© Sean Fennessy•Australia Architects: InPlace, Vaughan Howard Architects Year Completion year of this architecture project Year:  2023 Photographs Photographs:Sean Fennessy, Derek SwalwellMore SpecsLess Specs Save this picture! Text description provided by the architects. I'd first like to acknowledge the Wurundjeri woi wurrung people of the Kulin Nations. Traditional custodians of Garambi Bannj, and pay my respects to their continued caring for country, which has particular resonance for this project. Riverbend house (previously Cuming House) is located in Eltham, where the wide floodplains of the Yarra Valley narrow into the steep-sided and tree-lined Warrandyte Gorge. Specifically, it is located on Laughing Waters Road, which, through deep time, has been a place of great social, cultural, and environmental significance. The last remaining Wurundjeri stone eel trap on the Birrarung sits on a bend in the river below Riverbend House, and Wurundjeri reasserted their cultural practices a number of years ago through the re-scarring of trees.Save this picture!Artists, writers and architects have layered the area with significance, and developed a unique approach to living with nature, most evident through the work of the River Bend house architect Alistair Knox, and Landscape architect Gordon Ford. By 2015 Riverbend House was subject to demolition by neglect by the local Council, left to decay and eventually be demolished as they couldn't see an ongoing use for it. InPlace is not-for-profit arts organization that seeks to preserve built heritage and place artists in significant sites to allow for the production of new work, and facilitate workshops connecting people to lost cultural practices. They instigated a process to save the house, and have subsequently partnered with Parks Victoria and Wurundjeri Corporation to establish the Garambi Baan Cultural Precinct.Save this picture!Save this picture!Save this picture!Save this picture!Repair – When I partnered with InPlace and began the renovations of River Bend, we framed the project around the idea of repair and how the repair of a significant piece of built heritage could extend to cultural repair and also to the repair of landscape and ecology.Save this picture!Riverbend – The house itself is perched on an escarpment above the Birrarung, a gentle bend in the plan opens views both upstream and downstream. The design of the house is heavy masonry pillars with infill timber window-walls, through which landscape views flow.Save this picture!The main intervention was the removal of a wall between the dining room and the kitchen, amplifying the connection between interior and landscape by opening up clear views through to the river and valley on entering the house. The other main decision was to replan the kitchen and the ensuite, removing a large walk-in pantry in favor of creating an accessible shower. This plan shows how the materials flow between interior spaces and from inside to outside, as well as the re-planned kitchen and bathroom. There was a particular focus on materials, to use their experiential qualities to amplify the landscape rather than be referential to the original era of the house.Save this picture!The kitchen tiles are handmade by Anchor Ceramics, connecting to a long lineage of ceramics in the Eltham area. The gray-green tiles, with their irregular, slightly matte surface, reflect the dusty gray-green leaves of the Eucalyptus Meliadora beyond. A thin stainless-steel shelf is both functional and a place to house a collection. The benchtop, in cold-rolled, unpolished stainless steel, takes on the glossy quality of the river beyond, gently gathering the landscape in its milky reflections.Save this picture!Rather than devote the whole bench to stainless steel, the corner with the best view out to the Birrarung was given over to a timber writer's desk, a subtly lower level than the rest of the bench. Materials for fittings and fixtures were selected for their textures, with leather cupboard pulls to patina with age and kitchen utensils chosen for their beauty as well as functionality. All the existing materials in the house were addressed. The Welsh slate floors were painstakingly stripped back and resealed with natural linseed oil. The window-frames were re-sanded and oiled, and the walls scrubbed.Save this picture!Save this picture!Save this picture!The pendant and dining table were sourced from local designer and Eltham resident Kate Stokes. Like the kitchen tiles, this was in the spirit of the original era of the house, when homes across Melbourne were fitted out with locally produced furniture. The low pendant creates an intimate space around the table in the large room. The table itself, at 2.4m long, is big enough for a large convivial gathering. The vase is by the Japanese Australian ceramicist Yoko Ozawa, who was inspired by early morning light on the white mana gum trunks and the mist of the river during her residency. The heart of the house is the Living Room, with an almost medieval-sized open fireplace. We added an elemental blocky but cosy sofa and Featherston chaise, contributing a layer of generosity and warmth to the space while keeping it intrinsically connected to the landscape beyond.Save this picture!The decoratively laid terrace bricks were documented, removed, cleaned, and re-laid on a new base by original Knox builders. The terrace overlooks the river and the eel-trap and feels like an incredibly special place, particularly now that it has been restored. All extraneous items were removed from the house, including old fences and carports, stripping it back to its essence. A new zincalum roof in the same finish and profile replaced the rusted-out roof, and the partially destroyed fascia was repaired, while new hardwood plywood replaced the old asbestos soffits, and all the Oregon beams and fascias were sanded and oiled.Save this picture!Where functionality required new additions, they were carefully designed to be sensitive to the Heritage of the dwelling. The water treatment system services cabinet was designed as three panels, referencing the proportions of the brick pillars. Weathering steel was used, a contrasting material to the brick and timber of the house, but one that settles into the environment as it weathers.Save this picture!Back inside, the bedroom is both a cosy retreat, but also connected to the river. A velvet Featherstone chair provides a warm vantage point to experience the landscape beyond. The new sisal carpet also tonally connect to gravel and brick, and the shaley clay soil of the area. A built-in wardrobe was removed from the room, revealing the original hardwood plywood and restoring the room to its originally intended proportions. We designed all the beds for the house with discrete steel frames and salvaged Oregon headboards.Save this picture!Save this picture!The sliding door to the bathroom was replaced, with a little bit of glamor, with brass trim and brass door-pull, and clad both slides in blue grass paper, a material settled on after pretty much every other material was considered and ruled out. The bathroom was intended to feel like an unfussy bathhouse. The terracotta floors connect to the brick paving, and clear, glossy Japanese tiles pick up the whites of the manna gum trunks. By removing the pantry, the shower was made deep enough not to need a shower screen, allowing the simplicity of the materials to speak without interruption.Save this picture!Since the project has been completed, 24 artists have been residents in the Garambi Baan program. This is a snapshot of both past and upcoming commissions that InPlace has programmed for 2023-2024. Many of the residents have been first nations or diaspora communities, and programs have been run that seek to repair connections to craft practices that hold deep cultural significance. InPlace is currently partnering with DEECA and Wurundjeri to fence and manage the regeneration of the whole precinct and reintroduce practices, including cultural burning and other culturally sensitive land management techniques. The landscape has already been indigenized with planting.Save this picture!The original idea for Riverbend was repair. The overwhelming feedback from residents has been that Riverbend and Laughing Waters feels like a healing place, which became the theme for the last year of programming. The notion of healing extends across the project, from healing country, to healing broken connections with culture, knowledge and land. And the repair of a piece of architecture has in a small way contributed to providing safe space where healing journeys can begin. Save this picture! Project gallerySee allShow less About this officeInPlaceOffice••• Published on April 08, 2025Cite: "River Bend Repair / Vaughan Howard Architects with InPlace" 08 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028593/river-bend-repair-vaughan-howard-architects-with-inplace&gt ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

When thinking about Japan, the first thing that comes to mind is the bustling streets of Tokyo, old fortified castles, and the cherry blossom-lined rivers in the urban areas. However, little is discussed regarding a real estate market problem currently ongoing in the country: Akiya, a Japanese term that translates to an empty house. In 2024, the number of Akiya in Japan went up to a record high of nine million units. Some believe that at the root of the issue is depopulation. When homes are passed down through family inheritance, they frequently become burdens rather than assets. As younger generations increasingly move to cities or live in apartments, they usually have no interest in living in or maintaining the old family home, especially if it's located in a less convenient or rural area. Cities like Tokyo see a smaller number of Akiya due to the elevated price of the land. Nonetheless, issues such as elevated costs of adapting the house to the new earthquake regulations and higher taxation on vacant land, still cause people to abandon them even in urban areas.

Villa SOFIA / nm+a | T | L | nestor medina arquitecturaSave this picture! Julin MedinaArchitects: nm+a | T | L | nestor medina arquitecturaAreaArea of this architecture projectArea:332 mYearCompletion year of this architecture project Year: 2021 PhotographsPhotographs:Julin Medina Lead Architect: Nstor Medina Aguilar More SpecsLess SpecsSave this picture!Text description provided by the architects. Inside the highlands of eastern Antioquia is Villa Sofia, a project conceived from memory and remembrance, which seeks to continue the generational legacy of its owners, from the time of the colonial typology characteristic of the area, as the origin of the new home that intends to continue growing over time.Save this picture!The main premise of the approach to the project was to conserve the existing old house, which is due to the emotional burden it has for its owners, as it is the house of their grandparents and parents; adding the joint resistance to the growing real estate pressure in Llano Grande, given by the rise of sumptuous contemporary constructions, radically removed from the essence of the paisa colonial typology. In this way, the project departs from this real estate trend and decides to honor the construction that for more than seventy years has given shelter to an entire family legacy and has it available to reinterpret its new use.Save this picture!Save this picture!Save this picture!This challenge of conserving the existing house begins by studying its typology, which corresponds to the basic and first description of this type of housing, made up of a single-level construction, protected by a traditional hipped roof made of clay tiles, a large perimeter eave whose main use is social, and functions as a transition space between interior and exterior; and a very closed interior that operates as the main sheltered housing area whose few openings unfold in a succession of solids and voids from openwork doors and windows, which resolve the interior-exterior connection by breaking a direct connection with the imposing social contemplation garden, and a tree that is the protagonist of the place, also based on revolving walls that allow this new opening and relationship, but that by remaining closed keep the image, the volume and the relationship of the spaces identical.Save this picture!Save this picture!Proposing this change of use in the existing house and proposing the rooms and private areas in the new construction, generates particular dynamics around the way of inhabiting the spaces and the place; establishing the need for interaction and continuous interior exterior path between the two houses, that is, they can be one without the other, but they complement each other; housing, the pre-existing block: living room, dining room, kitchen and laundry, while the added block, the bedrooms, bathrooms, and family study. Proposing a subtle relationship between the volumes, by means of two eaves projected in the same type of roof in clay tile, which approach each other, but do not touch, and which result in a small uncovered expansion that represents the symbol of transition of uses.Save this picture!Save this picture!This is how the new construction is structured by "duplicating" the existing volume, intervening in it for the benefit of the ideal way of living for its owners at the present time, which consists of actions such as: reducing the length of the eaves taking into account that its function as a space for social use is not required in this new volume; the inclusion of a central patio as a current need of life for the owners, which seeks to maintain independence towards the outside without giving up the closeness of nature and the quality of greater natural lighting; respect for the original typology in terms of the rhythm and repetition of its openings, adding imperceptible windows that allow maintaining an image of traditional Paisa housing when they are closed, but with the possibility of transforming its interior spaces in our reinterpretation of the large windows contemporaries.Save this picture!Save this picture!Finally, this new construction presents the appearance of two upper volumes in glass, which originate in the interest of the owners to be able to enjoy a view never experienced before: a contemplative panoramic view of the distant landscape and its surroundings in the form of a 360 viewpoint. . Volumes that, arising from a totally new requirement in relation to the original typology, are resolved as volumes that are frankly alien to the construction and that, instead of seeking to blend in, seek to highlight the new way of living that they represent.Save this picture!This is how the project understands the relevance for the client of the passage of time reflected in the way of living, embraces the position of an architecture of permanent change and offers the user new dynamics of use; These are punctual architectural interventions, but not static ones that will give the possibility of adapting to different times, users and ways of life according to the generations that pass through... "The duration of things is subject to change."Save this picture!Project gallerySee allShow lessAbout this officePublished on April 07, 2025Cite: "Villa SOFIA / nm+a | T | L | nestor medina arquitectura" [Villa Sofia / nm+a | T | L | nestor medina arquitectura] 07 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028781/villa-sofia-nm-plus-a-t-l-nestor-medina-arquitectura&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Investing in Wellbeing: How Healthy Workspaces Drive Productivity and ProfitSave this picture! Matthijs van RoonBeyond aesthetics, the design of our workplaces directly impacts our health. Studies reveal a clear link between poor light quality and limited access to natural views with increased sick leave. Smoke-free policies have been demonstrably effective, reducing smoking prevalence by 3.8% and lowering tobacco consumption by a significant 3.1 cigarettes per day for continuing smokers. Workplaces can either support wellbeing or be a detriment to it. Conscious office design can blend aspects of health in spaces to cultivate physical, mental, and social well-being.With an increased recognition of the synergy between workplace design and employee well-being, organizations are incorporating health-centric design practices to promote an engaged and productive workforce. Workplace strategy geared toward occupant well-being benefits individual workers while contributing to the overall success of the organization.Save this picture!The growing body of research on the impact of physical environments on well-being highlights the importance of design in encouraging healthy workspaces. Several key strategies are emerging to combat indoor environmental challenges and promote employee well-being. Air quality management has become a critical focus, with studies showing indoor pollutants in offices can be up to 100 times higher than outdoor levels. To address this, advanced ventilation systems and low-emission materials are being implemented, alongside smoke-free policies that have demonstrated success in reducing smoking prevalence. Related Article The Art of Human-centric Design for Healthy Office Spaces Equally important is the optimization of lighting and views, as poor light quality and limited outdoor visibility are directly linked to increased sick leave. Designers are responding by maximizing window space and strategically positioning workstations to enhance visual connections with the exterior environment. Another opportunity to bring wellness in the workplace is through the integration of physical activity into daily work routines. Architects now consider a building's "Walk Score" during site selection and incorporate design elements like central staircases to encourage movement.Save this picture!In the current business landscape, employee well-being is a competitive advantage. Companies experience financial benefits such as significantly lower health insurance premium increases compared to industry estimates in the case of Steelcase. The company's CFO, Dave Sylvester, emphasizes that a focus on wellbeing has demonstrably boosted "organizational performance", suggesting that the impact goes beyond healthcare costs, affecting factors like productivity and employee engagement.Health-centric design sits at the intersection of employee well-being and organizational success. Employees working in such environments experience fewer distractions, increased focus, and higher energy levels throughout their workday. Improve cognitive function and task efficiency can be supported by design choices around proper lighting, ergonomic furniture, and noise control.Wellbeing in the workplace is also responsible for attracting and retaining top talent in a company. Employees increasingly value workplaces that demonstrate a commitment to their health, and well-designed workplaces signal a deliberate focus on employee welfare. This further leads to increased job satisfaction, lower turnover rates, and a stronger employer brand. This approach can also bring in significant cost savings related to recruitment and training.Save this picture!Save this picture!Health-centric office design contributes to long-term cost savings and risk mitigation for companies. Studies show a clear link between poor air quality, inadequate lighting, and employee absenteeism. Conversely, health-centric design translates into fewer sick days, reduced healthcare costs, and a more productive workforce. This translates to long-term cost savings and risk mitigation for companies. The benefits extend far beyond immediate savings. Healthy workplaces also help companies meet compliance standards and avoid potential legal issues. Investing in employee well-being isn't just a feel-good initiative, it's a strategic business decision with a demonstrably positive impact on financial performance and long-term organizational resilience.Two leading certifications, WELL and Fitwel, offer frameworks for companies to measure their abilities to provide well-being in the workplace. Launched in 2014, WELL is a performance-based system focused on occupant health through a comprehensive set of research-backed strategies. According to Rachel Gutter, president of the International WELL Building Institute (IWBI), WELL represents "a second wave of sustainability" that prioritizes human health alongside environmental concerns. Fitwel, launched in 2017 by the Center for Active Design, is a CDC and GSA-backed system that uses optional credits to incentivize science-based design features with the highest impact on health. This approach allows companies to showcase existing healthy elements in their workplaces while also identifying areas for improvement.Save this picture!With a strong business case for investing in wellness-oriented workplaces, the future of office design is geared toward prioritizing health, fitness, and well-being. Workplace strategy and design will bring a generation of workspaces that maximize productivity while facilitating a thriving and resilient workforce.Editor's Note: This article was originally published on July 1st, 2024.Image gallerySee allShow lessAbout this authorAnkitha GattupalliAuthorCite: Ankitha Gattupalli. "Investing in Wellbeing: How Healthy Workspaces Drive Productivity and Profit " 07 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1018284/investing-in-wellbeing-how-healthy-workspaces-drive-productivity-and-profit&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Housing Building in Cascais / Atelier AAVVSave this picture! Joo Guimares, Joo PeleteiroApartmentsCascais, PortugalArchitects: Atelier AAVVAreaArea of this architecture projectArea:5000 mYearCompletion year of this architecture project Year: 2024 PhotographsPhotographs:Joo Guimares, Joo Peleteiro Lead Architects: Francisco Cardoso, Frederico Albuquerque, Miguel Passos de Almeida, Pedro Duro, Sebastio Ribeiro More SpecsLess SpecsText description provided by the architects. Building on a corner is drawing in the landscape of the city. But to build is to give a body, and to give a body is to open the form of space. Constructing a building at the corner of an avenue in a town like Cascais, where the resonance of the garden-city has created a fabric of detached placements, means raising a new presence, planting a body that did not exist before, into the earth, into the place.But circumstance, which defines the framework, is not truly enough; an act of courage is needed to exist, and to exist is to have a structure, to find an order of one's own in the search for permanence. In architecture, perhaps it is indeed necessary to verge on abstraction in order to be capable of making the concrete. The stone rests upon itself In the time of indigence, you will ask for no other abundanceNo other verse or houseNo other firmness [1]Save this picture!In this project, faced with a static outline determined by urban planning and with the typological diversity established by the program, it was the metric of a structure that became form, the force of geometry, and the desire to open the space of 15 houses to the sun and the sea that set the direction of the course.Save this picture!The houses, which cannot be bound by the program, found meaning in the depth of the shape of the volume, where a distribution gallery could once again become a distinct space, and in the possibility for living spaces to extend into an open connection with the site. Thus, a combination of houses with one, two, three, and four bedrooms took shape, preserving variations within the form of the building as a whole.Save this picture!Save this picture!The structure assumed its natural realization as form, making whole what is complex, by the physical clarity of matter. The concrete autonomous, yet a testimony to a modernist legacy manifest in Ruy d'Athouguia's tower nearby was pigmented in order to belong, to help reclaim the soft regionalisms in the neighbourhood, and finished with a forced erosion to create the thick skin without which one is still not much of anything. Inside, simplicity in material selection was observed. Plaster, stone, exposed wood, painted wood, and terrazzo each in its own distinct and clear planes allowing for particularities to enter with the people who will come to live.Save this picture!Save this picture!And in the end, we return to the planted city, which frames a new form, climbing it to turn the terraces into gardens as well. A body of eroded concrete now stands, planted under the light, a structure raised, ready, awaiting the passage of time measured in the days of each one's life.[1] Loosely translated from A pedra est poisada sobre si mesma, Daniel FariaSave this picture!Project gallerySee allShow lessProject locationAddress:Av. 25 de Abril n 1149, Cascais, PortugalLocation to be used only as a reference. It could indicate city/country but not exact address.About this officeAtelier AAVVOfficePublished on April 07, 2025Cite: "Housing Building in Cascais / Atelier AAVV" 07 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028704/housing-building-in-cascais-atelier-aavv&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Chiostro Illuminato Installation / STUDIO TEPHRASave this picture! Mathieu NouhenArchitects: STUDIO TEPHRAAreaArea of this architecture projectArea:36 mYearCompletion year of this architecture project Year: 2024 PhotographsPhotographs:Mathieu NouhenMore SpecsLess SpecsSave this picture!Text description provided by the architects. In the dance of wind and light, the Chiostro Illuminato weaves a new connection between earth and spirituality. This modest microarchitecture, nestled near the Convent of Mount Illuminato, embodies the Franciscan principles of simplicity and mindful connection to nature. Drawing inspiration from Saint Francis's miracle of restoring sight to a blind girl, it creates a transformative experience through minimal intervention.Save this picture!Save this picture!Save this picture!The installation honors Franciscan frugality through its essential elements: a humble wooden colonnade and simple jute walls that ripple with the surrounding fields. This deliberate restraint in materials speaks to Saint Francis's teachings on living in harmony with creation. The visitor's experience unfolds in three stages: first, an entrance that gently transforms visual perception through the humble fabric filters; then a contemplative journey around the central patio, where wind animates the space; finally, a revealing exit toward the Lunano landscape, reflecting both the historical miracle and the Franciscan appreciation for natural beauty.Save this picture!The project metamorphoses at twilight, when Italian light tints the walls orange, forming a refuge where light, freshness, and nature intertwine. This sensitive reinterpretation of the traditional cloister creates a new reading of religious heritage, where spirituality and sensoriality merge in a poetic dialogue with the environment. Like the Franciscan tradition itself, the design finds richness in simplicity and divine presence in the natural world.Save this picture!Save this picture!Poetry shines through every modest detail: wind sculpting the canvases, light transforming throughout the day, the permanent dialogue with the surrounding wheat fields. Architecture thus becomes a bridge between past and present, between sacred and nature, all while honoring the Franciscan ethos of finding profound meaning in the most elemental aspects of creation.Save this picture!Project gallerySee allShow lessAbout this officeSTUDIO TEPHRAOfficeMaterialsWoodFabricMaterials and TagsPublished on April 07, 2025Cite: "Chiostro Illuminato Installation / STUDIO TEPHRA" 07 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028439/chiostro-illuminato-installation-studio-tephra&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

American philosopher Donna Haraway and the late Italian architect and designer Italo Rota (19532024) are the recipients of the Golden Lion for Lifetime Achievement and the Special Golden Lion for Lifetime Achievement in Memoriam, respectively, for the 19th International Architecture Exhibition of La Biennale di Venezia, titled Intelligens. Natural. Artificial. Collective. The exhibition will take place from 10 May to 23 November 2025 across the Giardini and Arsenale venues in Venice. The awards were approved by the Board of Directors of La Biennale di Venezia, chaired by Pietrangelo Buttafuoco, following the proposal of Carlo Ratti, Curator of the 2025 Architecture Biennale.

One Week to Expo 2025 Osaka: 8 Must-See National PavilionsSave this picture! Expo Osaka 2025Opening on April 13th, 2025, Expo 2025 Osaka will gather countries and organizations from around the world under the theme "Designing Future Society for Our Lives." Located on the manmade island of Yumeshima, the event is expected to attract millions of visitors with a focus on innovation, sustainability, and cross-cultural exchange. The overall masterplan is led by Japanese architect Sou Fujimoto, who envisions a circular structure known as the Grand Roof, or the "Grand Ring." Measuring 1.5 kilometers in diameter, the floating canopy will connect the national and thematic pavilions below, functioning as a symbol of unity and collaboration while offering shaded walkways and event spaces.Fujimoto's vision emphasizes an open, interconnected layout that invites exploration, with contributions from globally recognized architects like Kengo Kuma and Lina Ghotmeh adding to the Expo's architectural significance. As anticipation builds, a number of pavilions have already been revealed, each expressing the identity and values of its respective nation through distinct architectural languages. From modular wood structures to earth-formed walls and kinetic installations, the designs highlight global dialogues on sustainability, cultural memory, and innovation. Below, we explore seven national pavilions that exemplify the diversity and creativity of Expo 2025 Osaka.Read on to discover 8 national pavilions that will be showcased in this global celebration of architecture, culture, and innovation. Related Article First Photos Revealed of 'Grand Ring' by Sou Fujimoto for Expo 2025 Osaka Japan PavilionSave this picture!Designed by Nikken Sekkei, the Japan Pavilion is centered around the theme "Cycles of Life," symbolized through a circular form constructed from domestically sourced timber. The design incorporates traditional Japanese joinery techniques and features a layered wooden faade that filters light and air. Visitors will move through a spiraling sequence of spaces that echo natural cycles and rhythms, aiming to evoke a sensory connection to Japan's cultural and ecological heritage.France PavilionSave this picture!The France Pavilion, designed by Coldefy and Carlo Ratti Associati, is titled "Theatrum Naturae" or "Theatre of Nature." The design integrates natural and artificial habitats, aiming to illustrate the connection between human and non-human worlds. Visitors are guided through three acts: Ascent, Discovery of Nature, and Return to the Ground. A winding staircase leads to an observation balcony and a rooftop garden showcasing diverse French ecosystems, symbolizing the nation's cultural and environmental contributions. The pavilion emphasizes sustainability through prefabricated components and natural elements, promoting reuse and recycling beyond the Expo's duration. Italy PavilionSave this picture!Mario Cucinella Architects designed the Italy Pavilion as a celebration of Italian creativity and craftsmanship, blending architecture, art, and environmental design. The structure features a sinuous, wave-like roof made from recycled materials and bio-based composites. The pavilion reflects Italy's historical ingenuity while promoting sustainable building practices and is conceived as a "laboratory of beauty" that showcases the country's ability to merge tradition with innovation.Chile PavilionSave this picture!Conceived by the architecture collective Constructo, the Chile Pavilion embraces nomadism and adaptability through a modular, lightweight wooden structure. Designed to be dismantled and reused, the pavilion reflects Chile's geographical diversity and cultural mobility. Its design emphasizes circular economy principles, with a low carbon footprint and the capacity for the structure to be reassembled in different contexts after the Expo concludes.Bahrain PavilionSave this picture!Designed by Lina Ghotmeh Architecture, the Bahrain Pavilion draws inspiration from traditional Bahraini dhow boats, showcasing the nation's maritime heritage and craftsmanship. The structure employs historical boat-building techniques, featuring a wooden framework with an aluminum outer layer. This design pays homage to Bahrain's seafaring history, while also incorporates sustainable practices by facilitating easy disassembly and recycling post-Expo. The pavilion's form reflects Bahrain's strategic position as a maritime crossroads, emphasizing cultural exchange and innovation. Additionally, the design acknowledges Japanese wood artistry, creating a cultural link between Bahrain and the host nation. Czech Republic PavilionSave this picture!The Czech Republic Pavilion, designed by Apropos Architects, presents a dynamic form inspired by motion and spirituality. The structure features a fluid, sweeping shape supported by a central "Tree of Life" installation inside. Emphasizing a balance between technology and nature, the design invites visitors to engage with Czech innovation, creativity, and cultural values through immersive spatial experiences.Qatar PavilionSave this picture!Kengo Kuma & Associates envisioned the Qatar Pavilion as a poetic and atmospheric space inspired by desert landscapes and wind-blown forms. The design consists of curved, layered walls made from locally sourced materials and an open-air central courtyard. It reflects both traditional Qatari architecture and contemporary sensibilities, blending light, shade, and airflow to create a sensorial journey that connects visitors to the country's environmental and cultural heritage.Germany PavilionSave this picture!LAVA Architects designed the German Pavilion for Expo 2025 Osaka with a focus on circular economy principles. Named "Wa! Doitsu," translating to "Wow! Germany," the pavilion emphasizes sustainability by utilizing reusable materials and innovative climate design. The structure aims to achieve zero waste and minimize resource consumption, serving as a prototype for repurposing and reusing structures in future architectural endeavors. We invite you to check out ArchDaily's comprehensive coverage of the Expo Osaka 2025.Image gallerySee allShow lessAbout this authorNour FakharanyAuthorCite: Nour Fakharany. "One Week to Expo 2025 Osaka: 8 Must-See National Pavilions" 07 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028820/one-week-to-expo-2025-osaka-8-must-see-national-pavilions&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

The Quiet Tensions of POPS: How Private Institutions Shape Public Urban Wellness and AccessPresented by:Save this picture!Sky Forest Scape / Shma Company Limited. Image Phos Studio, Nawin DeangnulIn contemporary urban development, the concept of Privately Owned Public Space (POPS) has gained increasing prominence. These are spaces that, while built, owned, and maintained by private developers, are legally required to remain publicly accessible. Often the result of negotiated planning incentivessuch as zoning bonuses or increased floor areaPOPS have become especially prevalent in dense urban environments where land is limited and demand for public amenities is high.New York City remains the most thoroughly documented example, with over 500 such spacesranging from plazas to atriumscataloged in Jerold Kayden's book, Privately Owned Public Space: The New York City Experience. Although originally conceived to supplement the city's public realm, POPS have long drawn criticism for favoring private interests over public benefit. Many of these spaces, critics argue, are carefully curated to serve developers and select their users, often falling short of their civic promise. Yet, despite their shortcomings, might there be ways in which POPSwhen thoughtfully designed and equitably managedcan foster environments of wellness, reflection, and healing? Can they navigate the delicate balance between private gain and genuine public value?In recent years, similar models have emerged across the globe, including in cities throughout Asia. In some cases, private developers may not directly own the public space, but are instead requiredoften as part of planning conditions tied to nearby developmentsto design, build, or maintain public areas such as parks or plazas. These evolving arrangements prompt important questions: Can privately managed public spaces in Asian cities offer new perspectives on integrating accessibility, community engagement, and inclusivity? And how do local design approaches, governance structures, and cultural attitudes toward public space shape their outcomes? Related Article Designing in Harmony with Nature: Architecture in Urban Wetlands and the Pursuit of Territorial Well-Being As the boundaries between public and private continue to blur, POPS embody both the possibilities and tensions of urban design today. On the one hand, they bring much-needed investment, ongoing maintenance, and often high-quality landscaping to areas that might otherwise be neglected. On the other, they challenge conventional definitions of public spaceoperating within commercial ecosystems that can shape user behavior, limit access, or subtly exclude marginalized groups. Recognizing and grappling with this duality is essential to understanding the evolving role of POPS in creating truly inclusive and restorative urban environments.Save this picture!Elevated Encounters: Transforming Bangkok's Infrastructure into Public RealmIn Thailand, recent initiatives have emerged that seek to reclaim and revitalize underutilized or neglected urban infrastructure as a means of promoting civic well-being and enhancing the built environment. These projects, often led by private developers or in collaboration with public agencies, reimagine rooftops and elevated walkways as opportunities for accessible green space in the dense urban fabric of Bangkok.One notable example is Sky Forest Scape, designed by Shma Company Limited. Located atop a commercial development, the project transforms the building's rooftop into a modest yet thoughtfully designed green space. By incorporating lightweight landscaping and planting strategies that respect structural limitations, the design introduces a layer of accessible nature without compromising the integrity of the building. The open-plan layout invites informal, user-driven activities, offering a flexible environment for rest, interaction, or small-scale events. However, the locationhigh above street level and within a private developmentraises important questions about access and inclusivity. While it presents an alternative form of urban public space, the extent to which it is freely and equally accessible to all residents remains dependent on the policies and discretion of its private managers.Save this picture!In contrast, Hop Park: Green Pop-up Hop into the Greeniverse, also designed by Shma in collaboration with Garnier, offers a more overtly public intervention. Set along the heavily trafficked Pathumwan Skywalk, this project revitalizes a segment of elevated pedestrian infrastructure by introducing greenery, seating, and shaded areas. Designed to have minimal structural impact, the installation creates a calming urban oasis amid Bangkok's dense commercial core. The project demonstrates how private sponsorship can contribute positively to public life by enhancing everyday transit spaces into zones of pause, leisure, and encounter. Beyond its physical improvements, Hop Park also incorporates visual projections and art installations, transforming the walkway into a vibrant and engaging destination. As it remains fully open to the public without the barriers often associated with rooftop access, this typology illustrates a more inclusive model for privately-supported public space in the urban realm.Save this picture!Community Gains and Capital Incentives: NYC's Dual-Purpose ParksIn New York City, recent privately-led public space initiatives have shown promising results, though not without raising important questions about access and intent. A notable example is Domino Park in Williamsburg, Brooklyn, designed by James Corner Field Operations. Developed and operated by the same firm behind the adjacent mixed-use complex, The Refinery, the park was widely embraced by the local community during the COVID-19 pandemic as a vital open-air refuge. Strategically located along the East River and adjacent to a major bike lane network connecting Brooklyn neighborhoods such as Clinton Hill and the Navy Yard to Williamsburg, the park quickly became a popular gathering place for residents. Its design pays homage to the site's industrial past, while offering open, flexible spaces that support a range of recreational and social activitiesfeatures that have helped sustain its popularity even beyond the pandemic period.Save this picture!Despite its success in serving local needs, Domino Park remains a privately-owned and managed public space, and its existence is deeply tied to the surrounding development's commercial interests. The waterfront park significantly enhances the value and appeal of the nearby office building and luxury residences, all under the same ownership. As the park is maintained and curated to a high standard, questions arise about the motivations behind its upkeep: does it primarily serve the broader public or reinforce the desirability and rental potential of the adjacent properties? While the space is open to all, the alignment of its design and management with private interests invites ongoing debate about the authenticity and inclusivity of its publicness.Save this picture!A comparable example can be found in 550 Madison Garden, designed by Snhetta. This project involves the revitalization of the public space adjacent to the iconic postmodern skyscraper originally designed by Philip Johnson and John Burgee. The new garden introduces a more welcoming, health-oriented public environment while improving the pedestrian experience around the tower. However, the space remains under private management, allowing for operational control that extends to aspects such as security and opening hourscurrently restricting access between 11 PM and 7 AM. While the transformation represents a clear spatial and environmental upgrade, the governance model continues to blur the lines between public access and private oversight.Save this picture!Spaces for Reflection: When Non-Profits Shape the Urban Commons in Hong KongIn Hong Kong, there have been several notable cases where public space has been created through private investment, particularly by not-for-profit organizations. These examples stand out because they prioritize revitalization and community engagement over-commercialization. In such cases, the balance shifts in favor of serving the broader public rather than catering to select or privileged audiences.A prime example is the Tai Kwun Centre for Heritage and Arts by Herzog & de Meuron. Developed by a non-profit entity, the project features expansive courtyard spacesdivided across upper and lower levelsthat offer generous public access within a historically rich compound. Surrounded by meticulously revitalized buildings designed by a world-class architect, the courtyards are seamlessly integrated with Tai Kwun's cultural and artistic programming. This combination provides a unique sense of tranquility in the heart of Hong Kong, offering a rare moment of respite amid the city's intensity. The open-air amphitheater, in particular, encourages informal activitiesconversations, casual dining, or simply pausing for a breakempowering visitors to engage with the space on their own terms.Save this picture!That said, even Tai Kwun subtly privileges a specific demographicthose more inclined toward culture and the artsover other potential users, such as skateboarders or street performers. Even though it is operated as a non-profit, like many privately managed public spaces, Tai Kwun must rely on surrounding commercial activity to sustain its programming and upkeep. This commercial presence supports operational needs by leveraging foot traffic to attract tenants, creating a symbiotic relationship between public use and private viability.Save this picture!Despite these limitations, it's indisputable that a particular public segment has benefited more than others from such developments. Tai Kwun, for example, offers a space for reflection, calm, and cultural immersionan antidote to the city's high-speed lifestyle. Its open, accessible layout, framed by heritage buildings and contemporary interventions, encourages rest and wellness and a deeper engagement with the city's identity and layered history.As more public spaces in Hong Kong are developed and maintained by the private sectorsuch as Henderson Land's recently opened sculpture park in collaboration with the Leisure and Cultural Services Department and Zaha Hadid Architectsquestions remain: Can this private-public hybrid model continue to offer meaningful spaces of wellness and healing within a city marked by extreme density? And how might it evolve to welcome an even broader, more diverse public?Save this picture!This article is part of the ArchDaily Topics: Atmosphere in Architecture and Perception of Space, proudly presented by Vitrocsa, the original minimalist windows since 1992.Vitrocsa created the original minimalist window systems, offering frameless solutions with the narrowest sightline barriers in the world. For over 30 years, we have pursued innovation and Swiss-made excellence to transform ambitious architectural visions into reality, enhancing atmospheres through light, transparency, and design.Every month we explore a topic in-depth through articles, interviews, news, and architecture projects. We invite you to learn more about our ArchDaily Topics. And, as always, at ArchDaily we welcome the contributions of our readers; if you want to submit an article or project, contact us.Image gallerySee allShow lessAbout this authorJonathan YeungAuthorCite: Jonathan Yeung. "The Quiet Tensions of POPS: How Private Institutions Shape Public Urban Wellness and Access" 07 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028821/the-quiet-tensions-of-pops-how-private-institutions-shape-public-urban-wellness-and-access&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! 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Mocha Pune Cafe / Loop Design StudioSave this picture! Purnesh Dev NikhanjArchitects: Loop Design StudioAreaArea of this architecture projectArea:7000 ftYearCompletion year of this architecture project Year: 2025 PhotographsPhotographs:Purnesh Dev Nikhanj Lead Architects: Suvrita Bhardwaj, Nikhil Pratap Singh More SpecsLess SpecsSave this picture!Text description provided by the architects. Mocha evokes the raw, monolithic grandeur of ancient quarries and the sculpted cave dwellings of the dwarves of Moria. Dominated by massive, stratified columns and overhanging volumetric forms, the design creates an immersive spatial experience that blurs the boundaries between structure and enclosure. The space is dominated by colossal, seemingly hewn volumes that emerge as if sculpted directly from the earth, their textured surfaces bearing the stratigraphic language of geological time.Save this picture!Save this picture!The structural composition is an intricate orchestration of weight and suspension, with massive, cantilevered forms appearing to defy gravity while hollowed-out, inverted vessels anchor the ceiling in a dramatic expression of spatial compression.Save this picture!Save this picture!Save this picture!Save this picture!The interplay of light and shadow accentuates the tectonic quality of the space, emphasizing the weight and texture of the singular material palette. The use of rough-hewn, sedimentary-like surfaces reinforces the cavernous aesthetic, while the suspended, hollowed-out elements contribute to a sense of both compression and release. Suspended organic lighting fixtures resembling clustered stalactites or woven mineral formations introduce a softer contrast to the otherwise rugged, lithic environment.Save this picture!Save this picture!The juxtaposition of organic forms and geometric articulation results in a space that feels both primal and contemporary, a modern homage to the timeless beauty of excavated architecture. The scale of the space is both awe-inspiring and intimate, creating a paradoxical interplay between vastness and enclosure. The meticulous detailing of junctions, where surfaces transition seamlessly between horizontal and vertical planes, reinforces the notion of an architecture that has been sculpted rather than constructed.Save this picture!Project gallerySee allShow lessProject locationAddress:Pune, Maharashtra, IndiaLocation to be used only as a reference. It could indicate city/country but not exact address.About this officeLoop Design StudioOfficePublished on April 07, 2025Cite: "Mocha Pune Cafe / Loop Design Studio" 07 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028785/mocha-pune-cafe-loop-design-studio&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Health and Community Centre of Excellence / ArchitectusSave this picture! Trevor MeinArchitects: ArchitectusAreaArea of this architecture projectArea:6356 mYearCompletion year of this architecture project Year: 2025 PhotographsPhotographs:Trevor MeinMore SpecsLess SpecsSave this picture!Text description provided by the architects. Kangan Institute's Health and Community Centre of Excellence is a transformative initiative that underscores the significance of contemporary Health and Community training and education. This building marks a significant first step in the revitalisation of Kangan's Broadmeadows campus. It creates welcoming learning environments that celebrate caring and nursing vocations, igniting the passion of students embarking on their studies in the caring professions.Save this picture!Save this picture!The architectural form emerges from a thorough investigation of function and setting. It is scaled appropriately to harmonise with the adjacent Broadmeadows Central and the nearby civic heart, opening itself to the Town Park, a landscaped entry that provides a safe and inviting approach to the existing campus and its main pedestrian circulation axis.Save this picture!The planning is arranged in two halves placed on either side of a central circulation spine and atria that commences at the park-facing entrance atrium. A rational, cost-effective structural grid allows for flexibility and adaptability throughout its lifespan. The learning spaces are engaging and interactive industry simulation environments catering to nursing, pathology, disability support, residential care, and early childhood education. Each space embraces virtual learning, incorporating digital technologies, and enabling simulation of complex or potentially hazardous situations. These spaces, alongside formal and informal learning spaces, are distributed over three levels connected by light-filled atria.Save this picture!Save this picture!Save this picture!Save this picture!Save this picture!Save this picture!The staggered triple-height volumes encourage exploration and social interaction, facilitating vertical connections throughout the building. Simulation spaces are visible from both the atria and the exterior, putting the learning experience on display for students and the public alike.Save this picture!The building's south faade is characterised by transparency and warmth, featuring floor-to-ceiling glazing that maximises views over the Town Park while celebrating Health and Community training along Pearcedale Parade. The ground-floor colonnade seamlessly connects with the landscape, transitioning through a series of island gardens that enhance the relationship with the Town Park.Save this picture!Conversely, the north and west faades are adorned with tall, slim windows set within a deep, solid, and thermally robust masonry form. This strategy provides solar protection while reflecting the building's purpose. Rooms on these faades accommodate focused work and specialist learning spaces that require diffused natural light. The masonry faade is a tribute to Broadmeadows' evolving civic, institutional, and residential context. The curvature and articulation of the brickwork impart fluidity, warmth, and softness, drawing inspiration from the topography of the Yuroke and Moonee Ponds Creek.Save this picture!Project gallerySee allShow lessProject locationAddress:Melbourne, Victoria, AustraliaLocation to be used only as a reference. It could indicate city/country but not exact address.About this officeArchitectusOfficePublished on April 07, 2025Cite: "Health and Community Centre of Excellence / Architectus" 07 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028694/health-and-community-centre-of-excellence-architectus&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Alica Bakery / Studio Etienne BastormagiSave this picture!Architects: Studio Etienne BastormagiYearCompletion year of this architecture project Year: 2024 PhotographsPhotographs:Alessandro FagioliManufacturersBrands with products used in this architecture project Manufacturers: Ferm Living, USM, Ahmed Amer, Cole & Cinder, FLOS, Gray Gardens, Kann Design, Local Industries, Magda Jugo, Muller van Severen, Post Industrial Crafts, Shim seungyeon, Studio Etienne BastormagiMore SpecsLess SpecsSave this picture!Text description provided by the architects. When the owner of the farm-to-table eatery and bakery decided to launch its first flagship in the Port de la Mer development in Jumeirah, Dubai, Beirut-based studio Etienne Bastormagi was contacted to lead the architectural design. The studio spearheaded the project with a series of strategic collaborations, bringing together regional designers and artists, opening conversations about the land, contextuality, materiality, and what it means to be inspired by the local culture. This collective aimed to create a local aesthetic that would align with the eatery's concept. Using natural materials such as wood, paper, and leather, the eatery's overarching aesthetic was guided by earthy tones and colors reflecting the locally sourced menu.Save this picture!Save this picture!Save this picture!Save this picture!Save this picture!The brief was to design and encompass an open, inviting bakery and eatery area to showcase the warmth of baking, along with wireframe furniture designed to capture the abundant sun, allowing the space to be designed by beautiful geometries through natural light, making it a gathering place for visitors. The architect's vision was to focus on the art of craftsmanship, from baking to ceramics, and celebrate local handcrafted pieces. The eatery's commitment to slow living is embodied in the thoughtful, tactile experience of the space, encouraging guests to savor not just the food but the entire atmosphere of mindfulness and deliberate simplicity.Save this picture!Save this picture!Save this picture!Save this picture!Ahmed Amer on the artwork of the space entitled "Roots" "the eatery drawings celebrate the harmony between nature, land, and human effort. Made on recycled paper, they reflect the beauty of harvesting grains and the passion behind organic growth."Save this picture!Post Industrial Crafts on Alica's special commission of hanging pendant and wall unit lightings The "Super Simple Lamp" exemplifies Post Industrial Crafts' commitment to a circular economy. This scone, custom-designed for the Bakery/Eatery in collaboration with Studio Etienne Bastormagi, showcases the harmonious intersection of design and sustainability. Crafted from 100% recycled plastic and 3D printed using our large-arm robot, it demonstrates PIC's dedication to eco-conscious manufacturing.Save this picture!About this officeMaterialsWoodSteelMaterials and TagsPublished on April 07, 2025Cite: "Alica Bakery / Studio Etienne Bastormagi" 06 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028718/alica-bakery-studio-etienne-bastormagi&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Truc Lam Anh Retreat / 6717 StudioSave this picture! Hiroyuki OkiArchitects: 6717 StudioAreaArea of this architecture projectArea:50 mYearCompletion year of this architecture project Year: 2020 PhotographsPhotographs:Hiroyuki OkiManufacturersBrands with products used in this architecture project Manufacturers: Galaxy Glass & Stone, Jotun Lead Architects: Le Viet Hoi More SpecsLess SpecsSave this picture!Text description provided by the architects. For the people of rural Vietnam, the "Chi" is an extension of the main house, a space that embodies simplicity, functionality, and familiarity. Whether serving as a kitchen, a veranda, or a communal area, the "Chi" always evokes a sense of warmth and closeness. Typically open or with minimal doors, it allows for natural ventilation from front to back, with an extended roof providing shade and shelter. Much like the "Tho Bt" houses in Southern Vietnam, which serve as gathering spaces for guests, celebrations, or relaxation, Trc Lm Anh Retreat embraces the essence of a "Chi," a transitional, expansive, and connective space.Save this picture!Located 4 km southeast of Buon Ma Thuot city center, Trc Lm Anh Retreat is a 50m space nestled within a lush garden, adjacent to the family home. Designed as a versatile sanctuary, it serves as a tranquil workspace and an intimate setting for receiving guests that is peaceful, refined, and independent from the main house. At the same time, it offers the homeowners a serene retreat, a place to unwind and escape the noise and bustle of urban life.Save this picture!Save this picture!Save this picture!Save this picture!Trc Lm Anh Retreat is a harmonious fusion of traditional cultural values and contemporary architectural thinking, bridging past and present. The design integrates the "Hng Hin," a signature element of traditional Vietnamese architecture with the stilt houses of the Central Highlands, creating a unique transitional space that embodies the interaction between humans, nature, and indigenous culture. More than just a physical structure, this architectural ensemble blends modern aesthetics with the raw beauty of vernacular design. Traditional tiled roofs are reinterpreted in a contemporary form while maintaining their rustic simplicity, serving as a gentle reminder of heritage. The two main sections, the functional block and the multipurpose block, are not only designed for practical use but also act as connecting elements within the overall composition. The "Hng Hin", as an intermediary space, blurs the boundaries between the interior and exterior, reflecting the seamless harmony between man and nature, between stillness and movement.Save this picture!Save this picture!Rather than featuring a conventional faade, the retreat reveals its essence through a cross-section of layered structures subtly unveiled beyond the slanted entrance wall. The design is direct and unpretentious, yet graceful and well-orchestrated, with overlapping "layers, planes, and wings" leading to a curved staircase that ascends to the rooftop terrace, a poetic closure to the sequence.Save this picture!By utilizing locally sourced materials such as natural stone, terrazzo, reclaimed wood from old buildings, and clay tiles, Trc Lm Anh Retreat embodies the rich identity of the Central Highlands. These materials not only enhance the rustic and inviting aesthetic but also reinforce sustainability and appreciation for natural resources. The raw yet refined architectural elements create a living space deeply rooted in tradition while embracing contemporary sensibilities. Simple and natural interior finishes, with earthy tones and materials reminiscent of the forested landscape, seamlessly blend the retreat into its surroundings, celebrating both nature and local culture.Save this picture!Project gallerySee allShow lessAbout this office6717 StudioOfficeMaterialsConcreteBrickMaterials and TagsPublished on April 06, 2025Cite: "Truc Lam Anh Retreat / 6717 Studio" 06 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028658/truc-lam-anh-retreat-6717-studio&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Entreverdes House / 24 7 ArquiteturaSave this picture! Adriano PacelliHousesBrazilArchitects: 24 7 ArquiteturaAreaArea of this architecture projectArea:445 mYearCompletion year of this architecture project Year: 2024 PhotographsPhotographs:Adriano PacelliManufacturersBrands with products used in this architecture project Manufacturers: Indusparquet, Art Vidros, Aru Madeiras, BPS Construes, Brumi Climatizao, Casa Armani, Esplane, Instituto Jardim, Lder Interiores, MAV do Brasil, Maxximus Marmoraria, Mediterrnea, Nossa Marcenaria, OBRA FCIL, Pedras Capricrnio, Portobello, Unio TcnicaMore SpecsLess SpecsSave this picture!Text description provided by the architects. With the arrival of the pandemic, many families sought a better quality of life in residentialcondominiums in country cities, and in this case, it was no different.Save this picture!Entreverdes House is located on a plot with an 8-meter slope, 50 meters deep, and a privileged view of a dense permanent preservation area. The starting point of the project was the creation of a lateral ramp for vehicles in order to hide the cars from the street and avoid the construction of three floors. The proposal aimed to overcome the slope with the help of the car, promoting a more fluid distribution of the familys needs.Save this picture!Seen from above, the project reveals an attractive play of full and empty spaces, winding paths, grassy areas, a green roof, skylights, landings, stairs, and landscaping that integrates with the residence.Save this picture!Save this picture!Save this picture!At all moments while designing this project, we reflected on the relationship between the house with the surrounding woods and how pleasurable it would be for this landscape to serve as a backdrop for the residents in the spaces where they spend the most time.Save this picture!Save this picture!The wise choice to position the ground floor at the highest level allowed by the condominiums regulations not only strengthened the desired connection with the forest but also met our desire to place the leisure area at the front of the plot, ensuring privacy from those walking by on the street.Save this picture!Save this picture!A concrete box, partially cantilevered, houses the pool so that it is not visible from the street or the sidewalk.Save this picture!The structure is made up of a mixed system of concrete and metal truss beams, with masonry closure, creating an interesting aesthetic in the volume.Save this picture!Save this picture!Save this picture!The residence consists of private areas on the upper floor, where we also designed a bleacher so that the family could enjoy a pleasant and privileged space to contemplate the view and engage in outdoor activities.Save this picture!Located 5 meters above the street, the ground floor houses the leisure area at the front of the plot, providing greater sun exposure, privacy from the neighbors behind, and closer contact with the forest.Save this picture!In addition to the living and service areas, the house includes an office and a guest suite on the ground floor. Two side voids next to the living room allow abundant light and ventilation to enter almost every room, which closes to the west and opens to the north and south.Save this picture!Project gallerySee allShow lessAbout this office24 7 ArquiteturaOfficeMaterialsSteelConcreteMaterials and TagsPublished on April 06, 2025Cite: "Entreverdes House / 24 7 Arquitetura" [Casa Entreverdes / 24 7 Arquitetura] 06 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028709/entreverdes-house-24-7-arquitetura&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

ReSidence Research Installation / Karlsruhe Institute of Technology (KIT) + FibR GmbHSave this picture! DDF_KITAreaArea of this architecture projectArea:51 mYearCompletion year of this architecture project Year: 2024 PhotographsPhotographs:DDF_KITMore SpecsLess SpecsSave this picture!Text description provided by the architects. ReSidence presents a forward-looking approach to multi-storey construction by uniting natural materials with low-impact digital fabrication techniques. The combination of willow, earth, flax, and wood demonstrates how challenges inherent to natural materials can be transformed into opportunities, empowering architects to actively shape and design change. Inspired by traditional half-timbered construction techniques, where willow and earth serve as non-structural infill, this project synergistically combines these materials into low-emission, structurally effective building elements.Save this picture!Save this picture!Save this picture!The architectural concept relies on a modular configuration in which the 3.6 x 1.2-meter hybrid earth-willow-timber elements are slotted into a timber frame. The ceiling slab components not only enhance the building's structural function but also introduce a distinctive architectural character that reflects a thoughtful integration of form and materiality. The faade system consists of flax fiber composite elements that span the area between the primary load-bearing structure and carry the point-supported faade. This modular design ensures that each component can be removed without generating waste, supporting a truly closed-loop material lifecycle. After deconstruction, the constituent materialswillow, earth, flax, and woodcan be returned via local material cycles or reused as components in different projects.Save this picture!Willow is used as a tensile reinforcement and is arranged into spatial 'rebar' structures, while earth acts in compression, forming stable modules that echo the performance of steel-reinforced concrete yet significantly reduce environmental impact. Flax fibers and timber complement these materials, facilitating a hybrid system that promotes closed material cycles and supports a circular local bio-economy. These materials and the novel processes involved in their fabrication act as design drivers, inspiring new approaches to architecture that merge sustainability with design exploration. In turn, these approaches may enrich the building's expression with the textural qualities of natural materials, celebrating a dialogue between form and function. The materials used in ReSidenceearth, willow, flax, and woodwere carefully selected for their sustainability and ability to promote closed material cycles, contributing to a local circular bio-economy. The emphasis on local resources, such as willow grown on rewetted moorlands, underscores an ecological strategy aimed at reducing CO emissions while maintaining agricultural productivity.Save this picture!Research in digital construction technologies formed the foundation of the project, fostering innovation from initial concept to final fabrication. Digital tools played a crucial role in design exploration, structural simulations, and the advancement of construction techniques. This approach underscored the importance of synergistic research across digital and sustainable construction, building and structural design, component testing, and life cycle assessment. By integrating these fields, the project explored the interaction between materials and their potential for structural applications, highlighting the project's commitment to transforming sustainable building practices.Save this picture!Project gallerySee allShow lessProject locationAddress:Wangen im Allgu, GermanyLocation to be used only as a reference. It could indicate city/country but not exact address.About this officeMaterialWoodMaterials and TagsPublished on April 06, 2025Cite: "ReSidence Research Installation / Karlsruhe Institute of Technology (KIT) + FibR GmbH" 06 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028461/residence-research-installation-karlsruhe-institute-of-technology-kit-plus-fibr-gmbh&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Bagsvrd Observation Home / JAJA ArchitectsSave this picture!Courtesy of JAJA ArchitectsHouses, RefurbishmentBagsvrd, DenmarkArchitects: JAJA ArchitectsAreaArea of this architecture projectArea:1600 mYearCompletion year of this architecture project Year: 2024 More SpecsLess SpecsSave this picture!Text description provided by the architects. Originally built as a summer villa for the royal court dentist in the early 1900s, the Bagsvrd Observation Home, located by the scenic Bagsvrd Lake, serves children and families who need extra support during difficult times. The villa has undergone extensive renovation and expansion, blending historical charm with modern functionality to meet the needs of today's families. Livsvaerk is the association behind the modernization and renovation of the Bagsvrd Observation Home. The main aim of the project has been to make the physical setting of the site provide even better support for the social pedagogical work that the association performs for some of the most vulnerable in Danish society vulnerable children and their families.Save this picture!The Garden House. Designing the extension to the villa was challenging due to the desire for the extension to be twice the size of the historic villa. To create a functional extension while respecting the historic villa, we proposed establishing an equal relationship between the villa and the new garden house. From the landmark lakeside, the iconic villa remains the focal point, overlooking the prominent landscape. On the entrance side, the garden house is positioned to mark the entrance and main access point. The garden house features common living areas between the individual apartments, with balconies offering views of the garden and the nearby lake. Residents can access the garden directly from their living rooms.Save this picture!Above the basement level, the Garden House is constructed as a lightweight structure with load-bearing structures primarily made of wood in a combination of CLT walls, CLT decks, glulam columns, and structural timber. Exposing the wood as much as possible, our vision has been to create a positive and welcoming building that the residents feel comfortable in. By minimising wind impact, the building's rounded corners contribute to a comfortable microclimate in the living areas around the Garden House. This is achieved by cutting CLT elements into smaller faceted parts, which are then assembled to form round corners harmonising with the visible CLT walls inside. Externally, narrower cedar boards are used around the corners, giving a unified appearance all around the building.Save this picture!Save this picture!Climate Responsibility. Serving as a test project for The Voluntary Sustainability Standard (Den Frivillige Bredygtighedsklasse), the Bagsvrd Observation Home project seeks to embrace both environmental, climate, social, and economic quality. The standard can be seen as a preview and a test of how future climate-oriented regulations of construction can be incorporated into future building regulations. Having a major impact on the CO2 footprint, we have been focusing on the Garden House's materials. The use of wood, including all the CLT elements, helps us to get below 8 kg. CO2 equivalent per m2 per year, which are the requirements for the standard.Save this picture!Project gallerySee allShow lessAbout this officeMaterialWoodMaterials and TagsPublished on April 06, 2025Cite: "Bagsvrd Observation Home / JAJA Architects" 06 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028621/bagsvaerd-observation-home-jaja-architects&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Tarragona Public Passenger Terminal / Hombre de Piedra ArquitectosSave this picture! Simn GarcaArchitects: Hombre de Piedra ArquitectosAreaArea of this architecture projectArea:2851 mYearCompletion year of this architecture project Year: 2024 PhotographsPhotographs:Simn Garca Lead Architects: Juan Manuel Rojas Fernndez, Laura Dominguez Hernndez More SpecsLess SpecsSave this picture!Text description provided by the architects. Faced with the challenge of an unpredictable future marked by rapid change, where needs shift quickly, we propose an architecture capable of evolving over time, allowing expansions, transformations, or reductions to adapt to new demands without losing its architectural qualities. It should even allow for simple and cost-effective dismantling if necessary.Save this picture!Save this picture!Perhaps, rather than pursuing traditional, heavy, and eternal architecture, sustainability and current demands call for lightweight, modular architecture that facilitates future adaptations and aligns with modern production methodsno longer reliant on increasingly scarce traditional construction but on industrialized processes.Save this picture!In this context, the Tarragona Public Passenger Terminal explores modularity and off-site industrialized construction. However, instead of resorting to the conventional stacking of rectangular boxes, it proposes complex geometries inspired by tradition and the mathematics of plane tessellation. These non-orthogonal geometries enhance passenger flow and enable spatial explorations that create a sculptural identity linked to Mediterranean architectural heritage.Save this picture!Save this picture!The proposed geometry also represents a triumph of organic underwater forms over the rigidity typical of concrete port infrastructure. The large scale of cruise ships offers passengers an aerial perspective, turning the roof into the buildings main faade. A unique grid reveals the interior geometry of irregular pentagons, all identical, crowned by large skylights evoking mollusk shapes.Save this picture!This design nods to Mediterranean traditions, from Roman mosaics to Modernist trencads. The architecture unpretentiously reflects the essence of an economical and sustainable construction. Inside, the dynamic geometry is mirrored in the exposed metal ceiling structures, reminiscent of historic Catalan markets. Natural light is designed to suggest an underwater landscape, creating a pleasant atmosphere that transforms transit into an enjoyable experience.Save this picture!The lightness of a structure can be an indicator of its sustainability. The amount of mass mobilized reflects the use of material and energy resources. In this case, the buildings weight is especially critical due to the limited load-bearing capacity of the artificial dock reclaimed from the sea. A traditionally constructed building could not be anchored in this soil layer due to its weight, requiring piles over 25 meters long to reach the seabed. The lightweight construction allowed for shallow foundationsa more sustainable solution both economically and environmentally. Never has Fullers question to Foster about a buildings weight been more pertinent.Save this picture!Save this picture!This lightness, along with its off-site industrialized construction, contributes to environmental achievements: a 55% reduction in waste, 60% in CO emissions, and 80% in water consumption compared to traditional construction averages. It is easily expandable, dismantlable, relocatable, and recyclable, with an energy rating of "A." Moreover, its execution was completed in record time, minimizing the uneconomical occupation of the dock, disruptions to citizens, and environmental impact.Save this picture!The modular industrialized construction, carried out in Almera, allowed most of the work to be finished in under 10 months, ensuring reliability and quality by avoiding the unpredictability and chaos of traditional construction, which relies on artisanal methods amid a shortage of skilled labor. Ultimately, the building is an adaptive architecture designed to meet todays needs.Save this picture!Project gallerySee allShow lessAbout this officePublished on April 06, 2025Cite: "Tarragona Public Passenger Terminal / Hombre de Piedra Arquitectos" [Terminal Pblica de Pasajeros de Tarragona / Hombre de Piedra Arquitectos] 06 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028673/tarragona-public-passenger-terminal-hombre-de-piedra-arquitectos&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Renovation of the "Nooks and Corners" Space in Hongye Garden / Greyspace ArchitectsSave this picture! Arch-ExistShanghai, ChinaArchitects: Greyspace ArchitectsAreaArea of this architecture projectArea:54 mYearCompletion year of this architecture project Year: 2024 PhotographsPhotographs:Arch-Exist, Qiaozhu YanManufacturersBrands with products used in this architecture project Manufacturers: Serge Ferrari Lead Architects: Liu moyan, Su peng More SpecsLess SpecsSave this picture!Text description provided by the architects. The Yuyuan Road Hongye Garden Ceramic Art Studio project in Shanghai is the second completed small house in a series of "Nooks and Corners" plans by several architects, with a three-year gap since the first result. Continues the architects' focus on the small, often overlooked corners of urban spaces.Save this picture!Save this picture!Save this picture!The goal is to enhance the quality of these spaces through architectural renovation and to activate urban areas in a more localized manner. The collaboration with international ceramic artist Li Jianshen's team provided a foundation for the operational content of this second small house.Save this picture!Save this picture!Save this picture!In the process of project design and construction, designers mainly focus on the continuation of the street atmosphere in the building, as well as the precision and ambiguity of the design based on the current state of the building during the renovation process.Save this picture!Save this picture!The new building does not erase the traces of the original building, but rather overlays it, hoping to create a continuous memory. In the original single story 27 building, the designer gradually refined the working methods by placing the reception area, work area, display area, and sleeping area into it, ultimately achieving the unity of space and function.Save this picture!Save this picture!And we hope to ultimately integrate with the surrounding neighborhoods and contribute to the vitality of urban space from a more diverse perspective.Save this picture!Save this picture!Project gallerySee allShow lessAbout this officeGreyspace ArchitectsOfficeMaterialsMaterials and TagsPublished on April 06, 2025Cite: "Renovation of the "Nooks and Corners" Space in Hongye Garden / Greyspace Architects" 06 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028522/renovation-of-the-nooks-and-corners-space-in-hongye-garden-yuyuan-road-greyspace-architects&gt ISSN 0719-8884Save? / You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

STUDS Hair Salon / nevertheless / Yusuke Sagawa ArchitectsSave this picture! Yosuke HaradaArchitects: nevertheless / Yusuke Sagawa ArchitectsAreaArea of this architecture projectArea:64 mYearCompletion year of this architecture project Year: 2024 PhotographsPhotographs:Yosuke Harada Lead Architect: Yusuke Sagawa More SpecsLess SpecsSave this picture!Text description provided by the architects. The planned building is a three-story steel-framed structure located just a few minutes' walk from Kumagaya Station. Built approximately 60 years ago, the building has served various purposes, with the first and second floors being used as tenant spaces. About two years ago, the owner rented the first floor and opened a beauty salon. However, as the space became too cramped, they decided to renovate the second floor. The owner's request was to create a new esthetic space on the second floor, in addition to the hair salon, to accommodate facial treatments and other beauty services.Save this picture!Save this picture!Save this picture!Save this picture!The second floor had previously been used as a restaurant and a mahjong parlor. The existing mosaic-patterned flooring still bears cigarette burns and scratches, which create an intriguing texture reminiscent of the accumulation of time. The steel beams also retain traces of the construction process, including the footprints of the workers and layout markings. The initial goal was to preserve as much of these existing materials as possible while creating a new space using fresh materials. The new materials were not chosen to contrast with the existing ones but rather to harmonize with them and reflect their presence. The salon specializes in color styling, so it was important to select materials that would enhance the colorful styles and hairstyles of the customers. This led to focusing on gray and silver.Save this picture!Art historian Atsushi Okada discusses the appeal of graya color generally considered impersonal and anonymousby referencing historical philosophers and painters: "However, from a different perspective, gray can be seen as a color open to infinite nuances. It possesses the potential to express subtle gradations, the play of light and shadow, and delicate variations between light and dark. Precisely because it lacks any inherent characteristics, gray holds the latent power to take on any color." (1) Okada also states, "The positive significance of gray lies in the fact that it cannot be definitively described as one specific color. Instead of asserting itself, it reflects and returns what it receives from others. Gray embodies individuality without personality, impersonality with character."Save this picture!Although these statements primarily concern gray, the concept of a reflective, non-personal existence that can take on any color could also apply to silver. In other words, gray (or silver) can be considered a special color that does not have a fixed hue but rather reflects its environment and those around it. With this in mind, we used square studs (45 mm x 65 mm)typically employed as wall substratesfor the partition walls in the renovation. These studs are inexpensive and, as industrial products, have a relatively consistent quality. The galvanized steel sheets subtly reflect the surroundings, and the slight differences in the finish of the galvanization create delicate gradations.Save this picture!Save this picture!The plan required separating the hair salon from the esthetic space. However, the owner also wanted customers visiting one area to become interested in the other. To achieve this, we designed the partition walls like louvers: in areas where visibility needed to be blocked, the studs were densely arranged; in areas where a sense of presence was desired, they were spaced more sparsely. This design allowed the walls to function as both partitions and louvers.Save this picture!Save this picture!For the raised floor finish, we used gray vinyl tiles. The walls were painted in two shades of grayone slightly lighter than the floor and one almost white. These subtle variations in tone and reflective qualities cause the space to shift gently with changes in light and human movement. Since the use of materials and structure up to this point felt rather rigid, we incorporated acrylic panels as accents between the studs. When sunlight enters through the windows, shadows from the acrylic stretch like lines across the gray floor. The acrylic panels are simply clamped to the studs with magnets, allowing easy removal and replacement. We envision changing the color of the acrylic according to seasonal themes.Save this picture!In this project, we consciously used gray and silver materials. Including previous projects, I have employed gray and silver in many architectural works. As Okada suggests, I am drawn to their "latent potential to take on any color." I intend to continue exploring the possibilities of gray and silver materials.1, 2: Atsushi Okada, The Aesthetics of Translucent, Iwanami Shoten, 2010Save this picture!Project gallerySee allShow lessProject locationAddress:Saitama, JapanLocation to be used only as a reference. It could indicate city/country but not exact address.About this officeMaterialsSteelPlasticMaterials and TagsPublished on April 06, 2025Cite: "STUDS Hair Salon / nevertheless / Yusuke Sagawa Architects" 05 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028768/studs-hair-salon-nevertheless-yusuke-sagawa-architects&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

PLP City Range / ASWASave this picture! Soopakorn SrisakulArchitects: ASWAAreaArea of this architecture projectArea:2750 mYearCompletion year of this architecture project Year: 2025 PhotographsPhotographs:Soopakorn Srisakul, Phuttipan AswakoolManufacturersBrands with products used in this architecture project Manufacturers: TOA Lead Architects: Phuttipan Aswakool + Chotiros Techamongklapiwat More SpecsLess SpecsSave this picture!Text description provided by the architects. Situated within the tranquil and upscale neighborhood of the Thonglor area in Bangkok, the PLP City range presents an innovative mixed-use facility designed primarily as a state-of-the-art golf simulation center. The building's striking facade is crafted from a combination of concave and convex precast concrete panels, serving aesthetic and functional purposes. These uniquely shaped modules generate a dynamic interplay of shade and shadow throughout the day, ingeniously echoing the graceful arc of a golf swing and creating a visual representation of the sport itself. Steel elements accentuate the entrance and future retail spaces on the ground floor, purposefully designed to mimic the sleek form of a golf driver and featuring semi-reflective materials that enhance their modern appeal.Save this picture!Save this picture!Save this picture!With the six-function stories, each floor has a specific function, ensuring efficient space utilization while catering to a diverse clientele. The ground floor welcomes visitors with a spacious main lobby and future retail area, complemented by on-site parking facilities to accommodate guests. Ascending to the second floor, visitors will find a youth indoor golf simulation area tailored for young athletes, complete with a small but cozy canteen that provides refreshments and a place to relax between sessions.Save this picture!Save this picture!Save this picture!On the third floor, the experience elevates further with a VIP golf simulation bay, luxurious VIP rooms, and a bar area that offers a more exclusive environment for serious golfers seeking enhanced privacy and comfort. One of the standout features of the building is the fourth floor, which boasts a semi-outdoor chip, a putting green area, and a multi-sport court. This floor is designed to take advantage of natural ventilation, allowing an open-air feel while providing key golfing practice facilities.Save this picture!Save this picture!Save this picture!The fifth and sixth floors have been prepared as bare-shell double-volume spaces with panoramic views of the Thonglor area for the owners' residences, which creates unique opportunities for residents to live near recreation and leisure activities.Save this picture!To address the critical issue of managing natural lightan essential consideration for maintaining the optimal functionality of golf simulation equipmentconcave and convex precast concrete panels were carefully selected as the primary construction material. These panels are engineered to provide an opaque interior that supports the sophisticated technology of the simulators. The building's design ingeniously incorporates a transparent curved glass opening strategically located at the corner of the building, positioned above ground level to maximize views and influx of natural sunlight, thereby enhancing the overall experience for guests while maintaining the necessary internal conditions for the golf simulations.Save this picture!Project gallerySee allShow lessProject locationAddress:Bangkok, ThailandLocation to be used only as a reference. It could indicate city/country but not exact address.About this officeASWAOfficeMaterialConcreteMaterials and TagsPublished on April 05, 2025Cite: "PLP City Range / ASWA" 05 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028759/plp-city-range-aswa&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

PH Charlone House / Florentina Fontana Arq. + AsociadosSave this picture! Daniela Mac AddenHouses, RenovationBuenos Aires, ArgentinaArchitects: Florentina Fontana Arq. + AsociadosAreaArea of this architecture projectArea:160 mYearCompletion year of this architecture project Year: 2023 PhotographsPhotographs:Daniela Mac AddenMore SpecsLess SpecsSave this picture!Text description provided by the architects. The Chacarita neighborhood in the City of Buenos Aires, of medium-low scale, is where the project unfolds. The lot is located in the middle of the block, with only two houses on it, no tall buildings in the block, many gardens, and guaranteed air, sky, and greenery.Save this picture!Access is through a patio, originally covered and with an awning, but one of the first tasks was to dismantle it. The house is developed over three levels, maintaining the scale and slabs of the original structure, on a lot that measures almost 9.00 x 8.00 m.Save this picture!Structurally, few but fundamental decisions were made to materialize the spatial premises required by the project: to incorporate the exterior into each new space, visually extending each area to the limits of the lot, not to its enclosure; to expose the original structure of the vaulted slabs, even with the scars of the old load-bearing walls; to place the social program on the upper floor, generating a patio and a new terrace, this time an extensive green one, over the pre-existing one.Save this picture!Save this picture!Only a single gray profile column of 160 and three IPN of 160 were the only elements that replaced the heavy 30 cm walls that supported the load of the existing slabs. In the lower height spaces, the slabs were painted white, and in the higher ones, they were left with exposed brick, painting only the profiles. The walls were replaced by PVC and double-glazed windows, all from floor to ceiling, incorporating the surfaces of the two original galleries into the interior of the house.Save this picture!In the ground floor bedroom and living room, large sliding windows were designed to blur the interior-exterior boundary and allow for integrated use. In the rest of the house, fixed panels and oscillating-opening windows were proposed.Save this picture!Save this picture!The native vegetation and that of the surroundings provide color to the chosen white base for the container box. Only one wall painted a dark color adds depth to the patio and accompanies a finishing touch.Save this picture!Save this picture!The placement in the heart of the block provides protection, allowing the house to be open and in constant contact with the outside. Even in the shower area, where a skylight was designed to receive zenithal light and see the sky.Save this picture!Project gallerySee allShow lessAbout this officePublished on April 05, 2025Cite: "PH Charlone House / Florentina Fontana Arq. + Asociados" [PH Charlone / Florentina Fontana Arq. + Asociados] 05 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028796/ph-charlone-house-florentina-fontana-arq-plus-asociados&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Oak Grove Park / PUPA Life Over SpaceSave this picture! Norbert TukajArchitects: PUPA Life Over SpaceAreaArea of this architecture projectArea:86000 mYearCompletion year of this architecture project Year: 2021 PhotographsPhotographs:Norbert TukajManufacturersBrands with products used in this architecture project Manufacturers: Kompan playgrounds Lead Architects: Tadas Jonauskis, Justina Muliuolyt, Ignas Rakauskas, Lukas Kulikauskas, Augustas Makrickas, Artras ertovas More SpecsLess SpecsSave this picture!Text description provided by the architects. Oak Grove Park is located in the heart of a modernist housing neighborhood in Klaipda, Lithuania. Revitalized in 2021, the park has become a beloved spot for locals. It offers two distinct zones: one for active leisure, with sports areas, exercise facilities, and playgrounds, and another for quiet relaxation, where people can read under trees, gather in small spaces, or feed birds by the pond. These areas are linked by a circular pathwayperfect for walking, cycling, or rollerblading.Save this picture!Save this picture!Save this picture!Oak Grove Park shows how public space renewal can stimulate the regeneration of large-scale housing neighborhoods. Much of Lithuania's urban population lives in such estates, including the Rumpiks district in Klaipda. This neighborhood, built in the 1970s, was designed with apartment buildings around Oak Grove Park. Over the past 50 years, without renovation, both the neighborhood and its public spaces have deteriorated physically, visually, and socially. As these housing estates are privately owned, renovations occur slowly. Thus, municipalities can make the most significant impact on improving residents' quality of life by enhancing public spaces.Save this picture!Save this picture!In 2015, the urbanist studio "PUPA / Life Over Space" developed an urban vision for the neighborhood, focusing on revitalizing courtyards and public spaces, including Vaidila Square and Oak Grove Park, funded by EU support. Public participation, through presentations, discussions, and workshops, helped identify residents' needs and test different scenarios, leading to well-chosen design options. The design of Oak Grove Park responds to the varied needs of its residents. On one side of the park is a lively, active area with sports fields, fitness zones, and playgrounds for children and teenagers. The other side offers a more tranquil atmosphere, featuring ponds with local birdlife, sunlit or shaded islands with benches, and flower beds. A continuous loop path for cycling and walking links smaller pathways and recreational spots, winding between the old oak trees and nearby apartment buildings. This loop has become a favorite spot for residents, not only as a place to exercise but also to socialize, people-watch, and meet their neighbors.Save this picture!Situated in one of Klaipda's densest areas, Oak Grove Park is surrounded by blocks with a higher concentration of elderly residents and single-person households. Thus, creating spaces where people could meet and socialize was essential. The primary goal in designing the public spaces was to foster an environment that encourages people to connect, spend more time outdoors, and lead healthier, more active lives.Save this picture!Save this picture!In conclusion, Oak Grove Park demonstrates how thoughtful public space renewal can breathe new life into aging urban neighborhoods. By creating spaces for both active leisure and peaceful relaxation, the park fosters social interaction, promotes healthier lifestyles, and enhances the quality of life for residents of all ages. Its revitalization serves as a model for transforming similar housing estates across Lithuania and beyond.Save this picture!Project gallerySee allShow lessProject locationAddress:Klaipda, Klaipeda City Municipality, LithuaniaLocation to be used only as a reference. It could indicate city/country but not exact address.About this officePUPA Life Over SpaceOfficePublished on April 05, 2025Cite: "Oak Grove Park / PUPA Life Over Space" 05 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028562/oak-grove-park-pupa-life-over-space&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Hellest Cabin / Helen & HardSave this picture! Sindre EllingsenArchitects: Helen & HardAreaArea of this architecture projectArea:80 mYearCompletion year of this architecture project Year: 2023 PhotographsPhotographs:Sindre EllingsenMore SpecsLess SpecsSave this picture!Text description provided by the architects. Hytte Hellest is located at one of Norway's most beautiful sandy beaches on the edge of gently rolling, grass-covered sand dunes. The goal was to carefully integrate the vacation home into the landscape so that it feels like a natural part and extension of the dunes. At the same time, the residents should feel as if they are living in close contact with nature, nestled in the dunes, with a spectacular panoramic view of the open sea.Save this picture!Save this picture!Save this picture!Save this picture!The house appears like a dune that opens towards the sea, with the rear part embedded into the landscape. The grassy landscape extends seamlessly over the roof. A three-part, continuous panoramic window offers a 180-degree view directly towards the open sea and the expansive beaches to the east and west of the property.Save this picture!Save this picture!Save this picture!The vacation home gives a sense of spaciousness. Glass walls and windows divide the space into different zones, creating a continuous feeling of openness despite its modest size. The visible wooden structure divides the living space into different areas. A parametrically shaped, wave-like ceiling made of oak slats spans between the beams. It mirrors the motif of ocean waves and softly fades out at the front and back of the house. The floor and rear walls, which meet the ground, are made of visible concrete, carefully interwoven with the dominant wooden structure. The entire interior and all furniture are custom-made from oak wood and made specifically for this space.Save this picture!Project gallerySee allShow lessProject locationAddress:Byberg, NorwayLocation to be used only as a reference. It could indicate city/country but not exact address.About this officeHelen & HardOfficeMaterialsWoodGlassMaterials and TagsPublished on April 05, 2025Cite: "Hellest Cabin / Helen & Hard" 05 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1027891/hellesto-cabin-helen-and-hard&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Extending Roofs from Brazil to India: Parallel Residential Design Elements as Seen in 10 ProjectsSave this picture!Redux House / studio mk27 Fernando Guerra | FG+SG; Parikrama House / SPASM Design Architects Umang ShahIt shouldn't be too surprising that architectural concepts were traveling around the globe long before the online spread of information. While many regions share certain historical events and hence references (such as colonization and the mid-20th-century independence movement/ turn of political systems), others might have simply developed parallel solutions to similar climates and material availability. Additionally, it was only natural that with the dissemination of a more uniform architectural pedagogy acquired while studying abroad, followed by the internet boom, we would find almost twin projects from every corner of the world. While these might look nearly identical from some angles, they might bear different layers and stories. Then again, they might also display the same reasoning and prompts shared by counterparts from across the seas.While cultural differences persist, similarities such as histories, climate, topography, and vegetation allow design solutions and elements to be incorporated into the local architecture of countries on completely different continents, as is the case with the use of slender, extended roofs in Brazil and India. Although of various styles, many of these parallel projects were present in ArchDaily's project library. These roofs are represented through many shapes and forms and include large eaves, openings to let in natural light, or even curves to allow water to flow through. However, they also all seem to stem from a reinterpretation of modernist design concepts, which resonate in both countries. Numerous comparisons have previously been made between Brazil and India's colonial and post-colonial architectural development, as well as their more recent urban growth.Although the Portuguese presence in India slightly preceded their arrival in modern-day Brazil, both countries were left with a similar colonial architecture, which was followed by close post-colonial eras and a deep admiration for modernism in the 1960s. While Lcio Costa and Oscar Niemeyer were realizing their urban vision for Brazilia, Chandigarh was materializing according to plans by Le Corbusier and influencing the next generation of iconic Indian architects. Add to that the aforementioned local climatic requirements and global design trends/ tools, and you will inevitably end up mirroring thought processes by architects who might not have been familiar with each other's work and produced similar results around the same time.The examples below show how ideas are not fixed to a specific location, nor are they static in themselves, but can travel to different parts of the world and incorporate new elements.Float-en-Fold house / architecture.SEEDThrissur, IndiaSave this picture!Itamambuca House / Gui MattosPraia do Itamambuca, BrazilSave this picture!The Slab House / 3dor ConceptsTaliparamba, IndiaSave this picture!House in Pombal Street / So Paulo CriaoSo Paulo, BrazilSave this picture!The Cove House / Red Brick StudioPanshet, IndiaSave this picture!Caf House / TETRO ArquiteturaDivinpolis, BrazilSave this picture!The Veranda House / Studio EspaazoAhmedabad, IndiaSave this picture!Vale da Lua Cabin / Corteo ArquitetosPinto Bandeira, BrazilSave this picture!Parikrama House / SPASM Design ArchitectsNandgaon, IndiaSave this picture!Redux House / studio mk27Bragana Paulista, BrazilSave this picture!Image gallerySee allShow lessAbout this authorCite: Susanna Moreira. "Extending Roofs from Brazil to India: Parallel Residential Design Elements as Seen in 10 Projects" 05 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1026829/extending-roofs-from-brazil-to-india-parallel-residential-design-elements-as-seen-in-10-projects&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

NSA 14 205 Social Housing Units for EMVS / Ricardo Snchez GonzlezSave this picture! Imagen SubliminalSocial HousingMadrid, SpainArchitects: Ricardo Snchez GonzlezAreaArea of this architecture projectArea:150000 mYearCompletion year of this architecture project Year: 2025 PhotographsPhotographs:Imagen SubliminalMore SpecsLess SpecsSave this picture!Text description provided by the architects. The development is located in the "Nuestra Seora de los ngeles" neighborhood, on a 9,798.26 m plot with a maximum buildable area of 15,930 m for residential use. It consists of two blocks measuring approximately 70x18 meters, with a height of up to eight floors.Save this picture!Save this picture!The proposal seeks to soften the robust volumetry of the complex through subtle zigzag folds that add dynamism to the faade without compromising the functionality of the dwellings. The circulation cores integrate these shifts, allowing natural light to enter the distribution corridors.Save this picture!The main access is from Avenida de San Diego, leading to a porticoed ground floor that serves as a communal meeting space and opens onto a central garden. Each block features two stairwells and a core with four elevators, organizing the apartments around a longitudinal gallery. The layouts define distinct day and night areas, optimizing circulation and spatial perception, with strategically placed terraces enhancing the living experience.Save this picture!The project prioritizes universal accessibility, incorporating barrier-free pathways, elevators connecting all levels, and gentle slopes in the landscaped areas. The faades are designed with an External Thermal Insulation System (SATE) and terraces are protected by sliding perforated metal lattice screens, allowing for adjustable lighting and privacy control. The architectural solution balances functionality, integration with the surroundings, and a design that fosters social interaction and spatial quality.Save this picture!Save this picture!Project gallerySee allShow lessAbout this officePublished on April 05, 2025Cite: "NSA 14 205 Social Housing Units for EMVS / Ricardo Snchez Gonzlez" 05 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028239/nsa-14-205-social-housing-units-for-emvs-ricardo-sanchez-gonzalez&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Dinh House / Story ArchitectureSave this picture! Lonton StudioArchitects: Story ArchitectureAreaArea of this architecture projectArea:203 mYearCompletion year of this architecture project Year: 2025 PhotographsPhotographs:Lonton Studio Lead Architects: Nguyn Kava More SpecsLess SpecsSave this picture!Text description provided by the architects. Homeowner After many years of living in a high-rise apartment in a luxury apartment building, the homeowner is now old, has many memories, and needs more family and neighbor connections than utility services. Therefore, the homeowner returned to the old neighborhood where he used to live, bought land, and built a house so that he could live with his older siblings who are living alone. The design meets the convenience of interior items that only help the homeowner with physical needs. Because the homeowner is also old and has very high spiritual needs, I designed and focused on the experience of space and light so that the homeowner can clearly feel reality and can go deeper into his inner self.Save this picture!Save this picture!Save this picture!Save this picture!Dinh House is inspired by the experience of camping in the forest. Standing in the middle of a majestic forest with cliffs, there are 2 cliffs close together creating a gap of light, the space seems to be sucked into it. People's eyes always look at that gap of light with curiosity and raise questions about human existence. The small and short-lived existence of humans before the flow of space and time.Save this picture!Save this picture!Save this picture!Save this picture!The house is a hollow rectangular block. Inside are 2 cylindrical blocks in front and behind supporting the roof, combined with 2 light and wind slots designed throughout the two sides of the house. The wall and the cylindrical block create a light slot. The light passes through this light slot into the space inside the house, and the light shines on the 2 cylindrical blocks. The space seems to be curved according to the block and sucked into those light slots and returned as rays of light radiating into the house, evoking many emotions of excitement and hope like rays of light at the end of the tunnel.Save this picture!The light slot is also a place to get wind with the front and back folding doors that can be customized to actively open and close actively to serve the convection task for the building. The interior is simply designed, hidden close to the wall, making room for the presence of space and light, helping the homeowner experience reality more clearly and appreciate life more, about the existence of themselves and their loved ones in the last years of life.Save this picture!Project gallerySee allShow lessAbout this officeStory ArchitectureOfficePublished on April 05, 2025Cite: "Dinh House / Story Architecture" 05 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028736/dinh-house-story-architecture&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Tanatap Heritage Garden / RAD+ar (Research Artistic Design + architecture)Save this picture! Ernest TheofilusRestaurantBraga, Bandung, IndonesiaArchitects: RAD+ar (Research Artistic Design + architecture)AreaArea of this architecture projectArea:300 mYearCompletion year of this architecture project Year: 2024 PhotographsPhotographs:Ernest Theofilus, Liandro SiringoringoManufacturersBrands with products used in this architecture project Manufacturers: Gree, Toto, YKK aluminium Lead Architects: Junovan Muhammad, Antonius Richard Rusli More SpecsLess SpecsSave this picture!Text description provided by the architects. Tanatap Heritage Garden is a small architectural intervention that transformed a once-mediocre vertical building, which stood as a barrier in Braga's heritage shophouse, into a creative melting pot that celebrates its historical significance. The project's main challenge from the outset was to apply primary methods for the adaptive reuse of an existing Dutch heritage shophouse structure, converting it into a restaurant and coffee shop situated in the middle of a block on Braga Street, Bandung. The shed, originally a warehouse, provided us with the opportunity to work with many original elements inherited from its previous uses, such as existing frames, walls, and facades.Save this picture!Save this picture!Save this picture!Save this picture!Save this picture!Save this picture!Save this picture!Braga Street is located in the center of Bandung, Indonesia, and is known for its 100-year-old Dutch shophouses, which became famous in the 1920s as a promenade street during the colonial era. The European ambiance of cafes, boutiques, and restaurants along the street helped Bandung earn the Dutch nickname "Parijs van Java" ("Paris of Java"). Therefore, the project emphasizes humility, tradition, and site awareness while fostering a quiet integration that responds to existing needs.Save this picture!Save this picture!An aged Haya tree ironwood sculpture, created by artist Wisnu Ajitama, serves as a contrasting focal point against the preserved facade on the exterior while introducing multiple compress and release spaces on the interior through the use of various corten artistic spatial frames. The design prioritizes allowing the environment, history, and culture to shape the project. It serves as a small proactive prototype of architectural practice focused on reusing and refurbishing as the primary consideration when designing and reshaping our already overbuilt cities. This approach, which prioritizes reuse over demolition, can reduce costs, enhance environmental efficiency, and preserve functional structures that can continue to serve their purpose for years to come.Save this picture!Project gallerySee allShow lessProject locationAddress:Braga, Bandung, IndonesiaLocation to be used only as a reference. It could indicate city/country but not exact address.About this officePublished on April 04, 2025Cite: "Tanatap Heritage Garden / RAD+ar (Research Artistic Design + architecture)" 04 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028678/tanatap-heritage-garden-rad-plus-ar-research-artistic-design-plus-architecture&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

JHA Corporate Boutique / PSA ArquiteturaSave this picture!Architects: PSA ArquiteturaAreaArea of this architecture projectArea:37674 ftYearCompletion year of this architecture project Year: 2021 PhotographsPhotographs:Nelson Kon Lead Architects: Pablo Slemenson, Lucas Rodrigues, Daniel Tesser More SpecsLess SpecsSave this picture! Nelson KonDevelopment of the JHA Corporate Boutique: Inspirations and Concepts - The JHA Corporate Boutique, designed by PSA Arquitetura, was conceived with the goal of reimagining corporate spaces, promoting not only functionality but also the quality of life for users. The main inspiration came from the need to integrate the work environment with the urban surroundings, creating a visual and functional connection. The design prioritizes visual permeability, with floor-to-ceiling windows and interspersed balconies that provide better natural lighting and a harmonious interaction with the external environment.Save this picture!Save this picture!Save this picture!Initial Challenges and Obstacles - During the development of the JHA Corporate Boutique, some initial difficulties included adapting the project to the urban regulations of Itaim Bibi and meeting sustainability requirements. The pursuit of LEED Silver certification required careful planning to ensure that construction practices and materials used minimized environmental impact. Coordination among different teams of professionals, such as architects, engineers, and landscapers, also presented challenges but was essential for the project's success.Save this picture!Save this picture!Construction Techniques and Materials Used - The building, with 8 floors, was constructed using modern building techniques that ensure flexibility and adaptability to different market segments. The use of aluminum frames and a cross-ventilation system are some of the key technical aspects that allow natural light to enter and fresh air to circulate. The materiality of the project is marked by finishes in sober and wood-like tones, chosen to reflect sophistication and sustainability. The landscaping incorporates native species, contributing to integration with nature and the project's environmental commitment.Save this picture!Save this picture!Spatial Configuration and Justification - The spatial configuration of the JHA Corporate Boutique was carefully planned to maximize functionality and productivity. The floor plates, ranging from 605 m to 826 m, were designed to be versatile, allowing adaptation to different work arrangements. The arrangement of balconies and interspersed windows not only creates a dynamic visual effect on the facade but also enhances occupants' connection with the outdoors, promoting a healthier and more stimulating work environment. The ground floor, with "V"-shaped columns and an internal garden, offers areas for decompression and social interaction, reinforcing the proposal for a corporate space that values the quality of life and social engagement.Save this picture!Save this picture!These elements, combined with the contemporary aesthetic of the building, highlight the JHA Corporate Boutique as an example of excellence in design and functionality, recognized with awards such as Best Corporate Project at the GRI Awards 2024 and the Gold Winner at the Urban Design & Architecture Design Awards 2024.Save this picture!Project gallerySee allShow lessProject locationAddress:Itaim Bibi, Sao Paulo - SP, BrazilLocation to be used only as a reference. It could indicate city/country but not exact address.About this officeMaterialsMaterials and TagsPublished on April 04, 2025Cite: "JHA Corporate Boutique / PSA Arquitetura" [Edifcio JHA Corporativo Boutique / PSA Arquitetura] 04 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028306/jha-corporate-boutique-psa-arquitetura&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Unusual HQ / Corstorphine & WrightSave this picture! Rachel FerrimanOffice BuildingsBugbrooke, United KingdomArchitects: Corstorphine & WrightYearCompletion year of this architecture project Year: 2025 PhotographsPhotographs:Rachel Ferriman More SpecsLess SpecsSave this picture!Text description provided by the architects. Architects Corstorphine & Wright announce the completion of a new headquarters in Bugbrooke, Northamptonshire for Unusual Rigging. This innovative two-storey building, set on a 4-acre site, is a showcase for cutting-edge circular economy principles and low-carbon design. It also stands out as one of the first new build circular buildings in the UK. With a glulam timber frame and natural biogenic materials, the HQ achieves an impressive EPC A+ rating, producing more energy than it consumes. The building design prioritises functionality and user experience, featuring two rectangular wings connected by a central double-height atrium with a striking staircase, framing a landscaped courtyard. This inviting space serves as the heart of the building, enhancing employee and visitor experience.Save this picture!Save this picture!Save this picture!Internally, the layout offers a blend of open-plan offices, private meeting rooms, breakout areas, and a canteen, balancing collaboration and privacy while allowing for flexibility as the company evolves. The design follows a fabric-first approach based on Passive House standards to ensure high levels of energy efficiency, whilst also minimising embodied carbon throughout. Biophilic design principles, such as natural planting and organic forms, are seamlessly integrated, promoting a healthier and more productive workplace. Circular economy principles guided the interior fit-out, focusing on low embodied carbon and high reuse potential. Cradle to Cradle certified materials and reversible fixing methods were used to minimise waste, ensuring the building's longevity and sustainability.Save this picture!Following early-stage collaboration with local architect, Walker Associates, Corstorphine & Wright has developed and delivered a variety of sustainable design elements. The building uses renewable energy sources, including rooftop photovoltaics and an air-source heat pump. Materials including cork flooring, recyclable carpet tiles, and Accoya timber cladding reflect a commitment to long-term sustainability. Breathable, natural paints and Cradle to Cradle certified furniture were selected to ensure indoor air quality and ease of disassembly at the end of the building's life. By focusing on reusable materials and low-carbon solutions, Corstorphine & Wright has created a new building that is as functional as it is environmentally responsible.Save this picture!Save this picture!Save this picture!Hard landscaping is designed as a patchwork grid of reclaimed and reused landscaping materials, including cobblestones saved from the demolition site of the local 150-year-old Northampton Market Square. Soft landscaping is biodiverse and low maintenance, including a new pond to provide additional animal habitats and natural rainwater attenuation. Unusual HQ serves as a test bed for innovative materials and construction methods, including the first-ever use of Breathaboard, a sustainable natural alternative to traditional plasterboard. While circular economy principles often emphasise re-use and retrofitting, Unusual HQ focuses on future material reuse. Rather than relying heavily on reclaimed materials, the building is designed for its components to be disassembled and reused in the future. The building offers an unparalleled example of how modern businesses can adopt sustainable practices while creating a functional and inspiring workspace. It also highlights the complexities of balancing embodied and operational carbon, the limited supply of reused materials, and the need for committed clients to champion this rigorous, forward-thinking approach to architecture.Save this picture!Tom Harper, Managing Director of Unusual Rigging, said: "What a pleasure it has been to have Corstorphine & Wright undertake the design of Unusual's new HQ and research building. From the start, they embraced our vision of building a new office in accordance with the key principles of the circular economy, in many instances challenging conventional assumptions about the structural materials used. At a time of global ecological crises, there are few organisations out there that seem to be demonstrating 'active hope', who are showing that an economy that is truly regenerative and restorative by design is a possibility. It has been an inspiring journey." Jonny Plant, Director at Corstorphine & Wright, said: "Unusual Rigging's new HQ is a pioneering example of circular economy principles and low-energy design. Built with sustainable, biogenic materials, it has been carefully designed for durability and disassembly, ensuring the building can be reused at the end of its life. The project challenges traditional approaches by addressing the 'true cost' of materials, including their social and environmental impact, and serves as a test bed for the future of sustainable, circular architecture. It has been a privilege to deliver this building for Unusual Rigging, and I am deeply proud of what we have collectively achieved."Save this picture!Project gallerySee allShow lessProject locationAddress:Bugbrooke, Northamptonshire, United KingdomLocation to be used only as a reference. It could indicate city/country but not exact address.About this officeCorstorphine & WrightOfficeMaterialWoodMaterials and TagsPublished on April 04, 2025Cite: "Unusual HQ / Corstorphine & Wright" 04 Apr 2025. ArchDaily. Accessed . <https://www.archdaily.com/1027383/unusual-hq-corstorphine-and-wright&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream