Key Takeaways A bill has been introduced that plans to verify the ownership and location of regulated processors and advanced AI tech. This would require companies like Nvidia, AMD, and Intel to embed location tracking functions into regulated products. This bold move appears highly questionable and could have long-term consequences on global trade. The US is planning to introduce legislation that would make it mandatory for manufacturers of high-performance AI processors to add geographical location tracking to their products. This is reportedly being done to stop advanced AI components from falling into the hands of China.  Remember, the US government has already placed several export restrictions on advanced AI chips, including Nvidia’s H100 and A100. However, this geographical tracking takes things a notch higher. As per reports, US officials are worried about increasing instances of AI tech smuggling, which means these chips ultimately end up in China in one way or another. The recently launched Hunyuan-Large AI model was also reportedly trained on Nvidia H20 GPUs, which are export-controlled. This reconfirms America’s fear of China using illegal channels to source these chips. This is why Senator Tom Cotton of Arkansas has introduced a bill that would allow the Commerce Secretary to impose location controls on these companies. The bill covers high-performance AI processors, including the GeForce RTX 4090 and RTX 5090, as well as other AI chips. The companies will be required to embed tracking technology in all high-end processor modules, including products that have already been developed. Companies will have six months to comply with these requirements after the bill is enacted. The US also suspects that China might procure these restricted chips from other export-free countries on the US list. That is why the bill aims to meticulously verify the ownership and location of regulated processors. In a nutshell, the US government has banned the export of certain products to China, and the products that are allowed to be exported will now be embedded with live location tracking. Location Tracking Might Be a Bit of an Overkill If this bill comes into force, a one-year study will be conducted jointly by the Department of Commerce and the Department of Defense to explore additional protective measures. The departments will also conduct annual assessments for three years after the bill becomes law. If the additional measures are considered appropriate, the Department of Commerce will work on them to finalize rules within the next two years. This means location tracking isn’t really the final nail in the coffin. The US might be planning to launch more such control measures in the next few years. While one can understand the rationale behind tracking the location of each US-made chip, this seems to be a bit of overkill. After all, such a ‘dictatorship’ move can be detrimental to free trade in the technology space. Companies like Nvidia, AMD, and Intel will have to spend billions to incorporate this technology, and even after that, they will have little control over whom they can sell to. It’s as good as the government tightening its control on these companies, which are essentially becoming playthings for the US government in the overall global foreign trade policy. Today, the US has a problem with China, so it’s implementing such draconian measures. Tomorrow, if there is a conflict between the US and the UK or the US and the EU, who’s to say that the government will not use this law to twist arms? Nvidia is expected to be hit the hardest. 13% of Nvidia’s total sales come from China, which is around $17 billion as of January 2025. Plus, the tech giant is already sitting on orders worth $18B in the current year. Image Credit – Finchat_io on Threads Furthermore, the company is already planning to export a downgraded version of the H20 chip with lower computing power, which will fall outside the purview of the proposed export controls. However, the US might very well block this move or require location tracking on these chips as well. Another issue with the proposed bill is the time period of the tracking. When does it stop? Does it stop at all? This could result in massive privacy scares, as retail customers using these trackable, tech-embedded products would, at all times, have their location exposed to the US authorities.  US Export Regulations Are in a Mess The US export policy is currently as confusing as it has ever been. With arbitrary tariff rate increases, export bans, and now location tracking, the US is leaving no stone unturned to ensure artificial intelligence supremacy. However, this is based on the assumption that China is totally reliant on the US for AI development, which is far from the truth. For instance, Huawei’s 910C GPU offers the same level of performance as Nvidia’s H100, which was released in 2022. To put it simply, China seems to be just three years behind the US when it comes to AI technology. Nvidia CEO Jensen Huang has also said that China is very close to the US. Plus, now that China has finally started to produce US-comparable chips, it may start catering to the global chip market and export its homemade AI chips to other countries. In that case, these strict regulations may backfire on the US, and it may end up losing a sizable chunk of the global market to China. So, this begs the question of whether such an extensive and restrictive export policy is actually needed. We have already seen how DeepSeek was built for a fraction of the cost of other AI models. So, China may catch up with the US sooner than expected. For now, we’ll wait to see if and when this bill comes into force. The concerned companies may also put forward their reservations, and clauses may be worked out before being set into writing. Krishi is a seasoned tech journalist with over four years of experience writing about PC hardware, consumer technology, and artificial intelligence.  Clarity and accessibility are at the core of Krishi’s writing style. He believes technology writing should empower readers—not confuse them—and he’s committed to ensuring his content is always easy to understand without sacrificing accuracy or depth. Over the years, Krishi has contributed to some of the most reputable names in the industry, including Techopedia, TechRadar, and Tom’s Guide. A man of many talents, Krishi has also proven his mettle as a crypto writer, tackling complex topics with both ease and zeal. His work spans various formats—from in-depth explainers and news coverage to feature pieces and buying guides.  Behind the scenes, Krishi operates from a dual-monitor setup (including a 29-inch LG UltraWide) that’s always buzzing with news feeds, technical documentation, and research notes, as well as the occasional gaming sessions that keep him fresh.  Krishi thrives on staying current, always ready to dive into the latest announcements, industry shifts, and their far-reaching impacts.  When he's not deep into research on the latest PC hardware news, Krishi would love to chat with you about day trading and the financial markets—oh! And cricket, as well. View all articles by Krishi Chowdhary Our editorial process The Tech Report editorial policy is centered on providing helpful, accurate content that offers real value to our readers. We only work with experienced writers who have specific knowledge in the topics they cover, including latest developments in technology, online privacy, cryptocurrencies, software, and more. Our editorial policy ensures that each topic is researched and curated by our in-house editors. We maintain rigorous journalistic standards, and every article is 100% written by real authors.

The dust has finally settled in Bartlesville, Oklahoma, following a whirlwind of controversy that arose amid efforts to preserve Frank Lloyd Wright’s only built skyscraper: Price Tower. The 1956 building was sold to McFarlin Building, a Tulsa-based company that says it plans to restore the copper and concrete beauty in the heart of the town.  Originally designed for Harold C. Price Sr., the mixed-use tower housed corporate headquarters for H.C. Price Pipeline Company, leasing space for smaller firms, and luxury apartments. After Price’s corporate headquarters relocated to Dallas, Phillips Petroleum took over from 1981 until 2001 when the Tower was donated to the Price Tower Arts Center (PTAC), a private nonprofit. After ensuing restorations, the Tower housed the Price Tower museum; The Price Tower Arts Center; and The Inn at Price Tower, a ritzy hotel.  In 2011, the PTAC board donated a preservation easement to the Frank Lloyd Wright Building Conservancy, four years after the Price Tower became a National Historic Landmark. The easement protects the tower itself along with artwork, furnishings, and other features within it specifically designed by Wright as part of the Tower. As the PTAC struggled to maintain the building’s expenses, the board decided to terminate the organization and sold the Tower to Green Copper Holdings in March 2023 for $10 and the assumption of the building’s $600,000 debt. All was well, until it wasn’t.   The 19-story building primarily features concrete and copper. (Leonid Furmansky) Going Once Financial hurdles persisted. In the spring of 2024, alerted the Conservancy that valued ephemera protected by the easement had been sold to a midcentury design collector in Dallas without the Conservancy’s knowledge or approval.  Cynthia Blanchard of Copper Tree contended that the sale was imperative due to a lack of funding. By that point, the Towers’ debt had allegedly accumulated to over $2 million. The Conservancy argued Blanchard had no right to make that decision independently, and that the sale of the protected items jeopardized the space’s historic value.  Legal communications were sent by the Conservancy to Blanchard, Green Copper Holdings, and others alerting them of the items’ protection with hopes to settle matters internally. However, Copper Tree later filed a lawsuit against the Conservancy claiming the preservation easement was null and void due to the transfer of ownership in 2023—despite the easement’s attachment to the property deed. As the Conservancy fought back, the future of Wright’s work still remained uncertain.  At the time of its construction, Price Tower was the tallest building in Bartlesville. (Leonid Furmansky) Going Twice McFarlin Building signed a contract in May 2024 to buy Price Tower for $1.4 million, however, Blanchard claimed this contract was canceled due to “extensive and unreasonable last-minute demands.” In October 2024, Copper Tree put the building up for auction, seeking a new buyer, and McFarlin stepped in again, filing a lawsuit that cited its previous sale. News of all this also came to light after the Blanchards had evicted all the tenants; laid off Tower staffers; and barred public access to the museum, inn, and arts center seemingly in preparation for auction. Amid the legal proceedings, Price Tower was pulled from the auction block. The lawsuit added a layer of urgency to the matter, citing the lack of insurance and current fire protections as putting the building at risk.   Sold! In January, a judge ruled to approve the sale to McFarlin, per the original contract, and required the utilities be immediately reinstated to protect the building against freezing temperatures. In one final twist, Copper Tree filed for bankruptcy, putting the building up for auction. When the resulting bankruptcy auction failed to pull other bidders, McFarlin ended up with the building. John Snyder, who manages McFarlin, has taken part in the revitalization of multiple properties in Tulsa, including the Mayo and Aloft Hotels. His daughter, Macy Snyder-Amatucci, is the president of Brickhugger, a restoration company that is the principal owner of McFarlin. Prior to the auction, the Conservancy and McFarlin signed a Memorandum of Understanding to ensure the easement would be protected should McFarlin win the bid. While the fate of the items sold off last spring remains in the wind, the new agreement secures the rightful place of  the rest of the collection.  During an easement visit this March, the Conservancy concluded that while the collections and key historic interiors at Price Tower were “overall in fair to good condition,” significant investments would need to be made to the building upon purchase, mainly due to water damage. At this time, it seems McFarlin is ready to take on the task.  “We look forward to this next chapter for the Price Tower, and to building a strong preservation partnership with its new owners,” the Conservancy shared in a recent statement. “There is significant work ahead, but the infusion of new financial resources, together with a sustainable business plan, gives us great optimism for the tower’s future.”

Located on one of Copenhagen’s most prestigious streets and surrounded by a multitude of shops and restaurants, this Indre Bay historic apartment is designed for those who want to experience European glamour at its best. Step inside the private entrance to discover high ceilings, picture moldings, a glistening crystal chandelier, and a dining room that can host a 10-person dinner party. Although this feels like a step back in time, don’t worry—the historic design doesn’t extend to the amenities. High-end appliances, spa-like bathrooms, large closets, and luxurious bedding offers the modern comforts all travelers desire. From $1,382 per night.BOOK NOWHistoric Home in Indre BayPerks: Fireplaces, washer, crib and pack-and-playLive like a lord or lady, at least temporarily, in this 1757 home that was built for nobility and aristocrats. Connected to the Yellow Palace (yes, you read that right, palace), the apartment, which showcases intricate moldings and arched oversize windows, has served as a home to two kings. Fittingly, walls and furnishings in jewel tones can be found throughout. It’s an easy walk to the city center, but a fireplace, oversize velvet furniture, and king-size beds (no pun intended) dressed in luxury linens will make it difficult to leave your own personal castle. From $918 per night.BOOK NOWLuxurious and Cozy Apartment in FrederiksbergPerks: Fireplace, balcony, pets allowedWith its picture moldings, built-ins throughout, and fireplace, this Frederiksberg apartment oozes historic charm while its white color palette and sun-bathed interiors ensure that it still feels fresh. Start your day enjoying coffee on the bedroom’s charmingly furnished balcony. If at the end of the day, you’re too tired for dinner at one of the many surrounding restaurants, prepare a meal in the classic white kitchen and enjoy it in the elegant dining room. Then, retire to the spacious living room to sip a digestif on one of the large couches. From $1,336 per night.BOOK NOWMagical Fairytale PenthousePerks: Balcony, courtyard, washer and drierEmbrace your inner Rapunzel in this 1847 penthouse with expansive views of the city’s rooftops and iconic towers. Vintage-inspired wallpaper, a mix of antique and modern furnishings, and historic art set a layered, eclectic vibe. Bring home some local produce from the nearby farmer’s market to make a meal in the well-appointed kitchen, which opens to the living room. The only challenge you’ll face during your stay is deciding between the first bedroom with its original atelier windows or the second that hosts a comfy reading nook and access to the private balcony. From $713 per night.BOOK NOWSpacious Elegant Space in Indre BayPerks: Shared courtyard, washer and dryer,While this large, sun-filled flat was recently renovated, it still maintains the original charm from when it was built in 1700. A stylish, muted palette (all white save for soft-green kitchen cupboards) allows the ceiling moldings, natural floors, and built-in cabinetry and shelves to shine. Within walking distance to many fashionable shops, popular restaurants, and public transportation, as well as Tivoli Gardens, you won’t have to go far to enjoy the city. Want to socialize a bit closer to home? Head to the shared courtyard to meet a mix of local residents and other tourists. From $503 per night.BOOK NOWCozy Atmosphere in AmagerbroPerks: Quiet location, washer and dryer, shared backyardLooking for a flat that feels somehow minimalist and vibrant at the same time? This one is for you. Contemporary white kitchen cabinetry with butcher-block countertops balance sleek style with warm vibes while the exposed brick in the bedroom adds another hint of coziness. Textiles and artwork infuse the space with pops of color, making for a playful setting that both adults and kids will enjoy. For those who want easy access to the city center but prefer to avoid crowds, the location is a bike ride to the heart of the city, while the home itself is located in a quiet neighborhood for resting up. From $178 per night.BOOK NOW

Apple is testing a feature that will let users scroll through Vision Pro apps using the headset’s eye-tracking capability, according to Bloomberg’s Mark Gurman. Eye-based scrolling will apparently work across all of Apple’s built-in apps, and Gurman says the company is working on letting third-party developers use the feature, too. How it would actually function is a mystery, but I could see a system where you have to look at the edge of a page long enough to start scrolling, or focusing on a UI element, then looking above or below it to move a page. You can do a version of eye-based scrolling with the Dwell Control accessibility feature, which lets you open menus or carry out actions by briefly resting your eyes on items in your view. To scroll, you can gaze at an icon until the page scrolls a set amount — it’s clunky, and I’d be surprised if what Apple is testing works the same way.  Apart from accessibility alternatives, other ways to scroll include the default — pinching with your finger and thumb and raising or lowering your hand — connecting a Bluetooth mouse, or using the analog stick on a wireless game controller. Over the weekend, Gurman wrote in the subscriber edition of his Power On newsletter for Bloomberg that Apple is planning a “pretty feature-packed release” for visionOS 3, so we may hear more about this new eye-tracked scrolling feature during its June WWDC show.

In our next lecture from the Vignelli Center for Design Studies’ 2024/2025 Design Conversation Series at Rochester Institute of Technology (RIT), we’re thrilled to share the story of industrial designer, educator, and founder Hector Silva. With over nine years of teaching experience at top programs including the University of Illinois at Chicago, RIT, and the School of the Art Institute of Chicago, Silva has built a career rooted in design, community, and purpose. He’s the founder of AdvancedDesign, a nonprofit reshaping access to design education, and Offsite, an online design school bridging the gap between academia and industry. In this deeply personal lecture, Silva shares his path – from an unpolished design student to an award-winning educator – while challenging the rules of traditional design education and urging students to stay grounded in values, ethics, and real-world impact. In this lecture, Silva offers a candid look at his early years as a design student navigating uncertainty, self-doubt, and a string of professional faux pas – including one ill-advised email sent to two hiring managers at once. Through these formative missteps, Silva shares how his resilience, self-awareness, and relentless work ethic helped shape his path. As he puts it, “letting the process quiet the uncertainty” carried him through moments of doubt and failure, helping him build confidence, sharpen his skills, and ultimately find his purpose as both a designer and educator. To learn more about Hector Silva, check out the lecture below:  Hector Silva AdvancedDesign To learn more about The Vignelli Center for Design Studies at RIT, they have launched digital access to the archives through Google Arts & Culture, joining over 2000 cultural institutions from around the world. The initial launch includes nearly 900 high resolution images of artifacts from the archives so that now anyone with access to the Internet and Google Arts & Culture can search the Vignelli archives or browse it by color or chronological order. This lecture is presented with the support of RIT’s MAGIC Center. This lecture series is made possible in part by the generosity of RIT Alumnus, Chris Bailey, and Bailey Brand Consulting.

The full reveal of the Nintendo Switch 2 was largely focused on all the new games you can play. The hardware specs weren’t the focus, but Nintendo dropped a detailed list of what’s inside the Switch 2 on its website, and later provided even more detailed tech specs. Most of what we knew from the original announcement video and some leaks turned out to be true: It’s a bigger, better handheld console with a full slate of upgraded hardware. Here’s what we now know, specs-wise, about the Nintendo Switch 2. System size The original base model of the Nintendo Switch is approximately 4 inches high and 9.4 inches long (with Joy-Cons attached), according to Nintendo’s official system specs. Switch 2 is a little bigger at 6.5 inches high and 10.7 inches long (also with Joy-Cons attached). The larger size also makes the Switch 2 weigh about 1.18 lbs, which is a little heavier than the .88-lbs original Switch. For another reference: That’s a little less than the Steam Deck LCD’s 1.5-lbs weight. Screen size Switch 2’s capacitive touch screen is 7.9 inches — bigger than both the original Switch (6.2 inches) and the Switch OLED (7 inches) — but it’s back to LCD. The new display also got a bump in resolution to 1080p (from 720p) and supports a variable refresh rate (VRR) up to 120 Hz. HDR10 support is coming too, but Nintendo didn’t specify any of the fine details on the screen’s brightness so it might not be as impressive as something like the Steam Deck OLED. And while it’s technically not a feature of the screen itself, the thinner bezel should make it just feel bigger as well. Joy-Cons Switch 2’s new Joy-Cons work a bit differently than the original Switch. They magnetically attach to the sides of the console and don’t produce that satisfying snap like they used to. The original Joy-Cons weigh around 1.7 ounces (left) and 1.8 ounces (right), and the new ones weigh around 2.3 ounces (left) and 2.4 ounces (right). That might be because the Switch 2’s Joy-Cons have a mouse sensor that lets you flip them on their side and slide them around, and the new C button for GameChat. While Nintendo says that Joy-Con 2 controllers don’t feature Hall-effect joystick technology, “The control sticks for Joy-Con 2 controllers have been redesigned and have improved in areas such as durability,” the company says. In addition to a mouse sensor, each Joy-Con 2 has a built-in accelerometer and gyroscope. The Joy-Con 2 controllers have wireless connectivity via Bluetooth 3.0, and the right one has NFC wireless connectivity. Nintendo says the Joy-Con 2 controllers have approximately 20 hours worth of battery life, and require approximately 3.5 hours to fully charge. Storage Switch 2 has 256 GB of flash storage, considerably more than the original Switch’s 32 GB of storage. If that sounds a little small for you, you can still expand the storage with an SD card. The original Switch supported microSDHC and microSDXC (UHS-I) cards up to 2 TB, while the Switch 2 supports up to 2 TB microSD Express cards, which offer much faster read speeds. CPU/GPU Switch 2 is powered by a “custom processor made by Nvidia,” Nintendo says. According to leaked details gleaned from the console’s motherboard, it’s supposedly a custom Tegra T239 processor. That would put the system’s processing power on par with previous-generation consoles like the PlayStation 4 and Xbox One, according to analysts. But leaks suggest the Switch 2 will employ upscaling technology that can boost 720p resolution visuals up to 4K when docked, using machine learning techniques. Additionally, Switch 2 is rumored to have 12 GB of RAM. Ports Switch 2 features a port for game cartridges, two USB-C ports, and a 3.5 mm headphone jack. The USB-C port on the bottom of the console is purely for charging and connecting to the dock. A slot for expanded microSD storage appears to be tucked away underneath the Switch 2’s kickstand, similar to the original Switch. Microphone Switch 2 has a built-in microphone that will primarily be used for its Discord-like GameChat feature. It has noise cancellation, echo cancellation, and auto gain control so you don’t have to fuss with settings for it to pick up everyone in the room. Battery life Switch 2’s battery will last around 2 to 6.5 hours depending on the games you play. That’s actually a tiny bit less than the launch Switch 1 models, which can run from 2.6 to 6.5 hours, and considerably less than the updated models that last 4.5 to 9 hours. Blame the Switch 2’s bigger and better screen for making you charge it a little more often. Thankfully, it can be charged up to full in the same three hours it took the original consoles (while in sleep mode). Nintendo will also let Switch 2 owners set the system’s battery charge to slow down at “around 90%” to preserve the system’s battery life. Wi-Fi Switch 2 supports Wi-Fi 6 connectivity, which should make downloading games faster if you have a beefy internet connection. It also means screen-sharing your games over GameChat should be smooth, too. Alternatively, the Switch 2 dock has a wired Ethernet port built-in, unlike the original Switch which required a completely separate adapter. Dock Switch 2’s dock looks a lot like the original Switch’s dock, but it’s a little bigger to match the size of the new console. It comes in at 4.5 inches tall, 7.9 inches wide, and 2 inches thick. On the back, there are 2 USB ports, an HDMI port, and an Ethernet port. And when you slide your system into it, it will output video up to 4K at 60 frames per second to your TV. Accessibility Switch 2 offers a couple new accessibility options that weren’t available on the original Switch, including text sizing and text-to-speech. You can also turn on speech-to-text and text-to-speech specifically for GameChat. And like the original Switch, you can still remap controller buttons, change the display colors, zoom into the screen, and swap the audio from stereo to mono.

Elon Musk’s AI chatbot Grok appeared to experience a bug on Wednesday that caused it to reply to dozens of posts on X with information about “white genocide” in South Africa, even when the user didn’t ask anything about the subject. The strange responses stem from the X account for Grok, which replies to users with AI-generated posts whenever a user tags @grok. When asked about unrelated topics, Grok repeatedly told users about a “white genocide,” as well as the anti-apartheid chant “kill the boer.” Grok’s odd, unrelated replies are a reminder that AI chatbots are still a nascent technology, and may not always a reliable source for information. In recent months, AI model providers have struggled to moderate the responses of their AI chatbots, which have led to odd behaviors. OpenAI recently was forced to roll back an update to ChatGPT that caused the AI chatbot to be overly sycophantic. Meanwhile, Google has faced problems with its Gemini chatbot refusing to answer, or giving misinformation, around political topics. In one example of Grok’s misbehavior, a user asked Grok about a professional baseball player’s salary, and Grok responded that “The claim of ‘white genocide’ in South Africa is highly debated.” Several users posted on X about their confusing, odd interactions with the Grok AI chatbot on Wednesday. It’s unclear at this time what the cause of Grok’s odd answers are, but xAI’s chatbots have been manipulated in the past. Techcrunch event Join us at TechCrunch Sessions: AI Secure your spot for our leading AI industry event with speakers from OpenAI, Anthropic, and Cohere. For a limited time, tickets are just $292 for an entire day of expert talks, workshops, and potent networking. Exhibit at TechCrunch Sessions: AI Secure your spot at TC Sessions: AI and show 1,200+ decision-makers what you’ve built — without the big spend. Available through May 9 or while tables last. Berkeley, CA | June 5 REGISTER NOW In February, Grok 3 appeared to have briefly censored unflattering mentions of Elon Musk and Donald Trump. At the time, xAI engineering lead Igor Babuschkin seemed to confirm that Grok was briefly instructed to do so, though the company quickly reversed the instruction after the backlash drew greater attention. Whatever the cause of the bug may have been, Grok appears to be responding more normally to users now. A spokesperson for xAI did not immediately respond to TechCrunch’s request for comment.

Bleak Sword takes the challenging combat of games like Dark Souls and distills it down to the essentials for a compelling adventure on iOS, macOS, and Apple TV. Learn how Unity developer more8bit kept streamlined the project with a clear vision and smart prototyping to launch this Apple Arcade hit.Mobile developer Luis Moreno Jimenez (more8bit) has worked in the games industry for more than 20 years. “I started pretty early doing little 3D models and crude animations, and fantasizing about the games I would like to make,” he says.At 17 years old, he joined Enigma Software, where he spent three years working on different prototypes and the RTS-RPG hybrid Excalibug. His next role was at MercurySteam, first as an animator on games like Scrapland and Clive Barker’s Jericho, and then as lead in-game animator on Castlevania: Lords of Shadow and its sequel, Castlevania: Lords of Shadow 2.“Years working closely with gameplay programmers and gameplay designers has been very beneficial for me in the long run,” he says. “I got to see how they tackle gameplay specific problems from different points of view, understand what works and what doesn’t, and pick up little gameplay tricks here and there. I’ve also learned how to finish and close projects, which is something very important if you’re working solo.”Inspired by the growing number of indie innovators finding success outside large studios, Luis decided to pursue the dream of making his own game. He experimented with a couple of different engines before choosing Unity. “I felt that if I was going to learn a programming language, it would be better to learn a more established and general one like C#.”From the outset, Luis knew he wanted to make a mobile game, and he had a clear idea of what Bleak Sword would look like. The game features 2D sprites rendered in a 3D environment. All game assets use minimalistic pixel art, brought to life in a lo-fi, monochrome style.“The first thing I came up with was this aesthetic,” he explains. “From the very beginning, the main character was as you see in the final game. I thought this minimalistic style would look cool on a handheld or mobile screen, so I chose mobile as my first target platform.”Gameplay took several rounds of prototyping. “The first version of Bleak Sword was 2D,” says Luis. “Another was open world, like a mini-Witcher 3, but that idea soon proved to be too big for one person to do in reasonable time, even with minimalist graphics.”Eventually, Luis landed on the concept of “diorama-based arenas,” where each level is confined to a small square. “This was the structure I was looking for – the two ideas matched perfectly as both have a minimalistic design approach,” he says. “The great thing about Unity is how quickly you can put together a few assets and try out different ideas. It definitely saved me months of work in the experimental phase.”Bleak Sword’s base game contains nine different chapters, each containing 10 diorama-based arenas. Every chapter has new enemies to conquer and culminates in a unique boss encounter.“I knew from the start that I wanted to have very different settings. Because the game loop in the original game was designed specifically for short, quick, intense sessions, if the settings were too similar, it could bore the player,” says Luis.To keep the experience fresh, Luis created different types of terrain, obstacles, enemy types, and gameplay elements. “You have chapters with water, environmental traps, weather conditions that can affect gameplay, and so on,” says Luis. “Players can also hide behind trees or other objects when enemies throw projectiles at them. I tried to balance each arena together with the enemies, so each level is a little different and has the potential to create memorable moments.”One of the game’s most memorable chapters is the Northern Passage, where combat happens on horseback in a perpetually scrolling environment. Luis used Shader Graph to prevent enemies and objects from coming into view beyond the bounds of the scrolling diorama.“Enemies on that level have a script that changes their material. When they spawn, they are created outside the arena using the shader that hides pixels. When they enter the arena, the script changes the material and uses a normal shader, making them visible.”Going mobile gave Luis the opportunity to experiment with control schemes and create a uniquely challenging Soulslike, a genre not often seen on handheld devices. “I wanted to make an action game playable with one hand – no onscreen joysticks or buttons,” he says. “When people play mobile games on their commute, they’re usually holding onto the bar with one hand and playing with the other.”The controls are simple but effective: Players swipe to roll in a direction for movement, tap once to attack, and tap and hold to charge an attack or counter a blow from an enemy.In early prototypes, Luis used Unity’s built-in Input System because it was easy to set up and implement, but switched to Rewired from the Unity Asset Store later in production. “I was very happy in general with the plug-in – it helped a lot with the original Bleak Sword’s development, especially with the Apple TV controls.”more8bit’s publisher, Devolver Digital, pitched Bleak Sword to Apple, who added it to their library of Apple Arcade exclusives in 2019. The game was a hit, receiving praise for its fluid and responsive gameplay.“I’m very happy with how things went,” says Luis. “It definitely allowed me to continue on this indie adventure.”So, what’s next for Bleak Sword? This year, Devolver Digital announced Bleak Sword DX, an expanded and improved version of Bleak Sword for PC and Nintendo Switch™ with updated controls, visuals, and a brand-new campaign.“I can’t wait for players to try the new DX campaign mode, which I think is a lot of fun and pretty challenging, especially with the addition of two more difficult modes,” says Luis. “I’m also excited for players to try their hand at the new Boss Rush mode or see if anyone can get a crazy high number of rounds in Endless Arena. I put a lot of work into this game, and I hope players enjoy their time with it!”Check out the Bleak Sword DX case study to learn how more8bit brought his debut game as a solo developer to more platforms.*Nintendo Switch is a registered trademark of Nintendo.

Saudi Arabia’s new state subsidiary, HUMAIN, is collaborating with NVIDIA to build AI infrastructure, nurture talent, and launch large-scale digital systems.The effort includes plans to set up AI “factories” powered by up to 500 megawatts of energy. The sites will be filled with NVIDIA GPUs, including the Grace Blackwell GB300 supercomputers connected via NVIDIA’s InfiniBand network. The goal is to create a base for training models, running simulations, and managing complex AI deployments.A major part of the push is about control. Saudi Arabia wants to build sovereign AI – models trained using local data, language, and systems. By building its own infrastructure, it avoids relying on foreign cloud providers. The shift aligns with a broader trend, as governments around the world start to question how AI tools are built, where data goes, and who controls it.HUMAIN is meant to give Saudi Arabia more say in that process. While other countries have launched national AI strategies, HUMAIN stands out for its structure. It’s not just a policy office or research fund; instead, it operates across the full AI value chain – building data centres, managing data, training models, and deploying applications. Few countries have a single body doing likewise with such a broad remit.Singapore’s NAIS 2.0, for example, focuses on public sector use cases and talent development, and the UAE’s approach, which emphasises frameworks and governance. China has set up AI labs in several cities, but they tend to work in silos. HUMAIN brings elements together with a central goal: make Saudi Arabia a producer, not just a user, of AI.The ambition is clear, but it comes with trade-offs. Running GPU-heavy data centres on this scale will use a lot of power. The 500-megawatt figure is far beyond typical enterprise deployments. Globally, the environmental cost of AI has become a growing concern. Microsoft and Google have both reported rising emissions from AI-related infrastructure. Saudi Arabia will need to explain how its AI factories will be powered – especially if it wants to align with its own sustainability targets under Vision 2030.The partnership with NVIDIA isn’t just about machines, it also includes training for people. HUMAIN and NVIDIA say they will run large-scale education programmes to help thousands of Saudi developers gain skills in AI, robotics, simulation, and digital twins. Building local talent is a core part of the effort, and without it, infrastructure likely won’t get used to its full potential.“AI, like electricity and internet, is essential infrastructure for every nation,” said Jensen Huang, founder and CEO of NVIDIA. “Together with HUMAIN, we are building AI infrastructure for the people and companies of Saudi Arabia to realise the bold vision of the Kingdom.”One of the tools HUMAIN plans to deploy is NVIDIA Omniverse, to be used as a multi-tenant platform for industries like logistics, manufacturing, and energy. These sectors could create digital twins – virtual versions of real systems – to test, monitor, and improve operations. The idea is simple: simulate before you build, or run stress tests in digital form to save time and money later.This type of simulation and optimisation supports Saudi Arabia’s broader push into automation and smart industry. It fits in a wider narrative of transitioning from oil to advanced tech as a core pillar of the economy.The deal fits into NVIDIA’s global strategy, and the company has similar partnerships in India, the UAE, and Europe. Saudi Arabia offers strong government support, deep funding, and the promise to become a new AI hub in the Middle East. In return, NVIDIA provides the technical backbone – GPUs, software platforms, and the know-how to run them.The partnership helps both sides. Saudi Arabia gets the tools to build AI from the ground up and build a new economic version of itself, while NVIDIA gains a long-term customer and a foothold in a growing market.There are still gaps to watch. How will HUMAIN govern the use of its models? Will they be open for researchers and startups, or tightly controlled by the state? What role will local universities or private companies play? And can workforce development keep pace with the rapid buildout of infrastructure?HUMAIN isn’t just building for now. The structure suggests a long-term bet – one that links compute power, national priorities, and a shift in how AI is developed and deployed. Saudi Arabia wants more than access. It wants influence. And HUMAIN, in partnership with NVIDIA, is the engine it’s building to get there.(Photo by Mariia Shalabaieva)See also: Huawei’s AI hardware breakthrough challenges Nvidia’s dominanceWant to learn more about AI and big data from industry leaders? Check out AI & Big Data Expo taking place in Amsterdam, California, and London. The comprehensive event is co-located with other leading events including Intelligent Automation Conference, BlockX, Digital Transformation Week, and Cyber Security & Cloud Expo.Explore other upcoming enterprise technology events and webinars powered by TechForge here.