I experimented with Japanese-inspired textures to give Yatai Master a cozier feel. For gameplay, I tried to make dish quality depend on ingredients, cooking, and player choices—hoping small decisions would feel meaningful in this little street food simulator. Posted by oht on May 4th, 2025 Redesigning Yatai Master’s aesthetic and quality system Visual Redesign During the early stages of development, the game's interface used solid, smooth colors, following a functional but somewhat cold aesthetic. That was the effect I was aiming for—something simple, minimal, and austere. However, as the project progressed, I felt the need to add a warmer, more inviting touch, something that evoked the texture and ambiance of physical materials. That's when I began experimenting with a visual dithering pattern subtly inspired by traditional Japanese designs known as "wagara"—decorative motifs used in fabrics and garments like kimonos. Interestingly, this change wasn't the result of deliberate planning but rather a series of casual experiments while exploring the new features of Pinta 3.0, a free, cross-platform image editor that aspires to be the "Paint.NET" for all operating systems. This version of the software introduced dithering tools, which allow applying halftone patterns to colored surfaces. While playing with this feature, I discovered a texture that vaguely resembled fabric or burlap, offering a softer, more artisanal feel—perfect for the spirit of the Yatai. I believe this dithering adds some "visual personality" and helps break the rigidity of flat colors, creating a more intimate and less virtual atmosphere. I hope this change better represents the idea of a small street stall, typically made with humble materials yet full of character. Rethinking Quality When I started developing my game, one of the first mechanics I defined was dish preparation. I envisioned that ingredients would have a "quality" rating, and customers would evaluate the food based on that. At first, it seemed like a straightforward decision: assign a value from 1 to 10 and calculate an average. Done. How hard could it be? Turns out, quite a bit… Many Variables As I integrated more elements—proper cooking, features like Fast Cooking, ingredients with different attributes—the quality scoring system stopped being a simple sum and became a small decision-making machine. What if a player uses only excellent ingredients? How to penalize poor cooking without being unfair? And how to prevent dishes with more ingredients from having an unfair advantage simply due to more components? I soon realized that a good scoring system not only has to work, but also must balance the game and clearly communicate to the player what’s happening. It’s not just about numbers but what those numbers represent: effort, choices, mistakes, and improvements. After several adjustments, I ended up building a system that considers: The ingredient’s base quality. Whether it was cooked correctly (yes, even that adds or subtracts). A special adjustment if the player uses fast cooking (Fast Cooking). And a final mapping that converts the technical score into a comprehensible evaluation: Poor, Good, Excellent, etc. Markets and Quality One of the elements I was most excited to design was the market system. Just like in real life, not all ingredients come from the same place, nor do they have the same quality or price. In Yatai Master, each market offers different ingredients with variations in their base quality, which directly impacts the final dish’s score. Buying a higher-quality ingredient usually means paying more, but that doesn’t guarantee success—it also needs to be cooked well, have sufficient stock, and require budget management with cunning. On the other hand, opting for cheaper ingredients may allow for more dishes to be prepared but with a lower quality score… and that can affect customer satisfaction. With this mechanic, I aimed to simulate the daily decisions of a small food business owner. And this, without fully planning it at first, helped me more deeply connect gameplay with the experience of running aYatai. You may never see all these calculations as a player, but they’re there, making every decision matter. The most interesting part is that I never imagined how complex designing something as seemingly simple as a score could be. Is it worth all this effort for a number? I think so. Thanks for reading this far.

Pine Heath Townhouse / Studio Hagen HallSave this picture!© Felix Speller•London, United Kingdom Architects: Studio Hagen Hall Area Area of this architecture project Area:  284 m² Year Completion year of this architecture project Year:  2023 Photographs Photographs:Felix Speller Manufacturers Brands with products used in this architecture project Manufacturers:  Fritz Hansen, panoramah!®, Bette, Haxch , A.J. Brett & Co Ltd, Anthony, Archie Shine, Artemide, Baina, Balsan, Bertazzoni, Cassina, Cavendish Equipment, Cielo, Crosswater, Elliots of Newbury, F&E Joinery, FLOS, Frama, Guzzini, +22 More SpecsLess Specs Save this picture! Text description provided by the architects. Set within a leafy enclave of the Hampstead Conservation Area in North London, a modernist townhouse now stands confidently refurbished for a young couple and their daughter, expertly designed by emerging architecture and interiors practice, Studio Hagen Hall. The home is part of a handsome cluster of nine properties, including five townhouses originally designed by South African architect Ted Levy, Benjamin & Partners in the late 1960s, representing a key part of progressive post-war design thinking in London's built history. Externally, each of the neighboring homes appears uniformly designed with subtle reference to Cape Town coastal developments in the 50s and 60s, but interiors have since been sporadically renovated, and the majority of them stripped of their modernist character. 'Pine Heath' is one of the last remaining houses to retain many original features still intact throughout.Save this picture!Save this picture!Save this picture!Drawn to the original, mid-century charm and interiors of the home, the clients briefed Studio Hagen Hall to revive the tired terraced house into a warm, broken plan, polished home for their growing family, with a keen focus on upgrading its overall energy efficiency and performance. As long-time followers of the practice and admirers of previous completed projects, including Canyon House, the clients appointed Studio Hagen Hall in 2021 for its approachability, extensive experience in modernist restorations, and ability to deliver technically challenging architecture with warm, sensitive, and timelessly crafted interiors. Studio Hagen Hall was initially appointed to lightly refurbish the home, involving only the kitchen, bathrooms, and windows, but on careful inspection, realized that the home's true potential lay in much wider renovation. Studio Hagen Hall proposed a bespoke restoration encompassing the whole house that would improve operational efficiency and reduce overall project costs in the long term, and ultimately introduce a more sophisticated and pragmatic series of living spaces to suit a functional, life-long home.Save this picture!Alongside the aesthetic and energy-improvement brief for Pine Heath, spatial planning needed much consideration throughout the property. The new arrangement lays out a defined relationship between indoor and outdoor zones. A more logical connection is re-established between the entrance, kitchen, and living areas, and large amounts of storage and multi-purpose functionality are introduced into these communal spaces. Previously a three-bedroom home, Studio Hagen Hall has utilized the property's five stories to deliver a cleverly and subtly zoned floor plan, balancing social family space with distinct areas for rest, utility, work, and play. It now comprises an additional fourth guest bedroom suite-cum-gym in the basement, plus a new office and guest sleeping pod in the eaves of the property. The original central stairwell and timber-clad ceilings acted as a cue to reinstating the modernist characteristics of Pine Heath. The aged Paraná pine, a highly sought-after endangered species, formed the foundation for the project's material palette and further references Studio Hagen Hall's sensitive design choices to work around and preserve original, indelible detail throughout the home.Save this picture!Save this picture!Other intentional devices are employed by Studio Hagen Hall to improve sightlines and accentuate spatial flow between each room. In the bedrooms, old doors and openings have been replaced with floor-to-ceiling pocket doors maintained at 2.5 meters high, and subtly re-aligned to allow perfect views all the way from the front to the back of the house. Storage spaces in the bedrooms, once running laterally, now run perpendicular so that windows and views are completely unfettered and viewed through deep timber-lined portals. On entry, visitors are greeted by a generous hallway and a built-in cloak area complete with a bench, with direct vistas reaching the terraced patio and communal gardens to the rear of the home. Navigating this visual journey, occupants are carried along acute horizontal datum lines, and a tile grid that continues throughout the whole house; window sills, joinery, and spaces with angular changes cut at 45-degree angles, highlight Studio Hagen Hall's meticulous and exceedingly satisfying approach to spatial design.Save this picture!Save this picture!Save this picture!The new bespoke kitchen nods to the client and Studio Hagen Hall's shared interest in quality craftsmanship, showcased in dynamic, yet sensitive, material detailing. Brushed stainless steel worktops sit deftly atop the bespoke cabinetry, individually fitted to mask all domestic appliances such as the fridge, dishwasher, and bespoke extractor fan hood. Custom-designed and milled sapele handles mirror existing mahogany accents throughout the house. Period details of the original modernist kitchen have been accentuated for contemporary use; textured, stippolyte glass cabinetry together with a sweeping curved timber fascia now envelopes the kitchen, aligning with the original horizontal window datum and framing the serving hatch to the dining area. Custom mechanical louvre window shutters are installed above the sink, providing privacy from the street when required. A warm yet refined palette forms the basis for the interior mood of Pine Heath. The joinery has been expertly crafted in a complementary veneer, subtly stained to match the original Paraná pine strip ceiling and stair cladding within the home. Studio Hagen Hall added textures and colors to elevate the atmosphere, with rich greens tying the house together, displayed in the raised living area, stairwell, and covering all of the bespoke upholstered furnishings in the living, dining, and sleeping spaces.Save this picture!Save this picture!Earthen colors come together to create dramatic interior focal points, in the color-drenched tiled bathrooms punctuated by browns, greens, and blues, selectively chosen to complement the cherry wood joinery, seamless mirror glazing, and bespoke barisol lighting. Microcement flooring flows through the upper floors, deepening the relationship between materiality and ambience. In numerical terms, Pine Heath now reads at a much higher thermal performance. Studio Hagen Hall retained the appearance of the original fenestration by replacing the original single-glazed aluminum windows with a custom hybrid solution, comprising timber frames with aluminum and vacuum glazing inserts.Save this picture!Beyond the upgrade to the glazing, insulation was added internally to key areas of the concrete and brick structure to drastically reduce cold-bridging. Trickle and adjustable air vents in each room provide fresh airflow via the new centralized mechanical extract ventilation system. The property also features integrated solar panels, an air-source heat pump, underfloor heating, and full roof insulation to meet and more than exceed standard energy efficiency requirements. An exemplar in sensitively considered architecture and interior design, Pine Heath demonstrates a deep understanding of how toLondon modernist house transformation.Save this picture! Project gallerySee allShow less About this officeStudio Hagen HallOffice••• Published on May 15, 2025Cite: "Pine Heath Townhouse / Studio Hagen Hall" 15 May 2025. ArchDaily. Accessed . <https://www.archdaily.com/1029797/pine-heath-townhouse-studio-hagen-hall&gt ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd" The Office of the Architects of the Judicial Branch of Santa Fe has completed a morgue designed with a horizontal line that aligns with the large flat roof in Vera, Province of Santa Fe, Argentina.Under a commodatum agreement with the Provincial Government, the Judicial Morgue of the Judiciary of Santa Fe is situated on a portion of the Regional Hospital premises in the city of Vera.Named Judicial Morgue for the City of Vera, given the particular location and how the general public views this kind of architectural program, the intervention's main goal was to create a modern area that invites approach rather than rejection—or even one that people using the building's adjacent services might not notice. For this reason, the building is discreetly hidden behind reachable embankments covered with natural vegetation, leaving the viewer with only a horizontal line that is in line with the large flat roof that encloses the reception area, office spaces, the actual morgue, and the perimeter of the intermediate galleries. Rooms facing the back of the concrete embankment or adjacent plots are prioritized from the inside.Even though the main structure is surrounded by the embankments, the building was positioned to be visible in its entirety from nearly every aspect due to the lot's proportions. Its conserved native forest, which is included into the concept, produces diverse experiences when walked about at ground level, through the pedestrian entry, or via the car access road. The deliberate image of the "fifth façade"—an abstraction made up of the entire roof structure, the vertical boundary along the street, the infrastructure areas, the vehicle access road, the perimeter lines of the embankments and pedestrian access—is given special attention.Wind, shadow, rain, sun, and vegetation all become protagonists, meticulously incorporated into the architectural concept, as environmental and climatic aspects were carefully studied in the creation of this unique program. The structure is arranged around galleries, which act as areas of transition between the outside and the inside and, more importantly, as sun control systems, which help to lessen the harsh environment of the area. Among other things, a Venturi tube at the pedestrian entrance circulates air to chill the inside and splits to cool the outside walls.Administrative offices, conference rooms, identification rooms, cold storage rooms, X-ray and picture interpretation rooms, inclusive locker rooms, autopsy rooms, loading/unloading garages, pathological waste storage, and a main hall and reception area are all part of the functional plan. An infrastructure equipment cluster that houses air conditioning condensers, refrigeration units, a chiller, a hydropneumatic tank, a generator, and an external guard room are examples of supporting spaces. These are surrounded by an exposed shell of reinforced concrete walls and roof and are situated outside the huge metal roof.The courtyard, the pedestrian entrance, and the encircling galleries are notable semi-covered areas. They all have enormous circular open skylights that let in rainwater or filtered sunlight, making the room feel cozy and inviting for both professionals and guests. A semicircular bench serves as a reflective seating space beneath the skylights. Similar to how the building is visually protected from the exterior by concrete embankments covered in vegetation and purposefully placed pedestrian openings away from the hospital, the interior is similarly protected by intermediate areas that are intended to lessen the proximity and animosity of the reinforced concrete envelope to the south. This is accomplished by paving a courtyard with loose river stones of various colors, which lessens the impression on the eye and permits future plants to grow in between the stones.The building's partially covered sections face the designated vehicle access road to the north, and vertical screens act as a physical barrier in front of the urban street's protected row of native trees that border the entrance. Using metal structures, sheet metal, circular-section tubes, and a reinforced concrete planter, the physical boundary between the lot and the street was given special design consideration. This creates an expressive, organic line that opens up urban sightlines and draws attention to the main gate and institutional signage.The autopsy room and its auxiliary spaces are the heart of a morgue, thus biosafety regulations and the best use of circulation and support rooms were taken into consideration when designing the spaces. To circulate air and safeguard the working staff, the facility has specifically built climate control systems (power capacity and unique filters). It has a digital X-ray machine, surgical-grade lighting, specialized storage equipment, and two cutting-edge stainless steel autopsy tables made by national suppliers. Filtered natural light is let in through micro-perforated metal panels, softening the space's clinical feel. The main views are of the north inner courtyard.The building's infrastructure includes a generator for continuous power supply, self-sufficient solar power, a single absorption pit and separate outputs for pre-treating liquid waste that eventually discharges into the sewer system, and connections to municipal water and electricity. Additionally, it has video surveillance, complete climate control throughout, and intrusion and fire alarm systems. Interlocking permeable pavers and intermediate chambers were used to address drainage and paving issues caused by the lengthy access road that connected the building to the city roadway.Aluminum window frames, gypsum rock walls, oxidized metal sheets for the galleries' and semi-covered areas' ceilings, flush-joint interior ceilings, exposed reinforced concrete for the external envelope, hermetically sealed double-glazing in specific geometries for the operational spaces, and reinforced concrete partitions covered in perforated and plain metal sheets are among the materials used in the building. At the site and car entrances, the vehicle access road has unique wood elements, precast stormwater drains, and articulated paving. The structure is decorated with polished 30x30 cm granite mosaic tiles, and the kitchens and bathrooms have custom black Brazilian granite countertops. Whenever feasible, national and local suppliers were used.All things considered, this project has presented a big challenge for the professionals in our office, but its completion allows us to keep trying new things in the future. By bringing compassion and respect to a function that is usually disregarded because of its negative implications, it enables us to "reconsider our relationship with the afterlife." In the end, it is a project that offers the balance of beauty and usefulness that is the ultimate aim of architecture by articulating and integrating spaces to make them livable and noticeable.Section AASection BBEast elevationWest elevationNorth elevationSouth elevationProject factsProject name: Judicial Morgue for the City of VeraClient: Judicial Branch of the Province of Santa FeArchitectural Office: Office of the Architects of the Judicial Branch of Santa Fe / (Architect Adelia Sebastián - Architect Carreras Luis - Tech. Gonzalez Javier - Architect Batlle Casas Barbara - Basualdo Gonzalo - Tech. Grippaldi Bruno - Architect Soriano Sebastián)Architect(s) in charge: Architect Adelia SebastiánTechnical Support: Architect Guillermo Goddio - Architect Ramiro SosaConstruction Company: Cocyar S.A.Construction completion year: 2024Lot area: 5,000 m2Covered area: 402 m2Semi-covered area: 980 m2Project year: 2022Location: Vera, Province of Santa Fe, ArgentinaProgram: Institutional (Judicial Morgue)All images © Ramiro Sosa.All drawings © Office of the Architects of the Judicial Branch of Santa Fe.> via Office of the Architects of the Judicial Branch of Santa Fe

At Salone del Mobile in 2023, Armani Casa presented something new. Or, perhaps it would be more accurate to say that they re-created their classics. The brand introduced three different techniques that transformed their furniture into new works of art, both bold in color and material, and subtly naturalistic in aesthetic.In a statement, Mr. Armani said the collection's Venus console and Virgola bookcase shelves "feature a new type of hand-painted and lacquered glass." And at a Tuesday night event, partygoers saw the new techniques live and in-person at the brand’s Madison Avenue Flagship in New York. Indeed, Armani noted that the objects are "reminiscent of the uniqueness and beauty of high-end jewelry, made with a craftsmanship that is only possible in Italy." Treatment One: Orsini GlassLorenzo BaroncelliA demonstration of the Orsini Method.The Orsini Method involves artisans painting pieces of glass, creating a series of marbled bands. The brand noted, “This finish is obtained by hand painting the back of a tempered extra-clear glass with a special paint mixing different pastel tones, using a large soft brush.”The colors were inspired by the blue green walls in the Neoclassical Palazzo Orsini in Rome. Though the method is innovative, the painterly process and the use of temperas and pastels still make it feel completely classical.Items re-imagined from the Armani Casa collection with the Orsini Method include: Venus 2024 and Virgola 2024.Treatment Two: Shell Mosaic Lorenzo BaroncelliA demonstrationIn this mother-of-pearl mosaic, experts remove the outer layer of an oyster shell to find a the shiny whites, grays, and blues beneath. The Shell Mosaic, with this high end construction, reflects the ties between Armani's Casa collections and his clothing lines. Said Mr. Armani, “The strongest link between Armani/Casa and my fashion collections is the need to be functional and comfortable without sacrificing luxurious materials and a strong sense of style.” The Shell Mosaic is available in the following pieces from the Armani CASA Collection: Antoinette 2023, Camilla 2023, Sofia 2023, and Vega 2024.Treatment Three: Midollino Courtesy ArmaniThe Midollino Technique on the Riesling Bar Cabinet.Wicker will never go out of style, and Armani Casa’s iteration on the traditional form is reflective of the expertise and craftsmanship constant across the brand's fashion and furniture.The Midollino technique features a carefully woven, but thick and high quality grain. It happens to be the same method also used for a number of Armani handbags, capturing the relationship between the past and present reflective across the collection. Items from the Armani Casa Collection featuring the Midollino Technique Include: Melrose 2023, Riesling 2022, and Sharon 2023.Dorothy ScarboroughDorothy Scarborough (she/her) is the assistant to the Editor in Chief of Town & Country and Elle Decor. 

The Nintendo Switch 2 is getting some extra buttons with specific set-ups, like the Joy-Con 2 Charging Grip and Pro Controller 2. The GL and GR buttons, as they're called, add extra buttons on the underside of the Switch's handles, and Nintendo has shared some examples of just how easy it will be to do so.As shared on the Nintendo Today app, the new buttons are remappable and can be set to any button on the controller. This means anything from a face or shoulder button to, quite possibly, the screenshot button. No more moving that left thumb over for quick screenshots.According to Nintendo's update, the system will "remember each user's button assignments for each game they play." This could make it easy to set up game-specific, maybe even user-specific, mappings for GR and GL.PlayTo assign these buttons out, just press and hold the HOME Button while playing a game to access quick settings, and then key in your button on the GR/GL settings. This might not help at the time of this writing, as the Switch 2 is still a few weeks away. But if you're here from the future, you're welcome for the tip! It all seems pretty quick and easy to set, and the per-game functionality is nice to see.It's important to note that this particular Switch 2 functionality only works with the Joy-Con 2 Charging Grip and Pro Controller 2, at least at this time. The base Joy-Con 2's don't have GR and GL buttons on the underside. Both of these accessories are sold separately from the base Switch 2 console and its Mario Kart World bundle, and both got a price bump due to the current trade situation.It won't be long now until the June 5 release date for the Nintendo Switch 2, as it debuts with Mario Kart World and several Switch 2 versions of Switch 1 favorites, including The Legend of Zelda: Breath of the Wild and Tears of the Kingdom.Digital Foundry recently revealed the tech specs for NIntendo's upcoming hybrid handheld console, and its report expressed some concerns over GameChat's effect on performance. You can read more about that here.Eric is a freelance writer for IGN.

Pipeline EngineerEpic GamesLondon, England, United Kingdom1 hour agoApplyWHAT MAKES US EPIC?At the core of Epic’s success are talented, passionate people. Epic prides itself on creating a collaborative, welcoming, and creative environment. Whether it’s building award-winning games or crafting engine technology that enables others to make visually stunning interactive experiences, we’re always innovating.Being Epic means being a part of a team that continually strives to do right by our community and users. We’re constantly innovating to raise the bar of engine and game development.ENGINEERING - UNREAL ENGINEWhat We DoUnreal-powered projects have been on the bleeding edge of real-time entertainment for over 20 years. Our team of engineering experts are always innovating to improve the tools and technology that empower content developers worldwide.What You'll DoWe're looking for a Senior Pipeline Engineer to join our Metahuman organization who will architect and scale our infrastructure for synthetic data generation to advance our research capabilities.In this role, you willBuild and evolve scalable infrastructure for synthetic data generationWork closely with research teams to understand and deliver datasets that drive Metahuman technology forwardEstablish new pipeline capabilities for synthetic dataset generationTroubleshoot and optimize performance across distributed systemsCollaborate cross-functionally to align technical solutions with research requirementsWhat we're looking forProduction experience with Unreal Engine in a pipeline capacity, including expertise with Python and C++ for debugging and interfacing with existing engine systemsStrong understanding of distributed systems and scaling services for big data projectsSelf-starter mindset with ability to work independently and solve complex problemsExcellent collaboration skills to work effectively with research departmentsTechnical pipeline development experience in a production environmentKnowledge of data generation workflows and infrastructure architectureExperience with machine learning systems and workflows (preferred but not required)This role is open to multiple locations in the US (excluding CA, NY, & WA).ABOUT USEpic Games spans across 25 countries with 46 studios and 4,500+ employees globally. For over 25 years, we've been making award-winning games and engine technology that empowers others to make visually stunning games and 3D content that bring environments to life like never before. Epic's award-winning Unreal Engine technology not only provides game developers the ability to build high-fidelity, interactive experiences for PC, console, mobile, and VR, it is also a tool being embraced by content creators across a variety of industries such as media and entertainment, automotive, and architectural design. As we continue to build our Engine technology and develop remarkable games, we strive to build teams of world-class talent.Like what you hear? Come be a part of something Epic!Epic Games deeply values diverse teams and an inclusive work culture, and we are proud to be an Equal Opportunity employer. Learn more about our Equal Employment Opportunity (EEO) Policy here.Note to Recruitment Agencies: Epic does not accept any unsolicited resumes or approaches from any unauthorized third party (including recruitment or placement agencies) (i.e., a third party with whom we do not have a negotiated and validly executed agreement). We will not pay any fees to any unauthorized third party. Further details on these matters can be found here. Create Your Profile — Game companies can contact you with their relevant job openings. Apply

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html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd" The Office of the Architects of the Judicial Branch of Santa Fe has completed a morque designed with a horizontal line that aligns with the large flat roof in Vera, Province of Santa Fe, Argentina.Under a commodatum agreement with the Provincial Government, the Judicial Morgue of the Judiciary of Santa Fe is situated on a portion of the Regional Hospital premises in the city of Vera.Named Judicial Morgue for the City of Vera, given the particular location and how the general public views this kind of architectural program, the intervention's main goal was to create a modern area that invites approach rather than rejection—or even one that people using the building's adjacent services might not notice. For this reason, the building is discreetly hidden behind reachable embankments covered with natural vegetation, leaving the viewer with only a horizontal line that is in line with the large flat roof that encloses the reception area, office spaces, the actual morgue, and the perimeter of the intermediate galleries. Rooms facing the back of the concrete embankment or adjacent plots are prioritized from the inside.Even though the main structure is surrounded by the embankments, the building was positioned to be visible in its entirety from nearly every aspect due to the lot's proportions. Its conserved native forest, which is included into the concept, produces diverse experiences when walked about at ground level, through the pedestrian entry, or via the car access road. The deliberate image of the "fifth façade"—an abstraction made up of the entire roof structure, the vertical boundary along the street, the infrastructure areas, the vehicle access road, the perimeter lines of the embankments and pedestrian access—is given special attention.Wind, shadow, rain, sun, and vegetation all become protagonists, meticulously incorporated into the architectural concept, as environmental and climatic aspects were carefully studied in the creation of this unique program. The structure is arranged around galleries, which act as areas of transition between the outside and the inside and, more importantly, as sun control systems, which help to lessen the harsh environment of the area. Among other things, a Venturi tube at the pedestrian entrance circulates air to chill the inside and splits to cool the outside walls.Administrative offices, conference rooms, identification rooms, cold storage rooms, X-ray and picture interpretation rooms, inclusive locker rooms, autopsy rooms, loading/unloading garages, pathological waste storage, and a main hall and reception area are all part of the functional plan. An infrastructure equipment cluster that houses air conditioning condensers, refrigeration units, a chiller, a hydropneumatic tank, a generator, and an external guard room are examples of supporting spaces. These are surrounded by an exposed shell of reinforced concrete walls and roof and are situated outside the huge metal roof.The courtyard, the pedestrian entrance, and the encircling galleries are notable semi-covered areas. They all have enormous circular open skylights that let in rainwater or filtered sunlight, making the room feel cozy and inviting for both professionals and guests. A semicircular bench serves as a reflective seating space beneath the skylights. Similar to how the building is visually protected from the exterior by concrete embankments covered in vegetation and purposefully placed pedestrian openings away from the hospital, the interior is similarly protected by intermediate areas that are intended to lessen the proximity and animosity of the reinforced concrete envelope to the south. This is accomplished by paving a courtyard with loose river stones of various colors, which lessens the impression on the eye and permits future plants to grow in between the stones.The building's partially covered sections face the designated vehicle access road to the north, and vertical screens act as a physical barrier in front of the urban street's protected row of native trees that border the entrance. Using metal structures, sheet metal, circular-section tubes, and a reinforced concrete planter, the physical boundary between the lot and the street was given special design consideration. This creates an expressive, organic line that opens up urban sightlines and draws attention to the main gate and institutional signage.The autopsy room and its auxiliary spaces are the heart of a morgue, thus biosafety regulations and the best use of circulation and support rooms were taken into consideration when designing the spaces. To circulate air and safeguard the working staff, the facility has specifically built climate control systems (power capacity and unique filters). It has a digital X-ray machine, surgical-grade lighting, specialized storage equipment, and two cutting-edge stainless steel autopsy tables made by national suppliers. Filtered natural light is let in through micro-perforated metal panels, softening the space's clinical feel. The main views are of the north inner courtyard.The building's infrastructure includes a generator for continuous power supply, self-sufficient solar power, a single absorption pit and separate outputs for pre-treating liquid waste that eventually discharges into the sewer system, and connections to municipal water and electricity. Additionally, it has video surveillance, complete climate control throughout, and intrusion and fire alarm systems. Interlocking permeable pavers and intermediate chambers were used to address drainage and paving issues caused by the lengthy access road that connected the building to the city roadway.Aluminum window frames, gypsum rock walls, oxidized metal sheets for the galleries' and semi-covered areas' ceilings, flush-joint interior ceilings, exposed reinforced concrete for the external envelope, hermetically sealed double-glazing in specific geometries for the operational spaces, and reinforced concrete partitions covered in perforated and plain metal sheets are among the materials used in the building. At the site and car entrances, the vehicle access road has unique wood elements, precast stormwater drains, and articulated paving. The structure is decorated with polished 30x30 cm granite mosaic tiles, and the kitchens and bathrooms have custom black Brazilian granite countertops. Whenever feasible, national and local suppliers were used.All things considered, this project has presented a big challenge for the professionals in our office, but its completion allows us to keep trying new things in the future. By bringing compassion and respect to a function that is usually disregarded because of its negative implications, it enables us to "reconsider our relationship with the afterlife." In the end, it is a project that offers the balance of beauty and usefulness that is the ultimate aim of architecture by articulating and integrating spaces to make them livable and noticeable.Section AASection BBEast elevationWest elevationNorth elevationSouth elevationProject factsProject name: Judicial Morgue for the City of VeraClient: Judicial Branch of the Province of Santa FeArchitectural Office: Office of the Architects of the Judicial Branch of Santa Fe / (Architect Adelia Sebastián - Architect Carreras Luis - Tech. Gonzalez Javier - Architect Batlle Casas Barbara - Basualdo Gonzalo - Tech. Grippaldi Bruno - Architect Soriano Sebastián)Architect(s) in charge: Architect Adelia SebastiánTechnical Support: Architect Guillermo Goddio - Architect Ramiro SosaConstruction Company: Cocyar S.A.Construction completion year: 2024Lot area: 5,000 m2Covered area: 402 m2Semi-covered area: 980 m2Project year: 2022Location: Vera, Province of Santa Fe, ArgentinaProgram: Institutional (Judicial Morgue)All images © Ramiro Sosa.All drawings © Office of the Architects of the Judicial Branch of Santa Fe.> via Office of the Architects of the Judicial Branch of Santa Fe