Disney+ has decided to pull "The Abyss" again, and it seems to be due to that controversial rat scene that everyone has been talking about. Honestly, it feels like a never-ending cycle. One moment, the content is available, and the next, it's gone because of some backlash. You'd think they'd get used to this by now. It’s hard to muster up any excitement about it. The film has its moments, but the whole situation just seems exhausting. I mean, are we really surprised? Disney+ has a habit of pulling content that stirs up controversy. It’s like they’re trying to please everyone, but in doing so, they end up disappointing everyone. The rat scene, in particular, has sparked quite the debate. Some viewers find it offensive, while others think it's just a part of the story. Whatever the case, it’s clear that Disney+ is choosing to play it safe this time. At this point, I'm just waiting for the next round of complaints. It's almost predictable. They could’ve just left it alone, but now here we are, with "The Abyss" disappearing once again from the platform. I don’t really feel like diving deep into the reasons anymore. The whole thing just feels monotonous. Pulling and adding movies based on public opinion can be tiring to keep up with. So, if you're looking to watch "The Abyss," you might have to wait a while. It’s not like there’s a shortage of content on Disney+, but it feels like this whole situation could have been avoided. Just another day in the streaming world, I guess. Anyway, read more about it if you want. I’m not really invested. #DisneyPlus #TheAbyss #Controversy #Streaming #Film

🌟✨ Hey everyone! Are you ready to embark on an incredible journey of creativity and inspiration? 🎉🎨 Let’s dive into the magical world of animation at the Annecy 2025 Festival! This year's showcase is truly a celebration of talent and imagination, featuring the amazing animations from the students of Gobelins. 🌈💖 Every year, these brilliant young artists bring their unique visions to life, and this year is no exception! If you missed any of the mesmerizing short films before the screenings at the festival, don't worry! You can now rediscover these fantastic animations in their entirety! 🎬🙌 What's even more exciting is that these films are infused with the rich and vibrant culture of Hungary! 🇭🇺✨ Each animation tells a story, capturing the essence of Hungarian traditions, folklore, and creativity. It's a wonderful opportunity to not only enjoy stunning visuals but also to appreciate the cultural depth behind each piece. This is what art is all about – bridging cultures and inspiring hearts! 💞🌍 Imagine sitting in that audience, feeling the energy and excitement as these animations light up the screen! The creativity that flows from these students is not just a reflection of their skills but also a testament to their passion and dedication. They remind us all that with hard work and a sprinkle of imagination, we can turn our dreams into reality! 🚀🌟 So, whether you're an animation enthusiast, a lover of art, or simply someone who appreciates the beauty of storytelling, I encourage you to take the time to watch these animations. Let them inspire you, spark your creativity, and remind you of the endless possibilities that lie ahead! 🌈✨ Don't forget to share your favorite moments and let us know which animations touched your heart! Let's celebrate creativity and the wonderful world of animation together! 💖🥳 #Annecy2025 #GobelinsAnimation #CulturalExchange #Inspiration #CreativeJourney

Elio, Pixar, réalisatrices, Madeline Sharafian, Domee Shi, personnages extraterrestres, Glordon, Questa ## Introduction Le studio Pixar continue de captiver le public avec ses productions innovantes et émouvantes. Dans cet article, nous nous penchons sur le dernier film, *Elio*, qui met en lumière des personnages intrigants tels que Glordon et Questa. Pour en savoir plus sur ce projet, nous avons interviewé les réalisatrices Madeline Sharafian et Domee Shi, qui nous ont donné un aperçu de leur...

## Introduction In the vibrant world of contemporary cinema, few creations stir as much discussion and intrigue as "Ideal," a compelling short film that has captured the attention of audiences and juries alike. Recently showcased during the 3D Animation Jury at Piktura School, formerly known as Pôle 3D, "Ideal" ignited passionate debates, challenging viewers to confront their understanding of beauty and artistic expression. Drawing inspiration from the profound works of Charles Baudelaire, thi...

## Introduction L'industrie du jeu vidéo est en constante évolution, et il est essentiel pour ceux qui souhaitent y faire carrière de se doter des meilleures compétences et connaissances. Parmi les nombreuses institutions qui offrent des formations, l'École Nationale de Film et de Télévision (NFTS) se distingue comme un lieu privilégié pour apprendre le design de jeux. Cet article explore en détail les raisons pour lesquelles cet établissement est l'un des meilleurs choix pour ceux qui aspiren...

Mickey 17, Robert Pattinson, effets visuels, Bong Joon Ho, comédie noire, science-fiction, colonie spatiale, VFX, DNEG, film innovant ## Introduction Dans un monde où l'imaginaire n'a pas de limites, le film *Mickey 17* s'apprête à nous transporter dans une aventure extraordinaire, orchestrée par le talentueux Bong Joon Ho et mettant en vedette l'éblouissant Robert Pattinson. Ce film, qui allie habilement comédie noire et critique sociale, ne se contente pas de raconter une histoire captivante...

Marvel, video games, emotional storytelling, gaming community, Black Panther, Marvel Rivals, Marvel Tōkon --- ### The Quiet Heartbeat of a Fractured Universe In a world where heroes triumph and villains fall, the realm of video games often mirrors the highs and lows of its cinematic counterparts. Marvel, a titan in both the film and gaming industries, has seen its share of victories and heart-wrenching defeats. As players immerse themselves in digital landscapes where their favorite character...

Qu'est-ce qui se passe au FMX 2025 à Stuttgart ? On dirait que cette édition, au lieu d'être un phare d'innovation, est en train de devenir une véritable farce. Le 6 mai, nous avons célébré le lancement de la 29ème édition de cet événement censé être le summum de l'animation, des effets visuels et des médias immersifs. Mais à quoi bon ? Où sont les vraies pistes pour sortir de la crise qui frappe notre industrie ? Il est inacceptable de voir un événement aussi important se vautrer dans l'incertitude et les préoccupations. Les professionnels de l'animation, qui devraient être au cœur de cet événement, se retrouvent face à des solutions minimalistes, des discussions stériles et un manque criant d'enthousiasme. On nous parle de « pistes pour sortir de la crise », mais où sont-elles réellement ? Tout cela ressemble à une tentative désespérée de masquer l'absence d'innovation concrète et d'initiatives audacieuses. La Filmakademie Baden-Württemberg, organisatrice du FMX, a-t-elle oublié son rôle de leader dans cette industrie ? Au lieu de rassembler les esprits les plus brillants pour discuter des défis actuels, ils semblent se contenter d'une programmation fade et d'intervenants peu inspirants. Les professionnels de l'animation méritent mieux que cela. Ils méritent un espace où leurs voix peuvent réellement faire la différence, où les idées créatives peuvent s'épanouir sans entraves. Et que dire du manque de diversité dans les sujets abordés ? Les mêmes vieux thèmes sont rabâchés année après année, sans aucune véritable évolution. Si nous voulons vraiment sortir de cette crise, il est temps de bousculer les conventions et de donner la parole à des voix nouvelles et diverses. Le FMX 2025 aurait dû être l'occasion de célébrer l'inclusivité et la créativité, mais au lieu de cela, il semble se complaire dans la monotonie. Les promesses d'un avenir radieux pour l'animation et les effets visuels sont vides si elles ne sont pas accompagnées d'actions concrètes. Les professionnels attendent des réponses, des solutions, et surtout, de l'inspiration. Le FMX doit se réveiller et comprendre qu'il est temps de passer à l'action. Sinon, cet événement, autrefois prestigieux, risque de sombrer dans l'oubli, laissant derrière lui une industrie frustrée et désabusée. La colère gronde parmi les créateurs et les innovateurs. Nous ne pouvons plus nous contenter de discours creux et de promesses non tenues. Il est temps que le FMX prenne ses responsabilités et redonne un vrai sens à cet événement. Nous ne voulons plus être témoins d'une telle dérive. Assez, c'est assez ! #FMX2025 #Animation #EffetsVisuels #MédiasImmersifs #Innovation

It's time to call out the glaring flaws in the so-called "Latest Showreel" by the Compagnie Générale des Effets Visuels (CGEV). They tout their projects like a peacock showing off its feathers, but let's be honest: this is just a facade. The latest compilation, which includes work from films such as "The Substance," "Survivre," "Monsieur Aznavour," "Le Salaire de la Peur," and more, is nothing short of a desperate attempt to mask their shortcomings in the visual effects industry. First off, what are they thinking with the title "Mise à jour de showreel"? This isn't an update; it's a cry for help! The industry is moving at lightning speed, and CGEV seems to be stuck in the past, clinging to projects that are as outdated as a floppy disk. The world of visual effects is about innovation and pushing boundaries, yet here we have a company content with showcasing work that barely scratches the surface of creativity. And let’s talk about "Le Salaire de la Peur." If this is their crown jewel, then they are in serious trouble. The effects look amateurish at best, and it raises the question: are they even using the right technology? In an age where CGI can create stunning visuals that leave you breathless, CGEV’s work feels like a bad remnant of the early 2000s. It’s embarrassing to think that they believe this is good enough to represent their brand. Alain Carsoux, the director, needs to take a long, hard look in the mirror. Is he satisfied with this mediocrity? Because the rest of us definitely aren’t. The lack of originality and innovation in these projects is infuriating. Instead of pushing the envelope, they're settling for the bare minimum, and that’s an insult to both their talent and their audience. The sad reality is that CGEV is not alone in this trend. The entire industry seems to be plagued by a lack of ambition. They’re so focused on keeping the lights on that they’ve forgotten why they got into this business in the first place. It’s about passion, creativity, and daring to take risks. "Young Woman and the Sea" could have been a ground-breaking project, but instead, it’s just another forgettable title in an already saturated market. We need to demand more from these companies. We deserve visual effects that inspire, challenge, and captivate. CGEV needs to get its act together and start investing in real talent and cutting-edge technology. No more excuses! The audience is tired of being served mediocrity wrapped in flashy marketing. If they want to compete in the visual effects arena, they better step up their game or face the consequences of being forgotten. Let’s stop accepting subpar work from companies that should know better. The time for complacency is over. We need to hold CGEV accountable for their lack of innovation and creativity. If they continue down this path, they’ll be left behind in a world that demands so much more. #CGEV #VisualEffects #FilmIndustry #TheSubstance #Innovation

🌟 ¡Hola a todos! 🌟 Hoy quiero compartir con ustedes algo verdaderamente emocionante y lleno de inspiración. 🎬✨ ¿Alguna vez han sentido esa chispa de creatividad cuando ven una película hermosa? ¡Estoy seguro de que sí! Y es por eso que no podemos perdernos la increíble oportunidad que nos ofrece el Festival de Annecy 2025. 🎉 Este año, tenemos la oportunidad de profundizar aún más en el mundo de la animación con **cuatro conferencias filmadas** que nos llevarán detrás de las cámaras de algunos de los filmes más impactantes que se presentaron en el festival. ¡Y adivinen qué! ✨ ¡Dos de estos cortometrajes han sido premiados! 🏆 Como "Les Bottes de la Nuit", que ha dejado a todos maravillados con su narrativa y creatividad. Imagina poder escuchar a los creadores de estas obras maestras, descubrir **los secretos y las historias** que hay detrás de cada escena. 🖌️💭 ¡Es una oportunidad única para aprender y dejarse inspirar! Las conferencias no solo nos permitirán conocer más sobre el proceso creativo, sino que también nos motivarán a seguir nuestros propios sueños en el mundo del arte y la animación. 🎨💖 La animación es un lenguaje universal que conecta a las personas, despierta emociones y nos transporta a mundos mágicos. 🌈✨ Aprovechemos esta ocasión para celebrar la creatividad y el talento que se despliega en cada imagen animada. Es el momento perfecto para rodearnos de esa energía positiva y dejar que nuestras ideas fluyan. 🌊💡 Así que, amigos, no se queden solo con las imágenes en la pantalla. ¡Sumérjanse en estas conferencias y déjense llevar por la pasión que hay detrás de cada proyecto! Aprovechemos esta oportunidad para aprender, crecer y, sobre todo, ¡para soñar en grande! 🚀💫 Recuerden siempre que cada película, cada historia, nos invita a ser parte de algo más grande. ¡Así que prepárense para emprender este viaje increíble en Annecy 2025! ¡Serán cuatro conferencias que seguramente dejarán huella en nuestros corazones! ❤️ ¡Espero que se animen a participar y que compartamos juntos esta experiencia maravillosa! 🤗🌟 #FestivalDeAnnecy #Animación #Creatividad #Cine #Inspiración