A floating pavilion square in plan, topped by a parabolic waffle slab held up with pilotis, will soon debut in Italy at the 19th International Architecture Exhibition of La Biennale di Venezia before traveling to Belém, Brazil, for COP30, the UN’s annual climate conference. AquaPraça, a collaboration between Höweler & Yoon and Carlo Ratti Associati, is conceived as a gathering space for global climate dialogue. In Italy, AquaPraça will accompany programming at the Italian Pavilion. It will be transported later this year across the Atlantic Ocean to the coast of Brazil, where world leaders, climate activists, and architects will convene in November at COP30. The pavilion will have capacity for 150 people. (Courtesy CRA/Höweler & Yoon) A water feature in the center of the pavilion was informed by Archimedes’ principle. (Courtesy CRA/Höweler & Yoon) A rectangular tub, in the center of the pavilion, filled with water helps with buoyancy—a design decision informed by Archimedes’ principle, a law of physics fundamental to fluid mechanics. Carlo Ratti said AquaPraça is likewise rooted in architectural history. “In 1979, Aldo Rossi launched the Teatro del Mondo at the first Biennale Architettura, positing that architecture could engage with the past,” Ratti said in a statement. “Today, AquaPraça shows how architecture can engage with the future—by responding to climate and engaging with nature rather than resisting it.” Höweler & Yoon previously designed a similar concept, dubbed Float Lab, set to open on the Schuylkill River in Philadelphia in 2026. Like Float Lab, AquaPraça visitors will bear witness to dynamic fluctuations of sea level rise at eye level, added Eric Höweler. The 4,000-square-foot ensemble coming to Brazil will have capacity for hosting 150 people for exhibitions, workshops, symposia, and cultural events. AquaPraça’s “sloping surfaces and shifting levels embody a delicate equilibrium,” Höweler said. “It’s a platform, both literal and figurative, for deepening our collective understanding and experience of sea level rise and the impacts of climate change on global cities and communities and seeking collective solutions,” elaborated J. Meejin Yoon.  The floating pavilion is currently under construction in northern Italy by steel construction company Cimolai. It will open in Venice on September 4. Then, ahead of COP30 from November 10–21, it will go to Belém, becoming a “permanent floating landmark in the Amazon—an architectural testament to adaptability and dialogue in the face of climate change.”  Visitors will be at eye level with the water. (Courtesy CRA/Höweler & Yoon) Last year’s COP29 took place in Baku, Azerbaijan, while the G20 summit happened in Rio de Janeiro. At G20, Brazil president Luíz Inácio Lula da Silva announced that, by 2030, there will be “zero deforestation” in Brazil, a huge win for climate activists. “We need to take care of the largest forest reserve in the world,” Lula said last year in Rio de Janeiro, “which is under our care. Trying to make people understand that keeping the forest standing is an economic gain.” AquaPraça is a partnership with Italy’s Ministry of Foreign Affairs and International Cooperation, and the Italian Ministry of Environment and Energy Security. It’s also supported by Brazil’s Ministry of Foreign Affairs, Bloomberg Philanthropies, the World Bank’s Connect4Climate program, CIHEAM Bari, and others.

html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd" Together with Italy's Ministry of Foreign Affairs and International Cooperation, Italy's Ministry of Environment and Energy Security, CIHEAM Bari, the World Bank Group's Connect4Climate program, Brazil's Ministry of Foreign Affairs, and Bloomberg Philanthropies, CRA-Carlo Ratti Associati and Höweler + Yoon have unveiled AquaPraça, a floating cultural plaza that will serve as the focal point of COP30 in Belém, Brazil. AquaPraça serves as a forum for international climate discussion by utilizing sensing technologies and Archimedes' principle to adjust to shifting sea levels and occupancy demands. It will make its transatlantic journey to the Amazonian city, where it will become a permanent cultural landmark, after making its premiere at the 19th International Architecture Exhibition of the 2025 Venice Architecture Biennale. The architecture of AquaPraça, which spans more than 400 square meters (4,000 square feet), physically carves out public space from the sea, establishing a tangible conversation between natural forces and the constructed environment. Using the concepts of buoyancy, displacement, and equilibrium, the submersible structure floats. AquaPraça continuously adjusts its holding and releasing capacity to keep a low freeboard with the surrounding water level. At eye level, the audience witnesses the dynamic variations of sea level rise, resulting in fresh insights into urban and ecological systems. AquaPraça's aim is to act as a civic catalyst. It can accommodate more than 150 people for cultural events, workshops, symposia, and exhibitions. It will make its sustainable journey to Belém after making its debut at the Biennale Architettura in September 2025. There, it will be a crucial component of the Italian Pavilion at COP 30, showcasing Italy's architectural and climate action thoughts to a worldwide audience. As a permanent legacy of the summit in the Amazon, the platform will continue to be a component of Belém's cultural infrastructure after the summit. A special international alliance makes AquaPraça possible. It was started in collaboration with the Ministry of Environment and Energy Security and the Ministry of Foreign Affairs and International Cooperation in Italy. It is also supported by Bloomberg Philanthropies, the World Bank's Connect4Climate program, CIHEAM Bari, Brazil's Ministry of Foreign Affairs, and others. The establishment emphasizes the goal of bringing disparate communities together and promoting ecological thought globally. There is a formal procedure in place for expressing interest."In 1979, Aldo Rossi launched the Teatro del Mondo at the first Biennale Architettura, positing that architecture could engage with the past," said Carlo Ratti, professor at MIT and the Politecnico di Milano, co-founder of CRA, and curator of the Biennale Architettura 2025.""Today, AquaPraça shows how architecture can engage with the future—by responding to climate and engaging with nature rather than resisting it,” Ratti added."AquaPraça lets visitors meet the sea at eye level," said Eric Höweler, co-founder of Höweler + Yoon and a Professor at Harvard University. "Its sloping surfaces and shifting levels embody a delicate equilibrium." "It’s a platform, both literal and figurative, for deepening our collective understanding and experience of sea level rise and the impacts of climate change on global cities and communities," added J. Meejin Yoon, co-founder of Höweler + Yoon and the Gale and Ira Drukier Dean at Cornell University College of Architecture, Art, and Planning, “and seeking collective solutions."Image © Agnese BediniImage © Agnese BediniImage © Agnese BediniImage © Agnese BediniImage © Agnese BediniImage © Agnese BediniLeading cutting-edge steel construction firm Cimolai is now building AquaPraça in northeastern Italy. It will be exhibited on September 4, 2025, at the 19th International Architecture Exhibition of the 2025 Venice Architecture Biennale, before traveling to Brazil. A permanent floating monument in the Amazon, it will be anchored in Belém from November 10–21, 2025, as part of the Italy Pavilion at COP30. It is an architectural example of flexibility and communication in the face of climate change.Project factsProject name: AquaPraçaArchitects: CRA-Carlo Ratti Associati (Coordinator) and Höweler + Yoon ArchitectureTeam MembersCRA-Carlo Ratti Associati: Carlo Ratti (Principal), Andrea Cassi (Principal), Luca Bussolino (Strategy), Gizem Veral (Architect), Sonia Simone (Architect), Rodolfo Siccardi (Senior Architect), Gary di Silvio (Architect/3D Artist), Pasquale Milieri (Architect/3D Artist), Gianluca Zimbardi (Architect/3D Artist); Höweler + Yoon Architecture: J Meejin Yoon (Principal), Eric Höweler (Principal), Asli Baran Grace (Project manager), Shuang Chen (Designer), Selin Sahin (researcher), David Hamm (Technical Advisor) Supporters: Ministero degli Affari Esteri e della Cooperazione Internazionale; Ministero dell’Ambiente e della Sicurezza Energetica; Bloomberg Philanthropies; Cornell University College of Architecture, Art, and PlanningIn collaboration with: Ciheam Bari, the World Bank Group’s Connect4Climate Program Technical Collaborators: Elettra Bordonaro, Argun Paragamyan, and Luciana Martinez, Light Follows Behaviour; Cristiano Bottino, Studio FM; Mykola Murashko, Davide Spina, Julio Ramirez, and Eren Sezer, Maestro Technologies; Corrado Curti, IngeMBP; Luca Infanti, Luca Vian, Simone Andreatta, Filippo Bellomo, and Mario Nattero, CIMOLAI; Roberto Prever and Antonio Vatta, NAOS; Ruben Pescara and Lodovica Bontempelli, NMLex; Domenico Perrotta, DP38.All images courtesy of CRA and Höweler + Yoon Architecture.All exhibition images © Agnese Bedini.> via Carlo Ratti Associati

Pavilion of Estonia Let Me Warm You Biennale Architettura 2025 / Keiti Lige + Elina Liiva + Helena MännaSave this picture!© Joosep KivimäePavilion•Venezia, Italy Architects: Year Completion year of this architecture project Year:  2025 Photographs Photographs:Joosep KivimäeMore SpecsLess Specs Save this picture! Text description provided by the architects. The Ministry of Culture of Estonia presents the installation and exhibition "Let me warm you" www.letmewarmyou.com curated by architects Keiti Lige, Elina Liiva, and Helena Männa, the Pavilion of Estonia at the 19th International Architecture Exhibition of La Biennale di Venezia (May 10th - November 23rd, 2025). The Pavilion explores whether current insulation-driven renovations are merely a compliance measure to meet European energy targets or if they can serve as an opportunity to enhance the spatial and social quality of mass housing districts. To highlight this issue, the Estonian Pavilion will cover the facade of a Venetian building with insulation panels, the same practice used in Estonia for mass housing. The palazzetto is located in Riva dei Sette Martiri 1611 in the waterfront between Corso Garibaldi and the Giardini, within the Castello neighborhood (Address: Riva dei Sette Martiri 1611, Castello, Venice). On the ground floor of the same building, a room, wrapped in plastic film, will host an exhibition showing how social dynamics within different stakeholders have an effect on spatial solutions.Save this picture!Save this picture!Save this picture!"With this project, we question whether insulation is just a bureaucratic checkbox for meeting EU targets or a real chance to tackle social and spatial challenges. It exposes the clash between bold global ambitions and the everyday realities of people navigating collective decisions." — assert curators Keiti Lige, Elina Liiva, and Helena Männa. In order to cope with climate change, one half of the world is installing ever-thicker insulation layers, while the other half is using increasingly powerful cooling systems. As Europe races toward its transition to climate neutrality by 2050, Estonia has an ambitious goal, pledging to upgrade all the apartment buildings pre-2000 to at least energy efficiency class C. This sweeping renovation effort is part of a larger European movement to modernize aging housing stock in response to the climate crisis. However, insulation should not be treated as a mere quick fix, a 'bandage,' but rather a meaningful upgrade in quality of life. Given the high costs and long-term impact of these renovations, the real challenge is finding a balance between ambitious climate policies and the everyday needs of the people who live in these spaces.Save this picture!Installations - The installation, mounted directly onto the existing building's façade, will use the same materials and design elements typically found in Estonian renovations. Set against the ornate architecture of Venice, this stark contrast serves as a powerful visual statement. In Estonia, Soviet-era apartment block renovations often proceed with little to no architectural input, reinforcing a problematic disregard for the character and potential of these spaces. By juxtaposing a fiber cement-clad façade with Venice's rich historic fabric, the installation aims to spark a dialogue between inhabitants and architects about the cities and spaces we aspire to live in.Save this picture!Save this picture!Exhibition - On the ground floor of the palazzetto, an exhibition will delve into the social forces shaping renovation decisions. In Estonia, where most apartment buildings are privately owned, renovation choices are often driven by financial constraints, leaving little room for spatial improvements beyond insulation. The exhibition space (an existing apartment) itself will be wrapped in plastic film, symbolizing the relentless push for renovation while exposing how technical fixes often overshadow the deeper connections and real needs people have with their homes. At its centre, a model of a Soviet-era housing block brings human interactions to the forefront, using theatrical dialogues and exaggerated spatial outcomes to depict how different relationships and interactions have their impact on space. By shining a light on the complexities of collective living and renovation decisions, the exhibition invites visitors to reflect on the tension between policy-driven energy goals and the lived realities of those affected by them. The exhibition is accompanied by a catalogue that captures the tragicomedy of an apartment building in six scenes. Based on real people's stories, it explores themes ranging from the fear of change to the revitalization of the neighborhood.Save this picture!The Biennale Architettura 2025 is curated by architect Carlo Ratti under the theme "Intelligens. Naturale. Artificiale. Collettiva.", and will be about the built environment as one of the largest contributors to atmospheric emissions, placing architecture among the main culprits in the degradation of our planet. As the climate crisis accelerates, architects must offer solutions, substantial and non-cosmetic, effective, and quick to achieve. In this sense, the Estonian exhibition responds to Ratti's call for pavilions: "This year's head theme offers good ground to discuss what happens to architecture when the Architect is excluded from the process. Renovation processes that are planned by residents themselves according to their best knowledge provide a good example of how collective intelligence, or lack of it, affects our spatial environment. The Estonian Pavilion gives the message that the architectural quality of the living environment should not be overlooked in renovation processes," explains Johanna Jõekalda, advisor on architecture and design at the Ministry of Culture of Estonia, Commissioner of the Estonian Pavilion. With "Let me warm you", visitors to the Biennale Architettura 2025 will actively engage with the pavilion and the building. By rethinking renovation strategies, Estonia could set an example for Europe: transforming outdated housing not just for energy efficiency, but for a more sustainable and livable future.Save this picture! Project gallerySee allShow less Project locationAddress:Venezia, ItalyLocation to be used only as a reference. It could indicate city/country but not exact address.About this officeKeiti LigeOffice•••Elina LiivaOffice•••Helena MännaOffice••• MaterialsWoodPlasticMaterials and TagsPublished on May 27, 2025Cite: "Pavilion of Estonia Let Me Warm You Biennale Architettura 2025 / Keiti Lige + Elina Liiva + Helena Männa" 27 May 2025. ArchDaily. Accessed . <https://www.archdaily.com/1030040/pavilion-of-estonia-let-me-warm-you-biennale-architettura-2025-keiti-lige-plus-elina-liiva-plus-helena-manna&gt ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Villa Il Bel Canto / CLAB ArchitetturaSave this picture!© Andrea CerianiHouses, Refurbishment•Cavaion Veronese, Italy Architects: CLAB Architettura Area Area of this architecture project Area:  500 m² Year Completion year of this architecture project Year:  2024 Photographs Photographs:Andrea Ceriani Manufacturers Brands with products used in this architecture project Manufacturers:  Gessi, Louis Poulsen, Artemide, Azzurra ceramica, FLOS, Fritz Hanesen, Legrand / Bticino, NIC design, RABATTO, Tip Top Fenster Lead Architects: Matteo Fiorini, Giulia Salandini, Andrea Castellani More SpecsLess Specs Save this picture! "Il Bel Canto" is a rural estate comprising multiple buildings, with its main nucleus established in the landscape of Cavaion Veronese since the mid-18th century. In addition to the main house, the property features a small wine production from the surrounding vineyards, as well as olive groves and a small woodland that define the landscape.Save this picture!Save this picture!Save this picture!Save this picture!The architectural intervention focused on the renovation of the interior spaces of the main family home, drawing inspiration from the existing elements such as arches, porches, and courtyard spaces, while establishing a dialogue with some of the house's original materials. Two newly designed elements, positioned on the ground floor and the top floor, reshape the interiors, creating new perspectives and connections between spaces. In addition to enhancing the family's collection of prints, paintings, artworks, and design pieces, these elements integrate functional features, transforming into a bookshelf, bar area, pantry, and wardrobe.Save this picture!Save this picture!Save this picture!The selected materials and colors, including oak wood and a deep red hue, harmonize with the existing flooring and the surrounding landscape. A light resin flooring defines and connects the renovated areas, while copper cladding characterizes the central kitchen island, around which the functional space is organized. The existing marble fireplaces further enhance the convivial character of the house, which opens to the outdoors, embracing the natural seasonal rhythm typical of a countryside home.Save this picture! Project gallerySee allShow less About this officeCLAB ArchitetturaOffice••• MaterialStoneMaterials and TagsPublished on May 25, 2025Cite: "Villa Il Bel Canto / CLAB Architettura" 25 May 2025. ArchDaily. Accessed . <https://www.archdaily.com/1030450/villa-il-bel-canto-clab-architettura&gt ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd" The Singapore Pavilion at the Venice Architecture Biennale 2025 is inviting guests to sit at the Table of Superdiversity, an alluring reimagining of city-making and nation-building through the universal act of dining, in honor of Singapore's 60th year of independence (SG60).The Pavilion, named RASA-TABULA-SINGAPURA, is a multisensory experience that reinterprets the Latin concept of tabula rasa, or a blank slate. Here, the words RASA (Malay for "taste"), TABULA (Latin for "table"), and SINGAPURA (Sanskrit for "Lion City") come together to symbolize Singapore's unique identity, which has been molded by centuries of migration, trade, and reimagining. The Singapore Pavilion, organized by the Singapore University of Technology and Design (SUTD) and commissioned by the Urban Redevelopment Authority of Singapore (URA) and the DesignSingapore Council (Dsg), is curated by a multidisciplinary team from SUTD, including Prof. Tai Lee Siang, Prof. Khoo Peng Beng, Prof. Dr. Erwin Viray, Dr. Jason Lim, Asst. Prof. Dr. Immanuel Koh, and Assoc. Prof. Dr. Sam Conrad Joyce.The Pavilion examines how architecture, policy, and participatory design connect in Singaporeans' daily lives via the curatorial lens of dining, one of the country's most cherished national hobbies. By interacting with the main components that influence Singapore's built environment, RASA-TABULA-SINGAPURA provides guests with a "taste" of the country through a carefully chosen menu of architectural and urban planning projects. While "side dishes" highlight design, policy, and community-building innovations that contribute to Singapore's strength as a multicultural society, "main courses" highlight important developments and districts like Pinnacle@Duxton, a famous public housing development in Singapore that reflects Singapore's innovative approach to urban growth and transformation.Intelligens: Natural. Artificial. Collective, the topic of Biennale curator Carlo Ratti, is reflected and applied to Singapore's setting through the Pavilion's tablescape. The Pavilion aims to convey Singapore's superdiversity by demonstrating how the combination of local and global influences, complex data, and numerous flows of people, goods, ideas, and innovations collectively shape Singapore's distinct identity and the way we rethink the built environment. It does this by building on the Latin word "gens," which means "people," and the word "intelligence.""Illustrating Singapore’s superdiversity, we are highlighting seven ‘main courses’ at RASA-TABULA- SINGAPURA—each offering a taste of how Singapore plans for life at every scale. At Pinnacle@Duxton, we explored vertical living as a framework for superdiversity—where density, design, and innovation come together in the sky," said Prof. Khoo Peng Beng, Co-Curator for the Singapore Pavilion, head of the Architecture and Sustainable Design Pillar at SUTD and a recipient of the President’s Design Award."Moving from single developments to district-scale planning, projects like Tengah and Changi Airport demonstrate how Singapore applies the same design sensibility to shaping entire ecosystems of liveability and movement. These ideas continue through our research and teaching at SUTD, where planning for the future means designing for complexity." "It’s one expression of a city always planning ahead, always becoming,” said Prof. Khoo Peng Beng, Co-Curator for the Singapore Pavilion, head of the Architecture and Sustainable Design Pillar at SUTD and a recipient of the President’s Design Award, Peng Beng added.CapitaSpring, a 280-meter-tall tropical high-rise in the center of Singapore's Central Business District that is a prime illustration of the city's forward-thinking development, is another important example on the dining table. Singapore's Landscaping for Urban Spaces and High-Rises (LUSH) regulation, which mandates that developers replace ground-level greenery with vertical landscapes, is showcased in this biophilic spectacle. The tower's structure incorporates more than 80,000 plants, including a tall, four-story Green Oasis that is 100 meters above the ground and one of the highest in Singapore that is open to the public in business buildings.RASA-TABULA-SINGAPURA makes this urban feast come to life with its interactive installations and lively dining-inspired setting, encouraging visitors to think about how shared perspectives on social, natural, and artificial elements can create spaces that represent common needs, values, and goals. The Pavilion transforms into a live platform where guests can learn how diversity, data, and design come together to create Singapore's changing urban landscape and the interwoven systems that support it."Through thoughtful urban planning and design, we create environments that inspire and support how we live, work, play, and connect. In a land-scarce city like Singapore, we need to balance density, diversity, and design," said Yap Lay Bee, Co-Commissioner of the Singapore Pavilion and Group Director (Architecture & Urban Design) of URA."Planning policies, cultural values, environmental priorities, and community needs are considered and integrated to create and shape spaces that are inclusive, resilient and adaptable.RASA-TABULA-SINGAPURA offers a sensory map of that approach, inviting visitors to experience the thoughtful processes that have shaped our nation’s transformation in the last 60 years." "It is not just a showcase of what we have built, but also a reflection of how we imagine—and continue to reimagine— our future,” Lay Bee added."As a nation by design, Singapore’s socio-economic needs, demographics, policies, and spatial negotiations have guided our urban planning. Such intelligence not only reflects our design-led development for the last 60 years, but will continue to chart the course for our future," said Dawn Lim, Co-Commissioner of the Singapore Pavilion and Executive Director of Dsg. "Centring on the concept of superdiversity, this year’s Singapore Pavilion at the Venice Architecture Biennale showcases how the convergence of unique multicultural differences, collective histories, design and new technology offers opportunities for more inclusive, adaptive urban futures," Lim added.The 19th International Architecture Exhibition will take place from 10 May to 23 November 2025 at the Giardini, the Arsenale and various venues in Venice, Italy. Find out all exhibition news on WAC's Venice Architecture Biennale page. All images: Installation view of the Singapore Pavilion at La Biennale di Architettura di Venezia 2025. Photo © Giorgio Schirato Photography.> via Singapore Pavilion 

html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd" At the 19th International Architecture Exhibition of the 2025 Venice Architecture Biennale, the Estonian Ministry of Culture unveiled the installation and exhibition "Let me warm you," which was curated by architects Keiti Lige, Elina Liiva, and Helena Männa and displayed in the Estonian Pavilion.The Pavilion examines if the current insulation-driven renovations are a chance to improve the social and spatial quality of mass housing districts or if they are just a compliance tool to fulfill European energy targets.In order to draw attention to this problem, the Estonian Pavilion will install insulation panels on the front of a Venetian building—a technique that is also employed in Estonia for mass housing. The palazzetto is situated in the Castello area at Riva dei Sette Martiri 1611, which lies on the waterfront between Corso Garibaldi and the Giardini. An exhibition demonstrating how social interactions among many stakeholders impact spatial solutions will be held in a room coated in plastic film on the ground floor of the same structure. "With this project, we question whether insulation is just a bureaucratic checkbox for meeting EU targets or a real chance to tackle social and spatial challenges," said curators Keiti Lige, Elina Liiva, and Helena Männa."It exposes the clash between bold global ambitions and the everyday realities of people navigating collective decisions."One half of the world is utilizing more powerful cooling systems, while the other half is putting in ever-thicker layers of insulation to combat climate change.Estonia has set an ambitious aim to renovate all residential complexes built before 2000 to at least energy efficiency class C as Europe rushes to become climate neutral by 2050. This extensive repair project is a component of a broader European initiative to address the climate catastrophe by modernizing the old housing stock. Insulation, however, should be viewed as a significant improvement in quality of life rather than as a temporary solution or "bandage."Finding a balance between aggressive climate policies and the daily demands of the residents of these spaces is the true difficulty, considering the large expenses and long-term effects of these modifications.The same materials and design components commonly used in Estonian renovations will be used for the installation, which will be installed directly onto the façade of the current structure. It makes a strong visual statement when juxtaposed with Venice's elaborate architecture. Renovating residential buildings from the Soviet era in Estonia sometimes involves little to no architectural involvement, which perpetuates a problematic disrespect for the potential and character of these areas. The installation attempts to provoke a conversation between residents and architects about the cities and spaces we hope to live in by contrasting a façade covered in fiber cement with Venice's rich historic fabric. An exhibition exploring the social factors influencing remodeling choices will be located on the palazzetto's ground floor. Since the majority of apartment buildings in Estonia are privately owned, renovation decisions are frequently influenced by budgetary considerations, leaving limited opportunity for spatial enhancements other than insulation.The actual exhibition space, an existing apartment, will be covered in plastic film, signifying the constant drive for remodeling while highlighting how superficial repairs frequently obscure the more profound relationships and practical demands people have with their houses. Using theatrical dialogues and exaggerated spatial effects, a model of a Soviet-era housing block at its center highlights human interactions and illustrates how various relationships and interactions affect space.The exhibition encourages visitors to consider the conflict between policy-driven energy goals and the lived realities of individuals impacted by them by shedding light on the intricacies of community living and refurbishment decisions.A catalogue that shows the tragicomedy of an apartment complex in six episodes is included with the presentation. It examines topics from community revival to the dread of change, all based on the experiences of actual people.With the theme Intelligens Natural Artificial Collective the Biennale Architettura 2025, organized by architect Carlo Ratti, will focus on the built environment as a major source of atmospheric emissions, making architecture one of the primary culprits in the deterioration of our planet. As the climate situation worsens, architects need to provide practical, non-cosmetic, efficient, and expedient solutions.In this sense, the Estonian exhibition responds to Ratti’s call for pavilions: "This year’s head theme offers good ground to discuss what happens to architecture when the Architect is excluded from the process," explained Johanna Jõekalda, advisor on architecture and design at the Ministry of Culture of Estonia, Commissioner of the Estonian Pavilion."Renovation processes that are planned by residents themselves according to their best knowledge, provide a good example of how collective intelligence, or lack of it, affects our spatial environment." "The Estonian Pavilion gives the message that the architectural quality of the living environment should not be overlooked in renovation processes," Jõekalda explained.Visitors will actively interact with the pavilion and building during the Venice Biennale with "Let me warm you." Rethinking rehabilitation techniques could help Estonia lead Europe in updating old buildings for a more sustainable and livable future, not merely for energy efficiency.Find out all exhibition news on WAC's Venice Architecture Biennale page. Project factsPavilion of Estonia: Let me warm you Location: Riva dei Sette Martiri 1611 (Castello neighborhood), VeniceCommissioner: Johanna JõekaldaCurators Exhibitors: Keiti Lige, Elina Liiva, and Helena MännaOrganiser: Ministry of Culture of EstoniaCo-organiser: Estonian Museum of Architecture Creative team: Märten Rattasepp, Kirill Havanski, Aadam Kaarma, Joosep KivimäeProduction: Mari-Liis VunderCollaborators: Neeme Külm (Valge Kuup Studio), Margus Tammik, Robert Männa, Markus Puidak, Randel Pomber.All images © Joosep Kivimäe.> via Estonian Pavilion