I've worked as a bartender for over a decade. David Fuentes Prieto/Getty Images Updated 2025-05-29T15:32:17Z Save Saved Read in app This story is available exclusively to Business Insider subscribers. Become an Insider and start reading now. Have an account? I've been a bartender for over a decade, but I still get frustrated by certain customer behaviors.  Yelling my name and waving money in my face when I'm clearly busy won't get my attention. It's usually best not to alter specialty drinks. I've been bartending for over a decade, and I can tell you it isn't easy. The job can be physically and mentally demanding while requiring long, late hours — plus, we have to be pretty charming while doing it. Sometimes customers can make our job better, but at the very least, we'd prefer if they don't make it worse. Next time you're out having a pint or a margarita with your pals, don't make these mistakes. Being obnoxious while trying to get a bartender's attentionThe most common customer offense, by far, is waving cash at the bartender, yelling their name, or otherwise trying to get their attention while they're doing something else.Most of the time, simply being at the bar without a fresh drink is enough to let the bartender know you want one.If you really think the bartender doesn't know you're waiting to order, some eye contact and a nod will suffice.Stepping up to a busy counter when you don't know what you want  Know your order before you steup up to the counter. Business Insider/Will Martin If the bar is busy and you have to wait to order a drink, take that time to figure out what you're going to get.Don't lose your spot in line with the bartender by saying "I don't know" or turning around to ask your friends what they want. They don't have time for that.Assuming a bartender's gender or sexualityAssuming the bartender's gender or sexuality is a great way to get ignored for the rest of the night.Also, if they want to flirt with you, you'll know. Otherwise, let's keep it professional. Trying to order a drink without an IDNobody cares about the story behind why you don't have your ID.A bartender usually isn't willing to risk their job or get into legal trouble just to help you out.Altering special cocktails on the menu The bartender usually knows best when it comes to mixed drinks. Maksym Fesenko/Shutterstock If you want to make your own cocktail recipes, do it at home.Nine times out of 10, the altered cocktail tastes like garbage and gets sent back. Just order a drink that sounds good to you as listed. Asking the bartender to play your musicIf there isn't a jukebox, the bar is not interested in hearing your playlists. Don't ask the bartender to change the music, play a song, or adjust the volume. They're not a DJ.Telling the bartender your first name for your tabWhen asked what the name on your tab is, give the bartender your last name.We know you think you're the only Brandon in here, but you're probably not. Relying on the bartender to remember your drink orderThey might remember it, or you might be getting them confused with the other bartender.Either way, it's better if you know your own order. Taking up more space than you need Being rowdy and taking up a lot of space in a bar can be rude. Nomad_Soul/Shutterstock Be mindful of other people's space at the bar.Don't lean over and take up multiple seats or leave your trash on the patio. And for heaven's sake, don't leave a trail of dirty glasses behind you while you're mingling — just bring your empty cup with you when you come up for your next drink.The less time the bartender has to spend cleaning up after you, the more time they can spend making everyone's drinks. Wasting time by asking what we haveDo you really want me to start listing everything we have? It's a bar. Read a menu or be more specific. Asking "What pilsners do you have?" or "What gins do you have?" is perfectly fine. That helps us to narrow it down a bit if we're going to have to help you figure out what you feel like drinking.Leaving only a verbal tipBartenders love compliments, but those don't pay the bills.Remember, we're working for money. If you really think they make the best margarita in town, show them with a big tip.This story was originally published on January 7, 2023, and most recently updated on May 29, 2025.

We may earn a commission from links on this page.A surprisingly endearing sitcom about an American football coach moving to the U.K. to coach the other kind of football, Ted Lasso was Apple TV+'s first breakout hit, but it's long over by this point. While few of their other shows have commanded even a fraction of the zeitgeist, over the past few years Apple's streaming service has built a small but solid library of other original series that are at least interesting or pretty good, and occasionally more. Apple's offerings still can’t quite compare to what you’ll find on Netflix or Hulu, at least in terms of volume, but there’s enough money in the tech company's bank account that they’ve shown a willingness to experiment, particularly when it comes to high-cost genres like science fiction, and that’s not a bad thing. Here are 40 of Apple’s best original shows so far. I'm highlighting the ones you may not have binged yet, so Ted Lasso isn’t on the list—but consider him mentioned here. Apple TV+ $9.99 Per Month at AppleTV+ Learn More Learn More $9.99 Per Month at AppleTV+ Dark Matter (2024 – , renewed for a second season) Joel Edgerton, Jennifer Connelly, and Alice Braga star in this high-concept sci-fi thriller from the novel by Blake Crouch (he's also the showrunner). Edgerton plays Jason Dessen, a former physicist living a fairly decent life with his wife, Daniela (Connelly) in Chicago when he's drugged and kidnapped before waking up in a Chicago where he'd never married Daniela. It seems that a version of himself invented a device allowing for travel between infinite alternate universes—and that version of Jason wants the life that our Jason has, and who's now on a quest to make his way home. You can stream Dark Matter here. Foundation (2021 —, renewed for a third season) Foundation frequently misses the point of its source material (a series of influential Isaac Asimov novels), but that doesn’t make it any less of an impressively realized science-fiction epic on its own terms. Lou Llobel and Lee Pace lead the centuries-spanning series that sees a group of scholars and rebels working to bring down a galactic empire in order to save it (in the very, very long run). The first season was pretty great, the second season was even better, and ads for the third season look promising. You can stream Foundation here. Dope Thief (2025, miniseries) Ray and Manny (Brian Tyree Henry and Wagner Moura) are a couple of childhood friends from Philly who've been supporting themselves by impersonating DEA agents and robbing low-level stash houses in the inner city. Manny's looking to move on while Ray's eccentric mother, Theresa (Kate Mulgrew, clearly having a great time) needs a lot of money fast. And so, as you've probably guessed, we're about to enter "one last big score" plot territory, which, in this case, involves robbing a meth lab that is, it turns out, part of a large-scale operation that the real DEA has in its sights. The setup is nothing new, but everyone here is at the top of their game. You can stream Dope Thief here.Slow Horses (2022 – , renewed for fifth and sixth seasons) With nods to the great spy dramas of John le Carré, Slow Horses updates the setting without losing either the thrills or the style of a time-honored genre. The “Slow Horses” of the title is a group of has-been MI5 agents—they’ve all made messes of significant jobs, but are still seen as having some use, if only in dull administrative tasks. Naturally, the group (lead by Gary Oldman and Jack Lowden, with their spymaster played by Kristin Scott Thomas) finds themselves in deeper waters than anyone had expected of them. The show has a sly sense of humor, and balances a cynical tone with a conviction that redemption is more than possible (it's also probably my personal favorite Apple TV+ show). You can stream Slow Horses here.Sugar (2024 – , renewed for a second season) Sugar doesn't try to obscure or downplay its reliance on old-school Hollywood noir tropes: Its characters are driven to emulate the style of antiheroes of old, and clips from old movies even play alongside the action as a means of driving the point home. The central mystery sees detective John Sugar (Colin Farrell) summoned to the mansion of a rich movie producer (James Cromwell), whose granddaughter has gone missing. The first few episodes are intriguing, and  the premise is unique in that Sugar is kind of an anti-anti-hero—he's an actual nice guy in a world where he's expected to play the tough guy. The sixth episode, though, drops an absolutely wild, love-it-or-hate it plot twist that drives the remaining episode and, presumably, the forthcoming second season. The series comes from writer Mark Protosevich (The Cell, I Am Legend) and smartly directed by City of God's Fernando Meirelles, so it has style to spare. You can stream Sugar here. Pachinko (2022 – , third season renewal pending) Pachinko is technically an American production, but its largely South Korean cast and crew place it in very much in the wheelhouse of the K-dramas that have found success in the U.S. in recent years. The multigenerational saga follows one woman (Youn Yuh-jung and Kim Min-ha) and her family from the Japanese occupation of Korea through the decades of the Korean diaspora. It’s as personal as it is epic, with better location cinematography than most movies—and it’s got an all-time great opening credits sequence. You can stream Pachinko here.Palm Royale (2024 – , renewed for a second season) Kristen Wiig stars here as Maxine Dellacorte-Simmons, an endlessly inventive social climber in 1969 Palm Beach, Florida who sets out on a road to the top of the local hierarchy when she manages to nab herself a membership in the exclusive private club of the title. It's soapy and silly and occasionally over the top—which all just means that it's thoroughly entertaining and relatively stress-free. The cast here is among the best that streaming money can buy: Alongside Wiig, we get Laura Dern as a helpful hippie, Allison Janney as a demanding matriarch, Carol Burnett as mysterious (and initially comatose) local royalty, and Ricky Martin as the sexy bartender (with Bruce Dern, Julia Duffy, and Mindy Cohn among the recurring cast). You can stream Palm Royale here. Bad Sisters (2022 – , third season renewal pending) The comedy/murder mystery genre is having a moment, with Hulu’s Only Murders in the Building, Apple’s own The Afterparty (to which I’ll return later in this list), and the Knives Out movies all doing brisk business. Bad Sisters is in that same category, but set apart in interesting (and significant) ways. The Dublin setting and the dark comedy stand out, and the show is as much about solving the core murder as it is about rooting for the killer, whomever they may be. Among the title sisters, one has a particularly odious husband. When he turns up dead, each of the sisters (one played by Catastrophe's Sharon Horgan, who co-created) is revealed to have had good reason for doing the job. You can stream Bad Sisters here. Severance (2022 – , renewed for a third season) Late-stage capitalism encourages “work-life balance” while simultaneously making it impossible, and then makes us feel guilty about it. In Severance, biotechnology giant Lumon Industries has a solution: They split your consciousness between your life at work and your life outside of it. For our lead characters (played by Adam Scott, Patricia Arquette, Britt Lower, and more) the work- and home-based consciousnesses grow apart to the point that they become entirely different people. The show blends the conventions of office-based dark comedies with movies like Brazil and Eternal Sunshine of the Spotless Mind, and dives into the dangers of modern American-style totalitarian capitalism while providing a reminder that technology often promises to improve our lives while only making them worse. You can stream Severance here.The Buccaneers (2023 – , renewed for a second season) The sassy, revisionist period drama (think Bridgerton) is having a heyday and, with the success of HBO's The Gilded Age (itself an Edith Wharton pastiche), it's only natural that things have come back around to the source—in this case, an unfinished Wharton novel telling the story of five American nouveau riche daughters being shuffled off to Europe to unite (in marriage) their family's ready cash with old European titles and lands. It's a fun, women-led show that splits the difference between The Gilded Age's relative faithfulness to history and Bridgerton's joyful anachronisms. You can stream The Buccaneers here. Hijack (2023 – , renewed for a second season) This solid action thriller stars Idris Elba as a business negotiator who finds himself among the passengers on a flight from London to Dubai that's been, well, hijacked. He's the only one onboard with a shot at saving himself and the other passengers, but will have to use his experience, brains, and brawn to do it. The show takes place in real time, more or less, adding to the suspense, and also making the second-season pickup slightly confusing. I'm not sure how a followup series will work, but if 24 could run for nine seasons, I'm sure that Elba's Sam Nelson can sustain at least a couple more. You can stream Hijack here. For All Mankind (2019 — , renewed for fifth season) I love a high concept—but execution is what counts, and For All Mankind makes good on its premise, thanks in large part to the involvement of writer/co-creator Ronald D. Moore (Battlestar Galactica). The show runs with a tantalizing "what if?": What if Soviet space pioneer Sergei Korolev hadn’t died prematurely in 1966 and instead helped bring his country’s space program to full flower, extending the space race indefinitely? If we’d been forced to continue and expand upon the space program, our past (and present) would look quite different, and this show dramatically imagines how that might go, jumping across decades to reveal our alternate past (and future). A spin-off involving a Soviet space program, Star City, is in the works. You can stream For All Mankind here. Dickinson (2019 – 2021, two seasons) Dickinson is so scrupulously weird that it gets points just for being unexpected. The most surprising thing about it, though, is that it's not merely idiosyncratic—it’s good. The show imagines the life of 19th-century poet Emily Dickinson, with the conceit that she didn’t fit especially well in her own time, a fact the show reflects through the casual use of anachronisms and more modern sensibilities. Think Netflix’s Bridgerton or Sofia Coppola’s Marie Antoinette for similar vibes—but neither of those is about a person nearly as haunting or mysterious as Dickinson. Bonus: It’s also beautifully filmed and acted. You can stream Dickinson here.Visible: Out on Television (2020, miniseries) An effective update to The Celluloid Closet that takes us up to date for the Peak TV age, Visible brings that sweet Apple money to bear in gathering an impressive assortment of talking heads. Going back to the earliest days of television, when queer characters and themes were either ignored, heavily coded, or mocked, the docuseries traces the ups and downs of queer representation on TV right up until the present moment. It entertainingly documents how far we’ve come, and makes clear there’s still work to do. You can stream Visible here. Manhunt (2024, miniseries) Based on James L. Swanson’s book Manhunt: The 12-Day Chase for Lincoln’s Killer, Manhunt reenacts (in detail) not just the night of Abraham Lincoln's assassination by John Wilkes Booth (Anthony Boyle), but the hours, months, and years that followed, examining the political and cultural fallout at the dawn of Reconstruction. The surprising star here is Tobias Menzies' Edwin Stanton, the war secretary who fought to preserve Lincoln's legacy, with mixed results. The show also offers strong parallels, intentional or not, between Booth—violently racist, bombastic, and vainglorious while also somehow a perpetual victim—and modern-day political figures with whom you might be familiar. You can stream Manhunt here. The Last Thing He Told Me (2023 – , renewed for a second season) Critics and audiences are divided over The Last Thing He Told Me, the crime drama earning only mixed reviews while also ranking as the streamer's most watched limited series ever. Based on the bestseller by Laura Dave, the popularity of the book might have something to do with that, as might Jennifer Garner's sensitive performance. While it scored those impressive numbers as a limited series, the series has subsequently been renewed for a new season, to be based on a forthcoming sequel novel, currently scheduled for release in 2025. Co-starring Angourie Rice, Nikolaj Coster-Waldau, and David Morse, the series finds Garner's character trying to forge a bond with her stepdaughter in order to help solve the mystery of her missing husband. You can stream The Last Thing He Told Me here.Monarch: Legacy of Monsters (2023 – , renewed for a second season) Monarch does a surprisingly effective job of telling its own story within the universe of all those American Godzilla movies of the past decade or so, bringing those big stories back down to Earth while building out an entire monster-verse mythology in the process. Anna Sawai stars as a young teacher searching for her father, missing since Godzilla's attack on San Francisco (depicted in the 2014 film), and finds herself drawn into the past and present of a secret government agency. Wyatt and Kurt Russell play the past and present incarnations of the Army colonel who helped set the whole thing in motion. You can stream Monarch here.See (2019 — 2022, three seasons) The pitch meeting for this must’ve been a hoot. “We’ll do ‘The Country of the Blind’—but, you know, in the future!” Just as in that H.G. Wells story, we learn here that being one of the only sighted people among the blind doesn’t necessarily grant you any special privileges. A few centuries from now, humans have lost their senses of sight, and the few born sighted are hunted and despised. As high concepts go, it’s a little goofy (and the reviews have been a little rough), but the beautifully produced and entertaining show blends Game of Thrones vibes with dystopian sci-fi, and boasts Jason Momoa and the always brilliant Alfre Woodard. You can stream See here.Central Park (2020 — 2022, three seasons) Central Park, from creators Loren Bouchard, Josh Gad, and Nora Smith, retains much of the look and feel of Bouchard’s beloved (and long-running) Bob’s Burgers, which is probably enough of a recommendation to get many adult-leaning cartoon fans onboard. It differs, though, in its ambition: Unlike Bob’s, this show invests more heavily in serialization to tell the story of a park manager fighting to save the titular Central Park from greedy developers. It’s also a true musical, incorporating big numbers into each and every episode. (The more sporadic musical numbers in Bob’s Burgers are always the best part, so upping that quotient here is all to the good.) You can stream Central Park here.Silo (2023 —, renewed for third and fourth seasons) The casts of many of these shows are pretty extraordinary, but this one is at least a small step above: Rebecca Ferguson, Rashida Jones, David Oyelowo, Common, and Tim Robbins are all included in the main cast. The science fiction series, based on High Howey’s self-published sensation Wool, is set in a post-apocalyptic future; the show’s characters live in the 144-story silo of the title, a sealed environment sustaining (and imprisoning?) the last dregs of humanity. Societal politics blend with elements of mystery (nothing in the silo is quite what it seems) in an impressively conceived dystopia; the series is set to conclude, but not before two further seasons are produced. You can stream Silo here. Schmigadoon! (2021 — 2023) There’s a big theater-kid vibe to Schmigadoon, no question, with references and in-jokes not everyone is going to get. I’m not sure it matters. When Melissa (Cecily Strong) and Josh (Keegan-Michael Key) set out on a camping trip to strengthen their relationship, they instead stumble into the title town, where everyone sings their feelings, just like characters in a... you get it. The only way out? True love—which Melissa and Josh thought they already shared, but maybe not so much. It’s both a tribute to classic musicals and a satire of the common tropes and the more problematic aspects of those old productions. The second season switches location and eras to “Schmicago,” taking on the darker-tinged musicals of the 1970s. You can stream Schmigadoon here. The Completely Made-Up Adventures of Dick Turpin (2024, one season) The Great British Bake Off's Noel Fielding stars in this wildly ahistorical British import involving the real-life highwayman of the title, who lived in the mid-1700s. Truth and legend are impossible to sort out when it comes to Turpin, so the show defers to the legend, adding a bunch of inspired silliness to the mix. It's not quite Our Flag Means Death, but it takes a similarly loose and fun approach to history. The well-received show shut down for good during production of a second season, under slightly mysterious circumstances, but the existing season is still worth a run. You can stream Dick Turpin here.Masters of the Air (2024, miniseries) A spiritual successor and companion to earlier WWII minis Band of Brothers (2001) and The Pacific (2010), Masters of the Air focuses on the “Bloody Hundredth,” the 100th Bomb Group—pilots tasked with bombing targets inside German-occupied Europe. Austin Butler (Elvis), Barry Keoghan (Saltburn), and Ncuti Gatwa (Doctor Who) are part of the impressive ensemble. You can stream Masters of the Air here.Constellation (2024 – ) Severance, Foundation, For All Mankind, and Silo have established Apple TV+ as a home for high-concept, big-ish budget science fiction. Which is cool, given that even the SyFy channel is't filling that niche anymore. This one finds astronaut Noomi Rapace returning to Earth after an accident, and discovering that the reality she's returned to isn't quite the same as the one she left behind. You can stream Constellation here.Criminal Record ( 2024 – , renewed for a second season) The apparently IRL-delightful Peter Capaldi is one of our most effortlessly menacing actors, imbuing even The Doctor with an unpredictable inscrutability, so it's no surprise that he excels at playing a hardened police detective with a checkered past. He's joined here by Cush Jumbo's June Lenker, a by-the-book and far more idealistic detective who's as suspicious of Capaldi's DCI Hegarty as she is of the facts involving the cold case the pair are investigating. Think of them like a twisted version of Mulder and Scully (minus the aliens, of course). You can stream Criminal Record here.The Morning Show (2019 — , renewed for a fourth season) Less high-concept than some of Apple’s other originals, The Morning Show still serves as a solid drama led by an out-of-character performance from Jennifer Aniston. She plays Alex Levy, co-host of a major network morning show. “Co-host,” that is, until Mitch (Steve Carrell), with whom she’s worked for 15 years, is fired due to sexual misconduct shortly before the show goes on the air one morning (a la Matt Lauer), leaving Alex to explain the situation. The resulting shake-ups and power grabs (including by an up-and-comer played by Reese Witherspoon; the star power in this thing!) were inspired by Brian Stelter’s real-life book Top of the Morning, about the (perhaps) surprisingly dramatic and cutthroat world of morning television, so with the TV-ready drama comes an air of verisimilitude. You can stream The Morning Show here. The Me That You Can’t See (2021, miniseries) An Oprah Winfrey/Prince Harry co-production might inspire understandable cynicism, but the effort here is worthwhile: Approaching both stars and non-celebrities, the miniseries explores issues related to mental health, particularly the stigma and difficulties in finding care. The celebs are all impressively frank, and the less-famous individuals come from a wide array of backgrounds and face a diverse set of issues. Naturally, the presentation is highly polished, but the mere fact that the streamer is putting its money into expanding conversations about mental illness make it worth checking out. You can stream The Me That You Can't See here.Truth Be Told (2019 — 2023, three seasons) Honestly, they had me at Octavia Spencer. It’s not just her, though: The cast here is uniformly first-rate (Lizzy Caplan, Aaron Paul, Mekhi Phifer, and Kate Hudson also star). The premise is also solid, and timely: Spencer plays a true-crime podcaster who condemned a now-convicted killer with her reporting, but who now learns that she might have gotten some crucial details wrong. The execution stumbles a bit in the first season, but picks up in the second and into its concluding third. You can stream Truth Be Told here.The Afterparty (2022 — 2023, two seasons) At a high school reunion afterparty, a murder occurs that, naturally, sets the series in motion—a scenario rife with possibilities, given the dramas that swirl around any real-life reunion. The spin here on the comedy murder mystery is its Rashomon-like structure: Each episode explores the night from the POV of one of the participants, shifting genre styles to suit the character in question. Tiffany Haddish and Sam Richardson are great as the leads. You can stream The Afterparty here.Little America (2020 — 2022, two seasons) With a sense of humor, the anthology Little America dramatizes a series of Epic Magazine pieces telling the stories of immigrants in America. Each 30-minute episode plays like a movie in miniature, and each is packed with emotion—sometimes heartbreak, often joy. Seriously, they cram a lot of heart into these little episodes. Each one ends with a tag about the real people on which it is based, which serves to ground the emotion in reality. You can stream Little America here.Home Before Dark (2020 — 2021, two seasons) I love, love, love that this one’s based on a true story. Home Before Dark dramatizes the story of Hilde Lysiak, award-winning crime reporter and the youngest member of the Society of Professional Journalists, who began her career at age nine (she’s now a whopping 14). Here she’s fictionalized as Hilde Lisko (Brooklynn Prince), who moves with her mother to a Twin Peaks-esque coastal town where she slowly, doggedly, uncovers the truth behind a long-forgotten cold case. You can stream Home Before Dark here.Servant (2019 — 2023, four seasons) Creepy nanny meets creepy doll in this utterly strange psychological thriller, co-executive-produced by the occasionally brilliant but notoriously inconsistent M. Night Shyamalan (the show was created by Tony Basgallop). The horror here isn’t really overt, but the show plays some interesting and disturbing games centered on the relationship of the lead couple, played by Lauren Ambrose and Toby Kebbell. Following the death of their 13-week-old son, the pair acquires a lifelike doll as a therapeutic tool. Naturally, something’s not quite right with the doll (or Dorothy’s attachment to it), and something’s definitely not right about the young live-in nanny who they hire (rich people, amirite?) to take care of fake baby Jericho. You can stream Servant here.Ghostwriter (2019 — 2022, three seasons) This new, updated Ghostwriter goes in a different direction than the ‘90s-era original, focusing a little bit less on the mystery elements of the stories and more on reading fundamentals. Operating out of a bookstore belonging to the grandfather of two of the main characters, four kids are brought together by a ghost who brings characters from classic and modern literature to life, with CGI that’s sometimes great —and sometimes less so. Where the show really shines is in its depiction of kids who are believably smart and savvy, unlike an awful lot of shows that can’t seem to tell the difference between a 12-year-old and a fivr-year-old. It’s definitely for kids, but that’s to its credit. You can stream Ghostwriter here.Defending Jacob (2020, miniseries) Based on the book by William Landay, this one’s premise is clever, and harrowing: In an upper-class Massachusetts suburb, Andy (Chris Evans) and Laurie (Michelle Dockery) learn that a classmate of their 14-year-old son has been murdered in a local park. What happens next is even more shocking: their son is arrested for the murder. The show sometimes leans unnecessarily into melodrama, but the performances are solid and the central mystery is so compelling, it’s hard not to get drawn in. You can stream Defending Jacob here.Black Bird (2022, miniseries) Novelist Dennis Lehane (Gone Baby Gone, Mystic River) developed the based-on-a-true-story miniseries, and his touch is evident if you’re familiar with his books, or with the movies they’ve inspired. Taron Egerton plays Jimmy Keene, a former football star given a 10-year prison sentence for drug dealing. Before long, he’s given another shot: His sentence will be erased if he transfers to a much higher security prison for the criminally insane and gathers evidence against a suspected serial killer incarcerated there. That’s a killer premise, and Egerton is great here. You can stream Black Bird here.Trying (2020 — , renewed for fifth season) After having difficulty conceiving a child, Nikki and Jason begin the adoption process, and find themselves in a bind. Were they able to conceive, there’d be no other qualifications necessary to have a baby. Adoption, on the other hand, is long process full of screenings, classes, paperwork, home visits, and money. This is one of those rare comedies that’s both genuinely funny and gentle—the show even revisits all of its characters at the end of each episode so that we know how everyone has made out. You can stream Trying here. Mythic Quest (2020 — 2025, four seasons) It might sound a little (or a lot) niche, but we’ve seen enough headlines about the working conditions at many video game production houses to understand why a workplace comedy set against such a backdrop would make for effectively dark and juicy comedy. Charlotte Nicdao and Rob McElhenney are the leads here, as a brilliant and driven workaholic and an unsociable egomaniac respectively, and the chemistry between their two characters give the show more than enough spark. There's also a four episode spin-off: Side Quest. You can stream Mythic Quest here. Acapulco (2021 – , renewed for a fourth season) Inspired by the 2017 film How to Be a Latin Lover, the ambitious English/Spanish-language comedy spans generations in telling the story of Maximo Gallardo Ramos (Eugenio Derbez), a Malibu mogul who began life as a pool boy at a fancy resort hotel. The sweet, sun-drenched show has a gorgeously retro visual style. You can stream Acapulco here. Disclaimer (2024, miniseries) Created, written, and directed by four-time Oscar winner Alfonso Cuarón, Disclaimer has as impressive a pedigree as you could hope for on streaming TV: It stars Cate Blanchett and Kevin Kline (both, incidentally, Oscar winners), alongside Sacha Baron Cohen and Leila George. Blanchett plays Catherine Ravenscroft, an award-winning journalist who receives a mysterious manuscript—it's a novel in which she, herself, appears to be the main character, and which reveals secrets of her past that she thought were long buried. Cuarón moves deliberately through a story that takes its time, even as each episode shifts through points of view and timelines to offer up consistent and impressive surprises. You can stream Disclaimer here. The Studio (2025 – , renewed for a second season) Industry exec Matt Remick (Seth Rogen) loves movies, and when he signs on for a high-profile role at the fictional Continental Studios, he's feeling like his time has come, like he can make a real difference in fixing an increasingly IP-driven movie industry. That is, until about a minute into his new job when the CEO (Bryan Cranston) lets him know that his first job will be marketing Kool-Aid Man, a thin attempt to rip off the success of Barbie. Hollywood satires of yore have focused on the industry as one that eats people up and spits them out, but the spin here is that Remick yearns for those days. This very funny, often intentionally cringe, comedy finds Hollywood in a state of decline and focuses on a man who'd love nothing more than to rebuild the movie industry of old. Catherine O'Hara, Ike Barinholtz, Chase Sui Wonders (Bodies Bodies Bodies), and Kathryn Hahn also star, and the show boasts a seemingly endless list of celebrity cameos. You can stream The Studio here.

Table of Contents Table of Contents 10. Top Gun: Maverick (2022) 9. Edge of Tomorrow (2014) 8. Rain Man (1988) 7. Jerry Maguire (1996) 6. Tropic Thunder (2008) 5. Collateral (2004) 4. Minority Report (2002) 3. Magnolia (1999) 2. A Few Good Men (1992) 1. Eyes Wide Shut (1999) With Tom Cruise, nothing ever really ends. May 23 marks the release of his latest Mission: Impossible adventure, and while it’s subtitled The Final Reckoning, Cruise and his regular director Christopher McQuarrie have confirmed there are more films to come. Through doggedness, dedication, and risk to life and limb, the 62-year-old Cruise has built a lasting career as a leading man that seems never to wane. Here are his ten best films, featuring performances both solidly in and out of his comfort zone. Recommended Videos Top Gun: Maverick (2022) Paramount Pictures Like most of Cruise’s filmography, Top Gun: Maverick, the long-delayed sequel to the abysmal ‘80s schlock-fest Top Gun, is more than the sum of its parts. Its maneuvering of a sixty-year-old Cruise from flight instructor back into the cockpit is labored, its decision to actively avoid the identity of a country against which Cruise goes on a bombing run is cowardly (it’s clearly Russia), and Cruise’s love scenes with Jennifer Connelly are borderline silly. However, Maverick is an old-fashioned Hollywood adrenaline rush, chock-full of vintage Cruise stunt work, and the aerial photography looks spectacular. Edge of Tomorrow (2014) Warner Bros. Pictures Cruise’s third and best collaboration with writer Christopher McQuarrie, Edge of Tomorrow, adapts a bonkers Japanese novel that is essentially a cross between Groundhog Day and Independence Day. Cruise is Major William Cage (a perfect Tom Cruise character name), enlisted in a war against an invading alien species called the Mimics. Long story short, Cage gets trapped in a time loop on the day of his death at the Mimics’ hands that allows him to learn their strategies. Emily Blunt delivers a superior action performance as his love interest and comrade-in-arms. Rain Man (1988) MGM Cruise made his name as the everyman ballast for performances by more outwardly dynamic character actors (Jack Nicholson in A Few Good Men, Tim Curry in Legend). The prototypical example is Rain Man, the only Tom Cruise movie so far to win the Oscar for Best Picture. Here, Cruise is the frustrated steward of his estranged brother, Raymond (Dustin Hoffman), an autistic savant. The film has its weaknesses, but Cruise hits all of his beats ably, and his exasperation with Raymond’s eccentricities is a perfectly tuned demonstration of audience surrogacy. Jerry Maguire (1996) TriStar Pictures Cruise’s nose for a football movie that would wind up being endlessly quotable has put him in any number of iconic scenes over the years, and Cameron Crowe’s script for Jerry Maguire has a panoply of them. (Cruise alone has both “Help me help you” and “You complete me,” Renee Zellweger gets “You had me at hello,” and Cuba Gooding Jr. gets the unbeatable “Show me the money.”) The movie is the ultimate instance of Cruise’s trademark wide-grinning mania thanks to Cruise’s titular Jerry, a sports agent stretching himself to his limit as he struggles to do the unprofitable work of representing his clients ethically (unthinkable!). Tropic Thunder (2008) DreamWorks Cruise is, along with Tom Hanks, the defining cinematic leading man of the past forty years, but a little of him can often go a long way. No surprise that some of his most sneakily memorable performances have been supporting roles, including in Ben Stiller’s gonzo Hollywood satire Tropic Thunder. Cruise plays Les Grossman, a studio executive transparently based on Harvey Weinstein, who is called on to negotiate when the star of a Vietnam War film he’s producing is kidnapped by a drug cartel. Cruise famously gave Stiller two conditions for taking the role: “I want to have fat hands, and I’m gonna dance.” Mission accomplished. Collateral (2004) DreamWorks Michael Mann’s action thriller stars Cruise in a rare villain role as Vincent, a hitman who commandeers the taxi of Los Angeles cabbie Max Durocher (Jamie Foxx). It’s a great, clean setup, with a finely structured beginning that establishes Max’s attention to detail and pride in his craft — Max is a man who has control of his car and whose car is his control. Then, when Cruise explodes in the frame with a gray shock wig that looks so wrong on him, Mann drives home the point that Vincent is from another universe. Collateral is electric movie-making, lean and tight most of the way through. Minority Report (2002) 20th Century Fox The smartest film Steven Spielberg directed in the first decade of the twenty-first century was the Philip K. Dick adaptation of Minority Report. Cruise plays a police chief utilizing psychics to arrest criminals before they commit their intended crimes. Scott Frank’s (The Queen’s Gambit) script raises moral conundrums years ahead of its time, and Cruise quite effectively applies his regular action-film persona to its worthy explorations. Magnolia (1999) Ghoulardi Film Company Cruise’s third Oscar nomination came for his outrageous performance as misogynistic motivational speaker Frank T.J. Mackey in Magnolia. In a role that predated widespread public knowledge of the icky “pickup artist” movement of seduction, Cruise deconstructs the bravura front that had not yet come to be known as toxic masculinity. “Women are sheep,” he tells his followers in a riveting monologue delivered straight to the camera; “they have patterns that must be stopped, interrupted, and resisted.” But of course, such walls as these are made to fall, and in a later scene at the deathbed of his father (Jason Robards), Cruise powerfully conveys the trauma, loneliness, and pain that have led Mackey to this point. A Few Good Men (1992) Castle Rock Entertainment Aaron Sorkin was a bartender at Broadway’s Palace Theatre when he began writing what would become his 1989 play A Few Good Men on the back of cocktail napkins. The film Sorkin would later adapt from his Broadway smash is among the smartest and most quotable studio films of the 1990s. Naturally, the courtroom movie is ultimately stolen by Jack Nicholson, whose role as a Marine colonel implicated in a murder earned him an Oscar nomination for Best Supporting Actor. But Cruise, as the Navy lawyer prosecuting the case, is one of the worthiest screen partners Nicholson has ever had, with herky-jerky, caffeine-inflected energy that steels to certainty in the courtroom. Eyes Wide Shut (1999) Stanley Kubrick Productions The other picture from Cruise’s banner year of 1999, Eyes Wide Shut, is a perfect storm of world-beating celebrity (he co-starred with his then-wife Nicole Kidman), Hollywood royalty (it was writer-director Stanley Kubrick’s final film), and superb mise-en-scène. It was a story of sexual jealousy decades in the making, and Cruise was the perfect choice for the role of a repressed elite who falls apart trying to see behind the curtain of a world closed to him. (Just imagine if Kubrick had made the film in the 1960s and cast his original choice for the lead, Woody Allen!)