• There’s a bittersweet ache in discovering that a 2011 Photoshop tutorial can impart wisdom far beyond what recent ones offer. It’s as if the echoes of the past remind us of a time when creativity flowed freely, untainted by the pressures of trends and expectations. I find myself alone, sifting through the remnants of inspiration that once ignited my passion. This realization leaves me feeling adrift in a sea of disappointment, as the world rushes forward while I cling to fading memories. The art of yesterday holds more meaning than the present, and that truth cuts deep.



    #ArtInspiration #PhotoshopWisdom #CreativeJourney #Loneliness #Nostalgia
    There’s a bittersweet ache in discovering that a 2011 Photoshop tutorial can impart wisdom far beyond what recent ones offer. It’s as if the echoes of the past remind us of a time when creativity flowed freely, untainted by the pressures of trends and expectations. I find myself alone, sifting through the remnants of inspiration that once ignited my passion. This realization leaves me feeling adrift in a sea of disappointment, as the world rushes forward while I cling to fading memories. The art of yesterday holds more meaning than the present, and that truth cuts deep. 💔🎨🖤 #ArtInspiration #PhotoshopWisdom #CreativeJourney #Loneliness #Nostalgia
    1 Комментарии 0 Поделились 0 предпросмотр
  • In a world where creativity should be celebrated, the news of Virtuos laying off 300 talented individuals after the success of Oblivion Remastered cuts deep. It’s heartbreaking to witness the very hands that crafted beauty and nostalgia being cast aside, as if their passions meant nothing. The thrill of creating something monumental is overshadowed by the harsh reality of an industry that often rewards effort with loss.

    We pour our souls into games, only to feel the emptiness of abandonment when the credits roll. This isn't just about numbers; it’s about dreams shattered and lives disrupted. In a time when connection is needed the most, we’re left to grapple with the silence of an empty studio.

    #Virtuos #OblivionRemastered
    In a world where creativity should be celebrated, the news of Virtuos laying off 300 talented individuals after the success of Oblivion Remastered cuts deep. 💔 It’s heartbreaking to witness the very hands that crafted beauty and nostalgia being cast aside, as if their passions meant nothing. The thrill of creating something monumental is overshadowed by the harsh reality of an industry that often rewards effort with loss. We pour our souls into games, only to feel the emptiness of abandonment when the credits roll. This isn't just about numbers; it’s about dreams shattered and lives disrupted. In a time when connection is needed the most, we’re left to grapple with the silence of an empty studio. #Virtuos #OblivionRemastered
    KOTAKU.COM
    The Studio Behind Oblivion Remastered, One Of 2025's Biggest Hits, Is Reportedly Laying Off 300 People [Update: Layoffs Confirmed]
    Virtuos, the support team behind big games like The Elder Scrolls IV: Oblivion Remastered and the upcoming Metal Gear Solid Delta: Snake Eater remake, is the latest in a sad line of developers releasing a successful project and being rewarded with la
    Like
    Love
    Wow
    Angry
    Sad
    65
    1 Комментарии 0 Поделились 0 предпросмотр
  • In a world where trust is meant to prevail, I feel the weight of betrayal as ICE gains unprecedented access to our most intimate medical data. This revelation cuts deep, revealing how fragile our privacy truly is. Millions of lives reduced to mere data points, stripped of dignity, all in the name of control. The echoes of isolation grow louder, reminding me of the countless souls who now face even greater fears. How do we protect our humanity when our very existence is being hunted? I sit in silence, grappling with the pain of knowing that our most vulnerable moments are now under scrutiny.

    #PrivacyMatters
    #HumanRights
    #Healthcare
    #Freedom
    #Isolation
    In a world where trust is meant to prevail, I feel the weight of betrayal as ICE gains unprecedented access to our most intimate medical data. This revelation cuts deep, revealing how fragile our privacy truly is. Millions of lives reduced to mere data points, stripped of dignity, all in the name of control. The echoes of isolation grow louder, reminding me of the countless souls who now face even greater fears. How do we protect our humanity when our very existence is being hunted? I sit in silence, grappling with the pain of knowing that our most vulnerable moments are now under scrutiny. #PrivacyMatters #HumanRights #Healthcare #Freedom #Isolation
    ICE Is Getting Unprecedented Access to Medicaid Data
    A new agreement viewed by WIRED gives ICE direct access to a federal database containing sensitive medical data on tens of millions of Americans, with the goal of locating immigrants.
    1 Комментарии 0 Поделились 0 предпросмотр
  • In a world where dreams once soared, the recent news of job cuts at Xbox casts a dark shadow over many hearts. A lonely job offer, accompanied by a poorly generated AI image, stands as a stark reminder of the hollow promises made. How can we move forward when the faces behind the screens are lost in a sea of uncertainty? The laughter that once echoed in the halls is now replaced by silence, leaving us to grapple with feelings of betrayal and isolation.

    As we witness the aftermath of these layoffs, we are left wondering: what happens to the passion and creativity that once fueled our ambitions?

    #Xbox #JobCuts #AI #Loneliness #Heartbreak
    In a world where dreams once soared, the recent news of job cuts at Xbox casts a dark shadow over many hearts. A lonely job offer, accompanied by a poorly generated AI image, stands as a stark reminder of the hollow promises made. How can we move forward when the faces behind the screens are lost in a sea of uncertainty? The laughter that once echoed in the halls is now replaced by silence, leaving us to grapple with feelings of betrayal and isolation. As we witness the aftermath of these layoffs, we are left wondering: what happens to the passion and creativity that once fueled our ambitions? #Xbox #JobCuts #AI #Loneliness #Heartbreak
    WWW.ACTUGAMING.NET
    Un responsable chez Xbox publie une offre d’emploi avec une image (moche) générée par IA, après tous les licenciements
    ActuGaming.net Un responsable chez Xbox publie une offre d’emploi avec une image (moche) générée par IA, après tous les licenciements Personne n’est vraiment dupe concernant la vérité derrière les récents licenciements chez Microsoft. L&
    Like
    Love
    Wow
    Angry
    Sad
    55
    1 Комментарии 0 Поделились 0 предпросмотр
  • Microsoft's latest strategy to "enhance our efficiency" seems to involve a peculiar approach: laying off video game workers left and right. Because, you know, nothing screams efficiency like cutting off the hands that craft the very games you sell. Maybe they're just trying to streamline the process of not having any games at all! Who knew that the secret to gaming excellence was a good old-fashioned downsizing?

    I guess we can expect the next Xbox to come with a side of "less staff, more profits." Can't wait for the upcoming titles: "Where Did Everyone Go?" and "The Last Worker Standing."

    #XboxLayoffs #MicrosoftEfficiency #GamingIndustry #CorporateHumor #JobCuts
    Microsoft's latest strategy to "enhance our efficiency" seems to involve a peculiar approach: laying off video game workers left and right. Because, you know, nothing screams efficiency like cutting off the hands that craft the very games you sell. Maybe they're just trying to streamline the process of not having any games at all! Who knew that the secret to gaming excellence was a good old-fashioned downsizing? I guess we can expect the next Xbox to come with a side of "less staff, more profits." Can't wait for the upcoming titles: "Where Did Everyone Go?" and "The Last Worker Standing." #XboxLayoffs #MicrosoftEfficiency #GamingIndustry #CorporateHumor #JobCuts
    Microsoft says Xbox layoffs are being made to 'enhance our efficiency'
    The latest wave of redundancies at the company will impact video game workers across a myriad of levels, teams, and geographies.
    Like
    Love
    Wow
    Angry
    Sad
    90
    1 Комментарии 0 Поделились 0 предпросмотр
  • In a world where warehouses brim with food that could fight malnutrition, my heart aches for the children in South Sudan who go to bed hungry. The cuts in USAID assistance leave them vulnerable, dangling on the edge of despair while we turn a blind eye. How can we sit in comfort when their little voices cry out for help? It feels like a cruel joke, a heartbreaking reminder of our indifference. The stark reality is that people are going to die, and for what? A system that prioritizes surplus over survival? I feel so small in the face of such overwhelming sorrow.

    #MalnutritionCrisis
    #USAID
    #SouthSudan
    #Hunger
    #Hope
    In a world where warehouses brim with food that could fight malnutrition, my heart aches for the children in South Sudan who go to bed hungry. 😢 The cuts in USAID assistance leave them vulnerable, dangling on the edge of despair while we turn a blind eye. How can we sit in comfort when their little voices cry out for help? It feels like a cruel joke, a heartbreaking reminder of our indifference. The stark reality is that people are going to die, and for what? A system that prioritizes surplus over survival? I feel so small in the face of such overwhelming sorrow. #MalnutritionCrisis #USAID #SouthSudan #Hunger #Hope
    ‘People Are Going to Die’: A Malnutrition Crisis Looms in the Wake of USAID Cuts
    Warehouses in the US are full of foods that fight malnutrition, while kids go hungry in places like South Sudan.
    1 Комментарии 0 Поделились 0 предпросмотр
  • Ah, the glorious return of the zine! Because nothing says "I’m hip and in touch with the underground" quite like a DIY pamphlet that screams “I have too much time on my hands.” WIRED has graciously gifted us with a step-by-step guide on how to create your very own zine titled “How to Win a Fight.”

    Print. Fold. Share. Download. Sounds easy, right? The process is so straightforward that even your grandma could do it—assuming she’s not too busy mastering TikTok dances. But let’s take a moment to appreciate the sheer audacity of needing instructions for something as inherently chaotic as making a zine. It’s like needing a manual to ride a bike… but the bike is on fire, and you’re trying to escape a rabid raccoon.

    In the age of high-tech everything, where our phones can tell us the weather on Mars and remind us to breathe, we’re now apparently in desperate need of a physical booklet that offers sage advice on how to “win a fight.” Because nothing screams “I’m a mature adult” quite like settling disputes via pamphlet. Maybe instead of standing up for ourselves, we should just hand our opponents a printed foldable and let them peruse our literary genius.

    And let’s not forget the nostalgia factor here! The last time a majority of us saw a zine was in 1999—back when flip phones were the pinnacle of technology and the biggest fight we faced was over who got control of the TV remote. Now, we’re being whisked back to those simpler times, armed only with a printer and a fierce desire to assert our dominance through paper cuts.

    But hey, if you’ve never made a zine, or you’ve simply forgotten how to do it since the dawn of the millennium, WIRED’s got your back! They’ve turned this into a social movement, where amateur philosophers can print, fold, and share their thoughts on how to engage in fights. Because why have a conversation when you can battle with paper instead?

    Let’s be honest: this is all about making “fighting” a trendy topic again. Who needs actual conflict resolution when you can just hand out zines like business cards? Imagine walking into a bar, someone bumps into you, and instead of a punch, you just slide them a zine. “Here’s how to win a fight, buddy. Chapter One: Don’t.”

    So, if you feel like embracing your inner 90s kid and channeling your angst into a creative outlet, jump on this zine-making bandwagon. Who knows? You might just win a fight—against boredom, at least.

    #ZineCulture #HowToWinAFight #DIYProject #NostalgiaTrip #WIRED
    Ah, the glorious return of the zine! Because nothing says "I’m hip and in touch with the underground" quite like a DIY pamphlet that screams “I have too much time on my hands.” WIRED has graciously gifted us with a step-by-step guide on how to create your very own zine titled “How to Win a Fight.” Print. Fold. Share. Download. Sounds easy, right? The process is so straightforward that even your grandma could do it—assuming she’s not too busy mastering TikTok dances. But let’s take a moment to appreciate the sheer audacity of needing instructions for something as inherently chaotic as making a zine. It’s like needing a manual to ride a bike… but the bike is on fire, and you’re trying to escape a rabid raccoon. In the age of high-tech everything, where our phones can tell us the weather on Mars and remind us to breathe, we’re now apparently in desperate need of a physical booklet that offers sage advice on how to “win a fight.” Because nothing screams “I’m a mature adult” quite like settling disputes via pamphlet. Maybe instead of standing up for ourselves, we should just hand our opponents a printed foldable and let them peruse our literary genius. And let’s not forget the nostalgia factor here! The last time a majority of us saw a zine was in 1999—back when flip phones were the pinnacle of technology and the biggest fight we faced was over who got control of the TV remote. Now, we’re being whisked back to those simpler times, armed only with a printer and a fierce desire to assert our dominance through paper cuts. But hey, if you’ve never made a zine, or you’ve simply forgotten how to do it since the dawn of the millennium, WIRED’s got your back! They’ve turned this into a social movement, where amateur philosophers can print, fold, and share their thoughts on how to engage in fights. Because why have a conversation when you can battle with paper instead? Let’s be honest: this is all about making “fighting” a trendy topic again. Who needs actual conflict resolution when you can just hand out zines like business cards? Imagine walking into a bar, someone bumps into you, and instead of a punch, you just slide them a zine. “Here’s how to win a fight, buddy. Chapter One: Don’t.” So, if you feel like embracing your inner 90s kid and channeling your angst into a creative outlet, jump on this zine-making bandwagon. Who knows? You might just win a fight—against boredom, at least. #ZineCulture #HowToWinAFight #DIYProject #NostalgiaTrip #WIRED
    Print. Fold. Share. Download WIRED's How to Win a Fight Zine Here
    Never made a zine? Haven’t made one since 1999? We made one, and so can you.
    Like
    Love
    Wow
    Sad
    Angry
    251
    1 Комментарии 0 Поделились 0 предпросмотр
  • In the silence of my room, I find myself staring at the empty corners where dreams once blossomed. The thought of nurturing life, of watching something grow under my care, feels like a distant memory. The **Gardyn Indoor Hydroponic Garden** promised hope—a way to cultivate green even when the world outside is barren. But here I am, clutching my heart, feeling the weight of disappointment.

    They say even those with the blackest thumbs can become master gardeners with this ingenious creation. Yet, I can’t help but feel that the very act of reaching for this technology only magnifies my solitude. Each subscription I pay feels like a reminder of my failures, echoing through my mind like a haunting melody. The joy of growing, of watching tiny seeds transform into vibrant life, is overshadowed by an overwhelming sense of inadequacy.

    As I browse through the reviews, I see others thriving, their gardens bursting with color and vitality. It’s a sharp contrast to my own barren reality. I feel like an outsider looking in, my heart heavy with the knowledge that I cannot replicate their success, even with the help of AI. The world tells me that I should be able to grow something beautiful—something that reflects life and warmth. Yet, I can only muster the courage to reach out for a lifeline that just keeps slipping away.

    In moments of quiet despair, I question my worth. What is the point of investing in something that only serves to highlight my shortcomings? The **better growing through AI** feels like a cruel joke. It’s as if the universe is reminding me that no amount of technology can bridge the chasm of my isolation. I yearn for the simple joy of nurturing life, yet here I stand, a weary soul wrapped in the chains of disappointment.

    Every time I see the bright greens and vibrant reds of thriving plants online, it cuts deeper. I wonder if I will ever know that feeling, or if I will remain alone in this garden of shadows. The promise of a flourishing indoor garden now feels like a mirage, a fleeting glimpse of what could have been if only I were capable of growing beyond my sorrow.

    Perhaps it’s not just about gardening; perhaps it’s about connection—seeking companionship in a world that often feels cold. I long for someone who understands the weight of this solitude, who knows the struggle of wanting to cultivate something beautiful but feeling lost in the process. With every passing day, I realize that the seeds I wish to plant go beyond soil and water; they are a testament to my desire for companionship, for growth, for life.

    And so, I sit here, clutching my dreams tightly, hoping that someday I will learn to grow not just plants, but the courage to embrace the beauty around me despite the shadows that linger.

    #Gardyn #IndoorGarden #Hydroponics #Loneliness #Heartbreak
    In the silence of my room, I find myself staring at the empty corners where dreams once blossomed. The thought of nurturing life, of watching something grow under my care, feels like a distant memory. The **Gardyn Indoor Hydroponic Garden** promised hope—a way to cultivate green even when the world outside is barren. But here I am, clutching my heart, feeling the weight of disappointment. They say even those with the blackest thumbs can become master gardeners with this ingenious creation. Yet, I can’t help but feel that the very act of reaching for this technology only magnifies my solitude. Each subscription I pay feels like a reminder of my failures, echoing through my mind like a haunting melody. The joy of growing, of watching tiny seeds transform into vibrant life, is overshadowed by an overwhelming sense of inadequacy. As I browse through the reviews, I see others thriving, their gardens bursting with color and vitality. It’s a sharp contrast to my own barren reality. I feel like an outsider looking in, my heart heavy with the knowledge that I cannot replicate their success, even with the help of AI. The world tells me that I should be able to grow something beautiful—something that reflects life and warmth. Yet, I can only muster the courage to reach out for a lifeline that just keeps slipping away. In moments of quiet despair, I question my worth. What is the point of investing in something that only serves to highlight my shortcomings? The **better growing through AI** feels like a cruel joke. It’s as if the universe is reminding me that no amount of technology can bridge the chasm of my isolation. I yearn for the simple joy of nurturing life, yet here I stand, a weary soul wrapped in the chains of disappointment. Every time I see the bright greens and vibrant reds of thriving plants online, it cuts deeper. I wonder if I will ever know that feeling, or if I will remain alone in this garden of shadows. The promise of a flourishing indoor garden now feels like a mirage, a fleeting glimpse of what could have been if only I were capable of growing beyond my sorrow. Perhaps it’s not just about gardening; perhaps it’s about connection—seeking companionship in a world that often feels cold. I long for someone who understands the weight of this solitude, who knows the struggle of wanting to cultivate something beautiful but feeling lost in the process. With every passing day, I realize that the seeds I wish to plant go beyond soil and water; they are a testament to my desire for companionship, for growth, for life. And so, I sit here, clutching my dreams tightly, hoping that someday I will learn to grow not just plants, but the courage to embrace the beauty around me despite the shadows that linger. #Gardyn #IndoorGarden #Hydroponics #Loneliness #Heartbreak
    Gardyn Indoor Hydroponic Garden Review: Better Growing Through AI
    Even those with the blackest thumbs can become master gardeners—as long as they’re willing to shell out for a subscription.
    Like
    Love
    Wow
    Sad
    Angry
    273
    1 Комментарии 0 Поделились 0 предпросмотр
  • In a world that once felt vibrant and alive, I find myself standing alone amidst the echoes of what used to be. The announcement of the Final Fantasy Tactics Remaster should have ignited a spark of nostalgia and joy within me, yet all I feel is an overwhelming sense of longing and betrayal. How did it come to this? How did a cherished memory become a bittersweet reminder of time lost?

    It’s been over a decade since I last held my breath while strategizing my way through the intricate battles of Ivalice, a realm that lived in my heart and mind. I remember the hours spent plotting my next move, the thrill of victory, and the heartbreak of defeat. Yet now, as the remaster nears its release, I can’t shake off the feeling that it was forced into existence, as if the very essence of what made it special was sacrificed for the sake of modernity. I find myself questioning: Is this the revival we hoped for, or just a shadow of its former self?

    Square Enix, a name that once resonated with dreams and adventure, has made controversial cuts that leave me feeling hollow. The magic of the original feels diluted, as if they took my beloved game and stripped it of its soul. The characters I cherished now seem distant, their voices muted in the rush to cater to new generations who may never truly appreciate the depth of the story. I feel like a ghost, haunting the remnants of a past that refuses to let me go, yet has also forgotten me.

    As September approaches, I wonder if I should even bother to dive back into Ivalice. Can I bear to face the changes that threaten to shatter my memories? The thought of playing a game that feels more like a corporate product than a passionate creation is almost too much to bear. The solitude of this anticipation weighs heavily on my heart, and I can’t help but feel abandoned by something that used to be a vital part of my life. Every pixel, every note of music, every character arc—now seemingly a casualty in the battle between nostalgia and progress.

    I long for the days when games were crafted with love and care, not merely as a means to an end. I wish for a return to the magic that existed in those pixelated battles and heartfelt narratives. As I prepare myself for this release, I can only hope that somehow, some way, I can find a piece of what I once adored.

    In my solitude, I cling to these memories, even as I brace myself for the reality of a remaster that feels more like a farewell than a homecoming.

    #FinalFantasyTactics #IvaliceChronicles #GamingNostalgia #Heartbreak #Loneliness
    In a world that once felt vibrant and alive, I find myself standing alone amidst the echoes of what used to be. The announcement of the Final Fantasy Tactics Remaster should have ignited a spark of nostalgia and joy within me, yet all I feel is an overwhelming sense of longing and betrayal. How did it come to this? How did a cherished memory become a bittersweet reminder of time lost? 💔 It’s been over a decade since I last held my breath while strategizing my way through the intricate battles of Ivalice, a realm that lived in my heart and mind. I remember the hours spent plotting my next move, the thrill of victory, and the heartbreak of defeat. Yet now, as the remaster nears its release, I can’t shake off the feeling that it was forced into existence, as if the very essence of what made it special was sacrificed for the sake of modernity. I find myself questioning: Is this the revival we hoped for, or just a shadow of its former self? 😞 Square Enix, a name that once resonated with dreams and adventure, has made controversial cuts that leave me feeling hollow. The magic of the original feels diluted, as if they took my beloved game and stripped it of its soul. The characters I cherished now seem distant, their voices muted in the rush to cater to new generations who may never truly appreciate the depth of the story. I feel like a ghost, haunting the remnants of a past that refuses to let me go, yet has also forgotten me. 🌧️ As September approaches, I wonder if I should even bother to dive back into Ivalice. Can I bear to face the changes that threaten to shatter my memories? The thought of playing a game that feels more like a corporate product than a passionate creation is almost too much to bear. The solitude of this anticipation weighs heavily on my heart, and I can’t help but feel abandoned by something that used to be a vital part of my life. Every pixel, every note of music, every character arc—now seemingly a casualty in the battle between nostalgia and progress. I long for the days when games were crafted with love and care, not merely as a means to an end. I wish for a return to the magic that existed in those pixelated battles and heartfelt narratives. As I prepare myself for this release, I can only hope that somehow, some way, I can find a piece of what I once adored. In my solitude, I cling to these memories, even as I brace myself for the reality of a remaster that feels more like a farewell than a homecoming. #FinalFantasyTactics #IvaliceChronicles #GamingNostalgia #Heartbreak #Loneliness
    The Final Fantasy Tactics Remaster Had To Be Brute-Forced Into Existence And Makes Some Controversial Cuts
    Final Fantasy Tactics - The Ivalice Chronicles will make the PS1 classic playable on modern hardware in September for the first time since the PlayStation 3 generation over a decade ago. Why did it take so long for Square Enix to bring back the belov
    Like
    Love
    Wow
    Sad
    Angry
    505
    1 Комментарии 0 Поделились 0 предпросмотр
  • Inside Summer Game Fest 2025: How Geoff Keighley and Producers Pulled Off Event Amid Industry Layoffs, ‘GTA 6’ Delay and Switch 2 Release

    With the ongoing jobs cuts across the gaming industry, the shift of “Grand Theft Auto 6” from release this fall to a launch next spring, and the distraction of the first new Nintendo console in eight years, there was a chance that Summer Game Fest 2025 wouldn’t have the same allure as the annual video game showcase has had in years past.Related Stories

    But the gamers came out in full force for the Geoff Keighley-hosted event on June 6, which live-streamed out of the YouTube Theater at SoFi Stadium in Los Angeles.

    Popular on Variety

    “Viewership was up significantly year over year,” Keighley told Variety. “Stream charts said it doubled its audience year over year for the peak concurrency to over 3 million peak concurrent viewers, which does not include China.”

    In person, both the Summer Game Fest live showcase event and its subsequent weekend Play Days event for developers and press saw “significantly higher” media creator attendance this year: more than 600 registered attendees vs. “somewhere in the 400s” in 2024, per SGF. The boost is an indicator that both the current U.S. political climate and significant changes in 2025’s game release schedule, like the delay of “Grand Theft Auto 6” until next May, didn’t affect interest in the event.

    “Things happen in the industry all the time that are big news worthy happenings,” Summer Game Fest producer and iam8bit co-creator Amanda White. “Switch 2 just happened and we’re here, it’s all working out, everybody’s having a great time playing games. It’s not irrelevant — it’s just part of the way things go.”

    As big a hit as the Switch 2 was with consumers upon release — selling more than 3.5 million units during the first four days after its June 5 launch — and noted multiple times during the Summer Game Fest live showcase on June 6, Nintendo’s new console was not the star of the three-day Play Days event for developers and media in Downtown Los Angeles, which ran June 7-9.

    “I have not seen a single attendee with a Switch 2 on campus,” SGF producer and iam8bit co-creator Jon M. Gibson said with a laugh. “There’s a few Switch 2s that Nintendo supplied. Some dev kits for Bandai and for Capcom. Of course, the launch happened on Thursday, so bandwidth from Nintendo is stretched thin with all the midnight launches and stuff. But they’re really supportive and supply some for some pre-release games, which is exciting.”

    Some big video publishers such as EA, Take-Two and Ubisoft skipped this year’s SGF, eliminating potential splashy in-show hits for eagerly anticipated games like “Grand Theft Auto 6.” But SGF still managed a few big moments, like the announcement and trailer release for “Resident Evil Requiem.” Gibson and White attribute that reveal and other moments like it to the immense trust the festival has managed to build up with video game publishers in just a few years.

    “We are very proud of our ability to keep the trust of all the publishers on campus,” Gibson said. “Six years into SGF as a whole, four years into Play Days, we’re very good. Because we have to print everything ahead of time, too. So there are lots of unannounced things that we’re very careful about who sees what. We have vendors who print and produce and manufacture physical objects under very tight wraps. We’re just very protective, because we know what it means to have to keep a secret because we’ve had our own games that we’ve had to announce, as well. Capcom is a great example with ‘Resident Evil.’ We knew that for a very long time, but they trusted us with information, and we were very careful about what our team actually knew what was going on.”

    And even though some of the gaming giants sat this year out, White says conversations were already happening on the Play Days campus about who is ready to return next year and what they’ll bring.

    “People get excited, they come and see. And each year we grow, so people see more potential,” White said.

    As for next year, the June show will take place just a few weeks after the planned May 26 release for “GTA 6.” While Switch 2 didn’t seem to distract too much, will the draw of playing the newly launched “GTA 6” prove to be so powerful it outshines whatever could be announced at SGF 2026?

    “My view is that all boats rise with ‘GTA’ launch,” Keighley said. “It is a singular cultural event that is the biggest thing in all of entertainment this decade. It will bring more people into gaming, sell lots of consoles and bring back lapsed gamers. There will never be a better time to feel the excitement and energy around gaming than SGF 2026.”

    See more from Variety‘s Q&A with Keighley about Summer Game Fest 2025 below.

    How was this year’s show impacted by the date shift for “GTA 6”? How much was planned before and after that big announcement?

    So far as I know there wasn’t any material impact, but I think the date move did allow a number of teams to feel more confident announcing their launch dates.

    Halfway through the year, what do you see as some of the biggest trends in gaming for 2025, and how did you look to reflect that in the show?

    We continue to see some of the most interesting and successful games come from smaller teams outside of the traditional publisher system – games like “Clair Obscur,” “Blue Prince” and “REPO.” So we wanted to highlight some of those projects at the show like “Ill” and “Mortal Shell 2.”

    What game announcements and trailers do you think resonated most with audiences after this show? What assets were the most popular?

    “Resident Evil Requiem” was a massive moment. Also we saw a lot of love for “Ill” from a small team in Canada and Armenia.
    #inside #summer #game #fest #how
    Inside Summer Game Fest 2025: How Geoff Keighley and Producers Pulled Off Event Amid Industry Layoffs, ‘GTA 6’ Delay and Switch 2 Release
    With the ongoing jobs cuts across the gaming industry, the shift of “Grand Theft Auto 6” from release this fall to a launch next spring, and the distraction of the first new Nintendo console in eight years, there was a chance that Summer Game Fest 2025 wouldn’t have the same allure as the annual video game showcase has had in years past.Related Stories But the gamers came out in full force for the Geoff Keighley-hosted event on June 6, which live-streamed out of the YouTube Theater at SoFi Stadium in Los Angeles. Popular on Variety “Viewership was up significantly year over year,” Keighley told Variety. “Stream charts said it doubled its audience year over year for the peak concurrency to over 3 million peak concurrent viewers, which does not include China.” In person, both the Summer Game Fest live showcase event and its subsequent weekend Play Days event for developers and press saw “significantly higher” media creator attendance this year: more than 600 registered attendees vs. “somewhere in the 400s” in 2024, per SGF. The boost is an indicator that both the current U.S. political climate and significant changes in 2025’s game release schedule, like the delay of “Grand Theft Auto 6” until next May, didn’t affect interest in the event. “Things happen in the industry all the time that are big news worthy happenings,” Summer Game Fest producer and iam8bit co-creator Amanda White. “Switch 2 just happened and we’re here, it’s all working out, everybody’s having a great time playing games. It’s not irrelevant — it’s just part of the way things go.” As big a hit as the Switch 2 was with consumers upon release — selling more than 3.5 million units during the first four days after its June 5 launch — and noted multiple times during the Summer Game Fest live showcase on June 6, Nintendo’s new console was not the star of the three-day Play Days event for developers and media in Downtown Los Angeles, which ran June 7-9. “I have not seen a single attendee with a Switch 2 on campus,” SGF producer and iam8bit co-creator Jon M. Gibson said with a laugh. “There’s a few Switch 2s that Nintendo supplied. Some dev kits for Bandai and for Capcom. Of course, the launch happened on Thursday, so bandwidth from Nintendo is stretched thin with all the midnight launches and stuff. But they’re really supportive and supply some for some pre-release games, which is exciting.” Some big video publishers such as EA, Take-Two and Ubisoft skipped this year’s SGF, eliminating potential splashy in-show hits for eagerly anticipated games like “Grand Theft Auto 6.” But SGF still managed a few big moments, like the announcement and trailer release for “Resident Evil Requiem.” Gibson and White attribute that reveal and other moments like it to the immense trust the festival has managed to build up with video game publishers in just a few years. “We are very proud of our ability to keep the trust of all the publishers on campus,” Gibson said. “Six years into SGF as a whole, four years into Play Days, we’re very good. Because we have to print everything ahead of time, too. So there are lots of unannounced things that we’re very careful about who sees what. We have vendors who print and produce and manufacture physical objects under very tight wraps. We’re just very protective, because we know what it means to have to keep a secret because we’ve had our own games that we’ve had to announce, as well. Capcom is a great example with ‘Resident Evil.’ We knew that for a very long time, but they trusted us with information, and we were very careful about what our team actually knew what was going on.” And even though some of the gaming giants sat this year out, White says conversations were already happening on the Play Days campus about who is ready to return next year and what they’ll bring. “People get excited, they come and see. And each year we grow, so people see more potential,” White said. As for next year, the June show will take place just a few weeks after the planned May 26 release for “GTA 6.” While Switch 2 didn’t seem to distract too much, will the draw of playing the newly launched “GTA 6” prove to be so powerful it outshines whatever could be announced at SGF 2026? “My view is that all boats rise with ‘GTA’ launch,” Keighley said. “It is a singular cultural event that is the biggest thing in all of entertainment this decade. It will bring more people into gaming, sell lots of consoles and bring back lapsed gamers. There will never be a better time to feel the excitement and energy around gaming than SGF 2026.” See more from Variety‘s Q&A with Keighley about Summer Game Fest 2025 below. How was this year’s show impacted by the date shift for “GTA 6”? How much was planned before and after that big announcement? So far as I know there wasn’t any material impact, but I think the date move did allow a number of teams to feel more confident announcing their launch dates. Halfway through the year, what do you see as some of the biggest trends in gaming for 2025, and how did you look to reflect that in the show? We continue to see some of the most interesting and successful games come from smaller teams outside of the traditional publisher system – games like “Clair Obscur,” “Blue Prince” and “REPO.” So we wanted to highlight some of those projects at the show like “Ill” and “Mortal Shell 2.” What game announcements and trailers do you think resonated most with audiences after this show? What assets were the most popular? “Resident Evil Requiem” was a massive moment. Also we saw a lot of love for “Ill” from a small team in Canada and Armenia. #inside #summer #game #fest #how
    VARIETY.COM
    Inside Summer Game Fest 2025: How Geoff Keighley and Producers Pulled Off Event Amid Industry Layoffs, ‘GTA 6’ Delay and Switch 2 Release
    With the ongoing jobs cuts across the gaming industry, the shift of “Grand Theft Auto 6” from release this fall to a launch next spring, and the distraction of the first new Nintendo console in eight years, there was a chance that Summer Game Fest 2025 wouldn’t have the same allure as the annual video game showcase has had in years past. (There was also the factor of the actors strike against video game companies, which, as of June 11, has been called off by SAG-AFTRA.) Related Stories But the gamers came out in full force for the Geoff Keighley-hosted event on June 6, which live-streamed out of the YouTube Theater at SoFi Stadium in Los Angeles. Popular on Variety “Viewership was up significantly year over year,” Keighley told Variety. “Stream charts said it doubled its audience year over year for the peak concurrency to over 3 million peak concurrent viewers, which does not include China.” In person, both the Summer Game Fest live showcase event and its subsequent weekend Play Days event for developers and press saw “significantly higher” media creator attendance this year: more than 600 registered attendees vs. “somewhere in the 400s” in 2024, per SGF. The boost is an indicator that both the current U.S. political climate and significant changes in 2025’s game release schedule, like the delay of “Grand Theft Auto 6” until next May, didn’t affect interest in the event. “Things happen in the industry all the time that are big news worthy happenings,” Summer Game Fest producer and iam8bit co-creator Amanda White. “Switch 2 just happened and we’re here, it’s all working out, everybody’s having a great time playing games. It’s not irrelevant — it’s just part of the way things go.” As big a hit as the Switch 2 was with consumers upon release — selling more than 3.5 million units during the first four days after its June 5 launch — and noted multiple times during the Summer Game Fest live showcase on June 6, Nintendo’s new console was not the star of the three-day Play Days event for developers and media in Downtown Los Angeles, which ran June 7-9. “I have not seen a single attendee with a Switch 2 on campus,” SGF producer and iam8bit co-creator Jon M. Gibson said with a laugh. “There’s a few Switch 2s that Nintendo supplied. Some dev kits for Bandai and for Capcom. Of course, the launch happened on Thursday, so bandwidth from Nintendo is stretched thin with all the midnight launches and stuff. But they’re really supportive and supply some for some pre-release games, which is exciting.” Some big video publishers such as EA, Take-Two and Ubisoft skipped this year’s SGF, eliminating potential splashy in-show hits for eagerly anticipated games like “Grand Theft Auto 6.” But SGF still managed a few big moments, like the announcement and trailer release for “Resident Evil Requiem.” Gibson and White attribute that reveal and other moments like it to the immense trust the festival has managed to build up with video game publishers in just a few years. “We are very proud of our ability to keep the trust of all the publishers on campus,” Gibson said. “Six years into SGF as a whole, four years into Play Days, we’re very good. Because we have to print everything ahead of time, too. So there are lots of unannounced things that we’re very careful about who sees what. We have vendors who print and produce and manufacture physical objects under very tight wraps. We’re just very protective, because we know what it means to have to keep a secret because we’ve had our own games that we’ve had to announce, as well. Capcom is a great example with ‘Resident Evil.’ We knew that for a very long time, but they trusted us with information, and we were very careful about what our team actually knew what was going on.” And even though some of the gaming giants sat this year out, White says conversations were already happening on the Play Days campus about who is ready to return next year and what they’ll bring. “People get excited, they come and see. And each year we grow, so people see more potential,” White said. As for next year, the June show will take place just a few weeks after the planned May 26 release for “GTA 6.” While Switch 2 didn’t seem to distract too much, will the draw of playing the newly launched “GTA 6” prove to be so powerful it outshines whatever could be announced at SGF 2026? “My view is that all boats rise with ‘GTA’ launch,” Keighley said. “It is a singular cultural event that is the biggest thing in all of entertainment this decade. It will bring more people into gaming, sell lots of consoles and bring back lapsed gamers. There will never be a better time to feel the excitement and energy around gaming than SGF 2026.” See more from Variety‘s Q&A with Keighley about Summer Game Fest 2025 below. How was this year’s show impacted by the date shift for “GTA 6”? How much was planned before and after that big announcement? So far as I know there wasn’t any material impact, but I think the date move did allow a number of teams to feel more confident announcing their launch dates. Halfway through the year, what do you see as some of the biggest trends in gaming for 2025, and how did you look to reflect that in the show? We continue to see some of the most interesting and successful games come from smaller teams outside of the traditional publisher system – games like “Clair Obscur,” “Blue Prince” and “REPO.” So we wanted to highlight some of those projects at the show like “Ill” and “Mortal Shell 2.” What game announcements and trailers do you think resonated most with audiences after this show? What assets were the most popular? “Resident Evil Requiem” was a massive moment. Also we saw a lot of love for “Ill” from a small team in Canada and Armenia.
    Like
    Love
    Wow
    Sad
    Angry
    532
    0 Комментарии 0 Поделились 0 предпросмотр
Расширенные страницы
CGShares https://cgshares.com