Even as children, we in the U.S. learn that June brings good things—warmer weather, ice cream trucks, and most significantly, summer break from school. As an adult, all of those things still matter to me (substitute summer break for outdoorsy weekends), but the arrival of summer produce has crept up to the top of my June list of good things. In this monthly article, I take a look at the fruits and veggies coming into season and some incredible ways you can use them. Let’s dive into June's offerings. Why seasonal and local produce is greatLong distance shipping for out-of-season produce is convenient, but there is usually a price to pay with literal higher prices or lesser quality (or both). Using seasonal produce is a step toward supporting smaller farms situated somewhere closer to where you live rather than a monoculture farm somewhere far away. A big, healthy harvest with shorter shipping distances likely means a cheaper price tag for you. And hopefully the produce exhibits the best possible flavor profile since it doesn’t have to travel great distances to arrive at your market. Buying local and in season means you’ll possibly see a greater variety of tender greens and delicate fruits that don’t travel out of state well. Those little strawberries that pop up at the farmers market are so juicy and delicate you’d never see them packed up and shipped out across the country—they’d be turned into jam before they got a chance to leave. Go to those summer farmers markets downtown and reap the benefits of the juiciest summer fruit.  What’s in season right nowYou’re probably seeing it already, but everywhere from tiny produce markets to big box grocery stores are growing fuller with the very beginnings of summer produce glut, and the prices are dropping. Personally, I’m celebrating the low berry prices with morning smoothies. (If you’re a fruit smoothie-enthusiast like I am, here are a couple great blenders that might interest you.) For those who are growing their own food, keep up with our Home and Garden section for tips.The new produce coming in for June:ApricotsSweet Cherries (not quite yet for tart cherries)StrawberriesBlueberriesRaspberriesBlackberriesBeetsBroccoli Cabbage Garlic scapesGreen peasMustard greensZucchini & summer squashSay, "au revoir" to:AsparagusArugulaRampsParsnipsProduce in peak season:Beet greensLettuceRadishes and their greensRhubarbSpinachTurnipsChardSnap peasSnow peasNote that your specific region may be warmer or cooler, or farther away—so don’t worry if floods of strawberries haven’t arrived yet, or if you still have loads of wild ramps growing in the yard. Nature will do its thing, and we’ll continue trying to keep up.What to cook with your spring bountyFruitsJune is the beginning of having all the fun you want to have when it comes to recipes. Let’s start with fruit. We’re looking at loads of berries for the next few months and the beginnings of stone fruits, so I recommend warming up those ovens. I know that sounds too hot, but think of the pies! Cherry pies, Strawberry-rhubarb, apricot and blackberry, blueberry-goat-cheese tarts—you simply must make some. To help you along, here’s my fail-proof way to lattice pie crust, and my best advice on preventing soggy fruit pies. They’re well worth a read if you’ve had trouble in the past.If you’d rather be stuck in a room with a pack of wild 7-year-olds than make a pie, OK fine. Make a fruit trifle with leftover cake, stuff delicious biscuits with summer fruit and whipped cream, and why not take a crack at your own homemade berry ice cream. I made vanilla bean ice cream with a swirl of fresh raspberry compote and I felt pretty damn pleased with myself. If you’re shopping for affordable ice cream machines, I just tested and reviewed this Cuisinart.As I mentioned, fruit smoothies always welcome a handful of frozen berries. I should mention (and I’ll say this again at the end of the season): Freezing your berries is the best way to reduce waste. (Here’s the best way to freeze fruit.) If you’re using berries to top yogurt or granola, there’s no need to freeze it, but if you’re baking with fruit, making jams, or blending smoothies, freezing is extremely helpful. Pop the fruit in the freezer in the container it came in (hull strawberries first, and halve the big ones). After a few hours, they’ll be solid and you can dump them into a zip-top freezer bag for easier freezer storage.Vegetables All the cruciferous veggies are going strong right now, so go ahead and get that fiber. Use shaved broccoli and cabbage in a salad. Wilt spinach, chard, or mustard greens down in a hearty soup. My absolute favorite thing to do with summer zucchini is to make Thai kai jiao. You can use different vegetables in this dish, but zucchini is my all-time favorite. You also can’t go wrong with grilling big, fat planks of summer squash and drizzling them with a light vinaigrette. Got lots of crisp lettuce? Well, you can always bulk up your warm salads or do what I do and add it to every sandwich. Bacon, egg, cheese, and lettuce. Meatball parm sub and lettuce. Peanut butter and—OK, maybe not that one. Pay special attention to the fleeting produce like rhubarb, ramps, and scapes. They’re around for just a blink so grab them up. Try roasting your rhubarb with strawberries for a sweet, tart, and caramelized treat. Enjoy the best of June produce, and hopefully we’ll get a peek at tomatoes at the end of the month. 

Phasmophobia June's update reworks the Journal, Media, and brings a "total overhaul" of evidence collection Ghost-it Note. Image credit: Kinetic Games News by Vikki Blake Contributor Published on May 31, 2025 Kinetic Games has confirmed Phasmophobia's next content drop, Chronicle, will release on 24th June, and it'll be its "biggest update yet". As well as introducing a "total overhaul" of how evidence is collected, the team said Chronicle will expand investigations with three new evidence types, a completely redesigned Journal, reworked levelling and progression, a refreshed Main Menu UI, and "many eerie surprises still lurking in the dark". Phasmophobia - Console Launch Trailer.Watch on YouTube But at the "heart" of the Chronicle update is the debut of the all-new Sound evidence. An entirely new haunting paranormal proof type can be captured through the new Sound Recorder, bringing "a new dimension to gameplay, revealing subtle clues that might otherwise be drowned out by terrified screams". Available in the customary three upgrade tiers, players will be able to record audio from ghost events, Spirit Box responses, and Paranormal Sounds like those detected by the Parabolic Microphone. It's this new evidence type that's necessitated a Journal upgrade, too. The Photo tab will be rebranded as "Media", and keep all your photos, videos, and new sound recordings in one place. Importantly, you'll have to fill your journal with all these unique media types, including "EMF spikes to ghostly interactions and fleeting glimpses of otherworldly forms", to complete a "perfect" investigation. Image credit: Kinetic Games "Chronicle will also introduce a revamped media quality system," Kinetic teased. "The first evidence capture of any media type will be marked as 'Unique', granting extra cash and XP rewards at the end of each contract. Any subsequent captures of the same evidence type will be classed as 'Duplicates', offering smaller rewards. The new system will also add tier bonuses based on the equipment used and adds all media captures into the Reward Multiplier, making every shot, sound, and sight count even more toward player’s final payouts." Don't forget that this year, Phasmophobia will also rework Grafton Farmhouse, following Bleasdale Farmhouse's recent overhaul. Before then, though, we'll also get to see the new levelling and progression system and Main Menu UI when Chronicle arrives at the end of June. The ghost-hunting sim has sold two million copies on console since it came out of early access last October, bringing the total sales across all platforms to 22 million. The development team recently outlined the road ahead for the spooky sim in 2025, confirming map reworks, new ghost-hunting equipment, "thrilling seasonal events", and a brand-new location, too.

Credit: Ian Moore / Mashable Composite; Goodboy Picture Company / E+ / pialhovik / iStock / Getty Images May is National Masturbation Month, and we're celebrating with Feeling Yourself, a series exploring the finer points of self-pleasure. When I look back at pictures of myself in my early 20s, I see a confident young woman who was willing to talk about anything with anyone. But behind closed doors, I was hiding a secret shame that totally contradicted my public brand. I couldn't orgasm — not with a partner, not on my own.There had been fleeting attempts over the years to get the ol' engine rolling. I thought I could reason my way to climax: the internet, with its endless resources in the form of Reddit threads, message boards, and YouTube videos, seemed like the place to go. I turned online for information, emotional (first-person narratives from others who struggled) and practical (sex toys and tutorials). Nothing helped. In fact, all the accumulating knowledge only served to make me feel worse. For it to finally happen, at the age of 25, I had to strip everything back and take my sex drive fully offline for the first time.Failing to climaxThere's a scene in Eve Ensler's legendary play The Vagina Monologues when the audience hears from a woman who didn't have an orgasm until she was 72. "When she finally found her clitoris, she said she cried," the introduction goes. I remember hearing those words at the age of 18 and feeling a fluttering sense of recognition. Then came the chaser: dear god, please let me have one before I'm a septuagenarian. You May Also Like At that age, the inability to orgasm wasn't something that surprised me all that much. I'd read enough teen magazines, seen enough Sex and the City, to know all about the orgasm gap, and that 61 percent of men orgasm every time they have sex compared to 30 percent of women.Multiple studies have found that women are more likely to orgasm during masturbation than intercourse; a similarly consistent finding is that 10 percent of women never orgasm, no matter the circumstances.Yet as I moved through my twenties and failed to rectify the problem, I realised the friends I'd once bonded over this experience with weren't struggling anymore. I felt likeBut as a forthright young feminist on the cusp between the Gen Z and millennial generations, I was also unofficially educated under the tutelage of sex education YouTubers like Shan Boodram, Laci Green, and Hannah Witton. They taught me about the importance of people with vulvas knowing their bodies and having the confidence to tell sexual partners if they weren't getting them off. I spread their message far and wide. Female pleasure was so my brand that a close male friend once gave me a T-shirt with the words "The Future is Female (Ejaculation)" as a Secret Santa gift. I laughed, then went to the bathroom and cried, so deeply full of shame at the disconnect between my public confidence and inward inadequacy.Theoretically speaking, I knew just about everything there was to know about the orgasm…apart from how to have one myself. Very few people, beyond a handful of friends and former partners, knew about my struggle with anorgasmia (where people struggle to climax even with the application of sexual stimulation). I was scared of speaking the words "I can't come" into reality, or of feeling like even more of a failure if they checked in on my progress in the future and I had to tell them that no, I still couldn't.  Theoretically speaking, I knew just about everything there was to know about the orgasm…apart from how to have one myself. As Emily Nagoski writes in her bestselling book Come As You Are, so much of the female orgasm is in the mind. Nagoski theorises that female sexual pleasure has dual controls — an accelerator to turn you on and a brake to turn you off — and that balance is needed to achieve orgasm. But my brake was hyper-sensitive thanks toSex toys felt like a good starting point (god forbid I actually touch myself!), and my limited student budget meant I wanted a vibrator that gave a good bang for my buck, so to speak. I'd spend hours trawling through positive customer reviews for phrases like "can't come" or "never usually orgasm," hoping the same would happen for me if I purchased a clitoral stimulator or CBD lube. When it didn't, I felt more frustrated than ever. Mashable Trend Report: Coming Soon! Decode what’s viral, what’s next, and what it all means. Sign up for Mashable’s weekly Trend Report newsletter. By clicking Sign Me Up, you confirm you are 16+ and agree to our Terms of Use and Privacy Policy. Thanks for signing up! What I was searching for was a sense of recognition — an "oh, I'm not alone in this" feeling that my friends, while empathetic, understandably couldn't provide. (Yet whenever I now mention to friends that I didn't have an orgasm until I was 25, similar stories are divulged.) So I looked further afield, scouring message board threads and online articles for narratives from people who'd not been able to come either. The snatched moments of understanding made me feel less alone, albeit not necessarily always better.The next approach was more unconventional. Two friends bought me a subscription to OMGYes, the adult sex education website dedicated to facilitating female pleasure. Initially, I was embarrassed that it had come to this, but I gave it a go. A membership provided access to a library of practical (and extremely NSFW) tutorials on different masturbation techniques. I tried to follow along, but lacked perseverance and was quick to abandon the mission when things didn't happen immediately.At every stage, my attempts to orgasm were hindered by these deeply rooted feelings of shame and inadequacy, and a fear of feeling like even more of a failure should I try and not succeed. I knew I was missing out on an integral part of the human experience, but once the terrifying words "you're going to be on your deathbed never having had an orgasm" enter the mind, they're hard to shake. In order to halt this nihilistic spiral, I stopped trying altogether. It wasn't all bad. The sex, with both long-term and casual partners,So the problem bubbled away beneath the surface, rectifying it as simply not a priority. As with much of life, the arrival of COVID-19 changed things. I remember turning 25 and looking down the barrel of a new year and a third lockdown in the UK. I'm officially in my mid-twenties, I thought. If not now, when? Those interconnected feelings of embarrassment and failure were clearly holding me back. If I was going to figure out how to orgasm, that would only be achieved by removing expectation; expectation that, I realised, was coming directly from the internet aids I'd sought out for help. I needed to strip away the technological trappings and do the one very simple thing I'd been so scared to do: touch myself, and do it consistently. Related Stories What finally helped me orgasmI set myself a challenge. Every day, I would put my phone on the other side of the room and masturbate without sex toys.think these faint flutters were orgasms, and briefly returned to the message boards to see if others had experienced anything similar. Nobody described my exact feelings, but I kept at it.It was a conversation with a close friend, a doctor, that made the most marked difference. I told her about my current state, where I wasn't sure whether I was experiencing an orgasm or not. "You know if you want that to count, it counts," she told me. For the first time, someone was saying that I was on the right path, and not crashing into a wall. Without being dramatic (although said friend still laughs about how I credit her with my first orgasm), those words triggered a switch in my brain. As soon as I stopped feeling like I was foolish for even attempting to fight what I'd always perceived to be a losing battle, orgasms — proper ones, I was sure — came. I didn't cry or rush to text the friends greatly invested in my journey. Don't get me wrong, I was thrilled, but it felt like a wholly personal achievement, and one I wanted to sit in for a while. SEE ALSO: What is a ruined orgasm? Mostly, the feeling was one of relief, the lifting of a huge weight from my chest and the dissipation of so much secret shame. I remember thinking that if I never had an orgasm again, I would be happy. Given how easy I was now finding it once that bridge was crossed, though, I was pretty sure that wasn't going to be the case. I remember thinking that if I never had an orgasm again, I would be happy. If there's one thing I now know, it's that you can't intellectualise, let alone buy, an orgasm. Sure, products and internet resources may help, and in those most isolating moments, it was undoubtedly useful to see my experience reflected back in others. But over time, I found the accumulation of all this knowledge only added to my feelings of failure. I had to remove it all from my mind and do the thing I was most scared to — confront my own body — to make it happen. Given all that, I'm aware of the irony of writing my own "how I finally had an orgasm" narrative. But I know a story like mine, as long as it wasn't dwelled on too long or used as a point of comparison, would have helped my younger self. It's why I keep far less personal aspects of my life out of my work, yet have always known I wanted to write about this experience someday. There are so few narratives about a total inability to orgasm out there. If you're reading this now and see something of yourself in my story, I hope it can provide some. It can happen for you — I truly believe that — whether you're 25 or 72. You'll get there. Isobel Lewis Isobel Lewis is a freelance culture and lifestyle journalist based in London. Formerly of The Independent, she now regularly writes for The New York Times, Service95, and Time Out.

Welcome back to TechCrunch Mobility — your central hub for news and insights on the future of transportation. Sign up here for free — just click TechCrunch Mobility! It might have been a short week, but there was still plenty of news, including another Zoox recall, an update on the Stellantis-Amazon partnership, and a few startup-funding deals.  One item of note: This week, I wrote about Carma Technology and its patent infringement lawsuit against Uber. This isn’t a patent troll situation, and the IP attorneys I have spoken with say it will be a challenging case for Uber.  The gist? Carma, which was formed in 2007 by serial entrepreneur and SOSV Ventures founder Sean O’Sullivan, filed a lawsuit earlier this year against Uber, alleging the company infringed on five of its patents that are related to the system of matching riders (or packages) with capacity in vehicles. In other words, ride-sharing. IP attorney Larry Ashery provided the money quote that explains why this is such a complicated and challenging case.  “What’s important to understand here is, Carma isn’t just asserting five patents. They have had a very sophisticated strategy of patent procurement that they’ve been working on for the past 18 years.” Carma’s five patents are part of a 30-patent family that are all related and connected to the original filing date. That matters because each of the five asserted patents contains multiple patent claims, which define the legal boundaries of the invention. These individual claims — not just the patents as a whole — are what Carma is asserting against Uber.That means Uber will have to address and defend against each asserted claim, making the litigation more complex and difficult to defeat, Ashery noted.  Techcrunch event Save now through June 4 for TechCrunch Sessions: AI Save $300 on your ticket to TC Sessions: AI—and get 50% off a second. Hear from leaders at OpenAI, Anthropic, Khosla Ventures, and more during a full day of expert insights, hands-on workshops, and high-impact networking. These low-rate deals disappear when the doors open on June 5. Exhibit at TechCrunch Sessions: AI Secure your spot at TC Sessions: AI and show 1,200+ decision-makers what you’ve built — without the big spend. Available through May 9 or while tables last. Berkeley, CA | June 5 REGISTER NOW Let’s get into the rest of the news.  A little bird Image Credits:Bryce Durbin A few little birds have been chirping at us for months now about a new autonomous vehicle technology startup that has been quietly plugging along for a year. The interesting nugget about this startup — which is called Bedrock Robotics — is who is behind it: Boris Sofman, who led Waymo’s self-driving trucks program and previously co-founded and led the popular consumer robotics company Anki.  The San Francisco-based startup is still in stealth, but my sources tell me it has raised considerable venture funds. Bedrock Robotics is working on a self-driving kit that retrofits onto construction equipment and other heavy machinery, according to a filing with the U.S. Patent and Trademark Office.  Got a tip for us? Email Kirsten Korosec at kirsten.korosec@techcrunch.com or my Signal at kkorosec.07, Sean O’Kane at sean.okane@techcrunch.com, or Rebecca Bellan at rebecca.bellan@techcrunch.com. Or check out these instructions to learn how to contact us via encrypted messaging apps or SecureDrop. Deals! Image Credits:Bryce Durbin Firefly Aerospace received a $50 million investment from Northrop Grumman as part of its Series D round. This investment will further advance production of the startup’s  co-developed medium launch vehicle, now known as Eclipse. Pallet, a warehouse logistics software startup based in Fremont, California, raised $27 million in a Series B funding round led by General Catalyst. Bain Capital Ventures, Activant Capital, and Bessemer Venture Partners also participated. Volteras, a London-based startup building virtual connective tissue that will allow plugged-in EVs to offer their batteries to support the grid, closed an $11.1 million Series A led by Union Square Ventures, with participation from Edenred, Exor, Long Journey Ventures, and Wex. Way Data Technologies, a fleet management startup founded by veterans of Lucid Motors and Wolt, raised €2.6 million ($2.95 million) in pre-seed funding led by Pale Blue Dot, with participation from 10x Founders and Greens Ventures.  Notable reads and other tidbits Image Credits:Bryce Durbin Autonomous vehicles Rivr’s four-wheeled, stair-climbing delivery robot — which its CEO and founder, Marko Bjelonic, describes as a dog on roller skates — will ferry packages from Veho vans directly to customers’ front doors as part of a pilot program in Austin, Texas. Both companies see this small pilot as a critical step toward solving a unique slice of the end-to-end autonomous delivery journey.   TuSimple (now CreateAI) sent a trove of sensitive data — effectively the blueprint of an American-made autonomous vehicle system — to a Beijing-owned firm after committing to the U.S. government that it would cease such transfers under a national security agreement. The revelation, first reported by the Wall Street Journal, prompted numerous “not surprised” responses from several readers and sources within the industry. Zoox issued its second voluntary software recall in a month, following a collision between one of its robotaxis and an e-scooter rider in San Francisco on May 8. The incident is notable, largely for what happened after the unoccupied Zoox vehicle operating at low speed was struck by the e-scooter after braking to yield at an intersection.  According to Zoox, the e-scooterist fell to the ground directly next to the vehicle and the “robotaxi began to move and stopped after completing the turn, but did not make further contact with the e-scooterist.” In other Zoox news, the company announced it was the “official robotaxi partner of Resorts World Las Vegas.” As part of the deal, there will be a dedicated and Zoox-branded robotaxi pickup and drop-off location at Resorts World Las Vegas.  Electric vehicles, charging, & batteries The Tesla Cybertruck is having a rough time. Dozens of unsold Tesla Cybertrucks are piling up at a Detroit shopping center parking lot. And while Cybertruck owners are now allowed by Tesla to trade in their vehicles for the first time since they hit the market, they’ll face a steep depreciation hit. CarGurus recently showed depreciation rates of up to 45%. Meanwhile, Tesla sales in Europe and the U.K. have fallen by nearly half, according to data released by the European Automobile Manufacturers Association.  The Volkswagen emissions cheating scandal of 2015 rippled through the automotive sector and prompted the company (and later followed by others) to shift away from diesel and toward hybrids and electric vehicles. Now, four former Volkswagen executives have received prison sentences for their role. In-car tech Amazon is no longer working with Stellantis to create in-car software for the automaker’s vehicles. The partnership, first announced in January 2022, was part of Stellantis’ plan to generate $22.5 billion annually from software. Stellantis told TechCrunch it would be pivoting to an Android-based system.

With summer vacations on the horizon, Disney Experiences are popping off at their bi-coastal theme parks, Disney Cruises, and international destinations. Walt Disney World is getting a nighttime parade featuring new Pixar and Disney Animation Studios favorites, while Mickey Mouse and the Fab Five get dapper outfits to shine along with Starlight. Spooky fun is already beginning with the Disney Villains getting their own show at WDW’s Hollywood Studios and Halloween party tickets going on sale. Over at Disneyland, the 70th anniversary party is in full swing with fun festive foods and more. At Disneyland Paris, the theme park dances the summer away with a new music festival. And Disney Cruises prepares to set sail with the fleet’s newest ship in this week’s theme park news. Walt Disney World – Starlight This summer brings an all-new nighttime parade, Disney Starlight: Dream the Night Away, which will debut July 20, 2025. The Magic Kingdom Park exclusive will bring back nighttime parades to the Walt Disney World resort and will feature classic and new Disney and Pixar fandom faves along the parade route on Main Street. The sparkling floats will light up the night and of course we’re excited to see the updates to Mickey, Minnie, Donald, Goofy, and Daisy’s costumes for the summer premiere. Walt Disney World – Disney Villains: Unfairly Ever After There has been a need for more indoor shows as Walt Disney World’s humid summer gets underway, so why not some chilling tales from the Disney Villains to beat the heat? We’re excited to check out Disney Villains: Unfairly Ever After for a fun musical romp through villain showstoppers and more. Walt Disney World – Mickey’s Not-So-Scary Halloween Party Haunted Mansion’s Butler Broom extends the invitation for what’s sure to be a swinging wake. New this year will be a Mickey Mouse and Minnie Mouse spooky meet and greet at the Town Square Theater. For those of us with little tots, the Storybook Circus will get a “happy haunt” transformation to help the smallest of Disney fans ease into the spirit of the season—since it is Mickey’s Not-So-Scary Halloween after all. Along with popular returning faves, the event will run August 15 to October 31. Tickets here. Disney Imagineering tour of Epcot’s Moana: Journey of Water Delight in one of our favorite walkthrough attractions at Walt Disney World to keep summer visitors cool with Imagineering’s fun-fact filled behind the scenes look at Moana: Journey of Water. Disneyland 70th Food This summer, aside from watching all the nighttime shows and scavenger hunting with the key to Disneyland, we’ll be eating our way through the parks. Our current fave dish is the 70th celebration Mickey Waffles at Schmoozies which are like confetti cake in flavor and have a creamy strawberry center that’s not to be missed. Disneyland France – Disney Music Festival © Disneyland Paris Disneyland Paris makes a debut as a music festival destination from now until September 7 with the Disney Music Festival. The event will combine all genres of music with experiences inspired by Pixar and Disney Animation favorites, with hubs dedicated to various genres of music. That includes a mariachi band with Coco’s Miguel in Frontierland, jazz with Mary Poppins in Town Square, rock n’ roll with Elvis Stitch in Discoveryland, and more characters getting in on the fun. I want to know to know the story of DJ Chip and Dale, who just by the looks of their outfits look like they mean house music business. Disney Cruise – The Disney Destiny The comic book action and fairytale magic of Disney, Pixar, and Marvel heroes and villains will soon take over the Disney Destiny, the newest ship set to embark on ocean adventures in the Disney Cruise Line fleet. The Destiny will begin its trips later this year on November 20 with 4-5 night cruises taking off from the port of Fort Lauderdale to the Bahamas and Western Caribbean. We’re excited for the ship’s epic looking Hercules show and the gorgon battle teased in the image above. Duffy and Friends Celebrate 20 years at Tokyo DisneySea The iconic international bear Duffy and his friends are turning 20. The celebration is hittingTokyo DisneySea for seaside fun this year with special food, entertainment and merch. I hope we get some stateside soon! We need LinaBell and other plushes for those of us collecting. Star Wars BDX Droids on a World Tour – Tokyo Disneyland International Disney fans can meet the Star Wars droids which will be featured in Jon Favreau’s The Mandalorian and Grogu until June 30 at Tokyo Disneyland. Spider-Man themed land breaks ground at Shanghai Disney Resort The Marvel Cinematic (theme park) Universe expands at Shanghai Disneyland with a new Spider-Man inspired land which will host new shows, dining, and attractions. Notably there will be a high-octane coaster that will swing you around on a heroic action encounter with Spidey. Land broke on May 18 for the area which will neighbor the recently opened Zootopia land. Makes sense, the Wonderful World of Disney insects living next to animals and all. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

The new ES90 electric car is the flagship of Volvo's latest digital safety tech.TT News Agency/AFP via Getty Images For decades, the Volvo brand has been synonymous with safety. But keeping passengers secure is no longer just about a strong cabin or cleverly designed crumple zones. Increasingly, safety is about semi-autonomous driving technology that can mitigate collisions or even avoid them entirely. Volvo intends to be ahead of the game in this era too. Its secret weapon? Something called “Gaussian Splatting”. I asked Volvo’s Head of Software Engineering Alwin Bakkenes and subsidiary Zenseact’s VP Product Erik Coelingh exactly what this is and why it’s so important. Volvo: Early Application Of Safety Data “We have a long history of innovations based on data,” says Bakkenes. “The accident research team from the 70s started with measuring tapes. Now in the digital world we’re collecting millions of real-life events. That data has helped us over the years to develop a three-point safety belt and the whiplash protection system. Now, we can see from the data we collect from fleets that a very large portion of serious accidents happen in the dark on country roads where vulnerable road users are involved. That’s why, with the ES90 that we just launched, we are also introducing a function called lighter AES where we have enabled the car to steer away from pedestrians walking on the side of the road or cyclists, which in the dark you can’t see even if you have your high beam on. This technology picks that up earlier than a human driver.” The Volvo EX90 SUV will also benefit from this technology. Volvo Cars uses AI and virtual worlds with the aim to create safer carsVolvo “If you want to lead in collision avoidance and self-driving, you need to have the best possible data from the real world,” adds Bakkenes. “But everyone is looking also at augmenting that with simulated data. The next step is fast automation, so we’re using state-of-the-art end-to-end models to achieve speed in iterations. But sometimes these models hallucinate. To avoid that, we use our 98 years of safety experience and these millions of data points as guardrails to make sure that the car behaves well because we believe that when you start to automate it needs to be trusted. For us every kilometer driven with Pilot Assist or Pilot Assist Plus needs to be safer than when you've driven it yourself. In the world of AI data is king. We use Gaussian Splatting to enhance our data set.” What Is Volvo’s Gaussian Splatting? “Cars are driven all around the world in different weather and traffic conditions by different people,” says Coelingh. “The variation is huge. We collect millions of data points, but it’s still a limited amount compared to reality. Gaussian Splatting is a new technology that some of our PhD students have been developing the last few years into a system where you can take a single data point from the real world where you have all the sensor, camera, radar and LIDAR sequences and then blow it up into thousands or tens of thousands of different scenarios. In that way, you can get a much better representation of the real world because we can test our software against this huge variation. If you do it in software, you can test much faster, so then you can iterate your software much more quickly and improve our product.” “Gaussian Splatting is used in different areas of AI,” continues Coelingh. “It comes from the neural radiance fields (NeRFs).” The original version worked with static images. “The first academic paper was about a drum kit where somebody took still pictures from different angles and then the neural net was trained on those pictures to create a 3D model. It looked perfect from any angle even though there was only a limited set of pictures available. Later that technology was expanded from 3D to 4D space-time, so you could also do it on the video set. We now do this not just with video data, but also with LiDAR and radar data.” A real-world event can be recreated from every angle. “We can start to manipulate other road users in this scenario. We can manipulate real world scenarios and do different simulations around this to make sure that our system is robust to variations.”Gaussian Splatting allows multiple scenario variations to be created from one real event.Volvo Volvo uses this system particularly to explore how small adjustments could prevent accidents. “Most of the work that we do is not about the crash itself,” says Coelingh. “It’s much more about what's happening 4-5 seconds before the crash or potential crash. The data we probe is from crashes, but it's also from events where our systems already did an intervention and in many cases those interventions come in time to prevent an accident and in some cases they come late and we only mitigated it. But all these scenarios are relevant because they happen in the real world, and they are types of edge case. These are rare, but through this technology of Gaussian Splatting, we can go from a few edge cases to suddenly many different edge cases and thereby test our system against those in a way that we previously could not.” Volvo’s Global Safety Focus This is increasingly important for addressing the huge variation in global driving habits and conditions a safety system will be expected to encounter. “Neural Nets are good at learning these types of patterns,” says Coelingh. “Humans can see that because of the behavior of a car the driver is talking into their phone, either slowing down or wiggling in the lane. If you have an end-to-end neural network using representations from camera images, LiDAR and radar, it will anticipate those kinds of things. We are probing data from cars all around the world where Volvo Cars are being driven.” The system acts preemptively, so it can perform a safety maneuver for example when a pedestrian appears suddenly in the path of the vehicle. “You have no time to react,” says Coelingh. Volvo’s safety system will be ready, however. “Even before that, the car already detects free space. It can do an auto steer and it’s a very small correction. It doesn't steer you out of lane. It doesn't jerk you around. It slows down a little bit and it does the correction. It's undramatic, but the impact is massive. Oncoming collisions are incredibly severe. Small adjustments can have big benefits.”Volvo's safety tech can detect pedestrians the human driver may not have seen.Volvo Volvo has developed one software platform to cover both safety and autonomy. “The software stack that we develop is being used in different ways,” says Coelingh. “We want the driver to drive manually undisturbed unless there’s a critical situation. Then we try to assist in the best possible way to avoid collision, either by warning, steering, auto braking or a combination of those. Then we also do cruising or L2 automation.” Volvo demonstrated how it has been using Gaussian Splatting at NVIDIA’s GTC in April. “We went deeply into the safe automation concept,” says Bakkenes. “Neural nets are good at picking up things that you can’t do in a rule-based system. We're developing one stack based on good fleet data which has end-to-end algorithms to achieve massive performance, and it has guard rails to make sure we manage hallucinations. It's not like we have a collision avoidance stack and then we have self-driving stack.” “There was a conscious decision that if we improve performance, then we want the benefits of that to be both for collision avoidance in manual driving and for self-driving,” says Coelingh. “We build everything from the same stack, but the stack itself is scalable. It’s one big neural network that we can train. But then there are parts that we can deploy separately to go from our core premium ADAS system all the way to a system that can do unsupervised automation. Volvo’s purpose is to get to zero collisions, saving lives. We use AI and all our energy to get there.”

The rebrand of Brussels Airlines doesn't touch the logo, colours, or name. It focused more on elevating the brand from the inside out, resulting in a deeper transformation that prioritises feeling rather than just form. In collaboration with WeWantMore, the airline has introduced a new identity system that spans brand touchpoints, reshaping perception through subtle changes rather than grand declarations. The result is a brand that finally feels like the airline it has always claimed to be: warm, refined, personal, and unmistakably Belgian. Back in 2021, the airline refreshed its visual identity in the wake of COVID, but while the fleet was repainted and the brand technically modernised, the core experience still felt corporate and distant. "We knew resistance to the brief was futile," says Sebastian Greffe, creative director at WeWantMore. "The rebrand was still fresh, and the CEO had personally signed off on the current logo." With the visual foundations off-limits, the studio focused on atmosphere. Anchored in the essence of "You're in good company," the new concept – "Small details. A world of difference." – frames the brand through a lens of considered hospitality. That idea comes to life in subtle but strategic ways: a single "focus dot" that leads the eye across layouts, a bespoke typeface inspired by the golden era of aviation, and a richer, warmer palette that complements rather than competes. "Those tight constraints became our greatest asset," says Sebastian. "With no room for superficial changes, we had to dig deeper, crafting an identity that hinged entirely on thoughtful details and meaningful experiences." Photography, for instance, avoids the usual stock tropes. Instead, it captures quiet moments: a smile exchanged with cabin crew, a view out the window, a handwritten note left in a lounge. The dot, used sparingly and always with purpose, reinforces this focus-led approach, while the brand's tone of voice trades promotional polish for a more honest, conversational cadence. One of the most distinctive design moves was the creation of Cirrus Sans, a custom typeface channelling the golden age of aviation through a Belgian lens. With geometric capitals and warm, humanist lowercase forms, it bridges nostalgia and clarity. In business communications, it pairs with the elegant Mackinac serif, which adds a soft touch of luxury to elevated materials. The type system transitions smoothly from crisp, all-caps headlines to more relaxed body copy, striking a balance between professionalism and personality. That balance is central to the whole project. Brussels Airlines wanted to evoke the feeling of a boutique hotel in the sky, not extravagant luxury but thoughtful hospitality. "It's not about gold trim or mood lighting," explains Sebastian. "It's about Stella Artois served properly. Neuhaus chocolates waiting at your seat. Indirect warm lighting instead of fluorescents." From lounges to livery, the new identity works across a broad ecosystem, extending into unexpected places. Meanwhile, motion principles inspired by flight dynamics add energy to digital assets, and the cabin interiors have been subtly refined through the use of warm materials and tactile finishes – a process closely guided by Priestman Goode. Perhaps the most rewarding aspect of the rebrand is its restraint. There is no new, shouty symbol, no palette overhaul, and no fanfare. What has changed is the way the brand feels. "Flying has become something accessible, and some say it's lost a bit of its magic," says Sebastian. "But Brussels Airlines consistently ranks as one of the most hospitable. We just had to help them show that." The refreshed identity has already helped shift Brussels Airlines' positioning in a competitive sector, particularly against tour operators whose branding can often be perceived as interchangeable. Subtle typographic cues, considered materials, and the deliberate use of space all work together to convey a sense of quality without drawing attention to it. From a broader industry perspective, the project also hints at the future of airline branding. As travel becomes more intentional and emotionally driven, brand identities are under pressure to do more than decorate. They need to create a connection. "The industry is moving away from superficial glamour," says Sebastian. "Travellers want more than efficiency. They want sincerity, depth, and a sense of place." Brussels Airlines now delivers just that, not through spectacle but through quiet confidence: a red dot, a kind word, or a handwritten note.

Ideas don’t wait for the perfect moment. For design students, inspiration can strike anywhere—in a busy studio, during a critique, or mid-lecture. The right note-taking tool can turn scattered sketches and fleeting thoughts into the seeds of your next breakthrough. In a world where creativity blends analog and digital, the tools you use should be as flexible and inventive as you are. Whether you prefer the satisfying swipe of a marker on a whiteboard, the convenience of a digital tablet, or the playful versatility of reusable sticky notes, there’s a solution that fits every creative workflow. The best note-taking tools do more than capture words and images—they nurture ideas, encourage experimentation, and keep your process organized as your projects evolve. Here are five excellent tools perfect for design students ready to take notes beyond the ordinary. 1. Personal Whiteboard Design students thrive on the freedom to jot, sketch, and iterate without limits. The Personal Whiteboard brings that freedom to life with a single-page whiteboard notebook that’s endlessly reusable. The act of writing on a surface that wipes clean after every use encourages risk-taking and iteration, making it easy to brainstorm, mind-map, or sketch a quick wireframe. Snap a photo to archive your ideas in the cloud, then erase and start over — every fresh page is a new beginning. The multi-functional cover enhances the experience, serving as an eraser, built-in stand, and storage pocket for a marker. The innovative Mag Force system turns the cover into a handle and pen holder, keeping your tools close at hand. Compatible with any regular whiteboard marker, this notebook is perfect for those moments when inspiration strikes in class or at the studio, supporting rapid ideation and spontaneous creativity. Click Here to Buy Now: $49.00 What we like Infinitely reusable, reducing paper waste. Multi-functional design with integrated stand and eraser. What we dislike Only one page means no multi-page reference. Must have a marker and phone handy to save notes. 2. MagBoard Clipboard The MagBoard Clipboard reimagines the classic clipboard for the modern design workflow. Its magnet and lever mechanism secures up to 30 sheets, allowing you to add, remove, and rearrange pages without hassle. This flexibility lets you work non-linearly, organizing sketches and notes in the order that matches your process. The hardcover design makes it easy to sketch standing up, perfect for crit sessions or on-the-go brainstorming. With its minimalist aesthetic, the MagBoard Clipboard eliminates the distractions of pre-printed layouts or rigid bindings. Loose sheets mean total freedom over format and medium, from tracing paper to heavy sketch stock. The water-resistant and easy-to-clean surface ensures durability through every project, making it ideal for design students who value both structure and adaptability. Click Here to Buy Now: $45.00 What we like Holds various paper types and sizes securely. Easy to reorganize or remove sheets as needed. What we dislike Loose pages can be misplaced if not careful. No digital backup unless manually scanned or photographed. 3. Rocketbook Reusable Sticky Notes Rocketbook’s reusable sticky notes reinvent the classic sticky for the eco-conscious creative. These notes can be written on, wiped clean, and reused endlessly, making them a sustainable companion for design students juggling ideas, reminders, and critiques. Each note is compatible with the Rocketbook app, allowing you to scan and organize notes digitally before erasing for the next round of inspiration. The familiar format of sticky notes fits right into any workflow, whether you’re mapping out a project timeline on your wall or annotating a design portfolio. The ability to reuse them means you can experiment without worrying about waste. These sticky notes truly shine in collaborative settings, where feedback and ideas are constantly evolving and being refined. What we like Reusable, reducing waste, and ongoing costs. Syncs easily with digital platforms for archiving. What we dislike Requires specific pens for best results. Can be lost or misplaced like traditional stickies. 4. Levitating Pen 3.0 A tool that’s as much a conversation starter as it is a writing instrument, the Levitating Pen 3.0 brings a sense of wonder to every workspace. Its aircraft-grade construction and seamless casing feel substantial in hand, offering a precise and smooth writing experience for quick notes, sketches, or brainstorming sessions. The pen’s mesmerizing levitation and gentle spin capture attention, sparking inspiration during those moments between tasks. For design students, the act of picking up a pen with such a playful, futuristic design can break creative blocks and encourage out-of-the-box thinking. The Levitating Pen’s pedestal serves as a visual reminder that every idea has the potential to break free from gravity, while the balanced ballpoint tip makes writing and drawing feel effortless. This is a pen for those who want their tools to reflect their imagination. Click Here to Buy Now: $129.00 What we like Inspires creativity with stunning design. Durable, precise writing feel. What we dislike Needs the stand to levitate, so not pocket-friendly. Premium price point for a single writing tool. 5. BOOX Go 7 and Go Color 7 Gen II The BOOX Go 7 and Go Color 7 Gen II e-readers blur the line between digital reading and instant note-taking. With an integrated stylus, design students can annotate articles, highlight inspiration, or sketch directly onto e-books and PDFs. The e-ink display is gentle on the eyes, making it ideal for long study sessions, while the compact size makes it easy to carry from class to studio. This tool is especially powerful for those who consume large volumes of reference material, allowing seamless transitions between reading and note-taking. The notes can be exported, organized, and referenced later, supporting research-heavy design projects. The addition of color capabilities on the Go Color 7 adds another layer for visual thinkers who want to mark up images or diagrams. What we like Combining reading and note-taking in one. Lightweight and portable for everyday use. What we dislike Requires regular charging. Not ideal for heavy sketching or detailed drawing. The post 5 Best Note-Taking Tools & Gadgets For Design Students To Perfectly Capture Ideas first appeared on Yanko Design.

Welcome to the world of Elden Ring: Nightreign, coming to PlayStation 5 on May 30. This new spin on the beloved dark fantasy classic is a cooperative multiplayer-focused adventure, where you’ll choose a class/character, be matched up with two other adventurers, then go off to try and defeat one of the mythical Nightlords. And if you’re familiar with Elden Ring at all, you know very well that this won’t be an easy task even with a group to help you out. You’ll start with six classes from the outset, with two unlockable afterwards. Each class has a unique Passive Ability, a Character Skill, and an Ultimate Art. Due to Nightreign’s much faster pace and ever-decreasing explorable area, it would be difficult to plan out your builds, so the unique abilities of your currently chosen class and equipped Relics will largely determine your playstyle. To help get you started, we’ll give you a quick look at each class’s strengths and noteworthy attributes. But don’t sweat the choice too much — if one class just isn’t gelling for you, you can swap class anytime between expeditions. Wylder Starting weapons: Wylder’s Greatsword and Wylder’s Small Shield Passive: Sixth Sense Character Skill: Claw Shot  Ultimate Art: Onslaught Stake If you want to just get in, melee some enemies, and do a good chunk of damage, Wylder’s the class for you. Yes, he’s pretty simple, but “simple” certainly doesn’t mean “ineffective.” In fact, Wylder is one of the most versatile classes when it comes to equipment.  Using the Claw Shot, you can bring annoying ranged attackers straight to your face for a good slashing — or, for the big boys, you can fling yourself at them for a slick dashing strike. Plus, you’ve got the ability to nullify one deathblow per revival after taking a break at site of grace with Sixth Sense, making this a good choice for newbies. (Just don’t rely on that ability to get you out of trouble all the time.) Guardian Starting weapon: Guardian’s Halberd Passive: Steel Guard Character Skill: Whirlwind Ultimate Art: Wings of Salvation If you’re looking for a warrior who will stick around, the bird’s the word. Our stalwart avian friend has a huge HP pool and a Steel Guard, a shield stance that consumes less stamina, blocks more effectively, and makes countering a cinch. The Guardian’s ultimate skill, Wings of Salvation, not only looks cool and hurts a large area of foes, it can also help revive near-death teammates within the range of its impact. Build a Guardian wisely, and you’ll have a fearsome tank that can dish it out as well as he takes it. Ironeye Starting weapon: Ironeye’s Bow Passive: Eagle Eye Character Skill: Marking Ultimate Art: Single Shot Not everyone likes to get all up in an enemy’s face, especially when they hit as hard as they do in Nightreign. Ironeye serves as the premiere ranged class, preferring bows and crossbows and specializing in Dexterity above all other stats. He’s also got an eye for treasure, as his Eagle Eye increases the amount of drops you’ll get from felled foes. The Ironeye also specializes in bypassing an enemy’s defenses: Marking a foe with a melee dagger attack will create an opening for extra damage, while Single Shot can ignore defense and obstacles in its path. (And he’s great for distance revival, too.) Raider Starting weapon: Raider’s Greataxe Passive: Fighter’s Resolve Character Skill: Retaliate Ultimate Art: Totem Stela They say that pain makes you stronger, and the Raider epitomizes the phrase: he’s built big to take a beating and hit back hard. He’s focused around the Retaliate skill, which sees him first take a defensive stance, then going into a headbutt. If he’s taken enough damage, his Fighter’s Resolve skill will transform Retaliate into a smashing uppercut that deals massive damage and lets him survive a lethal blow during its execution. But Raider’s also got a softer, supportive side: his Ultimate Art creates a tombstone that serves as a safe perch for long-range attackers and boosts their power. Recluse Starting weapon: Recluse’s Staff Passive: Elemental Defense Character Skill: Magic Cocktails         Ultimate Art: Soulblood Song Compared to other classes, you’re going to need some technical knowledge for the Recluse to really work her magic. She’s a very versatile class, offering both offensive and support capabilities with her spells. However, using her effectively will involve proper collection of elemental affinity residues with her Magic Cocktail ability. Each combination of three elements yields a unique result, so knowing exactly what you’re mixing up is very important. She’s not particularly resilient, either, making her ill-suited for the frontlines. But if you’ve a hankering to cook up trouble with elemental recipes, she’s your go-to gal. Executor Starting weapon: Executor’s Blade Passive: Tenacity                   Character Skill: Cursed Sword            Ultimate Art: Aspects of the Crucible: Beast The Executor’s motto is “Hit fast and cause plenty of pain”–though whether that pain will come from sheer damage output or from status ailments is up to you and your playstyle. Thanks to his passive skill, Tenacity, he gets a nice boost after recovering from status ailments of his own–though we don’t recommend actively seeking out getting afflicted. If you’re skilled at guarding, you can draw out the Cursed Sword for some impressive ripostes. And when things get hairy, you will too, with a big bestial transformation that sees you going feral on enemies for a few precious seconds. Just don’t give him the big weapons — or take too many big-damage hits. You’ll unlock the final two classes — the fleet-footed Duchess and the spirit-calling Revenant — as you progress the game. (Don’t look too hard–you’ll likely stumble upon at least one of the key items required to unlock them during your quests.)  Good luck, and remember: every run will yield a reward, no matter how things go, so keep on questing.

DreamPark, the creator of what it calls “the world’s largest downloadable mixed reality (XR) theme park,” said it has raised $1.1 million in seed funding. The investment will accelerate DreamPark’s mission to make Earth worth playing again by transforming ordinary spaces into extraordinary adventures through mixed reality technology. I got a demo of the game in Yerba Buena Park in San Francisco and it made me smile. It also made me think it was part of a pretty good plan to convince property owners to get more out of their entertainment venues. But we’ll get to that in a bit. Long Journey Ventures led the investment round, with participation from Founders Inc. The company is the brainchild of Aidan Wolf, CEO of DreamPark; Kevin Habich, cofounder; and cofounder Brent Bushnell. They came up with the idea while working at Two-Bit Circus, a zany entertainment venue in Los Angeles run by Bushnell. Bushnell encouraged the idea, incubated it and became a cofounder. The DreamPark founders (left to right): Brent Bushnell, Aidan Wolf and Kevin Habich. Positioned at the forefront of mixed reality innovation, DreamPark said it is capturing a significant early advantage in the global XR (extended reality) live event market, valued at $3.6 billion in 2024 and projected to surge to $190.3 billion by 2034 at a 48.7% compound annual growth rate (CAGR). This explosive growth trajectory presents an opportunity that DreamPark’s technology and business model are uniquely designed to address, the company said. “We’re building the world’s largest theme park – one that exists everywhere and is accessible to everyone. We want to make getting out to play worthwhile again,” said Bushnell. “This investment allows us to expand our footprint of access points across the country rapidly, develop partnerships with premium IP holders, and continue enhancing our technology to deliver magical experiences that bring people back to real-world spaces.” Bushnell is the eldest son of Atari cofounder Nolan Bushnell. And the younger Bushnell knows the costs of investing in physical properties, as he runs Two-Bit Circus in downtown Los Angeles. It’s built inside a physical warehouse, and Bushnell’s company has to pay for that property — even weathering the pandemic. But with DreamPark, he can reinvigorate a physical venue without investing anything in a new property. By contrast, a new virtual reality entertainment venue can cost more than $1 million to open. Hands-on demo DreamPark foundes in Yerba Buena Gardens park in San Francisco. Wolf and Habich, and Bushnell’s sister Alyssa Bushnell, showed me the DreamPark virtual theme park in San Francisco in the park near the Metreon building. There was a concert going on at the time and it was very noisy. But the game worked fine anyway. Looking down at my feet, Wolf said the QR code on the mat on the groun was an “access point.” That’s where you can scan and enter the virtual world. The company is still building a front end for distributing the headsets, but people will be able to bring their mixed-reality headsets from home and play the same content. “We’re setting these up all over,” Wolf said. “Once an area is mapped, it’s there and you just show up and play. The big difference here is that DreamParks are places. They exist in the real world.” Don’t be surprised if you see people doing this soon. The mapped area was around 50,000 square feet in the park, so it was a pretty big game space. Soon, the company will break into 100,000 square feet for the game with another update. That’s about 10 times the restricted size of Meta’s VR headsets. “We’re going way past the usual limits,” Wolf said. “I think this fundamentally changes what mixed reality means. Now it’s not this living room experience bound to the couch. It’s an actual world to walk around and explore and touch. Once we get people there, we’re gonna really see that cognitive shift, where now augmented reality (AR) is something I can go out and experience, like enjoying a concert.” The cofounders gave me a headset to wear. The first one didn’t work, but a second one functioned fine. It was a modified Meta Quest 3 headset that was locked down so it would play just the DreamPark game. It took a short time to load and then I looked through the headset. Thanks to the outward-facing cameras, I was able to see the park in mixed reality. That meant I didn’t trip over anything as I walked around. I held the headset to my forehead and looked around. I could see a Mario-like set of bricks floating in the air, and floating virtual coins along the physical path. I started walking around and picking up the coins and tapping the bricks to collect points in the game. I didn’t go where there were people lying on the grass, but I didn’t manage to navigate to some lava pits in the middle of the park. The founders pointed out that far away from me, on the Carnaval concert stage, there was a boss. Normally, if there was no concert, I could have waltzed over to that location and engaged in a boss fight. DreamPark overlaid on the Third Street Promenade in Santa Monica, California. The graphics were rudimentary, 8-bit style, and yet I didn’t mind it at all due to the novelty of seeing them overlaid on the real world. Still, I was reluctant to go walking in the lava pits, as that was a bad idea in the virtual world and I somehow felt like it would be a bad idea to walk there in the physical world. “Our graphics are more cartoonish, but our Wizard theme has a more realistic look,” Wolf said. “We’re creating four theme parks.” One of them is a sci-fi Crash Course, which is an obstacle course. And DreamPark is working with a partner as well. There’s one with a psychedelic theme and one that is ambient fun. It’s easy to turn the experience into a multiplayer game. You can, for instance, race around the park and complete a timed experience in competition with your friends. The appeal of a virtual overlay on the real world DreamPark mixes the virtual and real worlds. DreamPark transforms physical locations into immersive mixed-reality environments through its network of access points: physical markers, like QR codes, that, when scanned with a Meta Quest 3 headset or mobile device, unlock digital overlays on real-world spaces. The company has already established successful installations at Santa Monica’s Third Street Promenade and The LA County Fair, with planned expansions in Seattle, Orange County and several expos and corporate events. It’s pretty cheap to create new locations. All they really have to do is scan an area, overlay a digital game filled with simple games, and then drop a mat with a QR code on the property so people can scan it and start playing the game. For property owners, this means they can draw people back to their location, getting them to re-engage with the place because people want to play a digital game at the physical place. It’s a way to enhance the value of a physical property, using virtual entertainment. Bushnell pitched the idea for DreamPark on CNBC’s Shark Tank television show. The sharks didn’t go for it, but the publicity from the show helped surface investors, Bushnell said. (The Bushnell family is going to appear at Augmented World Expo in Long Beach, California, in June). “As a longtime investor, I have seen countless pitches promising to merge the digital and physical worlds, and DreamPark is the first that truly delivers on the real-world metaverse,” said Cyan Banister, cofounder and general partner at Long Journey Ventures, in a statement. “Aidan is a visionary builder of immersive systems, and Brent is a pioneer in playful public spaces, making them the perfect team to make emerging tech feel human, accessible, and unforgettable. They’ve cracked the code on location-based AR, delivering a 10x experience that’s as magical as it’s scalable. This isn’t just immersive entertainment; it’s a whole new category.” The funding comes when retail landlords and event venues seek innovative solutions to drive foot traffic and increase engagement. While typical VR venues cost over $1 million to build, DreamPark delivers a fully immersive, multiplayer experience that pays for itself in its first month of revenue. DreamPark in Santa Monica. “Our capital expense is like one of a hundredth of our competitors, which is amazing. And then this lets us move astronomically faster than everyone else. I kind of believe in a Nintendo philosophy, which is, they take antiquated technology, but they use it in a new way that makes it valuable. We’re using access points,” Wolf said. There’s no construction or permanent infrastructure required. It’s a radically more affordable way to turn underused spaces into high-impact destinations. “We’re not just creating engaging content, we’re building a platform that revitalizes communities by giving people a reason to gather, play, and connect in physical spaces in real life,” said Wolf. “DreamPark bridges the digital and physical worlds, creating a new category of play where the magic of virtual worlds enhances real-life connections. We’re reimagining what’s possible when the spaces around us become canvases for shared adventure and imagination.” The seed funding will support DreamPark’s aggressive expansion plans, including deploying access points across new locations, launching partnerships with major IP holders to create branded theme park experiences, and expanding the company’s fleet of rental Meta Quest 3 headsets units nationwide. DreamPark is growing the development team to accelerate content creation and platform capabilities. DreamPark’s leadership team brings deep experience from companies including Two-Bit Circus, Smiley Cap, and SNAP, Inc., positioning them to execute their ambitious vision of creating the infrastructure for worldwide mixed-reality entertainment. Where it’s going What alien technology is this? Bushnell said the team has been working for around two years. But the founders have been involved with AR for more than a decade. They showed up at Two-Bit Circus and started making mixed-reality games, which take into account physical reality as a game space. There are about 10 contractors in the company working on content. They found that players are happy to wear the headsets for 30 minutes at a time, particularly when they are playing with friends. “We see ourselves more as a tech company than like a location based entertainment company. We hope to stay small as a core team while still reaching millions or billions of people,” Wolf said.The games are in a private alpha testing phase now. “I would say that the headset we currently have in our hands is the exact headset we need to bring this to the masses. So the nice part about the company we’re building is we aren’t waiting for some like watershed moment,” Wolf said. “We’re not waiting for anything now. We’re just getting it into lots of places where people already congregate.”DreamPark is coming out with an app that will let users scan their local park and then start using that space as a level, Wolf said. But DreamPark itself will create partnerships with some of the best places itself and get permission to do the game on the properties. At Two-Bit Circus, for instance, DreamPark could extend the entertainment into the outdoor parking lot, giving more square footage for entertainment. Bushnell had a great moment when he was playing an AR game with drift racing on a racetrack in the Two-Bit Circus parking lot. He noted that mixed reality doesn’t have the Achilles Heel of VR, which is that it makes half the people nauseous. “That was really the moment that broke my brain for mixed reality,” he said. “We were on actual drift bikes, pedaling around collecting coins. And I went twice around that thing, chasing after somebody else on a drift bike. And, you know, my heart rate was at 150. And I was just absolutely going bananas. And I took the headset off, and all that world that had motivated me to pedal my ass off was gone. It just really felt like this is not just going to change entertainment. This is going to change therapy and fitness and learning.” Bushnell said so many other kinds of entertainment are based on deploying huge amounts of capital. But this kind of theme park could be up and running in a matter of minutes. Bushnell believes people will be happy to buy tickets to get a chance to play. He said his four-year-old kid loves it, as does his 82-year-old father. DreamPark is adding virtual entertainment to real venues. To me, it felt a bit like the beginning of the world of Cyberpunk 2077, while Bushnell said it reminded him of the Korean drama, The Memories of Alhambra, where people wear contact lenss displays and have an adventure overlaid on real streets. “These are beautiful places naturally. Let’s augment them with a little more cool storytelling, and you’re off and running,” Bushnell said. “The world is lonely and isolated, We think of this a path to being social again, getting people out in public. And we want to invite landlords of all stripes to host DreamParks.” GB Daily Stay in the know! Get the latest news in your inbox daily Read our Privacy Policy Thanks for subscribing. Check out more VB newsletters here. An error occured.