The monthly “Google System Release Notes” primarily detail what’s new in Play services, Play Store, and Play system update across Android phones/tablets, Wear OS, Google/Android TV, Auto, and PC. Some features apply to end users, while others are aim

Even if you don't want to dive in and create AI videos using the latest Veo 3 model released by Google, you can sit back and marvel at (or be petrified by) the work of others: Flow TV is a new lean-back experience that lets you click through a seemingly endless carousel of AI-generated clips.Unlike the Flow video creator that is needed to create these videos, you don't need to pay Google a subscription fee to use Flow TV, and you don't even need to be signed into a Google account. It's a showcase for the best AI clips produced by Veo, though for now, it's limited to the older Veo 2 model rather than Veo 3.Google hasn't said much about the creators behind the videos in Flow TV, but it is described as an "ever-growing showcase" of videos, so presumably there are new clips being added regularly behind the scenes—and eventually we might see Veo 3 clips mixed in, the kind of clips that have already been fooling people online.Ready to take a break from content made by flesh and blood humans and see what AI is currently cooking up? Point your browser towards the Flow TV channel list.Channel hopping Flow TV gives you multiple channels to choose from. Credit: Lifehacker The channel list gives you some idea of what's available on Flow TV: We've got channels like Window Seat (views from train carriages), Unnatural (nature with an AI twist), and Zoo Break (animal adventures). Some of these play to the strengths of AI video, including It's All Yarn (self-explanatory) and Dream Factory (general weirdness).And do expect to be freaked out pretty regularly, by the way: Flow TV is not ideal if you're easily unsettled or unnerved, because these clips move quickly, and feature content that goes way beyond the norm. I didn't come across anything really shocking or disturbing, but this is AI—and Flow TV doesn't particularly focus on realism.There's also a Shuffle All option in addition to the individual channels, and whichever route you pick through the clips, there's a lot to watch—I wasn't able to get to the end of it all. You can also switch to the Short Films tab at the top of the channel list to see three longer pieces of work made by acknowledged creators.Whichever route you take through this content, you get playback controls underneath the current clip: Controls for pausing playback, jumping forwards and backwards between clips, looping videos, and switching to full screen mode. What you can't do, however, is skip forwards or backwards through a clip, YouTube-style.To the right of the control panel you can switch between seeing one video at a time, and seeing a whole grid of options, and further to the right you've got a channel switcher. Click the TV icon to the left of the control panel to see all the available channels again, and the Flow TV button in the top-left corner to jump to something random. There's also a search box up at the top to help you look for something specific.Prompt engineering Expect the unexpected from AI video. Credit: Lifehacker While you're watching the videos, you'll see a Show Prompt toggle switch underneath each clip. Turn this switch on to see the prompt used to make the video you're watching, together with the AI model deployed (which is always Veo 2, at least for now). It's an interesting look behind the scenes at how each clip was made.Here's an example one: "First person view. Follow me into through this secret door into my magic world. Documentary. Soft natural light. 90s." As you can see, Veo just lets you throw in whatever ideas or camera directions or style guidelines come to mind, without worrying too much about formal structure (or grammar).Revealing the prompts lets you see what the AI got right and what it didn't, and how the models interpret different instructions. Of course, it always makes the most generic picks from prompts, based on whatever dominates its training data: Generic swans, generic buses, generic cars, generic people, generic camera angles and movements. If you need something out of the ordinary from AI video, you need to ask for it specifically.Look closer, and the usual telltale signs of AI generation are here, from the way most clips use a similar pacing, scene length, and shot construction, to the weird physics that are constantly confusing (and are sometimes deliberately used for effect). AI video is getting better fast, but it's a much more difficult challenge than text or images represent.For now, Flow TV is a diverting demo gallery of where AI video is at: what it does well and where it still falls short. On this occasion, I'll leave aside the issues of how much energy was used to generate all of these clips, or what kinds of videos the Veo models might have been trained on, but it might be worth bookmarking the Flow TV channel directory if you want to stay up to speed with the state of AI filmmaking.

A judge queried lawyers during closing arguments on Friday about how future competition should factor into his decision, which is expected by August.

Join our daily and weekly newsletters for the latest updates and exclusive content on industry-leading AI coverage. Learn More After three hours at Google’s I/O 2025 event last week in Silicon Valley, it became increasingly clear: Google is rallying its formidable AI efforts – prominently branded under the Gemini name but encompassing a diverse range of underlying model architectures and research – with laser focus. It is releasing a slew of innovations and technologies around it, then integrating them into products at a breathtaking pace. Beyond headline-grabbing features, Google laid out a bolder ambition: an operating system for the AI age – not the disk-booting kind, but a logic layer every app could tap – a “world model” meant to power a universal assistant that understands our physical surroundings, and reasons and acts on our behalf. It’s a strategic offensive that many observers may have missed amid the bamboozlement of features.  On one hand, it’s a high-stakes strategy to leapfrog entrenched competitors. But on the other, as Google pours billions into this moonshot, a critical question looms: Can Google’s brilliance in AI research and technology translate into products faster than its rivals, whose edge has its own brilliance: packaging AI into immediately accessible and commercially potent products? Can Google out-maneuver a laser-focused Microsoft, fend off OpenAI’s vertical hardware dreams, and, crucially, keep its own search empire alive in the disruptive currents of AI? Google is already pursuing this future at dizzying scale. Pichai told I/O that the company now processes 480 trillion tokens a month – 50× more than a year ago – and almost 5x more than the 100 trillion tokens a month that Microsoft’s Satya Nadella said his company processed. This momentum is also reflected in developer adoption, with Pichai saying that over 7 million developers are now building with the Gemini API, representing a five-fold increase since the last I/O, while Gemini usage on Vertex AI has surged more than 40 times. And unit costs keep falling as Gemini 2.5 models and the Ironwood TPU squeeze more performance from each watt and dollar. AI Mode (rolling out in the U.S.) and AI Overviews (already serving 1.5 billion users monthly) are the live test beds where Google tunes latency, quality, and future ad formats as it shifts search into an AI-first era. Source: Google I/O 20025 Google’s doubling-down on what it calls “a world model” – an AI it aims to imbue with a deep understanding of real-world dynamics – and with it a vision for a universal assistant – one powered by Google, and not other companies – creates another big tension: How much control does Google want over this all-knowing assistant, built upon its crown jewel of search? Does it primarily want to leverage it first for itself, to save its $200 billion search business that depends on owning the starting point and avoiding disruption by OpenAI? Or will Google fully open its foundational AI for other developers and companies to leverage – another  segment representing a significant portion of its business, engaging over 20 million developers, more than any other company?  It has sometimes stopped short of a radical focus on building these core products for others with the same clarity as its nemesis, Microsoft. That’s because it keeps a lot of core functionality reserved for its cherished search engine. That said, Google is making significant efforts to provide developer access wherever possible. A telling example is Project Mariner. Google could have embedded the agentic browser-automation features directly inside Chrome, giving consumers an immediate showcase under Google’s full control. However, Google followed up by saying Mariner’s computer-use capabilities would be released via the Gemini API more broadly “this summer.” This signals that external access is coming for any rival that wants comparable automation. In fact, Google said partners Automation Anywhere and UiPath were already building with it. Google’s grand design: the ‘world model’ and universal assistant The clearest articulation of Google’s grand design came from Demis Hassabis, CEO of Google DeepMind, during the I/O keynote. He stated Google continued to “double down” on efforts towards artificial general intelligence (AGI). While Gemini was already “the best multimodal model,” Hassabis explained, Google is working hard to “extend it to become what we call a world model. That is a model that can make plans and imagine new experiences by simulating aspects of the world, just like the brain does.”  This concept of ‘a world model,’ as articulated by Hassabis, is about creating AI that learns the underlying principles of how the world works – simulating cause and effect, understanding intuitive physics, and ultimately learning by observing, much like a human does. An early, perhaps easily overlooked by those not steeped in foundational AI research, yet significant indicator of this direction is Google DeepMind’s work on models like Genie 2. This research shows how to generate interactive, two-dimensional game environments and playable worlds from varied prompts like images or text. It offers a glimpse at an AI that can simulate and understand dynamic systems. Hassabis has developed this concept of a “world model” and its manifestation as a “universal AI assistant” in several talks since late 2024, and it was presented at I/O most comprehensively – with CEO Sundar Pichai and Gemini lead Josh Woodward echoing the vision on the same stage. (While other AI leaders, including Microsoft’s Satya Nadella, OpenAI’s Sam Altman, and xAI’s Elon Musk have all discussed ‘world models,” Google uniquely and most comprehensively ties this foundational concept to its near-term strategic thrust: the ‘universal AI assistant.) Speaking about the Gemini app, Google’s equivalent to OpenAI’s ChatGPT, Hassabis declared, “This is our ultimate vision for the Gemini app, to transform it into a universal AI assistant, an AI that’s personal, proactive, and powerful, and one of our key milestones on the road to AGI.”  This vision was made tangible through I/O demonstrations. Google demoed a new app called Flow – a drag-and-drop filmmaking canvas that preserves character and camera consistency – that leverages Veo 3, the new model that layers physics-aware video and native audio. To Hassabis, that pairing is early proof that ‘world-model understanding is already leaking into creative tooling.’ For robotics, he separately highlighted the fine-tuned Gemini Robotics model, arguing that ‘AI systems will need world models to operate effectively.” CEO Sundar Pichai reinforced this, citing Project Astra which “explores the future capabilities of a universal AI assistant that can understand the world around you.” These Astra capabilities, like live video understanding and screen sharing, are now integrated into Gemini Live. Josh Woodward, who leads Google Labs and the Gemini App, detailed the app’s goal to be the “most personal, proactive, and powerful AI assistant.” He showcased how “personal context” (connecting search history, and soon Gmail/Calendar) enables Gemini to anticipate needs, like providing personalized exam quizzes or custom explainer videos using analogies a user understands (e.g., thermodynamics explained via cycling. This, Woodward emphasized, is “where we’re headed with Gemini,” enabled by the Gemini 2.5 Pro model allowing users to “think things into existence.”  The new developer tools unveiled at I/O are building blocks. Gemini 2.5 Pro with “Deep Think” and the hyper-efficient 2.5 Flash (now with native audio and URL context grounding from Gemini API) form the core intelligence. Google also quietly previewed Gemini Diffusion, signalling its willingness to move beyond pure Transformer stacks when that yields better efficiency or latency. Google is stuffing these capabilities into a crowded toolkit: AI Studio and Firebase Studio are core starting points for developers, while Vertex AI remains the enterprise on-ramp. The strategic stakes: defending search, courting developers amid an AI arms race This colossal undertaking is driven by Google’s massive R&D capabilities but also by strategic necessity. In the enterprise software landscape, Microsoft has a formidable hold, a Fortune 500 Chief AI Officer told VentureBeat, reassuring customers with its full commitment to tooling Copilot. The executive requested anonymity because of the sensitivity of commenting on the intense competition between the AI cloud providers. Microsoft’s dominance in Office 365 productivity applications will be exceptionally hard to dislodge through direct feature-for-feature competition, the executive said. Google’s path to potential leadership – its “end-run” around Microsoft’s enterprise hold – lies in redefining the game with a fundamentally superior, AI-native interaction paradigm. If Google delivers a truly “universal AI assistant” powered by a comprehensive world model, it could become the new indispensable layer – the effective operating system – for how users and businesses interact with technology. As Pichai mused with podcaster David Friedberg shortly before I/O, that means awareness of physical surroundings. And so AR glasses, Pichai said, “maybe that’s the next leap…that’s what’s exciting for me.” But this AI offensive is a race against multiple clocks. First, the $200 billion search-ads engine that funds Google must be protected even as it is reinvented. The U.S. Department of Justice’s monopolization ruling still hangs over Google – divestiture of Chrome has been floated as the leading remedy. And in Europe, the Digital Markets Act as well as emerging copyright-liability lawsuits could hem in how freely Gemini crawls or displays the open web. Finally, execution speed matters. Google has been criticized for moving slowly in past years. But over the past 12 months, it became clear Google had been working patiently on multiple fronts, and that it has paid off with faster growth than rivals. The challenge of successfully navigating this AI transition at massive scale is immense, as evidenced by the recent Bloomberg report detailing how even a tech titan like Apple is grappling with significant setbacks and internal reorganizations in its AI initiatives. This industry-wide difficulty underscores the high stakes for all players. While Pichai lacks the showmanship of some rivals, the long list of enterprise customer testimonials Google paraded at its Cloud Next event last month – about actual AI deployments – underscores a leader who lets sustained product cadence and enterprise wins speak for themselves.  At the same time, focused competitors advance. Microsoft’s enterprise march continues. Its Build conference showcased Microsoft 365 Copilot as the “UI for AI,” Azure AI Foundry as a “production line for intelligence,” and Copilot Studio for sophisticated agent-building, with impressive low-code workflow demos (Microsoft Build Keynote, Miti Joshi at 22:52, Kadesha Kerr at 51:26). Nadella’s “open agentic web” vision (NLWeb, MCP) offers businesses a pragmatic AI adoption path, allowing selective integration of AI tech – whether it be Google’s or another competitor’s – within a Microsoft-centric framework. OpenAI, meanwhile, is way out ahead with the consumer reach of its ChatGPT product, with recent references by the company to having 600 million monthly users, and 800 million weekly users. This compares to the Gemini app’s 400 million monthly users. And in December, OpenAI launched a full-blown search offering, and is reportedly planning an ad offering – posing what could be an existential threat to Google’s search model. Beyond making leading models, OpenAI is making a provocative vertical play with its reported $6.5 billion acquisition of Jony Ive’s IO, pledging to move “beyond these legacy products” – and hinting that it was launching a hardware product that would attempt to disrupt AI just like the iPhone disrupted mobile. While any of this may potentially disrupt Google’s next-gen personal computing ambitions, it’s also true that OpenAI’s ability to build a deep moat like Apple did with the iPhone may be limited in an AI era increasingly defined by open protocols (like MCP) and easier model interchangeability. Internally, Google navigates its vast ecosystem. As Jeanine Banks, Google’s VP of Developer X, told VentureBeat serving Google’s diverse global developer community means “it’s not a one size fits all,” leading to a rich but sometimes complex array of tools – AI Studio, Vertex AI, Firebase Studio, numerous APIs. Meanwhile, Amazon is pressing from another flank: Bedrock already hosts Anthropic, Meta, Mistral and Cohere models, giving AWS customers a pragmatic, multi-model default. For enterprise decision-makers: navigating Google’s ‘world model’ future Google’s audacious bid to build the foundational intelligence for the AI age presents enterprise leaders with compelling opportunities and critical considerations: Move now or retrofit later: Falling a release cycle behind could force costly rewrites when assistant-first interfaces become default. Tap into revolutionary potential: For organizations seeking to embrace the most powerful AI, leveraging Google’s “world model” research, multimodal capabilities (like Veo 3 and Imagen 4 showcased by Woodward at I/O), and the AGI trajectory promised by Google offers a path to potentially significant innovation. Prepare for a new interaction paradigm: Success for Google’s “universal assistant” would mean a primary new interface for services and data. Enterprises should strategize for integration via APIs and agentic frameworks for context-aware delivery. Factor in the long game (and its risks): Aligning with Google’s vision is a long-term commitment. The full “world model” and AGI are potentially distant horizons. Decision-makers must balance this with immediate needs and platform complexities. Contrast with focused alternatives: Pragmatic solutions from Microsoft offer tangible enterprise productivity now. Disruptive hardware-AI from OpenAI/IO presents another distinct path. A diversified strategy, leveraging the best of each, often makes sense, especially with the increasingly open agentic web allowing for such flexibility. These complex choices and real-world AI adoption strategies will be central to discussions at VentureBeat’s Transform 2025 next month. The leading independent event brings enterprise technical decision-makers together with leaders from pioneering companies to share firsthand experiences on platform choices – Google, Microsoft, and beyond – and navigating AI deployment, all curated by the VentureBeat editorial team. With limited seating, early registration is encouraged. Google’s defining offensive: shaping the future or strategic overreach? Google’s I/O spectacle was a strong statement: Google signalled that it intends to architect and operate the foundational intelligence of the AI-driven future. Its pursuit of a “world model” and its AGI ambitions aim to redefine computing, outflank competitors, and secure its dominance. The audacity is compelling; the technological promise is immense. The big question is execution and timing. Can Google innovate and integrate its vast technologies into a cohesive, compelling experience faster than rivals solidify their positions? Can it do so while transforming search and navigating regulatory challenges? And can it do so while focused so broadly on both consumers and business – an agenda that is arguably much broader than that of its key competitors? The next few years will be pivotal. If Google delivers on its “world model” vision, it may usher in an era of personalized, ambient intelligence, effectively becoming the new operational layer for our digital lives. If not, its grand ambition could be a cautionary tale of a giant reaching for everything, only to find the future defined by others who aimed more specifically, more quickly.  Daily insights on business use cases with VB Daily If you want to impress your boss, VB Daily has you covered. We give you the inside scoop on what companies are doing with generative AI, from regulatory shifts to practical deployments, so you can share insights for maximum ROI. Read our Privacy Policy Thanks for subscribing. Check out more VB newsletters here. 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Get the Popular Science daily newsletter💡 Breakthroughs, discoveries, and DIY tips sent every weekday. Earth and space mingle in stunning ways for the 2025 Milky Way Photographer of the Year contest. From the “geological masterpiece” of Coyote Buttes, Utah to the sandstone terrain of desolate Ennedi, Chad to a lava-spewing volcano in Guatemala, this year’s entries dazzle from all corners of the globe. We even get a view of the Milky Way from off-planet with a photograph from NASA astronaut Don Pettit taken aboard the International Space Station. “The Wave”Coyote Buttes, UT, USAOne of my greatest passions is visiting stunning natural wonders and paying my personal tribute to them through night photography. This image was taken at Coyote Buttes, a geological masterpiece located in Arizona, where special access permits are required to protect it for future generations.Despite the intense cold during those days, it was incredibly exciting to visit the great sandstone wave for the first time and enjoy its spectacular shapes and colors.To capture this 360° panorama, I planned for the Milky Way and focused on creating a balanced photographic composition. It’s hard to put into words the beauty of this place, but I hope my photograph manages to convey it.Credit: Luis Cajete / 2025 Milky Way Photographer of the Year Daniel Zafra Portill The Milky Way contains an estimated 200-400 billion stars, but we can only see a fraction of the celestial bodies with our naked eyes. Photography opens up the skies to the staggering light show floating around us. (Click to enlarge images.) “Echiwile Arch” Ennedi, ChadWhen one first Googles information about visiting Chad, the results aren’t very encouraging from a safety perspective. Nevertheless, the intrepid astrophotographer in me decided to take the chance and visit this landlocked country, specifically the Ennedi Massif in the north.Sparsely populated and completely devoid of light pollution, the three-day drive from the capital, N’Djamena, was well worth the troubles and risks involved. The region is filled with numerous rock formations, shapes, and arches, offering an abundance of options for foreground elements to frame the dramatic night skies. Seen here is a small arch in the shape of a hoof in the Ennedi region.Credit: Vikas Chander / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Fortress of Light”Jujuy, ArgentinaSince I started shooting the night sky, I’ve always sought out landscapes that feel like they belong to another planet — remote, untouched, and far from light pollution. That’s exactly what I found in “The Cathedral,” a surreal rock formation in Jujuy, Argentina.Photographing at over 4,000 meters (13,000 feet) presented its challenges, but when I arrived and saw the rock formations, I was completely blown away. The landscape felt like something from a fantasy world, and the towering cliffs instantly reminded me of a giant stone fortress sculpted by nature.As twilight gave way to full darkness, the core of the Milky Way appeared high overhead, shining with incredible clarity. I patiently waited as the galactic center slowly descended toward the horizon, perfectly aligning above the cliffs.While capturing the panorama, the camera picked up bands of orange and green airglow, adding a unique glow to the horizon.This image captures everything I love about photographing the Milky Way — the silence of remote places, the peace of standing under a pristine sky, and the deep connection I feel to the moment, fully present and grateful to witness it.Credit: Mauricio Salazar / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “The Night Guardians” Easter Island, ChileEaster Island had been on my bucket list for a long time, and it once seemed almost impossible to reach. On our first night there, the weather forecast looked promising, so we decided to go ahead with the tour our group had booked 4–5 months earlier. However, Rapa Nui sits in the middle of the Pacific Ocean, where the weather is notoriously unpredictable. When we woke up at 3 a.m. in our hotel, the sky was completely covered in clouds. Still, we decided to take the risk, knowing the forecast for the next few nights was even worse.An hour later, we were frantically photographing the statues at Rano Raraku—the quarry where nearly all of the island’s 900 statues were carved—when the sky suddenly began to clear. By 5 a.m., it was completely clear, and we had less than two hours to capture all the shots we wanted. We felt incredibly lucky to be in the right place at the right time.Credit: Rositsa Dimitrova / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Blossom”Hehuan Mountain Dark Sky Park, TaiwanAfter three years of waiting, the Yushan alpine rhododendrons are finally in bloom once again on Taiwan’s 3,000-meter-high Hehuan Mountain. On this special night, distant clouds helped block city light pollution, revealing an exceptionally clear view of the Milky Way. A solar flare from active region AR3664 reached Earth that evening, intensifying the airglow and adding an otherworldly touch to the sky.Together, these rare natural events created a breathtaking scene—vivid blooms glowing softly beneath a star-filled sky.Credit: Ethan Su / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Spines and Starlight”Kanaan, NamibiaOn our second Namibia Photography Tour, we began our journey once again at one of our favorite spots in Kanaan. Last year was an incredible experience, but this time, we decided to explore more of this vast land.During a scouting trip, I stumbled upon the perfect composition—two quiver trees standing tall with a large cactus in the foreground, all beautifully aligned with the Milky Way. I had always wanted to capture the Milky Way alongside a big cactus, so in that moment, it felt like a special gift.Getting everything in focus was a bit challenging, as I had to get extremely close to the cactus without getting poked. To achieve perfect sharpness, I used focus stacking. Additionally, I shot with an astro-modified camera and a GNB Nebula filter to enhance the details of the night sky.Credit: Burak Esenbey / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Galaxy of the Stone Array” Moeraki Boulders, New ZealandThe Milky Way hangs over the sea. The night sky of the Southern Hemisphere condenses the poetry of Li Bai, a poet from China’s Tang Dynasty, into eternity. On a clear night, the Milky Way pours down over the sea like a waterfall from the sky, intertwining with the atmospheric glow on the water’s surface.Credit: Alvin Wu / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “One in a Billion ”ISS (International Space Station)I float in the Cupola, looking out the seven windows composing this faceted transparent jewel. While my mind is submerged in contemplation, my eyes gorge on the dim reflections from a nighttime Earth. There are over eight billion people that call this planet home. There are seven of us that can say the same for Space Station. What a privilege it is to be here. I used an orbital star tracker to take out the star streak motion from orbit.Credit: Don Pettit / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Winter Fairy Tale”Dobratsch Nature Park, AustriaUndoubtedly my wildest location this winter: Austria’s Dobratsch mountain! If I had to describe it in two words, it would be a “Winter Fairytale”!Despite a 5 a.m. work shift, I drove to Austria by 1 p.m., worried about my fitness and lack of sleep. After a 2-hour hike through the snow with a 22kg backpack and sled, the stunning views kept me energized.Arriving at the cabin (where I had planned my winter panorama two years ago), I was greeted by untouched snow, completely free of footprints. I spent the evening exploring compositions, and this is my favorite: a panorama of the winter Milky Way with reddish nebulae, stretching above Dobratsch Mountain.I captured the Zodiacal light and even the Gegenschein glow! The sky was magnificent, with Jupiter and Mars shining brightly. In the foreground is the cabin, where I spent 3 freezing hours (-12°C), waiting for the perfect shot of the Milky Way’s core. It turned out exactly as I envisioned—a true winter fairytale.Credit: Uroš Fink / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Valle de los Cactus” San Pedro de Atacama, ChileA panoramic shot of the Milky Way in a remote area of the Atacama Cactus Valley, known for its large concentration of cactus plants. I love this place with its countless possibilities. The panorama was taken just as the galactic center began to rise, with the spectacular Gum Nebula visible on the right.It was an especially bright night with a breathtaking sky. The valley isn’t easy to navigate, but it’s always worth trying to find new compositions in such stunning locations beneath the night sky.Credit: Pablo Ruiz / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Cosmic Fire”Volcán Acatenango, GuatemalaOn the early morning of June 2, 2024, I summited Acatenango Volcano for the first time, hoping to witness the fiery beauty of the neighboring Volcan de Fuego against the Milky Way’s backdrop. That night, the volcano was incredibly active—each thunderous explosion reverberated in my chest, while glowing lava illuminated the dark slopes. Above, the Milky Way stretched diagonally across the sky, a mesmerizing band of stars contrasting with the chaos below. As the volcano erupted, the ash plume rose vertically, forming an acute angle of about 45 degrees with the galaxy’s diagonal path, creating a stunning visual contrast between Earth’s fury and the cosmos’ serenity.Capturing this required a fast, wide-angle lens (f/2.8), an ISO of 3200, and a 10-second exposure to balance the volcanic glow with the starlight. The challenge was timing the shot during a new moon and aligning the right moment for the Milky Way to cross the frame next to the volcano. I used Lightroom as the editor. This image is special for its storytelling—the raw power of Volcan de Fuego meeting the tranquil expanse of the galaxy.Credit: Sergio Montúfar / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Lake RT5” Zanskar, HimalayasLake RT5 is a pristine alpine lake nestled at 5,700 meters above sea level. My passion has always been to capture the unseen Himalayas in their rawest form. This journey led us through rugged mountains and glaciers, where we discovered several unknown alpine lakes and named them along the way.We endured multiple nights in extremely cold, unpredictable conditions. Due to the ever-changing weather and limited time, I used a blue hour blend to achieve a cleaner foreground. Since my campsite was right beside the lake, I was able to capture the tracked sky shot from the exact same position later that night.I was in awe of the incredible airglow illuminating the Himalayan skies. The raw image had even more intense colors, but I toned them down to stay true to reality. This was undoubtedly one of the most unforgettable nights I’ve ever spent in the heart of the Himalayas.Credit: Tanay Das / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “A Stellar View From The Cave” Saint Raphael, FranceFramed by the rugged mouth of a coastal cave, this image captures the heart of the Milky Way rising over the Mediterranean Sea. Taken during the peak of the Galactic Core season last May, it blends the natural beauty of the foreground with the awe-inspiring vastness of the cosmos. A winding road, illuminated by passing cars, creates a dynamic trail of light that guides the eye toward the stars above.This photo is a reminder that magic often hides in the most unexpected places. All it takes is a little patience, planning, and passion.Credit: Anthony Lopez / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Boot Arch Perseids” Alabama Hills, CA, USAThe Perseid Meteor Shower occurs every August, raining down hundreds of meteors over a few nights. In 2024, I had planned to photograph it from the Canadian Rockies, but wildfires forced me to change my plans at the last minute. After checking wildfire maps, I found a safe haven in the Eastern Sierra Nevada.After three full nights of capturing meteors, I created this image. Sitting on the rock is my friend Arne, who often joins me on these adventures, gazing up at the magnificent core of our galaxy. Each meteor is painstakingly aligned to its true location in the night sky. The final depiction shows all the meteors I captured, combined into one frame—as if the Earth hadn’t been rotating and all the meteors had fallen at once.Credit: Mike Abramyan / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Starlit Ocean: A Comet, the setting Venus, the Milky Way, and McWay Falls” – California, USACapturing this image was a race against time, light, and distance. With Comet Tsuchinshan–ATLAS (C/2023 A3) making its approach, I knew I had a rare opportunity to see it with the naked eye before it faded into the cosmos. I embarked on a five-hour round trip to McWay Falls in Big Sur, one of the few Bortle 2 locations accessible along California’s coast. My window was narrow—just six precious minutes of true darkness before the Moon rose and washed out the night sky. But those six minutes were unforgettable.In that brief span, the Milky Way arched high above the Pacific, Venus shimmered as it set over the ocean, and the comet streaked quietly across the sky—a celestial visitor gracing this iconic coastal cove. The soft cascade of McWay Falls and the stillness of the starlit ocean created a surreal harmony between Earth and sky. It was one of the most vivid and humbling naked-eye comet sightings I’ve ever experienced—an alignment of cosmic elements that felt both fleeting and eternal.Credit: Xingyang Cai / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Diamond Beach Emerald Sky”Great Ocean Road, AustraliaWith a clear night forecast and the Milky Way core returning for 2025, I set out to explore the Great Ocean Road. After a few setbacks—such as a failed composition and getting the car stuck on a sandy track—I almost gave up. However, I pushed on and found a great spot above the beach to capture the scene.The night was full of color, with Comet C/2024 G3 Atlas and a pink aurora in the early hours, followed by the Milky Way rising amid intense green airglow near dawn. Despite the challenges, the reward of this stunning image and the memory of the view made it all worthwhile.Credit: Brent Martin / 2025 Milky Way Photographer of the Year Daniel Zafra Portill

Even at first glance, there’s something off about the body on the street. The white sheet it’s under is a little too clean, and the officers’ movements are totally devoid of purpose. “We need to clear the street,” one of them says with a firm hand gesture, though her lips don’t move. It’s AI, alright. But here’s the kicker: my prompt didn’t include any dialogue.Veo 3, Google’s new AI video generation model, added that line all on its own. Over the past 24 hours I’ve created a dozen clips depicting news reports, disasters, and goofy cartoon cats with convincing audio — some of which the model invented all on its own. It’s more than a little creepy and way more sophisticated than I had imagined. And while I don’t think it’s going to propel us to a misinformation doomsday just yet, Veo 3 strikes me as an absolute AI slop machine.AI generated video: Made with Veo 3Google introduced Veo 3 at I/O this week, highlighting its most important new capability: generating sound to go with your AI video. “We’re entering a new era of creation,” Google’s VP of Gemini, Josh Woodward, explained in the keynote, calling it “incredibly realistic.” I wasn’t completely sold, but then, a few days later, I had Veo 3 generate a video of a news anchor announcing a fire at the Space Needle. All it took was a basic text prompt, a few minutes, and an expensive subscription to Google’s AI Ultra plan. And you know what? Woodward wasn’t exaggerating. It’s realistic as hell.I tried the news anchor prompt after seeing what Alejandra Caraballo, a clinical instructor at Harvard Law School’s Cyberlaw Clinic, was able to produce. One of her clips features a news anchor announcing the death of US Secretary of Defense Pete Hegseth. He is not dead, but the clip is incredibly convincing. A post including a string of videos with AI-generated characters protesting the prompts used to create them has 50,000 upvotes on Reddit. The scenes include disasters, a woman in a hospital bed using a breathing tube, and a character being threatened at gunpoint — all with spoken dialogue and realistic background sounds. Real lighthearted stuff!Maybe I’m being naive, but after playing around with Veo 3 I’m not quite as concerned as I was at first. For starters, the obvious guardrails are in place. You can’t prompt it to create a video of Biden tripping and falling. You can’t have a news anchor announce the assassination of the president, or even generate a video of a T-shirt-and-chain-wearing tech company CEO laughing while dollar bills rain down around him. That’s a start.That said, you can generate some troubling shit. Without any clever workarounds I prompted Veo 3 to create a video of the Space Needle on fire. Starting with my own photo of Mount Rainier, I generated a video of it erupting with smoke and lava. Coupled with a clip of a news anchor announcing said disaster, I can see how you could seed some mischief real easily with this tool.AI generated video: Made with Veo 3Here’s the better news: it doesn’t seem like a ready-made deepfake machine. I gave it a couple of photos of myself and asked it to generate a video with specific dialogue and it wouldn’t comply. I also asked it to bring a pair of giant boots in a photo to life and have them walk out of the scene; it managed one boot stomping across the sidewalk with some comical crunching noises in the background.AI generated video: Made with Veo 3I had an easier time generating videos when my prompts were less specific, which is how I confirmed something my colleague Andrew Marino pointed out: Veo 3 is excellent at creating the kind of lowest-common-denominator YouTube content aimed at kids.If you’ve never been subjected to the endless pit of garbage on YouTube Kids, let me enlighten you. Imagine watching the worst 3D rendering of a monster truck driving down a ramp, landing in a vat of colored paint. Next to it, another monster truck drives down another ramp into another vat of paint — this time, a different color. Now watch that again. And again. And again. There are hours of this stuff on YouTube designed to mesmerize toddlers. These videos are usually harmless, just empty calories designed to rack up views that make Cocomelon look like Citizen Kane. In about 10 minutes with Veo 3, I threw together a clip following the same basic formula — complete with jaunty background music. But the clip that’s even more troubling to me is the two cartoon cats on a pier.AI generated video: Made with Veo 3I thought it would be funny to have the cats complain to each other that the fish aren’t biting. In just a couple of minutes, I had a clip complete with two cats and some AI-generated dialogue that I never wrote. If it’s this easy to make a 10-second clip, stretching it out to a seven-minute YouTube video would be trivial. In its current form, clips revert to Veo 2 when you try to extend them into longer scenes, which removes the audio. But the way that Google has been pushing these tools forward relentlessly, I can’t imagine it’ll be long before you can edit a full feature-length video with Veo 3.Honestly, I wonder if this sort of use for AI-generated video is a feature and not a bug. Google showed us some fancy AI-generated video from real filmmakers, including Eliza McNitt, who is working with Darren Aronofsky on a new film with some AI-generated elements. And sure, AI video could be an interesting tool in the right hands. But I think what we’re most likely to see is a proliferation of the kind of bland imagery that AI is so good at generating — this time, in stereo.See More:

Even at first glance, there’s something off about the body on the street. The white sheet it’s under is a little too clean, and the officers’ movements are totally devoid of purpose. “We need to clear the street,” one of them says with a firm hand gesture, though her lips don’t move. It’s AI, alright. But here’s the kicker: my prompt didn’t include any dialogue.Veo 3, Google’s new AI video generation model, added that line all on its own. Over the past 24 hours I’ve created a dozen clips depicting news reports, disasters, and goofy cartoon cats with convincing audio — some of which the model invented all on its own. It’s more than a little creepy and way more sophisticated than I had imagined. And while I don’t think it’s going to propel us to a misinformation doomsday just yet, Veo 3 strikes me as an absolute AI slop machine.AI generated video: Made with Veo 3Google introduced Veo 3 at I/O this week, highlighting its most important new capability: generating sound to go with your AI video. “We’re entering a new era of creation,” Google’s VP of Gemini, Josh Woodward, explained in the keynote, calling it “incredibly realistic.” I wasn’t completely sold, but then, a few days later, I had Veo 3 generate a video of a news anchor announcing a fire at the Space Needle. All it took was a basic text prompt, a few minutes, and an expensive subscription to Google’s AI Ultra plan. And you know what? Woodward wasn’t exaggerating. It’s realistic as hell.I tried the news anchor prompt after seeing what Alejandra Caraballo, a clinical instructor at Harvard Law School’s Cyberlaw Clinic, was able to produce. One of her clips features a news anchor announcing the death of US Secretary of Defense Pete Hegseth. He is not dead, but the clip is incredibly convincing. A post including a string of videos with AI-generated characters protesting the prompts used to create them has 50,000 upvotes on Reddit. The scenes include disasters, a woman in a hospital bed using a breathing tube, and a character being threatened at gunpoint — all with spoken dialogue and realistic background sounds. Real lighthearted stuff!Maybe I’m being naive, but after playing around with Veo 3 I’m not quite as concerned as I was at first. For starters, the obvious guardrails are in place. You can’t prompt it to create a video of Biden tripping and falling. You can’t have a news anchor announce the assassination of the president, or even generate a video of a T-shirt-and-chain-wearing tech company CEO laughing while dollar bills rain down around him. That’s a start.That said, you can generate some troubling shit. Without any clever workarounds I prompted Veo 3 to create a video of the Space Needle on fire. Starting with my own photo of Mount Rainier, I generated a video of it erupting with smoke and lava. Coupled with a clip of a news anchor announcing said disaster, I can see how you could seed some mischief real easily with this tool.AI generated video: Made with Veo 3Here’s the better news: it doesn’t seem like a ready-made deepfake machine. I gave it a couple of photos of myself and asked it to generate a video with specific dialogue and it wouldn’t comply. I also asked it to bring a pair of giant boots in a photo to life and have them walk out of the scene; it managed one boot stomping across the sidewalk with some comical crunching noises in the background.AI generated video: Made with Veo 3I had an easier time generating videos when my prompts were less specific, which is how I confirmed something my colleague Andrew Marino pointed out: Veo 3 is excellent at creating the kind of lowest-common-denominator YouTube content aimed at kids.If you’ve never been subjected to the endless pit of garbage on YouTube Kids, let me enlighten you. Imagine watching the worst 3D rendering of a monster truck driving down a ramp, landing in a vat of colored paint. Next to it, another monster truck drives down another ramp into another vat of paint — this time, a different color. Now watch that again. And again. And again. There are hours of this stuff on YouTube designed to mesmerize toddlers. These videos are usually harmless, just empty calories designed to rack up views that make Cocomelon look like Citizen Kane. In about 10 minutes with Veo 3, I threw together a clip following the same basic formula — complete with jaunty background music. But the clip that’s even more troubling to me is the two cartoon cats on a pier.AI generated video: Made with Veo 3I thought it would be funny to have the cats complain to each other that the fish aren’t biting. In just a couple of minutes, I had a clip complete with two cats and some AI-generated dialogue that I never wrote. If it’s this easy to make a 10-second clip, stretching it out to a seven-minute YouTube video would be trivial. In its current form, clips revert to Veo 2 when you try to extend them into longer scenes, which removes the audio. But the way that Google has been pushing these tools forward relentlessly, I can’t imagine it’ll be long before you can edit a full feature-length video with Veo 3.Honestly, I wonder if this sort of use for AI-generated video is a feature and not a bug. Google showed us some fancy AI-generated video from real filmmakers, including Eliza McNitt, who is working with Darren Aronofsky on a new film with some AI-generated elements. And sure, AI video could be an interesting tool in the right hands. But I think what we’re most likely to see is a proliferation of the kind of bland imagery that AI is so good at generating — this time, in stereo.See More:

The Fresh Prince of Pasta Google’s Will Smith double is better at eating AI spaghetti … but it’s crunchy? Veo 3 is a major leap in AI video synthesis, but the sound effects need more cooking time. Benj Edwards – May 23, 2025 1:57 pm | 58 A still frame of "Will Smith eating spaghetti" in Google's Veo 3 AI video generator. A still frame of "Will Smith eating spaghetti" in Google's Veo 3 AI video generator. Story text Size Small Standard Large Width * Standard Wide Links Standard Orange * Subscribers only   Learn more On Tuesday, Google launched Veo 3, a new AI video synthesis model that can do something no major AI video generator has been able to do before: create a synchronized audio track. While from 2022 to 2024, we saw early steps in AI video generation, each video was silent and usually very short in duration. Now you can hear voices, dialog, and sound effects in eight-second high-definition video clips. Shortly after the new launch, people began asking the most obvious benchmarking question: How good is Veo 3 at faking Oscar-winning actor Will Smith at eating spaghetti? First, a brief recap. The spaghetti benchmark in AI video traces its origins back to March 2023, when we first covered an early example of horrific AI-generated video using an open source video synthesis model called ModelScope. The spaghetti example later became well-known enough that Smith parodied it almost a year later in February 2024. Here's what the original viral video looked like: One thing people forget is that at the time, the Smith example wasn't the best AI video generator out there—a video synthesis model called Gen-2 from Runway had already achieved superior results (though it was not yet publicly accessible). But the ModelScope result was funny and weird enough to stick in people's memories as an early poor example of video synthesis, handy for future comparisons as AI models progressed. AI app developer Javi Lopez first came to the rescue for curious spaghetti fans earlier this week with Veo 3, performing the Smith test and posting the results on X. But as you'll notice below when you watch, the soundtrack has a curious quality: The faux Smith appears to be crunching on the spaghetti. On X, Javi Lopez ran "Will Smith eating spaghetti" in Google's Veo 3 AI video generator and received this result. It's a glitch in Veo 3's experimental ability to apply sound effects to video, likely because the training data used to create Google's AI models featured many examples of chewing mouths with crunching sound effects. Generative AI models are pattern-matching prediction machines, and they need to be shown enough examples of various types of media to generate convincing new outputs. If a concept is over-represented or under-represented in the training data, you'll see unusual generation results, such as jabberwockies. We tried running the prompt ourselves in Veo 3 and "Will Smith" was blocked by Google's content filters, but upon requesting "A black man eating spaghetti," we got a similar crunchy sound result (either Lopez had early test access without filters, or perhaps one of his prompts got around the filter, which happens sometimes if you try different variations). AI-generated video from Google Veo 3: "A black man eating spaghetti." Veo 3 is remarkable in its ability to generate coherent dialog and music, and it's already led to many interesting examples you can find on X. Some are wildly realistic. Not content to merely enjoy a video of a man eating very al dente noodles, we thought we'd see if the man could sing and eat at the same time with the prompt, "A man singing an English language comedy opera about spaghetti at a kitchen table while eating it." AI-generated video from Google Veo 3: "A man singing an English language comedy opera about spaghetti at a kitchen table while eating it." We have come quite a long way since 2023, and AI video generators are only going to get more realistic and capable over time. If it weren't for the celebrity filter on Veo 3 at the moment, we could likely make Smith appear to do the singing—and to do just about anything else, which is the potentially troublesome part of AI video. The cultural singularity is upon us. AI-generated video from Veo 3: A man in a shark costume rapping about Ars Technica on stage. Speaking of which, we recently ran our own extended battery of video generation tests in Veo 3 and will have those for you soon in a separate feature. But for now, we thought we'd briefly update you on the Fresh Prince of noodle consumption. Bon appétit! Benj Edwards Senior AI Reporter Benj Edwards Senior AI Reporter Benj Edwards is Ars Technica's Senior AI Reporter and founder of the site's dedicated AI beat in 2022. He's also a tech historian with almost two decades of experience. In his free time, he writes and records music, collects vintage computers, and enjoys nature. He lives in Raleigh, NC. 58 Comments

If it wasn’t already evident, this year’s Google I/O proved that AI is very much the future of Android. The showcase even gave us the first look at Android XR smart glasses, a headset, and even a next-gen video conferencing kit in action. The crucial miss between all the snazzy product announcements? The upcoming Pixel 10 series phones.  Of course, I/O is never about hardware, but the focus on feature announcements this year was geared more towards mobile users than desktop. The Pixel’s absence was conspicuous, as even Google’s demos had executives showing off Gemini AI advancements on a Samsung Galaxy S25 Ultra on multiple occasions.  Recommended Videos It was pretty surprising to witness. After all, Google sells the Pixel portfolio under the unofficial moniker of an AI phone. So, why was the focus not solely on the Pixel 9 Pro or its foldable sibling, arguably one of the best Android smartphones out there? Why not give a glimpse of the Pixel 10 and hype it a bit?  Christine Romero-Chan / Digital Trends Well, Google won’t say why, but most likely, the company is saving the excitement for a flashy launch event in the coming months. However, Google I/O gave a clear view of the software experience that you will get on the Pixel 10 series. Android 16, and the whole AI shebang.  Camera enhancements at the center There are predominantly two main reasons for investing in a Pixel phone: a fantastic camera and the latest from Android. Google already laid out the foundations for more creative control in the camera app during the beta testing phase of Android 16. Some of those enhancements include a software-assisted enhancement to low-light capture. Video hue and color temperature settings in Android 16. Google With the Camera2 API upgrade, a new hybrid auto exposure system will let users easily make adjustments to ISO and exposure levels, alongside granular tint and color adjustment controls. If the photographic styles on iPhone 16 Pro and its analog on the Galaxy S25 series, we are getting something of a similar caliber on the Pixel 10 series phones. Interestingly, the camera upgrades will also tag alongside some battery efficiency improvements. Thanks to the new native PCM offloading pipeline, Google notes that the onboard digital signal processor will be able to “handle more audio playback processing, thus conserving user battery.” In a nutshell, your phone will suck up less batery juice during video and audio capture.  Hi-res video capture is quite demanding on phones, and I can’t wait to see what improvements Google has in the pipeline for the Pixel 10. In a separate session targeted at developers, Google also shed some light on the CameraX and Media3 stack.  It seems the vanilla Android experience on the Pixel 10 series phones will offer more flexibility with adjusting aspect ratio and video resolutions. The Media3 effect connector will also open the doors for adding creative filters. Of particular  interest is the concurrent camera system that enables dual camera streams.  Leaks suggest that the Pixel 10 series’ hardware won’t offer any meaningful leg-up over the Pixel 9 family, so it’s highly likely that the focus will be on software-based enhancements. And that brings us to…  AI enhancements  One of the buzziest announcements from I/O 2025 was the release Veo 3 AI model, which can generate photorealistic videos and add a fitting audio, as well. But the more notable change was made to the older Veo 2 model, and these sound tailor-made for smartphones.  Google Users can now give it samples of pictures and videos as a style reference, define the camera movement (rotate, zoom, dolly, etc.), broaden the frame, and add or remove objects from videos. And it is possible on phones, though I’m not sure if it can be handled on-device.  Image-to-video generation has already landed on the Honor 400 series, while Veo video generation is possible in the Gemini mobile app. Meanwhile, the new Imagen 4 model has also improved at photorealism and typography, while increasing image output to 2K resolution.  The next obvious spot for all these AI photo and video upgrades is the native Pixel camera, or the Photos app. Imagine uploading a picture, and having its style picked up to capture photos and video. You can adjust the frame from portrait to landscape, and make specific changes to the objects appearing in the videos. Andy Boxall / Digital Trends These features are already possible with AI image editing for photos, and I won’t be surprised to see Google pushing it as a standout Pixel 10 perk. I am just hoping that Google doesn’t lock these features to the Pro models, especially because all the models will likely rely on the same silicon.  Moving away from apps Google has already created a system called apps, formerly known as extensions, that allows Gemini to interact with connected platforms. For example, it can pull up details from Gmail, add an entry to Tasks, handle WhatsApp, among others. It’s still a work in progress in terms of adoption, but on the Pixel 10, we are going to see agentic capabilities that go beyond apps. Google The secret sauce is Project Mariner, and it comes to life courtesy of AI mode in the Search app. To begin with, it can autonomously handle chores like ticket bookings, reservations, or shopping based on simple text input like “find me three tickets to the Arsenal game on Sunday, and prefer low-cost seats.”  Instead of having users dig through Google search and deal with booking apps, Project Mariner will handle the tedious part. While that is impressive in itself, AI mode queries will also take a look at tickets and reservations in the Gmail inbox  (and Google apps) for tailored responses.  In a nutshell, even Google’s own apps will start losing their charm as the entire user interface shifts increasingly towards a unified AI-first Android experience. Likewise, for tasks that don’t require a Google Search, Gemini Live will take over. Given Google’s historical focus on AI accelerator chips and on-device processing, I am confident that the Pixel 10 will push these as a highlight benefit. Right now, Gemini Live can only hold conversations based on what you say or what it sees through the camera. Soon, you will be able to execute tasks mid-way through voice chats across apps such as Calendar, Maps, and Tasks, among others. This will tie broadly into the Project Astra capabilities, which you can see in action above. More of the same thing The theme of AI was recurring during Google’s developers conference. If you care about the numbers, it was heard 92 times during the I/O keynote. As far as the Pixel 10 series phones go, leaks suggest they would look almost identical to their respective Pixel 9 series counterparts.  Alleged design render of Pixel 10 Pro. Android Headlines That leaves Google in a position where it has to innovate more with software than hardware possibilities. The question is, just how far can Google go with the Android and AI experiences to make the Pixel 10 Pro feel fresh, when it serves essentially the same hardware formular as its predecessor.  Apple is no stranger to this strategy, and neither is Samsung. It’s a meaningful strategy, as it allows engineers to further refine the hardware at hand, and build meaningful software experiences. It remains to be seen whether the Pixel 10 series can make a leap.